#Behind on assignments
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artisticmedley · 1 year ago
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"Feeling needy and lonely sometimes means you're merely avoiding a pesky organistional task or looming deadline"
ah. That certainly explains my recent moods.
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new ask polly changing my life per usual
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me-myself-and-eyes · 1 year ago
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can i PLEASE have a filler episode
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objectivelyimpermanent · 4 months ago
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How to Consume The Apothecary Diaries
TLDR
Web Novel: A Pharmacist's Monologue, 387 chapters. Free in Japanese; English Translate MTL is very easy on-site. HERE.
Light Novel: The Apothecary Diaries. Partially free with an account HERE. Also Google exists. Purchaseable in Kindle/Print. 15 Japanese volumes (approx. 363 WN chapters) and 13/14 English volumes on Kindle (approx. 323/347 WN chapters) or 4/5 English volumes in print (approx. 101/128 WN chapters). Available on Amazon, Ebay, Abebooks, Facebook Marketplace. Use Bookfinder to compare prices.
Manga: x The Apothecary Diaries, ill. by Nekokurage. This illustration style is very similar to the anime. 80 manga chapters have been released. 14 Japanese volumes (74 M1 chapters, approx. 89 WN chapters, approx. 3.75 LN volumes) and 13 English volumes (68 M1 chapters, approx. 83 WN chapters, approx. 3.5 LN volumes). Available on Amazon, Ebay, Abebooks, Facebook Marketplace. Use Bookfinder to compare prices. x Maomao's Notes from the Inner Palace, ill. by Minoji Kurata. This illustration style is similar to the light novel. 84 manga chapters have been released. 19 Japanese volumes (82 M2 chapters, approx. 101 WN chapters, 4 LN volumes). There is no official English release.
Anime: The Apothecary Diaries, 29 episodes and currently airing weekly. 1 full season (42 M1 chapters or 8 volumes, approx. 31 M2 chapters or 7 volumes, approx. 56 WN chapters, 2 LN volumes). Season has 5 aired episodes as of last week (43-49 M1 chapters or volume 9, approx. 32-39 M2 chapters or half volume 8 with full volume 9, approx. 57-68 WN chapters, half LN volume 3). Season 2 will have 24 total episodes totalling to 48 episodes (possibly passing the manga release of 80 M1 chapters or 14 volumes, approx. 82 M2 chapters or 19 volumes, approx. 101 WN chapters, approx. 4 LN volumes). Free with ads on Crunchyroll. Conditionally free without ads with a Crunchyroll subscription or free trial. HERE.
Here's a spreadsheet:
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Link
The Specifics
The Web Novel The Apothecary Diaries (or, A Pharmacist's Monologue) is published in Japanese for free as a web novel by Natsuo Hyuuga in 2011 on Shōsetsuka ni Narō [Let's Become a Novelist]. It is still ongoing, and the 387th chapter was published as recently as 5th February 2025. You can access it for free here. The webpages are easy to Google Translate, so if you don't mind MTL, the English translation also is free and easily accessible. To do this, right click anywhere on the webpage and select 'Translate to English'. Additionally, the website has an option to download a PDF of the entire novel. However, this is only in Japanese vertical script, and it is less easy to Google Translate.
The Novel There was a print novel of The Apothecary Diaries illustrated by Megumi Matsuda published in Japanese in 2012. It comprises a single volume, which covers 66 chapters of the web novel (the only chapters that had been released at the time). I am not aware of the availability of any English translation of this novel.
