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fratboykate · 1 year

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I'm totally in support of the writers in theory but I'm trying to understand more of what you're fighting for because I've seen some people on twitter claim writers make more money a week than most of us make in a month so I'm trying to understand what the issue is. Also if that info is accurate. This is a genuine question. Not trying to have a "gotcha moment". I really want to hear from a writer.

people have always had wild misconceptions about how much a writer earns because of their lack of understanding of how the industry actually works. there's so many posts about how "you guys make 5k a week. what more do you want?!" yeah...let's do some math on that.

5k a week for 14 weeks (and that's a long room. a lot of rooms these days are 8-10 weeks. those are the dreaded mini-rooms we're trying to kill) is $70,000. for roughly three months of work. you'd think we're cooking with gas...BUT HOLD UP. that's gross! let's see everything that has to come out of that check:

10% to our agent

10% to our manager

5% to our entertainment attorney

5% to our business manager (not everyone has one but a lot of us do. i do, so that's literally 30% immediately off the top of every check)

most of these breakdowns ive seen downplay taxes severely. someone made one that says writers pay 5% in taxes and i would like to ask them "in what universe?". that doesn't even cover state taxes. the way taxes work in the industry is really complicated, but the short of it is most of us have companies for tax reasons so we aren't taxed like people on w2s/1099. if we did we'd be even more fucked. basically every production hires a writer's company instead of the writer as an individual. so they engage our companies for our services and then at the end of the year we (the company) pay taxes as corporations or llcs (depending on what the writer chose to go with). my company is registered as a "corporation" so let's go with those rates. california's corporate rate is 9% and the federal corporate tax rate is 21%. there's other expenses with running a business like fees and other shit so my business managers/accountants/bookkeepers have recommended i save between 35-40% of everything i make for when tax season comes.

you see where the math is at already??? 25-30% in commissions and then 35-40% in taxes. on the lower end you're at THE VERY LEAST looking at 60% of that check gone. 70% worst case scenario. suddenly those $70,000 people claim we make are actually down to $28,000 as the take home pay. and that's if you're only losing 60%. it goes down to $21,000 if it's 70%.

lets pretend you worked a long 14 week room (that's the longest room ive ever worked btw) and let's also be generous and say you only have 60% in expenses so the take home is $28,000. average rent in los angeles is around $2,800-$3,000. if you're paying $2,800 in rent that means you need AT LEAST $4,000 a month to have a semi decent life since you need to also cover groceries, gas, medical expenses, toiletries, phone, internet, utilities, rental and car insurances, car payments, student loan payments, etc etc etc. and again, this is los angeles. everything is more expensive so you're living BARE BONES on 4k. and these are numbers as a single person. im not even taking having children into account. so those $28,000 you take home might cover your life for 6-7 months. 3 of which you're in the room working. the reality is that once that room ends, you might not work in a room again for 6-9-12 months (i have friends whose last jobs were over 18 months ago) and you now only have about 3 months left of savings to hold you over. we have to make that money stretch while we do all the endless free development we do for studios and until we get our next paying job. so...3 months left of enough money to cover your expenses -> possible 9 months of not having a job. this is how writers end up on food stamps or applying to work at target.

this is why we're fighting for better rates and better residuals. residuals were a thing writers used to rely on to get them through the unemployment periods. residual checks have gone down from 20k to $0.03 cents. im not joking.

they've decimated our regular pay and then destroyed residuals. we have nothing left. so don't believe it when they tell you writers are being greedy. writers are simply fighting to be able to make a middle class living. we're not asking them to become poor for our sake. we're asking for raises that amount to 2% of their profit. TWO PERCENT. this is a fight for writing even being a career in five years instead of something you do on the side while you work retail to pay your bills. if you think shows are bad now imagine when your writer has to do it as a hobby because they need a real job to pay their bills and support a family. (which none of us can currently afford to have btw)

support writers. stop being bootlickers for billion dollar corporations. stop caring about fictional people more than you care about the real people that write them. if we don't win this fight it truly is game over. the industry as you know it is gone.

