#But I'm not going to keep all my resources and references to myself

[tmntkiseki]

I didn't expect to become the TMNT 2003 art resource girl when I made this sideblog, but here we are.

[peachesofteal]

This post contains resources for leaving a domestic violence situation (in the United States). If you have additional domestic violence resources from other countries/places in the world, please leave them in comments.

This is a content warning: beneath the cut is a conversation about Simple Math, domestic violence, and my boundaries.

Hi.

I want to preface this conversation by telling you how much I love you all. I'm so grateful to the little community that we've built here, and I really feel like we've created a space where we can talk to one another comfortably. I adore interacting with you all and I've been pleasantly surprised at Simple Math's reception. I knew writing a fic with a character who had survived domestic violence would open a certain kind of conversation, and I'm okay with that, to an extent.

That being said:

For my own peace, I ask that you refrain from sending me GRAPHIC messages about your experience with domestic violence. If you are a victim/survivor/witness/etc, and you want to open a conversation with me reference your experiences and/or trauma, I am absolutely okay with that as long as it's done in an appropriate way. A lot of us can relate to Bun, and I don't have an issue sharing enthusiasm for the story in relation to your life. I am not okay with DMs or anonymous messages detailing graphic descriptions of abuse. You don't know me, my personal life, or the things I've experienced, and sending a detailed play by play of your past or current experiences (without even a warning) is not okay. I understand that you need someone to talk to, or maybe even someone to ask for advice, but I cannot read the graphic nature of these messages, and I encourage you to turn towards someone who knows you personally so you can receive help. Leaving the details of a current or ongoing domestic violence situation in my inbox, with no way for me to report what is happening or ability to get you any kind of help or resources, cannot happen. Domestic violence is a crime. In the case of physical abuse, it is a violent crime. Please do not detail violent crime to me in my inbox.

I consider myself to be a kind person. I try to help my community in real life and here as much as I can. I strive to make this a space where you feel comfortable and welcomed. I enjoy the way we interact and talk about these stories. It pains me to have to write something out like this, but I really don't know what else to do. It's very upsetting to read a message from someone who possibly is being harmed, and then feeling like I'm screaming into a fucking void because it's an anonymous message and I cannot help.

I've included some resources below if you're in the US and need somewhere to start in regard to getting out of a domestic violence situation.

US resources: Phone: 800-799-7233 Text: Text START to 88788

Create a safety plan. It’s important to plan how to stay safe while still living with an abusive partner and how you can safely leave the home or relationship. Record evidence of any abuse you experienced. This could include pictures of injuries you received or threatening messages. If possible, keep a journal of violent incidents, noting dates, events, and any threats made. Store your journal in a safe place. Establish where you can go to get help. If you’re comfortable doing so, tell someone trusted about what’s happening. They can help you with safety planning or finding resources that support survivors. Plan with your children and identify a safe place where they can go during moments of crisis, like a room with a lock or a friend’s house. Reassure them that their job is to stay safe, not to protect you. When preparing to go to a shelter, if you can, call ahead to see what the shelter’s policies are. They can give you information on how they can help and how to secure a space when it’s time to leave. Our advocates can also provide you with local resources. Try to set money aside or ask trusted friends or family members to hold money for you somewhere an abusive partner can’t reach it. Financial abuse is very common and creates many issues for someone preparing to leave. If relevant and feasible, pursue job skills or educational qualifications that expand your opportunities for independence. Talk with an advocate at The Hotline. Our advocates are highly trained in all aspects of domestic violence. They can help you create a safety plan, give information on preparing to leave, and can connect you to local domestic violence resources for further support. Create a safety plan. It’s important to plan how to stay safe while still living with an abusive partner and how you can safely leave the home or relationship. Record evidence of any abuse you experienced. This could include pictures of injuries you received or threatening messages. If possible, keep a journal of violent incidents, noting dates, events, and any threats made. Store your journal in a safe place. Establish where you can go to get help. If you’re comfortable doing so, tell someone trusted about what’s happening. They can help you with safety planning or finding resources that support survivors. Plan with your children and identify a safe place where they can go during moments of crisis, like a room with a lock or a friend’s house. Reassure them that their job is to stay safe, not to protect you. When preparing to go to a shelter, if you can, call ahead to see what the shelter’s policies are. They can give you information on how they can help and how to secure a space when it’s time to leave. Our advocates can also provide you with local resources. Try to set money aside or ask trusted friends or family members to hold money for you somewhere an abusive partner can’t reach it. Financial abuse is very common and creates many issues for someone preparing to leave. If relevant and feasible, pursue job skills or educational qualifications that expand your opportunities for independence. Talk with an advocate at The Hotline. Our advocates are highly trained in all aspects of domestic violence. They can help you create a safety plan, give information on preparing to leave, and can connect you to local domestic violence resources for further support.

