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joculine · 5 months

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DIE Issue #2 Reread (Gillen & Hans)

I was pretty hooked on DIE from the concept alone, but this issue is what showed me the story itself would be something special. Sir Lane, the knight of kisses wraps up everything special about this comic to me into one, horrible little story. I love it. Let's dig in.

Art

Eyes are a big deal through the series, but they're an especially big deal in this issue. Hans is really killer at showing emotion through them here, the guilt Ash feels, the anger Sol & Matt feel, and of course the hate from Sir Lane.

I especially love her fight scenes. They move in broad strokes, not focused on any specific sequence of action, but the specific moments of victory and defeat that occur through the fight.

That's important when you're dealing with a cast as large and unique as the party. Everyone has these super powerful attacks with over the top video-game flairs, so she has to make sure to draw your eye with color and shapes.

I especially like how red is used in this scene, a strong color associated with violent magic from just about everyone. Historically, I've associated the red licks of fire with Ash and her dictator powers, but I think that applies to all members of the party here. Perhaps we are meant to see red as the color of violent magic? Or perhaps just the party's magic?

Isabelle's talks with her gods are another standout for me. These panels are always so interesting, I love to see how each one speaks, how they treat Izzy, and how little she seems to care about them. She keeps her back to them, refuses to meet their eye, but is still shadowed in most interactions. It also looks like a persona summoning scene, which is fun to me.

A special shout out to the cartoonish look of Ash's memory of Sir Lane. So idealized & flat, the perfect way to do this childhood flashback. Everything was so much simpler then... NOT. We'll get into it further on.

Actually, why wait?

This is up there for my favorite moments in the comic. Like I said, this is where I realized what DIE was doing—this is a story about careless people ruining their lives and the lives of others for the sake of "fantasy." And it's a story about the logical conclusions of those fantasies crawling back to you and covering you with awful worms.

What's incredible is the conciseness here. In just 8 panels over 2 pages, we see the entire tragedy. Sir Lane, the Angrian knight of kisses, was a fling for young Ash back in the 90s. Maybe even her first fling as herself:

It's an exciting thing for her, to be kissed as a woman. To be wanted as a woman. But Ash barely remembers this guy. She does recall their last meeting—he joked he wouldn't rest until he saw her again, asked her to use her power to make it true. She did. He died. He never rested. His eyes rotted. A lover's joke became a never-ending curse.

We see here how careless Ash has been with a very serious power. As the Dictator class, she can speak things & feelings into being. If she isn't careful, this power will rewrite reality to make her words true. Sir Lane is only the first casualty of this we see. What other horrors are waiting for them in this world, still reeling from the fickle whims of teenage demigods?

House Rules & The Fallen

Isabelle tells us the party takes this world seriously. They can't know how "real" Die is, so they have to treat it like it is real.

I don't think anyone in this party is actually playing this way though. The proceeding bit with Sir Lane is strong evidence against it, but even just moments before this interaction, we have the party going all out on the Fallen and this nice little explanation from Ash:

You know, some people would call me a trap with legs, but I hope there'd still be moral question to killing me. Anyway.

I was really mad the first time I read this, back in 2018. Orc discourse wouldn't hit its stride for a few more years, but even then I found it frustrating. If we're supposed to believe that these characters are treating Die as real, why are the Fallen different? Are "orcs" not people? Are they not conscious? Perhaps are used as unquestionable fodder in early D&D and LOTR, major influences on DIE, but I feel like we're past that now. The easy answer for the moment is that they are more like zombies than orcs, but that's still not satisfying for me. This whole scene appears to be a weirdly out of place statement for the comic.

Let's hold onto that feeling of dissonance—it feels bad for a reason. Without spoiling too much, Ash & the party's knowledge of the Fallen is pretty sparse at this point. They know them as hungry, diseased automatons. There's a lot more to them. A lot more. As we'll find later, this statement is just wrong.

This is a really important theme for the comic: The party is often wrong in what they think and what they do. Their attitude as 90s gamers will keep butting heads against more modern TTRPG ideas. This past thoughts/present thoughts conflict will continue not just with the Fallen, but in pretty much every aspect of the story.

So What's Up With Sol?

You've gotta love this guy—the dramatics, the get up, the ambush, it's all classic GM shit. Look, he's even having to stop himself from spoiling things here, he's just so excited to see his friends again!

Okay, maybe there's something a little worse than that going on here. Sol is (obviously) a really bad friend here. He's stating that he wants to bring the party back for another game—the war is over, now we're here for fun.

Ash reads this differently. She sees him as furious, furious beyond the point of sanity.

The other players have their own ideas. Isabelle, it seems, might be taking Sol at his word, but she's trying to talk him down. Matt is, pretty rightfully, furious. He's been brought out of his normal life into the worst place in the world. Angela bargains. Maybe she thinks Sol is crazy enough to fall for it.

So what's really going on here? Why did Sol bring them back, why now? We don't get an exact answer here, but I don't think it's anything put forth in this scene. Or maybe a bit of all of it. We'll learn more the next time we see Sol.

Other Thoughts

Well, here we go. We've got our quest, we've got a combat in, even some roleplay. A pretty good first session! I do like how these early bits are all structured like standard D&D sessions.

I already gushed a bit about the art in this issue's action scene, but I also want to call out the way Ash's narration works there too. Everyone's role in the party and their powers are very clear. It's a good set piece to show what everyone can do and why they're cool.

If you're considering reading DIE, I'd try to get through at least these two issues. If you like the tone and the characters, keep going! It just gets better from here.

In fact... next issue introduces one of my favorite bits of world-building in the series... but we'll save that for later.

#die comic #die reread

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spoocys-glade-of-dreams · 1 year

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Something just occurred to me about the Captain Laserhawk Rayman thanks to the info we got from the behind the scenes stuff.

I know this is supposed to take place in the 90's so I doubt this is true, or is at the very least a possible reference I'd like to see either confirmed or denied in the series.

How many of you remember the Rayman 4 stuff? Do you remember the synopsis that was given to us?

Let me share you the one from the Raywiki

since the text is so small in this screencap: allow me to type this out for you in the post. At least the part that applies here.

"The plot of Rayman 4 is mostly unknown, though some story elements have been leaked to the public. The game is said to have been based around the idea of Rayman partaking in a training camp for video game heroes where he could interact with other Ubisoft characters including The Prince of Persia's titular character and Jade of Beyond Good and Evil. Dark Rayman was set to make an appearance, not in person but rather to be portrayed as a glitch in the program; a corrupt part of the game bent on taking revenge on the characters. It appears that the game was to be a reboot/retelling of the original Rayman game, and would have involved Rayman revisiting numerous locations from the original game recreated in 3D and to a high level of accuracy.[4] This contrasts with Rayman Origins, where the heroes explore locations based on the same themes as those of the original game, but with distinct differences; for example, the Desert of Dijiridoos is evidently based on Band Land, but is clearly not the same place."

Guys. Is Captain Laserhawk A Blood Dragon Remix going to be a massive Rayman 4 reference or do you think I might be overthinking this shit? Because if it is, I am dying of laughter alongside Murfy.

ALSO I AM PUTTING THIS HERE FOR THE GIGGLES

#Rayman #Captain Laserhawk a Blood Dragon Remix #SEE YOU IN RAYMAN 4

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lesbianrobin · 3 months

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i would just like to say that byler is boring as hell. like all other ships in st have soul they have energy, they have angst even some of the non canonical ones (well written stoncy/ steddie loml). but byler is just, damsel in distress x depressed hero. maybe it's cause the fandom has completely watered down both will and Mike to that stereotype when they aren't that to fit them in heterosexual gender norms of relationships, but idk I get bored about byler

my personal issue with will is honestly like 90% just the fact that he doesn't feel like a super fleshed-out character to me so i'm not very invested in him. mike felt the same in s4 to be fair but like. will wasn't even There in s1 and was possessed for almost all of s2 and barely did anything in s3 and s4. which wouldn't even necessarily be a problem yknow eddie's only in one season robin's only in two but the problem is that noah schnapp is not that good at acting and you can Tell that he's absolutely phoning it in whenever he isn't like the focus of a scene. usually if you watch a character like eddie or robin in any given scene even if they're just hanging out in the background they're still in character and they're interacting with other characters/the environment and reacting to whatever's going on but noah literally doesn't even bother like if you try watching him in any big group scene he's usually just. there. noah's allergy to acting seems to have spread somehow to finn in s4 so all of their scenes together just do not hit for me personally they all feel very. high school play quality acting. sorry finn.

which brings me to the issue with byler which is that their most impactful moments occur when will is either in the upside down or not fully himself. mike's devotion to will in s1 and s2 pretty much forms the entire basis for the ship yknow because by the time will is actually Around mike is dating el and generally more concerned with her than he is with will, and the moments they Do have aren't as effective as things like the will possession scenes. i don't read any byler ship content so idk how they write the little fellas so i won't speak on that but it wouldn't surprise me if that damsel/hero dynamic is popular because that's like. what the best canon byler content (s1/2) Is.

now that will is actually around they tend to argue and the arguments are literally always because will feels like mike is leaving him behind and he's upset that mike and el are dating. which i don't even object to as a storyline actually but my point is that the crux of the conflict between their characters is literally that will has feelings for mike that mike does not return. so if you're approaching byler as a ship where mike Does return will's feelings, you kinda have to just. invent a whole new dynamic for them bc you've lost a lot of their s3/4 canon dynamic. and a lot of people aren't great at coming up with interesting dynamics and new conflicts between characters to keep things engaging.

also all of that said: i want to be clear that i know a lot of byler fans are kids and i am not trying to bully fifteen year olds who see something valuable in some fifteen year old characters and write fics about them. i'm sure a lot of people write wonderful fics about their little guys and have fun and find fulfillment in it and i'm never gonna hate on that. i'm just explaining my own perspective here and all of my negative byler energies are 100% directed toward the weirdo adults who are obsessed with the ship and insist it's going canon and get angry and send hate to people that disagree with them. also toward the ones who say weird ableist and misogynistic things about el those people can go fuck themselves.

anyway yeah <3

#asks #stranger things

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seesgood · 3 years

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can we very gently talk about call out posts / culture really quick? not in a judgmental way, but in like a: i just want to pose a thought and explain why i’m never going to buy into it and why i wish it would become less of a trend instead of more of one? and i’ll add the disclaimer here: i totally get not wanting certain people around you for various reasons, that is all your prerogative. that’s your comfort level. but in emphasizing “your blog should be a safe space” we’re kind’ve losing sight of the fact that the rpc should also be a safe space, and as much as your comfort and safety matter, so do other people’s. and not just the person who hurt you, but the third parties and other mutuals and 99.9% of people who are not at all involved in any way in whatever happened. so, anyway here goes, read it or don’t, we all have different opinions or reasons, i just want to be heard:

people are allowed to change. think back to who you were last year. two years ago. think about the stuff you said when you were seventeen, or twenty-one, or hell whatever age you were. current-you would probably cringe at the kind of stuff past-you had to say. because you grew. you learned. you had life experiences. in hindsight you have the freedom to be like “oof yeah that was not the best version of myself right there damn i don’t want to be like that again.” the growing trend of ‘here’s a 10+ page google doc complete with out of context screenshots that sometimes date back to like 2017 or earlier’ makes this kind of change impossible. because right there, you’ve just frozen a person in time, probably not at their best, removed any and all amounts of context, and put it on the internet and let other people judge it for themselves.

so that leads into another point that i want to just kinda present to the community at large: the act of documenting behaviors and storing them for months / years at a time, in itself creates a super unsafe environment, not just for you, your friends, the people who have hurt you --- but also for anyone else that isn’t at all involved in whatever happened. like, for example, i like to think that i’m a pretty nice person. i actively try to be a nice person. am i sometimes not having the best day? have people definitely caught me in bad moments? oh hell yeah. but am i, as someone who tries really hard to be nice and welcoming, constantly thinking through every message i send to someone knowing that a) i could have a reputation that makes them read into context that isn’t there and that could contribute to them misinterpreting words i meant in a different way, b) very aware that every post i make, ask i send, message i send can at any moment be screenshotted and posted and taken out of context and either serve as someone’s only opinion of me or pile on to someone’s existing opinion of me? yeah. so in my experience, and based on people i’ve talked to, we now have this thing where you can be surface-friends wtih a lot of people, but if you want to survive in the tumblr rpc you should really only have 2-3 people that you really trust that you can actually talk about shit with.

and lately i’ve been seeing a resurgence of posts on my dash about like “bring back xyz in the rpc” or “the reason the rpc is like this is because of xyz” and i both agree and disagree with a lot of this, but primarily i think the reason the rpc is Off lately is because everyone and their cousin has a DNI, which is --- again --- your decision and i understand and respect that, but while you know the context of every name on that DNI, other people don’t. and to be honest: other people don’t really care and honestly maybe they shouldn’t care. --- and don’t get me wrong, your friends should care if someone has hurt you. that’s important. but joe billy bob who just wants to write their character with yours is going to read through your rules, they’re going to see “do not interact with me if you follow with or interact with these people you’ve never heard of and if you want me to tell you why just message me” (which no one is ever going to do, i’m sorry to say). and say, joe billy bob also followed that other person because they were like ‘omg this blog looks cool’ --- now joe billy bob, who just wants to write cool plots, is suddenly the middle-man in some type of drama that they do not understand, and maybe they’re able to remove themselves from the situation, but even then it’s still in the back of your mind.

this is getting long. it’ll be longer, but let’s take a brief break for me to remind you that in some cases, it’s definitely good to give your mutuals and friends a heads up when someone has done something really, really bad. like, remember x amount of years ago when some dude was like ‘i’m gonna make up a new person and say they died by suicide as a social experiment’ or ‘hey this person actively tries to force very triggering plots about abuse / rape / incest onto people and has been doing so for years and does not seem to change their ways no matter how many people try to educate them’ that’s shit people should probably know about. and it’s also okay ( in my opinion ) for your friends to be able to message you like ‘hey i saw you’re writing with x and i just wanted to let you know i had this experience with them’ if that’s something they feel comfortable doing. and if they are comfortable with you still having the autonomy to make your own decision regarding the person.

i’ll be honest, for a second: i’ve been part of friendships and groups that have turned really toxic for one reason or another. a handful of times. there are probably people out there that are like “yeah this chick is really fake and manipulative and etc, i was friends with her back in 2019″ which, okay. yeah. i’ve definitely done shit and said shit that was not the most representative of who i want to be and who i want to become, and you probably have to. because we are human beings and we are a product of our social groups and the community around us. and you shouldn’t be chained to a version of you that isn’t you anymore. people change. they grow. you don’t have to like them, but you should respect that sometimes people don’t mesh, and that doesn’t mean any of them are bad people, it just means the experience was bad.