#wga strike #writer's strike #hollywood #anonymous #answers #myposts

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giamee · 1 month

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🌺 ᯓ★୭ ˚. ᵎᵎ

𝐒𝐀𝐕𝐄 𝐘𝐎𝐔𝐑 𝐓𝐄𝐀𝐑𝐒 𝐅𝐎𝐑 𝐀𝐍𝐎𝐓𝐇𝐄𝐑 𝐃𝐀𝐘!

STARRING. ノ dan heng

request. ノ anon: helloo if it's right up your alley, could you do a danheng x reader hanahaki au? one where the reader thinks he and someone else have something going on given how caring danheng is through that stoic face of his! but really, danheng is just too kind and you're much too caught up with your own feelings

word count. ノ 3.4k

contains. ノ hanahaki!reader, u and dan heng r both kinda dumb, angst pertaining to the hanahaki trope, you can tell how old this fic is because it's set during the jarilo-vi story quest, some unfounded jealousy of march 7th?, mentions of death and injury and some graphic descriptions of blood and illness

gia's notes. ノ this was the very first request that i ever received on this blog. over a year ago. i drafted this fic and wrote out about 70% of it then let it rot at the bottom of my drafts. anon, you have the patience of a saint if you're still here.

THE MOMENT THAT YOU STEPPED FOOT ONTO THE ASTRAL EXPRESS, you had the sneaking suspicion that you were doomed. Your fate was set in stone as soon as you felt the hard encasing of a seed clutch the walls of your heart in a vice grip when you first laid eyes upon him.

Dan Heng was elusive. The others had been warm in their welcome, but it took the combined efforts of yourself and March 7th to find him hidden in the recesses of the train’s records room. His greeting was a mere nod in your direction before Welt required your presence again, but that’s all you needed.

His eyes were cool, practically piercing through your skin as March 7th ushered you pack to the parlour car, and you felt yourself shiver as his intense stare burned itself into the back of your head.

And while he’s intimidating, sure, that’s not why you stayed away from Dan Heng. He had a cold and callous exterior that you had never seen crack, yet all the same you had felt the start of a crush start to take root.

And this may not have been a problem at all if it weren’t for two details that were like a slap to the face for you.

One, you were fairly certain that Dan Heng had his eyes for March 7th.

And two, if your crush didn’t return your feelings, you would die.

It wasn’t a case of exaggeration, either. You had been aware of the fact that to develop feelings for someone was dangerous, as it had been drilled into you from a young age by your parents. They had gripped your hands, steering you away from other children with little more explanation than that, always chastised you for wanting to forge a human connection, keeping you isolated from the world around you, better safe than sorry.

And you had felt so alone.

Being forced to live a life in confinement was not an easy one, and despite your parents’ wishes, you had told them of your plan to to finally go out into the world, to live a life from experience and not watching it unfold as an impassive reader of a book or on your phone screen, danger be damned.

So it wasn’t really your fault that you had been so quick to develop those feelings that had been so often described in the books you read, as an explosion of butterflies erupted within you upon meeting someone else, another person for the first time.

And yet you found yourself in the same predicament- a watcher from afar. The heart wants what it wants was a bitter mantra that seemed to enjoy your misery as you watched March 7th excitedly chatter with Dan Heng, and you could have sworn the man even cracked the smallest of smiles at whatever she was saying. And really, could you blame him for it? March was kind, bubbly, outgoing- a perfect match for the stoic and seeming immovable Dan Heng.

It was more common sense than pessimism that had you concluding that you didn’t really stand a chance for his affections against someone like her. You doubt that Dan Heng even looked at you more than he had to. You, so secretive and elusive that you gave him a run for his money; and two similar poles never attracted each other. It was a funny hand that fate had dealt you, but you had to play with those cards regardless.

As if to mock you, you ducked away from the outskirts of the room, feeling a coughing fit coming. You had barely made it to your room before you doubled over, feeling your insides run ragged by the prickly thorns of the rose bush that grew inside you.

A single bloodstained petal fell into your palm.

