#BUT I WILL ACCOMPLISH THINGS THIS YEAR

[modulatechaos]

WIP Ask Game

Tagged by @moth--knight (my tumblr notifs finally stopped dying so I was able to see both tags weee)

Rules:

Post the names of all the files in your WIP folder, regardless of how non-descriptive or ridiculous. Let people send you an ask with the title that most intrigues them and then post a little snippet of it or tell them something about it! Tag as many people as you have WIPs.

Christ Alive. UH. I have so many WIPs in my folder all organized by fandom so yea, just a choice few that are on my list to actually finish soon ish are...

Infernal Weapon Bayonetta AU

A Consuming Mind Chapter 17

Servalia Band AU

Waters Of Enkanomiya Chapter 2

A Trial Of Thorns Chapter 1

Ghost Hunt

A Thundering Cascade Chapter 7

First Blood Beyond The Shadow Chapter 3

There is of course a million more I have but I'd be here all day if I listed every single one. As for who to tag? Uh well, anyone who sees this and wants to do it.

[magnapanther]

drew hallownest's crown in its prime, before any stray wyrms decided to move in and create some random kingdom :3

surely the moths who built this fine statue would never turn their backs upon the being it represents, causing it to be forgotten and grow spiteful, seeding death and sickness in the interest of revenge!!

...

ANYWAYS, i know it's not super complex, but i'm pretty happy with it. been trying to figure out how to draw rock/stone and clouds in a sketchier/looser style, so here's my attempt at that, if anyone has some tips/tricks for that it'd be super greatly appreciated!! :3

also felt like i'd been drawing a lot of super gloomy dark environments and was kinda stuck in a rut/art blocked, so i wanted to step outside my comfort zone :)

seriously though imagine some beautiful sunny day with multicoloured clouds and sunbeams shining down through the crystal peaks, refracting off crystals and stuff.... i'd love to see that in-game somehow dude

[sharkylad]

Thinking about the fact that Mabel and Dipper didn't know they had two great uncles.

Yeah they are 12 and at 12 I had a shotty understanding of my family tree- But really? Nobody brought up their great uncle? Stanley? Especially since they'll be staying with his twin brother, Stanford?

Shermie never went to Stan's fake funeral, which to me means the twos relationship was strained on some level. If Shermie is older that means his view of Stan was poisoned in some way, that even as kids they weren't close. If the Shermie is younger then he never even got to meet Stan and all he knew about him was how he failed his family. Hell, people probably barely mentioned Stanley TO Shermie.

The fact that Stan had become a black stain upon the Pines family name makes me so vividly upset. Stanley faked his death and the family just- seemingly decided to strike him from the record. To pretend he didn't existed to spare themselves the sadness and shame.

Stanford and Shermie Pines. The only children worth mentioning of Filbrick and Caryn Pines.

It was never Stanford that was lost to the world. It was Stanley, ever since he had to leave New Jersy- it was always him that had to be struck from the record. Change his name, change his state, change his affiliations, destroy the remains of ghost that was Stanley Pines. Kill him so the family doesn't bring him up, doesn't ask questions, stops asking "Stanford" about his twin.

I just keep thinking about the fact that since the day he made one single mistake all the way up until Ford walks out of that machine- Stanley Pines was killed and did not exist. And Stan himself had no one to blame, he had to play the part in his own demise- He is the only one who ever knew Stanley was alive and has been for decades.

He lives in the multitudes of every personality he's ever taken, all in the hope that he himself can stop being Stanley Pines.

[buckingham-ashtray]

APPARENTLY JOHNLOCK DOESN’T ROCK ON JUST EARTH NOW

‼️⚠️this is NOT an au⚠️‼️

Our babies are on Mars.

Freaking MARS.

Okay backtrack. So basically both SHERLOC and WATSON are cameras attached to a robotic arm in search of life on Mars. SHERLOC detects organic molecules and minerals on Mars, and WATSON captures detailed images of the Martian surface to support SHERLOC's analysis.

(Apparently this program was launched a while ago on July 30, 2020. In 13 days our babies are gonna have their fourth Mars anniversary. I’m going to cry.)