a few additional notes i would like to make but i’ve already gone on way too long:

90% of the callout posts that i’ve seen and the DNI’s that i’ve seen can, in my opinion, be classified as a friend group thing. you were friends with x, x did something, now y and z aren’t friends with x anymore. pain is a very, very real thing and people hurting you should never be minimized, but at some point i just want you to remember that not every friendship is going to end happily, but both you and the other party should be allowed to move on and grow better, healthier friendships after. rehashing Friend Group Gone Wrong instances removes that ability for not only person x, but also person y and z.

you putting out a callout says just as much ( maybe more ) about you than it does about the other person. which sucks. because i’d like to think we all have great intentions, and i’m not saying that you should swallow your pain, but it might not be the kind of thing that impacts the community at large, and maybe you should try to find a better way of working through it with a trusted friend(s)

i’m going to be very real and very blunt on this one: literally no one cares. i say that with love. i’m good friends with people who have each other on their DNI’s. establish a baseline of respect and ‘i’m not going to say anything to them about you and vice versa because there’s no need for me to do so’ and move on. but seriously. no one cares. most outside people read callout posts because they like being in the know about the drama, not because they actually care.

person a and person b who are mentioned in the DNI / callout aren’t the only ones who are going to be affected. your friends, your mutuals, your writing partners are now all put in a weird spot where you have to pick sides on an issue you know nothing about and shouldn’t have to know anything about. you’re asking people to choose sides on an issue they cannot fully understand, and that’s not fair to them or to you. and it drives great people away. and then we all lose out on having more awesome people in the rpc.

you’re entitled to your safe space, but this is a public platform and you are also responsible for maintaining your safe space. you shouldn’t put it entirely on other people to do that for you. you can block, blacklist, make up funny names for, or spitefully erase from your many anything and anyone that you wish. but you shouldn’t make your friends do it for you.

there’s always an inherent power imbalance when any kind of drama occurs between those who have more followers / friends / connections and those who do not. and the smaller blog is always going to suffer a little bit more because they don’t have people blindly coming to their defense.

bad moments, bad experiences, bad decisions DO NOT equal bad people.

allow people to make up their own mind about something or someone

anywho, if you read through this whole thing i think i owe you financial compensation. but also thank you for reading / listening / considering. even if you rolled your eyes through the whole thing like “stfu lia” that’s fine. i’m just presenting an alternative thought. i’d like to once again state: i’m not judging you if you’ve made a callout/DNI or if you’re on a callout/DNI. like i literally don’t care. and frankly, in my opinion, i shouldn’t have to. because i, and you, and your friends, and your mutuals, and your non-mutuals should be allowed the space to make up their own opinion and mind on something or someone without being told that there will be consequences if they don’t agree with you. set boundaries. communicate in healthy ways. you don’t have to forgive the people who have hurt or wronged you, but you also don’t get to decide that their actions make up 100% of who they are as a person, or decide that that is the only side of that person people should get to see.

#ʟᴇᴛ’s ᴛᴀʟᴋ ɢʀᴏᴜɴᴅ ʀᴜʟᴇs ⸺ psa.#/ long post cw.#when i say long i mean LONG #i could do an entire dissertation on this #i could do a ted talk #but ys know #if anyone wanted to do some ahem non-light reading this morning #*jazz hands*#( if you want to reblog this monstrosity you definitely can )

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butwhatifidothis · 3 years

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Tumblr is starting to VERY MUCH dislike how long the other reblog chain is getting, so this will be Reblog Chain 2 of my jotting down notes of this fic. Here is the first reblog chain for Chapters 1-20

But it appears as though I was correct in sleeping off Chapter 20, because Chapter 21 is. Hm. bad. Very. Not good.

Chapter 21:

Transcript under the cut:

Chapter 21: It's Called Scars so it Gonna Be Ass

- To be blunt, the constant need to reaffirm that yes, Edelgard went through terrible experimentation and that yes, they were very horrific, is tiring. This is chapter 21. The experiments occurred in chapter 2. Every single chapter between now and then have, at some point, mentioned that INDEED, Edelgard DID in fact go through horrific trauma. It is tiring to the reader to constantly have to reread the same thing - we know it happened. We know it was terrible. There's no need to constantly say so; we already understand as readers.

- "Every time the spark of life broke through Byleth’s blank face, it brought a flickering hope to the Flame Emperor’s heart." ->

- Firstly: Awkward use of the Flame Emperor epithet (its usage is on and off with how appropriate its been - this is off).

- Secondly: Once again, Byleth's face was rarely if ever blank. She was never the Ashen Demon, as even the last chapter showcased. The author is mistaking reservation with emotionlessness, which is simply wrong

- "There had been so many empty days and nights, without friendship, love or joy. With nothing to hope for, except someday, the peace of the grave." -> Suicidal tendencies: another trait that Edelgard doesn't have... (strikes against canon: 89)

- ...but Dimitri does. Counter: 12

- "Dimitri, too, was troubled by the thought, grasping the side of his head and frowning. As the spasm passed, he turned to Edelgard and smiled warmly." -> It seems a little callous to so casually toss Dimitri's symptoms into his interactions with others when such things simply don't occur in the canon interactions. It's not impossible, or strictly against canon, but it does not feel natural; it's more as though the author is shining bright neon signs that say DIMITRI HAS MENTAL HEALTH ISSUES than a genuine attempt at writing Dimitri's mental health issues. This is not the first time this sort of seemingly thoughtless showcasing of symptoms has happened (Noted separately: Dimitri having drastic mood swings)

- "No, this world must be ruled by humans…not cruel gods who ignored the prayers of little girls." -> This statement follows Edelgard internally chastising the actions of not gods, but the Children of the Goddess. This is a weaselly attempt at dodging Edelgard's racist beliefs that Nabateans should not be allowed positions of power by shifting the belief to apply to miscellaneous gods instead. While not inaccurate per se - she does also canonically believe that gods should have no power in human affairs - it is not honest

- "Byleth nodded with childlike simplicity. “We should all try to get along.”" -> Again describing Byleth as childlike and/or innocent. Counter: 3

- For those curious: yes, the rat scene is implemented, yes it is sloppy, yes it is out of character for Claude - so much so that it is being noted separately - and yes it is forced to all hell

- What will be noted here, however, is that this is yet another instance of a man being demeaned/humiliated for the honor of a woman. See quote: "Byleth was on him in an instant, a tempest forming in the sea of her blue eyes. “That isn’t funny.” She crossed her arms sternly. “Jokes are about bringing people together...about making them smile. Right now, the only person laughing is you.”" with Claude reacting awkwardly. Once again, Man Bad Woman Good

- In a showcasing of a complete lack of self-awareness within the fic: "“Maybe if you’d have taught the Deer instead…but since you seem to have no ambitions outside of cleaning up Edelgard’s messes…”" -> This is Claude being portrayed as the bad guy, not the one being completely and utterly right

- " She slapped Edelgard on the back, and smiled heartily. “I agree, Dimitri!” Edelgard grimaced, trying to hide the fact her teacher had just struck the wound she had received during the mock battle." -> As well as where undoubtedly countless scars would be, yes? Scars that still cause Edelgard pain? In fact, Edelgard has been slapped on the back by Byleth and Jeralt numerous times before, and yet expresses no pain or discomfort.

- Another thing, that I had not noted though ought to have: Edelgard, a victim of sexual assault (in this fic), rarely seems to mind people touching her. She gets a little surprised if someone tries to get her attention with touch, yes, but Byleth's constant unprompted and random touching of Edelgard is never said to do anything but bring warmth and joy and comfort to Edelgard. It seems as though Edelgard suffering through sexual assault is just another source of trauma for the author to dump onto her for nothing more than pity points

- This is incredibly harsh to say, yes, and I would usually refrain from attributing such harshness onto a piece of text, but remember that Edelgard's scars only cause her pain when it's convenient, that she only experiences headaches when it's convenient, that she experiences PTSD episodes (when Claude mentions the rat) when it's convenient (note that in this fic he does it outside of battle, where her getting triggered wouldn't compromise her chances at victory). Edelgard not being touch averse and being a victim of sexual assault are not inherently something bad - survivors react to trauma differently, after all - but it is another in a steadily longer line of instances where Edelgard is simply given trauma for the sake of making her pitiable to the reader and the love interest, not something that Edelgard genuinely has to struggle with.

- "As Claude and Dimitri looked at their classmate expectantly, Edelgard was wracked with another bout of guilt. Deep in her soul, the princess knew these peaceful days would end soon. When that happened, no feast or vows of friendship could make up for the chaos and horror she would unleash. It would be better to pull away, close off her heart, rather than fuel the flames of her inevitable betrayal." -> Aka, "Feel bad for me, I feel guilty for planning to cause the death and ruination of countless innocents' lives all because I convinced myself that my way is the only way to get things done my way without ever actually trying to see if more peaceful ways could have worked. I'm going to orphan children, force families to fight each other, have the land be rampaged by banditry, and overall bring chaos onto these days that I ADMIT ARE PEACEFUL all because I feel that my way would be better. Wah wah pity me but I don't wanna be pitied I promise wah wah."

- "Byleth shrugged with a characteristic blend of innocence and spirit. “I guess I just like winning.” She began to blush and grabbed Edelgard’s hand. "It's so exciting! I’ve never had anyone other than Papa to celebrate with before!”" -> Byleth = innocent/childlike. Counter: 4

- The fic likes to reaffirm again and again that Byleth is "now" only acting like this due to Edelgard's presence in her life. Note also these statements written previously: "Every day, [Edelgard] was watching the person she loved grow and change. Become who she always was supposed to be." This, perhaps unintentionally, again enforces the "Lesbian Love is Pure and Innocent" trope; these wlw are only allowed to be their good girl, innocent selves - who they were always supposed to be - due to the pure lesbian love they have found with one another

- Count Bergliez didn't know of the experiments initially, but he eventually found out and did nothing to stop them, fleeing from a young and tortured El who was pleading for him to save her - Unnecessarily painting Count Bergliez as a spineless coward too afraid of Duke Aegir to save a child in pain

- Once again, a man fails to save a woman and further traumatizes her

- It should be noted that Bergliez is fearful not for his own life, but for that of his children, who were the ones Duke Aegir threatened. He, very similar to Ionius, cannot save Edelgard, except Bergliez (unlike Ionius) has a tangible, physical, explainable reason as to why he couldn't, and yet it is him who is painted as the bad guy, not Ionius. He is worthy of Edelgard's scorn and hatred, but Ionius only receives a begrudging feeling of betrayal from Edelgard that she feels guilty for harboring, even though he failed her far more than Bergliez failed her.

- "Daughters must always be loyal to their fathers" trope

- "No decent person thought the things Edelgard did. Just as her body had been twisted and shattered by the experiments, her mind bore terrible scars. Scars that the monster kept hidden, so she could walk in the world of men." -> Dehumanizing oneself as a monster as well as having violent thoughts (that specifically stem from trauma) one feels guilty for harboring are not traits Edelgard shows in canon... (strikes against canon, 90, 91)

- ...but Dimitri does. Counter: 13, 14

- "world of men?" Did the author perhaps mean "world of man," as in mankind? Keep note of

- The reason as to why Bergliez is said to have witnessed young El's tortured state and did nothing to help her is revealed: in canon, he dislikes her. It is blatantly and objectively said that he and Edelgard share a mutual displeasure in the other's company. What this fic had him do will be used as an excuse as to why he doesn't hate her, since no one is allowed to dislike Edelgard on the "good" side

- Edelgard, upon being asked if revenge is the reason she is doing what she's doing (reuniting Fodlan): "“No.” Edelgard put her hand to her chin thoughtfully. “I think for a long time, it was…but after a while, I realized that revenge wouldn’t satisfy me.” She looked at the blue sky above. “After you go through that much suffering…when you beg for help, day after day, and no one cares...you realize that nothing will ever truly make you feel safe again. The only thing I want is for this madness to end.”" -> This is internally inconsistent. See chapter 15 note: ""You know why they created me in the first place.” / “To reunite Fódlan,” spat Hubert. “It was all my father talked about.” / “And I will give it to them. "" This directly connects Edelgard's want to reunite Fodlan to the wants of her tormenters (as this states she is doing it out of spite). Note how Hubert spits at the idea of reuniting Fodlan, and how it was all his father - portrayed as a villain - talked about. This is not what this Edelgard wants, at least not of her own independent want. Earlier in this very chapter, Edelgard internally states a want to hurt Bergliez for leaving her behind. To say that she now no longer thinks vengeance would satisfy her, or that none of the reason that she is doing everything she does is out of a want for revenge, is ridiculous

- Edelgard to Bergliez, upon being asked what will happen to him and his family should Edelgard rise to power: "“All those who distinguish themselves will be rewarded. Given your history, I have little doubt you will be among them.” She nervously played with her white gloves. “All I ask is that when I seize back control of the throne, I can count on the military’s support.”" -> Yes, all who distinguish themselves to Edelgard, for Edelgard's cause, that Edelgard can see and/or know of. How likely is it that a poor farmer who is exceptional at fighting will actually be noticed by Edelgard and be given the credit he deserves, when others who may not be as meritable but do have some merit have the connections to show themselves directly in front of Edelgard? What means will Edelgard give the poor soldiers (that she or Byleth aren't already friends with, notably Dorothea and Leonie) that will allow them to be able to be seen by her and have their merits recognized? Edelgard is the one who says who gains power after all, so it is her they must prove themselves to, but how can they realistically do that?

- What about professions that are not immediately beneficial to Edelgard's cause, such as the arts? How will they fare in Edelgard's society, when their works and talents yield no tangible, objective results (such as, say, farming)?

- Something the fic will address?

- Edelgard does not nervously do anything in front of those she is trying to negotiate with in canon, not even Thales. Strikes against canon: 92

- "[Bergliez] could only laugh in response. “I think we’re going to get along rather well, my lady…and the other?”" -> Except Bergliez and Edelgard don't get along well, ever. Pre ts they are stated to dislike each other, which continues even onto post ts with Bergliez being the only noble Edelgard couldn't bring to heel. Strikes against canon: 93

- As predicted: No one is allowed to dislike Edelgard on the "good" side

- Literally forgot Hubert was with Edelgard and Bergliez lmao

- Ionius tried to consolidate power to be rid of the consort system due to his unending love for Anselma -> A ridiculous idea, plain and simple. Ionius was Emperor. If he wished to be rid of the consort system there was no need for him to try and take away all power from the other Imperial houses.