You are loved, even if it doesn't feel like it. You have the ability to do things you never could have dreamed of, and that includes getting out.

[sergle]

I really truly, from the bottom of my heart, hate you bitches so much, because on the tiktok of literally COCK AND BALL jokes w brittany broski, there were a few notes/messages like this:

And I KNOW you don't think anyone's going to check. You had someone go into your askbox and say "hiii brittany broski is shitty about palestine she's really ignorant :/" and you went oh omg I didn't know!! thanks for telling me! So I checked! This is in reference to her talking in her podcast, because people were asking why she hadn't done any big press statements about Palestine, you didn't retweet this or that, you must not care, don't you care, what's your stance, etc etc please say more OKAY COOL. So what's going on there? What did Brittany say on her podcast? Is she a Bad Person? Can I have some transcript, please? ____ "Hey guys, before we get into this week's episode, I want to talk to you about the ongoing and prolonged suffering and loss of life in Gaza, in Israel, and the oppression of Palestinian people widespread. I don't ever want it to be a question that I would ever not be against the oppression of any group of people, that I would ever stand on the side of the oppressor." "There was a lot of fear of misusing my platform." ... "I will admit that I was nervous to talk about it, because I don't want to say the wrong thing. And this is too fucking serious of an issue to misspeak, or to spread misinformation, or to speak over or for someone." ... "So I want to take a moment on my biggest platform- which is this podcast, to say that I stand with the people of Palestine, I stand for the liberation of Palestinian people." ... "Every day, to log on to social media, and be just inundated with graphic, unimaginable violence, and loss, and grief, it's just--There are no words." ... "And I feel helpless. That's part of it too, when you feel helpless, the last thing you want to do is talk to people about it-- but visibility is a resource in and of itself. And I can offer that." ... "The outpouring of rage and passion online, and anger at what's happening, I would argue needs to be dedicated and focused on our elected officials. We live in a democracy- albeit an inherently flawed one- we live in a democracy where we have elected officials who were elected and put in power to represent us, and if we feel misrepresented, if we feel underrepresented in foreign affairs? These officials have public phone numbers and emails. There are scripts available online to express your disdain and your rage, and unfortunately that's one of the only ways we'll see actionable change."   "If you expected more from me, it's a terrible feeling- but I don't want to center myself, this needs to be all eyes on Palestine right now, where the real activism is happening. I would encourage you to follow journalists that are on the ground, people who are in Gaza, we need to be listening to them. I would also hope that we're at a point in this conversation where I can express my desire to stand in solidarity with the people of Palestine and that NOT meaning or suggesting or condoning anti-Semitism of any kind. There's a rise of anti-Semitism and islamophobia in the United States and it's just-- it's disgusting, and it's scary, so I want that to be said too. I just wanted to share that I am experiencing part of this collective sense of helplessness and hopelessness-- but it DOESN'T HAVE to be hopeless. I'm going to include a phone number in the description of this episode where, if you don't know the name of your senators or your Congressman, it's never too late to learn, and you can reach out to them." _______ Hm. What a bitch!! Yeah, just so ignorant and uncaring. Obviously she's not keeping up with anything. Should've retweeted more shit ig!

