#Best Oracle Assignment Writers

[fantastic-nonsense]

This is a bit arbitrary, but is Oracle’s existence public knowledge pre-Flashpoint? As in, does the average citizen know of Oracle? I’m reading up on Barbara because I’ve only read her pre-Crisis Batgirl stuff so far, but I’m kind of… iffy about the BOP book because of the writers.

No, Oracle's existence wasn't public knowledge. Babs' identity was completely secret until halfway through Ostrander and Yale's Suicide Squad run and even after that most of the heroing community didn't know who she was, much less the general public. Birds of Prey as a book largely functions on the reality that the team is, essentially, a covert ops team led by a figure whose existence isn't public knowledge and whose identity is somewhat unknown even to the larger heroing community. As we move through the post-Crisis timeline, Oracle's existence largely stays secret from the public but most of the heroing community knows that she exists and works with her. She even had a stint where she worked closely with the JLA during the Watchtower era.

In terms of her secret identity: the Bats know that Babs is Oracle, and the Birds know that she's Oracle, and various individual heroes (like Ted Kord and certain members of the Justice League that she regularly works with) know that she's Oracle, but there's still several people who have no idea that Barbara Gordon and Oracle are the same person (much less that she used to be Batgirl).

By the time we get to Blackest Night/Brightest Day in 2010, Babs decided that too many people knew about her existence as Oracle and way too many people out of that group knew that Oracle was Barbara Gordon. So she faked Oracle's death to the larger superheroing community in a very mid and weird BOP plotline called 'The Death of Oracle', leaving only a select number of people (most of the Bats and the BOP) aware that she was still alive. This canonically had major consequences for several heroes who were relying on her intel and were in the middle of dangerous assignments when she went dark, but also wasn't properly explored as much as it could have been since a) The Black Mirror, which Babs co-starred in, was also happening at the time and b) the reboot happened shortly afterwards.

In terms of Birds of Prey the book, Vol. 1 (1999-2009) is pretty solid the entire way through:

Funnily enough I consider Dixon's Birds of Prey run to be one of his Top 3 comics. There's a reason an all-female team title written in the early 2000s survived long enough to be handed over to another writer and it's because Dixon made it work. Babs (and her relationships with other characters) is his one exception when writing women and I still don't know why 20 years later. There are definitely still significant amounts of Dixon Flaws™ that shine through in that run, but he's one of Babs' best writers and is still probably the best Dick/Babs writer we've ever had–largely because he's one of the few writers who actually gives a fuck about Babs as a character separate from her relationship with Dick. Which is weird because it's Dixon, but it's still true.

Gail Simone's run is well-written with good plotlines and has better treatment of the characters overall. It's also extremely racist at times (specifically anti-Asian) and occasionally veers into weirdly immature "high school mean girl bickering" interations. She writes an excellent Babs, but I think she was also dealing with a lot of external and internalized misogyny as one of the only major female writers at DC and as someone who got to where she was because she played somewhat nice with the "good old boys' club." Her work on BOP is not without significant flaws, but it's also a really fun read and I recommend it.

I wouldn't really bother reading BOP Vol. 2 (2010-2011) unless you're a completionist and every post-Flashpoint iteration of the team has been either "decent concept, bad execution" (the New 52 book) or "this is just bad, pull it now" (every version of the book since). If you remove Oracle from the equation and pretend like post-Flashpoint's watered-down Batgirl!Babs is a suitable replacement, you've already lost a fundamental aspect of what made the book work in the first place.

[dyinggraysons]

Maybe 8 and 14 for Babs, 16 and 20 for Dick, and 24 and 14 Jason? Also so you have any headcanons for each of them?

babs:

8. What's something the fandom does when it comes to this character that you despise?

not include her, erase her disability (this is true for canon publications as well), give her zero personality or only characterize her a stern and “above it all.”

14. Assign a fashion aesthetic to this character.

*insert the “oh my goodness, i love this question” audio.”* so dark academia is the obvious choice for some people when they think of barb. but, i think since i’m so found of her in 90s-early 00s, i want my oracle to be a bit grunge. mauve lip colors and darker nail polish. chic, thinner eyebrows, maybe? chunky loafers and chunky oxfords. again, i think it would be easy to say, “put the librarian in oversized sweaters”- and I do think she’s wearing those! but i also want to see her in tighter shirts and baggier trousers!

dick:

16. What's your least favorite ship for this character?

any of his siblings, bruce or deathstroke!