- If Ionius truly loved Anselma, why did he allow her to be exiled from the Empire? Why didn't he step in and use his influence as Emperor to help her?

- Edelgard, when she is Emperor - passed down a supposedly empty crown, at that - showcases the all-encompassing power the title of Emperor truly holds to one willing to use that power. That Ionius supposedly wanted to do all of these reforms and yet nothing at all was done, ever (save for ruining Houses Hrym and Ordelia, something even this fic has as canon), if Ionius did want to make these reforms, means that he was too spineless and cowardly to truly go through with trying to pass them. This again unintentionally showcases how awful a ruler and weak-willed a person Ionius was when he had power when trying to paint him in this righteous light.

- Lambert was stated to be trying to pass reforms before he died in canon, not Ionius. From parents to the children, the author is attributing traits from Lambert onto Ionius just as he (author's confirmed gender is male) attributes traits from Dimitri onto Edelgard

- " Her father and mother…she had thought their romance a fairy tale-a story from her father to make a motherless child feel valued. But…they truly had loved each other." -> Edelgard does believe Ionius when he told her of the story of when he and Anselma (supposedly) met each other. There is nothing to indicate that Edelgard thought it to be a lie: in fact, in canon: "But I choose to believe there was genuine love between them." Strikes against canon: 94

- It seems as though finally, after around 18 chapters, Edelgard's scars will finally cause her genuine inconvenience due to her complex about them as well as her trust issues. She has a gash on her back from the Battle of Eagle and Lion, but will not have it treated if Manuela isn't the healer, and yet the woman is occupied dealing with the rest of the students who were injured. How will this fic deal with this?

- Ingrid, referring to her and Sylvain: ""We just switched from Felix lecturing us all day to listening to Edelgard moralizing, didn’t we?"" -> The author is trying to compare a childhood friend whose friends have had years to get used to their barbed tongue to a stranger that directly insults the dreams of one of them. Something which Ingrid canonically hates having be done to her, even from Felix, a childhood friend. Once again, Ingrid being so casual about Edelgard being so disrespectful of her dreams is out of character. Strikes against canon: 95

- "Sylvain shook his head knowingly, ignoring Felix’s truly alarming scowl. “You should have seen his face, Edelgard. Dimitri would go on and on about this girl he met when he was a kid…and Felix would complain about her for hours!” He looked at Felix and smiled. “For all his whining about the “Boar,” nobody loves Dimitri more than him.”" -> Oh? A romantic gay male relationship presenting itself within the fic?

- Another vision of SS experienced by Edelgard. Word from a nameless guard: "The woman, Byleth, leading their forces... She’s not human! She killed half my battalion with one swing of that sword of hers. She didn’t speak, she didn’t shout, she didn’t even change her expression!” The panicked man was teetering on the edge of hysteria. “All those people rallying around her, and it’s like she doesn’t care at all. Like she's a walking corpse!"" -> Obviously saying that Byleth becomes the Ashen Demon if not allowed to be with Edelgard.

- Unintentional statement: Byleth can't be the pure innocent (lesbian) woman without Edelgard's (lesbian) love granting her purity, reverting her to a monstrous, corrupt demon incapable of humanity

- See chapter 20 note: "Implying that choosing SS - aka, choosing the Nabateans - makes Byleth less human. Intentional?" Confirmed to be intentional. Also false: in canon, even when accounting for CF's lesser chapter count, Byleth emotes far more on SS than on CF, which matches with CF having Edelgard call Byleth detached in their A support. Strikes against canon: 96

- The same nameless soldier, same context: "And those Faerghus kids…” / Edelgard leaned forward in her chair. “Ingrid…Sylvain…what of them?” / “They…they were animals. Screaming and ranting about revenge for the King.” -> Is the author really demonizing Sylvain and Ingrid for (potentially!) being mad at Edelgard for murdering one of their childhood friends? Is that really the depths the Edelgard worship will sink to, that friends becoming enraged at a friend's unjust murder from a warlord is being portrayed as something sad for the warlord? Just what else should Edelgard be pitied for?

- "The scared girl desperately tried to drown out the thoughts that reverberated incessantly. / They’re going to despise us…it’s destiny. And how could they not? If we were truly good, the Goddess would have saved us…protected us. But She didn’t. The Goddess took Mother. She took our family. And soon, She’ll take everything else we love. She hates us. / It’s what we deserve." - Now confirmed that Edelgard hears multiple voices in her head tormenting her. That trait that, once again, Edelgard does not have... (Strikes against canon: 97)

- ...but Dimitri does. This is the third time this chapter that this has happened, and far from the only chapter to display such baffling characterization of Edelgard via Dimitri's traits. It is nonsensical.

- " Why had [Edelgard] even been born at all? Nonexistence would have been preferable to watching every faint dream be dashed, to suffering alone over and over. She was just…so tired of being alive." -> Once. Again. Suicidal tendencies/thoughts is not a trait Edelgard shows in canon... (Strikes against canon: 98)

- ...but Dimitri does. The fourth! The fourth time in one chapter the author desperately wanted to just write Dimitri!

- If the fic wanted to take Edelgard in a different direction than canon does and has her display some of these traits, it would be more passable, but this fic is under the delusion that it is in any way following canon closely, especially in regards to Edelgard, and so this can only be seen as a desperate attempt from the author to have Edelgard be sympathetic by donning the skin of an actually sympathetic character such as Dimitri

- "Edelgard looked at herself in the mirror. The back of her academy uniform was stained red, the rhythmic, soft dripping of blood assaulting the princess’ ears." -> And no one commented on this? No one was worried? Not Ingrid, Sylvain, and Felix, who were sitting right by her? Not Lysithea, who saw her take the blow to her back and never get it healed? Not Dimitri, who delivered the blow? It just so happened that literally no one at all noticed this?

- Byleth literally slapped Edelgard on the back earlier? Wouldn't her hand come back red with blood if it were seeping through the uniform?

** The scene that follows the previous note is too long to quote, despite how truly terrible it is. Long quotes, even extremely long quotes, have been presented in these notes before, but the length this quotation would be if the full extent of it were written here would be a mess, and quite frankly, at that point it would do one better to simply go to the fanfiction itself and read the text from there. With the context received from these notes, if one wishes to see the words for themselves, go to chapter 21 of The Emperor and the Goddess, enter Ctrl + F (or Find in Page on mobile devices), and enter the phrase "Byleth crossed her arms, clearly frustrated" verbatim. The following note will not be quoting the entire scene from the fic (merely summarizing it), though context is needed to understand how truly bad the scene is. **

- To have hope in this fic performing anything correctly is proving to be a fool's dream, for it has yet to do anything right; that includes the aforementioned gash upon Edelgard's back. As stated, it did not draw the attention of those who were sitting around her nor did it draw the attention of the one who witnessed the injury itself, nor of the one who delivered the injury itself, so no one commented on the gaping, bleeding wound Edelgard was "hiding" from everyone as she turned her (bleeding) back to them and left for the baths to clean up (it must be heavily stressed: immediately after leaving it is revealed that the blood is seeping through her uniform). As she was washing - naked, of course - Byleth just so happened to step into the baths with only a towel wrapped around her "for modesty," much to the horror of Edelgard, for she does not want Byleth seeing her scarred body. A slight argument arises between the two over Edelgard getting her injuries checked, before Byleth warns Edelgard that she will go to Rhea and force her to go to the infirmary should Edelgard continue to refuse treatment, which drives Edelgard past the brink. She raises her arms from the bathwater and presents her scars (""Fine!... If you want to see so badly, here!""), to the horror of Byleth ("Byleth Eisner was not a woman given to strong emotional reactions, but she staggered back, hands over her mouth."). Edelgard cries in hysteria, fear of her beloved teacher running away in disgust over her ugly, mutilated body overwhelming her. But Byleth, childlike in her innocence, shared that she too is scarred in strange ways, and that she too is scared of failing those around her - that she has no ambitions save to help and protect those around her. Byleth reveals that it is Edelgard whom Byleth looks up to for always being so strong and always moving forward, and shows that without Edelgard Byleth wouldn't know how to handle the pressure everyone else puts on her. The exchange ends with Byleth reassuring Edelgard that she is beautiful and not the monster she thinks she is.

- There is no nice way of putting this: this is a classic example of how not to write someone opening up to another about something. Edelgard views herself as weak, ugly, repulsive, a monster, shameful, but it is Byleth's love and affection that gives her comfort and warmth, that gives her hope of something more. It forces Byleth to behave wildly out of character (the author can try to excuse this with "well she wouldn't normally behave like this!" all he wants, it doesn't matter when it goes against the base, canonical Byleth. Strikes against canon: 99) in order for Edelgard's scarred body to be seen as something that is repulsive, that is ugly, that is stained, so much so that the pure, childlike, innocent Byleth couldn't stand to see something so tainted. And yet it is that same pure, childlike, innocent Byleth's pure, innocent, childlike love that pushes away the pain of Edelgard's scars for just that moment. Other characters become suddenly blind and/or forgetful of Edelgard's obvious, bleeding wound so that it is Byleth who can be the one to save Edelgard with her pure, innocent, childlike presence and her pure, innocent, childlike uncertainty about her own insecurities (but only when it is convenient for Edelgard, as even Byleth didn't noticed the gaping, bleeding wound until she was alone with Edelgard where no one could interrupt their bonding moment). This scene is inorganic and forced, ham-fisting Edelgard and Byleth in the same room - the wash room, where both are either naked or nearly naked - so that Byleth is the one to find Edelgard, no one else. No one was worried enough about the sudden exit Edelgard took from the conversation she was having to follow her and make sure she was alright, and Byleth just so happened to enter the baths right after Edelgard. The scene is, to be frank, insulting.

- There have been a couple of joking references to a book titled Stones to Abigail in these notes, but in all seriousness, this scene plays unsettlingly similar to a scene in said book, where a scarred girl who is naked reveals her "ugly" and "revolting" scarred body to the love interest, who goes on to soothe and comfort the naked girl as best they can. The resemblance is uncanny

- Byleth described as childlike/innocent. Counter: 5

- Edelgard, in canon, never expresses feeling herself to be ugly, or repulsive, or a monster. Strikes against canon: 100

- Again, Edelgard's scars are only important when they are convenient - this time, in helping develop the romantic relationship between her and Byleth

- There are ways in which scars can be utilized without being problematic, but certainly not when this much focus is placed on them and yet they are only truly present when they cannot hinder Edelgard.

- Perhaps particularly insulting is this phrase from Edelgard: "Did she actually love Byleth at all, or just being saved by her?" Yes, Edelgard, you do simply want to be saved by Byleth, because that is precisely what the narrative has been drilling into the reader's heads ever since Byleth showed herself. Byleth is Edelgard's light, Byleth is Edelgard's hope, Byleth gives Edelgard back her humanity, Byleth is Edelgard's one source of joy, Byleth is Edelgard's entire life, and nothing, absolutely nothing in this fic has shown this to ever be a bad thing. This dependence on Byleth to bring Edelgard joy at the near complete expense of everyone else has been propped up as something romantic, and yet it's now, 21 chapters and over 85K+ words in, that we're supposed to believe that this was actually Edelgard being unhealthy? Even though the author himself said that this was what he enjoyed about their relationship, how much they found each other in each other? Even though we see what the author thinks would happen to the two of them should they separate - Edelgard, lonely and afraid without her beloved teach, and Byleth, the Ashen Demon who cares for nothing without her beloved student - in her visions of SS? This is a joke

- It cannot be overstated that Byleth came to the bathhouses completely independently of Edelgard. She did not come to specifically see her because she followed her out of worry for Edelgard due to her injury - she only knows that Edelgard's injured in the first place due to seeing bloody bandages that Edelgard removed in the bathhouse, before Byleth arrived.

- Author's notes: "On Bergliez, we find out very little in-game, but he 1) offers himself for execution so his men can go free in SS and 2) seems to be actually competent at his job. I thought a nuanced portrayal was more interesting, since I've been writing Aegir as the absolute worst person in the world." -> Note: this is what the author believes to be a nuanced take on someone. Someone who likes Edelgard entirely and does nearly whatever they can to help her, but they did one thing that's morally gray (leaving a child behind to save his own children from the same fate) that is portrayed as objectively bad, so now they are nuanced. While perhaps this sort of character would be truly nuanced in better hands, as it is with his actions being portrayed as something that is obviously so completely and utterly wrong and him someone who deserves complete and utter condemnation - and yet Ionius, who does far worse for far less understandable reasons, gets a comparative slap on the wrist - it causes confusion as to Edelgard's lines. Bergliez seeing her the one time and never helping her is enough for her to want to hurt him as she was hurt, but her father repeatedly coming to and "being forced" to watch her actively be tortured and doing nothing does little to invoke similar depths of resentment? Even granting the idea that "she gives more slack to her father," Ionius is objectively and far worse than Bergliez, down to doing hard things to protect their children, and yet it is only Bergliez who is shined in this unpleasant a light

- To be clear, Bergliez's decision was not a good one, but understandable. It is a gray decision to make. But notice how he is called "gray" and "nuanced" and yet Ionius is nearly completely innocent, as described by the author himself, despite their being no given explaination as to why "he was a figurehead" should be a good enough reason to wash him literally standing there and watching as his children - some of whom aren't even teens yet - get slowly tortured and killed.

- "There are many localization changes I understand (Byleth wanting to get drunk after the battle is one of them), but Treehouse's decision to remove Ionius' entire reason for power centralization (eliminating the consorts) was a big, big mistake." -> Given the history of this author's grasp on the Japanese language, this needs to be checked, as he cannot be trusted as a source as to whether this is true

******* Notes of Claude mischaracterization: Chapter 21, section 1, paragraphs 1, 21 & 23, 27 *******

#o captain my captain #is the Cap'n's name fuckin' Greg holy shit #this chapter was baaaaad #b-but hey maybe i'm just being overly critical?

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robin-nightwing-agent37 · 3 years

Note

I completely agree with you on the Nightwing solos. I’m sick of certain writers nerfing Dick in the name of “nostalgia” when really all it is, is fanservice to a particular minority of DC consumers who dont venture beyond the DCU/DC cartoons.

I miss the days where villains like Deathstroke would show how brilliant and strategic and epic Nightnight is as both a fighter and a hero. I always loved reading comics where Deathstroke was involved in the plot as either a begrudging ally or the main antagonist because he always pushed Dick. In all aspects.

We didn’t get a bubble headed idiot as we seen in recent solos, we got someone who was challenged mentally, morally, and physically. It made Dick’s character, as well as the plot, interesting and refreshing.

