#Book Industry

[diary-of-a-wimpy-kid]

i really wish book companies would stop overworking authors to their absolute limit. i really wish authors got paid more for the work they do. i really wish authors had better job security. i really wish book companies would stop laying off people despite all their hard work. i really wish the book industry was in a better state. i really wish authors were just compensated and treated better in general.

[drakonfire12]

How to help the Ukrainian Book Industry

As per usual, I forget to post on Tumblr now a days. Let's talk Faktor Druk.

What happened?

Russia launched 15 missiles at Kharkiv. Faktor Druk, a printing house was hit twice (in total 3 strikes in the general area). Last I heard, 7 are dead. 22 are wounded. (During the strike, 50 employees were in the building.)

Why it matters? Most Ukrainian publishers had books printed there. Every 3rd Ukrainian book was printed there [Source]. You may think "it's only 50 000 fiction books", but no, it includes textbooks. As in, kids might not get any textbooks, because who else will print them when most books are printed in Kharkiv?

"The printing house Faktor-Druk is part of the Faktor company group, which also includes the renowned Ukrainian publishing house and bookstore Vivat. Faktor-Druk has the capacity to produce approximately 50 million hardcover and paperback books, 100 million magazines, and 300 million newspapers annually. The facility employs 400 people and encompasses 15,822 square meters of production space. According to Forbes Ukraine, Faktor-Druk is one of only two factories in Ukraine that can print products for Disney and Marvel, having successfully passed a rigorous multi-level audit." [Source]

Now how to help? Countries are trying to help with rebuilding, but here are some things you can do.

Vivat posted about a fundraiser for Faktor Druk. Originally posted here by CEO Yuliya Orlova. Reposted to Vivat website here.

Based on my own experience, I believe it is crucial to channel our grief and anger into action. How can you do that?

Ways to support: Donate to the Armed Forces of Ukraine, they are our heroes! Keep buying Ukrainian books! Factor-Druk is one of the largest printing houses in Ukraine, where not only Vivat books are printed, but also many books from other publishers, as well as newspapers, magazines, calendars, school notebooks for your children and grandchildren.⠀ How to help: The Factor company has initiated a fundraiser. All donations will be used to support those affected and to restore the printing industry. Details can be found at the following link: https://vivat.com.ua/blog/udar-po-drukarni-faktor-druk-yak-dopomohty/ [Source]

Vally_v on Instagram is doing a fundraiser raffle below for the chance to win this edition of Ivan Franko's “Manipuliantka”.

View this post on Instagram

A post shared by Val Voshchevska 🇺🇦 (@vally_v)

You can support the publishers by buying Ukrainian books and ebooks (most print their books through Faktor).

On the whole, this destruction is part of the larger war where Russians have been destroying Ukraine.

Some more background

The first year of the full-scale invasion led to a 50% decrease in demand [Source]. Shelling in Kharkiv has led to a backlog due to limited electricity and a shortage of qualified personnel [Source].

In terms of operations, within 2022:

From the start of the full scale invasion to April 25th of 2024, the Russians have damaged 1062 cultural heritage sites [Source]:

Specifically, architectural and urban planning sites comprise 316 objects, architecture – 307, historical– 226, architecture and urban planning, historical – 61, archaeology – 56, architecture, historical – 39, monumental art – 21, urban planning and monumental-decorative art – 19, architecture, monumental art – 7, urban planning – 5, science and technology, architecture – 2, architecture and monumental art – 1, architecture, garden and park art – 1; architecture and garden and park art – 1.

From that same period of time, Russians damaged 1987 cultural institutions (324 destroyed) [Source].

"In total, the following have been affected: – Creative hubs: 958 – Libraries: 708 – Art education institutions: 153 – Museums and galleries: 114 – Theaters, cinemas, and philharmonic halls: 36 – Parks, zoos, reserves: 15 – Circuses: 3"

There is also this interactive map of the book ecosystem in Ukraine:

Links:

Oleksiy Hrushevsky. Ukrain's printing companies suffer 40% capacity cuts after Russian attack on Kharkiv printing house. Online.ua.

Russian army attacks printing house in Kharkiv causing injury and death – UPDATED. Chytomo.

Porter Anderson. Russian Attack Hits Ukraine’s Factor-Druk Printing House. Publishing Perspective.

Porter Anderson. Europe’s Publishers: Anger, Solidarity After Kharkiv Attack. Publishing Perspective.

Олеся Дерзська. Як ракетний удар по «Фактор-Друк» вдарить по книгоіндустрії? Speka.

Factor Group of companies on Facebook.

Yuliya Orlova on Facebook. [Vivat CEO]

Vivat on Facebook. Книгарка Vivat on Telegram.

Sergey Polituchiy on Facebook.

Over 50,000 books destroyed and three publishers affected in Russian strike on Kharkiv printing house. Ukrains'ka Pravda.

Тетяна Леонова. «Українці — не варвари, ми не палимо книжки»: Олена Рибка, шеф-редакторка видавництва Vivat автор. Nakypilo.