Besides the quickly growing issue that you refused to acknowledge, life on the Astral Express wasn’t awful. You hadn’t yet confided in anyone about your condition, so to speak, and not entirely because you didn’t want to. To be completely honest with yourself, there was much that you didn’t know about it.

And so you timed it well- you waited for the subject of your affliction- for Dan Heng to leave his unofficial bedroom before you slipped through the door into the records room, desperate to find any sort of information that might help you find some sort of cure.

There was a small computer in the corner that you quickly typed your symptoms into- flower. unrequited love. coughing fits. You didn’t know if the single digit of entries was a cause for concern or not, but your brows furrowed as you began to scan through them. The number of obituary entries that were listed on this one document alone was making you shiver. You clicked out of it, about to open the next one before the door sliding open had you starting like a frightened animal.

Dan Heng strolled in, eyebrows shooting up to his hairline as he registered that you were in the room, in his room. He spoke your name, softly, as if trying not to scare you further. You would have said something, honestly, if it weren’t for the sudden explosive coughing fit that came on a lot quicker than usual.

You could barely get a word out before you were bent over from the force of your coughs, tears pricking your eyes from the newfound intensity of the pain coming from inside you. Despite your hands clasped over your mouth, a couple of petals escaped and fluttered down to the floor, some distance between you and the horrified Dan Heng.

He was frozen in place, fingers itching to reach out to you and comfort you, but with the way you practically flinched away from him, he wasn’t sure if his presence was wanted. He barely caught a glimpse of your pained face before you darted around him and back to your own room on the train.

Dan Heng scrubbed a hand over his face in frustration at his inability to act, before his attention diverted once again to the bloody petals on the floor, and the files on the record searcher that you hadn’t completely closed. He cast one last guilty glance back in your direction before heading closer to the screen and beginning to read.

The Trailblazers’ journey must progress, and your heart hammered for another reason other than a sighting of the raven-haired male who you still harboured feelings for. You had ultimately left your home to explore the world, and with the Express finally stopping at the planet Belobog- your promise to yourself was a step closer to being fulfilled. You disembarked alongside Stelle and March, doing your best to avoid Dan Heng like the plague ever since that fated day. You didn’t know how much he exactly knew, but you had no intentions of finding out.

Your plans of peaceful exploration, however, were short lived with the arrival of Silvermane guards to greet you. In the chaos of the smoke, it was not lost on you that Dan Heng had instinctively protected March, practically shielding her with his body. As Stelle dragged you along some backway path in pursuit of some mystery saviour, you felt the excruciating addition of a new thorn in your heart.

The adrenaline of the escape had worn off by now, and you could feel your secret threatening to spill over any second now. You could barely warn Stelle to let you move off to the side before you were keeled over, closer to gagging than coughing as a large ball of petals and dark, dark blood forced its way through your throat. You felt faint, barely registering the panicked calls of your name as you felt your world turn sideways, Stelle’s face and voice being quickly replaced by another deeper one, with fear in their eyes and a certain desperate edge as you felt yourself slip into unconsciousness.

It's a dreamless sleep, yet it isn't restful, judging by how you feel like you've been hit by a bus when you sit up. Every fibre of your being aches, and there's a harsh overhead light that dazzles you as you blink awake.

As your eyes grow accustomed to it, there's a surge of panic as you don't recognise your surroundings. It looks like a clinic of some sorts- and there was the cloying smell of chemicals that invaded your nostrils. You struggled to sit up, until you felt a hand place itself gently against your chest.

A dark-haired woman with a doctor's coat smiles down at you warmly, and you eye her warily.

"Who are you?"

"My name's Natasha, I'm a doctor in the Underworld. Try not to move around too much, dear. You've been unconscious for quite some time and your condition is unstable, you still need rest."

"Where's the people that I was with?"

"They've all awoken a few hours before you." She casts a quick glance at the clipboard in her hands, as if to fact check herself, giving herself a quick satisfactory nod. "Don't worry, you haven't been abandoned. They should be just outside. The young man sat by your bedside while you were unconscious only left a few minutes ago- he got whisked away by one of my... colleagues."

