#AFTER FOUR THOUSAND YEARS!

[rainyrindou]

*cracks knuckles* i’m writing a drabble.

[in-death-we-fall]

Out Of The Shadows

Since his shock exit from Slipknot, Joey Jordison has remained silent. For the first time, he opens up about the split, the debilitating condition that left him unable to walk, and how he's been reborn anew

Words: Dom Lawson • Pics: Travis Shinn

Metal Hammer 285 - August 2016 (google drive link) Full disclosure I pasted the main article from Metal Hammer's awful awful website because my hands are sad (from doing things like this, yes. Don't keep doing things if they hurt, yes even if you're super super excited about a guy.)

There is life after death. First, there’s Hell.

When the news first broke that Joey Jordison was no longer in Slipknot, it sent shockwaves around the world. Here was this icon of our world and one of the founding members of one of the greatest bands to emerge in all of 30 years suddenly, inexplicably gone. In the heavy wake of Paul Gray’s passing it seemed almost too great a blow for any band, even one with nine members. Anyone who knows their travails understands that they’re less a band and more like a dysfunctional family – had their problems caught up with them? But reappear they did, to the sound of a rapturously received album, and the three-ring circus of Knotfest, and yet still questions remained about the circumstances of Joey’s departure. Slipknot were tightlipped, and Joey? It was anyone’s guess.

I’m humbled to say that we now have Joey’s side of the story, and this month’s world-exclusive journey to Des Moines is one of the most powerful, saddening and inspirational stories you’ll read in these pages. Sure, there are the new records – Vimic and Sinsaeneum (sic) herald one of our world’s greatest musicians returning to the fold and from the sound of things we’ve some tremendous records ahead of us.

More importantly though, we have one of metal’s greatest figures back, and we couldn’t be more delighted to see him back on his feet – literally. To read Dom Lawson’s tale of a man who’s truly been there and back again, see p.38. Make sure you’re sitting down, because Travis Shinn’s remarkable photography is as stark as it it worth not one, but over 3,000 words.

Thank you for reading, and… Stay metal! Alex, Editör-In-Chief

Out Of The Shadows

Since his shock exit from Slipknot, Joey Jordison has remained silent. For the first time, he opens up about the split, the debilitating condition that left him unable to walk, and how he's been reborn anew

Words: Dom Lawson • Pics: Travis Shinn

Joey Jordison unmasked: the ultimate interview

Part One - Revelation

“This is very important to me. You’re getting something that I have not told anyone. It’s very emotional. It’s fucking hardcore, man.”

Joey Jordison has got a few things to get off his chest. More importantly, the world has got a few questions for the erstwhile Slipknot alumnus and the 21st century’s most celebrated percussive polymath, not least because he has been resolutely off the radar for the last few years.

The last time Metal Hammer spoke directly to Joey, he was promoting his then-newly-formed band Scar The Martyr, who released their self-titled debut album in September 2013. Three months later, he was seemingly dismissed from Slipknot, the band he had enjoyed huge global success with ever since they exploded into our world back in 1999.

Since that startling news broke in December 2013, Joey has been conspicuous by his absence from our ears, eyes and screens. This being the age of endless social media speculation, his disappearance and departure from Slipknot have been widely discussed online, one commonly espoused theory being that the diminutive drummer had gone spectacularly off the rails and was simply unable to fulfill his usual duties, thus prompting his bandmates’ decision to effect an unexpected lineup change.

In truth, only Joey’s closest friends and business associates know what he’s been up to for the last couple of years, but as he warmly greets Hammer at the door of the house he shares with girlfriend Amanda in Des Moines, it’s immediately apparent that today’s interview is much more than just an opportunity to herald the arrival of not one, but two new bands and Joey’s wholesale return to action. Instead, this is what he describes as “an opportunity to tell everyone what the fuck has been going on”. And it’s almost certainly not what anyone is expecting.

“It was at the end of the memorial shows we did for Paul,” Joey begins, referencing the death of bandmate Paul Gray and the subsequent world tour that began in the summer of 2011 and continued until August 2012. “We were in Canada, at the end of my last run of shows with Slipknot, and something happened to me but I didn’t know what it was. I was super ill. You can be sick and still play, but this was something I’d never felt in my life before.

“We found out that what I have is acute transverse myelitis. It’s a neurological condition that hits your spinal cord and it wiped my legs out completely. It’s like having your legs cut off, basically. I played those last couple of shows and it scared the living shit out of me. I didn’t know what it was. Everyone thought I was fucked up, but it wasn’t the case. I wasn’t even drinking. Everything was straight-laced and fucking perfect. Everything was on point. But I had to be carried to the stage…”

Joey pauses, wincing at the memory. “The pain was something I’d never experienced in my life before, and I wouldn’t wish it on my worst enemy.”

When he arrived home from the Slipknot tour, Joey could barely walk. On August 21, 2012, he was admitted to Mercy West hospital in Des Moines, diagnosed with some form of leg paralysis but unaware of exactly how or why this was happening to him. Ten days later, he was transferred to the neurological unit at University Of Iowa Hospital in Iowa City, understandably terrified and extremely confused about his physical deterioration.

“It was fucking bad, dude,” he recalls. “My lady has everything documented. I got struck with this fucking thing that I couldn’t control. The doctors said I might not be able to walk again. Today, I can almost run, but back then I couldn’t even stand up. I was bed-ridden. If I wanted to turn over in bed, I had to move my legs with my hands. I was in and out of the hospital for months.

“Some beautiful people have helped me out and got me back stronger and taught me how to walk again, but at that moment my whole life was screwed, man. Acute transverse myelitis is a fucked-up disease and a lot of people don’t recover from it and they’re paralysed forever.”

After having braces fitted to prevent his weakened legs from buckling, Joey was finally discharged from hospital in October 2012. Thus began an extremely lengthy, challenging and physically exhausting regime of physical and occupational therapy, as Joey tried to summon the energy and determination to beat the bizarre neurological condition that had wrenched the carpet from under his feet and left him both horribly vulnerable and understandably bewildered.

