"Movie lovers were supposed to breathe a sigh of relief last week when Warner Bros. Discovery announced the un-firing of Turner Classic Movies head programmer, Charles Tabesh. This move was in response to a deafening howl of outrage from a passionate community that, increasingly devoid of quality options at the multiplexes, cherishes the long-running cable channel as a vital outlet for intelligent, well-crafted adult fare from a time when cinema ruled the entertainment roost. It kinda did the trick. Knowing Tabesh, one of the most respected film programmers in the world, would still be around to complement beloved classics with the deepest of cinema cuts meant TCM wouldn't become the "Casablanca"-every-other-day channel.
WB Discovery also continued to hype the programming/curation input of Steven Spielberg, Martin Scorsese, and Paul Thomas Anderson — which is a terrific PR win for embattled CEO David Zaslav but does little to move the needle outside of the industry. It's actually more heartening to know that creative oversight of TCM has shifted from Discovery veteran Kathleen Finch to Warner Bros. Pictures honchos Michael De Luca and Pamela Abdy. You'd much rather have the genuine film buff who greenlit "Seven," "Boogie Nights" and "Magnolia" co-leading TCM than a reality-show-driven exec who lists "90 Day Fiancé" as one of her proudest artistic achievements.
But De Luca and Abdy are movie people tasked with restoring Warner Bros. Pictures to its former glory by making movies. They don't have time to manage TCM, nor does the Spielberg/Scorsese/PTA triumvirate. So if this group is genuinely committed to the survival of the cable network, and venerating the studio's vast, varied library, they've got one screamingly obvious option that'll allow cinephiles the world over to exhale.
A wolf in a movie buff's clothing
Warner Bros
If Zaslav is the classic film fan he repeatedly claims to be, he should be familiar with the observation, "It's no trick to make a lot of money, if all you want to do is make a lot of money." This saying applies to saving money as well.
Zaslav, who inherited a debt-ridden WarnerMedia when the company merged with his thriving Discovery, is currently in slash-and-burn mode to please shareholders and, perhaps, make the studio flippable somewhere in the near-ish future. Per his company's own PR, he's personally due nine-figure compensation if he more than doubles the company's stock price. So he's doing the easy part first: firing as many people as possible, and selling off assets (like half of its music, film and television catalogue).
It's filthy business, but Zaslav has his Hamptons reputation to worry about. Still, as ruthless as he promised to be when he seized control of WarnerMedia, he assured movie lovers that he was one of us. He valued WB's history. He fell in love with movies as a regular, middle-class kid growing up in Brooklyn, and dreamed of running a studio. He works from Jack Warner's desk in his office, where TCM is always playing in the background. He spoke at last April's TCM Classic Film Festival (alongside Spielberg and PTA), and assured the audience the channel's future was secure.
Prioritizing vanity projects
Warner Bros.
His first greenlight after the merger was to blow the dust off of Hamptons lunch-buddy Nicholas Pileggi's "Wise Guys," a gangster project that had been kicking around the studios since the early 1970s; attaching Barry Levinson as director (who hasn't made a commercially successful film since 1997's "Wag the Dog") puzzled several industry insiders with whom I've spoken. It was old Hollywood chumminess that reeked of rich white-guy back-slapping, and this was before Zaslav erased Adil El Arbi and Bilall Fallah's already finished "Batgirl" movie. Shot on an apparent $50 million budget, the film is in post-production, and has a slated release date of February 2, 2024, although that could always change.
So when Zaslav cleaned house in June by firing five of TCM's top execs, while slashing the staff from somewhere around 90 to around 20, cinephiles were furious. You don't need an MBA to know that a personnel cut that deep is meant to hobble, not sustain. Zaslav didn't care; however, his Hamptons buddy, Steven Spielberg, didn't appreciate being used as a rubber stamp at the TCM Fest. A Zoom call was arranged, which resulted in an empty press release assuring viewers that the three aforementioned filmmakers would mind the short-staffed store. When absolutely no one bought this, Tabesh was reinstalled as head programmer.
Zaslav must make TCM whole again
Warner Bros
Though I'm amused that Zaslav has turned Tabesh into a rock star amongst movie lovers, he is but one man. Tabesh can't do what he's done so brilliantly alone. He needs a team steeped in every facet of film history to help him track down and license those obscure titles that nourish our desire for, ironically, discovery. Basically, he needs everyone Finch and Zaslav axed.
On a practical, strictly corporate level, this should not happen. TCM is currently only available on cable (streaming-wise, no one associated with the channel has anything to do with that embarrassingly shallow hub on Max), and cable is speeding toward total obsolescence. Its 70% profit margin is evidently meaningless to Warner Bros Discovery. If Zaslav hadn't so shamelessly dampened Spielberg's backside over the years, TCM could've easily been shuttered last year.