Your mind's racing now, wondering who she could be talking about. Hoping that it was who you thought it was. But she reiterates her request to lie back down, and you comply begrudgingly. You start to settle down, until you catch a glimpse of the mess lying atop your blankets. A visceral combination of blood and crumpled petals rest upon the fabric, and you watch the doctor's expression become grave.

"That is the unstable part of your condition that I wanted to discuss." She pulls up a chair besides you, settling neatly, hands folded in her lap. "How long have these symptoms been ailing you?"

You furrow your brows, recalling how they started a mere month or two ago, after you joined the Astral Express. After you met him.

"A couple of months." Natasha nods, a frown forming on her face again.

"Considering how quickly it has developed, I imagine that your case is rather severe." You shrug, a humourless smile on your face.

"There's not much that I can do about it, Doc."

"I'm sure that you're aware of the risks that come with a confession, but as a bystander rather than a doctor, I think that you should talk to him."

"Who?"

"The man who refused to leave your side for all of these hours."

You hoped that Natasha was right. Deciding to ignore her advice of continued bed rest, you force yourself up, walking out of the clinic in search of him. Welt was no young man, and there wasn't anyone else that came to mind based off of Natasha's description. It couldn't be anyone else than him, right?

You stumble out onto the streets of the Underworld, garnering a few odd looks from passerbys as you wander around, looking for not just Dan Heng but anyone that you recognised.

You round a corner, seeing the back of a head and clothing that looks an awful lot like him. Who you're planning to confess to. You call his name, out loud, voice a little hoarse.

And he turns, beautiful crystalline eyes meeting yours. Call it a trick of the light, but you could have sworn that they shone a tad lighter when he saw you. But your gaze drifted past him, and all bubbling hope was quelled once again in your heart as you recognised the figure of March 7th stood with him.

Of course he would be with her.

If you looked closer at the pair of them, all signs indicated an intimacy to them that made you feel sick. There was a serious look on her face, one of her hands rested against his arm, but she soon recognised you too, her face instantly perking up as she began to ran towards you, calling your name.

"You're finally awake, you're OK!" she calls out in delight, her arms wrapping around you as she practically barrels into you, threatening to knock you off balance. You stumble, returning the hug, the nausea turning to guilt as you remember how the girl has been nothing but good to you. Of course Dan Heng would harbour feelings for her, not you.

The Doctor's order was wrong.

You sigh to yourself in defeat, unwinding your arms and shooting March 7th the best smile that you could muster in the moment.

"I feel better, but I'm still feeling weak so I might go back to the clinic."

March 7th frowns, eyes scanning your figure in concern.

"Are you OK, Y/N?"

"Do you want me to walk you back?" You twitched, not even realising that Dan Heng had caught up to the pair of you. He was also looking at you with concern, and you could feel an onslaught of petals coming.

"No, it's fine, I'll go back on my own." You don't really give either of them the chance to respond, spinning on your heel and trying not to run back from where you came.

You felt... worse. Before, you had at least been able to function, but now you felt so much limper, and weaker. You cursed at yourself for allowing false hope to be instilled, just as the coughing begins. It wracks through you, so hard that you almost dry heave as you keel over, and you watch in horror as you wipe your mouth with the back of your hand and see it come back crimson.

At least the clinic was around the corner.

You barely make it inside, unable to stand up straight by this point. Natasha springs to action, helping you back into a bed, helping you through the worst of the coughing. It's so much more draining than before, and you're quick to fall into a fitful sleep.

Even unconscious, you don't get a reprieve. Even in your dreams, he's all you can think of. There's a spitting image of him stood before you, eyes soft and voice like honey as he calls out to you, hands outstretched. And you try to join him, fingers straining to touch his before you watch them turn into branches and flower before your very eyes. You look down, and it hurts, with brambles wrapping themselves around your middle. And just as fast as they grow, your new floral appendages wilt before your very eyes. Branches drooping, flowers losing their hue, and you feel yourself start to fade, his name one last desperate cry from your lips.

You wake up, tears staining your cheeks and you trembling. For a few panicked seconds, you think you're still dreaming because he is here, sat by your bed, and as he stands up to wipe your tears you shrink back in fear of turning back to branches again.