Early in 2013, work began on Scar The Martyr’s debut album, as a further batch of Slipknot shows in Japan and Europe – including a headline slot at Download – loomed over the horizon. Still recovering from the worst of his illness, Joey somehow managed to recover to the point where he was able to perform at those gigs, after which he threw himself wholeheartedly into launching Scar The Martyr by hitting the road as main support to Danzig in the US.

All the while, of course, his global army of admirers remained entirely in the dark about the turmoil and trials going on behind the scenes. It was widely noted that Joey was looking overweight and far from healthy during Scar The Martyr’s debut UK tour, but the conclusions that most people were jumping to – in essence, that he had a problem with drugs and/or drink – were completely off target. Unfortunately, when Slipknot announced on December 12, 2013, that they were to forge ahead without their talismanic drummer, those rumours seemed to gain a little extra momentum.

“Yeah, and that’s why I love being able to do this interview, because finally I get to tell the fucking truth!” Joey declares. “It’s been really frustrating, but I can only bless the people that have been around me and helped me to get back to this point. And this is what I want to clarify for my fans…” – he punches his hand to emphasise the importance of this statement – “…it had nothing to do with fucking drugs or fucking alcohol!”

Several times during our interview, Joey’s eyes fill with tears. It’s abundantly clear that the extraordinary effort required to confront acute transverse myelitis and doggedly chase a light at the end of a seriously dark and bleak tunnel has taken a lot out of him, particularly on an emotional level. But now that he is about to click into top gear once again, via new bands Vimic and Sinsaenum, Joey is channeling his energies towards a cathartic clearing of the decks, and setting people straight about his life over the last five years is top of the agenda.

“Life takes you on weird trips and you just have to hold on, ride the wave and be as strong as you fucking can,” he shrugs. “I’ve been through so much fucking shit over the last few years and people just don’t know.”

Part Two - Struggle

The news that Joey had seemingly been sacked from Slipknot came as a huge shock to everyone, even without the additional knowledge of his devastating health problems. From the band’s enormous fanbase, through to many of us in the metal world that have always known him to be, at the very least, a wholly dedicated and passionate member of that 18-legged, arena-smashing entity, it was a wildly unexpected turn of events.

The band’s own public statements at the time took a predictably passive course, the relatively benign implication being that Joey and his former comrades were simply heading in different creative directions and could no longer work together effectively.

On January 2, 2014, he made his own statement on Facebook, making it plain that as far as he was concerned, there was no mutual agreement and he had been fired from Slipknot for reasons unknown.

“I was laying in bed with my lady, I’d been in rehabilitation for my health issues but everything was good, and the next thing I know…” he pauses, visibly upset. “No band meeting? None. Anything from management? No, nothing. All I got was a stupid fucking email saying that I was out of the band that I busted my ass my whole life to fucking create, you know?

“It was the weirdest fucking thing. I can’t imagine just sending Corey or Shawn or Mick a fucking letter, without a band meeting. We’re friends and we’ve been through so much shit together, but that was all it was, a fucking letter. That’s exactly what happened and it was hurtful, man. I didn’t deserve that shit after what I’d done and everything I’d been through.”

In light of revelations about his state of health at the time, it does seem an unusually abrupt way to bring such a longstanding partnership to an end. Joey even claims to have written and demoed a batch of new material, aided by Slipknot’s then-touring bassist Donnie Steele, and circulated it among his bandmates in an attempt to get the compositional ball rolling. But, according to the drummer, no one got back to him to discuss the new songs: subtle evidence, perhaps, that wires were distinctly crossed.

“They got confused about my health issues, and obviously even I didn’t know what it was at first,” Joey sighs. “They thought I was fucked-up on drugs, which I wasn’t at all. I don’t blame them for being concerned, but when you’re friends and you’ve been through so much stuff, you fucking talk to each other. But I harbour no bad feelings toward them at all, because I’ve moved on with my life. I’m happier than I’ve been in years. You need to move on, close the fucking chapter and, in the end, it is what it is.”

It is a testament to the positive way Joey has endeavoured to overcome his severe health problems that today, even after having been unceremoniously ejected from one of the biggest metal bands on the planet, he is hearteningly sanguine about the way things have turned out.

During our conversation, he repeatedly declares how grateful he is for the friends, family and life that he has, and even when discussing the end of his tenure as Slipknot’s drummer, he is eager to state how much he still loves and admires his former bandmates. What is perhaps more surprising is that Joey not only made a point of checking out .5: The Gray Chapter, the album Slipknot made without him and released in 2014, but is also effusive in his praise for it.

“Honestly, I have a long history with those guys, so I give them the respect they deserve and I listened to the whole record multiple times,” he smiles. “And I think it’s great! It’s fucking cool and I’m glad they moved on. I’m not like, ‘I’m not gonna give them respect!’ – I’m not a coward like that. I’m glad they’re carrying on the name, because what’s important is the fans. There’s no stupid battle going on. There’s no point in saying, ‘Fuck them!’

“No, I’ve been through so many things with those guys and I love them very much. What’s hurtful is that the way it [being fired] went down was not fucking right. That’s all I want to say. The way they did it was fucking cowardly. It was fucked up. But the love in my heart for those guys, that stays the same.”

It is at this point that Metal Hammer asks the inevitable and unavoidable question: despite everything that has happened, would Joey be willing to rejoin Slipknot further down the line? As much as his successor, Jay Weinberg, has acquitted himself brilliantly while filling the shoes of a contemporary drumming legend, it’s hard to deny that most Slipknot fans would be beside themselves with joy if Joey were to return to the fold. He takes a deep, measured inward breath and fixes us with a stern stare…

“Let me think about how to answer that, because it’s a big one,” he nods. “Honestly, I’m not trying to be dramatic, but if that was brought up, what I’d want to do would be to get together. Not just have a phone call or some stupid email. I’d want to see them, just hug it out and feel that energy that we had when we were fucking young and hungry and all that shit. They’re my brothers. We’d hug and talk and do shit like we used to do. We used to sit up all night long planning this shit and what we wanted to do. So that’s how I’d wanna do it. It’d have to be in person. If it happened, that would be fucking awesome, but only time will tell.”

