#Brno Biennial

[walkerartcenter]

Recently published on The Gradient: Dressed In Black: An Interview with Wayne Daly and Adrien Vasquez At the 2016 Brno Biennial, Wayne Daly and Adrien Vasquez exhibited A Shelf for Lothar, showcasing Lothar Reher’s stark covers for the Spektrum series. This year, the pair worked together to produce the accompanying publication, Dressed In Black, which documents the shelf at Brno, with 1:1 reproductions of each book cover. Above: A Shelf for Lothar, 27th Brno Biennial, 2016 © Wayne Daly and Adrien Vasquez

[inframince-inc]

Flyer

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Shin Akiyama and edition.nord: Display from The 27th Brno Biennial 2016 + Recent Works

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フライヤーが届きました！

会期延長の情報を挟み込んだ後に配布を開始します！

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[garadinervi]

Lothar Reher, 1932-2018

A Shelf for Lothar, showcasing the stark covers of the Spektrum series designed by Lothar Reher, Curated by Wayne Daly and Adrien Vasquez, 2016 Brno Biennial + Dressed In Black: An Interview with Wayne Daly and Adrien Vasquez, by Ben Schwartz, September 5, 2017, «the Gradient», Walker Art Center @walkermag, Minneapolis, MN + Spektrum paperback series (1968-1993), by Peiran Tan, «Font In Use», November 29, 2017

[rolandkocsmar]

BRNO - 28th International Biennial of Graphic Design

[artbookdap]

More hot design pedagogy news! 'Taking a Line for a Walk: Assignments in Design Education' is back in stock from @spectorbooks⁠⁠ ⁠⁠ Assignments can give instructions, describe an exercise, present a problem, set out rules, propose a game, stimulate a process, or simply throw out questions. 'Taking a Line for a Walk' brings attention to something that is often neglected: the assignment as a pedagogical element and verbal artefact of design education. ⁠⁠ This book is a compendium of 224 assignments, edited by @paimnina and coedited by @emiliabergmark A reference book for educators, researchers, and students alike, it includes both contemporary and historical examples and offers a space for different lines of design pedagogy to converge and converse. An accompanying essay by Corinne Gisel takes a closer look at the various forms assignments can take and the educational contexts they exist within. 'Taking a Line for a Walk' derived from an exhibition of the same name at the International Biennial of Graphic Design Brno 2014.⁠⁠ ⁠⁠ Assignments include: Drawing the story of Adam and Eve using only close-ups of hands; Designing and making a boxed printing kit; Type gymnastics; Developing an elevator pitch; Designing stationery for your own graphic design office; Staging and documenting a mock crime scene… and many more!⁠⁠ ⁠⁠ #takingalineforawalk #designpedagogy #designassignments #designthinking #design https://www.instagram.com/p/CTAaI1JF7OE/?utm_medium=tumblr

[aaronnieh]

Neural Plasticity Hyper-picturing A participatory poster in Brno Biennial 2020

Poster Brno 2020 x アイデア IDEA Magazine (Japan) No.386 — 29th International Biennial of Graphic Design Brno 2020 www.29.brnobienale.org Year — 2019

[drawdownbooks]

27th Brno Biennial Catalogue⁣ Available at www.draw-down.com ⁣ ⁣ Designed by #TomasCelizna #AdamMacháček and #RadimPeško / The 344 page catalogue for the 27th Brno Biennial examines the key phenomena of contemporary graphic design and visual communication. Is it possible to describe new things with old words? This edition responds to the metamorphoses and the state of contemporary graphic design: its multitude, variety, vagueness and apparent superficiality. Its ambition is to elucidate—both on the general and subjective levels—the phenomena which define or influence contemporary visual culture. The Brno Biennial was established in 1963, and is considered the oldest exhibition of graphic design in the world. The catalogue presents texts by Åbäke, David Bennewith, Rachel Berger, Emilia Bergmark, Andrew Blauvelt, Sulki & Min Choi, Jean-Marie Courant, Linda Dostálková, #ExperimentalJetset Kurt Finsten, Chris Fitzpatrick, Roland Früh, Paul Gangloff, Tetsuya Goto, Catherine Ince, Emily King, James Langdon, #SheilaLevrantdeBretteville Hélène Meisel & officeabc, #DanMichaelson #JonSueda #MartaSylvestrová Frantisek Štorm, #LindavanDeursen and the curators and authors of the exhibitions spotlighted during the Biennial. Includes an interview with Czech designer Jiří Hadlač, co-founder of the Brno Biennial; photographic documentation and description of the winning entries in the graphic design competition; plus book selections and commentaries by a host of international graphic designers. English and Czech ⁣ ⁣ #graphicdesign #BrnoBiennial (at Brno, Czech Republic) https://www.instagram.com/p/B0BIhLGnEdD/?igshid=lb4yi116f6it

[gdbot]

27th Brno Biennial Catalogue⁣ Available at www.draw-down.com... https://ift.tt/2YUmPbv

[uncoatedletters]