According to a recent Hollywood Reporter article by Kim Masters, Zaslav underestimated the widespread industry love for TCM (even Ryan Reynolds leaped into the fray). But what jumped out to me in that piece is that he was most miffed that outsiders "were telling him how to run his business," which is not the sentiment of a chastened man. Indeed, that he's still holding firm on the decimation of TCM's staff — which, to give you a sense of the petty scope of this brouhaha, was hastened by a $3 million cut in the channel's budget — suggests that he's still determined to win this battle. And if that's all he wants, TCM is living on borrowed time.
You bought it, you honor it
Warner Bros
What's his endgame? My most charitable read is that he'd like to have a boutique outlet that flaunts his prestigious industry connections, e.g. Scorsese presents "The Treasure of the Sierra Madre." This is where the directors he supposedly worships need, as gently as possible, to remind him that in acquiring WB, he became a steward of Hollywood history. Name-dropping a handful of black-and-white movies as evidence of his love for classic cinema won't get it done. Sitting at Jack Warner's desk is the emptiest of gestures if you're disinterested in sharing his studio's output with the public.
TCM is small potatoes financially, but, as a reflection of the company's dedication to the art that made it what it is today, it's invaluable. You re-staff, eat that $3 million, and declare the channel off-limits. You run it at a (presumably minuscule) loss if need be. If Zaslav does this one, culturally good thing, and once he pays his writers what they're worth, his legacy might not be a disaster in the long term (though I know the short term is where his CEO ilk lives). He also might actually earn the love he seeks from the directors he purports to adore (which will make it so much easier for De Luca and Abdy to lure Christopher Nolan back into the fold, not to mention build out the studio's stable of top-tier filmmakers).
This isn't easy in our fiercely risk-averse age. Because while it's no trick to make a lot of money, it takes vision and fearlessness to make a lot of good movies. It is, however, financially feasible to show a lot of great movies 24/7 on TCM.
Probably costs less than a summer of fine dining in the Hamptons — and, uh, which card are we using out there, David? Because that's an easy snip..."
Zaslav & Crew are deliberately killing 1000s of Hollywood jobs to hurt the economy and Zaslav gets rewarded with an Academy of Motion Pictures membership.
Academy officers[69]
President – Janet Yang
Vice president – Teri E. Dorman
Vice president / Secretary – Donna Gigliotti
Vice president – Lynette Howell Taylor
Vice president – Larry Karaszewski
Vice president / Treasurer – David Linde
Vice president – Isis Mussenden
Vice president – Kim Taylor-Coleman
Vice president – Wynn P. Thomas
Chief executive officer – Bill Kramer
Governors[69]
Actors Branch – Whoopi Goldberg, Marlee Matlin, Rita Wilson
Casting Directors Branch – Richard Hicks, Kim Taylor-Coleman, Debra Zane
Cinematographers Branch – Dion Beebe, Paul Cameron, Mandy Walker
Costume Designers Branch – Ruth E. Carter, Eduardo Castro, Isis Mussenden
Directors Branch – Susanne Bier, Ava DuVernay, Jason Reitman
Documentary Branch – Kate Amend, Chris Hegedus, Jean Tsien
Executives Branch – Pam Abdy, Donna Gigliotti, David Linde
Film Editors Branch – Nancy Richardson, Stephen E. Rivkin, Terilyn A. Shropshire
Makeup Artists and Hairstylists Branch – Howard Berger, Bill Corso, Linda Flowers
Marketing and Public Relations Branch – Megan Colligan, Laura Kim, Christina Kounelias
Music Branch – Lesley Barber, Charles Bernstein, Charles Fox
Producers Branch – Jason Blum, Lynette Howell Taylor, Jennifer Todd
Production Design Branch – Tom Duffield, Missy Parker, Wynn P. Thomas
Short Films and Feature Animation Branch – Bonnie Arnold, Jon Bloom, Marlon West
Sound Branch – Gary C. Bourgeois, Peter J. Devlin, Teri E. Dorman
Visual Effects Branch – Rob Bredow, Brooke Breton, Paul Debevec
Writers Branch – Larry Karaszewski, Howard A. Rodman, Eric Roth
Governors-at-large[29] (nominated by the President and elected by the board) – DeVon Franklin, Rodrigo García, Janet Yang
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fav Onmyoji character and why?🤔
*cracks knuckles* Alright, you got me with this ask.
1. Asura
Objectively, the number one favorite. You cannot separate his character or his story from Taishakuten, but in the end I guess it's natural to become very attached to the hero of a specific story, (a double hero story of a hero and an anti-hero, who switch roles halfway through), especially if they're so, so wonderfully fucked up.