The Light Novel The Apothecary Diaries is being adapted into a light novel written by the same Natsuo Hyuuga and illustrated by Touka Shino. Some chapters are available for free on J-Novel here, but the rest require purchase. There is no legal way to access the full light novel for free. However, I have heard that Googling is easy and very profitable. The Japanese volumes began releasing in 2014. As of February 2025, there are 15 volumes in print, covering approximately 363 chapters of the web novel. The official English language release began in 2024. The English print release is around 3 years behind the Kindle release. As of February 2025, 13 volumes are available on Kindle, covering approximately 323 chapters of the web novel. The 14th volume will be released in May, covering approximately 347 chapters of the web novel. You can find these on Amazon for £6.39 each. As of February 2025, 4 volumes are available in print, covering approximately 101 chapters of the web novel. The 5th volume will be released in May, covering approximately 128 chapters of the web novel. You can find these new on Amazon or Ebay for around £13-17. You can find them secondhand for as low as £9 on Amazon or Abebooks. You can use Bookfinder to compare the prices between book vendors. Additionally, Facebook Marketplace is an underused resource.
The Manga The Apothecary Diaries is being adapted as 2 separate manga series by Itsuki Nanao. I don't know why. There are differences between the adaptations, and there are differing opinions on which one is better; I won't get into that here. I will refer to them separately as The Apothecary Diaries and Maomao's Notes from the Inner Palace. x The Apothecary Diaries is the manga adaptation illustrated by Nekokurage that began releasing in Japanese in 2017. 80 manga chapters have been released as a monthly serial. The illustration style is extremely similar to the anime. There are currently 14 volumes in print in Japanese (up to manga chapter 74), covering approximately 89 chapters of the web novel or 3.75 volumes of the light novel. The official English language release began in 2020. There are currently 13 volumes in print in English (up to manga chapter 68), covering approximately 83 chapters of the web novel or 3.5 volumes of the light novel. The 14th volume will release in October. There are Kindle versions; you can find these on Amazon for £5.65 each. You can find print versions new on Amazon or Ebay for around £10-13. You can find them secondhand for a similar price on Amazon, Ebay, or Abebooks. You can use Bookfinder to compare the prices between book vendors. Additionally, Facebook Marketplace is an underused resource. x Maomao's Notes from the Inner Palace is the manga adaptation illustrated by Minoji Kurata that began releasing in Japanese in 2017. 84 manga chapters have been released as a monthly serial. The illustration style is more similar to the light novel than to the anime. There are currently 19 volumes in print in Japanese (up to manga chapter 82), covering approximately 101 chapters of the web novel or 4 volumes of the light novel. The 20th volume will release in September. There is no official English language release.
The Anime The Apothecary Diaries is being adapted as anime. It has one complete season of 24 episodes, and season 2 is currently airing weekly. Episode 5 was released last week. Season 1 covers approximately 56 chapters of the web novel or 2 volumes of the light novel or 8 volumes of The Apothecary Diaries manga or just over 7 volumes of Maomao's Notes from the Inner Palace. I expect season 2 wholly to cover approximately chapters 57-101 of the web novel or the 3rd and 4th volumes of the light novel, possibly exceeding the currently manga release with the 9th-14th volumes of The Apothecary Diaries manga or the latter half of the 8th volume through the 19th volumes of Maomao's Notes from the Inner Palace. You can access it in dub and sub on Crunchyroll here. It is free with ads. You can watch it without ads by subscribing to Crunchyroll for £4.99/mo. The first subscription on a Crunchyroll account includes a 7 day free trial. This requires you to enter your payment information before granting access. However, if you cancel the trial immediately after subscribing, you will retain access to the subscription services for the remainder of the trial period without worrying about the subscription charging your card at the end.
Edit 250215S: some corrections regarding the length of season 2 of the anime. Thanks to @blur0se for bringing that to my attention.
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jedi-starbird · 1 year ago
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APLAP (Assigned Pathetic Lifeform at Padawanship)
New padawan Obi-Wan trying to figure out how the FUCK to make his master listen and not abandon him to go running off following "the will of the force" when it hits him. Qui-Gon is perfectly happy stopping and taking care of pathetic life forms, but not Obi-Wan. That's it. He's always been prepared, always been dutiful, strong, self-sufficient.
He's cracked the code. He needs to be more pathetic.