20. Which other character is the ideal best friend for this character, the amount of screentime they share doesn't matter?

ahhh! this is so hard. i feel like one has to say donna??? i mean grayson has so many wonderful friendships, but i feel like writers also put emphasis on his connection with donna. i freaking wish donna’s own emotional needs where tackled more. i think it’s hard, because she’s a character who famously has several backstories. there’s stuff revealed in the who is donna troy? story that is honestly disturbing but is so blown past. but that’s a different rant. anyway i love how much donna and dick care about each other!

jason

24. What other character from another fandom of yours that reminds you of them?

well obviously in comics history (and visual aesthetic), bucky barns. but i really think they are very different characters. I’m also that one dude with the white streak in his hair from voltron? lololol

14. Assign a fashion aesthetic to this character.

utilitarian! things that are functional and easy to move in. lots of pockets and pouches probs. also, semi-recently he was being drawn with this bright red, sleeves hoodie? i think that’s ugly lol 🙈

this is already long, so i’ll post some wee head canons in a min. ty <3

[lsfsanctuary]

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[fosterjpb833]

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[ask-october-fox]

A Gift

I hope that this gets to you before you leave for the year. I’m not an artist, but I am a writer, and I wanted to take some time to make something as a thank you for the great comfort you give everyone around you. Thank you for everything you do. Lots of love, -Pennington Inkwell ————————————————-