Dick and Slade have always had that certain type of chemistry, that particular brand of respect/hate partnership and rivalry, that made those comics the best and most intense.

I always loved that rough, obsessive, almost dark side of Dick (omg but not in the whole “Ric” way bs) that Slade, and other villains or anti-heroes brought out in Dick.

It brought so much depth and realism to his character, as well as making the goofy, witty and yes, sometimes ridiculously daring side of Dick all that more loveable. Dick is only second to Superman when it comes to being the most approachable and trusting hero. He’s also seen and referred to as Batman’s light. It’s a great character trait for Dick. And I love it.

But making him that goofy hero 24/7 as these Nightwing solos have been doing as of late really devalues that aspect of his character and makes his character boring, ridiculous, and overall cheap.

I just wish the fans and the writers would take Nightwing more seriously these days.

I love including Deathstroke as one of Dick's main re-occurring villains! Because the history between the two is just so amazing and deep and it's criminal not to explore it. Deathstroke being admirable of Dick's skill set, but still hating him is always an interesting idea to me. I don't like it when Deathstroke is portrayed as friendly or willing to team up with Dick. I want straight animosity between the two characters. I again always loved the idea of Dick being more rough around the edges and very stoic. Like a cross between Captain America and Aragorn almost lol TBH, I prefer Dick to be described outside of being the light to batman's darkness. Dick is more than just a batman side character and at this point, his mythos should reflect that. He is charismatic, approachable, and trustworthy. But he is also isn't perfect. He can be mean, overbearing, and selfish at times as well. Goofy and incompetent, he is not. I'm fine with exploring Dick's more laid back non-serious side, but that should only come out when he is just enjoying himself with some friends during a night out or something. Not when he is trying to get rid of a deadly criminal.

I think writers DO take Nightwing seriously, it's just there isn't much to do with Nightwing at the same time. Most stuff created for Nightwing gets given away to other characters. Most of his best personality traits and skillets have already been given to Barbara Gordon and Tim Drake respectively, since the 90s.

I don't think Dick will ever be allowed to truly be different and great until he is away from both Titans and Batfam tbh both those parts of the DC world kind of hold Dick back. He is blending in, instead of standing out with those two groups. I think Dick needs new content to interact with. Remember, it took creating an entirely new property (New Teen Titans) and mantle (Nightwing) for Dick for him to become popular in the first place. It'll probably need to happen again. It took Batman almost 40 years to actually gain traction as a character and even then; it wasn't until after Killing Joke (1988) that Batman became the powerhouse he is today. So Nightwing still has lots of time to play catch up.

#MY2Cents #Nightwing

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elpercotreviews · 3 years

Text

My Anime 9/10′s

With probably no spoilers cuz I don’t wanna talk too long about them zzz.

1. Fullmetal Alchemist

YALL ALREADY KNOW THIS A 9/10. The only real reason this show is not a 10/10 is because it’s just a story that I’d never rewatch. There’s like 70 episodes, which is way too long for my short attention span, especially since I’ve seen it already. But yeah, by all accounts, this story is a masterpiece and is one of the only “shounen” anime’s that I genuinely enjoyed. No random sexualization. No dumb filler. All the characters have an actual purpose and role in the plot and everyone has their own morals and ideals that interact to make the story interesting. I couldn’t bring myself to really hate anyone, even the villains, because everyone was pretty well written. Also super satisfying ending that ties up everything properly without leaving me confused or upset. If you only watch a few anime in your life, Fullmetal Alchemist is pretty much a MUST WATCH to see a beautiful example of a modern classic anime as an artform. Also I should say that I really don’t like Hunter x Hunter (AN EXTREMELY CONTROVERSIAL OPINION BTW) but I love Fullmetal Alchemist so take from that what you will.

2. Parasyte: The Maxim

Same kinda shit where you already know this a 9/10 for me. It’s just a very satisfying anime that doesn’t have random sexualization or random filler or anything like that. Ending is also very good and ties up the story in a way that doesn’t leave more questions but also allows the characters to have a “life” outside of the scope of the story. I think Parasyte, because of its more horror and psychological-esque vibes, counts as a seinen and not a shounen, so for more mature audiences. I also really liked how the story was successfully adapted to modern times since the manga is from the 80′s. I have actually rewatched this anime, but what stops me from giving it a 10/10 is a few things that I found kinda “stereotypical” that I don’t wanna discuss further too much cuz it’s spoilers. I still obviously really like this anime and highly recommend it.

3. Zankyou no Terror

TBH, this anime is pretty hard for me to properly describe in a lot of words as to why I like it. The art was really pretty as well as the music, which was just straight up amazing. The cinematography of this anime is excellent as well, and a lot of scenes have that sense of being acted out by real people, as opposed to feeling completely drawn/animated. I was a teenager when this anime came out and I think a lot of the themes presented in the show really related to me. The show does kinda have some leftover questions when it ends that prevents me from rating it a 10/10, but I have such a soft spot for this anime. It’s from the same creator as Samurai Champloo and Cowboy Bebop, and although those two animes are also very good, they did not impact me as much as this anime did. Recommended for people looking for idk something that gives off Inception vibes?? In the sense that it’s much more about its themes and its message more so than the believability of the events that occur.

4. Magic Kaito 1412

THIS IS JUST A PERSONAL PREFERENCE BTW LOLOL I DON’T KNOW ANYBODY WHO’D PUT THIS AS A 9/10 ANIME. I JUST REALLY LIKED IT OKAY. It’s made by the same person who does Detective Conan but I like this a lot more because it’s a much shorter series and slightly more mature (more for teens than just straight up kids). I really liked the main guy, I think he’s funny and charismatic. He’s a pervert at times but Imma forgive that cuz of the 90′s. Idk it’s just a really fun anime that I don’t have to take seriously and can just watch and enjoy.

5. Mob Psycho 100 (season 1 AND 2)

Imma put season two as slightly better than season one. So season one would be like a 9 and season two is like a 9.25 for me. Super super funny anime and I like it SO much more than One Punch Man. I liked that there was a good balance of serious moments, but you can definitely still count this anime as a comedy. I’m typically not the type to watch “comedy” but this anime genuinely had me laughing out loud, while also crying and freaking out right alongside the main character. The main guy is super great because he’s just this shy and sweet middle schooler, and it’s really interesting watching him balance trynna have a normal life while also using his powers for good and such. Apparently the anime was decently faithful to the manga and there’s apparently enough material for a third season so I’d be pretty stoked for a season 3, but season 2 ended on a pretty good spot and was satisfying. TBH, if I had the time, I’d probably rewatch both seasons and bump it up to a 10/10.

6. Vinland Saga

This anime is just the first season of what I hopes to be a whole series that will be stay beautifully and faithfully adapted from the manga. As someone who read very far into the manga (but quit like years ago simply because I hate slow updates lol), I actually didn’t enjoy watching the anime at first. I was impatient and kept waiting for when like the “major” events would happen. So I watched like three episodes and quit. But when I had some free time, I decided to get stuck in and commit to watching the whole series and I was so pleasantly surprised with just how good it was. I was impatient but I needed to realize that there is no “filler” or like “wasted time” in the entire anime. I hadn’t read the manga in years, so so many things were only vaguely familiar but I think this helped me stay surprised and excited throughout the anime. I’m looking forward to the rest of the manga being adapted because it’s just a good Viking saga lolol. Major themes of stuff like growing up, violence vs. peace, what it means to be a good person, etc. Lots of blood and LOTS of violence like a LOT they are VIKINGS CMON but tbh not really any gore which I liked cuz gore makes me ughhhh. A very good watch and only a taste of an excellent story.

7. Demon Slayer

It’s just Demon Slayer duhhh. Of course this a 9/10 for me. I don’t wanna write much just cuz the show is so popular. Just read a REAL review of this anime somewhere else lmaoooo. Also yes I did watch the movie in theaters and yes I liked it a lot as well mmkay. I’m mad hype for season two. My S/O doesn’t like Demon Slayer as much as me, but also has Hunter x Hunter as their all time favorite anime. Do with that information what you will lolol.

8. Attack on Titan Season 3 Part 2

Same shit as Demon Slayer. Just go read someone else’s review about why it’s so good lol. Also, unlike Mob Psycho 100, I can’t include all of the seasons in this, because I have very various opinions about how good/bad the other seasons were. But this season 3 part 2, was just plain and simply amazing. While I might not like each season equally, as a whole Attack on Titan is also a modern masterpiece of storytelling. Read the manga if you can.

9. Great Pretender

I love this anime so much. Such a good and fun wild ride. The whole show is ridiculous but in a fun way. I’m a HUGE fan of heist films, so of course I absolutely enjoyed a heist anime. I’ve watched this show in sub AND dub, due to the fact that everyone is “technically” speaking English the entire time. If you’re a purist, just watch in sub OR dub cuz I did get confused here and there, especially when I would go back to compare language discrepancies. Because basically I did this super high maintenance thing where I switched back to Japanese whenever the main character had flashbacks, since he’s ya know, Japanese. The dub also has this confusing thing where the first five minutes or so are still in Japanese, but switches to English when a little cue card on the screen goes “For the Viewers sake, everything from now on will be translated to Japanese.” It’s cuz in the sub, the inverse obviously happens where the characters are initially speaking broken English to each other, but for convenience sake, everything from that point on will be in Japanese. It’s confusing at first but I liked it cuz it just proved the whole international vibe of the show. It’s funny either sub or dub when they joke about how bad the main guy speaks English, cuz in the dub he’s speaking perfect English, while the sub has him not speaking English at all. But anyway, great anime that WOULD have gotten a 10/10 if not for the last episode. Like without spoiling ... WTF WAS THAT LMAOOOO. The anime as a whole is super wacky and zany but at least I could try to think it’s real life, but that last episode was just so unbelievable and bizarre and pulled my suspension of disbelief into the STRATOSPHERE that I just had to convince myself that this show takes place in some improbable alternate reality where something like what happened in the last episode is at least 5 percent possible CUZ HOW DID ANY OF THAT WORK LMAOOO??? Once again, great show, one of my absolute favorites, BUT THAT ENDING THOUGH WTF.

10. BNA

Good super underrated anime that I don’t hear people talk about at all. If Beastars is anime Zootopia, then BNA is Disney Beastars lmaooo does that make sense? It’s a lot more fun and zany than Beastars and I liked it way more. Made by the same people who made Kill la Kill. I really like that more classic, animated “cheap” art style that the anime has, and I also really liked the plot of the story. Not a 10/10 cuz the show does leave a few unanswered questions at the end of it, but this show was such a fun and interesting ride. When I finished the last episode, I was left with a big smile on my face because I just genuinely enjoyed this anime. Recommended if you wanna watch something a little unique and more on the silly and wack side. Talks about some serious stuff, but luckily the show never takes itself TOO seriously, and remains overall lighthearted for a fun action/sci-fi show.

#bna #attack on titan #parasyte #anime review #myanimelist #great pretender #demon slayer #vinland saga #mob psycho 100 #anime #fullmetal alchemist #terror in resonance #magic kaito

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miraculouscontent · 3 years

Text

Didn’t Need Burrow (April 11th-16th)

Anonymous said:

Didn't Need Burrow: After the Truth episode occurs, Luka will either not appear nor be talked about(not even by Marinette, Juleka, Sass, or Anarka) at all, or, if he does appear, he'll avoid Marinette like the Black Plague. Guess who's fault it'll be(Kagami will still appear and be on good terms with Adrien, though, since anything that makes Marinette happy needs to be either ruined or gotten rid of, while anything that makes her miserable needs to stay around just to be rubbed into her face.).

I s2g if they have Adrien and Kagami patch things up immediately just to make Marinette feel awkward--

Anonymous said:

Didn't Need Burrow: The idea that Nino's hat is a keepsake from his late brother comes up during an episode where it inevitably gets damaged and/or destroyed. Marinette is somehow responsible/blamed for this, and/or is forced to try and repair it regardless of feasibility, while being guilt-tripped/ridden every inch of the way. Bonus points for Adrien making some clueless comment about buying a replacement and STILL being treated as more empathetic to Nino's feelings even while ignoring them.

“Bonus” if everyone pressures her over the hat, which eventually leads to Marinette realizes that it can’t be fixed to be the exact same way, so she hides it and lies about it, leading to the episode blaming her for hiding things from her “totally understanding friends” (who are suddenly “totally understanding” and are only upset that she lied to them/”thought so lowly of them”) instead of her friends for making her feel like she had to be perfect.

Anonymous said:

Didn't Need Burrow: A Sleeping Beauty-inspired akuma will ensnare Ladybug, 'forcing' Chat Noir to kiss her awake. While Adrien/Chat naturally claims that he would 'never take advantage of his lady', he is openly gleeful at the prospect and taunts her afterwards, complete with a call back to Oblivio as he tells her to 'check the LadyBlog' to find out what happened. Her dismay over this is played entirely for laughs.

*flashbacks to the “jokes” in “Prime Queen”*

Anonymous said:

Didn't Need Burrow: Just like in countless Salt Fics, Alya will get upset at Ladybug for claiming that it's 'too dangerous' for her to be Rena Rouge anymore after Miracle Queen. Regardless of what she does/how she lashes out, Marinette will be held 100% responsible for the fallout, with Su-Han criticizing her for selecting Alya/the others in the first place AND for 'allowing' their identities to be exposed.

That’s what you get for trusting people, Marinette (apparently).

Anonymous said:

Didn't Need Burrow: Alya will expose more Miraculous-related secrets on the LadyBlog, such as posting the identities of the heroes who were 'already outed' by Miracle Queen. Marinette will be blamed for this, with Su-Han reading her the riot act for every single choice she's made.

And also, Alya will get no flack for this because “she’s a journalist!! she’s just doing what she’s supposed to do!”

Anonymous said:

Didn't Need Burrow: After spending most of the season taking the piss out of Marinette at every available opportunity, Su-Han will start warming up to her just in time to be taken out of the equation by something like Alya posting another 'big scoop' on her blog revealing his existence to the villains. Marinette will be left with even less support and all of the guilt, while Alya learns absolutely nothing from the experience because why would she?

Considering “Truth,” I just automatically presume that characters who support Marinette lovingly/unconditionally will either be abused or kicked to the curb.

Anonymous said:

Don't need Burrow: "Queen Banana" will be like typical episode with Chloe akumatization. 90% Chloe drama and angst, 10% akumatized Chloe (and probably 0% sense)

Show, I’m begging you, just let this character’s focus die already. We are SO tired...