The next time he senses Qui-Gon's about to run off he coordinates a scene of utmost pathetic-ness, that is, he throws himself into the nearest fountain. He trudges up to his master sopping wet, water-logged robes swallowing him, with hair sticking to his face and containing bits of algae from the fountain. He mumbles out an apology for being clumsy before looking up at Qui-Gon with the biggest, most woeful eyes possible to ask if he happened to bring any spare robes (he didn't, Obi-Wan knows this because he is usually the one to pack spare robes for them both). His wet hair is dripping water into his eyes that's beginning to turn them an irritated red, and there's algae sliding down the side of his face, it really is masterful work.
"Oh...I'm sure I'll be able to find something by myself, it's okay Master, I know you had important work to do."
Qui-Gon visibly hesitates. Obi-Wan starts shivering. He turns to walk away. He's stopped by his Master's hand on his shoulder. His Master, who walks back with him, who gets clean clothes from their hosts, who has folded like wet flimsi and even explains his stupid, stupid plan before choosing to hotwire a hoverbike with a passenger seat! Oh, Obi-Wan really has cracked the code!
Afterwards, Obi-Wan stages an increasingly pitiful accident for himself every time his patented 'Qui-Gon Jinn Bullshit' detector goes off. Eventually, his Master stops leaving him behind at all, even giving him funny looks when he turns around and Obi-Wan isn’t next to him. It never fails to make Obi-Wan grin and run to catch up. Sure, his reputation as a perfect padawan is in tatters, alongside his dignity, but it’s a small price to pay for a place at his Master’s side, for him to remember there’s a place for Obi-Wan there.
When the ray shields come up on Naboo, Qui-Gon doesn't charge ahead and leave his padawan behind, he hasn't for years. He waits for Obi-Wan because it feels wrong to do otherwise, his padawan belongs at his side.
Much, much later, when Obi-Wan is drinking to the end of the war with friends, Commander Cress will ask him how he kept General Jinn from running off for entire decade. Obi-Wan laughs, informs him, and resolutely ignores the scene Quinlan is making as the man cackles and pulls up a book to shove at them both, titled Classical Conditioning 101: A guide to subtle psychological manipulation.
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horse-breed-a-day · 2 months ago
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i got a B on my crime scene investigation final!!
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lo-sulci · 2 months ago
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Wielding the sword that promises my victory, I carve my way to the life I deserve! MAID Corporation, 3rd generation! Delta Daggersmith! I'll captivate you until the very end!~ ☆
inspired by the amazing (and two time award winning actual play podcast that YOU should listen to) @eidolonplaytest and drawn by the unparalleled @chimeracauldron, it's my maidsona! who at least appearance-wise is just me :Þ
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amazingdeadfish · 4 months ago
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A small glimpse into how Baihe and LBD fit into the LMK Highschool AU
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Continuation from here:
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hell0jon · 1 year ago
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Started drawing that jonathan sims head archivist of the magnus institute london statement begins guy and then remembered I wasn’t blessed by the gods with the ability to draw hair
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This is all you’re getting
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crystallizsch · 8 months ago
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“there may be something there that wasn’t there before”
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💜: Mmh... Jamil, I didn’t know you were so warm.….
🐍: Prefect, you can’t just say things like tha—
🐍: …..
🐍: Did you fall asleep on my lap? Good grief.
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legayllyblonde · 17 days ago
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gang, do we think other types of lawyers in the ace attorney universe have fun unique badge designs? do the environmental law attorneys have a cute globe or tree on their lapel? do the family law attorneys feel weird about the golden house they have to wear into divorce hearings? do the estate lawyers refuse to wear theirs because it's just a cartoon R.I.P headstone?
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poisonpercy · 2 months ago
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I want everyone to know that people are fighting me in the comments on tiktok because I dared to say chatgpt/gen ai is bad and not a valid nor reliable resource
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peppered-ronis · 2 years ago
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so i was reading lae'zel's character sheet and noticed that she had a dragonchess set but no proficiency with them and then a ghost started moving my hand like a ouija board until i had drawn this
anyway this is what the girlies get up to if u leave them at camp together
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shroomerr · 3 months ago
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Kenny Week, Day 2 - Fav Alter Ego/Fav Ship
so i wasnt planning on doing day 2 of Kenny Week, but then i realized part 2 of this comic also fit today's prompt! This is a continuation of this comic, and also the last part. Enjoy!