Анна М’ясникова. Харківська друкарня після обстрілу. Фоторепортаж. Nakypilo.

On the Ukrainian publishing industry:

[Dec. 2022] The State of the Ukrainian Book Publishing Sector During Wartime. Ukraine World.

[23.12.2022] Anastasia Zagorui & Oksana Khmeliovska. 9 months of invasion: how Ukrainian publishers work in times of war. Chytomo.

[12.08.2022] Anastasia Zagorui. How Ukrainian publishers work during the war. Chytomo.

[12.02.2024] Iryna Baturevych. The Ukrainian Publishing Market 2023: “Competition has reached unprecedented levels”. Chytomo. (old poll, but gives some perspective).

[06.05.2024] Ministry of Culture and Information Policy of Ukraine. Due to russian aggression in Ukraine, 1062 cultural heritage sites have been affected.

[02.05.2024] Ministry of Culture and Information Policy of Ukraine. 1987 cultural infrastructure objects have been damaged or destroyed due to russian aggression.

[April 2023] A Brief Overview of the Ukrainian Publishing Sector : Supporting Ukrainian Publishing Resilience and Recovery (SUPRR).

[Oct 2023] Ukraine’s book business during war: Ukrainians want to read their own, but Russia may enter the market again. Rubryka.

[April 2024] Against all odds: How Ukrainian book publishing navigates challenges of war. Rubryka.

[04.04.2024] The constant shelling of Kharkiv leads to major backlog for Ukrainian books-in-print. Chytomo.

Interactive map:

Interactive map of the Ukrainian book ecosystem. Ukrainian Book Institute.

Thanks for reading, this turned out to be a super long post.

[frasier-crane-style]

“We used to make these deals with a handshake!”

Looking at some publishing companies’ submission guidelines has me in my Don Draper era.

Me:

And people wonder why I self-publish...

[i-merani]

One of the worst developments in lit-hubs (booktok) is reinventing fanfiction and calling it a "retelling" thus thinking that whatever you produce with that word attached to it is immediately worth calling a "book" and not something meant only for our dear ao3

[onlyalexandrasphotography]

[lnk-and-lnspiration]

The Pros and Cons of Self-Publishing vs. Traditional Publishing

Self-publishing and traditional publishing are two distinct paths for authors to get their work out into the world. Both have their advantages and disadvantages, and it’s important for authors to weigh the pros and cons before making a decision. In this post, we’ll take a closer look at the key differences between self-publishing and traditional publishing, and the benefits and drawbacks of…

[worldbookday]

Join us as we explore the intersection between artificial intelligence and publishing, highlighting the essential role of authors and the risks to literary creation.

[bookblast]

London Book Fair 2024 Spotlight

At London Book Fair this year romantasy and all things cosy and escapist were still the upward trend. However – as award-winning independent publishers like Fitzcarraldo, Galley Beggar, and others have proved – to take risks on fresh, original writing not fully tried and tested in a busy market place, as opposed to buying the same commercial predictable stories and ideas, is becoming ever more…

[herlunarmajesty]

Dear Book Industry: please start including QR codes to the audio version in the physical copies of your books. I paid $$ for this, I want to be able to enjoy the story in every way.

Sincerely, me who is currently sick with too much of a headache to read, there's no free audiobook of Assassin's Apprentice to be found online, I'm not paying 15 bucks AGAIN to listen on audible after I already paid that much for the physical copy of this book.

Please make it easier for story-hungry people like me to get ahead in their books even if they're unable to physically read sometimes.

I'm desperate and have looked EVERYWHERE for a free Assassin's Apprentice audiobook.

[thereadingbud]

Pros and Cons of Self-Publishing in India

The world of publishing has seen a seismic shift with the emergence of self-publishing, especially in India’s rapidly evolving literary ecosystem. While many authors are taking the self-publishing route, it’s essential to weigh its advantages and potential challenges. In recent years, the publishing landscape in India has undergone a dramatic transformation. The once-traditional realm, dominated…

[diary-of-a-wimpy-kid]

despite record profits for book publishing companies, the authors and illustrators are overworked with tight deadlines and get underpaid for all the hard work and effort they put into their books. also, for the past few years, these companies have been laying off their staff, leading to growing unemployment within the book industry.

as someone who hopes to publish her own books someday, this is disgusting and unsustainable. these authors and illustrators deserve to be treated better and get paid what they're worth. if we want change, we're going to have to fight for it.

these authors and illustrators made the book publishing companies rich, so now it's time for the companies to give them the respect and fair pay they deserve! get loud! demand better pay and treatment from these companies so the people who make these books can earn a living that's sustainable for them!

we can do this 💕

[bonelessenthusiast]

niche post but do any other booksellers get mail from Simon & Schuster that has red ink spilled on it that looks like bloodstains? i look forward to it every month lmao it’s so funny

[mayas-reviews]

I am so sick and tired of people acting like Booktok is the death of literature. Here’s my take on all this mess.

[inkskinned]

the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"