#2019-10-30

[killerandhealerqueen]

Are you fucking telling me that Jiang Yuelou is 24 here?  Motherfucker, I always thought he was older.  Like 29 or something

[cvctuslesbian]

do people really think inflation is a natural process and not like, rabid & unchecked corporate greed

[lesbian-rook]

Rip my ocs, all the shit they've gone through in my head and i dont even draw them

[renthony]

Nimona: a Story of Trans Rights, Queer Solidarity, and the Battle Against Censorship

by Ren Basel renbasel.com

The 2023 film Nimona, released on Netflix after a tumultuous development, is a triumph of queer art. While the basic plot follows a mischievous shapeshifter befriending a knight framed for murder, at its heart Nimona is a tale of queer survival in the face of bigotry and censorship. Though the word “transgender” is never spoken, the film is a deeply political narrative of trans empowerment.

The film is based on a comic of the same name, created by Eisner-winning artist N.D. Stevenson. (1) Originally a webcomic, Nimona stars the disgraced ex-knight Ballister Blackheart and his titular sidekick, teaming up to topple an oppressive regime known as the Institution. The webcomic was compiled into a graphic novel published by Harper Collins on May 12, 2015. (2)

On June 11, 2015, the Hollywood Reporter broke the news Fox Animation had acquired rights to the story. (3) A film adaptation would be directed by Patrick Osborne, written by Marc Haimes, and produced by Adam Stone. Two years later, on February 9, 2017, Osborne confirmed the film was being produced with the Fox-owned studio Blue Sky Animation, and on June 30 of that same year, he claimed the film would be released Valentine’s Day 2020. (4)

Then the Walt Disney Company made a huge mess.

On December 14, 2017, Disney announced the acquisition of Twenty-First Century Fox, Inc. (5) Industry publications began speculating the same day about Blue Sky’s fate, though nothing would be confirmed until after the deal’s completion on March 19, 2019. (6) At first it seemed the studio would continue producing films under Disney’s governance, similar to Disney-owned Pixar Animation. (7)

The fate of the studio���and Nimona’s film adaptation—remained in purgatory for two years. During that time, Patrick Osborne left over reported creative differences, and directorial duties were taken over by Nick Bruno and Troy Quane. (8) Bruno and Quane continued production on the film despite Blue Sky’s uncertain future.

The killing blow came on February 9, 2021. Disney shut down Blue Sky and canceled Nimona, the result of economic hardship caused by COVID-19. (9) Nimona was seventy-five percent completed at the time, set to star Chloë Grace Moretz and Riz Ahmed. (10)

While COVID-19 caused undeniable financial upheaval for the working class, wealthy Americans fared better. (11) Disney itself scraped together enough to pay CEO Bob Iger twenty-one million dollars in 2020 alone. (12) Additionally, demand for animation spiked during the pandemic’s early waves, and Nimona could have been the perfect solution to the studio’s supposed financial woes. (13) Why waste the opportunity to profit from Blue Sky’s hard work?

It didn’t take long for the answer to surface. Speaking anonymously to the press, Blue Sky workers revealed the awful truth: Disney may have killed Nimona for being too queer. The titular character was gender-nonconforming, the leading men were supposed to kiss, and Disney didn’t like it. (14) While Disney may claim COVID-19 as the cause, it is noteworthy that Disney representatives saw footage of two men declaring their love, and not long after, the studio responsible was dead. (15) Further damning evidence came in February of 2024, when the Hollywood Reporter published an article quoting co-director Nick Bruno, who named names: Disney’s chief creative officer at the time, Alan Horn, was adamantly opposed to the film’s “gay stuff.” (16)

Disney didn’t think queer art was worthy of their brand, and it isn’t the first time. “Not fitting the Disney brand” was the justification for canceling Dana Terrace’s 2020 animated series The Owl House, which featured multiple queer characters. (17) Though Terrace was reluctant to assume queerphobia caused the cancellation, Disney’s anti-queer bias has been cited as a hurdle by multiple showrunners, including Terrace herself. (18) The company’s resistance to queer art is a documented phenomenon.

While Nimona’s film cancellation could never take N.D. Stevenson’s comic from the world, it was a sting to lose such a powerful queer narrative on the silver screen. American film has a long history of censoring queerness. The Motion Picture Production Code (commonly called the Hays Code) censored queer stories for decades, including them under the umbrella of “sex perversion.” (19) Though the Code was eventually repealed, systemic bigotry turns even modern queer representation milestones into battles. In 2018, when Rebecca Sugar, creator of the Cartoon Network series Steven Universe, succeeded in portraying the first-ever same-sex marriage proposal in American children’s animation, the network canceled the show in retaliation. (20)

When queer art has to fight so hard just to exist, each loss is a bitter heartbreak. N.D. Stevenson himself expressed sorrow that the world would never see what Nimona’s crew worked so hard to achieve. (21)

Nimona, however, is hard to kill.

While fans mourned, progress continued behind the scenes. Instead of disappearing into the void as a tax write-off, the film was quietly scooped up by Megan Ellison of Annapurna Pictures. (22) Ellison received a call days before Disney’s death blow to Blue Sky, and after looking over storyboard reels, she decided to champion the film. With Ellison’s support, former Blue Sky heads Robert Baird and Andrew Millstein did their damnedest to find Nimona a home. (23)

Good news arrived on April 11, 2022, when N.D. Stevenson made a formal announcement on Twitter (now X): Nimona was gloriously alive, and would release on Netflix in 2023. (24) Netflix confirmed the news in its own press release, where it also provided details about the film’s updated cast and crew, including Eugene Lee Yang as Ambrosius Goldenloin alongside Riz Ahmed’s Ballister Boldheart (changed from the name Blackheart in the comic) and Chloë Grace Moretz as Nimona. (25) The film was no longer in purgatory, and grief over its death became anticipation for its release.

Nimona made her film debut in France, premiering at the Annecy International Animation Film Festival on June 14, 2023 to positive reviews. (26) Netflix released the film to streaming on June 30, finally completing the story’s arduous journey from page to screen. (27)

When the film begins, the audience is introduced to the world through a series of illustrated scrolls, evoking the storybook intros of Disney princess films such as 1959’s Sleeping Beauty. The storybook framing device has been used to parody Disney in the past, perhaps most famously in the 2001 Dreamworks film Shrek. Just as Shrek contains parodies of the Disney brand created by a Disney alumnus, so, too, does Nimona riff on the studio that snubbed it. (28)

Nimona’s storybook intro tells the story of Gloreth, a noble warrior woman clad in gold and white, who defended her people from a terrible monster. After slaying the beast, Gloreth established an order of knights called the Institute (changed from the Institution in the comic) to wall off the city and protect her people.

Right away, the film introduces a Christian dichotomy of good versus evil. Gloreth is presented as a Christlike figure, with the Institute’s knights standing in as her saints. (29) Her name is invoked like the Christian god, with characters uttering phrases such as “oh my Gloreth” and “Gloreth guide you.” The film’s design borrows heavily from Medieval Christian art and architecture, bolstering the metaphor.

Nimona takes place a thousand years after Gloreth’s victory. Following the opening narration, the audience is dropped into a setting combining Medieval aesthetics with futuristic science fiction, creating a sensory delight of neon splashed across knights in shining armor. It’s in this swords-and-cyborgs city that a new knight is set to join the illustrious ranks of Gloreth’s Institute, now under the control of a woman known only as the Director (voiced by Frances Conroy). That new knight is our protagonist, Ballister Boldheart.

The film changes several things from the original. The comic stars Lord Ballister Blackheart, notorious former knight, long after his fall from grace. He has battled the Institution for years, making a name for himself as a supervillain. The film introduces a younger Ballister Boldheart who is still loyal to the Institute, who believes in his dream of becoming a knight and overcomes great odds to prove himself worthy. In the comic, Blackheart’s greatest rival is Sir Ambrosius Goldenloin, with whom he has a messy past. The film shows more of that past, when Goldenloin and Boldheart were young lovers eager to become knights by each other’s side.

There is another notable change: in the comic, Goldenloin is white, and Blackheart is light-skinned. In the film, both characters are men of color—specifically, Boldheart is of Pakistani descent, and Goldenloin is of Korean descent, matching the ethnicity of their respective voice actors. This change adds new themes of institutional racism, colorism, and the “model minority” stereotype. (30)

The lighter-skinned Goldenloin is, as his name suggests, the Institute’s golden boy. He descends from the noble lineage of Gloreth herself, and his face is emblazoned on posters and news screens across the city. He is referred to as “the most anticipated knight of a generation.” In contrast, the darker-skinned Boldheart experiences prejudice and hazing due to his lower-class background. His social status is openly discussed in the news. He is called a “street kid” and “controversial,” despite being the top student in his class. The newscasters make sure everyone knows he was only given the chance to prove himself in the Institute because the queen, a Black woman with established social influence, gave him her personal patronage. Despite this patronage, when the news interviews citizens on the street, public opinion is firmly against Boldheart.