Part Three - Rebirth

Back in the here and now, Joey Jordison is well on his way to being fighting fit once again. His recovery is still ongoing, of course, and daily trips to see his trainer at the local gym have now become an essential part of his day-to-day schedule, but as he speaks, he radiates sincere positivity. That said, the effort it has taken Joey to get from suddenly and horrifyingly being robbed of the use of his legs to a point where he is able to unveil two brand new albums with different bands is etched into his subtly expressive face.

He and better half Amanda have kept a detailed scrapbook of photos and other memorabilia from the long, hard road back from the onset of transverse myelitis. They allow us to leaf through it, and it brings the jarring reality of Joey’s last few years vividly to life. It’s a litany of woes, pain and frustration that many of us would regard as insurmountable, but even when faced with yet another grim obstacle, when he fell and broke his leg while in the studio recording Vimic’s debut album in the autumn of 2014, leading to his leg being cut in half and the insertion of steel rods and bolts, Joey’s determination to prevail and come back stronger than ever has been unwavering.

“I did question everything, like, ‘What am I going to do?’, not knowing if I was going to recover,” he admits. “It hurt a lot. It was a big question. But there was a definite point where I thought about all the blessings I’ve been given in life, being part of Slipknot and playing with Korn and Ministry and Rob Zombie and doing Roadrunner United and all those things, and you look at that and you’re grateful, and so you bust your ass to get back. I didn’t feel sorry for myself. I do not quit. I’ve got fans I’ve got to take care of, you know? So there’s no hiding right now.”

If you want to know what the opposite of hiding sounds like, you need only lend an ear to either or both of the new records that Joey is releasing this summer. The first is Echoes Of The Tortured, the debut album from Sinsaenum, Joey’s collaboration with Dragonforce’s Frédéric Leclercq and a host of underground luminaries. A monstrous but eminently accessible death metal record, its jaw-shattering eruptions of blastbeats and epic fury showcase the full extent of Joey’s physical recovery in no uncertain terms.

The second is Open Your Omen, the first album from Vimic, which is essentially Scar The Martyr with a new vocalist, former Korn percussionist and back-up singer Kalen Chase. It’s a sharper, more focused record than its (sort of) predecessor, planting Joey firmly back in belligerent mainstream metal territory, with plenty of the huge hooks and irresistible riffs that his loyal fans will be feverishly anticipating. But beyond the new music itself, Joey’s true focus is on the unparalleled joy he is currently experiencing as he escapes the nightmare of the last few years and returns to what he does best.

“This is a rebirth, and reaching this point is the ultimate reward,” he states. “It’s like having the ultimate trophies, having these two bands. These opportunities are coming back to me and it feels like a complete renewal. These are real bands, not side-projects. Everything I do goes at 100%… maybe even 666%, ha ha!

“At a certain age, a lot of people] become vegetarians or they find religion, but I’m never gonna stop being a fucking weirdo and a fucking metalhead! You wake up one day and you realise that nothing’s ever gonna change and you’re fucking committed. I’ve been like that since I was five years old, man.

“Right now, I just want to keep creating. These bands are two huge fucking journeys for me. It’s like when you see a rollercoaster that you’ve never ridden before, and you’re fucking scared, but you’re in line and waiting, like I am now, and then once you step on? You’re in!”

There are a few lessons to be learned from the story of Joey Jordison’s last few traumatic years. Firstly, maybe we should all be slightly less eager to jump to hasty conclusions when faced with only one side of a story (or, indeed, no verified information whatsoever). Secondly, never underestimate the strength, persistence, passion and potential of the human spirit.

“The most pertinent lesson of all, however, is one we all should have learned a long time ago: Joey Jordison is an unstoppable force of nature and, after fighting the toughest battle of his entire life, he’s primed and ready to make up for lost time and to remind the world that loud, angry, fucked up and furious music remains the best medicine of all.

“I have this weird-ass condition, but it doesn���t limit me and I’m getting better all the time,” he concludes with a confident grin. “I can play just as fast, or faster, than I ever have. Everything is fucking cool and I’m at the gym every day and it’s all going well. That helps me out so much.

“I went through some serious fucking shit. People didn’t know and I can’t blame them for that. But the thing is, you get up in the morning and you look in the mirror, and then you go off and fucking do it. You live your life the way you want to, and get the work done! What else can I say, dude? It’s good to tell my story. I’m fucking back and I’m ready to go full force. This is the best fucking job in the world. I’m never gonna stop.”

What Is Transverse Myelitis?

We spoke to Lew Gray, secretary of UK charity the Transverse Myelitis Society, to understand what Joey’s batling…

Can you explain what the condition means? Lew: “Transverse myelitis is an inflammation of the spinal cord. You have a lot of nerves doing different things in your spinal cord, so the facts of each case depend on which part of the spinal cord is affected. It can be high in the spinal cord affecting the arms, or you may struggle to breathe because the muscles in your lungs don’t work. It could be lower, affecting different sensory nerves. Some people with transverse myelitis can walk but can’t feel the floor beneath their feet, or they can’t feel hot and cold or pain. We think there are about 250 cases a year in the UK.”

Does it typically come on quickly or is it more of a gradual process? “It can be either. A lot of people are paralysed within an hour or two. But then for other people it can be very gradual and come and go over a period of months. It takes some people years to get a diagnosis.”

What treatment is available? “Really, the only treatment is to dose you with steroids. They will reduce the inflammation, and therefore you’re not curing it, you’re minimising the damage until it goes away by itself. Physiotherapy is very important. Almost everyone gets some spontaneous recovery over time after transverse myelitis, but the body and mind ‘forget’ how to use muscles and nerves that are not working, so the purpose of neurophysiotherapy is to ‘guide’ the recovery.”

What is the long-term prognosis for someone with transverse myelitis? “The nerves are capable of regenerating themselves. Nobody can predict though how well they will regenerate, how long it will take, or if they will at all. The majority of people get improvement, but there is no cast-iron guarantee.”