Anonymous said:

didnt need burrow: the show ends with hawkmoth (now shadowmoth i guess) being defeated, heavy implications that the LS will be canon, but no solid proof, any other plot holes disappear in the cheery end music and all fans are left annoyed at the open ending filled with plot holes (bonus: That Guy says smin like "you would know if you watched carefully" to anyone that asks wtf happened)

Fun for us love square salters at least so there’s that? :P

Anonymous said:

Didn't Need Burrow: Trixx wants to return to Alya despite the danger/her past exposure, and ignores Marinette's concerns, leaving/reuniting with Alya over her protests. This is either played as 'It's fine, and Marinette should have trusted Alya more' or 'It's not fine, and it's all Marinette's fault for trusting Alya in the first place and letting Trixx get so attached'. Or both.

Astruc would totally use the opportunity to brag about the whole, “She’s already taken!” line in “Truth” being foreshadowing.

Anonymous said:

Didn't Need Burrow: Bunnix reveals that there is an alternate, 'better' future in which Lila never worked with Hawkmoth and became a heroine instead. The turning point was, naturally, that Ladybug never called her out for lying/stealing from Adrien. (Possibly because Adrien never snooped in the safe in this timeline, yet it's still depicted as Marinette's fault.) May couple with confirming she's the future Hawkmoth and that it's all Mari's fault the heroes are still fighting her years later.

Which means that Chat makes the “reversible” mistakes (i.e: Cataclysming Bunnyx’s miraculous) while Ladybug makes the “permanent” ones.

Anonymous said:

Didn't Need Burrow: Marinette/Ladybug will get accused of being a selfish glory hound who needs to learn how to share the credit and 'be a team player'... after Adrien/Chat slacks off during a fight and refuses to help. Bonus points if this is tied into the exposed heroes' predicament somehow, implying that the REAL reason she won't give them 'their' Miraculi back is that she's selfish/short-sighted/not good at working with others/insert other bullshit excuse here.

T_T

I’m so tired.

Anonymous said:

Didn't Need Burrow: Marinette will do something unbelievably selfless and self-sacrificing, only to promptly be slammed by the narrative and treated as though her decision was incredibly selfish.

Honestly you could just ad lib that.

“Marinette will do [something positive], only to promptly be slammed by the narrative and treated as though her decision was [negative].”

Anonymous said:

Didn't Need Burrow: Su-Han will pressure, belittle and berate Marinette until she breaks and agrees to give up being Ladybug/the Guardian. This is naturally treated as the worst thing she could possibly do, with everyone (including Su-Han) ripping into her for it. There is no equivalent of Plagg's 'I've had many holders, but nobody can replace you, Adrien' shilling, beyond Marinette being informed that she MUST continue and deal with her many inadequacies by becoming BETTER. She has no choice.

“You’re the worst Ladybug!”

“Okay I’ll stop being Ladybug.”

“HOW DARE YOU”

“?!?!?!”

Anonymous said:

Don’t need Burrow to know that the writers will retcon Marinette allowing Adrien to BORROW her lucky charm so that Marinette actually GAVE it to him instead.

Bonus: of course, the birthday scarf issue/secret is never addressed. RIP in piece, Marinette gift number xxx0

Technically, this has already happened even back in “Befana,” so I don’t count it. Adrien has said that Marinette gave him that lucky charm forever.

Definitely adding that scarf one though.

Anonymous said:

Didn't Need Burrow: We get Love Square scenes (shipping fuel) in the next episode (even though Maribug and Adrichat just broke up with Luka and Kagami).

I mean, we got love square shipping fuel in the Adrimi and Lukanette episodes, so :|

I’ve just come to expect inappropriate timing at this point.

Anonymous said:

Didn't Need Burrow: In a future episode Chat Noir will be even worse than he was in Lies and still be portrayed sympathetically. I don't know how you can get that low, but I have faith that the writers will be able to pull it off and that's not a good thing

“I don't know how you can get that low“

they’ll find a way, I’m sure

Anonymous said:

Didn't Need Burrow: Kagami will become an antagonist/team up with Shadow Moth post-Adrimi breakup for the plot twist "the main villain has been in the show all along." ((This is based on the end card for Lies. I really hope they don't do this because Kagami is one of the only reasons I'm still watching the show.))

I’d only be here for that if her endgoal is getting Luka and Marinette as far away from the plot as possible.

Anonymous said:

Didn't Need Burrow: We STILL don't know how the Peacock Miraculous got damaged and how Emilie Agreste fell sick. Bonus points, we find out in the season/series finale or on social media.

Double bonus if Astruc claims that the decision is good and they did it on purpose (probably to keep people talking).

Anonymous said:

Didn't Need Burrow: Zoe debuts as the new Bee holder on the same episode Chloé is akumatized.

I’m 100% expecting Chloe to be salty at all the adoration that Zoe gets.

Anonymous said:

Didn't Need Burrow: if Adrien is ever in the wrong about something, it will only be for about five minutes and it will ultimately be blamed on Marinette.

Marinette: *breathes*

writers: Yes! Something we can blame on her!

Anonymous said:

Didn't need burrow: The relationship between the Couffaines and Jagged will not be explored. They might perform a song together and that's all, Luka forgives Jagged for abandoning him (his daddy issues just magically disappear so he doesn't bring it up anymore) while Juleka doesn't interact with Jagged at all

I’m torn between, “Luka will basically never appear again,” and, “Luka will suddenly appear much more often now that he’s no longer a ‘threat’ to the love square (Marinette didn’t break up with him because of Adrien but sure).”

Anonymous said:

Didn't need Burrow: "Gabriel Agreste" will be all about how he's not really evil just misunderstood. He had a lonely childhood or some garbage and we should feel totally sad for him you guys.

wow i hate it

#Didn't Need Burrow

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oldsmobile-hotdogs · 3 years

Note

Questions for crossover jatp ghosts crossover fic: I hope Julian and the sunset curve boys talk about the fall of the Berlin Wall and the Yugoslav wars that happened when they were alive + Bill Cilnton. I wonder what pat and the band would talk about considering that they would of been kids when pat died? Do you think Julie would think of Les Mis and Hamilton cos Thomas and Kitty are from about the same time period as those musicals? I hope Julie calls Fanny Mary poppins.

Anon, or "Mimi", or "Lulu", or, heck, maybe even "Carl Birtles": Update: Not Carl Birtles. Carl Birtles sent me an ask and is cool, actually.

Stop. Right now. I'd say stop while you're ahead, but you are so far away from ahead at this point it's laughable.

For everyone confused, this is that "commenter from AO3" I joked about making a 2017-esque story time video about.

A couple days ago I uploaded the first chapter of a Julie and the Phantoms/BBC Ghosts crossover fic.

You know what? I’m gonna promo it here bc it’s my callout post and I can shill if I want to: https://archiveofourown.org/works/30681704/chapters/76661471

It was generally very well received and I've had a blast interacting with readers.

Except for this.

Honestly, there's so much to get into, so I’m putting it under a cut:

This was their first correspondence (email notif bc I deleted the comment, the deletion to be explained later):

(Funnily enough, the links very much do not work on AO3, making the comment only more jarring)

I gave you *so much* benefit of the doubt when I saw this comment, and assumed that maybe you're an ESL user, just very enthusiastic to share ideas, and I pretty much said so in my reply, but know that at that point I'd already had friends- who fucking know about this, don't you dare think you're getting me alone- tell me that you were being very demanding.

Below was my reply (another email notif):

I'm gonna be honest, I think I responded really well to what I was given, and now that I'd replied, I was pretty certain the situation was dealt with. You, evidently, didn't agree, as shown by your reply to my reply:

A word of advice: when replying to someone, at least pretend like you read what they wrote.

At this point I'm left wondering two things:

What do they expect from me, if a general reply is not it?

How much more shit do they have waiting to tell me to put in my- reminder, JATP/BBC Ghosts crossover, rated T, comedic- fic?

In order to avoid finding out either, I freeze the thread on AO3. I'm liveblogging all of this on Discord.

It's then that I notice that the username on AO3 isn't clickable, so even if I wanted to block or report them I couldn't. I assume, therefore, that they've deactivated, and since them seeing their comments gone and getting angry was the only thing stopping me deleting the comments, I delete the comments.

It's also at this point I see "Mimi" never left kudos. I guess I don't deserve praise until I mention "Bill Cilnton".

There's relative calm for a short amount of time, until I get another comment:

This one is much kinder than the others and doesn't mention any specific, weird, historical events, so the extent to which I think this is "Mimi" is debatable, but bestie I'm weirded out enough that anything that even uses the enter bar unnecessarily and misses out conjunctive words like "because" and "and" is going to activate fight or flight. Update: Carl Birtles is not Mimi or Lulu. Carl was just being genuinely kind and I misinterpreted it and that's on me.

However, "Carl"'s case is not helped by the fact I can't click his account either, that AO3 offers me the ability to report it as spam, and that guess who replies to "Carl"'s comment: Update: Carl, having done nothing wrong as he has, is therefore also a victim in the situation that is being replied to by Lulu. It would seem Lulu is trying to correct??? some of Carl's commentary.

You must think I didn't get a 7 on my English Literature GCSE because you seem to underestimate my ability to compare two texts.

So clearly this is "Mimi", who has also just replied to "Carl". "Lulu" is also deactivated, and I've fallen off the end of my tether, let alone reached it, at this point so I mark it as spam. "Carl" gets to stay bc he said the idea for the crossover was good. Update: Carl also gets to continue to stay because I have it on good faith that he's a stand-up dude.

So at this point you've readily admitted through your inability to shake up your writing style to using at least one sockpuppet to convince me to talk about the "Yugoslav wars".

If "Carl Birtles" is the real(-est) of them, and "Mimi" and "Lulu" are the sockpuppets, by the way, I have questions and ideas about what you do on your free evenings and I want them neither confirmed nor answered. Update: This is slanderous and I want to apologise wholeheartedly to Carl for making assumptions about him and judging his character. Once again, he is not Mimi or Lulu. He's just a normal, cool guy.

And now you come to me, on the day of my daughter's wedding on a different platform, leave me an anon ask in the exact same format as you're so fond of, and expect any different ??

Well, yeah, then I guess I'll give you special treatment this time.

Here's exactly why I will never include anything you have told me to include:

Julian and the Phantoms discussing the Berlin Wall would be highly inappropriate for the largely fluffy, cracky tone of my fanfiction, especially given how recently the event occurred, how many Eastern Germans still experience prejudice to this day because they were born within the old borders of the DDR, and because of how nuanced this, essentially proxy war, was and how ill-informed a huge amount of the world is on the actual factors in play during this time and the Cold War in general.

Julian and the Phantoms will not discuss Yugoslavia dissolving, nor the fallout and conflict that resulted, because it was genocidal. There is nowhere I can fit Julian, pantsted, casually asking Luke “hey do you remember when the Herzegovinas were killed en masse by the Serbs?” Not gonna happen.

They won’t discuss Bill Clinton because all of them know who the current world leaders are: they don’t have amnesia, they’re ghosts. The fic is also rated T, so it would be inappropriate to make any explicit reference to “sexual relations”. None of them play saxophone.

Julie wouldn’t think of Les Mis or Hamilton because Thomas is Regency, not French Revolution, and Kitty is Georgian, not Colonial.

Julie won’t be calling Fanny Mary Poppins because she is perpetually stuck in a white dress, doesn’t wear a hat, doesn’t own an umbrella or a purse and was not the nanny or housekeeper of Button House.

The ghosts will not discuss the marvels of modern transportation or how long it would’ve taken to cross the Atlantic on dinghy because the ghosts have seen Friends. The house irl is on a flight path. They know airplanes exist. Alison and Mike pulled up in a car.

I will probably have the phantoms and Willie talk to Pat and Julian about being from the ‘80s and ‘90s. That I will actually probably do.

The Captain will not mention FD Roosevelt because, again, they all know who the current world leaders are, and I doubt he expects a ‘90s pop punk band to have any insider knowledge on the man.

It was interesting to think of the phantoms’ grandparents having been alive during WW2. I wasn’t lying. But there is nearly nothing I can do with this information.

But above all: both sets of ghosts have already adapted to modern life. Because the shows are shorter, and meant to actually be able to fit jokes in them.

If you want to see any of this, write your own damn fic. I don’t own the concept of a JATP/BBC Ghosts crossover.

What you will not do, “consonant-vowel-consonant-vowel”-nim, is hound me on multiple accounts and then change platform to hound me again. I’m absolutely not having it.

I have never received an interaction quite like this before, and I cannot help but wonder if this is because this is my first work in the Ghosts/HH/Them There/Six Idiots/Yonderland/Bill fandom: that this is where you primarily camp out.

So it’s at this point I ask the Them There/Six Idiots fandom if they have/if they know anyone who has had a run-in with this person or thinks they may have, or if anyone perhaps even knows who this is? Maybe I’m just one of many. Maybe this is a necessary fandom evil I was unaware of.

This experience has left me royally freaked out, as one might imagine, especially since my anxiety in general has been acting up due to it being exam season. I want to thank everyone who’s read my rambles on Discord and on here and even listened to them irl and offered support from the bottom of my heart.

I’ve enabled comment moderation on the fic. I will continue to write it, and I will put exactly what I, and only what I, want in it.

Believe it or not, I wanted to do literally anything else today.

Anon: Fucking Leave Me Alone.

Update: Just reiterating: Carl is not Mimi or Lulu. Carl is a cool dude and I want to sincerely apologise for having brought him into this mess, passing judgment on his character, and making him feel like he should stop practicing English online.

