#18th post

[demigods-posts]

here to remind y'all it's percy jackson's birthday. happy birthday man. you've survived for long enough. go live your life. we stand with you.

[strangepizzasloth]

So I kinda just died..

Not even lurking or just offline. I just died.

Idk. Thought y'all should know

[toxxtt]

playing around with some historical french fashions on furina (+ neuvi).. I think she should always get big silly hats

18th+19th century mens fashion is one of my fav fav fav things is ever so this was fun 🫡 love being fashion history neurodivergent

[rowzien]

The Trans Court Suit

This was my big project I made over the summer! I am beyond proud of and happy with the coat.

The first initial project I wanted for this was a pink waistcoat. I grew up liking pink and most of my stuff was, but that (along with growing up in a hot pink room) made me start to resent pink a lot especially as a teenager. (I think a lot of trans guys have similar stories.) But of course pink was very popular for men throughout a lot of European fashion history. So in many ways this was a self healing project for me, at least in that regard. Which I think was a success!

I actually found the first two portraits after I started working on the outfit, they looked perfect! The first especially is super close to my hair.

The silks for the coat as well as the linen interfacings were second hand or scraps in my stash. The cotton sateen was from Burnley and Trowbridge. This is the first project I fully drafted myself. The waistcoat and breeches were made from an 1820s manual and the coat was primarily taken from Period Patterns by Doris Edison, using also Agreeable Tyrant for interfacings and The Taylor's Complete Guide (for shape reference).

This is also the most hand sewing I’ve done for an outfit. Both of the fronts of the coat and waistcoat are completely by hand. Most of the coat is by hand with machine for structural/backstitches, mostly the seams but not the edges. In total there are 22 buttons.

I made the waistcoat straight across for two reasons A. So I can wear it with my other stuff B. I didn’t have any more trim, that was it. I’ll probably make a more 18th century style waistcoat out of white for this (at some point).

The breeches ended up being too small for my thighs so I started getting frustrated with the fit and rushed them by the end so I could move on. (I accidentally sewed the buttonholes on the wrong side).

[dieselocelot]

monsieur maison's big day. you get both because im indecisive (x)

[zipsunz]

last item of the current omori line up! 💡🖤

these will be available in stock on 9/20 at 12 PM PST! new items will be added after the big persona lil buddies preorder is handled ^^

[deltapelagicpetrel]

alright time for my once-in-a-quarter post, this time the topic is griddlehark!!!!!!!! I love them so much i sure hope nothing bad happens to them ever hahahaha

[bloobydabloob]

hello my i request more of ur davebot ? thx beforehand .

Yes you can. Mah mah mah mah mah mah mah

[fjordfolk]

Utilization: By his anatomical peculiarities this dog is predestinated to puffin-hunting on the steep rocks around the fjords and along the shore.

The standard:

Neck: Clean-cut, of medium length, quite strong with a relatively well furnished collar.

Compendium comment:

The head is carried relatively low. The two last vertebrae (atlas/apsis) are shaped so that the dog can bend backwards so that the head touches the back. To do so is vital when turning in the narrow burrows. NB! This should NEVER be demonstrated the ring!

The standard:

Ears: Triangular ears of medium size, broad at the base, carried erect and very mobile. The cartilage of the ear lobe has the faculty of being able to retract itself so that the ear folds itself and flops in a specific manner, either backwards or in right angle upwards, so as to close the auditory passage.

Compendium addition:

The ears of the Lundehund have a unique muscle that enables them to fold and close the ears when entering the burrows, thus protecting them against dirt and moisture. The turning and folding of the ears probably also is help in locating the birds.

The standard:

Forelimbs: Moderately angulated. Forearm: Straight.

Forefeet: Oval shaped, turning slightly outwards, with at least six toes of which five must rest on the ground. Eight pads on each foot. The two inner toes, formed respectively by 3 and 2 phalanges and endowed with a ligamentary and muscular system, make the foot look solid.

Compendium addition:

Very flexible and elastic shoulder muscles. The Lundehund has joints that allow the forelimbs to extend at nearly 90 degrees from the body, but this must NEVER be demonstrated in the ring! The forefeet turn slightly outwards to give room for the extra toes.

