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mercurygray · 3 years

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So, I Hear You Liked: 1917

More World War One Films

I was very excited about 1917 when it first came out because it almost perfectly coincided with the 100th anniversary of the First World War, a conflict that I love to read about, write about, and watch movies about. This period is my JAM, and there's such a lot of good content for when you're done with Sam Mendes's film.

Obviously there are a lot of movies and TV shows out there - this is just a selection that I enjoyed, and wish more people knew about.

Note: Everyone enjoys a show or movie for different reasons. These shows are on this list because of the time period they depict, not because of the quality of their writing, the accuracy of their history or the political nature of their content. Where I’m able to, I’ve mentioned if a book is available if you’d like to read more.

I'd like to start the list with a movie that isn't a fiction piece at all - Peter Jackson's They Shall Not Grow Old (2019) is a beautifully produced film that allows the soldiers and archival images themselves, lovingly retimed and tinted into living color, to tell their own story. It is a must watch for anyone interested in the period.

Wings (1927), All Quiet on the Western Front (1930), A Farewell to Arms (1932, 1957), The Dawn Patrol (1938), Sergeant York (1941), and Paths of Glory (1957) are all classics with a couple of Oscars between them, and it's sort of fun to watch how the war gets changed and interpreted as the years pass. (The Dawn Patrol, for instance, might as just as easily be about the RAF in World War 2.)

All Quiet is based on a famous memoir, and A Farewell to Arms on a Hemingway novel; both have several adaptations and they're all a little different. Speaking of iconic novels, Doctor Zhivago (1965) based on the Pasternak novel of the same title, examines life of its protagonist between 1905 and the start of the second World War.

I think one thing historians agree on is that the start of World War One is worth discussing - and that there's a lot of backstory. Fall of Eagles (1974), a 13 part BBC miniseries, details the relationships between the great houses of Europe, starting in the 1860s; it's long but good, and I think might be on YouTube. The Last Czars (2019) takes a dramatized look at the Romanovs and how their reactions to the war lead to their eventual demise.

As far as the war itself, Sarajevo (2014) and 37 Days (2014) both discuss the outbreak of hostilities and the slow roll into actual battle.

The Passing Bells (2014) follows the whole war through the eyes of two soldiers, one German and one British, beginning in peacetime.

Joyeux Noel ( 2005) is a cute story - it takes place early in the war during the Christmas Peace and approaches the event from a multinational perspective.

War Horse (2011) is, of course, a name you'll recognize. Based on the breakout West End play, which is itself based on a YA novel by Michael Morpurgo, the story follows a horse who's requisitioned for cavalry service and the young man who owns him. Private Peaceful (2012) is also based on a Morpurgo novel, but I didn't think it was quite as good as War Horse.

The Wipers Times (2013) is one of my all-time favorites; it's about a short lived trench paper written and produced by soldiers near Ypres, often called Wipers by the average foot soldier. The miniseries, like the paper, is laugh out loud funny in a dark humor way.

My Boy Jack (2007) is another miniseries based on a play, this one about Rudyard Kipling and his son, Jack, who served in the Irish Guards and died at Loos. Kipling later wrote a poem about the death of his son, and helped select the phrase that appears on all commonwealth gravestones of the First World War.

Gallipoli (1981) is stunning in a way only a Peter Weir movie can be; this is a classic and a must-see.

Gallipoli is a big story that's been told and retold a lot. I still haven't seen Deadline Gallipoli (2015) an Australian miniseries about the men who wrote about the battle for the folks back home and were subject to censorship about how bad things really were. For a slightly different perspective, the Turkish director Yesim Sezgin made Çanakkale 1915 in 2012, detailing the Turkish side of the battle. Although most of The Water Diviner (2014) takes place after the war is over, it also covers parts of Gallipoli and while it didn't get great reviews, I enjoy it enough to own it on DVD.

I don't know why all of my favorite WWI films tend to be Australian; Beneath Hill 60 (2010) is another one of my favorites, talking about the 1st Australian Tunneling Company at the Ypres Salient. The War Below (2021) promises to tell a similar story about the Pioneer companies at Messines, responsible for building the huge network of mines there.

Passchendaele (2008) is a Canadian production about the battle of the same name. I'd forgotten I've seen this film, which might not say very much for the story.

Journey's End (2017) is an adaptation of an RC Sheriff play that takes place towards the end of the war in a dugout amongst British officers.

No look at the Great War is complete without a nod to developing military technologies, and this is the war that pioneers the aviation battle for us. I really wish Flyboys (2006) was better than it is, but The Red Baron (2008) makes up for it from the German perspective.

One of the reasons I like reading about the First World War is that everyone is having a revolution. Technology is growing by leaps and bounds, women are fighting for the right to vote, and a lot of colonial possessions are coming into their own, including (but not limited to) Ireland. Rebellion (2016) was a multi-season miniseries that went into the Easter Rising, as well as the role the war played there. Michael Collins (1996) spends more time with the Anglo-Irish war in the 1920s but is still worth watching (or wincing through Julia Roberts' bad accent, you decide.) The Wind that Shakes the Barley covers the same conflict and is excellent.

The centennial of the war meant that in addition to talking about the war, people were also interested in talking about the Armenian Genocide. The Promise (2016) and The Ottoman Lieutenant (2017) came out around the same time and two different looks at the situation in Armenia.

This is a war of poets and writers, of whom we have already mentioned a few. Hedd Wynn ( 1992) which is almost entirely in Welsh, and tells the story of Ellis Evans, a Welsh language poet who was killed on the first day of the Battle of Passchendaele. I think Ioan Gruffudd has read some of his poetry online somewhere, it's very pretty. A Bear Named Winnie (2004) follows the life of the bear who'd become the inspiration for Winnie the Pooh. Tolkien (2019) expands a little on the author's early life and his service during the war. Benediction (2021) will tell the story of Siegfried Sassoon and his time at Craiglockhart Hospital. Craiglockhart is also represented in Regeneration (1997) based on a novel by Pat Barker.

Anzac Girls (2014) is probably my favorite mini-series in the history of EVER; it follows the lives of a group of Australian and New Zealand nurses from hospital duty in Egypt to the lines of the Western Front. I love this series not only because it portrays women (ALWAYS a plus) but gives a sense of the scope of the many theatres of the war that most movies don't. It's based on a book by Peter Rees, which is similarly excellent.

On a similar note, The Crimson Field (2014) explores the lives of members of a Voluntary Aid Detachment, or VADs, lady volunteers without formal nursing training who were sent to help with menial work in hospitals. It only ran for a season but had a lot of potential. Testament of Youth (2014) is based on the celebrated memoirs of Vera Brittain, who served as a VAD for part of the war and lead her to become a dedicated pacifist.

Also, while we're on the subject of women, though these aren't war movies specifically, I feel like the additional color to the early 20th century female experience offered by Suffragette (2015) and Iron-Jawed Angels (2004) is worth the time.

As a general rule, Americans don't talk about World War One, and we sure don't make movies about it, either. The Lost Battalion (2001) tells the story of Major Charles Whittlesey and the 9 companies of the 77th Infantry division who were trapped behind enemy lines during the battle of the Meuse Argonne.

I should add that this list is curtailed a little bit by what's available for broadcast or stream on American television, so it's missing a lot of dramas in other languages. The Road to Calvary (2017) was a Russian drama based on the novels of Alexei Tolstoy. Kurt Seyit ve Şura (2014) is based on a novel and follows a love story between a Crimean officer (a Muslim) and the Russian woman he loves. The show is primarily in Turkish, and Kıvanç Tatlıtuğ, who plays the lead, is *very* attractive.

Finally, although it might seem silly to mention them, Upstairs Downstairs (1971-1975 ) Downton Abbey (2010-2015) and Peaky Blinders (2013-present) are worth a mention and a watch. All of them are large ensemble TV shows that take place over a much longer period than just the Great War, but the characters in each are shaped tremendously by the war.

#so i hear you liked #preaching the period drama gospel i am #world war one #period drama #period drama trash #1917

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orange-catsidy · 3 years

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What are some good (and easy to find) motor city machine guns matches to watch to get into them?

*cracks knuckles* just sticking to matches that are on youtube bc they're easily accessible -

from tna/impact (more theatrical and high flying):

vs the bucks - bound for glory 2010 (link)

vs beer money (ultimate x) - tna impact 2010 (link)

vs the bucks (empty arena) - tna impact 2010 (link)

vs the bucks (full metal mayhem) - final resolution 2010 (link)

vs lethal consequences (ultimate x) - tna impact 2009 (link)

sabin vs shelley - genesis 2009 (link)

from ring of honor (more technical):

vs bryan danielson & austin aries - fueling the fire 2008 (link)

vs kevin steen & el generico - death before dishonor 2008 (link)

vs the briscoes - good times great memories 2007 (link)

vs the bucks vs the addiction (3 way tag) - conquest tour 2016 (link)

#asks #mcmg #empty arena match is recommended viewing #not that the bucks are ever not high flying but it's all relative

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maddogofshimano · 3 years

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Bound in the Chains of Suspicion: Haruka and Hamazaki Board Game Event

Major Y3 and Y4 Spoilers

I was surprised to see these two on an event together! Haruka even gets to be the protagonist here

I was more surprised by how emotionally compromised I got about Hamazaki of all people. I mean, I’ve thought he was a cool character ever since Y4, but man! This is the most important part though: LOOK AT HER

I’ve been busy so self-care was writing things up in more of a summary form than doing line for line translations this time. Apologies for the likely higher number of errors than usual and less polish overall, I got this done with only a few hours to spare before the event ended

I do need to put a big honking Content Warning on this one for attempted sexual assault of a minor, in which a grown man twice demands to see Haruka’s panties and attempts to grab her when she refuses. I’m really not a fan of the writing choice to include this, but I’ve got it in here for completeness’s sake

Summary: Set during the time between Kiryu and Yasuko leaving Hamazaki in Okinawa and Haruka’s call to Kiryu the next day to tell Kiryu that Hamazaki had passed away in the hospital. Haruka grapples with whether or not Hamazaki is a bad person and if he’s trustworthy while attempting to save his life