Asura (and when I speak of him, it applies to Taishakuten too, since neither character would be who they are without the other) is the deepest, most fleshed-out, most complicated and unique character in the entire game. His story and characterization and the accompanying media is so incredibly well produced, it can easily compete (and beat) other highly acclaimed stories out there. To think this was made, as essentially promo material, for a free-to-play mainland Chinese gacha game is absolutely NUTS. Yes I will praise this story and its production level to the stars because it irreversibly changed me. To me, this is the problematic, dramatic, queer love story. You know how Asura tells Taishakuten how meeting him was as if finally finding the thing he had been searching for all his life. This is me with this story, and this character. What I love is how he's so deeply complicated and inherently flawed, that even with the "good end" he chose for himself, his internal conflict is never resolved. He's someone who fights for genuine justice, someone who is genuinely caring, someone who's deep down insecure about himself, about opening himself up, trusting others, someone who wants to live a simple life and enjoy the little things. But he also genuinely enjoys committing mass murder, sadistic torture, he's rash and impulsive, he's someone who naturally chooses cruel means to an end. He swore to never kill again, to go against the very core of him, lock himself up and seal his own powers. And yet the first thing he does upon returning to the world of peace he made possible... is to murder without a second thought. And it's not a plot hole, it's a feature.
Even when he's sane, he "learned" to deal with his own trauma in a completely unhealthy way, possibly as self punishment. This is obvious by how he's so loving and caring when dealing with Taishakuten's trauma....
Also I just want to add one thing. I'm glad I'm somehow able to gleefully ignore the fandom at large because, sorry, they don't get it. I'm tired of seeing nothing but fans taking everything interesting away from this story and washing it down to "uwu cute domestic boyfriends". Like heck no, these characters are so good because they are made to be incredibly fucked up.
2. Orochi
Tough choice... but it's Orochi, the reason why I started playing this game. Again, a character who's absolutely delicious to rotate around in my brain like a rotisserie chicken because he's so complicated and so inherently flawed, and yet so right at the same time. Imho, he's an amazing antagonist and again, I very much distance myself from the fandom wo won't shut up about "snake eating books". Because both due to the nature of the game and its subsequent production approach, and because of its target audience, which is very much young adults despite the 8+ rating, where I don't even understand how they achieved this rating with all the outright graphic violence, drug abuse, and 900 dollar "micro" transactions etc, the story won't be explained and presented to you on a silver plate. You're supposed to come up with your own interpretation for certain parts, and it's exactly why stories for adult audiences are so enjoyable, for me anyway.
Something that is a major contributing factor to me loving Orochi so much is Miyano Mamoru's voice acting which is absolutely insane. Not sure how the director instructed him, or how much they pay him, but basically he sounds like on the verge of an orgasm the entire goddamn time with the way how he deeply savors each word on his tongue before speaking it, and it's so incredibly fitting. Maybe Miyano Mamoru understands Orochi better than the writers themselves, who knows... Regardless, the way how Orochi's character and personality is so perfectly portrayed through the voice acting is heavenly. His voice is like sickly sweet, thick, honey, innocent and nonchalant, yet dominating and bewitching. I mean. You can just hear for yourself. (Note, it's best if you can understand Japanese because the official English translations unfortunately suck.)
3. Suzuka
Wait, an actually good-aligned character??? Anyway, Suzuka is a wonderful take on the "big sister" archetype. She is big-hearted, kind, accepting, strong, determined, and has a great sense of responsibility. But she ends up being too trusting in others, in the way that she believes others are just as strong as her to fend for themselves, which ends up literally devastating her entire found family and the place they called home, literally killing her most important person in body and mind, her found brother. And yet, she's so strong to be able to not give up, to accept all the pain, to heal and to rebuild what they have lost. Also, as someone with the best big sister in the world, her character just makes me feel warm and fuzzy inside. She's wonderful.
And as a bonus, here's a selection of other favs in no particular order, because hell, in the end it's a waifu collection game and there's bound to be a lot of favs for varying reasons.
Enma, because I'm not immune to bewitching milfs, and her design is one of the absolute best in the entire game.
Tsukuyomi, because they're so sad and wonderfully questionable, also actually canon non-binary.
Onikiri. Groomed to be fucked up, and yet after regaining his free will, he willingly steps back into that path, because it's what he inherently craves. So delicious.
Garuda, my favorite disaster bi bird and Asura's pet dog. Probably one of the "normalest" and ironically most likeable characters. He's a bit conceited, strong and actually.... smart. And smart in the way that he knows his place, knows his limits and won't try things out of his league. And yet he can't help his smugness and want to test the waters... but he's a survivor still : ^)
And honorary mention to my fav hairy braindead bimbo slut, Kamikui. Yep I love them very dearly, and they're also carried by incredible voice acting.
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