The Norwegian Lundehund is a polydactyl. Instead of the normal 4 digits, the Lundehund normally has 6 digits, all fully formed, jointed and muscled, with tendons going up the inside of the leg, partly responsible for its wide front gait. Some specimen may have more, others less than 6 digits per foot, but less than 6 on front feet should lead to downgrading. The extra toes help the dog climbing up and down crevices in screes and cliffs.

The standard:

Hindfeet : Oval shaped, turned slightly outwards, with at least six toes - four of which must rest on the ground. Seven pads on each foot, the one in the middle, the most important one by its size, being attached to the inner pads corresponding to the two inner toes. When the dog is standing up on a flat surface, the weight of the body must be evenly distributed on the pads.

Compendium comment:

More than 6 digits is not a fault. 5 digits are acceptable on the hind feet. The extra toes on the hind feet are normally less developed than those on the forelegs and variations from the ideal, both regarding number and placement, should not be penalized.

The standard:

Gait/Movement: Light and elastic. An external rotary action of the forelegs and somewhat close action behind is characteristic of the breed.

Compendium comment:

In judging the movements of the Lundehund, one must consider that this dog is built to climb efficiently up and down steep cliffs and screes. The extra pads on both fore- and hind paws must then touch the surface to aid the dog in climbing. The extra toes help getting a grip, both in ascent and descent. The wide front with extra flexibility enables climbing safely up and down crevices, as the forelegs can grip at a 90 degrees angle to the body. On flat surfaces, the Lundehund will show typical rotating front movements, due to tendons and muscles from the extra digits on the inside of the legs. Hind movements are narrow.

[vinceaddams]

Early 18th (and late 17th) century fashions are so under-utilized in vampire media and I think it's a damn shame.

I don't actually think I've ever seen a single image of a vampire character in an early 18th century suit. Hardly any movies set in that era either, and hardly any historical costumers who do it. (Even my beloved gay pirate show set in 1717 takes nearly all of its 18th century looks from the second half of the century. Not enough appreciation for baroque fashion!!)

Yes I love late 18th century fashion as much as anyone, and 19th century formal suits are all very well and good, but if you want something that says old, dead, wealthy, and slightly dishevelled, then the 1690's-1730's are where it's at.

(Retrato del Virrey Alencastre Noroña y Silva, Duque de Linares, ca. 1711-1723.)

There was so much dark velvet, and so many little metallic buttons & buttonholes. Blood red linings were VERY fashionable in this era, no matter what the colour of the rest of the suit was.

(Johann Christoph Freiherr von Bartenstein by Martin van Meytens the Younger, 1730's.)

The slits on the front of the shirts are super low, they button only at the collar, and it's fashionable to leave most of the waistcoat unbuttoned so the shirt sticks out, as seen in the above portraits.

(Portrait of Anne Louis Goislard de Montsabert, Comte de Richbourg-le-Toureil, 1734.)

Waistcoats are very long, coats are very full, and the cuffs are huge. But the sleeves are on the shorter side to show off more of that shirt, and the ruffles if it has them! Creepy undead hands with long nails would sit so nicely under those ruffles.

(1720's-30's, LACMA)

Embroidery designs are huge and chunky and often full of metallic threads, and the brocade designs even bigger.

(1730's, V&A, metal and silk embroidery on silk satin.)

Sometimes they did this fun thing where the coat would have contrasting cuffs made from the same fabric as the waistcoat.

(Niklaus Sigmund Steiger by Johann Rudolf Huber, 1724.)

Tell me this look isn't positively made for vampires!

(Portrait of Jean-Baptiste de Roll-Montpellier, 1713.)

(Yeah I am cherry-picking mostly red and black examples for this post, and there are plenty of non-vampire-y looking images from this time, but you get the idea!)

And the wrappers (at-home robes) were also cut very large, and, if you could afford it, made with incredible brocades.

(Portrait of a nobleman by Giovanni Maria delle Piane, no date given but I'd guess maybe 1680's or 90's.)

(Circle of Giovanni Maria delle Piane, no date given but I'd guess very late 17th or very early 18th century.)

Now that looks like a child who's been stuck at the same age for a hundred years if I ever saw one!

I don't know as much about the women's fashion from this era, but they had many equally large and elabourate things.

(1730's, Museo del Traje.)