To preserve the comic’s commentary on white privilege, some of Goldenloin’s traits were written into a new, white character created for the film, Sir Thoddeus Sureblade (voiced by Beck Bennett). Sureblade’s vitriol against both Boldheart and Goldenloin allowed Goldenloin to become a more sympathetic character, trapped in the system just as much as Boldheart. (31) This is emphasized at other points in the film when the audience sees Sureblade interact with Goldenloin without Boldheart present, berating the only person of color left in the absence of the darker-skinned man.

The day Boldheart is to be knighted, everything goes wrong. As Queen Valerin (voiced by Lorraine Toussaint) performs the much-anticipated knighting ceremony, a device embedded in Boldheart’s sword explodes, killing her instantly. Though Boldheart is not to blame, he is dubbed an assassin instead of a knight. In an instant, he becomes the most wanted man in the kingdom, and Queen Valerin’s hopes for progress and social equality seem dead with her. Boldheart is gravely injured in the explosion and forced to flee, unable to clear his name.

Enter Nimona.

The audience meets the titular character in the act of vandalizing a poster of Gloreth, only to get distracted by an urgent broadcast on a nearby screen. As she approaches, a bystander yells that she’s a “freak,” in a manner reminiscent of slurs screamed by passing bigots. Nimona has no time for bigots, spraying this one in the face with paint before tuning in to the news.

“Everyone is scared,” declare the newscasters, because queen-killer Ballister Boldheart is on the run. The media paints him as a monster, a filthy commoner who never deserved the chances he was given, and announce that, “never since Gloreth’s monster has anything been so hated.” This characterization pleases Nimona, and she declares him “perfect” before scampering off to find his hiding place.

It takes the span of a title screen for her to track him down, sequestered in a makeshift junkyard shelter. Just before Nimona bursts into the lair, the audience sees Boldheart’s injuries have resulted in the amputation of his arm, and he is building a homemade prosthetic. This is another way he’s been othered from his peers in an instant, forced to adapt to life-changing circumstances with no support. Where he was so recently an aspiring knight with a partner and a dream, he is now homeless, disabled, and isolated.

A wall in the hideout shows a collection of news clippings, suspects, and sticky notes where Boldheart is trying to solve the murder and clear his name. His own photo looks down from the wall, captioned with a damning headline: “He was never one of us—knights reveal shocking details of killer’s past.” It evokes real-world racial bias in crime reporting, where suspects of color are treated as more violent, unstable, and prone to crime than white suspects. A 2021 report by the Equal Justice Initiative and the Global Strategy Group compiled data on this phenomenon, focusing on the stark disparity between coverage of white and Black suspects. (32)

Nimona is not put off by Boldheart’s sinister media reputation. It’s why she tracked him down in the first place. She’s arrived to present her official application as Boldheart’s villain sidekick and help him take down the Institute. Boldheart brushes her off, insisting he isn’t a villain. He has faith in his innocence and in the system, and leaves Nimona behind to clear his name.

When he is immediately arrested, stripped of his prosthetic, and jailed, Nimona doesn’t abandon him. She springs a prison break, and conveys a piece of bitter wisdom to the fallen knight: “[O]nce everyone sees you as a villain, that’s what you are. They only see you one way, no matter how hard you try.”

Nimona and Boldheart are both outcasts, but they are at different stages of processing the pain. Boldheart is deep in the grief of someone who tried to adhere to the demands of a biased system but finally failed. He is the newly cast-out, who gave his entire life to the system but still couldn’t escape dehumanization. His pain is a fresh, raw wound, where Nimona has old scars. She embodies the deep anger of those who have existed on the margins for years. Where Boldheart wants to prove his innocence so he can be re-accepted into the fold, Nimona’s goal is to tear the entire system apart. She finds instant solidarity with Boldheart based solely on their mutual status as outsiders, but Boldheart resists that solidarity because he still craves the system’s familiar structure.

In the comic, Blackheart’s stance is not one of fresh grief, since, just like Nimona, he has been an outsider for some time. Instead, Blackheart’s position is one of slow reform. He believes the system can be changed and improved, while Nimona urges him to demolish it entirely. In both versions, Ballister thinks the system can be fixed by removing specific corrupt influences, where Nimona believes the government is rotten to its foundations and should be dismantled. Despite their ideological differences, Nimona and Ballister ally to survive the Institute’s hostility.

The allyship is an uneasy truce. During the prison break, Nimona reveals that she’s a shapeshifter, able to change into whatever form she pleases. Boldheart reflexively reaches for his sword, horrified that she isn’t human. She is the exact sort of monster he has been taught to fear by the Institute, and it’s only because he needs her help that he overcomes his reflex and sticks with her.

Nimona’s shapeshifting functions as a transgender allegory. The comic’s author, N.D. Stevenson, is transgender, and Nimona’s story developed alongside his own queer journey. (33) The trans themes from the comic are emphasized in the film, with various pride flags included in backgrounds and showcased in the art book. (34) Directors Bruno and Quane described the film as “a story about acceptance. A movie about being seen for who you truly are and a love letter to all those who’ve ever shared that universal feeling of being misunderstood or like an outsider trying to fit in.” (35)

When Boldheart asks Nimona what she is, she responds with only “Nimona.” When he calls her a girl, she retorts that she’s “a lot of things.” When she transforms into another species, she specifies in that moment that she’s “not a girl, I’m a shark.” Later, when she takes the form of a young boy and Boldheart comments on it, saying “now you’re a boy,” her response is, “I am today.” She defies easy categorization, and she likes it that way.

About her shapeshifting, Nimona says “it feels worse if I don’t do it” and “I shapeshift, then I’m free.” When asked what happens if she doesn’t shapeshift, she responds, “I wouldn’t die-die, I just sure wouldn’t be living.” Every time she discusses her transformations, it carries echoes of transgender experience—and, as it happens, Nimona is not N.D. Stevenson’s only shapeshifting transgender character. During his tenure as showrunner for She-Ra and the Princesses of Power (Netflix/Dreamworks, 2018-2020), Stevenson introduced the character Double Trouble. Double Trouble previously existed at the margins of She-Ra lore, but Stevenson’s version was a nonbinary shapeshifter using they/them pronouns. (36) While Nimona uses she/her pronouns throughout both comic and film, just like Double Trouble her gender presentation is as fluid as her physical form.

Boldheart, like many cisgender people reacting to transgender people, is uncomfortable with Nimona. He declares her way of doing things “too much,” and insists they try to be “inconspicuous” and “discreet.” He worries whether others saw her, and, when she is casually in a nonhuman form, he asks if she can “be normal for a second.” He claims to support her, but says it would be “easier if she was a girl” because “other people aren’t as accepting.” His discomfort evokes fumbled allyship by cisgender people, and Nimona emphasizes the allegory by calling Boldheart out for his “small-minded questions.” While the alliance is uneasy, Boldheart continues working with Nimona to clear his name. They are the only allies each other has, and their individual survival is dependent on them working together.

When the duo gain video proof of Boldheart’s innocence, they learn the bomb that killed Queen Valerin was planted by the Director. Threatened by a Black woman using her influence to elevate a poor, queer man of color, the white Director chose to preserve the status quo through violence.

Nimona is eager to get the video on every screen in the city, but Boldheart wants to deal with the issue internally, out of the public eye. He insists “the Institute isn’t the problem, the Director is.” This belief is what also leads the comic’s Blackheart to reject Nimona’s idea that he should crown himself king. He is focused on reforming the existing power structure, neither removing it entirely nor taking it over himself.

Inside the Institute, the Director has been doing her best to set Goldenloin against his former partner. Despite his internal misgivings and fear of betraying someone he loves, Goldenloin does his best to adhere to his prescribed role. As the Director reminds the knights, they are literally born to defend the kingdom, and it’s their sacred duty to do so—especially Goldenloin, who carries Gloreth’s holy blood. This blood connection is repeated throughout the film, and used by the Director to exploit Goldenloin. He’s the Institute’s token minority, put on a gilded pedestal and treated as a symbol instead of a human being.

Goldenloin is a pretty face for propaganda posters, and those posters can be seen throughout the film. They proclaim Gloreth’s majesty, the power of the knights, and remind civilians that the Institute is necessary to “protect our way of life.” A subway PSA urges citizens, “if you see something, slay something,” in a direct parody of the real-world “if you see something, say something” campaign by the United States Department of Homeland Security. (37)

The film is not subtle in its political messaging. When Boldheart attempts to prove his innocence to Goldenloin and the assembled knights, he reaches towards his pocket for a phone. The Director cries that Boldheart has a weapon, and Sureblade opens fire. Though the shot hits the phone and not Boldheart, it carries echoes of real-world police brutality against people of color. Specifically, the use of a phone evokes cases such as the 2018 murder of Stephon Clark, a young Black man who was shot and killed by California police claiming Clark’s cell phone was a firearm. (38) The film does not toy with vague, depoliticized themes of coexistence and tolerance; it is a direct and pointed allegory for contemporary oppression in the United States of America.