<After the incident where Hamazaki drifted to Morning Glory from Okinawa Penitentiary No. 2.....> We're starting off with in-game events/dialogue, Hamazaki handing over the blackmail he took from jail and asking for Kiryu's help

Immediate flashback to earlier 3/9/2010, more in game events. The kids have just gotten back from a field trip to the woods. They had fun, and want Kiryu to come along next time. Kiryu tries to introduce Hamazaki, Haruka is not having any of it

She tells Kiryu to shut up and Hamazaki to stay the hell away from everyone. Hamazaki is hurt by this, but fully understands and agrees to keep his distance

Next we have the beach conversation with Kiryu where she asks if he’s going back to Tokyo and that she’s scared

Haruka's usually very polite but she keeps calling Hamazaki あの浜崎って人 which is like, "that Hamazaki guy" lol

Haruka's been told by Ayako that "that Hamazaki guy" has left with Kiryu to go to the police station. She's wondering why that guy is now trying to convince Kiryu not to go to Tokyo....... isn't there going to be a big problem if Kiryu doesn't go? Did Hamazaki tell Kiryu not to go..... for Haruka's sake? There's no way, right? A bad person like him wouldn't do something like that..... She can't trust him, but..... <Haruka flashes back to her yelling at Hamazaki and Hamazaki looking sad> She feels she might have been cruel to him

She thinks that Hamzaki just looked so so sad, so she tells Ayako she's going to head out for a bit and asks her to watch over things while she's gone. She thinks that she still can't trust Hamazaki but that maybe, it's possible he really has changed, and he's not such a bad guy anymore... but she can't be sure! So she's going to talk to him a little more

She shows the cop an photo of Kiryu and asks if he's come this way, as well as a big man with a shaved head and a scary face named Hamazaki. The officer says that they did, but went to help a lady look for her brother instead. He points Haruka in the direction they ran off in. She thanks him and wonders who this woman is, and remembers that Kiryu has a phone so she can just call him. Except she forgot her phone at morning glory...... thankfully there's a pay phone nearby, so she uses that instead. Kiryu isn't picking up though, which is worrying. She's sure Hamazaki must have done something!

She runs around the market with her picture of Kiryu asking people if they've seen him. A store owner says that yeah, he's seen that guy with the scary face, he was here not too long ago, and points her in the right direction. She follows the trail, talking to a homeless man, a younger guy, a tourist lady, and finally hitting a dead end and talking to a goon who says yeah, he's seen those three, but his memory's real fuzzy. Maybe he could remember if Haruka would show him her panties. Haruka is taken aback, he tries to grab her, and Haruka fights him off enough to escape. She hides nearby, and happens across someone bleeding on the ground. It's Hamazaki!

Hamazaki is bleeding badly, and collapses. Haruka thinks that she needs to call an ambulance, and fast, but she hears someone shouting in search of Hamazaki. She knows that if they come this way they'll be out in the open, so she starts dragging him despite him being heavy

the voice was of course coming from everyone's fave, Saito the Prison Warden

He knows that Hamazaki got shot in the torso, so he couldn't have gone far. Haruka wonders why Saito would try to kill Hamazaki. Unfortunately Saito decides that his subordinates are useless and that if he wants anything done he'll have to do it himself

He tells a homeless man that if they spot Hamazaki, Yasuko, and Kiryu he'll give them 100,000 yen, and the offer stands for any other homeless friends that help search. Haruka knows that she needs to get Hamazaki somewhere safe that they can hide, and fast. She thinks about it and remembers that right at the end of this alley there's an empty room that's never used that Taichi told her about. She manages to sneak herself and Hamazaki to the building without being spotted by the patrolling homeless men--but once in the building she finds that there's a homeless man inside. He tries to tell her to go play somewhere else but notices that she's dragging Hamazaki behind her, and starts shouting in hopes of getting the 100k. HARUKA ATTACKS THIS MAN. HARUKA OVERPOWERS THIS MAN. THIS MAN IS STRUGGLING TO GET AWAY AND HARUKA IS TELLING HIM HE CAN'T TELL ANYONE CAUSE THE PEOPLE LOOKING FOR HAMAZAKI NO OJISAN WILL KILL HIM

The man comments that Haruka's hands are shaking. He says he's been there too. When he worked as a day laborer, his hands would shake like that when he was desperately trying to haul heavy things. For the sake of helping an adult she's pushing her tiny body to it's limits... He agrees not to tell anyone, he's not going to be happy with any amount of money at the cost of someone's life. If any other homeless people come by, he's going to spread rumors that Hamazaki is far away from here, so that should help with Haruka's escape Haruka thinks again about calling an ambulance, worried that Hamazaki will bleed out, but still worried that they'll be found before it gets there. She also worries about why she hasn't seen Kiryu, and why Hamazaki was all alone at that building. The guy that shot Hamazaki seems like a cop and a bad person, but she had also thought Hamazaki was a bad person before... He did shoot Hamazaki, but Hamazaki also stabbed Kiryu...

Haruka wonders if maybe telling the cops where Hamazaki is would be the right thing to do. Maybe he's the real bad guy here. In response Hamazaki makes an eloquent argument compared to every previous line which had just been "Ughh gh ughh" and instead goes for "cough cough....!"

He's conscious enough to recognize Haruka as that kid who was at Kiryu's place. Haruka asks if Hamazaki is alright, and where is Kiryu? Is he okay? Hamazaki wheezes out that Kiryu's gone to a bad place, which is about the most ominous way to say things. Haruka panics internally, but unlike many other instances of miscommunication where Hamazaki would pass out right there, he says that Kiryu went with Saejima's sister to Tokyo. Haruka can't believe it. Hamazaki apologizes that he ended up separating Haruka from Kiryu after all.

Hamazaki also says that, despite everything, Kiryu's doing this to keep Haruka safe. Haruka wonders about that and Hamazaki collapses again. Haruka rushes off and calls an ambulance from the closest pay phone. She thinks that, if she trusts what Hamazaki is saying, then Kiryu has something important to do again. But is that really the case? She decides it'll be alright to trust Hamazaki. Before she makes it to the pay phone she's stopped by Saito introduces himself as a prison warden and says he's looking for a very bad man. He's large and has a shaved head, and was seen with a woman in a long coat and a man in a Hawaiian shirt. Haruka says she hasn't seen anyone, and rushes to the phone to call. Saito doesn't seem too convinced. Haruka makes the call and thinks that Saito had a real scary look in his eyes. She's pretty sure he's the bad one here. Once that guy gives up looking, then she can go home

Unfortunately we have the return of the disgusting creep that wants to look at her panties, now telling her that he looked all over for her, and she better not think about trying to run away this time. Haruka tells him to stay back

He says that it's fine if she hates him. In fact, that's even more enticing. She says to let her through, she's in a rush. He says he just wants to see her panties already, and tries to grab her. Another fight, she manages to avoid getting grabbed but he keeps her cornered and says she should stop fighting. He's cut off by a baton to the back of the head by the unlikeliest of heroes, dropping the creep

Haruka now has to consider, is it possible that Saito isn't actually a bad guy? Haruka leaves, and Saito comments to himself that he's going to find Hamazaki.

Haruka rushes back to Hamazaki, who is still lying on the floor going Ughhghghhhhh. She tells him to hold on a little longer, and ambulance is on the way. Hamazaki apologizes, and asks if she's alright. Haruka's confused. Hamazaki says that she scraped her knee on something, didn't she? It was from dragging him, right? She says no, she just fell and scraped it. Haruka's taken aback, even on the verge of death he's concerned about someone else--he really has changed. But... this could all be an act, she has no way to know... should she really be trusting him? There's a voice outside saying that this is where he's hiding. Search everywhere. both: !?

There's no time to hide, Saito is already here. Apparently it's been about 2 hours.

He followed Haruka, knowing she'd lead him right to Hamazaki. He saw the blood on her clothes and had a hunch. Once they talked at that pay phone he was certain she was hiding a half-dead Hamazaki somewhere. Haruka tries to protest but Saito thanks her for her help. It's a good way to thank him for saving her from that creep, right? Either way he only stepped in because he wanted her to lead him to Hamazaki as quickly as possible. Saito decides they've had enough chit-chat and says it's time to cut to the chase: he starts beating on Hamazaki and demanding to know where Kiryu Kazuma and Saejima's sister are

Hamazaki tells Haruka to run. He says that once they realize they can't beat the whereabouts of Kiryu and Saejima Yasuko out of him... they'll start torturing Haruka. He's going to use the last of his strength to stand and knock this guy to the ground, that'll be Haruka's opening to escape. Saito tells them to cut it with the whispering. Hamazaki says that Saito has a real hideous mug, it really makes him laugh, and earns himself another beating. Haruka calls out but Hamazaki cuts her off and says that it's okay to be scared. Hamazaki's dealt with plenty of guys like this. Saito threatens to kill him if he doesn't spit out where Kiryu is already. Hamazaki laughs and says he doesn't know. Saito asks if he needs his memory jogged, pauses, and sees Haruka standing in front of Hamazaki. He asks what she's trying to do. She says this is terrible! She can't let this go any further!!

Saito doesn't care if she's just a kid, he's happy to give her an attitude adjustment. Hamazaki launches himself at Saito to prevent him from beating Haruka, saying that he won't allow Saito to lay a single finger on this child. Saito attacks Hamazaki with intent to kill. Hamazaki can't move anymore after the fight, and Saito keeps hitting until he goes down. Saito declares that he would never die in a place like this, he's the one who's coming out on top. He reels back to strike Hamazaki, shouting for him to die, and........ HARUKA GRABS HIM AND STOPS HIM FROM HITTING HAMAZAKI! He calls her a bitch and tells her to let go of him!

Haruka: I won't let go....! Not ever.....! Hamazaki-san! Run!

Saito: Let go of me you biiiiiiiiiiiiitch! Saito turns to swing at Haruka but is taken down by one giant punch from Hamazaki, who tells him not to get back up. The ambulance finally arrives. Haruka begs him to hold on just a little longer. Hamazaki agrees, and laughs a little. He stopped Saito from laying a finger on her after all. He's glad he was able to protect her. There's on favor he needs to ask of her. Hamazaki: Tell Kiryu...... and Saejima that......... the Tojo Clan... is the only proof they ever walked this earth...... They have to... protect it....... from the police

He then collapses. Haruka begs him to hold on

The doctor tells Haruka that Hamazaki is in bad shape... he might not even make it to the morning.