[thegreatwicked]

Writing Resources Part 2

My first list was so long I decided that I reached the character limit! So we have a part two! I'm going to try and keep them a bit more organized too! Hope these help you all in your writing endeavors and if you happen to use any of them try to give the original source some love!

Also, apologies if I've tagged you more than once and it's annoying! If I reference your material more than twice I will just link your whole Tumblr. I really do want to make sure everyone gets their credit and spotlight!

General Information and Research:

The Fantasy Guide to Royal and Noble Marriages or anything by @inky-duchess Her blog is extensive and is a wealth of information regarding things like royalty/nobility/Period social politics and is a fantastic resource, go check her out! Ink I do appologize I might be tagging you more than once!

@type1diabetesinfandom This blog is an amazing resource if you are interested in writing about characters with any form of diabetes or similar health issues. It was ana amzing find when I was writing my character Belladonna Black from Shadows of Deception who is hypoglycemic. What an amazing source!

How to Cook in a Medieval Setting: by @alpaca-clouds Food is the best way to know a culture and this particular blog post is a trove of information for your fictional foodie set anywhere in this spectrum of time or a great find for a fictional setting! This post obviously gets a chefs kiss!

The Symbolism of Flowers by @novlr Yeah! Leopold knew what he was talkign about, every flower has a meaning and it is entirely possible to send some a bouquette that translates to 'Fuck You' btw it consists of geraniums (stupidity), foxglove (insincerity), meadowsweet (uselessness), yellow carnations (you have disappointed me), and orange lilies (hatred). it would be quite striking! and full of loathing. THE MORE YOU KNOW. This blog is also a fantastic source for writers.

Writing About Body Pain by @slayingfiction I just came across this gem of a blog and if you're one who likes to make your characters sufffer than look no further, also, how ya doing? You ok? Just checking. This blog is also a fantastic writing resource.

How to Accurately Describe Pain in Writing by @hayatheauthor kinda piggybacking off the previous source but nevertheless lets make sure we make these characters suffer realistically? I'm ok too, if you're wondering. This is another great blog that focuses on the aspect of being a writer.

How to Use Canva to Make Mood Boards by @saradika I did not know much about mood baords but I'm telling you they are a gaem changer! They bring a life to your story in a way that is just so stunning and saradika has been so lovely as to make this helpful guide! She's also a very talented writer and is quite the Star Wars Fan! GO check out her stories!

Researching as a Writer by @so-many-ocs Research is a tricky topid to delve into and sometime sit hard to know where to start, this blogger has been so kinda as to make a bit of a roadmap to help you narrow down what you need to research and how. Wonderful blog! Very helpful!

Resources for Writing Deaf, Mute, or Blind Characters by @thecaffeinebookwarrior THIS! This right here is a gem and the only reason I don't write these types fo characters is because I've never known how to do so respectfuly and realistically! Not a problem anymore! Also a wonderful artist!

How to Write and Research a Mental Illness another gem from @hayatheauthor again if you're going to wrote a character with a mental illness lets make sure we get it right!

@namesforwriters It's little but a wonderful source of unique names for your story! Including mythology and music themed names!

Nightmare Disorder vs Night Terrors by @redd956 Some great clarification from a blogger who is diagnosed! So happy I found this as I was wondering about the distinction myself for a little while!

Types of Gemstones by @blueboxbeagle and brought to my attention by @keffirinne

A General Cane Guide for Writers and Artists by @deoidesignand brought to my attention but @cripplecharacters I was so excited to find this fantastic little gem recently and I look forward to using it! I'm keeping an eye out for more material in portraying characters with disabilities and disorders maybe it'll get it's own post!

@cripplecharacters linking this amazing blogger if you are wanting to expand your characters and write them with disabilities or diaper fees, this is a wonderful source of how to do it and stay respectful!!

