#BUT THANK YOU ALL SM FOR THE KIND WORDS

[wormspoodle]

hello. (eats your art style eats your art style eats your art style eats your art style eats your art style eats) /aff

dude you're gonna get a stomachache

[lunarharp]

pretty & cute witch men

[sualne]

Listen as someone who has been obsessed with vampires like my entire life (but not in a ooh there sexy way its like the symbolism man of what vampires can mean) i am a huge fan of your op vanpire au.

I know you just made a post with lore (amazing art btw) but is there anything else about the au you want to talk about. Id love to hear everything

there's a lot of things i want to talk about the au!! im going to use the frantic energy from the year to get myself some bravery and say some of it is inspired by my own experiences with hallucinations and delusion (dont ask about it pls), with the au i want to explore what it would be like having the person who changed you being very literally stuck with you.

i love stories where characters end up sharing a mind and/or body, i also really dont like when its just good person vs bad person, nuance is a lot more fun lol. the relationship luffy and mingo will be forced into stuck as they are is something important to me. mingo is an awful monster but since he can feel everything luffy does he ends up trying to teach him how to live as a vampire, how to take care of himself. im also very found of the concept of parasite (they're literally the worst thing ever and so fucking scary, so naturally they keep coming up in my stories).

it's also about luffy's body and mind failing him, because of the mindlink he has a hard time knowing where he is, sometimes who he is, what is relationships were supposed to be with others, it gets complicated for him! how hard it is to go through one's daily life when your sense are all messed up! (mingo also struggles with that a bit, but this isn't about him, even thought it's new for him too he get used to it much more easily for plot convenience).

other's ppl reaction to the situation also, i feel, completely unconsciously was also incidentally inspired by my own fear of being seen as a monster or dangerous, something to be put down or locked away!

there's also a few jokes in that lore post that reflects this here:

bugs are a pretty common brand of hallucination, be they crawling in the corner of your sight or inside you, making you feel like a walking hives, this was a funny reference to that!

"surprisingly he doesn't start biting people or become violent." this is my not very subtle "mentally ill and neurodivergent folks aren't inherently dangerous pls stop killing us". the occasional euphoria from bloodthist is vaguely inspired by some manic episode, the happy kind.

there's more, about the way this is about trauma and feeling alienated, i guess this is also a "character realize they've got a disorder/develop one and now has to live with it" kind of story.

[ack4rwoman]

i LOVEEEE liar liar so much 🥹🩷 I can't wait for the next part (no pressure ofc) and thank you so much for writing this fic they're so cute 😭💔 can we expect the next part to be posted by next month??

hiiiiiii <3

i’m feeling all giddy just from the first half of your comment 😭 i’m sooo glad you’re enjoying the story, it genuinely tells me that i’ve done things well so far 😊

you’re welcome ml, but really, i enjoy writing them and love talking about them too so honestly, thank you sm for leaving a message showing ur love and support ❤️❤️❤️

now i don’t want to make any promises, because i’m lowkey scared i’ll have some random rush of writers block and then not be able to fulfil it, but if i don’t have writers block (let’s all pray together that i won’t) then expect a new chapter some time next month. probably not early june, most likely mid-june (or if it’s that prolonged, then late june). i say this because i have an aot levi fic that’s ongoing and hasn’t been updated since november so i’m trying to alternate between writing each of them equally so that both stories are shown some love 😋

just stay tuned!

p.s. if i do have writers block, i won’t leave you with nothing at all. i’ll probably post an interesting sneak peak, just so that you guys have something to gnaw ur greedy, little lying teeth on :)

[good-beanswrites]

Ahh ive been reading some of your writings and they're just so warm and fluffy to read (if that makes sense??) Though i cant really express it in the tags ;; also if its alright, may i please request blanket with mikoto or tears with fuuta? - @erimnar

Omg thank you -- I've been so grateful for your tags! :)) And thanks for the requests, I had a lot of fun with these woo! I went with a real fun one for Mikoto/Blanket (once again, picture T1 minigram vibes) and I'll post a slightly angstier one for Fuuta/Tears soon 👍

“Mikotoooo, just share with Muu,” the girl pouted. “I mean it!”