But his warm palm cups your face, solid against your trembling state, deft thumbs wiping away your tears, an uncharacteristically soft hushing and cooing coming from Dan Heng as he promises you that everything is okay now.

It's easy to believe him, with the way he moves even closer to hold you, cradle your form against his warmth, patting your hair and letting you cry until you can't any more amidst the petals on your bedsheets.

You don't know how long the pair of you stay like this, your face pressed into his chest, his heartbeat leading yours back into the range of one at rest rather than its prior pounding against your ribcage. You would stay there for the rest of time, if you had a choice, but you had to admit that the oxidation of blood and its drying against your skin was making you feel ever so slightly uncomfortable.

You clear your throat, as best as you can in your hoarse state, and Dan Heng picks up on your withdrawal as he all but flinches away from you, returning the distance that usually lies between your two bodies. But his eyes still scour your figure, your face, for any and all signs of discomfort. Like a lover would. The thought melds with the already-bitter taste of blood residing against your tongue, and you frown down at your lap. At the petals. At your pathetic form lying beneath the blanket, obscured from view.

“How long has this been happening for?” Dan Heng sounds so timid, as if he were walking on glass sheets around you. Ever since that fateful day in the records room, it felt like he had done nothing but tiptoe and tread around you, a careful dance of avoidance that you were forced to be his partner in. You sigh deeply, a hand gingerly beginning to gather the gorey sight of such beautiful pink marred by the visceral crimson that remained, not yet dried.

“I’ve had it all my life, apparently, but it only started making itself known once I joined the Astral Express.” Once I met you.

“I, um- I looked into it more. In the records.” His admission made you snap your head up to face him, cautious of his next words, whatever they may be. He looked nervous himself, with eyes that refused to meet yours and fingers that twisted into his clothes, toying with the hem of his jacket.

“I read of many such cases where people were able to make a full recovery.” He sounds so hopeful, even daring to meet your eyes, that you almost feel bad for him. It was like looking back at a past version of yourself, so hopeful for a happy ending that once sparkled in your eyes, now a dull flicker you can see when the lighting is just right.

“It’s not that simple, Dan Heng.”

“What do you mean, it said that there weren’t any later cases of symptoms returning-”

“That’s because it’s not an illness from the body.” You’re snappier than you intend to be, you see it in the way his mouth snaps shut and his throat bobs against his collar, as he sits up straighter, waiting for you to continue. “The only cure is to confess to the person that I love.”

“And why haven’t you?” His voice is barely above a murmur, and even from his place in the seat next to our bed, you hear him just fine.

“Because I’m sure that he has eyes for another.” You’ve collected all the petals in your palm by now, observing them with a dry humour as you notice that they’ve begun to wither, much like yourself. You doubt that you could go on much longer after this conversation. Part of you urges to get it over with, to confess now and let yourself bloom with one last glance upon his face.

Dan Heng must have scoured each and every record, because you didn’t need to offer an explanation of what would happen with such unrequited feelings. He’s silent again, an awkward and palpable tension as you can feel his confliction from here.

He finally manages a lame “you never know” that has you laughing, a brief reprieve before you dissolve into another coughing fit. It’s hardly something to worry about, but Dan Heng is by your side again, palm smoothing over your shoulder blades as you are wracked with coughs. You appreciate it nonetheless.

“What would happen if someone else confesses to you?” You shoot him a sideways glance, confusion written all over your features, urging him to elaborate. “What if you held no feelings for them, but they confessed to you all the same. Would that cure you?” He’s earnest now, hands scooping up your dirtied ones, clasping them in his grasp as he looked at you with stars in his eyes.

Your shrivelled heart begins to beat again.

“What- what do you mean?” Play dumb. Don’t mistake curiosity for what you desire most.

“What if I told you right here and now that I love you?” His eyes are searching yours, pleading with you for an answer that you’ve been screaming at him for so long. One that he does not have to search for, because it’s been laid there at his feet this whole time.

“I would tell you, Dan Heng, that such a confession is not unrequited.” You’re grinning now, the smile on your face growing wider and wider as you watch recognition flood his features.