Forced to choose between love for Boldheart and loyalty to the Institute, Goldenloin chooses the Institute. He calls for Boldheart’s arrest, and this is the moment Boldheart finally agrees to fight back and raise hell alongside Nimona. When Goldenloin calls Nimona a monster during the ensuing battle, Boldheart doesn’t hesitate to refute it. He expresses his trust in her, and it’s clear he means it. He’s been betrayed by someone he cared about and thought he could depend on, and this puts him in true solidarity with Nimona for the first time.

During the fight, Nimona stops a car from crashing into a small child. She shapeshifts into a young girl to appear less threatening, but it doesn’t work. The child picks up a sword, pointing it at Nimona until an adult pulls them away to hide. When Nimona sees this hatred imprinted in the heart of a child, it horrifies her.

After fleeing to their hideout, Nimona makes a confession to Boldheart: she has suicidal ideations. So many people have directed so much hatred toward her that sometimes she wants to give in and let them kill her. In the real world, a month after the film’s release, a study from the Williams Institute at the UCLA School of Law compiled data about suicidality in American transgender adults. (39) Researchers found that eighty-one percent have thought about suicide, compared to just thirty-five percent of cisgender adults. Forty-two percent have attempted suicide, compared to eleven percent of cisgender adults. Fifty-six percent have engaged in self-harm, compared to twelve percent of cisgender adults.

When Boldheart offers to flee with her and find somewhere safe together, Nimona declares they shouldn’t have to run. She makes the decision every trans person living in a hostile place must make: do I leave and save myself, or do I stay to fight for my community? The year the film was released, the Trans Legislation Tracker reported a record-breaking amount of anti-trans legislation in the United States, with six hundred and two bills introduced throughout twenty-four states. (40) In February 2024, the National Center for Transgender Equality published data on their 2022 U.S. Transgender Survey, revealing that forty-seven percent of respondents thought about moving to another area due to discrimination, with ten percent actually doing so. (41)

Despite the danger, Nimona and Boldheart work diligently against the Institute. When they gain fresh footage proving the Director’s guilt, they don’t hesitate to upload it online, where it garners rapid attention across social and news media. Newscasters begin asking who the real villain is, anti-Institute sentiment builds, and citizens protest in the streets, demanding answers. The power that social media adds to social justice activism is true in the real world as it is in the film, seen in campaigns such as the viral #MeToo hashtag and the Black Lives Matter movement. (42) In 2020, polls conducted by the Pew Research Center showed eight in ten Americans viewed social media platforms as either very or somewhat effective in raising awareness about political and social topics. In the same survey, seventy-seven percent of respondents believed social media is at least somewhat effective in organizing social movements. (43)

In reaction to the media firestorm, the Director issues a statement. She outs Nimona as a shapeshifter, and claims the evidence against the Institute is a hoax. Believing the Director, Goldenloin contacts Boldheart for a rendezvous, sans Nimona. From Goldenloin’s perspective, Boldheart is a good man who has been deceived by the real villain, Nimona. He tells Boldheart about a scroll the Director found, with evidence that Nimona is Gloreth’s original monster, still alive and terrorizing the city. Goldenloin wants to bring Boldheart back into the knighthood and resume their relationship, and though that’s what Boldheart wanted before, his solidarity with Nimona causes him to reject the offer.

Though he leaves Goldenloin behind, Boldheart’s suspicion of Nimona returns. Despite their solidarity, he doesn’t really know her, so he returns home to interrogate her. In the ensuing argument, he reverts to calling her a monster, but only through implication—he won’t say the word. Like a slur, he knows he shouldn’t say it anymore, but that doesn’t keep him from believing it.

Boldheart’s actions prove to Nimona that nowhere is safe. There is no haven. Her community will always turn on her. She flees, and in her ensuing breakdown, the audience learns her backstory. She was alone for an unspecified length of time, never able to fit in until meeting Gloreth as a little girl. Nimona presents herself to Gloreth as another little girl, and Gloreth becomes Nimona’s very first friend. Even when Nimona shapeshifts, Gloreth treats her with kindness and love.

Then the adults of Gloreth’s village see Nimona shapeshift, and the word “monster” is hurled. Torches and pitchforks come out. At the adults’ panic, Gloreth takes up a sword against Nimona, and the cycle of bigotry is transferred to the next generation. The friendship shatters, and Nimona must flee before she can be killed.

After losing Boldheart, seemingly Nimona’s only ally since Gloreth’s betrayal, Nimona’s grief becomes insurmountable. She knows in her heart that nothing will ever change. She’s been hurt too much, by too many, cutting too deeply. To Nimona, the world will only ever bring her pain, so she gives in. She transforms into the giant, ferocious monster everyone has always told her she is, and she begins moving through the city as the Institute opens fire.

When Ballister sees Nimona’s giant, shadowy form, he realizes the horrific pain he caused her. He intuits that Nimona isn’t causing destruction for fun, she’s on a suicide march. She’s given up, and her decision is the result of endless, systemic bigotry and betrayal of trust. Her rampage wouldn’t be happening if she’d been treated with love, support, and care.

Nimona’s previous admission of suicidal ideation repeats in voiceover as she prepares to impale herself on a sword pointed by a massive statue of Gloreth. Her suicide is only prevented because Ballister steps in, calling to her, apologizing, saying he sees her and she isn’t alone. She collapses into his arms, once again in human form, sobbing. Boldheart has finally accepted her truth, and she is safe with him.

But she isn’t safe from the Director.

In a genocidal bid she knows will take out countless civilian lives, the Director orders canons fired on Nimona. Goldenloin tries to stop her, finally standing up against the system, but it’s too late. The Director fires the canons, Nimona throws herself at the blast to protect the civilians, and Nimona falls.

When the dust settles, the Director is deposed and the city rebuilds. Boldheart and Goldenloin reconnect and resume their relationship. The walls around the city come down, reforms take hold in the Institute, and a memorial goes up to honor Nimona, the hero who sacrificed her life to reveal the Director’s corruption.

Nimona, however, is hard to kill.

Nimona originally had a tragic ending, born of N.D. Stevenson’s own depression, but that hopelessness didn’t last forever. (44) Though Nimona is defeated, she doesn’t stay dead. Through the outpouring of love and support N.D. Stevenson received while creating the original webcomic, he gained the community and support he needed to create a more hopeful ending for Nimona’s story—and himself.

The comic’s ending is bittersweet. Nimona can’t truly die, and eventually restores herself. She allows Blackheart to glimpse her, so he knows she survived, but she doesn’t stay. She still doesn’t feel safe, and is assumed to move on somewhere new. Blackheart never sees Nimona again.

The film’s ending is more hopeful. There is a shimmer of pink magic as Nimona announces her survival, and the film ends with Boldheart’s elated exclamation. Even death couldn’t keep her down. She survived Gloreth, and she survived the Director. Though this chapter of the story is over, there is hope on the horizon, and she has allies on her side.

In both incarnations, Nimona is a story of queer survival in a cruel world. The original ending was one of despair, that said there was little hope of true solidarity and allyship. The revised ending said there was hope, but still so far to go. The film’s ending says there is hope, there is solidarity, and there are people who will stand with transgender people until the bitter end—but, more importantly, there are people in the world who want trans people to live, to thrive, and to find joy.

In a world that’s so hostile to transgender people, it’s no wonder a radically trans-positive film had to fight so hard to exist. Unfortunately, the battle must continue. As of June 2024, Netflix hasn’t announced any intent to produce physical copies of the film, meaning it exists solely on streaming and is only accessible via a monthly paid subscription. Should Netflix ever take down its original animation, as HBO Max did in 2022 despite massive backlash, the film could easily become lost media. (45) Though it saved Nimona from Disney, Netflix has its own nasty history of under-marketing and canceling queer programs. (46)

The film’s art book is already gone. The multimedia tome was posted online on October 12, 2023, hosted at ArtofNimona.com. (47) Per the Internet Archive’s Wayback Machine, the site became a Netflix redirect at some point between 10:26 PM on March 9, 2024 and 9:35 PM on March 20, 2024. (48) On the archived site, some multimedia elements are non-functional, potentially making them lost media. The art book is not available through any legal source, and though production designer Aidan Sugano desperately wants a physical copy made, there seem to be no such plans. (49)

Perhaps Netflix will eventually release physical copies of both film and art book. Perhaps not. Time will tell. In the meantime, Nimona stands as a triumph of queer media in a queerphobic world. That it exists at all is a miracle, and that its accessibility is so precarious a year after release is a travesty. Contemporary political commentary is woven into every aspect of the film, and it exists thanks to the passion, talent, and bravery of an incredible crew who endured despite blatant corporate queerphobia.

Long live Nimona, and long live the transgender community she represents.

_ This piece was commissioned using the prompt "the Nimona movie."