Haruka thinks back to her yelling at Hamazaki at the orphanage Haruka: I'm sorry, Hamazaki-san..... I... I was cruel to you then... and now I can't even apologize to you for it. I'm sorry....... I'm sorry...... Hamazaki: ......What's.... wrong....... Haruka-..... chan........ Haruka: !? Doctor: Incredible.... he's awake! Haruka: H-Hamazaki-san.... I'm sorry! I... back then when I.... I'm can't apologize enough....... Haruka: Back at Morning Glory.... I didn't trust you.... I said some cruel things that hurt you.... I'm sorry! Haruka: I was certain you were a horrible person back then.... but now.... I don't think that's true.... Haruka: For protecting Uncle Kaz.... for protecting me.... thank you, Hamazaki-san! Hamazaki: Heheh.... thanks, huh? Hamazaki: ......First time.... anyone's ever said that kind of thing.... sincerely to me...... Haruka: Hamazaki-san...... Hamazaki: Heheh.... it's fine........ Since we're.... giving thanks to people..... Hamazaki: Thank you... Haruka-chan.... Right at the very end...... you saved me <Hamazaki collapses> Haruka: .....! H-Hamazaki-saaaaaan!!! <at New Serena, Kiryu gets a phone call> Kiryu: ....Haruka. What's wrong, did something happen?

Haruka: Uncle Kaz... Hamazaki-san..... he just passed away. At the hospital.

Straight from the in-game dialogue, Haruka tells Kiryu that Hamazaki had been shot in the back, leading to his death. He thanks Haruka for being there for him, she says it was no trouble, and that she thinks he died protecting Kiryu. Kiryu agrees. Haruka says she thinks she was wrong about Hamazaki, and passes along his message for Kiryu and Saejima, and lets Kiryu know that his body is currently at Morning Glory. Kiryu says they'll hold a memorial service once he's back <phone call ends> Haruka: .....Uncle Kaz. The Tojo Clan that Hamazaki-san protected... he's left it's protection to you. <END>

Bonus stuff:

as we all know, Haruka has not had enough people literally die in front of her eyes, so time to add Hamazaki to that list!

okay so immediately after Hamazaki wakes up in the hospital there’s this screen which made me break down into nearly crying laughter in the middle of the emotional moment, so I used my editorial authority to move it down here instead

the doctor’s face! why did they do this!!

Anyways here’s all of Haruka’s little blurbs from going around the board

Beach There's a beach in front of Morning Glory. We keep coming back to here to look at the ocean. It's an indispensable spot for all of us.

Morning Glory Our beloved home. When I first came here, I thought it was super spacious, but lately it feels cramped. It must be because everyone has grown up.

Hamazaki-san The guy who stabbed uncle Kaz.... But now, Hamazaki-san gives off a totally different vibe than back then. Is it really okay to trust him....?

Ebisu Pawn The Ryukyu branch of Ebisu. Uncle Kaz goes there every now and then. I have no idea what he's pawning off but... I'd like to help.

People Running Shakedowns Even in Okinawa there are people that will do shakedowns.... I need to tell everyone to keep an eye out before anything happens....!

Ojisan The caretaker of Morning Glory. Honestly, everyone truly thinks of him like their dad. If you tell him something like that however, he will get embarrassed.

Everyone at Morning Glory Everyone here has no parents, but each of them has a bright future ahead of them if they keep working hard. We've all become a real family for each other.

Sailor Outfit For my middle school I have to wear this sailor outfit. At first I would get embarrassed when everyone looked at me.

Mame A resident (pet?) of Morning Glory. Mame is getting bigger, and it's making his daily walks and pacing beforehand a real pain! (TL note: the resident (pet?) is Haruka swapping the counter between for a person and for an animal, which does not really have an english translation lol)

Dragon Mask When Taichi was sick, this was used for a pro wrestling match on the beach. I haven't seen it since then. If I ask nicely, I wonder if it could be used again?

That’s all! Thank you for reading all of this!! I cherish every single tag people leave on these posts when they reblog them

#yakuza #rggo #ryu ga gotoku online #Ryu ga Gotoku #Hamazaki #Haruka #Kiryu

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arda-tourism-board · 3 years

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FF.net Silmarillion masterlist

Because for some reason I’m feeling nostalgic so these were my favourites back in the day

A Singular Honour

Whilst on an army training exercise in the Mendip Hills a party of soldiers discover that there is something very nasty deep in the forest and ultimately embark on a mission. Set during the War of Wrath. MEFA 2010 Nominee

In Cavern’s Shade

During the first age, when Beleriand itself stands on the brink of destruction and Doriath falls from the height of glory to begin its long decline, Celeborn, a Sindarin prince as quick to wisdom as he is to anger, meets Artanis, a Noldorin princess plagued by a dark secret, and they soon find themselves plunged into a world of intrigue, lies, and mystery as ties grow turbulent.

The Choice of Elros

Elros, the brother of Elrond, has the power to live for all the ages of the world as an immortal Elf. But what if his heart bids him to make another choice?

Gorthauro Estel (unfinished but last updated in 2020)

What if Sauron had not fled? In which Sauron takes Eonwe's advice and returns to Valinor to face judgment for his deeds.

A Borrowed Voice (unfinished unlikely to continue but I still love it and the premise)

A young man survives a car crash that should have killed him… but when he wakes from his coma, he no longer understands English. He speaks gibberish... or so the doctors think; they don't know Old Quenya after all. When he meets Maka Smith, speech therapist and oath-bound kinslayer, an unlikely mission from the Valar forces them to work together… whether they like it or not.

Enjoy! Hope the links don’t break :)

#silmarillion #fic recs #fanfiction #tolkien #this was ultimately because I remembered that ash still existed and I had to reread it

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ronnytherandom · 3 years

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I started Writing My Thoughts On Things Again, I'm Sorry

15/8/2021:

Mass Effect Legendary Edition (Whole trilogy w/ all dlcs, Adept Class, Hardcore difficulty, 68 Hours):

Still brilliant! I adore this series. The first Mass Effect was one of the first games I ever played back in 2010 and Mass Effect 2 is one of the games I’ve played the most accruing several hundred hours over multiple playthrough from 2010 onwards, while Mass Effect 3 is a game I greatly appreciated but have more mixed feelings towards. Retrospectively as much as I liked the first Mass Effect, I did not nearly appreciate it enough back in the day. For a first entry in a new IP it is incredibly fleshed out with interesting Lore, an intriguing story and a cool galaxy to explore. I appreciate its combat far more now than I did back then but would still argue it is relatively weak in comparison to more modern titles and its own successors. Though the VA is rough in some places it is excellent where it matters, especially in the case of Sovereign whose iconic dialogue on Virmire is etched into my brain. A key element of the first mass effect I felt was sorely missing from the later entries was its exploration. While the galaxy grew routinely larger no game after the first had a drivable Mako, a vehicle I adore, and further lacked the opportunity to land on and explore the terrain of alien worlds for resources and side missions which I feel lends a lot to the atmosphere of the setting and could be made even more compelling using updated technology and a larger selection of assets and interiors which might have emerged from the higher budget successors. As it is I appreciate its inclusion in the first game. Mass Effect was also my first encounter with impactful choices in a video game and this is certainly something I appreciate but leads me to a major criticism specifically targeting the dialogue wheel layout as it is strange to me how you can puzzle out all of these possible dialogue outcomes but put exactly all of the positive outcomes behind the Upper Left dialogue option. While this is less pronounced in the First entry as the Renegade dialogue fills roughly the same purpose while sounding more badass, it becomes truer throughout the series as renegade options routinely just become nasty and exclusionary.

Mass Effect 2 innovates in some key ways which I have grown to appreciate more in the past 20 hours of play than I did when it launched. Primarily, its focus on characters and your relationships to them. Barring a couple of notable exceptions I found myself greatly invested in every single member of the Normandy crew and I think it’s a remarkable feat that each crewmate could be written to be so sympathetic, relatable and interesting in a world so full of appreciable elements. I would go into specific examples but id end up listing every character except Miranda and Jacob. This of course plays well into the Suicide Mission narrative which is perhaps my favourite overarching plot within the trilogy as it incorporates not just all of these incredible characters and plays upon your investment in them but also relies on the threat of both the Reapers and Collectors which are two excellently designed enemies which I find significantly more compelling than Saren and the Geth or Cerberus and the Reaper Husk Armies. Mass Effect 2 has a powerful horror element composed of the Collectors phobic horror and the reapers cosmic horror and it does wonders for the game’s atmosphere. I remember at this moment the Collector soundtrack which, like the rest of the soundtrack is absolutely excellent. Inasmuch as I would criticise it from a purely musical perspective for being simple at times and perhaps overly repetitive it perfectly fits the camp space opera that is mass effect. Galaxy Map and Suicide Mission are absolute bangers. I would hesitate to call the combat great. Playing the game as a weapon heavy class is superior, I’d argue as even with an armour build dedicated to decreasing ability cooldown it is too long to adequately utilise the powers of ability heavy classes like the adept. Additionally, ability play feels far more limited than in the game’s predecessor due to the limitation of this games skill tree elements which are frankly a step too far in simplifying the interface. It doesn’t massively affect enjoyment of the game but I couldn’t help but note every time I visited the abilities menu how much I missed Mass Effects abilities menu. So while I would say Mass Effect maintains a very well balanced game with regards to combat, roleplay and story, Mass Effect 2 eschews combat and mechanical roleplay in favour of an excellent story. Additionally while lacking an exploration aspect the more structured side-missions found by scanning planets throughout the galaxy create a lot of fun moments and interesting gameplay, emblematic of the fact that mission design vastly improves between this game and its predecessor.