He scooted out of her reach. “What are you gonna do, stab me about it?”

Muu’s jaw dropped, but there was no real horror behind it. “Maybe!” She lunged for him again. 

After a strange rattling from the walls had woken some in the middle of the night, all the heat in the prison had seeped away. Es had left to fix it immediately, and no one had seen them for hours. In Mikoto’s opinion, they seemed better versed in law than plumbing and mechanical fixes. He had no idea how long they’d all be shivering like this in the winter chill.

The prisoners walked around all morning in a mismatch of spare layers. Mahiru giggled inside one of Shidou’s extra doctor coats, far too big on her. Mikoto hadn’t stopped laughing that Shidou owned extra doctor coats in the first place. Yuno’s stylish hats could be spotted on several of the prisoners, Mikoto included. (He’d given his own beanie to Kazui, earlier.) Fuuta had handed out a concerning amount of sweatshirts, and Muu had some fashionable scarves that gave enough warmth to be useful.

In addition to the ridiculous getups, they each carried their bed sheets around their shoulders. Mikoto was surprised to find himself the envy of the group.

A while back he’d requested a weighted blanket; he remembered finding one helpful when work got too overwhelming. Milgram had provided a fairly large one, though he felt it hadn’t worked as well here. He didn't expect it to cause a stir until Shidou pointed out that its weight would make it even warmer than his own. Following that, it didn’t take long to attract the small army of murderous children that were after him. 

As he stepped away from Muu, Yuno leapt at his other side, ready to snatch the blanket off of him. Although Haruka and Amane were too nervous to make a grab at him, they stood anxiously nearby rooting for his loss. Mahiru had jumped in as well. Her quick movements forced Mikoto to spin around and draw it even closer around his shoulders. Caring less about the blanket, but always ready to tackle someone, Fuuta joined the scuffle.

It wasn't like Mikoto cared about the blanket, either. He had no issue sharing it with the others. He knew the attitude in the prison had been dropping recently. Despite the brief camaraderie from sharing articles of clothing, everyone’s mood had been especially bitter today. As physical discomfort added to their mental strain, things could go south quickly. The place needed to liven up a bit.

He stepped back from the blanket thieves, flicking the corner of it from Fuuta’s hands. 

“Not so fast!”

Fuuta fumed. “You asshole…”

Yuno, meanwhile, seemed up for the challenge. “You’re quick!”

“I’ve had a bit of experience…” He flashed a wicked grin. Mikoto didn’t talk about his family much, but a few of the others knew he grew up on fairly good terms with a younger sister. His big brother instincts had developed just fine.

He darted this way and that. He faked and sidestepped and spun. As his opponents grew bolder, he ended up sweeping the blanket off his back. He swung it around the room with less effort than expected. He was stronger than he looked, and easily kept the girls at bay while wrestling Fuuta for the blanket. He let out a laugh as he fought back against all the grabbing hands. Taking advantage of the height difference, he lifted it directly over his head.

The position wasn’t the most secure, though. His taunts were quickly replaced by feigned cries as the others dragged him to the ground. As they pinned him down, a cheer erupted from Haruka before he covered his mouth. The others joined in the celebration as they claimed their prize.

Mikoto lamented, “you’re so cruel… you’re all so cruel…” It was good, he thought, hearing them all laugh.

The loss of his blanket wasn’t his only punishment. Heaving an exhausted breath, Yuno flopped down directly on top of him. She tucked herself and Muu into the blanket. Then Mahiru wiggled in, beckoning to Amane and Haruka. By the time they all nestled in, there was just barely enough room for Fuuta to squeeze in with everyone. 

Mikoto wheezed from under the pile of prisoners.

“Okay, okay,” he said. “You win. Fuck -- let me breathe...”

Mahiru just made herself more comfortable. “But you’re so warm!” The others muttered their agreement. Not one showed any sign of moving. The prison was far too cold to give up heat like this, after all.

“That’s because you all made me work so hard!” He huffed. “Come on.”

“What are you gonna do?” Muu giggled, doing a poor impression of his voice, “murd--”

“-- Aw, shaddup…”

[derekgoffard]

OMG UR BACK AND UR ART LOOKS EDIBLE AS HELL OMG!!!!!