@writingwithcolor use that painters pallet and write diverse characters and when you’re not sure what or how to write something check this blog out! Such a wonderful source for all questions concerning ethnicity, race and diversity!

@writinglgbtq I was looking for this blog!!! Your source for all things concerning writing the LGBTQ community respectfully and believably! So happy to ah e found this!!

@macgyvermedical I have been looking for a blog like this for some time and I'm so happy to add it to my writing resources list as tehre are far too many great and helpful posts to pick just one. Check out this amazing blogger who offers medical beta reads and asks for fanficiton!

Make it Pretty! My own contribution to help make writing a bit prettier! ꧁☽✶☾✶☽꧂ Enjoy!

Adding Page Breaks & Art to Your Stories Another of my own contributions for adding in nice clean page breaks to your stories as well as how to upload art to AO3, FFN and Wattled.

More will be added to this post as I find it and if you find anything that fits the general research on broad topics or specifics please let me know so I can continue this collective writing resource! And make sure to give some of these wonderful writers and bloggers some love!

[sylvaridreams]

I'm going to try and word this better than I did at 1 am venting on cohost last night, and maybe slightly gentler. I haven't finished the SotO update from yesterday. I got home, played for a couple of hours, did some meta on the current map, triiiiied to get myself to go back to story... and I couldn't.

I was BORED. It was quite honestly boring. Any dialogue that matters is Peitha talking to her people. I am a stage prop that occasionally vocalizes expositional questions and fires arrows at grunt mobs.

I could physically feel myself losing any remaining interest in the story as I clicked "what does this mean? What do you think of Peitha's plan?" type questions (which offer a poor illusion of choice in conversation. Look! Dialogue options! You can click all of these in any order you like but you must click them all!)

Why should I care about this story? I'm being brought along as the muscle that Peitha doesn't really need. I'm not offering anything special I'm terms of skill. I'm not an invaluable resource. I'm not even being utilized as the leader that gw2 has ALWAYS made me! It's always been "You're out there leading the armies, commanding all the way from the front line to the supply chains!" Now I'm just kind of around. Run a few events and come back. Characters refer to me and I apparently have no in-game response. MY CHARACTER doesn't seem invested.

And so many new characters. Every drop, it's like, have a bunch more named people! I was learning names during drop 1, and know some of the Wizards off the top of my head, but honestly I’m not bothering anymore. Why should I? Even if Nexus isn't killed off in the next chapter I play, I'm never going to meet this character again after he stops serving the story.

And where IS the story? Where is the meat? Drop 1 was at least interesting to me. Secret society hiding demons from the Commander. Getting sucked into this strange and horrifying place. Getting the life beat out of Alba by a hulking, terrifying demon and crawling away in fear. Escaping into the arms of strangers and getting this unknown voice in Alba's head, talking to him, saying what he wanted to hear, teasing him. Him refusing to tell anyone she was in there, because he *trusted this unknown voice in his head over all these strangers.* The story lulled a lot and it wasn't like... prime gw2 content. But it had a few hooks. When in Amnytas, Alba GASPED "Peitha!" right outside of the next story step and said "I can *see* you," and I turned my camera and saw what I knew, what Alba had to have suspected, confirmed. That there was a demon using his mind as a lounge. THAT was a moment, it was SOMETHING!

At least it was fun at points, at least there was some small amount of intrigue and mystery. And from there it was all just, "take a backseat, Wayfinder. This isn't YOUR story." I'm getting nothingburger bites out of each new story drop. Oh we went into Nayos to take the fight to them and killed Peitha's model reskin cousin. Anything else that drop? Anything? No but next time we recruited some general to fight with us! Can I get a smidgen of story? Something to hang onto? The only thing this drop that hasn't been "Don't care didn't ask plus I've seen your character model elsewhere" was Alba being called "that ugly creature" by a kryptis.