Mass Effect 3 goes some way to resolve its predecessor’s imbalance as the majority of the game possesses enhanced combat, a much better abilities mechanic and an excellent story. First the addition of more mobility, loadout and engagement options benefits the combat greatly, while the addition of more complex enemy types than previous games pushes you to fully utilise these new options. A massive reduction in ability cooldown combined with liberal cooldown reduction bonuses in the skill tree means that abilities are very useful and versatile and you generally feel very powerful. Sometimes too powerful if you’re thinking from a balancing standpoint but given it’s a single player game this criticism is much diminished and being powerful is fun regardless. The skill tree system in this game forms a synthesis between its predecessors’ systems and comes out the better for combining a regular sense of empowerment with interesting choices within your own character build. All of this contributes to a much-improved combat experience, especially over Mass Effect 2. This also lends itself to the old multiplayer system which I honestly enjoyed when it launched (who cannot love a playable biotic Volus?) and feel is sorely lacking from this legendary edition. I would argue the only real problem with the multiplayer was requiring a player to engage with it in order to achieve the best story outcome; the actual multiplayer gameplay was thoroughly enjoyable and it gave players the opportunity to experience combat as an STG agent or a Krogan Warlord which were both fulfilling experiences from my memory. The aforementioned story is truly excellent and successfully builds off events in previous games but primarily succeeds due to Biowares exceptional character writing which persists from Mass Effect 2. Even in the case of its worst side mission content but especially in its primary missions the stakes and outcome of events are thoroughly compelling and the involvement of beloved Normandy crewmates is bound to incite intense emotions. This is possibly the only game that makes me cry multiple times throughout a normal playthrough. Unfortunately my goodwill often runs out when it comes to consider the ultimate ending of this series which I do not approve of. I admit there are mitigating factors: you should not play the mass effect series for the culmination of its plot. This series lives and dies with its characters and all of the major character arcs reach satisfactory endings before the final moments of Mass Effect 3, so the final moments have no real meaning as the thematic purpose of the series is achieved by galvanising the galaxy and uniting all these disparate races into a single force to fight the Reapers. Thematically the game is a success but the extent to which it utilises the choices the player has made, upon which the series builds its reputation, is limited in scope. This can likely be laid at the feet of the leaks of the original story ahead of the games launch which pushed the developers to create a new ending to avoid spoilers, but the quality of that ending is poor as it boils all the choices made throughout the series down to selecting the colour of a space laser. To make an odd comparison, this is why I think Game of Thrones’ and Mass Effect’s endings are different kinds of bad. Mass Effect reaches a fully satisfying conclusion in the moments immediately after launching the final mission, whereas Game of Thrones built its whole series asking the question “Who Will Sit The Iron Throne” With the final answer being “Actually, no one” after slogging through multiple series which did not live up to the quality of the first. Mass Effect answers its dramatic question of “Can Shepard Unite The Galaxy Against The Reapers” satisfactorily following sixty hours of excellent content and the colour of the space laser doesn’t actually matter. It just hurts to think that the finale could’ve been so much grander and more interesting. I would recommend the games, the disappointment of the finale doesn’t even come close to outweighing the grandeur that is the rest of the experience of Mass Effect 3, let alone the whole series.

There are only a few pieces of content I had not encountered prior to this Legendary edition playthrough. The Mass Effect DLC Bring Down The Sky is fun in that it adds an interesting combat experience with incredible stakes and immerses you in a stellar scale event, but the experience is very short. As part of the legendary edition I recommend it but having to pay extra for it at its time of launch I would have found it disappointing. Mass Effect 2s Overlord DLC is very good, introducing fun combat encounters, an opportunity to operate the fairly fun Hammerhead vehicle (even if it doesn’t live up to the Glory of the Mako) and explore a nice open environment with a truly haunting ending which is a kind of non-choice but it is gratifying to make that choice anyway. Additionally the visuals in the final station when interacting with the VI elements are very nice. The Arrival DLC is also quite fun, with a pseudo stealth section to open it, something which I believe occurs nowhere else in the series. The general element of operating solo is quite novel for mass effect as I believe outside of this moment, the opening of the Citadel DLC and the final moments of Mass Effect 3 there is no point where you fight alone. The indoctrinated nature of the project team does not come as a shock but regardless the dlc is enjoyable as a combat experience and the scale of destruction shown necessary to even slightly inconvenience the reapers lends a lot to the scale of their threat. I do not believe I played any DLCs in Mass Effect 3 before, insofar as I did not consider From Ashes DLC content as it was already on the disk and all buying the day one dlc did was activate it. Leviathan is very interesting from a lore perspective and does interesting things with its investigative process but I find it to be a relatively passive and uninteresting experience for the most part. Omega was more my style with a lot of good combat and interesting new enemies and a bit of bombast besides but still left me largely unmoved. Citadel was excellent but mostly for its “endgame” content rather than its story content. Despite featuring many hilarious moments throughout the actual plot it failed to interest me but I was definitely there for all of the fun character moments and the party is absolutely hilarious.

Ultimately a hearty recommendation but with tempered expectations for the finale.

Deaths Door (True Ending, 13.7 hours):

A Delight. Deaths Door is a charming little game about a bird that stabs things and I love it. It is incredibly impressive that this was made by a team composed of two people. The gameplay is fun in all regards. Navigation is a good time especially when all of the environments are lovely and full of personality. Obstacles come mainly in the form of puzzles and these are at a sweet spot between ease and frustration without being at all complex. Combat could’ve used a bit more work, primarily to create more meaningful distinctions between weapons or add a little depth, but it is still engaging and good fun. While the main bosses are challenging and satisfying to defeat, I worry over the side bosses; perhaps something could’ve been done to make them more distinct from one another? But a small gripe. I like the world, the aforementioned environments are well realised, the general aesthetic is artful and distinct and the story is good if slightly sparse. One notable element is the dialogue which is very good with a quick wit. The finale of the main game has the right amount of spectacle and weight while the endgame is cool and fantastical, with an ample supply of secrets and collectibles to find. Over all the music is incredible, soundtrack full of absolute bangers. I really enjoyed completing this game and I’d recommend it to anyone who’s into action adventure and souls-like games.

The Bad Batch (season 1):

This was Allright. To open I cannot overstate how good the animation and art of this series is. It is routinely beautiful and well-choreographed. Visually there are no complaints. The problems begin with the opening episode which I feel overpromised on a relatively dark take on the Star Wars universe by immediately dropping us into an Order 66 plot full of death, danger, brainwashing and the threat of an emergent empire. Now granted this series never explicitly promises that all of this would continue but I enjoyed these elements of the first episode and I was dissatisfied by their limited usage throughout the rest of the show. This is not to say I disliked the show, I did enjoy the characters who are all good fun, and most of the plots were good. This series I felt had a lot of filler episodes, which I’d simply describe as episodes I enjoyed less due to underwhelming plot or conflict, but they were still enjoyable despite what id perceive as a lesser quality. The show also “suffers” from what I’d called Star Wars Syndrome of Filonitis which is how Everything Must Be Interconnected, with regular cameos from extended universe characters which I feel is beginning to get a bit much. These features feel to me more often like nostalgia grabs rather than organically featuring a character in service of the plot and development. For example, I appreciate the Captain Rex feature as that served to highlight the inhibitor chip problem and drive the characters to seek a solution, however I appreciated Rafa and Trace’s feature less both because I’m less attached to those characters (especially Rafa) but also because the episode didn’t serve any particular purpose or create any particular set piece which couldn’t have been achieved without those characters. This is a similar issue I have with The Mandalorian, I adored season one as it was relatively self-contained and only featured vague or subtler references to the wider canon: to contrast season two is full of cameos from the wider universe sometimes for no reason other than to have a cameo when those roles could easily have been filled with new and creative content which doesn’t rely upon nostalgia to make something interesting. Ultimately Bad Batch is worth watching for the characters and the good episodes, it is fun and entertaining, it just has its issues.

Jojo’s Bizarre Adventure Part 1: The Phantom Blood:

Its uh, its not good. Now that’s a very broad statement, as to assess this show critically at all is to take it far more seriously than you should, but to be more even handed the show certainly has a bunch of fun elements. Only from a story perspective, there isn’t really that much there; and from a pacing perspective it needs to be seen to be believed. I’m certain that if you condensed the show down to a reasonable size for the amount of content it has, you’d probably have a movie with a two-hour runtime at most which would be quite enjoyable but on a whole this first part wastes about 80% of its time on overlong drawn-out internal monologues and the dilated timeframes of the show’s fights. It also has an annoying habit of overemphasizing the weight of a moment or the genius of a characters unexpected action usually with no less than three people commenting on any slight manoeuvre which ruins the pacing beyond belief. Now I understand this is a staple of the Jojo series, only part 1 handles it very poorly in comparison to later parts. The fighting is especially hindered by this as most actual combat usually involves only four or five punches but they tend to take twenty minutes getting to each one. Additionally, Johnathan Joestar is pretty boring as a character with no notable qualities aside from being good both morally and at fighting. The intrigue of the stone mask is cool but this part deals in that very little. Like I say though, Part 1 is still fun to watch if you can disengage your brain and admire the potent meme quality of the series. It is not “good” from a critical perspective but it is incredibly amusing and the campness gives it a degree of charm. If you just want to watch a bunch of beefy men shout at each other and perform magic punches this is a good time. Speedwagon, despite being the worst offender of the “Explain Everything Twice and Ruin the Pacing” category, is still entertaining for the awful accent and endearing character. He’s also definitely in love with Johnathan and I will not be taking questions on that. Baron Zeppeli has a cool hat. Theres a lot of fun to be had as the show embraces the weirdness of everything that’s going on. So, check it out, it might just be a So-Bad-Its-Good Masterpiece.