How common are relapses? “We do know people who have had recurrences, however that is rare. Sometimes a reoccurrence of transverse myelitis leads to a diagnosis of MS [multiple sclerosis].”

For more on the Transverse Myelitis Society, visit www.myelitis.org.uk

Beating The Odds

How Joey Jordison fought his way back from paralysis to prosperity

The full extent of Joey’s arduous battle with acute transverse myelitis is brought into sharp focus when we visit Absolute Performance Therapy in Waukee, Des Moines. Joey spent months here, working on his recovery, and the mere fact that today he is able to walk through the front door without assistance speaks volumes about what he has achieved. His therapist, Alyssa Subbert, has nothing but praise for his determined approach.

“Being stubborn helped the most!” she laughs. “To go from being someone who could do anything to not being able to get out of a chair, then to get back to being able to do everything again, it was a huge process. He wanted to drum again so bad, and as long as we made every exercise about drumming, he’d do it. He was very stubborn and very ornery, but he’d work and work until his body was too sore.”

Gruelling physical work aside, it is obvious that Joey’s time at APT was also hugely emotional. He hasn’t been back since finishing his treatment, and there are tears as he and Alyssa recall the intense therapy sessions and ferocious perseverance and teamwork that were needed to make each successive triumph a reality along the way.

“This was a huge wake-up call to Joey’s health and lifestyle, and how physical his job is,” Alyssa states. “When you’ve done something like that forever, you have no concept of it. He has to play in a drum set that rotates and goes upside down?! It’s not a regular job, sitting at a computer. We even practised mobbing him! Does he have balance when a whole bunch of people mob him, you know? It’s a whole different life, and very physical. So this was a completely unique process we went through.”

Joey’s physical therapy may be over, but his daily trips to local gym Life Time Athletic are an essential part of his recovery, not to mention his ability to play drums with the power and skill that fans have come to expect. His personal trainer, Caleb Herman, is a Slipknot fan who’s full of admiration for his client’s dedication.

“When Joey came in, he could hardly walk,” Caleb recalls. “Now he’s pressing 700lbs and he can do a step above what most people can do. He’s got one of the strongest back muscle groups I’ve ever seen. He couldn’t stand without help, but now he can stand up by himself, so his progress has been awesome. When he sees progress, he becomes motivated, and he tells me he gets the chills, and that gives me the chills. It’s really exciting to see him get to this point.”

Battle Of The Bands

After a long absence from our world, Joey’s returning with two new projects. But how do Vimic and Sinsaenum stack up against each other?

Vimic

Members: Joey Jordison (drums), Kalen Chase (vocals), Matt Tarach (keyboards), Jed Simon (guitar), Kyle Konkiel (bass). Sound: Crunchy, state-of-the-art modern metal with big, anthemic melodies and plenty of snotty aggression. Image: Lots of black leather, long hair, beards and menacing scowls. Sample lyric: ‘Simple skeletons, playing God again/We’re getting higher, we’re getting higher, and the truth will set us free’ (Simple Skeletons). Drumming: Lashings of classic Joey, from that Slipknot stomp and big, muscular grooves to bursts of high-velocity blasting. Joey says: “Scar The Martyr was the blueprint, but we wiped the slate clean. This is heavy shit. Kalen killed it on this record.” For fans of: Slipknot, Disturbed, Fear Factory. Check out: Earth Stood Still. Lurching, syncopated grooves and soaring, post-grunge melodies collide in a brutish, multi-tempo anthem that deftly showcases singer Kalen’s versatility.

Sinsaenum

Members: Joey Jordison (drums), Frédéric Leclercq (guitar), Heimoth (bass), Attila Csihar (vocals), Sean Zatorsky (vocals), Stéphane Buriez (guitar). Sound: Epic, imperious, blackened death metal with tons of eerie atmosphere. Image: Classic, dark, extreme metal attitude with a dash of theatrical corpse paint and a blood-splattered logo. Sample lyric: ‘We are the pain inside your head/We are the sorrow in your soul/We are the fire/We are the rusty nails’ (Army Of Chaos). Drumming: A masterclass in death metal precision and power. Proof that Joey is back and blazing. Joey says: “Sinsaenum is probably one of the most extreme and proficient bands I have ever been in. These guys are fucking on point at all times. We’re a fucking army!” For fans of: Morbid Angel, Dimmu Borgir, Behemoth. Check out: Inverted Cross. It’s blistering, heads-down death metal grandeur with anti-Christian lyrics, fret-melting solos and countless warped twists and turns.

Sin City

As well as making his comeback with Vimic, Joey Jordison’s taken up the drum stool for death metal project Sinsaenum. Mastermind and Dragonforce bassist Frédéric Leclercq explains how it came thundering to life

Words: Dayal Patterson

While Vimic represents a beefed-up reboot of Scar The Martyr, Joey’s also been behind the kit for a second, brand new band - Sinsaenum. The brainchild of Dragonforce bassist Frédéric Leclercq, it’s a more murky blend of death and black metal, featuring the twosome alongside some of the leading lights of the extreme scene, including dual vocals from Mayhem’s Attila Csihar and Dååth’s Sean Zatorsky. We asked Frédéric what the supergroup have planned for their dark future.

How did Sinsaenum first come about? Frédéric: “Oh Christ, even I have trouble remembering when it started! I always wrote death metal songs. I started to write in 1998, then I was doing something else [he played in the French bands Memoria and Heavenly], and I’m still doing something else, with Dragonforce. The first person I spoke to was Stéphane [Buriez, guitar] from Loudblast. It must’ve been in 2010 that we said, ‘Let’s really do something about it.’”

How did Joey get involved? “I kept writing more songs, and one day in 2013 I got a text from Joey. We call each other ‘Morbid Angel” – don’t ask why – so the text said, ‘Morbid Angel, what you up to?’ I was like, ‘Well, I just got back from tour… talking about Morbid Angel, I have these death metal songs.’ He was like, ‘You should send them to me!’ Two days later, he came back like, ‘Fuck yeah, that’s really cool. Who’s playing drums? I want to do it.’ So I started to ask more people that I had in mind.”