There was a chill in the air, one that pushed just on the border between crisp and biting. Autumn was still far from over, but October could feel that her time was nearing its end for this year. She was always sad to say farewell to the many spirits who came to visit her year after year for her short month in the world of the living, but it was always accompanied by a sense of overwhelming relief. This year had been trying for the entire world, and she was no different. There were many more than she had been expecting needing her guidance to the other side, and she had performed her duties with all due diligence for each one. Now, though, she was going to be able to rest. She’d sleep away her exhaustion for another eleven months and return again as the spirit of the season next year. She had returned to her favorite resting spot, a wide tree stump that seemed to refuse to rot. She often wondered if the resting place for her lantern had somehow been enchanted by her presence, but it was of little consequence. It was her spot and she enjoyed it, and that was all that mattered. She curled her three perfectly-groomed tails around herself, resting her chin on them as she let out a yawn. She was ready. Or so she thought. Her ears perked up involuntarily as she heard the crackling of leaves and snapping of twigs approaching. She could tell by the pace and the gait that it was a human, a fact that momentarily confused her. She could count on one paw the number of humans who would venture this deep into her forest and still know their way, and none of them had been able to visit this year with the state of the world being what it was. She considered hiding, but decided to wait it out. If worst came to worst, she was more than capable of defending herself. The human was indeed a stranger to her, but she could tell that they weren’t a threat. They were caught in that perilous position of being too old to be a child and too young to be an adult, but they moved as if they had the weight of the world on their shoulders. Curiously, October could see a wandering spirit traveling alongside them, watching just over their shoulder as a small wisp of light. She watched them as they caught sight of her, their breath catching in their throat. For a moment their eyes met, and silence fell as they each stared at one another, one curious and the other fearful. They held up their hands in a placating motion. “I don’t want to hurt you.” October chuckled internally. “I never believed you did.” She smiled and rested her chin back on her tails. “You’ve come a very long way to be here, young one, this forest is full of perilous creatures. Why?” The human squirmed somewhat. “Y-You’re the Fall Fox, right?” October felt a small flare in the embers of her rage for her predecessor, but she didn’t let it show beyond an annoyed flick of her third tail. “You’re 300 years too late, I’m afraid. I am October, his… successor.” “But… you still guide spirits to the other side?” the human spoke almost in a whisper, what little confidence they had quickly dissolving. “Indeed.” October glanced again at the spirit floating alongside them. They clearly weren’t capable of seeing it, themselves, but it wasn’t out of the question for humans to be able to sense a spirit’s presence. “Did you come all this way to ask me to take someone beyond the veil?” The human nodded again, slowly walking up to the tree stump in as non-threatening a way as possible. Once they’d come close enough, they fell to their knees. They took one long, shuddering breath and bowed their head. “I-I think I’m ready to go…” October recoiled, the last vestiges of sleepiness vanishing in a moment of unadulterated shock. She blinked several times, trying to process the request. “I don’t- Are you certain that you understand what I do?” she asked. “My work is for the spirits of the dead, child! I don’t have any domain over-” “I know.” The human sniffled, and October could see tears dripping from their face. “Like I said, I’m ready.” They were walking the knife’s edge of despair, and needed to be brought back to safety. October knew that, even if they weren’t dead, this was another lost spirit, a VERY lost one. Perhaps, even if it wasn’t necessarily her place, she could bend her rules enough to help guide them to safety. She rose to her feet and hopped down from the stump. She seated herself directly in front of them, fixing her piercing orange gaze on their eyes. “Why?” As much as she wanted to give them nothing but comfort and softness, she forced a terse edge into her voice. She expected an answer, a truthful one, on the first try. “Why not?” They couldn’t hold her gaze, turning away. “Look around. Everything’s gone to hell. The planet’s dying, no one can really advance their station if they want to, people are dying in throngs, it feels like half the world’s on fire, and every day we hear more bad news…” they buried their face in their hands, as if it could hide their weeping growing stronger. “The ones who have power are the ones who are selfish enough to take it for themselves, and the ones who need help-” their breath hitched in their throat, and October could see the spirit that had accompanied them move closer, as if trying to comfort them. She could feel the strength of the bond and the love between them, and she understood why and how they’d found their way here: the spirit couldn’t save them, so it had come to her. She stepped forward, putting a paw on their chest and resting her chin on their shoulder. Her tails shut out the cold night as they were both enclosed in her gleaming fur. “Young one… There are many who question the meaning and purpose of life. It is an immutable rite for every living creature to question why they live at all. In good times, they wonder why it has to end and what the pleasure amounts to. In bad times…” She tightened her tails slightly, pulling them closer. “In bad, they question why the pain must exist, and themselves along with it. Sometimes, they are at fault for their own suffering, but much more often it is something beyond their control that inflicts such a cursed doubt on them.” She felt tears of her own brimming up as painful memories resurfaced, stories told to her by the many spirits that had passed through her care mingled with pangs from her own long life’s memories. "I wouldn’t aspire to the lofty title of ‘Oracle,’ but would you like to know the answer that I’ve found over my years?“ She felt them nod, unable to speak through the tears any more. "It is true that the world can feel uncaring or cruel. It may fall to pieces and lose parts of what we think are the very heart of it all… But that doesn’t mean it cannot be pieced back together… together.” She leaned back slightly to move and press her forehead to theirs. “When the summer sun dims and winter’s winds blow across our hearts, we gather together around an autumn campfire and warm ourselves with fables. We remember heroes that never existed so that we can, through the whole of the world, make them real. When we are fearful and trodden upon, we look to others to help us rise, and then look to lift up others. And when we find ourselves with… a hole in our hearts, one that feels as if it could never be replaced, we mend it with memories and love, both old and new. The hole remains, of course, but it is no longer the doorway through which despair can enter our souls.” She sighed, feeling the pangs in her heart soothed by the memories of the countless spirits who came back to her every year, always more enthusiastic than ever. Some were joyful, some would seek to help her or please her, and some would need guidance or comfort. It never meant that what she had lost was replaced or returned, but… “I’ve found that the heart is boundless. We can always fill it, piece it together, and make it grow anew if we throw ourselves into others. Helping them, laughing with them,” she smiled in spite of herself, “or even crying with them, when need be.” The human’s sobbing had slowed to a stop, and their tears had become a tiny trickle dripping off their chin, now. “S-So what should I do?” they whispered, their voice still wavering. “If you find that humankind feels beyond help, involve yourself in humankind. You’ll find that you’re never so alone as you feel in your beliefs. If you feel the world is beyond saving, save the part of the world you can, in what little ways you can. It can be helping someone across the street or a spirit across the veil. The more you help others, the more you’ll find your ability to help grows, and the joy you bring will be twofold: for them and for yourself.” She had to stop for a moment as another yawn forced its way past. “In my experience, THAT is the balm of a broken heart.” It couldn’t have been more than a minute that they sat in silence, but it felt like an eternity. For a moment, October worried that her words had fallen on deaf ears. When the human reached out and pulled her into and awkward hug, however, she smiled and knew that she had been heard. “Thank you.” “You are always welcome, child…” She did her best to reciprocate the hug with a squeeze of her tails before the two of them were separated again. She hopped back up onto her stump, seeing that the human was wiping away their tears and wearing a melancholy smile. They seemed unsure of what to say, but October knew just how to fill the silence. “I expect to see you again next year, child. Do you understand?” They seemed surprised at the assignment, but soon smiled wider, with a little more joy to their expression than grief. “I promise!” As they departed back into the trees, the spirit hung back, floating up to her and hovering just over her muzzle. October could already tell that they weren’t prepared to go, but she could feel the gratitude washing over her in waves. She only gave an understanding nod before the wisp flew away again, hurrying along to catch up to their beloved companion. With that last odd pair of spirits accounted for, October once again curled herself around the warmth of her lantern and settled into a comfortable position. As she felt herself dozing off into that deep sleep, she wondered what kind of world she would awaken to next year. If this year had truly been so painful, then there was no telling how much love would blossom as humanity sought to heal. Even if only that one soul would take her words to heart, she knew it would be a world deeply changed for the better.