300 (film):

This film was not so great in my eyes. I think there was one particular shot of the landscapes around Sparta which I felt was visually cool but everything else about the film lacked quality for me, barring practical effects which have aged significantly better than the graphical effects. The visuals are largely uninspiring, the washed-out colour pallet doesn’t help. Perhaps the dialogue was amusing at release but for me it’s all been memed to death. I can’t say any of the performances are particularly compelling, nice to see Magneto and Faramir though. The action could’ve been good and there are certainly moments where it has impact, but the constant application of slow motion I feel reduces the sense of power that should be there, like watching people fight on the moon. Ultimately, I can’t stomach it for two primary reasons: Historical inaccuracy and Racism, which feed into each other. The values of the Spartans do not accurately reflect ideas that historical Spartans held to and I must ask why? Historical accuracy is the default state, so to usurp those ideas in favour of others means the author of the graphic novel Frank Miller and director Zach Snyder replaced those ideas with purpose, in order to make the film more appealing to a mass audience or to express their own ideas perhaps? And the values they chose for the Spartans were freedom, justice and democracy which were things the slaving and monarchical Spartans did not believe in at least in the modern sense. This reeks of an imposition of the propagandised values of western nations on a historical society. This in itself would not be so much of an issue without the demonisation and perversion of the Achaemenid empire and the peoples therein. To establish the primary conflict as one of Civilised white westerners against barbarous non-white easterners, when historically the conflict was between two nations of a broadly similar heritage both possessing facets of good and evil, in the early 2000s? It feels as though some reactionary interpretations of the War on Terror have simply been recreated here with classical history as window dressing. Add to that reactionary attachment to the battle of Thermopylae as a representation of the western world’s struggle against the eastern world, in addition to other more problematic interpretations, and this film plays straight into extreme right-wing ideas of race. Cannot recommend, there’s a lot more better things you could be watching.

18/08/2021: Darth Vader (2015) comic (incl. Vader Down event):

This was really cool. The first comic I’ve ever actually read so I don’t have much frame of reference but I certainly enjoyed this. It was compelling, I’ve blitzed through this whole run in a single day. I think it serves a valuable purpose of demonstrating Vader’s potential and development between Episodes IV and V, as well as the nature of internal conflicts within the Empire. A side note, it is amusing that Palpatine identifies infighting as a factor in the fall of the Sith Empire and yet encourages it for his own political purposes anyway. I felt that the art and style was very good and fit well with the Star Wars aesthetic, though I couldn’t say if it is truly excellent or just standard: it certainly wasn’t bad, though I think a few designs such as Dr Aphra’s ship were hard to read as it were. Speaking of, I think characters new and old were well portrayed. The titular Vader is unmistakably the same character as appears in the classic trilogy, similarly for Han, Luke and Leia etc. And it was a pleasure to see Chewbacca absolutely destroy someone. The aforementioned Aphra I thought was fine but she lacks distinction to my mind, the real star was Triple Zero and by extension Beetee who I thought were excellent comic relief in addition to being a genuine threat, something I can’t necessarily say I felt with regard to the antagonists. This latter part doesn’t matter overmuch, I think the purpose of these antagonists was more to present Vader with pressure to fulfil his personal goals rather than actually oppose him and they work well in that regard, but are unmemorable beyond their basic attributes. What I think this comic does particularly well is create a kind of puzzle narrative and its almost thrilling at moments when Vader’s plots might be discovered. As a result of this I am looking forward to reading more comics in future.

The Suicide Squad (2021): Highly enjoyable! A big step up for the suicide squad as a franchise and a lot more fun, playing into a brighter and more humorous genre than its predecessor to good effect; This time with good editing, soundtrack, direction… well good everything in comparison. I enjoyed all of the characters and their acting particularly the rivalry between Peacemaker and Bloodsport and Margot Robbie is still fantastic as Harley. They all pale before King however, who is endearing beyond belief and a lot of fun to boot. The “villain” if that term is applicable is very interesting and actually threatening, no mere beam of light into the sky! And the willingness to engage in more mature elements such as gore and character morality is of immense benefit, serving to distinguish it from generally more childish superhero media and reach towards more interesting themes around colonisation, foreign intervention, America and such. Only a reach towards however as I don’t think it ultimately says anything beyond “This thing, kinda bad and dumb”. As I saw noted, it observes the theme but doesn’t comment on it which is a shame as that would bring it all together quite neatly. I feel it can drag a little at times and sometimes the dialogue and specifically its humour don’t hit right but the rest is of such quality that it hardly matters. It looks good, sounds good and offers a chance to engage in a little mindless and bloody violence. I hope Harley keeps the javelin.

27/08/2021: JoJo’s Bizarre Adventure Part 2: Battle Tendency: TW: Mention of Nazism, Discussion of Sexism

This is MUCH better. Part 2 covers most of the problems I had with Part 1. The Monologues are less egregious so the pacing is much improved; the lore is fully integrated into the story and creates a genuinely good narrative and Joseph is a much more compelling and interesting protagonist with a quirky and entertaining personality. The Pillar Men are excellent villains and the fights are fully engaging. Even when you know that Joseph will pull out a “And next you’ll say” twist at the end of a losing fight it’s still surprising simply by dint of the strange and wacky solutions he creates. And these adventures are even more bizarre, playing into the weird camp of the series which works so well. All in all, the quality is excellent here HOWEVER there are some highly problematic elements. The show being set in the 1930s is a neat part of the travelling through time factor of the series but when you’re globetrotting around Europe you need some solution to the problem of Nazis popping up everywhere and this show does not provide one, and fails so drastically to offer even a slightly critical perspective on the fascist characters. The noble sacrifice of Von Stroheim and his later resurrection and heroism serve to idolise a Patriotic German Nazi Officer, which is not good, and this unchallenged perspective on an Actual Nazi is troubling especially when the character himself is an unrepentant mass murderer. Additionally, the show has a horrible attitude towards women, who exist almost exclusively for sex appeal and romantic interest in this show. Lisa Lisa does demonstrate ability and character but when presented with genuine combat is relegated first as a bit of eye candy during the fight with Esidesi (notably eye candy for Her Own Son) and later as a Damsel in Distress during her fight with Kars. Women are frequently used as objects in this part; Caesar Zeppeli uses women as props by controlling them with his Hamon powers and Suzi Q exists only to be rescued from Esidesi and then to be romanced by Jojo. It’s pretty ridiculous to be honest. I am informed that this improves over the course of the series but as for this part in particular it is a lot of fun just so long as you can ignore some incredibly troubling portrayals.

13/09/2021: Rick and Morty Season 4:

There is ultimately not much to say as Season 4 is simply more Rick and Morty and operates as such. It is good, even very good. It’s still very funny. Its voice acting is still the pinnacle of such work. It is still smart and has a lot of interesting ideas, only not to the extent of the copypasta fan boys. Its sci-fi universe is cool and its design and aesthetic are still excellent. I feel the show has passed a threshold however as there’s only so much time you can spend on the “dysfunctional family is dysfunctional theme”. I hope season 5 proves me wrong once I get to it, but season 4 is fun and I’d recommend it all the same, it’s just more Rick and Morty and I think that’s enough.

Shang-Chi and the Ten Rings: Spectacular! Very easily amongst the best if not The Best Superhero Movie (aside from Into the Spiderverse). To begin with complaints as they are limited, the colour grading was a bit dark in a couple of the fight scenes and in some moments of the climactic fight the CG effects are a little Too Much and distract from the central action of Shang-Chi, Xialing and a Dragon owning the shit out of a multiversal super spectre, which incidentally is fucking epic. Additionally, the standard MCU comic relief dialogue is a little meh at times but what’s new there? They still need to get a handle on that, especially because this film was really strong when it was serious. As much as I love Ben Kingsley’s Trevor Slattery, he was just a tad much here. Aside from a few moments of weak dialogue however the rest of the film is excellent. Acting is good, effects are good, the film is quite beautiful primarily once Ta Lo is reached and the score is bangin. I appreciate most of all the fight sequences which to me look well-choreographed with interesting arenas which were always appropriate to demonstrate the characters abilities; the sequences serve to develop character and plot at key moments also. The way the camera is handled during the fights is also a big step up, with wide perspective and long shots rather than the snappy close shots of old which serve to really show off that choreography and don’t muddy your understanding of the flow of combat. There is a good thematic line throughout the film of reconciling the bad and the good of your familial and personal history, to understand yourself better and channel that into developing and achieving your ambitions and I adore how that ties in with Shang-Chi and Wenwu’s final confrontation due to the nature and treatment of the Ten Rings themselves. They are a very interesting fantastical element especially once Shang-Chi acquires them and the way that he utilises them create a very cool combat style I can’t wait to see more of, even considering that their full potential is yet to be unlocked. I additionally approve of how they have been differentiated from their comic counterparts which to my understanding are just slightly weaker infinity stones; thus, a one-to-one reproduction would’ve been a boring mistake to make. It’s a fantastic film, go see it.

26/09/2021: Sable (20 hours, 99% complete) Sable has the makings of an absolutely fantastic game, it just has a few hiccups and hurdles to deal with. Thankfully most can probably be dealt with by patch as there’s nothing fundamentally wrong with the game; but a game should never be released in a state where it needs a patch to function normally. This game is incredibly buggy. Probably one of the buggiest games I’ve ever played at launch, and I preordered Skyrim. Most of my complaints are with the menus, which simply do not work properly sometimes, but there are other documented issues with collision detection and weird bike movement among others including one annoying persistent issue with the soundtrack being replaced by random ‘bong’ noises. For these reasons I cannot recommend the game Right Now until it is patched or if it is on a significant sale. However, once the bugs are fixed this game will be a stunning achievement. The story is good and leads to powerful emotional moments, aided along by an excellent atmospheric soundtrack and beautiful visuals. The style and colour give this game an exceptional look, though diminished by a fairly rapid day/night cycle. I understand that this creates a visual contrast to make the daytime feel more vibrant and impressive, but I would also hold the sun still in the sky if that were an option. The world is well built, with interesting lore and cool design work. Varied environments show off a range of colourful landscape all with their own distinct atmospheres and landmarks which are good both for navigation and exploration, this being the bulk of the game. Exploring these environments is satisfying for curiosities sake but also offers collectible Chums that I adore and an intriguing backstory and world history to consider. Riding a hoverbike is cool and fun, and the customisability is nice though I would take issue with the “balancing” of bike parts as the best bike can be acquired only a few hours in and must be bought, where bike parts earned through long quest chains pale in comparison. This annoys me as I believe players should be rewarded more for great deeds than for acquiring currency, besides which the quest bikes look cooler. This is of little importance however as the game is a very casual and chill experience, keeping an excellent balance where it is not strictly challenging but does maintain your focus and attention. This world is full of strangeness and a little sci-fi magic; though I would argue it could use more of this I think that would threaten to overwhelm the player when even this world’s most mundane elements are still stunningly cool. I think a thick coat of bugs covers what is ultimately a magnificent game with many cool things to explore and even marred by its worst features I still had a great time playing it.