That's all I've got. I'm not enjoying it. I don't like SotO. And it is not for lack of trying it, it's not because i just don't like change and don't wanna see something new and different! This expansion feels like an empty parody of Guild Wars 2, and it feels like a slap in the face to anyone who was invested in Tyria. Pre-release they really hyped up that "It's time for new places and new people! We're gonna get a new cast and explore a vast new world!" I CARED about that world, which we still had SO MUCH left to explore. Are the borders of the map even the ends of the world of Tyria or does it keep going? Who cares. There's shit going on above the clouds. I cared about those CHARACTERS. Does Alba get to see people that he loves and cares about ever again? Is he making it to the wedding? Does he get a chance to go home and see anyone? Like yes we are not chained up in the Tower between instances, we can still play the game in those old maps, but the characters have been written out of the story.

And frankly these new ones are shitty replacements. I don't care about these people. I maybe had some small amount of "OK cool its Zojja I know her!" but it's not like I had any deep care or feeling for her. Not personally. Peitha was interesting at first but being brought along as part of her nameless, faceless grunt entourage has made me lose a lot of interest. She's not going to be a core character post-SotO. She either dies at the end, or takes over as King, and at best becomes a very occasional callback. "Ah, King Peitha! It's been some time, how is Nayos!" She's not going to reclaim the throne and then ignore rebuilding her people's infrastructure to hang out in Commander’s brain all day or join them on quests. We are a temporary ally and a stepping stone for her story.

Which sucks.

In terms of the rest of the SotO cast, it again feels like a pale imitation of prior Gw2 content. Like they're saying "remember season 1, meeting all those people one by one who would become your best friends and allies in life? 🤔 " and then they didn't even do it that way. Season 1 was a gradual introduction to these characters that you were given time, story, and Reason to care about. If Braham, Rox, Marjory, Kasmeer, Taimi, Rytlock, and Canach had all shown up and said "oh we're the Best Friends Patrol. Come along with us stranger!" I would have felt like a tag along. Not an equal in the group. Instead we met on level ground. We became a team together, we became friends together, each of us a vital part.

Which is opposite to how it feels now. These characters have deep history going back AGES. I just showed up, no one respects me, I'm not privy to any information or details on who is who and why should I care, I don't Get story time to ACTUALLY hang out and meet these people and develop my OWN relationships with them. When I leave, they will not care. I'm just being brought along like a lost kid at this point, until we reach customer service and they can drop me off, or until I wander away and find another deep group to follow.

I don't like this story. I don't like the setting. I don't like the characters or the group dynamic. I don't feel like an EQUAL in this expansion, I don't feel like I matter. Anyone could stand here and ask supporting questions to drive the dialogue between the 2-3 characters that actually matter, which again, does not include me.

And FRANKLY I hate that no one can say anything that isn't glowing praise of GW2 and Anet and every little detail is just scrumptious don't worry I love it, without a bunch of vague posts filtering in about "so much Negativity, everyone is a HATER, you just don't support The Writers and want them to FAIL, well then stop playing the game and delete your account and blog and go away forever, REAL fans LOVE nothingburger" to shun whoever dared say "I didn't like some or all of it." I'm happy for you if you're liking SotO but I am not. I'm sorry if you don't understand that criticizing something that I've played for a decade doesn't mean I hate it. I'm sorry if you can't take the MILD CONFLICT of me or someone else saying "I love this thing that you love too but I don't like how the new part feels" but most of us learned about conflict in kindergarten or at least through children's picture books and TV, so idk. Maybe you just need to cope at that point.

As it stands I don't like the expac. I don't see Anet turning it around and blowing my mind with the ending. And I really don't even care how it ends. I was asked the other day "how are you going to handle Peitha?" (in terms of the canon that I write, which has already moved past the end of SotO.) And frankly I was like. I dunno. It doesn't matter to me. She's either dead or on the throne, I don't care much either way. We could get the huge plot twist at the end that Peitha was the big bad or Isgarren or WHOEVER THE FUCK, and I wouldn't care. None of this matters to me. I'm going back to Tyria with my writing. The rest is filler.