Přehled plakátů brněnského bienále z let 1966-1978, které bylo jedním z nejtěžších období Československa. ^ ^ ^ An overview of the posters of the Brno Biennial from years 1966-1978, which was one of the most difficult periods of Czechoslovakia. ^ ^ ^ 

[walkerartcenter]

Recently published on The Gradient: Dressed In Black: An Interview with Wayne Daly and Adrien Vasquez At the 2016 Brno Biennial, Wayne Daly and Adrien Vasquez exhibited A Shelf for Lothar, showcasing Lothar Reher’s stark covers for the Spektrum series. This year, the pair worked together to produce the accompanying publication, Dressed In Black, which documents the shelf at Brno, with 1:1 reproductions of each book cover. Above: Schweiz heute, 1977, Volk und Welt. Design by Lothar Reher

[inframince-inc]

nrd 005-a – Shinro Ohtake "dOCMENTA (13) Materials: 01-07" –

昨日に続き、展覧中の秋山伸 [edition.nord] : ブルノ国際グラフィックデザイン・ビエンナーレ2016 帰国展の構成要素としても特徴的なedition.nordのアイテムよりご案内です。

すでに版元(edition.nord)では完売となっている大竹伸朗: “ドクメンタ13 マテリアルズ：01-07”のラスト・ストックが販売中です。

この機会に是非お買い求めください。

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作品のための構想メモやスナップ写真、初期ドローイングなど、現地下見から資材の発送までの準備期間における、大竹の思考と制作のプロセスを読み取ることができる様々な資料を01から07のカテゴリーに分けて収録しました。

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スキャンされ、レーザー出力された、様々な資料。

そのコピー紙の束が、特注の窓つき封筒に分類され、特注の書類ケースに収納されています。

初版100部にはサウンドCD “dOCUMENTA(13) materials: 08_#67/2″ がバンドルされています。

各資料のカテゴリーは以下の通りです。

01：メモパッド

準備期間に使用された4冊のメモ帳からドクメンタに関連するページを収録

02：スケッチブック

準備期間に使用された2冊のスケッチブックからドクメンタに関連するページを収録

下見に訪れたカッセルでの風景スケッチや構想のためのドローイングなど

03：ペインティング

カッセル訪問ののち、宇和島で一気に描き上げ上げられた、カールスアウエの森をモチーフにしたペインティング33点のシリーズ（未発表）を収録

04：コラージュと壁紙

小屋の室内の壁紙として使用するために宇和島であらかじめ制作された、コラージュのシートと染色やドローイングを施された布を収録

05：スナップショット

準備期間に備忘録としてデジタルカメラで撮影されたスナップスショットの画像データ205点を、サムネール出力とともにCD-Rに収録。

06：ドローイングと模型

大竹が自己の制作現場をマーキングしたカールスアウエ公園の地図や初期・後期のプレゼンテーション用の水彩ドローイング、小屋のマケットの写真、宇和島のアトリエで組まれた原寸模型の図面、構造スケッチなどを収録

07：カッセルへの資材リスト

カッセルに送る作品の部品やインスタレーションに使用するための様々なオブジェを備忘録として撮影した写真のアルバム全ページを収録

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Documents: A4 x 227 sheets + A3 x 7 sheets / laser-outputs

Box: h.336 x w.251 x d.56

First edition of 100

Second edition of 100

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Paintings, collages, drawings and photographs by Shinro Ohtake

Photographed by Masahito Yamamoto Translation by Tohru Horiguchi Designed by Shin Akiyama + Wataru Kobara / schtücco/minus Printed and assembled by chiku chiku laboratory

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© 2012 Shinro Ohtake

All rights reserved.

Made in Japan

[garadinervi]

Ines Cox, with Anna Haas, Corina Neuenschwander, and Goda Budvytyte, A Body of Work, chapter exhibition catalogue for 27th Brno Biennial, 2016

[schuhtutehemd]

Congratulations for @kpyda ! Books I CAN'T WORK LIKE THIS and The Site Residency got accepted to Brno Biennial 18. 📔📓 #book #books #design #brnobiennial18 #icantworklikethis #thesidereaidency #krzysztofpyda #kpyda

[thatsagreatpainting]

[ianlynam]

どうなる？An exhibition asking questions about the cancellation of the 29th Brno Biennial and the future of design exhibitions in general. Kiyonori Muroga of Graphic-sha, Maki Suzuki of åbäke and I will be doing a panel discussion about this at the opening on 7/30 at The White. ¥1500. Limited seats available! RSVP info in the images! More: http://29.brnobienale.org (at Shibuya, Tokyo) https://www.instagram.com/p/B0QAz_LBfbX/?igshid=mlmv11k9397u

[designdisplacementgroup]

During the 27th Brno Biennial, the Design Displacement Group re-appropriates the narrative format of the opera. The four grand themes of this opera (and any other tragedy) being love, jealousy, ambition and revenge are the basis of our story exploring the theatrics and performative requirements of a design practice. These narratives unfold through an immersive audio-visual presentation depicting scenes rich with intrigue, gossip and speculation.