How did you guys meet? “We did the Mayhem tour together in the US, in 2008. One day drinking we were talking about death metal, and then we got to talking about it more and more. That’s how you get to know people – you find what you have in common. We had drinking and Morbid Angel.”

What about the other guys? “Stéphane I’ve known for 20 years. I played in a band in my hometown, Charleville-Mézières, and we supported his band, Loudblast. They were a big influence, and the first death metal band I heard. We kept in touch because France is a small country when it comes to metal. With [bassist] Heimoth from [French black metal band] Seth, it’s the same – there’s a small metal community. Dragonforce and Mayhem did a festival together, and Attila came onto the bus and said: ‘My son is a fan and would love an autograph – by the way, I’m the vocalist of Mayhem.’ He’s such a nice person – maybe you shouldn’t write that, keep the mystery! Sean and I met when Dååth was opening for Dragonforce in 2009. I really liked his voice and his attitude.”

How much music was written before you started working with them? “When Joey sent that text, all the songs were half-written, because I’ve a tendency to write a song with just a verse and a chorus, maybe a mid-section, because I know the rest is in my head. So when he said, ‘I’m interested,’ I was like, ‘Oh shit, I have to finish the songs!’ I sent out files, because it was clear that people trusted my ‘vision’. They didn’t want to change too much. I had to finalise lyrics with Sean and Attila, and Stéphane contributed to the structure. Joey added some fills. I decided to make it a concept album using interludes like Tiamat, or Pestilence, or even Type O Negative did to create atmosphere, so I had to write those.”

What was it like working with your heroes? “I felt like a kid in a toy store! Being in a studio with Attila singing songs that I wrote, and saying, ‘Oh, you should do this song like [Mayhem’s] De Mysteriis Dom Sathanas, and him being like, [adopts a Hungarian accent] ‘OK bro’, it’s like ‘Fuck, this is happening!’ I shouldn’t sound so excited, ‘cause this is black and death metal, but I had a big smile during the whole process – we all did. On Army Of Chaos we have Schmier from Destruction and Mika and Mirai from Sigh. Mika and Mirai are good friends of mine and are doing the big choirs, the choruses… like Sepultura’s Stronger Than Hate [from 1989’s Beneath The Remains]. I remember reading the booklet as a kid… they had the guys from Obituary and Atheist on it, and I was like, ‘Fuck, that’s cool.’ And it’s Schmier who’s singing on the last pre-chorus.

Did Joey’s health battles affect Sinsaenum? “Not at all. He speaks about it way better than I, so I won’t comment on that. I’ve kept away from all the troubles. I was like, ‘I’m a friend. If you want to talk, I’ll listen, but I just want to make sure you’re happy.’ As far as health problems, he was fine – he killed the drums. I don’t know how he did it, but he said, ‘Dude, I’m on fire.’ He was angry, I guess.”

Will Sinsaenum tour? “It’s definitely something we want to do, but there’s no rush. I want to do everything the same way I lived it as a kid. These bands I loved, I loved their albums, but I didn’t see them live for a long time and it didn’t bother me. I want people to digest the album – there’s a lot of information on there. Plus, we’re all busy; it’s difficult to get us all in a room. We rehearsed before doing the videos, and being in the same room, it was like, ‘Fucking hell.’”

What’s happening with Dragonforce right now? “We’re doing summer festivals and writing the new album that will come out next year, so I have to juggle between doing Sinsaenum stuff and writing and recording with Dragonforce. So my head is about to explode, but that’s fine!”

What do you get from Sinsaenum that you don’t get with Dragonforce? “This is really the music I love. I like Dragonforce stuff, and I write more of it now, but sometimes I don’t agree with all the decisions. With Sinsaenum, from A to Z it is exactly what I want. I guess it’s my baby. It gives me a way to express the dark side of myself and show it to people – if they care or not, that’s another issue!”

Sinsaenum release Echoes Of The Tortured on July 29 via Earmusic 

[alexturner2005]

i had to put my dog down today 💔💔💔💔💔💔 worst thing i have ever experienced

[pinkbeastie]

friendship goals

[shxyerahol]

thinking about tommy kinnard working at the 118 when both don't ask, don't tell was repealed then same-sex marriage was legalized nationwide.

[the-classics-club-anthology]

I have this headcanon that Oreki is aro-ace or at least on the ace spectrum. Why do I think that? I'm not sure. I may be massively projecting here because I first watched the show at a time I was Going Through Stuff re: my sexuality. But. Even after rewatching it so many years later, it still seems to me that there's something about Oreki's reactions to Chitanda that look like he's more embarassed that anything else. Or, at least, there's a very strong sense of "I shouldn't be feeling like this." Which, given the circumstances, is pretty reasonable. But you combine that with Oreki's not wanting to be in romantic relationships, his feeling constantly conflicted about Chitanda, him constantly referring to himself as different. It's obvious that he's quite ambivalent towards romance and sexuality.

You could make the argument that Oreki is just not used to this kind of stuff. The attention Chitanda gives him is wholly new to him, and he doesn't yet know how to deal with it. And yeah, that could be. However. The ending, to me, indicates otherwise. I know everyone hates that the show was so open ended. Why didn't Oreki confess when he clearly wanted to? When he liked Chitanda so much that he wanted to spend his whole life with her? But if you look at it from this angle, it makes much more sense. The show is about Oreki finding himself, and accepting himself for who he is. And he does. He realises what he really wants, and that is to be with the people who care about him. And he allows himself to care about them too. He also realises that if he said what he was thinking out loud to Chitanda, she would most definitely take it as a confession. But Oreki still doesn't want a romantic relationship. It's just that right now, he doesn't really have any other way of expressing it. So he just. Doesn't say anything. His relationship with Chitanda has been more about actions than words anyway. He thinks that she'll get it, in time. She understands him in a way that even he didn't understand himself. So for now, he's just content to quietly be at her side.