27/09/2021: The Matrix

Brilliant. A very cerebral action movie which definitely earns its place as an iconic work of cinema and its clear to see why its influence is so widespread. Fantastic action with a clear and open perspective which utilises the interesting and dynamic cinematography that runs throughout the movie. I particularly enjoy how over the top the fights are in terms of environmental destruction and gestures as a whole, with a great deal of emphasis added by practical effects which I enjoy. Cool characters, good dialogue and excellent performances across the cast. And, an interesting world well-built and designed. The robots particularly are quite intimidating and I like their arthropodal form. All of the design works well to create the feeling of a greasy industrial post apocalypse which contrasts sharply with the boring homogenous simulation, the latter having its own value as a setting due to its familiarity which would’ve been especially prevalent when this film first released. I love the soundtrack, especially the final feature of Rage, but most of all I love how deeply you can read into this film and its meaning. Having watched many videos about it I was primed on the trans allegory going in and it is very clearly a present part of the narrative before even considering the context around the Wachowski sisters and their own experience. It is a very interesting part of the story and plays well into other themes built around deconstructing the illusions pressed on us by our society, drawing strong parallels between the struggles of living as a trans person and fighting against an imperialist capitalist society. It is worth watching for any of its constituent parts but together they form a magnificent work of art.

28/09/2021: Star Wars: Visions

The series is a bit of a mixed bag. It definitely overpromises with its first episode which is of a remarkably distinct style, is incredibly cool and has great wacky moments in addition to tasteful call-backs to the wider Star Wars canon. I love the umbrella sabre, it’s a fantastic idea and there needs to be more of them. From there a few episodes are fantastic, The Elder and the final episode, and id rank the Ninth jedi just below them, but the rest of the series is definitely not to my taste. The wide variety of styles on show are all fantastic and the animation is universally very good, just some of the plots are more childish than I would appreciate and the rest are simply not engaging for me to the point that despite a great deal of spectacle occurring I would often be distracted. It’s worth a look if you’re into animation and unique takes on star wars but I find generally lacking.

Django Unchained (2nd Watch) TW: Discussion of Racism and Slavery

Red Flag: Tarantino Movie is good. Very good. Stellar performances from Jamie Foxx, Kerry Washington, Leo Di Caprio, Christoph Waltz and everyone else in the movie to be frank; a special note for the trivia about Leo Di Caprio’s cut up hand during the dining room scene, a lot of respect for a man who can keep working through that kind of injury. We can go through a Tarantino Checklist say the film is well shot with beautiful environments; has excellent and witty dialogue with good attention to detail and mannerism; and finally has great and gory action which does not flinch from terrible injury and really appeals to a perverse bloodlust that seems to crop up from time to time in normal people. Strangely enough however, I could not recall if Tarantino indulges in his predilection for feet here. This film does indulge in Tarantino’s other predilection however and that’s the N-word, but here I respect it. Unlike his non-period works, the use of the N-word is a facet of slavery just as chains, whips and plantations are and slavery is the subject of this film which seeks to be historically authentic. If anything, the absence of the N-word would be very wrong in this case despite being the project of a white man as without it the film would lack the context of a key form of oppression that still exists today. I think Django does an excellent job documenting and commenting on the institution as it existed in the pre-war period. Django experiences every level of status a black person would encounter in this setting: first a slave, then a freedman, a black slaver and finally a Liberator and the final message of the film is that slavery deserved to be destroyed and any argument made for its return is horseshit which is kind of a “Duh” statement but with the state of modern politics and the state of education in the US it’s something that needs reiterating. You can interpret this beyond the bounds of slavery itself in addition, by arguing that there are existing powers in this world which seek to discriminate based on skin colour amongst other factors and create oppressed minorities for the benefit of a wealthy few with power and should the systems that create this environment be completely destroyed it would be cause for celebration. Beyond this I particularly enjoyed the historical authenticity of the environments, of the very varied biomes of the wilder parts of the US at the time, and the contemporary outfits especially King Schultz’ coat which I desire more than any item of clothing I’ve ever seen. The film is good at building suspense both in the moment to moment and through longer story arcs, particularly the second act, but I do feel like the 2nd act lulls a little, perhaps spends slightly too long reaching its climax. This is a great spectacle of a film which looks and sounds fantastic, puts excellent performances on show, tells a great story and has quite a bit of meaning bundled into it.

29/09/2021: The Road to El Dorado (Unfinished)

Despite not finishing it I think this film is actually really good. It certainly has a few elements which don’t fully gel with me but I enjoyed my time with it; I only felt like I should really be doing something else and that I wasn’t fully engaged with it, potentially as I’m not keen on cons and high stakes acting as it feels like a form of vicarious embarrassment for me which makes me immensely uncomfortable. Personal hindrances aside most everything about this film is excellent, I loved the animation and the very colourful world. The characters were fun, the voice acting good, the constant horniness was a great bonus also. I take issue with the music, much as it’s not my right to criticise Elton John, I feel it would’ve been better fully incorporated into the film. I enjoy animated musicals more when said music is diegetic and I think them beginning to employ non-diegetic music is part of what led to their downfall, outside of market saturation. Additionally, I was not a fan of The Trail we Blaze, just not a song that worked for me. I also appreciate the integration of 3d and 2d animation here as I felt the styles were reconciled better here than in most movies, especially for the time. I might take issue with what seems to be a plot about two Spanish men of the colonial age coming to central America and “enlightening” its people through humanitarian acts and music as that would reflect some troubling attitudes but I hold out hope that by the end of the film they decide to come clean about the lie, return the gold and help defend El Dorado from Cortez and his troops. Its enjoyable, I don’t feel drawn to finishing it though.

30/09/2021: Hunters Moon, Ghost

Here’s a new one, music reviews. This single is pretty good I enjoy it a lot. Opens slow and gentle and rapidly builds into some strong rock with a very 80s feel which scans with Ghosts whole historical rock and metal style they’ve always employed but have gone in extra hard on since Prequelle. The lead riff the track opens on is really nice and I would love to have seen it explored further, but the heavier style that ramps up progressively as the song continues is still great climaxing on the 9/4 post chorus riff which goes hard as fuck and I love that bit especially. It feels like it would be spectacular to witness it live. The bridge is a moment I’m not so keen on, the initial bass work is a little bare bone and overly repetitive but it definitely picks up once the guitar and vocals come in, even if just for the final moments. The final chorus leads into a good finale though I think it’ll serve better on an album version with a transition into another track, as I usually prefer to be fair. Technically I enjoy all of the different sounds and effects employed on all the instruments, especially in that leading riff, all of which are played well with good time. The vocals are great as usual. It’s a great track, I feel it was maybe a little short and could’ve explored some of its musical ideas or given them a bit more time to breathe; perhaps less time could have been given to overrepresented elements like the bridge and given over to work more into the very atmospheric leading riff but this is still a hard and heavy rock track and I enjoy it greatly.

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everydisneymovie · 5 years

Text

THE LIST

Post #2

3/1/2020

Let’s get this out of the way: Every theatrically released Disney movie. A [X] near a movie means I have already seen it, but I will still be re-watching it for this project.

A [(number)] near a movie means it has been watched and reviewed so far.

Some movies were added to fit the rules, such as the High school musical movies and the March of the Penguins Movie.

Let’s do this:

1930’s

Academy Award Review of Walt Disney Cartoons [11] Snow White and the Seven Dwarfs [30]

1940’s

Pinocchio [21] Fantasia [25] The Reluctant Dragon [16] Dumbo [27] Bambi [32] Saludos Amigos [19] Victory Through Air Power [20] The Three Caballeros [17] Make Mine Music [17] Song of the South [12] Fun and Fancy Free [14] Melody Time [14] So Dear to My Heart [21] The Adventures of Ichabod and Mr. Toad [22]

1950’s

Cinderella [16] Treasure Island Alice in Wonderland [X] The Story of Robin Hood and His Merrie Men Peter Pan [X] The Sword and the Rose The Living Desert Rob Roy, the Highland Rogue The Vanishing Prairie 20,000 Leagues Under the Sea Davy Crockett, King of the Wild Frontier Lady and the Tramp [X] The African Lion The Littlest Outlaw The Great Locomotive Chase Davy Crockett and the River Pirates Secrets of Life Westward Ho the Wagons! Johnny Tremain Perri Old Yeller [X] The Light in the Forest White Wilderness Tonka Sleeping Beauty [X] The Shaggy Dog Darby O'Gill and the Little People Zorro the Avenger Third Man on the Mountain

1960’s

Toby Tyler [X] Kidnapped Pollyanna [X] The Sign of Zorro Jungle Cat Ten Who Dared Swiss Family Robinson [X] One Hundred and One Dalmatians [X] The Absent-Minded Professor The Parent Trap [X] Nikki, Wild Dog of the North Greyfriars Bobby Babes in Toyland Moon Pilot Bon Voyage! Big Red [X] Almost Angels The Legend of Lobo In Search of the Castaways Son of Flubber Miracle of the White Stallions Savage Sam Summer Magic The Incredible Journey The Sword in the Stone [X] A Tiger Walks The Misadventures of Merlin Jones The Three Lives of Thomasina The Moon-Spinners Mary Poppins Emil and the Detectives Those Calloways The Monkey's Uncle That Darn Cat! The Ugly Dachshund Lt. Robin Crusoe, U.S.N. The Fighting Prince of Donegal Follow Me, Boys! Monkeys, Go Home! The Adventures of Bullwhip Griffin The Gnome-Mobile The Jungle Book [X] Charlie, the Lonesome Cougar The Happiest Millionaire Blackbeard's Ghost The One and Only, Genuine, Original Family Band Never a Dull Moment The Horse in the Gray Flannel Suit The Love Bug Smith! Rascal The Computer Wore Tennis Shoes