[ineffableoracledeck]

Mod Applications Open!

Interested in joining the mod team responsible for helping bring the The Ineffable Plan: a Good Omens oracle deck to life? Please review the schedule and duties listed below to make sure you can commit before applying.

Schedule: 

☆ July 30th - Interest Check Closes

☆ July 15th - Mod Applications open

☆ August 15th - Mod Applications close

☆ September 1st - Mod Team Announced

☆ September 16th - Contributor Applications Open

☆ October 16th - Contributor Applications Close

☆ October 24th - Emails sent out

☆ November 6th - Contributor List Announced

☆ December 1st - Check in #1

☆ December 29th - Check in #2

☆ January 26th - Check in #3

☆ February 23rd - Final pieces due

☆ March 15th - Preorders Open

☆ ☆ ☆ ☆ ☆

Primary Title

☆ Admin ☆

The admins are responsible for server management, organization, delegation of tasks, and making sure everything runs according to schedule. In addition to their role as an admin, each admin will also take on one of the other primary responsibilities. (Admin/Shipping, for example)

☆ Formatting graphic designer ☆

This individual is primarily responsible for creating templates for the cards, booklets and merch. This includes helping create the image for the back of the cards, the border, the font/title placement, the box design as well as eventual layout for the zine portion.

☆ Marketing graphic designer ☆

Responsible for creating blog graphics, announcement images, and the previews eventually listed on the store, the marketing graphic designer will work closely with both the social media mod and finance mod.

☆ Social media/email ☆

The social media mod must keep one eye on our pages at all times, ready to answer any questions the public may have. They’re responsible for routine posting to maintain interest, sending out any email updates, and interacting with future buyers via blog events and/or marketing.

☆ Finance ☆

The finance mod will be in charge of researching any costs relevant to the zine (shipping, manufacturers, taxes) and using the information gathered to put together a financial plan outlining the best route for success. They also will be responsible for creating tiers and pricing, as well as managing the store.

☆ Shipping ☆

The shipping mod will receive all of the finished products. It is their responsibility to package and mail the orders as efficiently and quickly as possible.

☆ Intern ☆

Primary responsibility: learning! An intern will be asked to help when needed, and may be tasked with research. 

Secondary Title

☆ Writing liaison ☆

A writing liaison will help go through writing applications. They will also proofread and edit fics as well as check in with the writers on a regular basis, and will be in charge of making sure check-ins are met.

☆ Art liaison ☆

The art liaisons will monitor the artists under their care, making sure important guidelines are followed. They will also check in with their artists on a regular basis, and will be in charge of making sure check-ins are met.

☆ Merch liaison ☆

The merch liaison will be in charge of all those creating merch. They’ll need to make sure important guidelines are being followed, the templates line up correctly, and that check-ins are met. 

☆ Internal Communications ☆

This person will handle most discussion and questions from the contributors. They will be in charge of reminding of upcoming check-ins and posting any important announcements in the discord server. May help social media mod if asked. 

☆ External Communications ☆

The external communications mod will be the liaison to the vendors we use, as well as the go-to for any professionals outside of the project. 

☆ ☆ ☆ ☆ ☆

Every member of the mod team will have one (1) primary title and no more than two (2) secondary titles. The exception to this is the admins, who will have two (2) primary titles. Mods will be chosen based on their fit for a primary title first, and assigned secondary titles at the discretion of the admins.

It is important to note that acceptance as a mod does not guarantee acceptance as a contributor. This is because some people have the skills required for moderator work, but may not be the most qualified candidate to contribute artistically, and vice versa. In order to make the contributor acceptance process as fair as possible, mods will undergo the same scoring process as those applying to be contributors only. 

Apply here!

[catherinegarbinsky]

Resources

It started with a tweet. I asked:

1 - Poets with MFAs & poetry professors: are there specific books (of poetry, on poetry) that you would recommend for writers who may not have access to formal education in poetry?

2- Poets without MFAs — please feel free to add books that have felt pivotal and educational for you in your process. I mean this primarily as a resource and did not mean to suggest that others may not have valuable texts to offer!