And then he’s smiling too, laughing, holding you ever closer to him before he pulls away again, just to cup your face now. It’s only natural to close the distance between the two of you, lips touching his for a kiss that quickly becomes searing, welcoming a new season of heat into your body.

The thorns in your heart reside. Spring begins to bloom.

➤ IF YOU LIKED THIS, TRY ... enjoy the silence

roommate!dan heng x reader

➤ alternatively, you can find my hsr masterlist here!

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fuckyeahgoodomens · 7 months

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The Radio Times magazine from the 29 July-04 August 2023 :)

THE SECOND COMING

How did Terry Pratchett and Neil gaiman overcome the small matter of Pratchett's death to make another series of their acclaimed divine comedy?

For all the dead authors in the world,” legendary comedy producer John Lloyd once said, “Terry Pratchett is the most alive.” And he’s right. Sir Terry is having an extremely busy 2023… for someone who died in 2015.

This week sees the release of Good Omens 2, the second series of Amazon’s fantasy comedy drama based on the cult novel Pratchett co-wrote with Neil Gaiman in the late 1980s. This will be followed in the autumn by a new spin-off book from Pratchett’s Discworld series, Tiffany Aching’s Guide to Being a Witch, co-written by Pratchett’s daughter Rhianna and children’s author Gabrielle Kent. The same month, we’ll also get A Stroke of the Pen, a collection of “lost” short stories written by Sir Terry for local newspapers in the 70s and 80s and recently rediscovered. Clearly, while there are no more books coming from Pratchett – a hard drive containing all drafts and unpublished work was crushed by a vintage steamroller shortly after the author’s death, as per his specific wishes – people still want to visit his vivid and addictive worlds in new ways.

Good Omens 2 will be the first test of how this can work. The original book started life as a 5,000-word short story by Gaiman, titled William the Antichrist and envisioned as a bit of a mashup of Richmal Crompton’s Just William books and the 70s horror classic The Omen. What would happen, Gaiman had mused, if the spawn of Satan had been raised, not by a powerful American diplomat, but by an extremely normal couple in an idyllic English village, far from the influence of hellish forces? He’d sent the first draft to bestselling fantasy author Pratchett, a friend of many years, and then forgotten about it as he busied himself with continuing to write his massively popular comic books, including Violent Cases, Black Orchid and The Sandman, which became a Netflix series last year.

Pratchett loved the idea, offering to either buy the concept from Gaiman or co-write it. It was, as Gaiman later said, “like Michelangelo phoning and asking if you want to paint a ceiling” The pair worked on the book together from that point on, rewriting each other as they went and communicating via long phone calls and mailed floppy discs. “The actual mechanics worked like this: I would do a bit, then Neil would take it away and do a bit more and give it back to me,” Pratchett told Locus magazine in 1991. “We’d mess about with each other’s bits and pieces.”

Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch – to give it its full title –was published in 1990 to huge acclaim. It was one of, astonishingly, five Terry Pratchett novels to be published that year (he averaged two a year, including 41 Discworld novels and many other standalone works and collaborations).

It was also, clearly, extremely filmable, and studios came knocking — though getting it made took a while. rnvo decades on from its writing, four years after Pratchett's death from Alzheimer's disease aged 66, and after several doomed attempts to get a movie version off the ground, Good Omens finally made it to TV screens in 2019, scripted and show-run by Gaiman himself. "Terry was egging me on to make it into television. He knew he was dying, and he knew that I wouldn't start it without him," Gaiman revealed in a 2019 Radio Times interview. Amazon and the BBC co-produced with Pratchett's company Narrativia and Gaiman's Blank Corporation production studios, with Michael Sheen and David Tennant cast in the central roles of Aziraphale the angel and Crowley the demon. The show was a hit, not just with fans of its two creators, but with a whole new young audience, many of whom had no interest in Discworld or Sandman. Social media networks like Tumblr and TikTok were soon awash with cosplay, artwork and fan fiction. The original novel became, for the first time, a New York Times bestseller.