Updated 6/16/24 to revise an inaccurate statement regarding the original comic.

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Notes:

1. “Past Recipients 2010s.” n.d. Comic-Con International. Accessed June 10, 2024. https://www.comic-con.org/awards/eisner-awards/past-recipients/past-recipenties-2010s/.

2. Stevenson, ND. 2015. Nimona. New York, NY: Harperteen.

3. Kit, Borys. 2015. “Fox Animation Nabs ‘Nimona’ Adaptation with ‘Feast’ Director (Exclusive).” The Hollywood Reporter. June 11, 2015. https://www.hollywoodreporter.com/movies/movie-news/fox-animation-nabs-nimona-adaptation-801920/.

4. Riley, Jenelle. 2017. “Oscar Winner Patrick Osborne Returns with First-Ever vr Nominee ‘Pearl.’” Variety. February 9, 2017. https://variety.com/2017/film/in-contention/patrick-osborne-returns-to-race-with-first-vr-nominee-pearl-1201983466/; Osborne, Patrick (@PatrickTOsborne). 2017. "Hey world, the NIMONA feature film has a release date! @Gingerhazing February 14th 2020 !!" Twitter/X, June 30, 2017, 3:16 PM. https://x.com/PatrickTOsborne/status/880867591094272000. ‌

5. “The Walt Disney Company to Acquire Twenty-First Century Fox, Inc., after Spinoff of Certain Businesses, for $52.4 Billion in Stock.” 2017. The Walt Disney Company. December 14, 2017. https://thewaltdisneycompany.com/walt-disney-company-acquire-twenty-first-century-fox-inc-spinoff-certain-businesses-52-4-billion-stock-2/.

6. Amidi, Amid. 2017. “Disney Buys Fox for $52.4 Billion: Here Are the Key Points of the Deal.” Cartoon Brew. December 14, 2017. https://www.cartoonbrew.com/business/disney-buys-fox-key-points-deal-155390.html; Giardina, Carolyn. 2017. “Disney Deal Could Redraw Fox’s Animation Business.” The Hollywood Reporter. December 14, 2017. https://www.hollywoodreporter.com/news/general-news/disney-deal-could-redraw-foxs-animation-business-1068040/; Szalai, Georg, and Paul Bond. 2019. “Disney Closes $71.3 Billion Fox Deal, Creating Global Content Powerhouse.” The Hollywood Reporter. March 19, 2019. https://www.hollywoodreporter.com/news/general-news/disney-closes-fox-deal-creating-global-content-powerhouse-1174498/.

7. Hipes, Patrick. 2019. “After Trying Day, Disney Sets Film Leadership Lineup.” Deadline. March 22, 2019. https://deadline.com/2019/03/disney-film-executives-post-merger-team-set-1202580586/.

8. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

9. D’Alessandro, Anthony. 2021. “Disney Closing Blue Sky Studios, Fox’s Once-Dominant Animation House behind ‘Ice Age’ Franchise.” Deadline. February 9, 2021. https://deadline.com/2021/02/blue-sky-studios-closing-disney-ice-age-franchise-animation-1234690310/.

10. “Disney’s Blue Sky Shut down Leaves Nimona Film 75% Completed.” 2021. CBR. February 10, 2021. https://www.cbr.com/nimona-film-abandoned-disney-blue-sky-shut-down/; Sneider, Jeff. 2021. “Exclusive: Disney’s LGBTQ-Themed ‘Nimona’ Would’ve Featured the Voices of Chloë Grace Moretz, Riz Ahmed.” Collider. March 4, 2021. https://collider.com/nimona-movie-cast-cancelled-disney-blue-sky/.

11. Horowitz, Juliana Menasce, Anna Brown, and Rachel Minkin. 2021. “The COVID-19 Pandemic’s Long-Term Financial Impact.” Pew Research Center’s Social & Demographic Trends Project. March 5, 2021. https://www.pewresearch.org/social-trends/2021/03/05/a-year-into-the-pandemic-long-term-financial-impact-weighs-heavily-on-many-americans/.

12. Lang, Brent. 2022. “Disney CEO Bob Iger’s Rich Compensation Package Revealed, Company Says Bob Chapek Fired ‘without Cause.’” Variety. November 21, 2022. https://variety.com/2022/film/finance/bob-iger-compensation-package-salary-bob-chapek-fired-1235439151/.

13. Romano, Nick. 2020. “The Pandemic Animation Boom: How Cartoons Became King in the Time of COVID.” EW.com. November 2, 2020. https://ew.com/movies/animation-boom-coronavirus-pandemic/.

14. Strapagiel, Lauren. 2021. “The Future of Disney’s First Animated Feature Film with Queer Leads, ‘Nimona,’ Is in Doubt.” BuzzFeed News. February 24, 2021. https://www.buzzfeednews.com/article/laurenstrapagiel/disney-nimona-movie-lgbtq-characters.

15. Clark, Travis. 2022. “Disney Raised Concerns about a Same-Sex Kiss in the Unreleased Animated Movie ‘Nimona,’ Former Blue Sky Staffers Say.” Business Insider. https://www.businessinsider.com/disney-disapproved-same-sex-kiss-nimona-movie-former-staffers-say-2022-3.

16. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

17. St. James, Emily. 2023. “Mourning the Loss of the Owl House, TV’s Best Queer Kids Show.” Vanity Fair. April 6, 2023. https://www.vanityfair.com/hollywood/2023/04/loss-of-the-owl-house-tvs-best-queer-kids-show.

18. AntagonistDana. 2021. “AMA (except by ‘Anything’ I Mean These Questions Only).” Reddit. October 5, 2021. https://www.reddit.com/r/TheOwlHouse/comments/q1x1uh/ama_except_by_anything_i_mean_these_questions_only/; de Wit, Alex Dudok. 2020. “Disney Executive Tried to Block Queer Characters in ‘the Owl House,’ Says Creator.” 2020. Cartoon Brew. August 14, 2020. https://www.cartoonbrew.com/disney/disney-executives-tried-to-block-queer-characters-in-the-owl-house-says-creator-195413.html.

19. Doherty, Thomas. 1999. Pre-Code Hollywood : Sex, Immorality, and Insurrection in American Cinema, 1930-1934. New York: Columbia University Press. 363.

20. Henderson, Taylor. 2018. “‘Steven Universe’s’ Latest Episode Just Made LGBTQ History.” Pride. July 5, 2018. https://www.pride.com/stevenuniverse/2018/7/05/steven-universes-latest-episode-just-made-lgbtq-history; McDonnell, Chris. 2020. Steven Universe: End of an Era. New York: Abrams. 102.

21. Stevenson, ND. (@Gingerhazing). 2021. "Sad day. Thanks for the well wishes, and sending so much love to everyone at Blue Sky. Forever grateful for all the care and joy you poured into Nimona." Twitter/X, February 9, 2021, 3:32 PM. https://x.com/Gingerhazing/status/1359238823935283200

22. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

23. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

24. Stevenson, ND. (@Gingerhazing). 2022. "Nimona’s always been a spunky little story that just wouldn’t stop. She’s a fighter...but she’s also got some really awesome people fighting for her. I am excited out of my mind to announce that THE NIMONA MOVIE IS ALIVE...coming at you in 2023 from Annapurna and Netflix." Twitter/X, April 11, 2022, 10:00 AM. https://x.com/Gingerhazing/status/1513517319841935363.

25. “‘Nimona’ Starring Chloë Grace Moretz, Riz Ahmed & Eugene Lee Yang Coming to Netflix in 2023.” About Netflix. April 11, 2022. https://about.netflix.com/en/news/nimona-starring-chloe-grace-moretz-riz-ahmed-and-eugene-lee-yang-coming-to-netflix.

26. “’Nimona’ Rates 100% on Rotten Tomatoes after Annecy Premiere.” Animation Magazine. June 15, 2023. https://www.animationmagazine.net/2023/06/nimona-rates-100-on-rotten-tomatoes-after-annecy-premiere/

27. Dilillo, John. 2023. “’Nimona’: Everything You Need to Know About the New Animated Adventure.” Tudum by Netflix. June 30, 2023. https://www.netflix.com/tudum/articles/nimona-release-date-news-photos

28. Reese, Lori. 2001. “Is ‘“Shrek”’ the Anti- Disney Fairy Tale?” Entertainment Weekly. May 29, 2001. https://ew.com/article/2001/05/29/shrek-anti-disney-fairy-tale/.

29. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 255. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

30. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

31. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

32. Equal Justice Initiative. 2021. “Report Documents Racial Bias in Coverage of Crime by Media.” Equal Justice Initiative. December 16, 2021. https://eji.org/news/report-documents-racial-bias-in-coverage-of-crime-by-media/.

33. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

34. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 259-260. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

35. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 7. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

36. Brown, Tracy. 2019. “In Netflix’s ‘She-Ra,’ Even Villains Respect Nonbinary Pronouns.” Los Angeles Times. November 6, 2019. https://www.latimes.com/entertainment-arts/tv/story/2019-11-05/netflix-she-ra-princesses-power-nonbinary-double-trouble.