SNIIFFFF SNIFFF 🥺🥺🥺🥺🥺 SNEEF- 🥺🥺😭😭😭😭😭😭😭😭😭😭😭😭😭 WWWWAAAAAHHHHHHHHHHHHHHHH OHHHHHH??!!!!! .......... \(T_T)/ GAH THANK YOU SM!!!! YOU ARE SO NICE! HAHA!!! 😭😭💞💞💞

[tariah23]

im so sorry you got nasty asks ppl can be so vile. i love seeing you on my dash and you always have the best posts and put great stuff on my dash. ive never watched naruto but i dont mind seeing that either <3 ily i hope youre doing ok outside of ppl being terrible

They had me like this, anon...

[spaceratprodigy]

messy sketch but. them. :)

@hibernationsuit — 💕💖💕💖🥺💖💕💖💕

HELLOOO??? I AM SQUEALING!! LOOK AT THEM!!!! I am on the floor sobbing rn hello my friend I love you with my whole heart!!!!!!!!

[driftpng]

I've been hanging around your blog for a while now, and I think it needs to be said

Your based.

nuh UH

[oddthesungod]

Hi! I just wanna pop in real quick and say that I Love how you draw men, and that the way you draw expressions is absolutely amazing! It's easy to tell how much work you've put into learning art, it's very definitely paid off! You deserve good things, thanks for existing 😌

AW!!!! Thank you anon!!!! 🥺🥺🥺🥺🥺💖💖💖💖

[seven-stars-in-his-palm]

i recall thinking to myself as i was making that edit that “oh god this is so cringe, im never going to do this again” well i made three more and theyred queued. sorry

[phroobin]

logging into my silly little tumblr dot com account and being met with 99+ notifs............

[muzzleroars]

Happ birf! I would draw you something but things happen and am unable, so instead I am sending you super good vibes, you can't stop them

thank you!!!!! good vibes are absolutely all i can ask for and i will take them all!!!! 💖💖💝

[ratkiing-a]

good morning besties! it is finally, finally Friday. hopefully, I am able to leave work early today. then starts my two days off. I hope today treats everyone kindly

[bloodxhound]

CYAN MY DEAR ♡ you asked for questions so here I am, sending them as separate asks :’D As always feel free to answer them with as much or as little detail as you want- you’re also more than welcome to skip any if all if you would like!!

What are some traits he finds attractive ( not necessarily in a romantic sense, more like a general ‘oh this person is cool’ kind of like ) in other people? How about some traits that he finds repulsive?

As someone who is branded as the “black sheep” in his family and doesn’t often fit in with others outside of it either, he is drawn to people who are outcasts in similar ways too. Those who don’t conform, who are difficult to get along with, who offend by personality, manners, or looks — intentionally or not. Ray feels a vague, innate sense of fellowship with people like that. 

Whether he realizes it or not, he also finds traits compelling which he lacks. People who are calm, introspective, and possess a grounding presence counterbalance his reckless and impulsive nature. People who are openly kind, remind him of his mother. In a similar vein, he has a like for aloofness and pessimism. It’s not necessarily attractive to him in the sense he finds it admirable, but these dispositions imbue him with the need to challenge and tease. He wants to leave a mark on such individuals. To put it plainly, he feels attracted to opposites.

Traits he doesn’t like at all are dishonesty, dispassion, and cruelty. The latter of which is especially abhorrent to him. While he's no saint himself, struggling with anger issues as he does, he dislikes to see cruelty in other people. It reflects a part of him he knows is there, but one he struggles against. Something that separates him from his mother and brings him so much closer to his father. That’s why subconsciously he seeks people who inspire him to do better.