In which even the great Mysterion succumbs to his base needs, and in which he sees a different side to Agent. Maybe this stakeout isn't the worst thing ever...
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itslilacmoon · 4 months ago
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some more Luz and hunter shitpost doodles done during class <3 i am so behind on my assignments pray 4 me
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daisymerollingg · 2 months ago
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Studying has me feeling fatigued 24/7 so have a speed of sound sonic cupcake!!!11!1!1!
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Genuinely forgot I drew this until I saw this pic on pinterest
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withthewindinherfootsteps · 9 months ago
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Wei Wuxian and Narrative Agency – Part One
For Xiantober Day One: Genius… albeit stretching the prompt so it refers to MXTX and MDZS itself, but at the end of the day it’s still about WWX – so no harm done!
(Part Two | Part Three | Full version on AO3)
The narrative is a very active player in MDZS’ story. How it presents information, what it chooses to show and omit, often reflects important facets of its themes and characters – Nie Huaisang, for instance, is so good at hiding behind his mask that not even the narrative can hold him accountable; the present day’s storyline as a murder mystery and the slow reveal of information about the past both prompt the reader to think critically about the truth of events, when the importance of thinking critically is an important theme; and the dangers not thinking critically (and instead basing conclusions on rumours without much evidence) are shown by tricking unquestioning readers into the very same trap the cultivation world falls into, as the information given by the title, summary and in-universe rumours – which contradicts how we see actually Wei Wuxian act – turns out to be false.
But nowhere do I love this trait more than in its treatment of Wei Wuxian – and, more specifically, in its way of emphasising his agency. We’re not just told how much his active choices define his character, and we’re not just shown this in-universe through his personality, worldview and the events he causes. I’d argue that this aspect goes a step further, and shapes the structure of the out-of-universe narrative as well.
There are two main ways this happens: one, in how the aspects of Wei Wuxian’s life that are shown and hidden directly tell us what’s important about his character (which is good writing but isn’t necessarily tied to this shaping of the narrative), which is what we’ll explore today; and two, how what’s shown and hidden reflects what Wei Wuxian himself prefers to dwell on, resulting in the narrative respecting his own thoughts and feelings on matters (which very much is tied to it). We’ll explore this at a later date.
But as for now – let’s explore my favourite aspect of MDZS.
(Here, narrative agency will be considered the ability of a character to meaningfully influence their events and the story they’re in.)
Tragedy, Circumstance, Choice
If we simply look at Wei Wuxian’s backstory in a vacuum, it seems almost typically tragic. His  parents died in circumstances beyond his control, he was left alone as a child with nobody to care for him, he was forced to grow up fending for himself on the streets, he was faced with abuse when he finally was taken in… as with all typical woobies, everything simply happened to him, and none of it was good. It’s just another example of the lack of agency being used for sympathy points, right?
…Except there’s one problem with that idea. We don’t actually see any of this.
It would’ve been easy to start the flashbacks during these times. We’re telling the story of Wei Wuxian in (largely) chronological order, and these are likely important experiences for him! But instead of starting in his street days, or evenat the moment Jiang Fengmian took him in*, we start at the lectures in the Cloud Recesses. That’s not even something mentioned in, and therefore something that’s able to disprove, the rumours at the start of the novel. So why is this the case? 
Well, there are multiple reasons – the main one being that MDZS is also Lan Wangji’s (and Wangxian’s) story, and having the flashbacks open with their first meeting is very satisfying. But I want to focus on something else.
This period doesn’t have to be shown, because what happens to Wei Wuxian, especially out of his control, isn’t what’s important about his character.