37. Department of Homeland Security. 2019. “If You See Something, Say Something®.” Department of Homeland Security. May 10, 2019. https://www.dhs.gov/see-something-say-something.

38. University of Stanford. n.d. “Stephon Clark.” Say Their Names - Spotlight at Stanford. https://exhibits.stanford.edu/saytheirnames/feature/stephon-clark.

39. Kidd, Jeremy D., Tettamanti, Nicky A., Kaczmarkiewicz, Roma, Corbeil, Thomas E., Dworkin, Jordan D., Jackman, Kasey B., Hughes, Tonda L., Bockting, Walter O., & Meyer, Ilan H. 2023. “Prevalence of Substance Use and Mental Health Problems among Transgender and Cisgender US Adults.” Williams Institute. https://williamsinstitute.law.ucla.edu/publications/transpop-substance-use/.

40. “2023 Anti-Trans Bills: Trans Legislation Tracker.” n.d. Trans Legislation Tracker. https://translegislation.com/bills/2023.

41. James, S.E., Herman, J.L., Durso, L.E., & Heng-Lehtinen, R. 2024. “Early Insights: A Report of the 2022 U.S. Transgender Survey.” National Center for Transgender Equality, Washington, DC.

42. Myers, Catherine. 2023. “Protests in the Age of Social Media.” The Nonviolence Project. February 11, 2023. https://thenonviolenceproject.wisc.edu/2023/02/11/protests-in-the-age-of-social-media/.

43. Auxier, Brooke, and Colleen McClain. 2020. “Americans Think Social Media Can Help Build Movements, but Can Also Be a Distraction.” Pew Research Center. Pew Research Center. September 9, 2020. https://www.pewresearch.org/short-reads/2020/09/09/americans-think-social-media-can-help-build-movements-but-can-also-be-a-distraction/.

44. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

45. Chapman, Wilson. 2022. “HBO Max to Remove 36 Titles, Including 20 Originals, from Streaming.” Variety. August 18, 2022. https://variety.com/2022/tv/news/hbo-max-originals-removed-1235344286/.

46. Iftikhar, Asyia. 2023. “Netflix CEO Slammed by LGBTQ+ Fans over Cancellation Comments: ‘They Are NOT Allies.’” PinkNews. January 24, 2023. https://www.thepinknews.com/2023/01/24/netflix-ceo-ted-sarandos-cancelled-shows-lgbtq-fans-reactions/.

47. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

48. “Wayback Machine.” n.d. The Internet Archive. Accessed June 10, 2024. https://wayback-api.archive.org/web/20240000000000.

49. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

[aldemaroromero]

[gfhunklescalendar]

The time is near! Mark your calendars and set aside some cash for this Summerween, as pre-orders for the GF Hunkles Calendar for 2025/2026 will be going Iive at 6PM EDT on June 22!

This project depends on pre-orders to be funded, so if you want to own a calendar, you must be sure to help us spread the word. Heck, give it a reblog even if you don't intend to buy one. Please?

The pre-order period will last 2 weeks, closing on July 6.

Since this calendar covers 24 months, it will be priced at $30 USD.

To boost the funding for the new calendar, the digital versions of the previous calendars (2022, 2019, and 2017) and the Wayfaring Strangers art book will also be for sale during (and after) the pre-order period. The old digital calendars will be $5, and Wayfaring Strangers will be $10.

Calendars and digital downloads will be listed on my Etsy shop: The Salmon Shack

Remember, all proceeds from the calendar will be donated to A New Way of Life Reentry Project who provide crucial assistance to people rebuilding their lives after incarceration.

Keep your eyes on this blog for all future updates, and most importantly,

Please reblog!

[jewish-sideblog]

Clearly, y'all don't care about Jews, and the fact that Hamas is violently antisemitic doesn't seem matter to any of you. So let me go with a new approach, of equal truth and value. Hamas is violently anti-Palestinian.

This past week, Hamas attacked evacuation routes and prevented Gazan citizens from fleeing an active warzone. [1]

They did that because they routinely use Gazan civilians as human shields. Hamas intentionally builds military targets close to schools, hospitals, and mosques, putting soft targets in the way of both incoming and outgoing fire. Hamas encourages Gazan civilians and children to stand on the roofs of buildings they know the IDF is targeting. [2]

Hamas has refused to allow elections in Gaza since 2006. Not just Palestinian National Authority elections, mind you. No open elections for any office have been held in seventeen years. Palestinian rights to free elections and self-determination have been denied by Hamas. [3] (And good luck to anyone who tries to blame that on Israel, because elections were held by the PNA in the West Bank in 2012, 2017, 2021 and 2022. It's Hamas's intention alone to purge democracy.)

Hamas's track record on human rights is appalling. Palestinian prisoners in Gaza face unfair trials and death sentences after being tortured by police. Palestinian women are prevented from accessing the legal systems to escape domestic abuse situations. Political dissidents in Hamas, even ones who merely support the other half of the Palestinian government, have been summarily executed. [4] [5]

Peaceful organizers in Palestine protested Hamas's massive tax hikes in 2019. Hamas security forces responded by assaulting demonstrators, tracking them down, raiding their homes, and detaining them. And, as previously mentioned, prisoners in Gaza are not treated well by Hamas. [6]

Edit Nov.5, 10:30 PM: I forgot to add arguably the most important thing-- Hamas manipulates the humanitarian aid they receive away from helping Gazans and toward killing Jews. 5% of Hamas's budget actually gets used for humanitarian aid, while 55% goes to military use. Construction equipment intended to rebuild Gaza's crumbling infrastructure is used to build a complex series of underground tunnels. Those tunnels in turn are used to smuggle Iranian military equipment into the country. They were also used for human trafficking in the October 7th attacks. [7]

If you actually want Palestinians to be free, you can't just replace Israel with Hamas. But it's not like they're the only option for supporting Palestinian liberation. While Fatah doesn't have an immaculate historical track record, it now operates as a leftist, democratic socialist, secular Palestinian government that fights for a two-state solution. Similarly, Arab-Israeli political parties like the Hadash-Ta'al coalition support leftist, anti-Zionist, and two-state solutions from within the Israeli parliament.

You can and should support Palestinian liberation movements that abuse neither Jewish nor Arab human rights and dignities. Plenty of them exist out there. But if y'all continue to throw your weight behind an antisemitic and anti-democratic terrorist regime, Palestinians and Jews will both take note of exactly where you stand.

[doyoulikethissong-poll]

Lil Nas X featuring Billy Ray Cyrus - Old Town Road 2019

"Old Town Road" is the debut mainstream single by American rapper Lil Nas X, first released independently in December 2018. After gaining popularity, the single was re-released in March 2019. The rapper also recorded a remix with American country singer Billy Ray Cyrus, which was released on April 5, 2019. Both were included on Lil Nas X's second EP, 7 (2019). Dutch record producer YoungKio composed the instrumental and made it available for purchase online in 2018. It features a sample of "34 Ghosts IV" by the American industrial rockband Nine Inch Nails. The sample was placed behind trap-style Roland TR-808 drums and bass. Lil Nas X purchased the instrumental for US$30 and recorded "Old Town Road" in one day.

The song reached number 19 on the Billboard Hot Country Songs chart before the magazine disqualified it from the chart on the grounds that it did not "fit" the genre, sparking a debate on what constitutes the "definition" of country music. Though "Old Town Road" did not re-enter any country charts, both versions of the song collectively peaked at number 1 on the main Billboard Hot 100, remaining at the top for a record-breaking 19 consecutive weeks; the remix peaked at number 50 on Billboard's Country Airplay chart. "Old Town Road"'s overall run at number one is the longest in chart history, surpassing the previous record of sixteen weeks achieved by both "One Sweet Day" (poll #296) and "Despacito". One or more versions of "Old Town Road" have topped the national singles charts in Australia, Canada, France, Germany, Ireland, the Netherlands, New Zealand, Norway, Switzerland and the UK, and have charted in the top 10 in various other international markets.

The song was certified diamond by the RIAA in October 2019 for selling 10 million total units in the US, the fastest song to be certified diamond. At the 62nd Annual Grammy Awards, the remix featuring Billy Ray Cyrus was nominated for Record of the Year and won Best Pop Duo/Group Performance and Best Music Video. In September 2021, the song set the record for the second-highest certified song in history by the RIAA, at 16× platinum in the US - meaning it accumulated 16 million equivalent song units. The single has sold over 18 million copies worldwide, making it one of the best-selling singles of all time.

"Old Town Road" received a total of 80,6% yes votes!