[andypartridges]

Hello! im really really sorry to bother you! i dont mean to i just love the content you put out especially your xtc content!! you are truly doing gods work thank you so much!! i was just messaging to ask if you could write out what your English settlement zine says? I'm sorry some words i cant make out its okay if you cant or rather not! again super sorry for bothering you

omg hi yes anon of course i can !!! if i can improve accessibility then it's no bother to me at all. it's probably too long to transcribe all of it in this ask so i'll transcribe part 2 here.

i apologise in advance for any grammar issues or just general clunkiness with the writing - i just wrote everything down in the zine without any preplanning and just sort of brain dumped my thoughts onto the page :-)

transcript below the cut !

no need to look back at pictures of lost From the haunting opening notes of 'Runaways', it's evident that XTC's fifth studio album was telling a story with a darker tone. Now, in 2022, we mark the 40th anniversary since the release of 1982's English Settlement, a double LP that would not only become the band's highest charting album in the UK, but the favourite album for many XTC fans around the world. It's a commentary on many things: the ideals versus the reality of Britain, Thatcherism, loss, and at times, a cry for help. It was the band's first album to break the self imposed rule that all songs must be able to be replicated live, and as such, you can hear a sense of 'vastness' - a sense of colour in the music. It's XTC like never before.

England's Glory: a musical portrait of early 80s britain Britain in the late 70s became a country under the leadership of Conservative PM Margaret Thatcher. While she irrevocably fucked up the UK in many ways, one prime example was contributing to the rampant xenophobia that was only on the rise with her comments such as being 'swamped' by (nonwhite) immigrants. Comments such as these only fuelled the activities of far right groups such as the National Front, the organisation that our main character Graham joins in 'No Thugs In Our House'. Both this song and 'Knuckle Down' are a snapshot of 80s Britain: the former depicts the insidious nature of racism and the latter, a call to end such ways of thinking. Graham is an example of how groups like the NF target the impressionable with lies and imbue them with hatred. With no parental figures to rein him in, this bigotry only festers. It's an ugly side of England, but one that still exists and is very much real. We talk about the glory of this country, but these songs point out that for some, much glory is founded in the suffering of others.

Save Us From The Ball And Chain: a musical portrait of early 80s britain (pt. 2) In addition to the negative impacts Thatcher brought upon Britain, her economic policies have also gone down in infamy, namely the millions put out of work as a result. Yet, the most infamous was the Miners' Strike of 1984-85, a bitter battle between Thatcher and trade unions. Miners and their families relied on handouts, receiving no state benefits at all. The landscape of the events, combined with Thatcher's belief that people were unemployed because they simply didn't work hard enough, is brutally reflected in the English Settlement track 'Leisure'. The economic tensions and anxieties surrounding employment reverberate through the song - most notably in Andy's cries of "leiiii-LEISURE!" and the shrieking, discordant alto sax solo at the song's climax. The other clear response to Thatcherism on this album is the record's second track, 'Ball and Chain'. A song protesting the destruction of the Swindon town centre, it was, according to Colin, a statement about "when eldermans in council chambers were getting outrageously fatter on inner city clearances". In other words, textbook Tories.

It's More A Way You Have To Give: English Settlement on Love XTC have never shied away from writing love songs; in fact, they've written some of my favourite, if not all time favourite love songs. But English Settlement isn't really an album about love in the way that, say, Wasp Star is. In my opinion, there are only 2 songs about the subject of love on English Settlement, and only one of them is really a 'love song'. That song, 'Snowman', isn't even a happy love song - it's about a loveless relationship, one where the narrator feels spurned by his girlfriend's coldness. It's a song about the painful elements of love, about rejection and hurt. In fact, it contains one of my favourite XTC lyrics: "people will always be tempted to wipe their feet on anything with 'welcome' written on it". It's just such a clever yet straightforward way of conveying the sentiment of being used, or being treated like you have no worth. Again, English Settlement isn't really an album about love at all, let alone an album that is sonically very joyful or celebratory - it is by far and away the opposite of that.

The other song I would argue is about love to an extent is 'All of a Sudden (It's Too Late)', a far more abstract composition - at least, lyrically - in comparison to 'Snowman', but a song that quite clearly touches upon the sentiment that we need love to survive and that we must realise this before there's nothing left to love and nothing left to give us love: "what can I say? why do we starve a thing that's near extinction? from day to day these weeds of fear are choking our conviction". Personally, I think it touches upon the idea that being sincere in regards to our emotions is always difficult - we're scared of making others feel uncomfortable, of being vulnerable and/or having that vulnerability exploited. So we hide our true feelings away, deep down inside of us - and then before we know it, the chance for honesty and truth is gone. The song is a reminder: tell someone you love them while you still can.