We’re not even at Lotus Pier here, where Wei Wuxian certainly has more agency than he would’ve had as a young child, but where the harm caused by Madame Yu is still completely out of his control. Here, he has agency! Though there are consequences, he is free to act, and what happens to him is a result of those actions and not of circumstance. Yes, he gets punished more than others who also take those same actions (due to classism); yes, it’s not his choice to be picked on by Lan Qiren in class (yet look how he responds, twisting the situation to his advantage and ending up tricking Lan Qiren into letting him leave, which is what he wanted to do. He is not at all helpless here!); yes, these choices have been influenced by his learned mindset from Madame Yu that punishment is arbitrary and will happen anyway, so you may as well do what you want regardless. But there is cause-and-effect here. It’s not circumstantial tragedy.
Therefore, instead of our first impression of past!Wei Wuxian being that of an unfortunate woobie, it’s of someone who has the freedom, ability and will to choose and act (and that’s after these initial tragic events have taken place). This is compounded by the fact that before we see any of his backstory, we get a similar impression of him in the present day.
If the purpose of his tragic past was to earn him sympathy points, to make us pity him due to how much he was influenced by events out of his control, this would’ve been a terrible way of going about it… and it’s this that betrays the true reason for its existence. Because now, the flashbacks instead show us how little these tragedies define who he is! From the very start, Wei Wuxian isn’t someone defined by circumstances out of his control, but rather by who he is as a person and by what choices he makes in the present day (which is both a mindset in-universe, and a nice little out-of-universe detail that lines up! Because out-of-universe, this means he’s not defined by sympathy points from a backstory, but rather by his great character writing… aka, by who he is as a person and what choices he makes). And this refusal to be defined by tragedy is a conscious choice on his part, too – but we’ll explore that more later. 
The important thing is that this idea of Wei Wuxian isn’t because of what exists in his past, it’s because of what parts of his past are shown to us (as well as what he chooses to do, with agency, in the present). 
Now, if this relationship between what’s displayed and what’s omitted was just a one-time thing, I might’ve considered it a cool detail or a nice way to establish a character, but not something the narrative is actively focusing on. But it’s a pattern that continues throughout the flashbacks. What, arguably, are the two other most important times in Wei Wuxian’s life where he doesn’t have enough agency to meaningfully influence his circumstances? His three months in the Burial Mounds (before escaping – he managed to assume some control of the circumstances but not enough to substantially reduce his suffering in his time there), and his loss and death during the First Siege. And we’re not shown either of them! We skip to when Wei Wuxian has emerged from the Burial Mounds and is torturing the Wens, or we skip to the present day – both times he has agency once more, because, again, what he’s like without it doesn’t matter enough to be shown. 
Furthermore, I’d argue this does actually contrast the other tragic events we see in Wei Wuxian’s later life. Things do go horribly wrong, but it’s either due to choices he knows the consequences of (see: rescuing the Wen Remnants in the first place), or instances where he still has some ability to act in the situation and influence it within the limitations. If he’d had no ability to influence circumstances at Qiongqi path, he would have died in the ambush; if he’d been unable to do that at Nightless City, he would’ve died then, too (of course Lan Wangji helped him escape as well). The attention drawn to him losing control of his actions in both instances is very interesting, but intentional or not, it’s still his actions influencing the plot. And that influence happens to be detrimental. The very ability to act and influence, at a base level,  is not taken away (though, of course, that doesn’t make these events any less tragic).
So, so far, the narrative seems to be telling us that the ability to act and choose is key to Wei Wuxian’s character. And it’s doing it through omitting his moments without agency in favour of instead showing us his moments with it. 