[kradeelav]

Hello! I want to learn how to draw content on the more spicy side, but I'm unsure where to start. Do you have any tips/resources for it? I would love to make Corrin/Gunter art and some of my other favorite pairings. Thank you in advance!

on the practical/technical side:

having a solid understanding of anatomy helps, of course - the basic bone structure of course, but how skin, fat, muscle hangs as well. you don't actually need to watch live-action porn to get references (i never have believe it or not), but i do follow a few historical kink/bear magazine archivists online. personally i find that there's more of a variety of beautiful shapes and humans in those old photos, and you generally know it's consensual since they've personally submitted them.

you also can't go wrong with reading other erotic comics ... i say comics vs illustrations since you start to see the pacing of these scenes like any other human interaction and the tools the artists use. when does intimacy turn into foreplay? when does the artist/mangaka zoom in to capture the sensation of the moment? what clever tricks do the artists to capture the climax when the bodies are all pressed together and when finding a good camera angle is tricky? how do they show the heightened feeling with symbols and textures? how is kink power dynamics shown with characters in different positions? do you show faces and the expressions to show the pleasure or not? what comics feel cold and manufactured to you versus ones that capture real eros? why? etc.

on the mental side:

if you're anything like me, you might have a lot of shame to untangle when it comes to harder varieties of erotic art. (i hope not! not everyone does. but it's unfortunately common given the societies we live in.)

it's going to take a while, and it's going to feel really weird at times when you draw something that's uncomfortably intimate or taboo, but that's when you know it's working and you gotta keep pushing through.

you gotta keep drawing.

privately, i have a personal rule that i'll draw anything at least once; if i feel afterwards that it turned out to be a personal squick, i won't go there again, but that guideline has been marvelous to start breaking through the manufactured idea of disgust and also just to experiment with putting myself in other people's shoes about what they find hot. sometimes it's surprising! i've learned a lot.

lastly, on that note - draw what you find deeply intimate. forget about other people. selfshipping? the most niche kinks possible? the kink that feels like the internet can't stand? who gives a shit about them (no taste, the lot of them).

draw the human. the tenderness, the visceral, that overpowering desire for you that almost scares you with how intense it is and that sends your brain alight.

that's going to be timeless.

[develop-your-oc]

Your blog has been so helpful with my oc developing journey! Thank you for putting so much time into collecting resources and the like! I did have a question, if you wouldn't mind answering, but how do you use Obsidian for sorting/recording your oc data? It's a little daunting and I've found myself constantly going over the info and trying to format everything. It's maddening. Thank you again for your hard work and time! <3

It's awesome that you've found this blog to be helpful! Thank you so much for telling me! 💖 (it ain't much but it's honest work dot jpeg)

Obsidian as a program is daunting especially if you're not familiar with similar applications (OneNote, Evernote, Joplin, etc.), but somehow I have completely forgotten how frustrating it was to get started from a blank page, even though I spent years struggling with that frustration. Here's a basic rundown of what I do!

Folders and basic setup are as follows:

Within one vault, I use multiple folders. One folder contains my templates, lists and other data, prompts, and so on. There are individual files for each original setting within this folder in order to take quick notes to be sorted later or keep reminders. Other files in this folder include ideas for future character names and other writing ideas.

Each setting has its own folder where everything related to it is stored, with OCs being the star of the show at the top level. There are several subfolders filled with notes, completed prompts, drabbles, lore, codex entries, etc.

One of the subfolders is for files regarding characters that my OCs interact with but aren't mine (a roleplay partner's OC, a game NPC, etc.) to store notes and other useful information for later reference, like a wiki page built only for myself.

As for the OCs themselves:

Each OC has its own file within the folder of their setting where a template holds their information. This template is vague enough to be useful in most settings, and simple enough to allow editing as needed.