#ask #anon #callout post #ig #rant #parish notice #jatp #julie and the phantoms #bbc ghosts #ghosts #fic #fanfic #ao3 #literally any information about this would be helpful #six idiots #them there #horrible histories #yonderland #bill

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somepinkthing · 4 years

Text

Is edelgard a racist and/or xenophobic? Yeah definitely a little bit. But you gotta frame it in the context that about 90% of the characters we meet are too. Tbh I wasn't aware people really focused in on this aspect of her character until recently. I am not denying or dismissing it, it's an important theme, but for edelgard it's more in the peripherals of her story arc. However, the fact that it exists so casually perhaps makes a point in and of itself

Fodlan is isolationist. It has been isolationist for as long as its people can remember. That has created a mindset that is very distinct amongst people born and raised there. Them vs us. If you are not for us, you are other. Something else. Unacceptably different. That logic applies to broad political topics such as race and to more personal issues as well. That’s the norm of fodlan. Edelgard is not immune to racism; very few in the cast are. We see it in lorenz with his blatant distaste of outsiders. We see it in ingrid with her assumption that people who are different are the enemy, guilty without any proof and guilty to each and every person. We even see it in people like hilda and sylvain, who harbor no ill will but simply don’t think too hard about their actions or attitudes towards sreng or almyra. We see it in how people treat petra like an interesting commodity, dedue like a danger to society, cyril like mud beneath their shoes, and claude like a violent interloper. This is the environment edelgard fits into. That’s not an excuse by any means, but it does provide a certain context for the scale of the issue. The problem isn’t that it’s rare, the problem is that it’s the norm. Xenophobia is so ingrained that even people that might be decent otherwise don’t see the system as wrong

Now, if we are comparing, amongst the lords edelgard is definitely the most ignorant of this issue and, arguably, might not always pay problems outside of the crest system the attention they deserve. On this front especially, she can’t compare to dimitri who has seen the aftereffects of such hatred firsthand. And neither of them will ever know how it is for claude to live it every day of his life. Edelgard is more or less on par with hilda or sylvain. She holds no malice towards people from outside of fodlan and is open to seeing them as allies and friends. She’s even willing to consider opening peace talks with almyra. It's not that she's entirely intolerant, it's that she just doesn’t think too hard about her learned biases and her own position of power. The best example of this? Petra and claude

Edelgard treats petra like a friend and equal but, at no point, does she ever really seek to understand petra’s situation. In her letter to petra before the timeskip, she reminds petra so easily that Brigid is under imperial rule and, in the same breath, tells petra to make her own way and choose for herself. That's where the disconnect comes into play. Edelgard likely meant every word she wrote but given their situations? It’s disrespectful at best and a threat at worst. Edelgard never asked petra what her opinions of the empire are, about her situation, about her aspirations except to compare them to her own, or about brigid at all. Again, their interactions held no malice but it also lacked consideration. It's not that edelgard was being cruel but she didn't understand nor did she think to ask

Then there’s her words to claude in verdant wind and to byleth her paralogue. The irony of criticizing almyra for its invasion when she invaded another sovereign state just last month is not lost on me. And her words to claude in verdant wind? Honestly even if she had never said anything out loud, her attitude towards claude throughout the game more than spoke to her mindset on that front. But I think people latch onto it too much as a sign that edelgard is extraordinarily racist while I feel she was meant to represent a norm in those moments. “You can’t possibly be good for fodlan you weren't raised here,” is an unfair assessment which implies a lot of untrue things about immigrants, but comparatively? Edelgard’s opinion is downright tame and it's entirely possible that she even didn't understand that this is discrimination. I'm aware that claude spent at least seven years intensely studying fodlan's history, customs, and people and that he's more than proven himself as a leader—I'm not saying edelgard's right, don't misunderstand. I'm saying that the takeaway isn't that edelgard is singular in this. Rather, this opinion is fodlan's norm. The point is that even edelgard, who preeches against allowing one's birth to determine their future, would accuse claude of being unfit for a role simply for being born elsewhere and see nothing odd. In her mind, there's no reason keeping an "outsider" out of leadership roles should contradict her ideals. This scene exists to showcase how deeply intolerance is ingrained into all of fodlan's people, not to imply that edelgard is the outlier

Now, there is ofc one other thing that can’t be overlooked when talking about this topic: edelgard’s view of the nabateans. A million things can be said about that. Perhaps the agarthans whispered lies to her that she believed. Perhaps her hatred for rhea blinded her. We know for a fact she at least never knew the whole story. Whatever the reason, edelgard undeniably views nabateans as Other. They are not human, not like us. She heavily implies that they do not deserve to participate in fodlan’s future in part because of rhea’s mistakes, but also in part because they are not human. That they've lived on this earth just as long as the current human race has doesn’t seem to occur to her, only their relation to rhea. And yeah rhea had no right to use the people's faith the way she did and someone should say it, but we know for a fact that rhea isn't the only nabatean. Of the ones we know, only three have anything to do with the church! To decide that all the nabateans are overlords based soley off rhea is... something

The way I see it, edelgard's questionable takes on the nabateans are as likely to be due to xenophobia as it is a mixture of her being understandably angry, her relationship with rhea, the empire's history, and TWSITD's influence on her. However, whatever the case, there's no denying that it's messed up for edelgard to view an entire group of people this way and I know some people don't like CF partially because of this—and that's fair! To me though, it’s another aspect of her character that plays well into her backstory and all-or-nothing viewpoints. As for the rest of it though? If you dislike her for buying into fodlan’s crap about outsiders that’s definitely fair too, but don’t forget that her degree of ignorance is hardly the exception. It is very much the norm and, yes, that statement probably includes some (or a lot) of your faves

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writingwithcolor · 5 years

Text

Including diversity where there may be little

Including diversity where there may be little: Black Radium Girls as example

post-scriptvm asked: [ask clipped for length]

I have an interest in the ‘Radium Girls’, groups of women who worked at studios in America from the late 1910s onwards painting radium onto clock faces, and later took their companies to court for the horrible impacts the radium had on their body.

I want to make a musical, just for fun. I’ve decided to use a fictionalized version of events, with composite characters based on multiple different women, rather than one of the real-life groups and the actual women from them. It will be mostly set in New Jersey, in the roaring 20s.

Neither of the two real-life groups I know of had any Black women in them, and I can’t see any Black women in any of the big group photos of the dial factories’ employees. But I know there’s a lot of Black history and culture in that time and place bc of the great migration and stuff, so I feel like if I’m not going to use the real life ladies, I should probably take the opportunity to also make some of them Black, bc making a whole cast of white ladies in the name of potentially wrong ‘historical accuracy’ seems like a bad thing.

My question is, should I? [ask clipped for length]

I wouldn’t be surprised if there were African American radium girls. Speculating People of Color/Women of Color’s involvement is far more realistic than portraying everyone as white. Go for it!

Perhaps look into what other races were predominantly in the New Jersey area for inspiration, too.

Hidden History

This section features just a few examples of PoC in lesser known historical settings.

The histories of People of Color are highly and actively erased. Women of Color especially get their stories left to footnotes in the textbooks. You hear about certain amazing women again and again, but there’s so many others that don’t get their time of day.

Hidden Figures (book and movie) is a prime example of that erasure and lesser known history. To summarize: It’s “the powerful story of four African-American female mathematicians at NASA who helped achieve some of the greatest moments in our space program.”

Here’s another example:

Photo of female firefights on Pearl Harbor, 1941. Identities unknown

It would be nice to know more about these women, and i’ve seen inquiries from people requesting info from anyone who may know. This struggle to find details is a prime example of that erasure in itself.

Enemies in Love: A German POW, a Black Nurse, and an Unlikely Romance by Alexis Clark

The book pictured above is the true story of a Black nurse and German Prisoner of War who fall in love during World War II. They face many hardships (disowning from his family, racism, and shunning from towns) but stay together for their whole lives, marry, and have children (One of their sons highly informed the writing of the book!)

This book discusses the discrimination the Black soldiers and nurses faced. They struggled to even be allowed to serve their country, and were treated worse than POWs.

Video: The Unlikely Romance of a Black Nurse & German P.O.W. in WW II

Research

Research “[RACE] + Firsts” and find many more examples of little unknown bits of history where they’ve been involved.

First doesn’t mean it came without limitations, discrimination or hardships. But they happened, and many sooner than you’d think.

Explore beyond what you know about whitewashed history and learn the true stories of People of Color.

Making it “realistic”

People will question how “realistic” it is to feature a Black women in this position for the time period, unfortunately. It doesn’t hurt to provide an explanation until we get to a place where diversity isn’t interrogated when it shows up.

Giving her backstory.

You can briefly explain the journey to the job, such as shortages due to a war. Take a look at those real world firsts for inspiration.

Especially take a look at the specific region of the story. What firsts were there? Any government power influences? How did PoC break barriers to make the strides they did?

Use the web, but also go beyond. Seek books, historians, artwork. Search those “footnotes” for that one sentence mention. (That’s actually how the writer of Enemies in Love found their story. Just a quick sentence and a search for the story began. It helped that she was a journalist!)

Relationships with Peers:

“I will cut off this right arm of mine before I will ever work or demand the ballot for the Negro and not the woman.” - Susan B. Anthony

White women weren’t, historically, welcoming to Black women. For example, white sufferists insisted Black women march in the back of the protests for, allegedly, both their rights. You’ll need to decide how your Black woman is treated in this situation.

You might face the following from peers, superiors, or others:

Hesitation to work or interact with her

Curiosity and intrigue (The “Other”

Unsure of how to approach or be friends with her

Microaggressions

Blatant racism

Your musical doesn’t seem like it is meant to focus too heavily on the hardships. It begs a mention, but just how much is up to you.

Call the Midwife, period racism example

Call the Midwife (BBC) is set in East End London, Late 1950s, early 1960s. The show features a Black midwife named Lucille Anderson. There’s a shortage on nurses so Caribbean nurses were being called in to support the growing population.

Call the Midwife is from a midwife, Jennifer Worth’s, memoir, so it’s based on history.

Check out this short clip: Nurse Lucille Anderson - Call the Midwife

Lucille on Call the Midwife (Take notes!)

The show handles racism and microaggressions very well. It’s not overdone.

Lucille is accepted by her peers and is especially close to one of the girls.

There’s an episode where she actively faces blame and discrimination during a case. It’s a major story line of the episode.

She does face occasional micro-aggressions where she is othered, but it is not every single time she is on screen and not every episode.

Her peers talk to her about her experiences and in the case where she had an aggressive family member to deal with, they tried to protect her by reassigning her from the family. Lucille asks to handle it her way and they respect her decision.

Lucille can mostly perform her job and have peace, and is treated kindly by patients.

She has a personality, a romantic life, family & friendships.

It’s about 90% allowing her to exist, 10% navigating racism/microaggressions. That’s a comfortable, realist balance for such a story and setting.

If you want to check out how they handled these issues for yourself, the show is on Netflix as of this post (2020). She’s introduced in Season 7. (I highly recommend watching this show from the beginning. I cry like every episode, and the diversity of several ethnic backgrounds picks up a lot mid season!)

I’ll kick you three scenarios for your Black radium girl:

Peer Acceptance, Initial Hesitation

awkward friendliness & initial hesitation, perhaps more fear of the unknown vs. hostility

Upon having interactions and talking to her, they become comfortable and accept her. It could take just one simple conversation. Perhaps they’re more used to listening to Black music or have Black staff who work for them, but haven’t had an equal one-on-one experience with WoC without a power dynamic or service involved. Now, with a Black fellow radium girl thrown in a similar situation as them, they could develop kinship.

This might not describe every one of the woman at all. Others might be just fine with her with no awkwardness.

Types of racism experienced:

some micro-aggressions (likely ignorance from peers)

no major racism experienced

Most Peer Acceptance, Racism From Some Peers

Most peers have no problem with her, even if they have their initial awkwardness. 1-2 more aggressive racists who don’t want her there.

Sometimes everyone else gets along, but there’s that 1 bully and their minion, and they feed off each other. If the BS isn’t tolerated by the other girls, it could shut them up to make peace or at least behave themselves. It’s likely someone like this would remain hatefully stubborn, but would grimace from the corner if outnumbered.

In the case you create a situation where someone is hostile to the Black girl but learns better: real apologies and efforts should be made if this occurs. It also doesn’t excuse their past behavior. Read our posts on redemption arcs for more info. We’re not fans, personally.

In an intense racial situation, it would be nice if the girls (with sense) protected and defended her instead of standing idly by. They’re strong enough to rise up against the agencies who poisoned them, so they can fight for their fellow radium sisters if one’s being targeted.

Types of racism experienced:

several micro-aggressions

maybe 1 major incident

Peer Acceptance, Racism from Other People

Radium girl acceptance within, but experiences racism from others she interacts with on/off the job.

The Call the Midwife example fits this one. Lucille’s peers are comfortable with her. It’s some of the ladies she care for and/or their families that may have negative things to say or show hesitance.

I’ll repeat what I said above: it’d be nice if the girls protected and defended her and didn’t stand by idly. Solidarity is important for establishing kinship and trust when it comes to white - woc friendships.

Types of racism experienced:

could vary from some to several micro-aggressions

maybe 1 major incident

Balancing race issues in the musical

Give the intersections of your Black girl’s situation proper attention. You can achieve this without overdoing it or making her whole arc about facing racism.

Perhaps the Black radium girl(s) has a song to express major woes, like segregation and poor treatment, or experiencing dismay over even less of a fighting chance in this fight for their rights.

If anyone does know anything but radium girls of color, please share!

–Mod Colette

#intersectionality #intersectional feminism #women #black #black women #woc #women of color #diversity #poc in history #radium girls #musicials #asks #submission

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phynali · 4 years

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Canonization and Fandom Purity Culture

I wrote a 1k-word twitter thread (as proof that I am Not made for Twitter and it’s goddamn 240-character limit) and am pasting it here with edits and updates (it’s now 2k words).

I have thoughts to share (which I know have been stated more eloquently before by others) about this trend of demanding/obsessing that certain ships become "canon" and how it overlaps with the rise of fandom purity culture.

Under the cut.

Here in 2021 there is a seemingly large and certainly loud and active contingent of online fandoms who desire (or even demand) "canon validation" for a given interpretation of a source material. This is more true with shipping than anywhere else.

First, it is important to note that the trend is not limited to queer ships or to any single fandom. In the past few years I've seen it for Riverdale, Voltron, Supernatural (perhaps most extreme?), The 100, etc., and less recent with the MCU, Sherlock, Teen Wolf, Hawaii 5-0, etc. It is a broad trend across ships, fandoms, and mediums.

So if it is more common for queer ships, it is hardly unique to them. Similarly, pretending that it is about queer representation is a clever misdirect to disguise the fact that it is most often about ships and shipping wars. If you ever need proof of that, consider that a character can be queer without being in a given relationship or reciprocating another character's affections. Thus a call for more/better queer rep itself is very different than a call for specific ships to be made canon.

Also note that when audiences frame it as wanting to recognize a specific *character* as queer, it is almost always in the context of a ship. Litmus test: would making that character queer but having them *explicitly reject* the other half of the ship be seen as a betrayal?

(Note: none or this is to say we shouldn't push for more queer rep and more *quality and well-written* queer rep! Just that that isn't what I'm talking about here, and not what seeking canon validation for a specific interpretation or a specific ship is almost ever about.)

Why does this matter?

the language of representation and social justice should not be co-opted to prop up ship wars

it is reciprocal with a trend toward increasing toxicity in transformative fandom spaces

Number 1 here is self-explanatory (I hope). Let's chat about 2.