[the-kneesbees]

what if I just don't go to college and live at the bottom of a pond instead

[franeridan]

man these fast changing fandoms really don't agree with my millennial mentality

[asakamasanobu]

i created this compilation for myself last year (or more like last month tbh) and was so excited to post it once it hit 2023 but then i forgot to post it here and it’s already a third into the month now but IT’S FINE I CAN POST IT ANYWAY ……. MY PRIDE AND JOY MY RICCHAN STOMACH ISSUES VIDEO …..!!!!!!! hell ye

[justcallmealt]

Fau, resting and feeling the warmth of Alt's wings: Why are you so kind to me? What did I do to deserve this?

Alt, softly smiling: after long years of pain and deaths I understood that kindness isn't a thing conscious beings are born with. Instead, it's a lesson. Not everyone can learn this, but when one does so, it leaves too much of consequence that stays in one's heart. Even if I have my own flaws, I can guarantee that the people I care for can feel safe and relaxed.

Fau, thinking for a while: ... I guess you're right. As I am not glad to say this, but being cape in Brockton-bay taught me empathy and being better as a human.

Fau sigh, closing his eyes: and I guess the City taught me to be kind and care about my people.

[rainyrindou]

—NIGHT LIGHT ⋆.˚ ☾

hanma is a childish grumpy baby when he’s been woken up. 0.5k wc ﾉ fluff ﾉ a little suggestive.

cw: no pronouns used, hanma calls reader doll and baby, brief mentions of a previous blowjob & free use.

“doll…” his low grumble comes from beside you as he shakes your shoulder a bit.

you barely glance in his direction as you scroll on your phone. “yes, shuji?” 

“turn the damn light off.”

“huh? there aren’t any lights on.”

he lays there with his eyes still shut a few seconds before he cracks one open and points out the window with a childish grunt. 

you stifle a laugh, “…that’s a street lamp.”

“…huh? for what? why is it on?” he’s clearly half asleep, and a little incoherent. you know you’re safe to giggle as much as you want when he’s like this. 

“so people can see.”

he pouts, throwing an arm over his eyes, “ugh, it’s like, 3am, nobody needs to see anything right now.”

“actually shu, it’s only midnight. and, if i hadn’t sucked you comatose, I’m sure you would be one of the hooligans out and about at this hour.” 

“….close the curtain, doll.”

“no. it’s like a night light, and–

he scoffs, “what do ya need a night light for? dontcha trust me to protect you?”

he wants to bite back and tell you that he doesn’t need a night light, not because he isn’t a little afraid of the dark, but because he feels so safe next to you.

“–and it helps me wake up in the morning when the sun comes through,” you deadpan.

another thing he won’t tell you is how he doesn’t need the sun that streams in through the window every morning; the sight of your sleeping figure beside him is enough. 

but it’s midnight, apparently, and he’s not feeling the type of tired where he can be vulnerable tonight, so he keeps that to himself, even though he desperately wants to know if you feel the same way.

“excuses, excuses,” he tsks. he turns his head toward you and lifts his arm from his eyes, barely cracking them open, “if you hate me just say that.”

“shuji, my dearest. i had your cock down my throat 20 minutes ago.”

he full on glares at you, or at least he attempts to; his sleepy, half lidded eyes betray him. you don’t miss the way the corner of his lips twitched up for a moment, though.

in the dim lighting of your bedroom, he paws around in search of your arm, and grabs you tightly when he finds it, causing you to gasp and drop your phone. with a confused yelp, you’re suddenly manhandled on top of him as he buries his head in your neck, muttering a muffled, “relax, baby.”

you sigh, “shuji, you’re insatiable.”

you feel a deep chuckle resonate against your throat, “c’mon, you told me you like being used, yeah? so be my sleep mask for a lil while...” you roll your eyes at him for using your words against you, and at the way his voice trails off as if he’s already falling back asleep. you can’t help but giggle at your needy god of death who whines when you aren’t touching him for even five minutes.

your personal guard dog, the grim reaper of kabukicho— his world would fall apart without you. 

he’s never told you that, but you feel it through his actions; through the longing in his touch. 

in the morning before he leaves for work, he gives you a tighter hug than usual, and the sweetest, softest kiss. in bed when he grabs at your hands, no matter what position he’s tangled the two of you in, he gently brushes his palm against yours before he squeezes. and now, as his breaths even out and you slowly attempt to shift yourself off him, his arms tighten around your waist with an annoyed huff. 

he feels protected by…well, whatever it is about you; he doesn’t know. it’s less like the way he looms over any poor soul that dares to glance at you a second too long, and more like your soul is the solace that his needed all this time. your presence grounds him in a way he hasn’t experienced before; it warms up his heart and makes him soft. it’s the reason he can’t bear to let go of you in the night, and clings to you as long as he can before he goes out into a life that doesn’t treat him with nearly as much warmth.

despite the headache that he is sometimes, he makes you smile. so you settle in on top of him, because he’s given you no other option than to be his anchor in a world where he can only see the light in your presence. 

[mariacallous]

The Ocean Sciences Building at the University of Washington in Seattle is a brightly modern, four-story structure, with large glass windows reflecting the bay across the street.

On the afternoon of July 7, 2016, it was being slowly locked down.

Red lights began flashing at the entrances as students and faculty filed out under overcast skies. Eventually, just a handful of people remained inside, preparing to unleash one of the most destructive forces in the natural world: the crushing weight of about 2½ miles of ocean water.

In the building’s high-pressure testing facility, a black, pill-shaped capsule hung from a hoist on the ceiling. About 3 feet long, it was a scale model of a submersible called Cyclops 2, developed by a local startup called OceanGate. The company’s CEO, Stockton Rush, had cofounded the company in 2009 as a sort of submarine charter service, anticipating a growing need for commercial and research trips to the ocean floor. At first, Rush acquired older, steel-hulled subs for expeditions, but in 2013 OceanGate had begun designing what the company called “a revolutionary new manned submersible.” Among the sub’s innovations were its lightweight hull, which was built from carbon fiber and could accommodate more passengers than the spherical cabins traditionally used in deep-sea diving. By 2016, Rush’s dream was to take paying customers down to the most famous shipwreck of them all: the Titanic, 3,800 meters below the surface of the Atlantic Ocean.