In my mind:

SHERLOC: *bossily points at something*

WATSON: *heaves sigh and takes photos*

More information can be found at:

[branwinged]

seeing some prophecy discourse which has once again reminded me why i personally find the prospect of dany as the prince that was promised really compelling. and it makes the targaryens so much thematically richer. like, they only survived the doom through the power of prophecy and then the visions marked them forever and this thing, this blessing which gave generations of targaryens some existential meaning eventually morphed into a curse which brought so many of them great misery—"my brothers dreamed of dragons too, and the dreams killed them, every one." (aemon, affc) and in due course almost ended their line once again with rhaegar. but then dany happened.

almost four hundred years since the doom when prophecy saved them and nearly killed them again on the trident, dany was born. dany who carries echoes of all her targaryen ancestors within her. she's aegon the conqueror come again but she's also maegor the cruel when she promises the khals who had hurt her khalasar would die screaming. she's rhaenyra in her struggles to wield power and establish legitimacy as a woman, she shares her sense of egalitarianism with egg, and she drinks from the cup passed from rhaegar, i.e. inherits (what he once thought of) his narrative destiny to help defend the realms during the long night.

dany who is both their beginning, since she's the first targaryen created and introduced to us on page and the narrative end point of their dynasty. which reflects all the way into her arc being cyclical by design as it calls back to the foundation of the valyrian empire in essos—during the fifth war the freehold torched old ghis with dragonfire so nothing would grow there again and centuries later this girl, the last dragon, is going to help plant trees there again. it's not about retreading old ground or rejecting her house words but about redefining what it means to be the blood of the dragon. which is not to say all that came before her was meaningless since this recontextualisation is only possible through the three centuries of ancestral history weighing on her. and dany's very existence echoes back in time because the prophecy itself has influenced the lives of generations of targaryens. three hundred years of history, all the glory and the horror concentrated in this one person-point. the prince that was promised not simply as a figure of the long night but as someone who is the apotheosis of their house. dany as both their beginning and their end, because the iron throne is presently a symbol of stagnation, a world in stasis, and it has to go. no restoration, instead the old world dying in fire and a new world being born in the aftermath.

[aeturnum-mendacacium]

After Bruce's identity gets revealed as batman: how I think it would go

Random socialite : YOU FUCKING BITCH , WHO DO YOU THINK YOU ARE, YOU COWARD

Random socialite (2) : SHUT THE FUCK UP KAREN I PEGGED BATMAN

[triflesandparsnips]

hey so friendly reminder

stede gives *full body* kisses

[atchamcrepin]

A still frame from the animatic I'm working on. The japanese text is just a lyric from the song～ 😺

[captainofthetidesbreath]

To expand on a prior post I've made, it is really fun and it makes a lot of sense and it feels ultimately natural that Spahr is here at the end, in this last confrontation with Weepe, because he and Weepe are rivals. They're, almost unexpectedly, foils.

They're arrogant men who allow and enable awful things to happen to others to protect and increase their social standing. They hurt the people they care about most for self-serving reasons—but in the end, only one of them takes responsibility for that. (Trustfall and Ghosts are inverse parallels, and this post discusses a portion that is most relevant here.) Weepe increasingly identifies with the Trust as Spahr is increasingly disillusioned with it, and Weepe rises to power at the same rate that Spahr falls into disgrace. Just as Weepe is convinced that he will always be an awful person and fatalistically believes he cannot ever do better, Spahr has been convinced he has a self-evident righteousness but eventually sees that not only does he not, but he can and must do better.

Beyond that, they're narratively tied together. Weepe is in the Highest Light because Spahr agrees to bring him. Spahr helps Imelda lock Weepe in the Arca, and he does it in part for smug satisfaction because of his personal dislike for Weepe. He wronged Weepe by participating in engineering the circumstances that led to his torture and by failing to intervene against it out of fear for himself, and the fact that he wronged Weepe is something that Spahr is explicitly aware of and is something that weighs heavily on his conscience. It is through the Arca that Spahr traces Weepe's ascension to Tripotentiary as a direct result of his actions; he believes that he failed to stop, or even facilitated, Weepe's rise and everything that results from it.

For much of the narrative, they're racing to the same goal, even sometimes without knowing. Spahr is on Midst specifically to find the Breach centerpoint, and Weepe identifies it as the cabaret and turns it over to the Trust before Spahr has any chance to start looking. Weepe pulls the Fuze-Loxlee investigation out from underneath Spahr when he convinces Sherman to name Fuze's murderer, ultimately succeeding where Spahr fails. He takes the information to the Upper Trust himself after Spahr was removed from the investigation for, simplistically, lack of progress. Sherman chooses to trust Weepe over Spahr, and Weepe wipes his debt before Spahr can.