Demands for canon validation correlate with a rise in fanpol / fandom purity culture. What is fandom purity culture (and fandom policing)? This toxic mentality is about justifying one's shipping preferences and aiming to be pure (non-problematic) in your fictional appetites regarding romance and sex.

Note that this purity culture is so named as it arises linearly from American Protestantism, conservative puritanical anxiety around thought crimes, and overlaps in many ways with terf ideologies and regressively anti-kink paradigms.

It goes like this: problematic content is "gross" and therefore morally reprehensible. Much like how queer sex/relationships get labelled as "gross" (Other) and thus morally sinful, or how kink gets labelled as "harmful" and thus morally wrong. The Problematic label is applied by fanpol to ships with offset age or power dynamics, complicated histories, and anything they choose to label as "harmful". As such, they would decry my comparison here to queerphobia itself as also being harmful, because their (completely fictional) targets are ~actually~ evil.

(The irony of this is completely lost on them).

This mode of interacting with creative works leaves no room to explore dark or erotic themes or dynamics which may exist in fiction but not healthily in reality. Gothic romance is verboten. Even breathe the word incest and you will be labelled a monster (nevermind Greek tragedy or GoT).

As with most puritanical bullshit, fanpol ideology only applies these beliefs to sex and never to violence/murder/etc, proving what lies at its core. It also demands its American-based values be applied to all fictional periods and places as the One True Moral Standard. It evangelizes – look no further than how these people try to recruit others to their cause, aim to elevate themselves as righteous, and try to persuade (‘save’) others from their degenerate ways of thinking.

“See the light” they promise “here are our callouts and blog posts to convince you. Decry your past sins of problematic shipping, be baptized by our in-group adulation and welcome, and then go forth and send hate to others until they too see the light.” In many ways “get therapy” by the antis is akin to “I’ll pray for you” by the Christian-right (and ultimately ironic).

(Although it has been pointed out to me that these fans are likely not themselves specifically ex-evangelicals, but rather those who have brushed up with evangelical norms and modes of thinking without specifically being victims of it. In many ways they are more simply conservative Christian in temperament and attitude without necessarily being raised into religion by belief).

What this has to do with canon validation is that these fans look to canon for approval, for Truth. On the one hand, if it is in the canon then it must be good / pure or at least acceptable. The authority (canon) has deemed it thus. It is safe and acceptable to discuss and to enjoy watching or consuming. In this way, validation from canon means a measure of safety from being Bad and Problematic.

For example, where a GoT fan could discuss Cersei/Jaime's (toxic, interesting) dynamic in depth as it related to the canon, fans who shipped Jon/Sansa (healthy, interesting) were Gross and Bad. The canon as Truth provided a safety net, a launch point. "It's GRRM, not me, who is problematic." It wasn’t okay to ship the problematic bad gross incest ship, but it being in the canon material meant it was open for discussion, for nuance, for “this adds an interesting layer to the story” which is denied to all non-canon ships labelled as problematic.

(Note: there are of course people who have zero interest in watching GoT for a whole slew of very valid reasons, including but not limited to the incest. That’s a different to this trend. A less charged example might be The Umbrella Academy, where a brother canonically is in love with his sister and antis still praise the show, but if you dare to ship any of the potential incest ships then you are the one who is disgusting).

On the other hand, a very interesting alternate (or additional) explanation for this phenomenon was raised to me on twitter. (These ideas aren’t mine originally, but I wholly endorse them as a big part of what is likely going on): Namely, as with authoritarian individuals in general, they see themselves as right and correct, but the canon (which has not yet validated their ship) is not correct, and is in fact problematic, and so they can save the canon from itself.

As mentioned, these fanpol types see their interpretation as Good and Pure. So if they can push (demand, bully) the canon into conforming to their worldview and validating their interpretation, then they have shown the (sinful) creators the light and led them to the righteous path. This only works if the canon allows itself to saved though, otherwise the creators remain Evil for spurning them.

How is this different from fans simply hoping for their ship to be canon?

For a second here, let’s rewind to the 90s (since Whedon has been in the news recently). This “I want it to be canon” thing isn’t 100% new, of course. We saw this trend then for the show Buffy the Vampire Slayer, but it was different then. At the time, fans who hoped for a ship to be canon might have been cheering for a problematic one to begin with (Buffy/Spike). So shipping was still present, minus vocal fanpol.

(And Buffy fans learned that canon validation...can leave a lot to be desired. A heavy lesson was learned about the ways that fan desires can play out horrifically in canon, and how some things are best left out of the hands of canon-writers).

These days, this is still largely true. Many fans hope for their ships to go canon, as they always have. There are tropes like “will they/won’t they” that TV shows may even be designed around, which a certain narrative anticipation and a very deliberate build up to that.

But while shipping *hopes* occur for many fans, almost all ships fans that *demand* to go canon and obsess over are now the ones deemed as Unproblematic, or as Less Problematic. I’m talking here about the ships that aren’t necessarily an explicit will/won’t they dynamic but do have some canon dynamic that leads them to being shipped, but which the creators aren’t necessarily deliberately teasing and building up a romantic end-game for.

These ships often have fans who are happy to stick to fandom, but there has also been a huge uptick in the portion of fans who are approaching shipping with an explicit lens of “will they go canon?” and “don’t you want them to be canon?” and now even “they have to go canon” and “the canon is wrong if they don’t make this ship canon”, to a final end-point of “if the ship doesn’t go canon, the source material is Wrong and Bad.”

These latter opinions are the one we see more by extreme fans (‘stans’), hardcore shippers, but especially by fanpol-types, the ones who embrace fandom purity culture at least to some extent.

Why them?

In pushing for canon validation, fanpol types seek to elevate their (pure) interpretation of canon. As mentioned above, it’s validation of their authority, a safety-net, and a way to save the canon from itself if only they can bully the canon into validating their right and good interpretation.

There’s also another reason, which is that canon validation is a tool to bludgeon those seen as problematic. They can use it to denounce other (problematic) ships as Not Being Canon and therefore highlight their own as Right and Good, because it is represented in the True Meaning of the Work.

Canon validation then is a cudgel sought by virtuous crusaders to wield against their unclean enemies. It is an ideological pursuit. It is organised around identity and in groups sometimes as insular as cults.

How does this happen?

Fanpol tend to be younger or more vulnerable fans, susceptible to authoritarian manipulators. As many have highlighted before, authoritarian groups and exclusionary ideologies like terfs are very good at using websites like tumblr to mobilize others around their organizing beliefs. Fanpol tend to feel legitimate discomfort, but instead of taking responsibility for their media engagement, ringleaders stoke and help them direct their discomfort as anger onto others; “I feel ashamed and uncomfortable, and therefore you should be held accountable for my emotions.” Authoritarian communities endorse social dominance orientations, deference to ringleaders, and obedient faith to the principles those ringleaders endorse.

As these fans attach more and more of their identity to a given media (or ship), and derive more and more validation and more of their belongingness needs from this fanpol community, they also become more and more anxious about being excluding from this group. This is because such communities have rigid rules and very conditional bases for social acceptance. Question or "betray" the organizing ideology and be punished or excommunicated. If that is all you have, you are left with nothing. Being labelled problematic then is a social death.

What this means is that these fans cannot accept all interpretations of a media as equally valid: to do so Betrays the ideology. It promises exclusion. And, in line with a perspective around ‘saving’ canon and leading others into the light – forcing and bending the canon to their will is what will make it Good (and therefore acceptable to enjoy, and therefore proof of them as righteous by having saved others). As was also pointed out to me on twitter, endorsement from canon or its creators also satiates that deep need they have for authority figures to approve of them.

Due to all of this, these fans come to obsess over canon validation of their own interpretation. In a way, they have no other option but to do so. They need this validation -- as their weapon, as their authority, as their safety net, as their approval, as their evangelical mission of saviorship.

Canon validation is proof: I am Good. I am Right(eous). I am Safe.

(In many ways, I do ache for some of these people, so wrapped up in toxic communities and mindsets and so afraid to step out of line for fear of swift retribution, policing their own thoughts and art against the encroaching possibility that anything be less than pure. It’s not healthy, it’s never going to be healthy.)

In the end, people are going to write their own stories. You are well within your rights to critique those stories, to hate them, to interpret them how you will, but you can never control their story (it's theirs).

Some final notes:

This trend may be partially to do with queer ships now being *able* to go canon where before so no such expectation would exist. Similarly, social media has made this easier to vocalize. Still, who makes these demands and the underlying reasons are telling. There are also many legitimate critiques of censorship, queerbaiting (nebulous discussions to be had here), and homophobia in media to be had, and which may front specific ships in their critique. But critique is distinct from asking that canon validate one's own interpretation.

#fandom purity culture #antis #discourse

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lostsoulaltair · 4 years

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OnS Chapter 99. Yuichiro Hyakuya/Amane - Deep Analysis

Hello everyone, I hope you’re doing alright, one of the things I’ve noticed is one of the most controvertial characters within the series and that character is Yuichiro Hyakuya, the main protagonist of the story.

Therefore, I’d like to make a deep analysis on him due to his psychology and his bevaior.

P.S: THEORIES AND ANALYSIS ARE HELD WITHIN NEUTRAL VIEW. SHIPS ARE EXCLUDED.

https://www.youtube.com/watch?v=hi3D_PnaxT0

Yuichiro Hyakuya is well known for being the main protagonist of Vampire Reign; but of course, like any other character within the story; he has had his hardships within the past along the fact that he was something without form but rather, someone treated as an object or a synthetic human by Sika Madu.

It is well known that Yuichiro had quite the personality before he befriended Mikaela Hyakuya; he didn’t consider the Hyakuya orphanage his family until the events with Ferid Bathory changed his life:

Image taken from Seraph of the End: Vampire Reign - Chapter 01

Of course, this only made Yu fear of bonding with other people; the only figure he could rely on was Guren since he was his saviour, a person that found him lost in a destroyed world; but even after Guren picked him up and trained him to defend against others; he couldn’t interact with people; Yu was left unable to make friends nor wanted to follow up orders; which eventually gave him the result of going to a school in order to bond with others; thus leading with the encounter of Shinoa Hiragi:

Image taken from Seraph of the End: Vampire Reign - Chapter 02

Shinoa was tasked to keep an eye on Yu but along with this, she was also ordered to make sure Yu was able to make friends; and of course, her being an observant, she detected easily Yu’s fear which was to make friends or find the love of his life, though of course Yu wasn’t having such thoughts, his only thoughts were to avenge Mikaela and slay vampires.

Gradually, his world started to become bigger; he was able to find a new family; despite the ways he made friends; those who became important to him were Shiho Kimizuki, Yoichi Saotome, Mitsuba Sangu and Shinoa Hiragi.

He took his time to follow up orders; and that was due to the fact he aimed to be stronger, he wanted to defeat vampires to fulfill his revenge, that was his sole reason to live.

But after several chapters which could mean days within the demon army; a fateful event occured.

Correct, he was able to meet Mikaela once again; with the surprise he was alive but as a vampire. Though, the reunion didn’t go as expected since Mikaela was aware the demon army only experimented on humans; by worst Yu saw his new friends being food for vampires which made him lose control and awake his seraph until he ended up returning to normal and thus lead to a comatose state of a week.

But then, was this the factor that made him acknowledge Guren as everything?

No. At this point, Yu was happy Mikaela was alive no matter what, plus he received the support of his new family. He felt blessed; until he discovered that Guren had knowledge of previous events but despite that, he stated the next thing:

Image taken from Seraph of the End: Vampire Reign - Chapter 18

Correct. Yu stated he wouldn’t mind being a Guinea Pig if it meant to bring Mika home; of course Guren dismissed such thoughts and stated they were family, and family would bring or save each other.

Despite that, time went peaceful, Yu was still impulsive and mostly when the Nagoya Arc began; he met another squad which was Narumi’s squad; they eventually worked together and supported each other until they heard Guren was caught.

This triggered Yu’s mind to the point he didn’t mind consuming pills in order to unleash his demon; of course, Asuramaru at that time halted him from doing such reckless move towards his body and instead suggested him to allow him to possess him; which only made the squad rush for him and save him; only to see Mikaela attempt to retrieve him without thinking that he was surrounded by the Demon Army.

Afterwards, they were reunited again, but something changed; what do I mean?

If many might recall, Yu went towards Nagoya’s airport with Mikaela in order to meet with his friends, but what he wasn’t expecting was to see the demon army killing humans in order to trigger the experiment of the Seraph of the End with Mirai Kimizuki.

Image taken from Seraph of the End: Vampire Reign - Chapter 40

This was the detonant as to why Yu had the mental set of seeing Guren as a good person and in fact, he’s not wrong; Yu’s aware Guren carries a big weight over his shoulders but like any other rational being, such message isn’t easy to deliver specially when the squad doesn’t know Guren like Yu does; Yu was able to see sides of Guren since he was the one that took care of him after his rescue.

But then, does this mean Yu will always be trusting Guren as if nothing happened?

At first, it seemed he understood why Guren did such thing and that was because he commited the biggest taboo which was to bring back the dead; Yu understood that his actions were out of the pain and grief and thus he didn’t mind his return nor the fact he’d use him again; thus lead to Mika get angry

Image taken from Seraph of the End: Vampire Reign - Chapter 58

Mika was the first one to tell Yu it wasn’t alright but Yu didn’t respond to that because to Yu’s possible mindset, it was that Guren endured a lot and he needed everything he could to restore the world again; such event followed suit to the preparations to face the 5th progenitor Ky Luc.

Afterwards, Yu’s heart stopped and was treated quickly but this only made Mikaela fear rage and anger towards Guren due to how he was using Yu specially after showing those two that he kept the 6th trumpet within his household:

Image taken from Seraph of the End: Vampire Reign - Chapter 64

Nevertheless, Yu still supported Guren’s ideals. After stopping the 6th trumpet, the squads went to Shibuya since Kureto Hiragi called Guren; of course, he called them in order to inform he was possessed by something Godlike for the time being and his demon was fending against such monster; said events would follow suit to the possession of Shinoa Hiragi and the fracture of the squad.

Yu was kidnapped by the Hyakuya Sect along his cursed gear; Mikaela eventually found a way to escape and find Yu; Yu’s friends escaped by their own while Mitsuba tried to find them; and of course, after Guren saved Shinoa from Shikama’s possession; the battle between Yu, Mika against Guren, Mahiru and Noya began.