A follow up was, on one level, a no-brainer. The world Pratchett and Gaiman had created was vivid, funny and accessible, and Tennant and Sheen had found an intriguing romantic spark in their chemistry not present in the novel.

There was, however, a huge problem. There wasn't a second Good Omens book to base it on. But there was the ghost of an idea.

In 1989, after the book had been sold but before it had come out, the two authors had laid on fivin beds in a hotel room at a convention in Seattle and, jet-lagged and unable to sleep, plotted out, in some detail, what would happen in a sequel, provisionally titled 668, The II Neighbour of the Beast.

"It was a good one, too" Gaiman wrote in a 2021 blog. "We fully intended to write it, whenever we next had three or four months free. Only I went to live in America and Terry stayed in the UK, and after Good Omens was published, Sandman became SANDMAN and Discworld became DISCWORLD(TM) and there wasn't a good time."

Back in 1991, Pratchett elaborated, "We even know some of the main characters in it. But there's a huge difference between sitting there chatting away, saying, 'Hey, we could do this, we could do that,' and actually physically getting down and doing it all again." In 2019, Gaiman pillaged some of those ideas for Good Omens series one (for example, its final episode wasn't in the book at all), and had left enough threads dangling to give him an opening for a sequel. This is the well he's returned to for Good Omens 2, co-writing with comic John Finnemore - drafted in, presumably, to plug the gap left Pratchett's unparalleled comedic mind. No small task.

Projects like Good Omens 2 are an important proving ground for Pratchett's legacy: can the universes he conjured endure without their creator? And can they stay true to his spirit? Sir Terry was famously protective of his creations, and there have been remarkably few adaptations of his work considering how prolific he was. "What would be in it for me?" he asked in 2003. "Money? I've got money."

He wanted his work treated reverently and not butchered for the screen. It's why Good Omens and projects like Tiffany Aching's Guide to Being a Witch are made with trusted members of the inner circle like Neil Gaiman and Rhianna Pratchett at the helm. It's also why the author's estate, run by Pratchett's former assistant and business manager Rob Wilkins, keeps a tight rein on any licensed Pratchett material — it's a multi-million dollar media empire still run like a cottage industry.

And that's heartening. Anyone who saw BBC America's panned 2021 Pratchett adaptation The Watch will know how badly these things can go when a studio is allowed to run amok with the material without oversight. These stories deserve to be told, and these worlds deserve to be explored — properly. And there are, apparently, many plans afoot for more Pratchett on the screen. You can only hope that, somewhere, he'll be proud of the results.

After all, as he wrote himself, "No one is finally dead until the ripples they cause in the world die away, until the clock wound up winds down, until the wine she made has finished its ferment, until the crop they planted is harvested. The span of someone's life is only the core of their actual existence."

While those ripples continue to spread, Sir Terry Pratchett remains very much alive. MARC BURROWS

DIVINE DUO

An angel and a demon walk into a pub... Michael Sheen and David Tennant on family, friendship and Morecambe & Wise

Outside it's cold winter's day and we're in a Scottish studio, somewhere between Edinburgh and Glasgow. But inside it's lunchtime in The Dirty Donkey pub in the heart of London, with both Michael Sheen and David Tennant surveying the scene appreciatively. "This is a great pub," says Sheen eagerly, while Tennant calls it "the best Soho there can be. A slightly heightened, immaculate, perfect, dreamy Soho."

Here, a painting of the absent landlord — the late Terry Pratchett, co-creator, with Neil Gaiman, of the series' source novel — looms over punters. Around the corner is AZ Fell and Co Antiquarian and Unusual Books. It's the bookshop owned by Sheen's character, the angel Aziraphale, and the place to where Tennant's demon Crowley is inevitably drawn.

It's day 74 of an 80-day shoot for a series that no one, least of all the leading actors, ever thought would happen, due to the fact that Pratchett and Gaiman hadn't ever published any sequel to their 1990 fantasy satire. Tennant explains, "What we didn't know was that Neil and Terry had had plots and plans..."