Engineers carefully lowered the Cyclops 2 model into the testing tank nose-first, like a bomb being loaded into a silo, and then screwed on the tank’s 3,600-pound lid. Then they began pumping in water, increasing the pressure to mimic a submersible’s dive. If you’re hanging out at sea level, the weight of the atmosphere above you exerts 14.7 pounds per square inch (psi). The deeper you go, the stronger that pressure; at the Titanic’s depth, the pressure is about 6,500 psi. Soon, the pressure gauge on UW’s test tank read 1,000 psi, and it kept ticking up—2,000 psi, 5,000 psi. At about the 73-minute mark, as the pressure in the tank reached 6,500 psi, there was a sudden roar and the tank shuddered violently.

“I felt it in my body,” an OceanGate employee wrote in an email later that night. “The building rocked, and my ears rang for a long time.”

“Scared the shit out of everyone,” he added.

The model had imploded thousands of meters short of the safety margin OceanGate had designed for.

In the high-stakes, high-cost world of crewed submersibles, most engineering teams would have gone back to the drawing board, or at least ordered more models to test. Rush’s company didn’t do either of those things. Instead, within months, OceanGate began building a full-scale Cyclops 2 based on the imploded model. This submersible design, later renamed Titan, eventually made it down to the Titanic in 2021. It even returned to the site for expeditions the next two years. But nearly one year ago, on June 18, 2023, Titan dove to the infamous wreck and imploded, instantly killing all five people onboard, including Rush himself.

The disaster captivated and horrified the world. Deep-sea experts criticized OceanGate’s choices, from Titan’s carbon-fiber construction to Rush’s public disdain for industry regulations, which he believed stifled innovation. Organizations that had worked with OceanGate, including the University of Washington as well as the Boeing Company, released statements denying that they contributed to Titan.

A trove of tens of thousands of internal OceanGate emails, documents, and photographs provided exclusively to WIRED by anonymous sources sheds new light on Titan’s development, from its initial design and manufacture through its first deep-sea operations. The documents, validated by interviews with two third-party suppliers and several former OceanGate employees with intimate knowledge of Titan, reveal never-before-reported details about the design and testing of the submersible. They show that Boeing and the University of Washington were both involved in the early stages of OceanGate’s carbon-fiber sub project, although their work did not make it into the final Titan design. The trove also reveals a company culture in which employees who questioned their bosses’ high-speed approach and decisions were dismissed as overly cautious or even fired. (The former employees who spoke to WIRED have asked not to be named for fear of being sued by the families of those who died aboard the vessel.) Most of all, the documents show how Rush, blinkered by his own ambition to be the Elon Musk of the deep seas, repeatedly overstated OceanGate’s progress and, on at least one occasion, outright lied about significant problems with Titan’s hull, which has not been previously reported.

A representative for OceanGate, which ceased all operations last summer, declined to comment on WIRED’s findings.

[screampied]

sukuna never says “i love you.”

to him, the words are meaningless. he’s been alive for thousands and thousands of years, of course he knows what it means. he’s not stupid, but for some reason—every time it comes out of your little human mouth, his heart aches. you say it so sweetly with the cheekiest grin on your face, not a single care in the world. he hated it. three words, eight letters of pure rubbish. at least, that’s what he thinks to himself. for sukuna, he expresses his love in a different way.

physical touch. flicking your forehead, teasing you, saying things he’d never say to you while you were awake. that was his version of love, he didn’t need those stupid, stupid words. or did he?

“love you, ‘kuna,” you’d pepper another kiss against his cheek. he tchs, the audacity for you to do something so embarrassing. he never says it back but you know deep down he’s got to feel at least something in that cold heart of his. he just has to, after all you did steal his heart in a way. and he stole yours. your eyes always had a glinting sparkle whenever those words would come out and he hated it. his response to you saying you loved him would always be the same.

“yeah yeah,” he gruffs. or a simple, “i know..”

but— there’d be a time where he’d regret not saying it back. a cold, cruel time where it’s just you and him, no one else. except, it would really just be him.

sukuna had a hard time at expression his feelings. it’s not like he hated you—despite his rough, barbarous persona.

he didn’t hate you but he did. it was complicated. it was a struggle trying to put it into words. all he knew was that he loathed how soft you made him, he noticed his behavior would change around you overtime. sukuna’s voice was get more gentle, his shoulders would relax, and he’d always finding himself flicking your forehead for some strange reason. it’s annoying,

you’re annoying.

the feeling was love though, it had to be.

had to be,

so the moment comes where he regrets not saying it back.

it’s something he’d continuously beat himself up over for. because now, here you are, laid all out near the ground in his arms. all four of his arms held you in a tight, cradling embrace and he’s got an expression you don’t think you’ve ever seen before. sukuna’s scarlet red irises were blown and fearfully dilated. his thin nostrils flared up and his slit brows contort in panic and confusion.

sukuna ryomen was scared.

“brat. get up.” he murmurs, three simple words was all he said to you. three simple words but you could barely even hear them.

all you heard was a brief inaudible mumble. you saw his lips moving but barely any sound came out. your body felt crushed, the pain was excruciating. your limbs, they felt like they were on fire. getting up was the last thing on your mind and you’ve probably sone the most careless thing imaginable.

you took a hit for sukuna, a deadly hit that was powerful enough to cost you your life. it’s funny though—all the talk of seeing your life flash before your eyes, and now, being snatched into the inevitable end, you were starting to really see it.

“get up,” he repeats, and this time, a single tear falls right onto your cheek. you meet sukuna’s gaze. the king of curses was a mere mess right before your eyes. he was like this for just you. teary eyed and sniffling, he can’t stand this pain.

you’re being held in his lap and not once does his eyes leave yours. sukuna takes a while to speak again and it’s as if he’s carefully thinking of what to say. time was precious right now, but he didn’t wanna think about anything. his focus was solely on you, his favorite little human.

“can you hear me? say something.”