The template begins as a simple formatted list of basics as you would expect (identity, appearance, occupation, etc.), as well as likes, dislikes, hobbies, skills, virtues, and flaws.

All friends, family, lovers, and so on are listed with a very brief description of how they are connected to my OC.

There are sections beneath the list for all the substantial information. — Background: everything from before their story begins. From before the arrival of you, the creator, if that makes sense. — Going Forward: from the beginning of their story, to the end (if there is one), and into the future beyond that. — Trivia: tidbits of information and facts that don't fit anywhere else. — Timeline: a chronological list with dates and concise details. Additional information is sorted into one of the other sections, the destination based on where the information would be most relevant. — Relationships: important relationships are detailed here. — Notes: the anything goes catch-all. Less about the character and more about you, like a reminder ("name their childhood pet!") or something worth noting ("my first OC!").

If the character is still in its concept phase, I stick to bullet point notes and update with the template later as needed.

Other things I'd like to mention:

There's more functionality within Obsidian than what I use, but I'm happy with my methods for now.

I make heavy use of bullet points, tab indents, and the little arrow that pops up to open or close lengthy sections as needed.

I never fill out the entire template at once, or ever; some sections remain empty permanently and some characters remain bullet points. It is what it is!

I keep the files for all the OCs that are currently rotting my brain open in tabs at the top! 🥰

Sometimes a folder is a genre and is instead used for multiple settings, such as all my OCs from the various farming simulation games I play sharing the same folder.

Relationships can sometimes be easier as their own page, particularly if it involves more than two characters, such as families and their dynamics.

This is a brief description of how I do things for myself. This works for me, but may not work for you. I tend to make up a bunch of silly little rules for myself, so please take this as inspiration rather than instruction. If this is confusing or you would like more help, anon, please DM me again and I'll work on visual examples and better explanations. Thanks again, and I hope this helps!

[sillysybilsden]

What are some good resources on Roman polytheism? Books, YouTube Channels, websites, etc. I’ve been feeling drawn to Roman polytheism specifically.

hey there! thank you for asking this question — I'm always happy to share resources on Roman polytheism.

first things first, I will go ahead and link my personal list of resources. there, you will find all of the books, papers and websites I've gone through and have found particularly useful when it comes to learning about Roman culture/polytheism.

I will nonetheless give you some recommendations on resources I would look into if I were to start my path over again!

DISCLAIMER: I am a revivalist. because of this, I will be recommending historical/academical resources. keep in mind that this is just the way I do things, though: every path is valid and you are more than welcome to follow another — no matter whether reconstructionist or modern.

1. "Roman Religion" by Valerie Warrior

this is a great book for those who are starting to approach cultus deorum. it gives you a wonderful introduction, after which you can focus on the aspects of Roman polytheism that intrigue you/draw your attention the most.

2. Nova Roma (Roman Religion section)

now, this website is the second resource I recommend to you. here, you will find plenty of informative articles on Roman polytheism — both the private and the public cults. even though many don't endorse this organisation because of some past allegations, its members are very knowledgeable. keep in mind that they have a reconstructionist approach!

3. "The Dancing Lares and the Serpent in the Garden" by Harriet I. Flower

now, this book is exceptional especially if you're looking forward to delving into the private cult — which, in reconstructionist/revivalist approaches, mainly focuses on the domestic deities. you will find a lot of info on Penates, Lares and the like. my very humble and very personal advice is that of starting with this kind of worship, for one very simple reason: since domestic deities are within reach, many Roman polytheists agree on the fact that you do not need to perform a ritus Romanus — Roman ritual — in order to leave an offering/interact with them.

this book can be very dense — both because it is academical and because the font is very small. I personally recommend taking your time going through it. if you need to stop, do so.

4. "Ritus romanus: make an offering to your gods"

this pdf will be ever-so precious whenever/if you will feel ready to include ritus Romanus in your practice. also, it also gives you an introduction on domestic Roman practices — how to set up a shrine, which deities to worship, etc.