[thepeacepigeon]

The 4B Movement: How South Korean women are leaving the patriarchy behind 

(Getty Images)

In 2016, a 34-year-old man named Kim Sung-min waited inside a unisex restroom outside exit 10 of Gangnam Station, Seoul South Korea. Six different men came and exited through the restroom over the span of an hour, until a 23-year-old woman entered, and Kim proceeded to stab and kill her with a 12-inch-long sushi knife. In court, Kim stated, “I did it because women have always ignored me.” Kim’s actions and thoughts are not out of the ordinary amongst Korean men—violence against women is extremely common in South Korea. 

(BBC)

South Korea has a long record of female subjugation. Between 1953 and 2021, abortion was illegal in almost all circumstances, and current law allows a woman to get an abortion only if she has consent from a male relative or her boyfriend/husband/partner. A 2015 South Korean government survey revealed that almost 80% of women had been sexually harassed at work. A survey released by The Ministry of Gender Equality and Family found that 57.8 percent of women felt vulnerable to misogynistic violence. Digital crime and sexual harassment are extremely common— “molka”, up-skirt photos, and secret cameras hidden in restrooms are rampant, so much so that any cellphone purchased in South Korea has a mandatory chime when photos are taken. The World Economic Forum’s 2022 Global Gender Gap Index ranks South Korea at number 99 out of 146 countries for gender equality. Legislation actively works against women trying to report sexual assault. Men accused of stalking or harassment can “ask” their victims to drop charges, and in 2022 a man murdered his former colleague after she refused to drop charges against him for stalking her since 2019. South Korea has the highest gender pay gap of all the OECD countries—the top wealthiest 37 countries, globally, with women earning on average a third less than men. These alarming statistics have come years after the “Gangnam Station” murder, and South Korean women continue to be targeted for their gender.

(Jung Yeon-Je/AFP via Getty Images)

Despite Kim’s own testimony, government authorities explicitly denied the misogynistic motive, and the prosecution announced that the case was not being investigated as a hate crime. Kim was eventually sentenced to 30 years in prison. In response to the murder, women took to the streets outside Gangnam station and the surrounding areas in protest. The women, many of whom had never considered themselves feminists or activists, but the nature of the crime and the misogynistic motivation, as well as the court's refusal to acknowledge it, outranged them. The murder incited intense debates about misogyny within the country, and the gender inequities women faced both socially and economically. Five months after the murder, Cho Nam-Joo’s novel Kim Jiyoung, Born 1982 was published. The book devastatingly details an everyday woman’s daily experiences of nonstop sexism, inequality, and misogyny in contemporary South Korea, and served as another enraging eye-opener that would develop into what would become known as the 4B Movement. 

The four B’s (or “Four No’s”) of the movement represent the four major components that women of the movement are rejecting; Bisekseu (sex), Bichulsan (child-bearing), Biyeonae, (dating) and Bihon (marriage). South Korean feminists define the 4B movement not as a fight against the patriarchy, but a complete step away from it— leaving it behind. In 2017, the Escape the Corset campaign swept across the country. The word “corset” is used by Korean feminists as a metaphor for the societal mechanisms that control and repress women, for example, the extreme and toxic beauty standards. Both 4B and Escape the Corset condemn and reject the influence that beauty holds within every aspect of South Korean life. Pioneers such as feminist author Cho Nam-Joo, and photographer Jeon Bo-ra, who photographed women who shaved their heads in rebellion. Social media has played a large role in the 4B movement, with bloggers and beauty influencers like Lina Bae speaking up against unattainable beauty standards and societal pressures, and Summer Lee who was inspired to cut her hair, throw away her hyperfeminine clothes, and post pictures of herself without makeup. 

(Jean Chung/Getty Images)

Despite increasing conversation on women’s rights, feminism is still considered a taboo, contentious, or even “dirty” word for many South Koreans. It is often associated with “man-hating” and perceived as overly aggressive. The country's current president Yoon Suk-yeol has promised to close down the South Korean Ministry of Gender Equility and Family, and any other organizations that fund or support women and victims of sexual violence, claiming they “treat men like potential sex criminals”. A January 2023 article in the South Korean newspaper The Sisa Times reported that 65% of women in the country do not want children, 42% do not want to get married, and over 80% of those cite domestic violence as their key reason. As a result, concerns regarding the rising average population age and declining birth rate in South Korea have increased greatly. The country's birth rate is less than one per woman as of 2021, and the country saw less than 200,000 marriages. In recent years, the South Korean government has commissioned a number of soap operas and reality TV shows to promote an idyllic view of romantic heterosexual love, and to encourage marriage and reproduction. 

(Yonhap)

The 4B movement and Escape the Corset campaign have had a tremendous impact on the way young South Korean women view the countries cultural grip on women’s appearances and lives. Between 2015-2016 and 2017-2018, Korean women spent over 5 billion Korean Won less on beauty products and cosmetic surgeries, instead investing their money in cars and choosing independence over objectification. The movement is calling for boycotts of any business that uses sexist advertising, and encouraging women to eat at women-owned restaurants, drink in women-owned bars, and shop at women-owned stores—women’s money goes into the pockets of other women. Women’s universities have also been on the rise in South Korea, with most cities housing one or several women-only institutions. Similarly, women’s only spaces have begun to expand, women’s parking spots closer to entrances and exits in parking garages, women’s only hotel floors and common rooms, and women’s only subway cars. These spaces allow feminism to spread and flourish, and give Korean women the ability to find community with other women without the interference of men. 

(Ian Baldessari/CityLab)

Since 2016, Exit 10 of Gangnam Station has become a symbolic site for South Korean feminism. The South Korean feminist movement developed out of particularly misogynist conditions within their country. The 4B movement represents a radical way that women have sought to create an online and offline world devoid of men—rather than engaging in arguments and altercations, they simply refuse to interact with men in every aspect of their lives. These actions have had a profound impact on the functionality of South Korean society and have opened an uncloseable door too the discussion of women’s rights. 

McCurry, Justin. “Calls for Stalking Law Overhaul in South Korea as Woman’s Murder Shocks Nation.” The Guardian, Guardian News and Media, 23 Sept. 2022, www.theguardian.com/world/2022/sep/23/calls-for-stalking-law-overhaul-in-south-korea-as-womans-shocks-nation.

Teehan, Katie. “What Is the 4B Movement?” Service95, 16 Apr. 2024, www.service95.com/4b-movement-explainer/.

Izaakson , Jen, and Tae Kyung Kim. “The South Korean Women’s Movement: ‘We Are Not Flowers, We Are a Fire.’” Feminist Current, 16 June 2020, www.feministcurrent.com/2020/06/15/the-south-korean-womens-movement-we-are-not-flowers-we-are-a-fire/.

Lee, Min Joo. “Why so Many South Korean Women Are Refusing to Date, Marry or Have Kids.” Yahoo! News, Yahoo!, 15 May 2023, news.yahoo.com/why-many-south-korean-women-123250959.html?guccounter=1&guce_referrer=aHR0cHM6Ly93d3cuZ29vZ2xlLmNvbS8&guce_referrer_sig=AQAAAHmBVorK4v6bdzwcJMRyRdXkKtzUlpQYWn5Ot-BPzs-YRNNZFW5JBwC65OTaPrRImn3F3G56r0gfNydadUzlQtPS61hOi6uggk_OkwZqqvLvS-YN4HbPrpwKvK9_7g0e9yqu9fiRRvOVJkGRv__L7AZGoYtfHVxjKLLPDi9DI2fu.

Park, Seohoi Stephanie. “Murder at Gangnam Station: A Year Later.” KOREA EXPOSÉ, 2 Mar. 2023, koreaexpose.com/murder-gangnam-station-year-later/.

Dockeray, Hannah. “Why Some South Korean Women Are Rejecting Beauty.” Sky News, 14 July 2021, news.sky.com/story/plastic-surgery-south-korea-faces-beauty-backlash-11871654.

[batboyblog]

Things Biden and the Democrats did, this week #14

April 12-19 2024

The Department of Commerce announced a deal with Samsung to help bring advanced semiconductor manufacturing and research and development to Texas. The deal will bring 45 billion dollars of investment to Texas to help build a research center in Taylor Texas and expand Samsung's Austin, Texas, semiconductor facility. The Biden Administration estimates this will create 21,000 new jobs. Since 1990 America has fallen from making nearly 40% of the world's semiconductor to just over 10% in 2020.

The Department of Energy announced it granted New York State $158 million to help support people making their homes more energy efficient. This is the first payment out of a $8.8 billion dollar program with 11 other states having already applied. The program will rebate Americans for improvements on their homes to lower energy usage. Americans could get as much as $8,000 off for installing a heat pump, as well as for improvements in insulation, wiring, and electrical panel. The program is expected to help save Americans $1 billion in electoral costs, and help create 50,000 new jobs.

The Department of Education began the formal process to make President Biden's new Student Loan Debt relief plan a reality. The Department published the first set of draft rules for the program. The rules will face 30 days of public comment before a second draft can be released. The Administration hopes the process can be finished by the Fall to bring debt relief to 30 million Americans, and totally eliminate the debt of 4 million former students. The Administration has already wiped out the debt of 4.3 million borrowers so far.