Let’s see if this is echoed in the text itself before we go further – because even with this pattern, nothing would end up mattering if Wei Wuxian’s agency wasn’t actually that important to the story itself. But thankfully it is, and that first impression we get of Wei Wuxian in the Cloud Recesses turns out to very much be accurate! Though there are defining circumstances out of his control that occur, such as the massacre of Lotus Pier, the majority of the important events of his life are due to his own choices. He didn’t happen to be forced to cease traditional cultivation and solely use guidao, didn’t happen to lose his Golden Core in a fight with Wen Zhuliu or due to some force in the Burial Mounds, it was his own choice to give it and his spiritual powers away. He didn’t tragically happen to get targeted by the cultivation world, it was a result of him acting on his morals and protecting the Wen remnants (a choice which he was fully aware of the implications of). He isn’t a protagonist to whom things simply occur, and that activeness and agency is my favourite thing about him. 
That’s not to say that the times Wei Wuxian doesn’t have agency, or feels like he doesn’t have any, don’t exist at all, either – but they are rare enough to have attention directly drawn to them in his internal narration:
Or else what could he do? He could do nothing. He was powerless. Lotus Pier had been destroyed, both Jiang FengMian and Madam Yu were gone, and Jiang Cheng had disappeared as well. He was the only one left, alone, with not even a sword in his hands. He didn’t know anything, he couldn’t do anything! For the first time, he discovered how little his power was. In front of something as large as the QishanWen Sect, it was the same as a mantis trying to stop a chariot. - Chapter 59, EXR translation
(And even in this circumstance, note that he still does force himself to act – to carry on searching for Jiang Cheng, to place his faith in Wen Ning – and does accomplish his goal (albeit with the help of others)! So even in dire situations, he isn’t simply passive. This is actually also the case with his time in the Burial Mounds, almost certainly the First Siege, and even his days on the streets as well (Chapter 20: he did actively fight with dogs to get food despite their danger and his growing fear of them, rather than just waiting and hoping to somehow receive some more). He can’t influence or immediately influence his circumstances, but that doesn’t stop him from trying.)
Overall, although they do influence him, Wei Wuxian is very much who he is in spite of his circumstances, not because of them. We’re shown the importance of his agency both in-universe by the major impacts his choices have on himself and the plot, as well as by narrative presentation – important periods where he lacks the ability to meaningfully influence anything are often mentioned but not directly shown, which suggests that such moments and circumstances aren’t as important to understanding Wei Wuxian’s character as moments where he does have this agency are. And I’d argue this works very well. Depending on the version of the story you consume, you may end up having different interpretations as to how much circumstances were at play nearer the end of his life – but nobody comes out of MDZS thinking about Wei Wuxian, the poor bearer of yet another generically tragic backstory.
(Part Two | Part Three | Full version on AO3)
*We are shown this moment in more detail in Chapter 23… but even then, it’s through the framing of Wei Wuxian remembering Jiang Yanli’s narration, not through a flashback proper or even him remembering the experience itself!
#there are three parts to this#part two dwelling on how wwx not dwelling on tragedy is a conscious choice#part three about how that choice and wwx’s preferences are ALSO behind what’s shown and what’s not#i originally wanted to post them all at once but life was very busy and they haven’t been finished yet#and i wanted to release SOMETHING on this day (it is after midnight but i haven’t slept yet and in a lot of timezones it’s not yet)#judging by the current length of it it’s probably better to be posting individual parts anyway…#so here we go#a complete version will br put on ao3 when done#also because i’m not sure where to put it in the meta – i’m aware external circumstances did impact this too#eg mxtx not wanting to write power-up/transformation sequences influencing her not to write wwx’s time in the burial mounds#i’m also aware a lot of this could be writing efficiency and not the deeper meanings i’ll (mostly later) assign to it#ultimately there’s not enough evidence either way to say if this was intentional or not#(i don’t doubt mxtx is an amazing writer but *i* feel i’m overanalysing while writing this which i do tend to do)#but even if it wasn’t it’s still a part of the story#and it still remains one of the things i love it the most#so i WILL explore it (taking the approach of death of the author here – i do believe context is important but i just love this throughline-#-so much)#xiantober#xiantober day 1#mdzs meta#my meta#wei wuxian#wwx#mdzs#mo dao zu shi#魔道祖师#grandmaster of demonic cultivation#gdc
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