1970’s

King of the Grizzlies The Boatniks The Wild Country The Aristocats [X] The Barefoot Executive Scandalous John The Million Dollar Duck Bedknobs and Broomsticks The Biscuit Eater Now You See Him, Now You Don't Napoleon and Samantha Run, Cougar, Run Snowball Express The World's Greatest Athlete Charley and the Angel One Little Indian Robin Hood [X] Superdad Herbie Rides Again The Bears and I The Castaway Cowboy The Island at the Top of the World The Strongest Man in the World Escape to Witch Mountain The Apple Dumpling Gang One of Our Dinosaurs Is Missing The Best of Walt Disney's True-Life Adventures Ride a Wild Pony No Deposit, No Return Treasure of Matecumbe Gus The Shaggy D.A. Freaky Friday The Littlest Horse Thieves The Many Adventures of Winnie the Pooh A Tale of Two Critters The Rescuers [X] Herbie Goes to Monte Carlo Pete's Dragon Candleshoe Return from Witch Mountain The Cat from Outer Space Hot Lead and Cold Feet The North Avenue Irregulars The Apple Dumpling Gang Rides Again Unidentified Flying Oddball The Black Hole The London Connection

1980’s

Midnight Madness The Watcher in the Woods Herbie Goes Bananas The Last Flight of Noah's Ark Popeye The Devil and Max Devlin Amy Dragonslayer The Fox and the Hound Condorman Night Crossing Tron Tex Trenchcoat Something Wicked This Way Comes Never Cry Wolf Return to Oz The Black Cauldron [X] The Journey of Natty Gann One Magic Christmas The Great Mouse Detective [X] Flight of the Navigator Benji the Hunted Return to Snowy River Oliver & Company [X] Honey, I Shrunk the Kids [X] Cheetah The Little Mermaid [X]

1990’s

DuckTales the Movie: Treasure of the Lost Lamp The Rescuers Down Under White Fang Shipwrecked Wild Hearts Can't Be Broken The Rocketeer [X] Beauty and the Beast [X] Newsies [X] Honey, I Blew Up the Kid The Mighty Ducks Aladdin [X] The Muppet Christmas Carol [X] Homeward Bound: The Incredible Journey A Far Off Place The Adventures of Huck Finn Hocus Pocus Cool Runnings [X] The Three Musketeers Iron Will Blank Check [X] D2: The Mighty Ducks White Fang 2: Myth of the White Wolf The Lion King [X] Angels in the Outfield Squanto: A Warrior's Tale The Santa Clause [X] The Jungle Book Heavyweights [X] Man of the House Tall Tale A Goofy Movie Pocahontas Operation Dumbo Drop A Kid in King Arthur's Court The Big Green Frank and Ollie Toy Story [X] Tom and Huck Muppet Treasure Island [X] Homeward Bound II: Lost in San Francisco James and the Giant Peach [X] The Hunchback of Notre Dame [X] First Kid D3: The Mighty Ducks 101 Dalmatians [X] That Darn Cat Jungle 2 Jungle Hercules [X] George of the Jungle [X] Air Bud [X] RocketMan Flubber [X] Mr. Magoo Meet the Deedles Mulan [X] The Parent Trap [X] Air Bud: Golden Receiver I'll Be Home for Christmas A Bug's Life [X] Mighty Joe Young My Favorite Martian Doug's 1st Movie [X] Endurance Tarzan [X] Inspector Gadget [X] The Straight Story Toy Story 2 [X]

2000’s

Fantasia 2000 The Tigger Movie [X] Dinosaur [X] Disney's The Kid Remember the Titans 102 Dalmatians The Emperor's New Groove [X] Recess: School's Out [X] Atlantis: The Lost Empire [X] The Princess Diaries Max Keeble's Big Move Monsters, Inc. [X] Snow Dogs Return to Never Land The Rookie Lilo & Stitch [X] The Country Bears Tuck Everlasting The Santa Clause 2 [X] Treasure Planet [X] The Jungle Book 2 Piglet's Big Movie [X] Ghosts of the Abyss Holes [X] The Lizzie McGuire Movie Finding Nemo [X] Pirates of the Caribbean: The Curse of the Black Pearl [X] Freaky Friday [X] Brother Bear The Haunted Mansion [X] The Young Black Stallion Teacher's Pet [X] Miracle Confessions of a Teenage Drama Queen Ghost in the Shell 2: Innocence Home on the Range [X] Sacred Planet Around the World in 80 Days America's Heart and Soul The Princess Diaries 2: Royal Engagement The Incredibles [X] National Treasure [X] Aliens of the Deep Pooh's Heffalump Movie [X] The Pacifier [X] Ice Princess Herbie: Fully Loaded [X] Sky High [X] Valiant [X] The Greatest Game Ever Played Chicken Little The Chronicles of Narnia: The Lion, the Witch and the Wardrobe [X] Glory Road Roving Mars Eight Below [X] The Shaggy Dog The Wild [X] Cars [X] Pirates of the Caribbean: Dead Man's Chest [X] Invincible The Nightmare Before Christmas 3D [X] The Santa Clause 3: The Escape Clause [X] Bridge to Terabithia Meet the Robinsons [X] Pirates of the Caribbean: At World's End [X] Ratatouille [X] Underdog [X] The Pixar Story The Game Plan Le Premier Cri Enchanted [X] National Treasure: Book of Secrets [X] Hannah Montana and Miley Cyrus: Best of Both Worlds Concert College Road Trip The Chronicles of Narnia: Prince Caspian Dasavathaaram WALL-E [X] Beverly Hills Chihuahua Morning Light (High School Musical) [X] (High School Musical 2) [X] High School Musical 3: Senior Year Bolt [X] Bedtime Stories [X] Jonas Brothers: The 3D Concert Experience Race to Witch Mountain Hannah Montana: The Movie Earth Trail of the Panda Up [X] Lilly the Witch: The Dragon and the Magic Book G-Force [X] Walt & El Grupo The Book of Masters Disney's A Christmas Carol Old Dogs The Princess and the Frog [X]

2010’s

Alice in Wonderland [X] Waking Sleeping Beauty Oceans Prince of Persia: The Sands of Time Toy Story 3 [X] The Sorcerer's Apprentice The Crimson Wing: Mystery of the Flamingos Secretariat Do Dooni Chaar Tangled [X] The Boys: The Sherman Brothers' Story Tron: Legacy Anaganaga O Dheerudu Lilly the Witch: The Journey to Mandolan Mars Needs Moms Zokkomon African Cats Prom Pirates of the Caribbean: On Stranger Tides [X] Cars 2 Winnie the Pooh The Muppets [X] John Carter Chimpanzee Arjun: The Warrior Prince Brave [X] The Odd Life of Timothy Green Frankenweenie Wreck-It Ralph [X] Oz the Great and Powerful Wings of Life Monsters University [X] The Lone Ranger [X] Planes Frozen [X] Saving Mr. Banks [X] Muppets Most Wanted [X] Bears Million Dollar Arm Maleficent Planes: Fire & Rescue Khoobsurat Alexander and the Terrible, Horrible, No Good, Very Bad Day Big Hero 6 [X] Into the Woods [X] McFarland, USA Cinderella Monkey Kingdom Tomorrowland Inside Out [X] (ABCD) ABCD 2 The Good Dinosaur The Finest Hours Zootopia [X] The Jungle Book Tini: The Movie Alice Through the Looking Glass Finding Dory The BFG Pete's Dragon Queen of Katwe Moana [X] Growing Up Wild Dangal (March of the Penguins?) [X] L'Empereur - March of the Penguins 2: The Next Step Beauty and the Beast [X] Born in China Pirates of the Caribbean: Dead Men Tell No Tales Cars 3 Ghost of the Mountains Jagga Jasoos Coco [X] Expedition China A Wrinkle in Time Incredibles 2 [X] Christopher Robin The Nutcracker and the Four Realms Ralph Breaks the Internet Mary Poppins Returns Dumbo Penguins Aladdin Toy Story 4 [X] The Lion King Maleficent: Mistress of Evil Lady and the Tramp Noelle Frozen II One Day at Disney Togo

2020’s

Timmy Failure: Mistakes Were Made

There are about 431 movies on this list and I have seen about 124 of them, for a total of 28.7% of all Disney movies.

This should be a nightmare.

#long post #Disney #Every Disney Movie #I watched Every Disney Movie #late stage capitalism #capitlism #Late stage Disney #the list #movie theory #movie reviews #reviewing every Disney movie #film theory #movie review #movie ranking #welcome to the dumpster #Rey Rapids