Here are some of the responses (I typed up as many as I could, bolded any that I noticed repeated):

Dorianne Laux and Kim Addonizio’s The Poet’s Companion

Kaveh Akbar’s Divedapper interviews

Mary Oliver’s A Poetry Handbook

Writing Dangerous Poetry by Michael C Smith

Creating Poetry by Drury

The Practice of Poetry by Behn

Feeling as a Foreign Language by Alice Fulton

A Little Book on Form by Robert Hass

Poetry and the Fate of the Senses by Stewart

Of Color: Poets’ Way of Making Anthology (forthcoming)

De-canon

The Volta

The Alabastar Jar (interviews with Li Young-Lee)

Ordinary Genius by Kim Addonzio

On Poetry by Glyn Maxwell

Fictive Certainties by Robert Duncan

The Flexible Lyric by Voigt

Wislawa Symborska’s “Nonrequired Reading”

The Art of series (especially the Art of Description by Mark Doty, especially The Art of Syntax by Ellen Bryant Voigt)

My Poets by Maureen N. McLane

The Princeton Encyclopedia of Poetry and Poetics

The Crafty Poet by Diane Lockward

Wingbeats and Wingbeats II by Scott Wiggerman

Madness, Rack, and Honey by Mary Ruefle

Picking one poet per year, reading their ouvre and letters (an extremely helpful and nourishing assignment from a genius prof)

Sister Outsider by Audre Lorde

Rigorously study the line, study grammar, and study some kind of oracle system (Tarot, I Ching, astrology, etc) and read as widely in poetry as you can

Poetic Rhythm by Derek Attridge

A Poet’s Guide by Mary Kinzie

The Art of the Poetic Line by James Logenbach

John Frederick Nims’ Western Wind

Poetry: A Writer’s Guide by Amorak Huey and Todd Kaneko

The Making of a Poem (Norton)

Art of Recklessness

Modern Life by Matthea Harvey

Dancing in Odessa by Ilya Kaminsky

Please by Jericho Brown

Slow Lightning by Eduardo Corral

Meadowlands by Louise Gluck

Kinky  by Denise Duhamel

Names Above Houses by Oliver de la Paz

How To Read A Poem and Fall in Love With Poetry by Edward Hirsch

Carol Rumen’s long-running weekly Guardian column

Poetry 101 by Susan Dalzell

Theory of Prose by V Shklovsky

The Art of Attention by D Revell

Structure and Surprise by M. Theune

Why Poetry by Matthew Zapruder

Poems - Poets - Poetry An Introduction and Anthology by Helen Vendler

Triggering Town by Richard Hugo

The Art of Daring: Risk, Restlessness, Imagination by Carl Phillips

Upstream by Mary Oliver

The Life of Images by Cahrles Simic

Being Human (anthology)

How To be a Poet

Nine Gates by Jane Hirshfield

Gregory Orr book on lyric poetry

WIld Hundreds by Nate Marshall

What the Living Do by Marie Howe

Helium by Rudy Francisco

Wind in a Box (or anything else) by Terrance Hayes

Blud by Rachel McKibbens

Incendiary Art by Patricia Smith

Poetry by Gwendolyn Brooks, Elizabeth Bishop, and William Carlos Williams, Ted Kooser, Pablo Neruda, ee cummings, Charles Simic, Patricia Smith, Dorianne Laux, EB Voigt, Terrance Hayes, John Donne, TS Eliot, Ezra Pound

Read widely. Read more than poetry. Embrace your outsider knowledge.

Real Sofistikashun: Essays on Poetry and Craft by Toby Hoagland

The Sounds of Poetry: A Brief Guide by Robert Pinsky

A Field Guide to Poetry

Ten Windows by Jane Hirshfield

The Ode Less Travelled by Stephen Fry

The Book of Luminous Things (anthology) ed. by Milosz

Dictee by Theresa Hak Kyung Cha

Poets.org and Poetry Foundation websites

Beautiful and Pointless by David Orr

Find or start a writing group!

Best Words, Best Order by Stephen Dobyns

American Sonnets by Terrance Hayes

The Lichtenberg Figures by Ben Lerner

Poetry Notebook by Clive James

Don Paterson’s 22-page intro to “101 sonnets”

Essays by Barbara Guest

Poetry is Not a Project by Dorothea Lasky

After Lorca by Jack Spicer

The New American Poetry 1945-1960

Helen Vendler’s criticism (The Ocean, The Bird and the Scholar)

Oxford Book of Twentieth Century English Verse ed. By Philip Larkin

The Discovery of Poetry by Frances Mayes

French symbolists

The Outlaw Bible of American Poetry

The Poets Laureate Anthology

Poet’s House, 92Y Poetry

Singing School by Robert Pinsky

The Poetry Home Repair Manual: Practical Advice for Beginning Poets by Ted Kooser

