#Because this is what Four thinks about

[sillygoofyqueer]

So I talked about it like an hour ago but PIB:TLW inspired AU where Wei Wuxian is a guy not with nine lives but a constant, infuriating ability to just duck and weave around far too many near death experiences. The Lans, ones who deal in death, are getting increasingly frustrated by it. Whenever Wei Wuxian's inches away from getting his head cut off or drowned in a lake or falling from a cliff, there's a Lan waiting there, so ready to pounce and pick up this guy's soul. All of them come back empty handed and slowly losing their sanity - "I know we should not speak ill of the humans, but he literally had a broken leg and a blade through his side. How was he still fighting??!" - and one of the others in the break room or whatever is just like "ah...you were following Wei Wuxian, weren't you?" because all of them have had an encounter with him at least once. This goes all the way to the top, as well. Qingheng-Jun is still alive and he's like heard about this 'Wei Wuxian' guy but he's like "chill guys, it's just a matter of time before he slips up." Then Lan Qiren comes back after a long day and he just sits down wearily, stares at Qingheng-Jun and just goes "the axe cut his hair off because he sneezed at the right time." Well, now it's just this guy mocking death and they have to step in. So, they call in Lan Wangji, the one who deals with souls that try to escape after they've already been dragged into the office for processing, a man who is determined and unstoppable, who will follow those that need to be processed to the ends of the earth-... ...The one who goes to Wei Wuxian with full expectancy of a devious soul only to find a man who flirts through fear and has a genuinely good, very much alive soul.

[curiouscatastrophe]

On my bullshit once again, this time with @outkclassed's ford labs au!

I love him :) I was supposed to connect him with some wires in the back, but I have too much fun with him being modular!! Rearranging his ass!! He's contemporary art now <3

You can't be mean to him because he is only three apples tall 🥺🥺

and of course, his place of honor

[mamawasatesttube]

i keep thinking to myself, god we have got to put tim drake in a time loop. but also time loops just feel so perfectly like speedster bullshit, yknow? therefore lemme just smash these thoughts together like particles at cern aaannddd--

let's put tim in a time loop that bart accidentally caused. a tim loop, if you will :) specifically, tim loop where kon dies at the end and bart just kind of subconsciously went nope! and "if anyone can fix it it's tim right?" bc bart has. a normal amount of faith in his friends but also a normal amount of feelings about himself being useless to save kon bc he couldn't in infinite crisis.

and bam suddenly tim is having the worst tuesday of his life like 20 times in a row. yippee! it's bart-powered but he doesn't even know. he did it on accident. bart in the loop doesn't know what's going on. it just resets every time the ending is something bart can't accept (kon dies again). tim tries to sacrifice himself to save kon once but somehow that doesn't break the loop either (bart refuses to accept that). how long can tim go through a time loop before he goes completely bonkers bananas insane? only tim(e) will tell.

and, worse: how many times can tim watch kon die? how many times can he beg kon to value his own life, to get it through his head that being a hero doesn't mean he needs to die for the world, that there must be another way? how many times can he watch kon sacrifice himself to save others and know that if he stops kon, those people might die?

how fucked up would he be if he ever actually found out just how suicidal kon has been his entire life?

extra fun: cassie takes one look at him every time and instantly clocks that he's feeling like shit, but every time she forgets why, because the loop resets. tim is being perceived but it never lasts. this will drive him crazy so fast. he's gonna start acting out and snapping at her for being concerned because what's the POINT of talking about his feelings if everything resets ANYWAY. this will definitely not come back to bite him in the end or anything, right?

(kon-el dead wife giggling in the sunshine and playing under the sheets montage plays over and over for both tim and bart. this probably means nothing.)

[poorly-drawn-mdzs]

Happy Birthday to Fallen London; My favourite British people beefing it with bats simulator.

[licorishh]

no way she's alive ?? yea those mental health breaks because social media makes people suck are wild huh

[turtleblogatlast]

I adore the idea of Leo developing a love for glam rock not only because he likes the music but also because of how many glam rock bands had vibrant and extravagant eye makeup - looks that his own red stripes were right at home with.