The Department of Agriculture announced a $1 billion dollar collaboration with USAID to buy American grown foods combat global hunger. Most of the money will go to traditional shelf stable goods distributed by USAID, like wheat, rice, sorghum, lentils, chickpeas, dry peas, vegetable oil, cornmeal, navy beans, pinto beans and kidney beans, while $50 million will go to a pilot program to see if USAID can expand what it normally gives to new products. The food aid will help feed people in Bangladesh, Burkina Faso, Burundi, Chad, Democratic Republic of the Congo, Djibouti, Ethiopia, Haiti, Kenya, Madagascar, Mali, Nigeria, Rwanda, South Sudan, Sudan, Tanzania, Uganda, and Yemen.

The Department of the Interior announced it's expanding four national wildlife refuges to protect 1.13 million wildlife habitat. The refuges are in New Mexico, North Carolina, and two in Texas. The Department also signed an order protecting parts of the Placitas area. The land is considered sacred by the Pueblos peoples of the area who have long lobbied for his protection. Security Deb Haaland the first Native American to serve as Interior Secretary and a Pueblo herself signed the order in her native New Mexico.

The Department of Labor announced new work place safety regulations about the safe amount of silica dust mine workers can be exposed to. The dust is known to cause scaring in the lungs often called black lung. It's estimated that the new regulations will save over 1,000 lives a year. The United Mine Workers have long fought for these changes and applauded the Biden Administration's actions.

The Biden Administration announced its progress in closing the racial wealth gap in America. Under President Biden the level of Black Unemployment is the lowest its ever been since it started being tracked in the 1970s, and the gap between white and black unemployment is the smallest its ever been as well. Black wealth is up 60% over where it was in 2019. The share of black owned businesses doubled between 2019 and 2022. New black businesses are being created at the fastest rate in 30 years. The Administration in 2021 Interagency Task Force to combat unfair house appraisals. Black homeowners regularly have their homes undervalued compared to whites who own comparable property. Since the Taskforce started the likelihood of such a gap has dropped by 40% and even disappeared in some states. 2023 represented a record breaking $76.2 billion in federal contracts going to small business owned by members of minority communities. This was 12% of federal contracts and the President aims to make it 15% for 2025.

The EPA announced (just now as I write this) that it plans to add PFAS, known as forever chemicals, to the Superfund law. This would require manufacturers to pay to clean up two PFAS, perfluorooctanoic acid and perfluorooctanesulfonic acid. This move to force manufacturers to cover the costs of PFAS clean up comes after last week's new rule on drinking water which will remove PFAS from the nation's drinking water.

Bonus:

President Biden met a Senior named Bob in Pennsylvania who is personally benefiting from The President's capping the price of insulin for Seniors at $35, and Biden let Bob know about a cap on prosecution drug payments for seniors that will cut Bob's drug bills by more than half.

[f1version]

26 BIRTHDAY KISSES ★ CL16

pairing: charles leclerc x gf!reader ( she/her )

summary: 26th birthday, 26 pictures of you and Charles kissing. A kiss for each year.

notes: i’m back from my birthday trip!! i wrote this birthday special in like 30 minutes and it’s still charles’ birthday in a couple of places so… i’m not exactly late! enjoy <3

26 KISSES: A GALLERY

By your beautiful girlfriend, in collaboration with a lot of people but mainly Joris and ourselves.

1. DRUNK DANCING: A month after we got together, we were at Arthur’s 18th birthday. We got drunk, singing and dancing to the worst playlist in existence (Lorenzo’s) and, somehow, Arthur got to capture this moment I barely even remember.

Taken by Arthur Leclerc, 2018

2. AUGUST 2019: Summer break, so sweet so loving. You made me promise that if you jumped off first, I would jump too. It took me fifteen minutes to follow after you. Also your kisses were incredibly salty.

Taken by Joris Trouche, 2019

3. THE MONZA INCIDENT: I had red lipstick the night you won in Monza, you told me it looked pretty, I asked you to kiss me, you did. Fast forward 8 minutes it was all smudged over your lips, you were 10 minutes late to the post-race conference, and Sylvia almost banned me that night. (I’m still kind of banned from your driver’s room)

Taken by Charles Leclerc, 2019

4. UNDER THE COVERS: 2020, what a crazy year. This one was taken the day we decided to finish moving in together. You were so excited, wanted everything to be perfect. Today I can say it is.

Taken by Me, 2020

5. WORDS: We were spending Christmas by ourselves, we face-timed our families, had dinner and watched movies. You gifted me three beautiful words I, of course, said back… and we also got a puppy!

Taken by Charles’ phone timer, 2020

6. OCEAN BREZEE: Just a small escapade to take a breath. You were so cuddly that day, Joris was so done with you (he still took the pic though)

Taken by Joris Trouche, 2021

7. CUTE OR HOT: I just wanted a cute morning selfie but, because of you, we ended up in a…promising mood. It was intense that’s all I have to say!

Taken by Me, 2021

8. KISS KISS KISS: 24th birthday, 24 kisses. This kind of became a tradition, let me know if you still want them this year!

Taken by Me, 2021

9. DRUNK AF: How did we got so drunk? Ask Pierre, he was the one hosting. Either way we got another amazing photo of us drunk-kissing!!!

Taken by Pierre Gasly, 2021

10. UNDER THE SEA: I’m just going to say that you and your ‘photo ideas 📸’ folder are attached by the hip. I personally love this one (even if it took half an hour to take)

Taken by Joris Trouche, 2021

11. NEW YORK: Thought you could scape this one? Never! Arthur and I didn’t spend a week listening to your complaining for nothing, babe. You must admit that this kiss was magical, everything was so pretty that day. And then it started snowing!

Taken by Arthur Leclerc, 2021

12. EXPOSED: Remember how our amazing soft launch got ruined by our trip to Ibiza? Well, here it is, the image we couldn’t stop laughing at when it came out, we really thought we were sneaky.

Taken by unknown, 2022

13. HARD LAUNCH: A week later we were kissing on live TV. It’s one of my favorite memories, I couldn’t stop smiling.

Taken by F1 TV, 2022

14. BACK KISSES: Just a picture of the morning after I learned that you can convince anyone, even the CEO of Ferrari, to allow you to leave sponsor events early. I really don’t know if you knew those kisses were there, but I woke up to this, took a picture and then left you with them until we took a shower.

Taken by Me, 2022

15. SPONSORED BY AIRMAX: That time your team forgot to book us a flight and you had to ask Lando to ask Daniel to ask Max if we could go back to Monaco with them. I’ve never seen Max talk so much, Daniel laugh so loud or Lando taking so many pictures. He even asked to take one of us, here it is:

Taken by Lando Norris, 2022

16. SIXTEEN: I bet you thought this one would have something to do with racing. Number 16. Sorry to disappoint but it’s our beautiful puppy…Sixteen! I’m not gonna lie, I still hate you for persuading me into that name. Anyways if you kiss the dog you kiss the mom!!

Taken by Me, 2022

17. 25 KISSES: Again, tell me if you want those 26 kisses this year. Look at us last year!

Taken by Me, 2022

18. NEW YEAR, SAME LOVE: Sometimes the world feels unreal when I’m with you, this was one of those days. I felt in another reality, the world slowed down, it was just you and me. I remember thinking “I fell in love with the right person” and then you kissed me.

Taken by Joris Trouche, 2022

19. BLACK SUIT: Remember when your fans thanked me for your “new” outfits? They repeated it was the girlfriend effect, you couldn’t stop talking about how stylish you are with or without me!

Taken by Me, 2023

20. PHOTOSHOOT: You got Joris to take these shots just because you wanted a new wallpaper. I thought it was silly, until one day all of them were hanging around our home. You are the best thing that’s ever happened to me, Charlie.

Taken by Joris Trouche, 2023

21. FIVE STAR CHEFS: Not much to say, just sorry for being so distracting and thank you for the amazing (stolen from Ferrari) dinner babe!

Taken by Charles’ phone timer, 2023

22. RED LIGHTS: This year’s addition to our drunk-kissing collection. I remember you drowning shots with Carlos and Pierre, asking me to dance with you, absolutely failing at that, and then kissing me. After that there’s blurry ferrari red, giggles and a hot bath.

Taken by Andrea Ferrari, 2023

23. LAZY IN BED: Wonderful lazy days by the ocean, that’s how we spent the summer break. That morning in particular you didn’t want to get up, basically gluing me to bed. We got up at 1pm.