Still, lots of good things are in Good Omens 2, which expands on the millennia-spanning multiverse of the first series. These include a surprisingly naked side of John Hamm, and roles for both Tennant's father-in-law (Peter Davison) and 21-year-old son Ty. At its heart, though, remains the brilliant banter between the two leading men — as Sheen puts it, "very Eric and Ernie !" — whose chemistry on the first series led to one of the more surprising saviours of lockdown telly.

Good Omens is back — but you've worked together a lot in the meantime. Was there a connective tissue between series one of Good Omens and Staged, your lockdown sitcom?

David: Only in as much as the first series went out, then a few months later, we were all locked in our houses. And because of the work we'd done on Good Omens, it occurred that we might do something else. I mean, Neil Gaiman takes full responsibility for Staged. Which, to some extent, he's probably right to do!

Michael: We've got to know each other through doing this. Our lives have gotten more entwined in all kinds of ways — we have children who've now become friends, and our families know each other.

There have been hints of a romantic storyline between the two characters. How much of an undercurrent is that in this series.

David: Nothing's explicit.

Michael: I felt from the very beginning that part of what would be interesting to explore is that Aziraphale is a character, a being, who just loves. How does that manifest itself in a very specific relationship with another being? Inevitably, as there is with everything in this story, there's a grey area. The fact that people see potentially a "romantic relationship", I thought that was interesting and something to explore.

There was a petition to have the first series banned because of its irreverent take on Christian tropes. Series two digs even more deeply into the Bible with the story of Job. How much of a badge of honour is it that the show riles the people who like to ban things?

David: It's not an irreligious show at all. It's actually very respectful of the structure of that sort of religious belief. The idea that it promotes Satanism [is nonsense]. None of the characters from hell are to be aspired to at all! They're a dreadful bunch of non-entities. People are very keen to be offended, aren't they? They're often looking for something to glom on to without possibly really examining what they think they're complaining about.

Michael, you're known as an activist, and you're in the middle of Making BBC drama The Way, which "taps into the social and political chaos of today's world". Is it important for you to use your plaform to discuss causes you believe in?

Michael: The Way is not a political tract, it's just set in the area that I come from. But it has to matter to you, doesn't it? More and more as I get older, [I find] it can be a real slog doing this stuff. You've got to enjoy it. And if it doesn't matter to you, then it's just going to be depressing.

David, Michael has declared himself a "not-for-profit" actor. Has he tried to persuade you to give up all your money too?

David: What an extraordinary question! One is always aware that one has a certain responsibility if one is fortunate and gets to do a job that often doesn't feel like a job. You want to do your bit whenever you can. But at the same time, I'm an actor. I'm not about to give that up to go into politics or anything. But I'll do what I can from where I live.

Well, your son and your father-in-law are also starring in this series. How about that, jobs for the boys!

David: I know! It was a delight to get to be on set with them. And certainly an unexpected one for me. Neil, on two occasions, got to bowl up to me and say, "Guess who we've cast?!"

How do you feel about your US peers going on strike?

David: It's happening because there are issues that need to be addressed. Nobody's doing this lightly. These are important issues, and they've got to be sorted out for the future of our industry. There's this idea that writers and actors are all living high on the hog. For huge swathes of our industry, that's just not the case. These people have got to be protected.

Michael: We have to be really careful that things don't slide back to the way they were pre the 1950s, when the stories that we told were all coming from one point of view and the stories of certain people, or communities within our society, weren't represented. There's a sense that now that's changed for ever and it'll never go back. But you worry when people can't afford to have the opportunities that other people have. We don't want the story that we tell about ourselves to be myopic. You want it to be as inclusive as possible

Staged series 3 recently broadcast. It felt like the show's last hurrah — or is there more mileage? Sheen and Tennant go on holiday?

David: That's the Christmas special! One Foot in the Algarve! On the Buses Go to Spain!

Michael: I don't think we were thinking beyond three, were we?

So is it time for a conscious uncoupling for you two — Eric and Ernie say goodbye?

David: Oh, never say never, will we?

Michael: And it's more Hinge and Bracket.

David: Maybe that's what we do next — The Hinge and Bracket Story. CRAIG McLEAN

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