Like just imagine a little Leo rifling through his dad’s music and choosing to vibe with glam rock specifically because he was like “:0! Like me!:)”

[whaliiwatching]

one in a million admirers…

based on ofc this prompt

[feralforbeanix]

Prosecutors' honest reactions.

[gia-d]

Four has been looking for that headband for HALF AN HOUR--

[thenewgothicromance]

Obsessed with the way the passenger (2023) juxtaposes the incredibly serious with the comically absurd. And they exist simultaneously, never contradicting each other. I love how it manifests in the visual language of the movie, and is also at the core of the story! I think it's so important to the ethos of the movie that the genesis of Randy's life-altering trauma is sort of ridiculous. It being ridiculous does not change the emotional impact of it on Randy, and it's still treated with tenderness and gravity.

The sharpness of the juxtaposition feels sort of surreal or jarring at certain moments, but I think it's actually part of what makes the movie hit a real, emotional nerve. The thing that's been haunting you for years does not always seem so obvious out of context. Or sometimes the thing haunting you IS so obviously unspeakably bad that it's going to kill you, and the only way you can talk about it is to say something as trivial as, "I wanted to be a giraffe when I grew up."

A fuzzy yellow sweater and childhood sexual abuse. A lifetime of denying yourself agency or personhood, and a woman with a color-coordinated eyepatch for every outfit. A brutal workplace shooting and bedazzled stuffed animals.

Which speaking of, it's also why, in my opinion, the epilogue does work. It reverses the dynamic from serious with a side of comical to comical with a side of serious. Our focus is on the eraser game, the sillier part of Randy's traumatic story, while the lasting impact of violence lurks quietly in the background (Randy's still physically injured, he's still got the jacket). And then the last shot of the stuffed animals is the *chefs kiss* on top of the whole thing!

[mamawasatesttube]

the whole "jason rules crime alley and none of the other bats are allowed there!!1!" thing is so funny like. tim LITERALLY lives in the theater where bruce's parents died,

[gingermintpepper]

Okay, let's finally talk about EPIC's Apollo

I feel very compelled to say, first of all, that I do not dislike Epic. In fact, I am very fond of Epic and have been following its production and status very eagerly! I attend all the launch streams, I watch all of Herrans' update videos; I am, at the end of the day, a fan and I want it to be known that my words are spoken out of love and passion as much as they are spoken from a place of critique.

So really, what my problem with Epic's Apollo?

In the briefest possible terms; the choice to have Apollo be defined by his musical aspect in God Games is thematically strange. And not in the 'oh well in the Odyssey, Apollo was important to Odysseus and his family so it's weird that that wasn't kept in Epic' strange, strange in the sense that Odysseus' character arc since My Goodbye has been getting more and more obviously Apollonian and so it is positively bizarre that when we get to meet Apollo, the god seems entirely disinterested in him and his affairs. So much so that he is not even defined by any station that would indicate that he has been watching over and protecting Odysseus and his family.

What do I mean by 'Odysseus has been following an Apollonian arc'? I'm so glad you asked!

Remember Them is the last song in which Odysseus explicitly uses his sword until Mutiny where he must use it to defend himself against Eurylochus' blade. He uses it to help enact the plan to conquer Polyphemus and, due to Polites dying in that battle, Polites who wished for Odysseus to put the blade down entirely and embrace a post-war life, Odysseus also retires his sword. This is an action that symbolically separates him from Athena - and the image of Odysseus as a traditional warrior set for him in Horse and Infant - as much as My Goodbye physically separates him from the goddess and her war-ways - from this point onwards, Odysseus will no longer be leaning on Athena's wisdom or methods to solve his problems. Likewise, he will no longer be able to rely on her protection.