Glitter in the Blood by Mindy Nettifee

Poetry: A Survivor’s Guide by Mark Yakich

All the Fun’s In How You Say A Thing by Timothy Steele

The Collected Poems(1856-1987) by John Ashberry

Viper Rum by Mary Karr

The Making of a Poem by Mark Strand and Eavan Boland

Rules of the Dance by Mary Oliver

Letters to a Young Poet by Rainer Maria Rilke

Jorie Graham lecture On Description (youtube)

Poetry in Theory

How to be a Poet by Jo Bell and Jane Commane (& special guests)

dVerse Poets

Reading Poetry: An Introduction by Furniss and Bath

Poetry: The Basics by Jeffrey Wainwright

The Poetry Handbook by John Lennard

Broken English: Poetry and Partiality by Heather McHugh

The Poem’s Heartbeat by Alfred Corn

Orr’s Primer for Poets and Reads of Poetry

Penguin’s 20th Century Anthology

The United States of Poetry

Staying Alive: real poems for Unreal Times ed. By Neil Astley

Hollander’s Rhyme’s Reason

52 Ways to Read A Poem by Ruth Padel

A Western Wind: An Introduction to Poetry by David Mason and John Frederick Nims

Projective Verse by Charles Olson

Retrospect/A Few Don’t by an Imagiste - Ezra Pound

Against Interpretation - Susan Sontag

Commonplace Podcast

Headwaters by EB Voigt

Olio by Tyehimba Jess

The Orchard by Brigit Pegeen Kelly

The Living and the Dead by Sharon Olds

Sonnets by Bernadette Mayer

The Sin Eater by Deborah Randall

The Art of Poetry Writing by William Packard

The Poet’s Dictionary by William Packard

Freedom Hill by LS Asekoff

Theory of the Lyric by Jonathan Culler

Close Listening ed. By Charles Bernstein

Poetics of Relation by Edouard Glissant

The Poet’s Manual and Rhyming Dictionary by Frances Stillman

The Hatred of Poetry by Ben Lerner

The Way to Write Poetry by Michael Baldwin

Fussell’s Poetic Meter and Poetic Form

Lofty Dogmas: Poets of Poetics

Close Calls with Nonsense: Reading New Poetics by Stephanie Burt

Poetry in the Making by Ted Hughes

A poet needs: grounding in verse and rhyme from nursery lines, a grounding in adult poetic diction by the classic poets (of antiquity, late antiquity, then the mediaeval, early modern and modern periods), and their own poetic vision

Pig Notes and Dumb Music by William Heyen

Satan Says by Sharon Olds

My Emily Dickinson by Susan Howe

[meanstreetspodcasts]

Back before The Rockford Files was booted from Netflix’s streaming service, I posted this list of my favorite episodes of James Garner’s classic detective show. These are still my favorites, and now with an affordable complete series Blu-ray set available there’s no better time to discover (or re-discover) what made Jim Rockford television’s all-time greatest private eye.