“you .. you’re gonna get wrinkles if you keep frowning too much, ‘kuna.” you hum, a weak finger stroking against his cheek.

archons, for whatever reason, that little comment brought a smile to his face. you were so annoying to him and yet, he wouldn’t wanna be in anyone else’s presence. everything hurt though,

your body felt scorchingly hot, your pulse remains to ring through your ears and you were wheezing a bit. “hey, hey,” he watches as you try to cling onto his hand. sukuna didn’t know what to do, he didn’t know what to say - all he did do though, was hold you. it was the least thing he could do. your hand was so small compared to his, his long fingernails gently tickling against your skin.

he didn’t have it in him to scold you for trying to protect him. as fragile of a being you knew you were, you did it anyway. you risked your life for him. sukuna let his guard down and you jumped right in the way without a second thought for yourself. that’s what love was, his heart bleeds at the recent flashback before a shaky breath leaves his lips. “this wasn’t supposed to happen. you can’t leave me like this, please.”

“i’m not l- leaving.” you reply, your voice weak and frail. sukuna knew that was a lie. the more you stared at him, how the look of worry on his face paints and marinates his features, he was really scared. you were his everything, his breath of fresh air, maybe even his one true love. “never gonna leave you, sukuna.”

and sukuna lays there with you on his lap. you seem still - too still. right before his eyes, he watches as your body’s temp run cold, final breaths making its introduction. everything was going so fast. he barely had time to react before he realized,

you were gone.

“no,” he whispers under his breath. the demon was at a loss of words. the feeling in his chest, it was indescribable. painful, and tight as he watches the light leave your eyes, something within him leaves also. a part of him. you were drifting away and there was nothing he could do about it. “no.” he repeats against, feeling a dull ache run cold through his body. sukuna didn’t know what to do. he’s seeing red, but perhaps that wasn’t just bloodshed and anger. maybe, maybe it was the one true feeling he was denying all along,

love.

his breaths become heavy once he realizes you’re actually gone. no movement, no cheeky replies, no random “i love you ‘kuna’s,” no nothing. the tear in his heart was enough to make him see the light with you. it hurt horribly, a lump in his throat builds up before he starts to weep. one tear comes then multiple shortly follow, landing past the thin fabric of his sown kimono and onto your lifeless body.

sukuna hated you. he hated how you made him so soft, so vulnerable, so weak. you came into sukuna’s life, stole his heart, and also broke it.

as his eye twitches, his smile had already faded once you left him.

for the first time in centuries, sukuna was defeated. his enemy wasn’t a sorcerer, a curse, or even himself who he believed was his true worse enemy. sukuna ryomen was defeated by four simple letters, love. not only did you leave him in tears, but you also left him with an engagement ring inside his right palm.

he was far too late, he was gonna propose to you. that way, he’d build up the courage to say those stupid, stupid words. opening up his right hand, he stares at the ring he wanted to give you way earlier before this incident even happened. sukuna waited too long, he’d actually plan this for quite some time but again, he was scared.

with a defeated sigh, he surrenders, glancing at you for one last time. no smile on your face anymore but he just used his imagination. there you laid, peaceful, almost as if you were asleep. taking a deep breath, sukuna gives you his last gentle forehead flick before finally telling you the words he’s been longing to say for years.

“i … i love you too, brat. never leavin’ you either.”

[thedigitalbard]

Gaza Campaign Spotlight

This is the story of Mohammed and Mona's Family:

In Mohammed's words:

Hello everyone, Welcome, friends who cherish life and spread hope and support to others. I'm Mohammed, a 30-year-old husband and proud father. My daughter, Mona, just celebrated her fifth birthday on July 15, 2024. I named her after my strong mother, who raised and educated my four siblings and me despite losing our father, our backbone, to cancer during our childhood. Our homes, our places of safety, were destroyed following an occupation order to evacuate. With no sources of income left, I took on various jobs to support my family and provide them with the essentials of life—food and water. I also volunteer to help thousands of displaced people with food and support, despite the risks involved. Compassion and assistance are vital for creating life and saving innocent lives with dignity. After nine months of enduring harsh conditions and displacement, we have made the difficult decision to seek help. My family, including my mother, sisters, their children, my wife, and my daughter, is suffering from severe health issues due to poor living conditions in tents, extreme heat, and contaminated water. Recently, my sister get affected by hepatitis, as well my daughter had sebaceous cysts near her eyes and others are battling new illnesses caused by the intense heat. Thus, we seek help since the cost of daily necessities in Gaza reaches $27 a day for non-potable water which is overwhelming. We have decided to launch a fundraising campaign to help us survive. We need assistance until the borders open so we can move to Egypt for a chance at a dignified life. Crossing the border costs $5,000 per adult and $2,500 per child, verified by official sources. Additionally, we need funds for temporary living expenses until we can secure jobs. With hopeful hearts, we reach out to you, our friends and supporters. Even a $1 donation or sharing our story can make a difference. Your help can save lives that are now appealing to you for survival. We know the challenges ahead are immense, but we believe in the strength of human solidarity. With your support, we are confident we can overcome these trials. Thank you, dear friends and supporters, for your love and hope. Here is a photo of where we lived and felt safe.

This campaign has been shared by @/90-ghost here. As of posting, Mohammed and Mona's campaign has been able to raise €2,551 of the €185,300 goal. That's only about 1% of the total amount needed to evacuate and care for the entire family. I have donated €5! If you can match my donation, please do! If you are unable to donate, please be sure to share and follow @help-mona for campaign updates.

Tagging for reach: @feluka @commissions4aid-international @brutaliakhoa

[bluebellhairpin]

Ngl one of my biggest pet peeves on here is when writers reblog their own work with some tag like "oh I thought this would do better and expected this to get more notes but oh well" etc, and then you look down past the tag to how many notes the fic has and there's like. 300+ notes. when it hasn't even been a live post for more than 24 hours. like damn I should make you man my blog for a while and see how you react when a fic posted there barely gets 30 notes in a week.

[wanderingandfound]

What do you call somebody who doesn't seem to be an out-and-out scammer, but is always jumping on the latest tech bandwagons and puts their name on things they haven't even read let alone written and doesn't make sure their coworkers/employees are adequately compensated even when their Kickstarter makes over seven times its initial goal but when they do make good things those things are very good? And it probably isn't solely the work of their coworkers/employees?