Odysseus thusly solves most of his upcoming problems through diplomacy and avoidance. He approaches Aeolus - a strange and ambiguous god (both in gender and in motivation) and appeals to them for help. Circe too, he approaches not with wishes to conquer or for revenge, but for the safe returning of his men and an alternate way forward. In all of these scenarios, there is some Apollonian element which is subtly interweaved alongside the influence of other gods; it is with a bow and arrows that Polyphemus' sheep is slain (and thus it is this Apollonian element which is at the root of Odysseus' spat with Poseidon), it is a vision of Penelope that warns Odysseus that his men are about to open Aeolus' wind-bag, Circe's peace offering to Odysseus is to refer him to a prophet of Apollo who has since died.

In this way, Apollo is walking alongside Odysseus for all of his journey after Athena departs - even in the Underworld, he is guiding him. It is Tiresias' proclamation that is the last straw for Odysseus, it is by the power of a mouthpiece of Apollo that Odysseus decides to embrace his ruthlessness. It is with the bow and arrow that Odysseus subdues the siren who sought to trick him, likewise, Odysseus does not attempt to undermine or escape the fate of paying Scylla's passage price - he knows of the doom about to befall the six men and quite unlike the rest of the journey until this point, he does not fight against it. This all comes to a head on Thrinacia where it is a blade which sacrifices the sun god's cow and brings destruction upon the crew once more.

My point with all of this is that when I heard the teasers for God Games years ago, it made perfect sense to me that Apollo would be Round One - he is not Odysseus' adversary and has no reason to oppose Athena's wish to free him. From other teasers about what will happen in the climax of Epic, Apollo will still be walking alongside Odysseus - it is Apollo's bow that Penelope will give the suitors to string. Likewise, it is Apollo's bow that will prove Odysseus' legitimacy and identity. That bow will be the power by which Odysseus hunts his adversaries and cleans out his palace - it is Apollo who is the avatar of Odysseus' ruthlessness, not Athena.

So tell me, truly, what was the point of having Apollo raise a non-argument in God Games? Why have him appear unconcerned, aloof and slightly oblivious? Why have him appear in his capacity as the Lord of Music at all?? And if the intention was never to make Apollo an active player in Odysseus' life like he was in the Odyssey, why keep Odysseus as a primary archer?

The answer of course is that Apollo is inextricable from the fabric of the Odyssey - his influence and favour exudes from Odysseus just as much as Athena's. In Athena's ten year sulk, it would have been Apollo who kept Telemachus and Penelope safe. It would have been Apollo protecting Odysseus from Poseidon's gaze as he travelled the seas (according to the Odyssey anyway)

Forgive me for not being excited about something that I thought was being purposefully set up. I was extremely ecstatic about all of the little Apollonian details that litter the sagas because I know where this story ends up (loosely) but all God Games did was reveal that maybe those Apollonian details were not intentional at all, but merely the ghost of the Apollo who persistently haunts those he favours, even if he cannot explicitly come to their aide in an adaptation.

[weregonnabecoolbeans]

Julian Blackthorn’s constant awareness of his siblings is both so heartwarming and so heartbreaking to read

[turtleblogatlast]

I love Raph and haven’t said that enough so to be more specific I love that Raph is a soft boy who loves bear plushies, a gross boy who eats an assortment of things that are definitely better left alone, a smart boy who is more than capable of taking down villains through planning and fortitude alike, a strong boy who is dedicated to training his muscles and fighting prowess, a teenage boy who loves his brothers but is more than happy to tease and roughhouse with them, an angry boy who sometimes lets his anger take a hold of him to cover the fear, a gentle boy who is generous with hugs and affirmations to those he loves, a capable boy who takes on more than should ever be expected of a teenager, a good boy who just wants to be a hero and slowly comes to realize the cost of that duty, a good boy who has no reservations about putting himself in the way of harm coming to his family, a good boy who’s a great brother and son and person and deserves only the best the world has to offer.

[hanzajesthanza]

something i like about the witcher books, both by design and by coincidence is that the characters come first, and their sad or fucked up backstories come later. because the story doesn’t start dancing around you trying to get you to pity or sympathize with the cast, it just allows the characters to all be themselves. they, and the story they’re in, don’t exist for the audience’s validation. which causes some discomfort, yes, but it rings true, it exists without insecurity

[jesteringbug]

this was funnier in my head tbh