The Kirkoff Case (Season 1, Episode 1) – Skip the pilot movie, which suffers from padding to get to TV movie length, and start with the first regular episode. Not only does it have great guest stars (James Woods as Rockford’s slimy playboy client; Abe Vigoda as a mob boss; and Julie Sommars as a suspect who pals around with Jim), but it features a great mystery, crackling dialogue from Stephen J. Cannell (at one point, while being worked over, Rockford asks a thug if his mother knows what he does for a living) – all of the elements that made The Rockford Files into a classic. The Oracle Wore a Cashmere Suit (Season 3, Episode 2) – The first episode written by David Chase (yes, the creator of The Sopranos cut his teeth on The Rockford Files), “The Oracle Wore a Cashmere Suit” is a great example of a Rockford standard plot – Jim is surrounded by people who think he knows or is hiding something they want, and they’re getting impatient when he says he doesn’t have it. In this case, “it” is information about a missing persons case, and the source of Rockford’s pain is a psychic played by Robert Webber (aka Juror 12 in 12 Angry Men). Sticks and Stones May Break Your Bones, But Waterbury Will Bury You (Season 3, Episode 13) – One of the best things about Rockford was its universe of recurring characters – both friend and foe to Jim Rockford. In this episode (another penned by David Chase), we meet several of Jim’s “brother shamuses” who are losing their licenses. It all leads to a plot to put independent private eyes out of business, but the selling point here is the guest cast – character acting legend Simon Oakland as lazy, blustery PI Vern St. Cloud (a role he’d reprise later on the show) and Cleavon Little (Blazing Saddles) as Billy Merrihew. Little especially has great chemistry with Rockford, and the show is a winner. Beamer’s Last Case (Season 4, Episode 1) – We meet another eccentric PI circling Jim’s orbit in Freddie Beamer. The problem is Freddie is working using Jim’s name and car (he’s Jim’s mechanic, charged with repairing the Firebird), and he’s stumbled into a case that could mean curtains for both of them. James Garner was rarely better than when he had to suffer charming, ingratiating fools, and James Whitmore Jr.’s Freddie is one of the best. Plus there are guest turns from Jack Kelly (Bart to Garner’s Bret on Maverick) and Robert Loggia. The Paper Palace (Season 4, Episode 16) – Writer Juanita Bartlett introduces us to Rita Capkovic, a hooker with a heart of gold who defies the cliché thanks to the writing and the performance of guest star Rita Moreno. We meet Rita first as an informant for Dennis Becker, who’s got a soft spot for her and she for him. Ultimately Dennis turns to Jim for help when Rita begins receiving death threats. Moreno reprised the role several times on the show and in one of the TV movies, and she’s terrific as Rita. White on White and Nearly Perfect (Season 5, Episode 4) – Before he was Magnum, Tom Selleck was Lance White – an irritatingly perfect private eye who teams up with Rockford on a case. It’s easy to see how Selleck became a star when you watch him as the perpetually charmed White, a man who has everyone fawning over him…everyone except for Jim Rockford. As he puts it, “Lance is perfect. It’s his only flaw.” Kill the Messenger (Season 5, Episode 5) – The late Joe Santos was one of the key ingredients of the success of The Rockford Files – his Dennis Becker is one of the all-time great TV cops. In this episode, he’s in the spotlight when he’s tasked with the unenviable assignment of investigating the murder of the wife of the deputy chief of police. Paradise Cove (Season 6, Episode 1) – Guest star Mariette Hartley plays a court-appointed receiver to index Rockford’s possessions to settle a bogus accident claim. With her help, Jim uncovers a mystery tied to his trailer and its prime location on the oceanfront. Hartley and James Garner did a memorable series of commercials for Polaroid, and their chemistry here makes this one a highlight.

[unlikely-allies]

****SPOILERS****

4/5

I was looking for something to read while I waited for King of Scars to be released, so I chose an oldie but a goodie.

The Lightening Thief by Rick Riordan is the first book in the Percy Jackson and the Olympians series. Twelve-year-old Percy Jackson seems to have been dealt a bad hand in the game of life. Diagnosed with both ADHD and dyslexia, Percy struggles in school and can’t seem to make it through a full year without being expelled. Trouble always seems to find Percy. Percy seems to have inherited some of his bad luck. Percy’s mother Sally has had her fair share of hardships. After her parents died in a plan crash when she was young, Sally was sent to live with her uncle who was far from enthusiastic about his new ward. Sally had big plans for her future. She wanted to get a degree and be a writer. Unfortunately, Sally’s uncle was diagnosed with cancer and she had to drop out of school to take care of him. Without a high school degree or money in the bank, Sally has been left to take a job at a candy shop in Grand Central Station to provide for her, Percy, and Percy’s stepfather Gabe. Gabe Ugliano (yes, ugly-ano) is the perfect specimen of the gross, lazy human being. On top of his lack of charm and nonexistent good looks, Gabe is terrible to both Percy and Sally. Sally and Percy can only seem to find happiness in each other, and especially in the days they spend at the rental house in Montauk. The ocean reminds Sally of Percy’s father who was lost at sea before Percy was born.

During one such trip to the shore, Percy and his mother experience a terrible storm. Out of nowhere, Percy’s friend Grover shows up at the door in a panic. It is clear that Grover and Sally know something about Percy that they aren’t sharing with him. The three of them jump in the car and speed away in search of safety. Suddenly, the car is attacked by what can only be described as the Minotaur. Sally tries to hold the monster off, but disappears in a golden shimmer. Not stopping to question his sanity, Percy faces off with and vanquishes the Minotaur. After his victory, Percy promptly collapses. Two days after the battle with the Minotaur, Percy awakens to find himself at Camp Half-Blood, the summer camp for demigods. Percy discovers that he is a demigod, someone who is half-human and half-god. The other kids at the camp are all children of what we know as the gods associated with ancient Greece. While the heritage of some of the campers is known, some wait to have their parent send a sign and claim them, while others never know who their god-parent is. Unassigned campers, like Percy, are house in Cabin 11, the Hermes Cabin. Though Percy doesn’t immediately take to camp, it is the first time that he has felt as though he fit in. He learns that his ADHD is in fact battlefield reflexes. His dyslexia is due to the fact that his brain is wired for ancient Greek and not English.