When Spahr is court-martialed, he is given the opportunity (read: pressured) into donating all Valor accrued during his tenure to his successor — and then that donation apparently goes to Weepe as part of a series of donations to help set him up as Most Valorous. The role of the Prime Consector gets folded under the new position of Tripotentiary, and without a Prime Consector appointed, Weepe is the sole direction that the Company has. Weepe even moves into the residence held by the Prime Consector, as we're often reminded that Spahr lived there before Weepe did. Weepe is Spahr's successor in all but literal title.

Spahr waits until Weepe repeats the order to bring Lark and Phineas to refuse. At the moment where Weepe is at his most elevated and Spahr at his most diminished, when they are such extreme ends in the hierarchy, it is to Weepe that Spahr says, finally, "No."

As Prime Consector, Spahr was ideologically (though not materially) the truest manifestation of Valor. A Consector's job is to hunt, to pursue those who have escaped the Trust and restore them to the Trust. At this point, Weepe is all that is left of the Trust, its only manifestation, and all he does now is hunt Lark and those who aid her, to rebalance and to restore what is felt lost.

As funny as it is that Spahr is here at the end as the only one who isn't a protagonist, it makes so much sense that he is here in the confrontation against Weepe. He has to be. They're foils to one another, one of their many. Their actions have deeply entangled themselves in one another's arc. Over the course of the story, very slowly, there's been a changing of places between Weepe and Spahr.

Of course Spahr is here too. He was a razor's edge from being the one bearing down on that cabin. He was very, terrifyingly close to being on Weepe's side of the door.

[skrunksthatwunk]

actually i'm still thinking about the moral orel finale.

he has a cross on his wall. do you know how much i think about that bc it's a lot.

a lot of stories ((auto)biographical or fictional) centering escape from abusive/fundamentalist christianity result in the lead characters leaving behind christianity entirely. and that makes complete sense! people often grow disillusioned with the associated systems and beliefs, and when it was something used to hurt them or something so inseparable from their abuse that they can't engage with it without hurting, it makes total sense that they would disengage entirely. and sometimes they just figure out that they don't really believe in god/a christian god/etc. a healthy deconstruction process can sometimes look like becoming an atheist or converting to another religion. it's all case by case. (note: i'm sure this happens with other religions as well, i'm just most familiar with christian versions of this phenomenon).

but in orel's case, his faith was one of the few things that actually brought him comfort and joy. he loved god, y'know? genuinely. and he felt loved by god and supported by him when he had no one else. and the abuses he faced were in how the people in his life twisted religion to control others, to run away from themselves, to shield them from others, etc. and often, orel's conflicts with how they acted out christianity come as a direct result of his purer understanding of god/jesus/whatever ("aren't we supposed to be like this/do that?" met with an adult's excuse for their own behavior or the fastest way they could think of to get orel to leave them alone (i.e. orel saying i thought we weren't supposed to lie? and clay saying uhhh it doesn't count if you're lying to yourself)). the little guy played catch with god instead of his dad, like.. his faith was real, and his love was real. and i think it's a good choice to have orel maintain something that was so important to him and such a grounding, comforting force in the midst of. All That Stuff Moralton Was Up To/Put Him Through. being all about jesus was not the problem, in orel's case.

and i know i'm mostly assuming that orel ended up in a healthier, less rigid version of christianity, but i feel like that's something that was hinted at a lot through the series, that that's the direction he'd go. when he meditates during the prayer bee and accepts stephanie's different way to communicate, incorporating elements of buddhism into his faith; when he has his I AM A CHURCH breakdown (removing himself from the institution and realizing he can be like,, the center of his own faith? taking a more individualistic approach? but Truly Going Through It at the same time), his acceptance (...sometimes) of those who are different from him and condemned by the adults of moralton (stephanie (lesbian icon stephanie my beloved), christina (who's like. just a slightly different form of fundie protestant from him), dr chosenberg (the jewish doctor from otherton in holy visage)). his track record on this isn't perfect, but it gets better as orel starts maturing and picking up on what an absolute shitfest moralton is. it's all ways of questioning the things he's been taught, and it makes sense that it would lead to a bigger questioning as he puts those pieces together more. anyway i think part of his growth is weeding out all the lost commandments of his upbringing and focusing on what faith means to him, and what he thinks it should mean. how he wants to see the world and how he wants to treat people and what he thinks is okay and right, and looking to religion for guidance in that, not as like. a way to justify hurting those he's afraid or resentful of, as his role models did.