Taken by Me, 2023

24. JUST ONE QUESTION: Can I drive the purosangue now? Please please please

Taken by Me, 2023

20. LOVER: This day I woke up thinking about those dreams we talk about all the time, you even remembered me a couple of them throughout the day. Charlie, I do want to do this for the rest of our lives, never forget it <3

Taken by Arthur Leclerc, 2023

26. TWENTY-SIX: We are just 26 but I hope our story keeps on writing itself. I love you, these have been the happiest 6 years of my life. Happy birthday bébé ❤️

Taken by Joris Trouche, 2023

[the9jafresh]

Top 10 Richest States In Nigeria

Top 10 Richest States In Nigeria

Top 10 Richest States In Nigeria Do you want to know which state in Nigeria has the most wealth? Nigeria, a West African country, is the most populous country in Africa and the world’s seventh most populous country. The country is home to a number of indigenous pre-colonial states and kingdoms, each with its own set of natural resources. It has 36 states that vary in size, population, and…

[rageserenity]

It's 2024. Are you still thinking about movieverse!Cherik? Because I am.

For the past several months, there's only been a very slow trickle of posts/fics in the xmcu cherik tag. Let's try to breathe some life back into this incredible pairing!

With one clear winner of my poll, here's thirty prompts for the thirty days of April. (This is a super chill, laid-back event---do these in any order, interpret them as loosely as you like! Create in any medium! Fic, art, gifs, meta, incoherent screaming about the otp…all winners in my book.)

The only rule here is to cherik too close to the sun. Alright. Here are the prompts.

Mutual Pining

Doesn't really even need elaboration! Write that horrifically slow slow-burn. Gif every time McAvoy made insane fuck me eyes on screen. Make a playlist of songs about impossible love.

2. Alternate Meetings

There are endless quotes about how these two complete each other in a way no one they'd met before or after ever did. How else could they have met?

3. Erik Has A Telepathy Kink

This is basically canon. Let my boy get freaky!

4. Canon Fix-It

All the times Fox fucked it up. There are endless options.

5. Hurt/Comfort

Put them in that Situation. Put them in that Blender. Break them apart and put them back together ❤️‍🩹

6. Canon Compliant

Draw that missing scene! Gif your favourite cherik moment!

7. Beach Divorce

Make it worse. Make it better. Show it to us exactly how it was. Break it down in a 3,000 word meta. Go wild!

8. Domestics

Sometimes you just want to see them doing normal couple things. Erik put the gun down.

9. Found Family

The real heart of x-men!

10. Time Travel

There are SO many possibilities here. Stick them in a time loop. Give them a chance to change their past.

11. AU

Love a good AU!

12. There Is Only One Bed

Had to get this one in here. What better way to amp up the tension?

13. Genosha

By some miracle, cherik actually did end up together at the end of 2019s trash bag disaster Dark Phoenix. We aren’t making a big enough deal about this.

14. Declaration(s) of Love

Who says it first? How do they say it and when? Have they said it…without saying it?

15. Jealousy

Need I say more.

16. Reunion

These two have absolutely no chill.

17. Soulmates

Classic prompt, had to get this in here too.

18. The DOFP Aircraft

The TENSION here. Break it down for me. How does Charles feel about his injury? How does Erik feel about his injury?

19. Gay Mutant Road Trip

You already know.

20. Body Swap

SO fun when people have superpowers.

21. First Kiss

When? How? Who initiated it?

22. The Mansion

Mansion!content is a genre of its own.

23. Conflicting Ideology

Give me your theses. Who’s right? Can they ever reconcile completely? Write a fic where it drives them apart.

24. Sebastian Shaw

A trope unto himself.

25. Team As Matchmaker

They had to have known something was going on, didn’t they?

26. Cooking

Charles deserves a good meal. Also, imagine Erik using his powers in the kitchen. The sheer domesticity…

27. Hurt No Comfort

Plenty of scope with these two 🥲

28. Growing Old Together

Giving Sirs Ian Mckellan and Patrick Stewart their props as well!

29. Making Up

*pushes chess board across the table* sorry babe

30. Charles Xavier Did More For Mutants Than You'll Ever Know

Rising to each other’s defense. Only I can insult this man.

I will be tracking #revivecherik to reblog stuff! Here’s a fic collection for the same. Let’s get this ball rolling! Please feel free to send me an ask if you’ve got anything to say! And most importantly, let’s all have fun 😁

*I know a few of you preferred something like a gift exchange because of the commitment factor—I’m super down to organise a tiny one for the handful of us! If this promptathon doesn’t flop horribly, we can hopefully do a whole bunch of stuff :)

If you read this post all the way through, please reblog for reach! Thank you! Hoping you participate come April.

Shoutout to @inmymagnetoera for reaching out and helping with this!

[twinsimming]

Pest Control by Twinsimming 🐞

Sims with dirty homes now run the risk of roaches spawning around their lot, similar to The Sims 2.

This is a script mod that can be placed in your Packages folder. It was built and tested on 1.69 but should work fine on 1.67.

Roaches

Once a day the number of dirty objects on your sim's home lot will be counted, and if the Dirty Threshold is met or exceeded, roaches have a chance of spawning.

There are three thresholds: Dirty, Filthy, and Vile. The dirtier the lot is, the more likely roaches are to spawn and in greater numbers.

Dirty Threshold = 5 dirty objects, 10% spawn chance (2 to 4 roach spawners)

Filthy Threshold = 10 dirty objects, 20% spawn chance (4 to 6 roach spawners)

Vile Threshold = 15 dirty objects, 30% spawn chance (6 to 8 roach spawners)

All sims in the active household will get the new Vermin custom moodlet that lasts 12 hours and subtracts -15, -20, or -25 points from your sim's mood depending on the threshold the lot meets.

Roaches spawning also carries a 10% chance of a sim getting sick (like TS2).

New Moodlet

Vermin: Given when roaches spawn on a sim’s home lot, lasts 12 hours, -15. -20, or -25 mood (inspired by TS2 memory)

Tuning

All of the tunable values can be found on the mod download page under the header “Tuning”.

Conflicts & Known Issues

Depending on the terrain paint, roaches may be harder to see. To find any roach spawners you may have missed:

Enter build/buy mode.

Enable buydebug cheat.

Look for any white boxes on your lot. Those are the roach spawners.

Enter live mode.

Stomp on the roaches.

Success!

This is a new script mod so there shouldn’t be any conflicts.

Credits

EA/Maxis for The Sims 2 and The Sims 3, Visual Studio 2019, ILSpy, s3pe, Notepad++, Gimp, and Script Mod Template Creator.

Thank You

Thank you to @monocodoll for helping with a scripting issue!

If you like my work, please consider tipping me on Ko-fi 💙

Download @ ModTheSims

[dontmean2bepoliticalbut]

On 7/31/2019 Trump has a private meeting with Putin. On 8/3/2019, just 3 days after his private meeting with Putin Trump issues a request for a list of top US spies. By 2021 the CIA reports an unusually high number of their agents are being captured and/or being murdered. During the search executed at Mar A Lago the FBI find nore documents with lists of U.S. informants on them.

A Timeline

• FBI wiretapped Russian gambling ring headquartered at Trump Tower for two years - March 21, 2017

• Trump revealed highly classified information to Russian foreign minister and ambassador - May 15, 2017

• Trump, Putin Meet For 2 Hours In Helsinki - July 16, 2018

• Rand Paul Goes To Russia And Delivers Letter For Trump, Marking Our Era Of Irony - August 9, 2018

• Following the Money: Trump and Russia-Linked Transactions From the Campaign to the Presidential Inauguration - December 17, 2018

• The US extracted a top spy from Russia after Trump revealed classified information to the Russians in an Oval Office meeting - September 10, 2019

• Trump’s Loose Lips Force US to Extract Spy From Kremlin - September 10, 2019

• Was Mar-a-Lago Trespasser a Tourist or a Spy? A Judge Said Her Story Didn’t Hold Up. - November 25, 2019

• Trump downplays massive cyber hack on government after Pompeo links attack to Russia - December 19, 2020

• Russia has been cultivating Trump as an asset for 40 years, former KGB spy says - January 29, 2021

• There was Trump-Russia collusion — and Trump pardoned the colluder - April 17, 2021

• Longtime GOP operatives charged with funneling Russian national’s money to Trump, RNC - September 20, 2021

• Captured, Killed or Compromised: C.I.A. Admits to Losing Dozens of Informants - October 5, 2021

• Files Seized From Trump Are Part of Espionage Act Inquiry - August 12, 2022

• Ex-Clinton aide implies 'President of France' file found at Trump's home during Mar-a-Lago raid could be valuable to Putin as 'kompromat' - August 13, 2022

• Inventing Anna: The tale of a fake heiress, Mar-a-Lago, and an FBI investigation - August 22, 2022

• Russians used a US firm to funnel funds to GOP in 2018. Dems say the FEC let them get away with it - October 30, 2022

• Trump makes shocking comments about trusting Putin over US 'intelligence lowlifes' - January 31, 2023

• Russia's Prigozhin admits links to what US says was election meddling troll farm - February 14, 2023

• GOP operative sentenced to 18 months for funneling Russian money to Trump- February 17, 2023

• Trump allegedly discussed US nuclear subs with foreign national after leaving White House: Sources - October 5, 2023

• 'So appalled': What witnesses told special counsel about Trump's handling of classified info while still president - April 24, 2024

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