The demigod campers are not the only individuals at Camp Half-Blood. The god Dionysus serves as camp director, Chiron the centaur and trainer of heroes is the camp’s activities director, and creature such as Naiads, Nymphs, and Satyrs also call camp home. As it turns out, Percy’s friend Grover is a Satyr. Grover was assigned to be Percy’s protector while away from the camp. Percy’s other friends at camp include Annabeth, a 12 year-old daughter of Athena who dreams of being an architect, and Luke, a 19 year-old camp counselor and son of Hermes. Both Luke and Annabeth live at the camp full time because it is too dangerous for them to leave. The children of major gods and goddesses have a harder time living amongst humans because monsters have a tendency to come after them. The camp is protected from such monsters, but camp activities are geared towards training the half-bloods to develop the abilities to fight the monsters in the outside world.

During a very gladiator-esque version of capture the flag, Percy manages to take down several members of Ares Cabin and help his team secure a victory. It is after the game that a triton appears above Percy’s head. The triton, a symbol of Poseidon, was sent from Percy’s father to claim him as a son of the Sea God. A moment that should be exciting results in a great deal of tension. After World War II, Zeus, Poseidon, and Hades agreed to no longer sire offspring because their children were too powerful. Under this agreement, Percy shouldn’t exist. To make matters worse, a hellhound breaks into camp and goes after Percy and the weather has reached new extremes. It is clear that something is amiss with the gods. Percy is given a quest by the Oracle. It is believed that Hades stole the master bolt and framed Poseidon to cause conflict between Zeus and the Sea God. Percy must travel to the Underworld and get Zeus’ master bolt back in order to avoid a war between the gods. Percy chooses Grover and Annabeth to join him on his quest, so the three of them set out for Los Angeles, California, home to the entrance to the Underworld.  

Along the way, our three heroes encounter modern versions of some of ancient Greece’s greatest myths. Percy, Annabeth, and Grover survive an attack from the Furies, flee from a Chimera, escape the Lotus (eaters) Casino, and slay Medusa. They also free several zoo animals and retrieve a god’s shield from the Tunnel of Love.When Percy and his friends leave Hades’ domain empty handed they begin to see that there are darker forces than Hades at work. Percy, Annabeth, and Grover are facing a power older than even the gods. With only hours left until the deadline and the quest still incomplete, will Percy and his friends manage to prevent another Trojan War? 

The Lightening Thief is a fun middle grade novel with enough humor and action to entertain older readers. As someone who is a big fan of Greek Mythology, The Lightening Thief served as a unique, modern setting for contemporary versions of the classic myths that I am so fond of. I would recommend The Lightening Thief for those looking for an easy just-for-fun read, or for those who enjoy classic Greek Mythology.

Some thoughts I had while reading The Lightening Thief: 

• Why couldn’t I have taken Latin instead of Spanish? • What 12 year-old is taking a three hour Latin exam? • If Camp Half-Blood was actually in Long Island I probably wouldn’t hate LI so much. • Blue candy is by far the superior candy. • Need to learn to swear in ancient Greek. • “A cherub that turned middle-aged in a trailer park.” • The god of partying may not have been the ideal choice to be responsible for young children. • The Council of Cloven Elders sounds like a satanic group. • Everyone’s avoiding using the gods’ names like they’re Voldemort or something. • I’m going to start telling people my ADHD is just my battlefield reflexes acting up. • I agree with Grover, the roadside Gnome emporium is sketchy. • The Chihuahua would be a Chimera. I wouldn’t be surprised if all Chihuahuas were vicious Chimeras. • The public thinks Percy is pyro-ing his way across the country. • Struggling to picture Ares in a diner… Maybe a dive bar instead. • Never mind. The diner is easier to picture than the tunnel of love. • If being a searcher doesn’t work out Grover could have a very lucrative career with PETA. • Vegas is not the place for two 12 year-olds and a satyr with the emotional stability of a middle schooler. • The entrance to the Underworld looks like the Jersey Turnpike. Yea, no surprises there. • Poor Cerberus. Hades has been slacking on bonding time with man’s (large, scary, three-headed) best friend. 

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A database management system (DBMS) is software used to store, retrieve, manage data. For example, Oracle, MySql, SQL Server, MS Access, etc. is a very popular commercial database used in various applications.

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