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Note: This is not the Championship match. The loser of this match will enter the Loser's Final against the winner of the Loser's Semifinal. The winner of this match and the Loser's Final will face off in the Grand Final to determine the Championship.
I saw Hadestown recently and... the metanarrative aspects didn't need to go that hard. The entire cyclical structure with the story being acknowledged as an "old tale from way back when" that they tell again and again despite knowing the tragic ending, which is explored as precious proof of the enduring ability to hope? Orpheus and Eurydice falling in love so fast because they feel that they already know each other, they always have, and we know they're right? Hermes fluidly switching between character who emotionally invests in the doomed lovers and omniscient narrator who knows they're doomed, and the revelation in "Road to Hell (Reprise)" that he's genuinely been both from the beginning? The final song, a requiem for the living by the dead, with the cast out of character after the curtain call? When Orpheus toasts to "the world we dream about" but then also "the one we live in now" and everyone on stage looks straight at the audience for a moment of absolutely chilling silence? I was not prepared and I'm not okay.
doctor merlin in the 21st century: can you have— I have created butterflies from nothing and horses from smoke. I have seen empires rise, fall, crumble, and start from nothing but a fish in a poor man’s hand. I’ve fought witches and failed them too. I’ve laid waste to armies and blessed nations of people with health that will never make up for it. I have pantsed Kings and kissed Queens. I have stood upon the precipice of this world and called forth the ocean only for time to swallow me whole and spit me back out. And I would do it all again if I could grant you, dear Matilda, a lollipop.
little girl: strawberry?
merlin: say no more, Tilda, this should clear up the taste of that cold medicine right away