he's coming to his own conclusions rather than obediently, unquestioningly taking in what others say. but he's still listening to pick out the parts that make sense to him. (edit/note: and it's his compassion and his faith that are the primary motivations for this questioning and revisal process, both of individual cases and, eventually, the final boss that is christianity.) it makes perfect sense as the conclusion to his character arc and it fits the overall approach of the show far better. it's good is what i'm saying.

and i think it's important to show that kind of ending, because that's a pretty common and equally valid result of deconstruction. and i think it cements the show's treatment of christianity as something that's often (and maybe even easily) exploited, but not something inherently bad. something that can be very positive, even. guys he even has a dog he's not afraid of loving anymore. he's not afraid of loving anyone more than jesus and i don't think it's because he loves this dog less than bartholomew (though he was probably far more desperate for healthy affection and companionship when he was younger). i think it's because he figures god would want him to love that dog. he's choosing to believe that god would want him to love and to be happy and to be kind. he's not afraid of loving in the wrong way do you know how cool that is he's taking back control he's taking back something he loves from his abusers im so normal

[unu-nunu-art]

Unu !!

why didnt you add Template and Pale to your artfight?

Maybe my reasons don't make sense to everyone, but... it feels like they are too popular for Artfight? Adding them there seemed kinda unfair to me, so I didn't. I also guess I don't wanna be known for just my Undertale Stuff everywhere I go. That's also why my Instagram doesn't feature much UT fanworks. Besides, it gave me room to create a Melusine version of my sona, and I'm really happy with the design >u<

This doesn't mean that there is no chance for them to be added in the future though, I might add them next year, or the year after... just, not right away c:

[stuckinapril]

I’m happy for the little life I built for myself

[hurglewurm]

me: we are Not going to worsen our life while in a minor depressive episode

the brain: :/

[spywhitney]

How I sleep knowing I'll never trust anyone that hates Sydney but worships Richie:

[mejomonster]

Bad Buddy remains one of the only romcoms I really enjoy rewatching and would recommend.

Like. Its got its weak spots. But its strengths definitely override those: extremely talented main leads and director, utilizes every romantic and comedy trope it can fit in an entertaining and emotionally in a way that benefits the story (making it easy to watch if you Only like romance or Only like comedy, or Only like stories of friends growing up, Or only like stories about overcoming conflicts with parent's baggage, or Only watching for it's interpretation of Romeo and Juliet, since it'll deliver those experiences). The Just Friends main theme song is pointedly about the whole story, sounds good, and is used in lyrical and instrumental variety to thread through the emotional beats. (Its also an Action romance comedy, something I particularly need in my romance stories lol or I tend to lose focus personally ToT). It aims to tell a solid Romeo and Juliet modern retelling, while also being made fresh with very fleshed out Pat and Pran as characters with rich lives, and it packs in enough angst to really resonate as a romantic journey with stakes and real risk of loss. You turn it on, and you get an experience you're hoping for, and a very well made one.

As an added bonus, like a lot of newer BL, it: depicts bisexuality, depicts queer women, depicts fairly realistic relationship conflicts (like how out to be, how commited to be, unsure of anothers feelings, when each person is comfortable with X, dealing with a lovers other close relationships like friends and family), depicts accepting parents and friends (and them being unaccepting for other reasons unrelate to queerness - making both an allegory to the biases against queer people we have to deal with while also 1 being escapism and wish fullfillment in the kind of world we might wish we had around us and 2 utilizing conflicts that Any watcher might relate to, since everyone's had disagreements with friends or family at some point).

You just turn it on and know you're getting what you hoped for, and a really amazing piece of work.

It doesn't particularly break any huge new ground (although it did help kick off the trend of shows realizing there's a desire for more GL from audiences, and it was part of the wave of earnest efforts in BL to show more realistic kisses and sexuality and Discussions Of Sexuality - which thankfully was a trend which continued, and is now almost expected to be Included in newer BLs that are made). Its a romeo and juliet story, with the young love and warring families and impossible situation that it promises. Its two people who desperately wanted to be friends, but couldnt, who became buddies anyway and wanted to be more. For that, its perfect.

[mymarifae]

i'm the birthday millie today

i'm super old now.