Such battle was intense, it only made Yu allow Asuramaru take full possession of him in order to give him power but the results of that strength weren’t enough; Yu was halted by Mahiru; Mika did the imposible to rescue him leading to his death and of course, the biggest impact on Yu’s heart came:

Image taken from Seraph of the End: Vampire Reign - Chapter 90

Yu stated he wished to die; Yu’s been bearing too much pain for so long and whenever he attempted to rescue someone, he couldn’t go further which made him think he was the problem. And as surprising as it was, Asuramaru conforted him and made him recall what Mikaela told him; the fact he needed to live was what made Yu cry and see his first family, his treasured person die in front of him.

After such events, the demon Mikaela started to manifest on the real world; Krul Tepes was able to meet up with Yu and told him a way to save him but of course, they needed to find a spot where to hide for the meantime. Within this, he pleaded Krul to save Mikaela or to at least get knowledge on how to save him

Image taken from Seraph of the End: Vampire Reign - Chapter 96

This result only ended up making the Queen start asking them if they knew who the enemy of the world was, who they were fighting, what their reasons to live were; but before everything could keep going, the First Progenitor took control of Shinoa’s body which was something Krul quickly detected and luckily, Mahiru managed to supress his cells from Shinoa’s body with quite the strange drug.

After that, we saw Guren and Mahiru entering the building the squad and Krul were in leading to the eventful details of chapter 99, which were the sealing of the demon Mikaela and the most controvertial scene for the fandom:

Image taken from Seraph of the End: Vampire Reign - Chapter 99

Now the real analysis begins.

Why is Yu so trustful? Why is Yu so easygoing with Guren’s actions? Or something that the fandom asks, why is Yu so dumb to not even doubt Guren in the sightlest?

WARNING: Theories and analysis aren’t focused on viewing characters in a bad light nor attacking the faves of the readers; analysis and theories are held within a neutral view and ships are excluded.

Something the fandom hasn’t noticed is Yu’s nature within the story. What do I mean?

Yu himself viewed as the character that deserved to die for bringing harm towards those who were close to him which explain why he didn’t want to make friends before meeting Mika and after Mika’s death as a human.

The fact that he eventually found support made him have a change of heart and the fact that he discovered Mika was alive gave him more reasons to fight the world he lived in; he was tired of always running away from everything that could harm him and so, he decided it’d be best to find answers; such answers would lie with the Vampire Queen.

But among this, Guren kept coming back to his life; was it bad that he did?

In a sense it wasn’t bad, because despite the harsh decisions Guren had to take in order to fight a God like entity, he did care about Yu and the squad as well;he understood the distrust they had and it was fine for him to carry such weight on his shoulder but, does this mean Yu will easily forgive Guren every time his feelings gets hurt?

The answer for this isn’t a yes or a no, but rather a why. Why is Yu forgiving towards Guren?

The answers is scary and the reason is because Yu has an overwhelming fear.

How can I state such thing?

Yu’s mentality hasn’t been stable from the very beginning; ever since the incident with his parents; he saw himself as a monster, and the fact Mahiru met him one day and saw the terrible experiments they did with Yu only made her give him an advice which was to find a reason to live even if it was a simple one. He had the right to live.

After Yu grew up and learnt the Hyakuya Sect performed experiments with kids and learnt that Guren knew such thing, he didn’t care if Guren used him, he was fine with that as long as he could provide help.

But, have you dear readers noticed such thing?

Of course. That’s the most terrifying thing Yu is afraid of. He is afraid of being alone and not being loved. He is afraid of being discarted, he is afraid that those persons around him hate him. He is afraid to be a let down to those who surround him.

Yu can’t simply discard such idea of his mind; that’s why when Mika was a half vampire, he didn’t mind if Mika drank his blood; he didn’t mind fighting and using his seraph powers or having his demon give him power if it meant doing something for the greater good.

When his most important persons were endangered or were close to dying, he’d lose it; he wouldn’t even know what to do, he begged God or anyone to save them. But whenever he heard there was a chance, he didn’t mind the result, as long as it made it possible to bring back the person he cherished which is something that can be seen with Mika.

Yu’s nature goes to not only from being a kind guy but rather, he seeks to be helpful but along this, it only leads to a self destructive attitude despite him not acknowledging it.

The reason he lacks character development is not because of being badly written but rather, because his heart carries many traumas, he hasn’t been able to move on from them, he hasn’t learnt how to overcome them and have the confidence to state what he really feels aloud; he’s afraid of rejection; his actions alone speak that he wouldn’t dare to betray someone’s wishes because it’d mean losing the trust he might have built with the characters he has interacted with.

But then, there’s something else to notice about Yu’s behavior, what could it be?

Correct. Despite Yu being someone who wishes people could rely on, he unconsciously sets barriers towards the people that know him, such barriers are directed towards the squad that has worked up with him and became an important family to him; but how can make such statement?

That’s simple. It is reflected within the behavior seen in the latest chapter. Shiho and Yoichi for losing their loved ones and seeing Yu crying for losing his loved one as well, understood the pain he went through; and thus, for them being easier to express such thing without the fear of losing anything else, they don’t want to risk to lose more; such behavior is directed towards them unknowingly

It can only be said it is required to wait and see when Yu will stop fearing to have contradictions or rather, when he’ll start being more honest of what he truthfully feels.

What do you think dear readers?

Let me know!

GIF belongs to clair-audients

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thefanficmonster · 3 years

Note

Hey Vy! 📚🌻 Here!

How is your week going? My roller skates just got here and I'm so happy omg! My protective gear haven't got here yet so I'm trying not to fall but a almost hit my face so many times- i have to stop for some time now because I need to clean my room :_: but here's your three words of this week: Paradise, curly, radio

A lot a lot looot of loveee,

📚🌻.

Hi darling 📚🌻 !

Please be extra careful until your protective gear arrives, I'd hate to hear you've injured yourself 🥺 Anyways, hope you have fun with your roller skates (always stay safe though)! 🥰

Here comes a short drabble with your three words! This one’s gonna be a little different though - no OCs and not for the Resident Evil fandom, but rather the How To Get Away With Murder fandom, more specifically - for my favorite relatioship/characters on the show! Hope you enjoy!

All my love, Vy 💌

Better

Laurel Castillo x Frank Delfino (How To Get Away With Murder - AU: Canon Divergence; AU where the characters tolerate each other XD)

Warnings: Slight spoilers (Nothing too major though), Swearing

Laurel runs a hand through Chris’ curly hair, admiring how peaceful he looks now that he’s finally asleep. He’s got a fever that’s been giving him crying fits for two days now. Having to deal with a sick two-year-old while simultaneously trying to keep up with work and her final studies has been exhausting to no end. She’s been receiving some help from Michaela who seems utterly desperate to keep herself busy at all times, even when she’s supposed to be relaxing just so her mind doesn’t spiral into the void of loneliness she’s fallen victim to as of recent. Connor and Ollie have babysat for her a few times as well, another gesture she’s incredibly grateful for. Asher has offered to look after the toddler too on numerous occasions but that’s one offer Laurel’s never taken up. She appreciates him offering her his help, but everyone would justify this action of hers considering how reckless Asher can be at times - aka 90% of the time.

The Keating 5 has come through for her when it comes to both looking after Chris and keeping up with her studies, proving their friendship to be one of those rare ones. However, Keating 5 aside, she’s received the most amount of help from one particular person. Someone who’s prepared to turn up at her doorstep at three in the morning if she needs him.

Frank Delfino

The two had a rocky start, to say the least. Their on-again-off-again relationship as colleagues with benefits. Their constant back and fourth. Then came Frank’s disappearance and Laurel’s involvement with Wes, all occurrences blowing huge holes not only in their romantic relationship but also their friendship which has always been a second away from ceasing to exist, all things considered. Friendship is hard to maintain with such a strong, hypnotic and magnetic romantic connection. Some people just weren’t meant to be friends, ever. Frank and Laurel are among them.

Speaking of Frank, the man’s been rather concerned lately, the lack of calls and messages from Laurel worrying him more with each passing day. He overheard Michaela mention Chris’ fever in passing conversation with Asher when she was bailing on a date with the excuse of helping Laurel look after the sick toddler. He’d been surprised to hear that, initially thinking it was a cheap excuse of Michaela’s to avoid spending time with Asher considering things between them have grown sort of complicated. But when Connor confirmed this claim of hers, Frank couldn’t help but grow very concerned. He’s grown used to knowing what’s going on with Chris and Laurel before everyone else so having someone else be in the know while he was kept in the dark made him feel oddly jealous and hurt.

And he could only hold his worries and assumptions at bay so long...

Responding to the knock at the door, knowing who it probably is at this hour, Laurel contemplates whether opening the door would be the right thing to do. She’s double-checked that it is indeed him, that bringing her more uncertainty than comfort, oddly enough. She’s been doing her best to distance herself from him and his life for quite a while now. She’s been meaning to give him an opportunity at a normal life, away from her mess and chaos. She’s been wanting to give him an escape from the fiasco she always finds herself dragging him into.

But he still comes back to her, by his own choice.

“Laurel, it’s me.“ His coarse voice reaches her from the other side of the door.

“Yeah...“ She trails off, forcing her hand up to turn the lock, “...I know.“

Opening the door reveals the concern on his face a lot better than she saw through the peephole. It makes her heart swell up and all she wants to do is throw her arms around him in a tight embrace. But she can’t do that, she won’t. She’s not willing to give him any reason to hold onto her whatsoever. In her eyes, he deserves a lot better. And maybe he does, but he doesn’t want anything or anyone better.

“Hey...“ he mutters, unsure of how to start of the interaction. Things have never been easy between them and, looking back, it seems like they’ve only gotten harder. Somehow, their connection has only grown stronger though. A connection he wants to uphold and a connection she wants to sever.

“Hey...What are you doing here so late?“ Ok, that’s a sustainable question considering it’s 10PM, but then again he’s come to her apartment at odder hours. Only difference is, those other times, she called him over.

“Though I’d check on you. You’ve been rather dead with calls and texts recently. Also missed Chris, heard he had a fever so I got worried.“ She hears the undertone of accusation in his voice loud and clear. It makes her bite her lip with guilt she wishes she wasn’t feeling, especially when she’s supposed to be doing the right thing.

You can’t decide for him. If he wants to keep coming back, that’s on him.

That thought hasn’t crossed her mind yet. It almost feels like she’s letting herself off the hook, feeding into the temptation to embrace what her and Frank have.

“You hungry?“ Now that is a bit more out-of-place question, but it’s accompanied by her taking a step back to allow him inside, “I ordered Thai food I never got to finish.“

He follows the signal, growing a bit more hopeful now that she’s let him in the apartment, thinking maybe she isn’t avoiding him after all. “Loss of appetite?”

“Partly.“ She replies, hearing the click of Frank locking the front door before following her in the kitchen where the hanging lights are dimmed. “Chris was throwing a fuss all day, I couldn’t really do much but focus on him.“ She motions to the living room where the coffee table is littered with sheets of paper and highlighters, some of which have found a spot on the floor as well. “Not to mention the ton of crap I need to do for school and work.“

“Would’ve been a lot easier on you had you called me, you know?“ He comments, walking over to the fridge, taking out the two packs of Thai takeout, suggesting she had been expecting him. She wasn’t really, she was just quietly hoping he’d show up at her doorstep.

“Didn’t wanna bother you. It’s nothing serious, a simple cold, I can handle it.“ She replies, approaching the small vintage radio in the corner of the kitchen counter, turning it on to a quiet volume so some tunes could fill the silences that are bound to occur frequently with the amount of tension between them.

“You could never bother me, Laurel. I’ve told you countless times before...“ putting the food he’s now moved onto a large plate into the microwave and turning the machine on, he turns to look at her, “I love Chris like he’s my son. In my eyes, he is my son and I love him with all my heart. Just like I love you.“

Instead of allowing the deafening quiet to take over them again - the soft music from the radio aside - Laurel lets the loudness of her mind surface. She lets it seep through the barriers she built in order to protect herself and protect everyone around her from herself: “Do you never stop to think you deserve better, Frank? Better than some grown-ass woman with her life in shambles and a kid whose father’s dead. Do you not think you deserve someone who knows what they want and where they’re headed with their life? Someone who...” her confidence is slowly leaving her to fend for herself and so she does, the best she can. “Someone who can cook and do their projects and work and take care of her son simultaneously. Someone better, Frank! Do you never want someone better?”

She hadn’t realized her eyes had been darting all over the place, looking everywhere but at him. How that her gaze has once again landed on his face, she feels her stomach turn at what she sees. That concerned, hurt and disappointed frown only further fuels her guilt, making her wish she’d never opened the door in the first place.

“Laurel, where’s this all coming from? Did Bonnie say something to you cause if she did...“ she cuts him off.

“No, she didn’t. I’ve been thinking about it for a while now actually. All I am to you is trouble and a burden and...“ he gets back at her, cutting her off himself.

“And you’re none of those things, Laurel. Your view of yourself is interfering with your perception of this, of us, of what we have. You and Chris are my family. The family I choose. It’s not about deserve or idealism - it’s about what brings you joy and makes you feel complete. What and who makes you feel at home. Who is your home.“ Always cautious of her personal space, Frank takes a hesitant step towards her and another when she doesn’t back away. “Lord knows it’s no paradise, but what we have is special, Laurel, and I wouldn’t trade it for anything in this world.“

Against her best attempts at keeping her emotions at bay, Laurel feels her eyes brimming with tears as she gazes up at the man she’s never been in the clear with. She never realizes what he means to her until it’s too late. She only realized she loved him when he disappeared. She only realized he meant the world to her when he had already slipped from her grip. And she refuses to continue that pattern.

Instead, she’ll work on finding out what they are exactly and even if she doesn’t reach that epiphany, she’ll still embrace it, no matter the oddity and unfamiliarity of it all.

“Thank you.“ she manages to whisper past the knot in her throat.

“Don’t thank me, you should never thank me for the things I do for you or Chris. I choose to do them. I choose to be here. I choose you because I want you. You and no one else, Laurel.“

Just then, the microwave beeps, alerting the two that their close-to-midnight meal is warmed up. Taking the plate out and placing it on the counter to cool down a little, he turns to her with a small smile on his face, “Let’s see what’s so troubling about that project of yours, shall we?”

And just like that, the tension has lifted, allowing for a smile to appear on her face as well. That ease of the mind is not something she’s been very used to throughout her life, constantly having shit to worry about and people to deal with. That’s why she’s never wanted to be a burden on someone’s back. She’s never wanted to be a major part in someone’s life, at least not until she gets her shit together.

And although she might never get her shit together, she’s got someone she loves and someone who loves her by her side. Lord knows he hasn’t been on top of his own shit either. At least they’ll be figuring it all out together.

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