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I've been meaning to ask (and implied ost spoilers for ISAT for those who haven't played it): How did you get the difference in effect between the tracks "It's Finally Over..." and "Isn't It Over?"? I'm very curious how you produced all the effects in the latter!
That is an absolutely fantastic question!
Here's a little graphic illustrating some of the tools that were used.
So as you can see we're actually starting with the actual audio track and not the sequenced version.
We've loaded up the track with a Frequency Shifter, which is being automated to create strange pitch warbles.
Next, and most importantly, the audio track has a "Warp" setting, which normally allows samples to fit tracks that are at something other than their original BPM, but what we've done is left it on the "Beats" setting (play around with this and the "Preserve" setting for more fun weirdness) and then stretched and compressed the audio in places.
In order to do this, right click in the marker area of the waveform (where those yellow tags are) and add a warp marker. This is usually used to align hits in a recording to allow you to quantize audio the same way you would a midi track, but if you stretch the audio beyond a "reasonable" degree it has to figure out a way to fill in that extra space, which is where your "Warp" setting comes into play.
Depending on your setting it can try to stretch the audio cleanly, or it can try to fill in the blank space with something that makes sense rhythmically or musically. When taken to absolute extremes it can... well... do some really bizarre things.
Die besten Software-Tools für DJs und Musikproduzenten
[vc_row][vc_column][vc_column_text]Software Tools – DJs und Musikproduzenten – In der dynamischen Welt der Musikproduktion und DJing spielen Software-Tools eine entscheidende Rolle. Sie ermöglichen es Künstlern, ihre Kreativität voll auszuschöpfen, komplexe Tracks zu erstellen und nahtlose Mixe zu gestalten. Ob du ein aufstrebender DJ oder ein erfahrener Musikproduzent bist, die richtigen Tools…
I have slowly -- s l o w l y -- been making my way through the simplest, most paint-by-numbers Ableton tutorials. Thanks to Splice, Ethan Davis, Chris the Scientist, a bunch of other guys, one lady, and a lot of trial and error I finally--finally!--have this...thing.
It's not quite a song. More like a song-shaped object. I can hear how rough it is and how much I don't know (a LOT) but I actually like it. And with time, who knows. It could be perfect...
A couple audio clips from songs I made when learning Ableton Live. I plan to rework and use them in my semester animation project. Headphones recommended.
its finished for now :) im beginning to like my high register voice a lot and that makes me happy, i need to utilize it more. i always find bridges kinda hard and also endings, but i did my best for now lol