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annie-banks · 5 years

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Adore You - Harry Styles (2019) // you’re wonder, under summer sky // All About That Bass – Meghan Trainor (2014) // every inch of you is perfect from the bottom to the top // Alone Again – Betty Who (2014) // when it rains it pours and you drown me out // Anything Could Happen – Ellie Goulding (2012) // letting darkness grow, as if we need it's palette and we need it's color // Bad Girls - M.I.A. (2012) // leaving boys behind ‘cause it’s illegal just to kill // Bitch Better Have My Money - Rihanna (2015) // your wife in the backseat of my brand new foreign car // Blank Space – Taylor Swift (2014) // darling I'm a nightmare dressed like a daydream // Bloodbuzz Ohio – The National (2010) // I was carried to Ohio in a swarm of bees // Bo$$ – Fifth Harmony (2014) // boss. Michelle Obama. purse so heavy gettin' Oprah dollas // Boy Problems - Carly Rae Jepsen (2015) // I think I broke up with my boyfriend today and I don't really care // Boys - Charli XCX (2017) // I wish I had a better excuse like I had to trash the hotel lobby // Butterflies - Kacey Musgraves (2018) // I was hiding in doubt till you brought me out of my chrysalis // Call Me Maybe – Carly Rae Jepsen (2011) // before you came into my life I missed you so bad // Call Your Girlfriend – Robyn (2010) // don't you tell her how I give you something that you never even knew you missed // Canyon Moon - Harry Styles (2019) // doors yellow, broken, blue // Chandelier – Sia (2014) // I'm gonna fly like a bird through the night, feel my tears as they dry // Cherry - Harry Styles (2019) // I confess I can tell that you are at your best, I'm selfish so I'm hating it // Circles - Post Malone (2019) // we couldn't turn around, 'til we were upside down // C’mon - Panic! At the Disco and Fun. (2011) // feels like I am falling down a rabbit hole, falling for forever, wonderfully wandering alone // C’Mon – Kesha (2012) // feeling like a saber-tooth tiger sipping on a warm budweiser // Cruise (Remix) - Florida Georgia Line ft. Nelly (2012) // she was sippin' on southern and singin' Marshall Tucker, we were falling in love in the sweet heart of summer // Daddy Lessons - Beyonce ft. Dixie Chicks (2017) // it’s your song // Dark Fantasy – Kanye West (2010) // too many Urkels on your team, that's why your wins low // Death of a Bachelor - Panic! At the Disco (2016) // the lace in your dress tingles my neck, how do I live? // Demons- Sleigh Bells (2012) // They're gonna stand em up six by six by six // Diane - Cam (2017) // And all those nights that he's given to me I wish that I could give them back to you // Diane Young – Vampire Weekend (2013) // you torched a Saab like a pile of leaves // Downtown - Macklemore & Ryan Lewis ft. Eric Nally, Melle Mel, Grandmaster Caz, Kool Moe Dee (2016) // neighbors yelling at me like, you need to slow down going thirty-eight, Dan, chill the fuck out, mow your damn lawn and sit the hell down // End of the Day - One Direction (2015)// I told her that I loved her, just not sure if she heard. the roof was pretty windy and she didn't say a word, party died downstairs, had nothing left to do just me, her and the moon // Fireproof – One Direction (2015) // riding on the wind and I won't give up // ***Flawless – Beyonce ft. Nicki Minaj (2013) // mayday, mayday, earth to bitches // Follow Your Arrow - Kacey Musgraves (2013) // if you save yourself for marriage, you're a bore. if you don't save yourself for marriage, you're a whore-able person // Formation - Beyonce (2016) // always stay gracious, best revenge is your paper // Forrest Gump – Frank Ocean (2012) // my fingertips and my lips, they burn from the cigarettes // Freaks and Geeks – Childish Gambino (2011) // I have worked all winter, I will not fail summer, in the back of the bush, like Gavin Rossdale's drummer // Gay Pirates - Cosmo Jarvis (2011) // and I hope they didn't tie up your hands as tight as mine. I'll see you on the bed of this blue ocean, babe, sometime // Get Lucky – Daft Punk ft. Pharrell Williams (2013) // the present has no ribbon, your gift keeps on giving // Glory - Bastille (2016) // and then you put your hand in mine and pulled me back from things divine, stop looking up for heaven, waiting to be buried // Good Grief - Bastille (2016) // caught off guard by your favourite song, I'll be dancing at a funeral, dancing at a funeral // Green Light - Lorde (2017) // I whisper things, the city sings them back to you // Grown - Little Mix (2015) // no regrets, it's a lesson learned 'cause what you think ain't my concern // Hayloft - Nickel Creek (2014) // young lovers with their legs tied up in knots // Holocene – Bon Iver (2011) // and at once I knew I was not magnificent // I Believe - Original Broadway Cast (2011) // and I believe that the Garden of Eden was in Jackson County, Missouri // I Like It - Cardi B, Bad Bunny, and J Balvin (2018) // I like those Balenciagas, the ones that look like socks // I Love It – Icona Pop ft. Charli XCX (2012) // you're from the '70s, but I'm a '90s bitch // Judas – Lady Gaga (2011) // I'm just a holy fool, oh baby he's so cruel, but I'm still in love with Judas, baby // Juice - Lizzo (2019) // I be drippin' so much sauce got a bitch lookin' like RAGÚ // Just Hold On - Steve Aoki ft. Louis Tomlinson (2016) // feels like you're standing on the edge looking at the stars and wishing you were them // Laura Palmer – Bastille (2013) // what a year and what a night, what terrifying final sights put out your beating heart // Lemonworld – The National (2010) // I gave my heart to the Army, the only sentimental thing I could think of // Love on Top – Beyonce (2011) // I can see the stars all the way from here, can't you see the glow on the window pane // Make Me Feel - Janelle Monáe (2018) // it's like I'm powerful with a little bit of tender, an emotional, sexual bender // Making the Most of the Night - Carly Rae Jepsen (2015) // baby I'm speeding and red lights, I'll run // Meet Me in the Hallway - Harry Styles (2017) // just let me know I'll be on the floor, on the floor // Menswear – The 1975 (2013) // well, who's this? going for the kiss, I'm probably gonna yosh in your mouth // Mirrors – Justin Timberlake (2013) // if you ever feel alone and the glare makes me hard to find, just know that I'm always parallel on the other side // Monster – Kanye West ft. Jay-Z, Rick Ross, Nicki Minaj, and Bon Iver (2010) // you could be the king but watch the queen conquer // The Mother We Share - Chvrches (2012) // I'm in misery but you can't see, as old as your omens // My Church - Maren Morris (2016) // I just keep the wheels rolling, radio scrolling 'til my sins wash away // N****s in Paris - Jay-Z and Kanye West (2011) // Prince William's ain't do it right if you ask me 'cause I was him, I would have married Kate and Ashley // Oh, What a World - Kacey Musgraves (2018) // did I know you once in another life? are we here just once or a billion times? // Old Town Road (Remix) - Lil Nas X ft. Billy Ray Cyrus (2019) // cowboy hat from Gucci, Wrangler on my booty // Otis – Jay-Z and Kanye West (2011) // luxury rap, the Hermes of verses, sophisticated ignorance, write my curses in cursive // Pineapple Girl - Mister Heavenly (2011) // I am besieged by the vagaries of power. I'm all alone and lonely in this tower // Primadonna – Marina and the Diamonds (2012) // I know I've got a big ego, I really don't know why it's such a big deal though // Pumped Up Kicks – Foster the People (2010) // he's got a rolled cigarette, hanging out his mouth he's a cowboy kid // Radio - Lana Del Rey (2012) // pick me up and take me like a vitamin 'cause my body's sweet like sugar venom // Raising Hell - Kesha ft. Big Freedia (2019) // hungover, heart of gold, holy mess. doin' my best, bitch, I'm blessed // Rivers and Roads - The Head and the Heart (2011) // been talking 'bout the way things change // Royals - Lorde (2013) // we don't care, we aren't caught up in your love affair // S.O.B. - Nathaniel Rateliff & The Night Sweats (2015) // I'm going to cover myself with the ashes of you and nobody's gonna give a damn // Satisfied - Original Broadway Cast (2015) // it's a dream and it's a bit of a dance, a bit of a posture, it's a bit of a stance. He's a bit of a flirt, but I'm 'a give it a chance. I asked about his fam'ly, did you see his answer? his hands started fidgeting, he looked askance? he's penniless, he's flying by the seat of his pants // Sex – The 1975 (2013) // and she said use your hands and my spare time, we've got one thing in common it's this tongue of mine // Shake It Out – Florence + the Machine (2011) // our love is pastured such a mournful sound, tonight I'm gonna bury that horse in the ground// Shut Up and Dance - Walk the Moon (2014) // my discotheque Juliet teenage dream // Silly Love Songs - Darren Criss (2011) // how can I tell you about my loved one // Some Nights - Fun. (2012) // this is not one for the folks at home, I'm sorry to leave, mom, I had to go. who the fuck wants to die alone all dried up in the desert sun? // Someone Like You – Adele (2011) // we were born and raised in a summer haze, bound by the surprise of our glory days // Sorry - Justin Bieber (2015) // *dolphin noises* // Spaceship - Kesha (2017) // I knew from the start I don't belong in these parts. there's too much hate, there's too much hurt for this heart // Stars - Fun. (2012) // some nights I rule the world with bar lights and pretty girls, but most nights I stay straight and think about my mom // Stitches - Shawn Mendes (2015) // needle and the thread gotta get you out of my head // Sunflower, Vol. 6 - Harry Styles (2019) // *gasp* your flowers just died, plant new seeds in the melody // Super Bass - Nicki Minaj (2010) // and he ill, he real, he might gotta deal. he pop bottles and he got the right kind of build. he cold, he dope, he might sell coke. he always in the air, but he never fly coach // Take Me to Church - Hozier (2013) // I'll worship like a dog at the shrine of your lies. I'll tell you my sins, and you can sharpen your knife // Thank u, Next - Ariana Grande (2018) // she taught me love, she taught me patience, how she handles pain // The Pachanelly Canon - Gentleman’s Rule (2012) // I'm getting pages out of New Jersey, from Courtney B telling me about a party up in NYC. can I make it? damn right I be on the next flight. payin cash. first class. sittin' next to Vanna White // The Wire - Haim (2013) // I just know, I know, I know, I know that you're gonna be okay anyway // Theme From “Cheers” - Titus Andronicus (2010)// I'm sick and tired of everyone in this town being so goddamn uptight, but don't you worry, I'll do all the talking when they turn on the flashing lights // Thieves – She & Him (2010) // I'm not a prophet, old love is in me. new love just seeps right in and makes me guilty // This is America - Childish Gambino (2018) // tell somebody, you go tell somebody. grandma told me, get your money, black man // Trouble - Neon Jungle (2013) // lights up let's have a toke, pour more whiskey in my coke .. Truth Hurts - Lizzo (2017) // you coulda had a bad bitch, non-committal // Uma Thurman - Fall Out Boy (2015) // and I slept in last night's clothes and tomorrow’s dreams, but they are not quite what they seem // Wetsuit – The Vaccines (2011) // with a cool, cool breeze and dirty knees, I rest on childhood memories // What a Feeling - One Direction (2015) // when the air ran out and we both started running wild, the sky fell down // Wilson - Fall Out Boy (2018) // I'll stop wearing black when they make a darker color // Wolves - One Direction (2015) // I feel the waves getting started, it's a rush inside I can't control // You Need Me, I Don’t Need You - Ed Sheeran (2011) // melody music maker, reading all the papers, they say I'm up and coming like I'm fucking in an elevator // You’re in Love With a Psycho - Kasabian (2017) // I'm like the taste of macaroni on a seafood stick

Songs that would have made the list were they on Spotify: We Can’t Stop - Bastille // I Love Clothes (Deadbeat Summer) - Childish Gambino // G.O.O.D. Friday - Kanye West ft. Common, Pusha T, Kid Cudi, Big Sean & Charlie Wilson // Driving in Cars with Boys - Lana Del Rey // Blurred Lines - Vampire Weekend // a number of mashups (Office Musik, What Makes You Da One, Live While We Die Young, Brush Your Bittersweet Shoulders Off, We Are Complicated)

#best songs of the decade #music

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