(Don't believe The Met's shitty dating, this is a robe volante from probably the 1720's.)

(Mantua, c. 1708, The Met. No idea why they had to be that specific when they get other things wrong by entire decades but ok.)

(Portrait of Duchess Colavit Piccolomini, 1690's.)

(Maria van Buttinga-van Berghuys by Hermannus Collenius, 1717.)

Sometimes they also had these cute little devil horn hair curls that came down on either side of the forehead.

(Viago in drag Portrait of a lady, Italian School, c. 1690.)

Enough suave Victorian vampires, I want to see Baroque ones! With huge wigs and brocade coat cuffs so big they go past the elbow!

[daily-castiel]

Day 21

[doomdaysdecays]

[andelkacroatia]

[dean-winchesters-clit]

Another theory post about OFMD S2 because it's all I think about anymore

I had a theory forming about the pearl necklace Ed is wearing that I wanted to share with y'all. I was originally speculating about where Ed got the necklace, thinking that maybe he stole it off one of the wedding guests or even the bride because you can see a lot of the women wearing pearl jewelry in these shots.

But the only pearl necklace we see is much larger than the ones Ed is wearing, and I did some digging and found out that pearl necklaces mostly went out of style in Europe due to a war and the church getting all uppity about people being excessive, so it would be unlikely that any of the other women would be wearing pearl necklaces, especially when the earrings and hairpins made with pearls were usually larger and more uniform than the ones we see on Ed's necklace.

So, where did the necklace come from? I think it makes perfect sense that Stede gave it to Ed because of course he did, but when? It's hard to see Ed's neck in any of the shots of him raiding the wedding ship or in the captain's cabin aboard the Revenge, but I think it's safe to say that he doesn't have it at that point in time.

The first time we see it clearly in the trailer is when he's in the forest, confronting the mysterious figure (who I have a theory about, but that's for another time).

So, Ed gets the pearl necklace some time between raiding a bunch of ships as Blackbeard and getting stranded on an island. What could possibly happen in the interim that could cause him to acquire a pearl necklace from Stede?

Well, we all know Mysterious Merchant Susan is definitely the Chinese Pirate Queen Shi Yang/Zheng Yi Sao/Ching Shih or some approximation of her (since the real Zheng Yi Sao was born in 1775). We also know that she's masquerading as a merchant for some reason. What if the scene of Stede and Oluwande at the market happens before Stede sends his message in a bottle to Ed?

What if, when talking about Blackbeard and Ed, Susan convinces Stede to buy a string of these?

Chinese freshwater pearls. They're smaller and less uniform than the pearls we associate with classic European pearl jewelry. And they match up in style and size pretty well to the pearls on Ed's necklace.

What if Stede buys these pearls from Susan and places them in the bottle along with his message to Ed? Then, when Ed gets stranded on the island, he finds the bottle on the beach and the pearls inside. That's why he goes from no pearls on the Revenge to pearl necklace on the deserted island.

Just some food for thought!

Edit

So, @naranjapetrificada pointed something out that kinda sinks this theory, but I do really like where this new info leads us.

Ed is wearing the pearl necklace before being stranded on the island. You can see it in the "fuck you, Stede Bonnet" frame, but it's easy to miss.

There she is, when Ed is very clearly on the deck of the Revenge.

So, this does burn my theory to the ground, but that's okay!! That's the fun of theory crafting! Someone noticed something I didn't and flipped the whole script!

I love the implications that the necklace is something Ed chooses for himself, rather than something he is gifted. He still likes fine things and wants to feel pretty and finds something that makes him feel that way. Babygirl is having a rough time and deserves some happiness, dammit!!

[corvidae1917]

Hatsune Miku trend but make it 18th century Europe, lead foundation included! I love all the cultural Mikus so I wanted to draw some historical outfits for her :>

This is a weird amalgamation of the robe a la polonaise and robe a l’anglaise. I hope it’s not too inaccurate.

Also pls excuse the sketchiness of the whole drawing 🥲

[coquelicoq]

i was just thinking how interesting the word oboe is because usually when we take a word from french we preserve the spelling to some extent, and oboe looks nothing like hautbois. so i looked up the etymology and apparently we got it through italian??? mystery solved i guess but that is such an interesting pathway for us to get a french word!