BONUS: "Archaic Roman Religion" by George Dumézil and TIMOTHEVS

"Archaic Roman Religion" is a wonderful book when it comes to the history of Roman polytheism. even though many of Dumézil's theories are outdated, it is still very useful when wanting to learn about the differences between Archaic Roman religion, Republican Roman religion and Imperial Roman religion.

TIMOTHEVS, on the other hand, is a YouTube channel that shows you the way the theory of other resources may work in someone's practice. if I'm not wrong, there should be a couple of videos of them leaving an offering to Lares. to those who find it useful to have a visual reference, like myself, such videos are sooooo precious.

and I think this is it! I hope that this recommendations are going to be useful to you! feel free to ask more questions if anything's unclear and I'll be happy to help 🙌🏻💗

[miiilowo]

I have seen what they say about npd on Google but may I ask you for the truth or at least stuff people don't mention cause i have a feeling there is a ton of stuff they don't mention and they just focus on bullshit

Sorry if its worded weird I just wanna learn about npd from a better source

Ill start off by saying I'm not the best source since im just some dude who has it, but I dont blame you for asking me specifically, considering how most of the results when looking into NPD are very, very plainly abelist or misinformed. Hell, even some of the non-abelist sources have some things wrong with them.

Before I begin, I wanna get this out of the way (since its very common to encounter): 'narc abuse' isnt real. No illness or disorder will make someone abusive. Abuse is a choice, and is not something one can be born into; Claiming all narcissists are inherently abusive is incredibly abelist, and if someone tells you otherwise, either kindly inform them or beat them with hammers. Everyone is capable of kindness, and everyone is capable of abuse. There is no pattern of abuse that solely correlates to people with NPD. If someone is abusive, and they also happen to have NPD, thats an abuser who has NPD, not a narcissistic abuser. You know? While a disorder may contribute to choices people make, correlation is not causation.

I will say to anyone else reading this who has used the term before, or anyone who has used 'narcissist'/'narcissistic' to describe someone who hurt them--As long as you stop, I wont be mad at you. I know that for a lot of people, it simply doesn't occur to them that it might be hurtful. However, if you know about how it can be hurtful or abelist and you CONTINUE to use it, that's where we have a real issue.

A few people have asked how to refer to me as someone who has NPD, so ill also mention that here. while i dont mind being called a narcissist personally, a lot of people do Not like being called that. generally saying people with NPD or pwNPD for short is a safer bet.

ok, now that thats out of the way, heres some stuff i have tucked in my pocket. they should give you a decent enough idea of what its like, and if you have followup questions, absolutely feel free to ask!!! i dont mind helping de-stigmatize in any way i can. i wont think its annoying i prommy

National Library Of Medicine - NPD

Stigma in the DSM when it comes to how NPD is described (keep in mind for above link) - @/kindnessoverperfection

NPD criteria rewritten by someone who has it (explanations for changes also included) - @/kindnessoverperfection

Me responding to someone who asked what they can do to help out/accommodate living w someone w NPD. <- this one covers some of my personal experiences with it

Collection of resources and an explanation of ""narc supply"" - @/theegosystem

Perception of NPD symptoms vs. how someone may actually experience them - @/kindnessoverperfection

I'm not gonna go over every single symptom and how it affects me, but I do wanna talk about envy, entitlement and narc crashes because those are the things i tend to encounter the most often that are like. Actually Bad And Disordered. some of these traits arent really that bad (like being arrogant and having a big ego. if im constantly talking about how sexy and awesome i am idk how thats a bad thing TBH i recommend it for everyone. does wonders for the mental health. there is a bad side to it [which you can find in the links above] but in my experience its less prevalent of an issue than the stuff im ab to talk about)

For me PERSONALLY, its mostly a problem with ego regulation, and the perception I have of myself is HEAVILY reliant on how other people perceive me and how much positive attention I'm getting. If someone does not like me, it is absolutely devastating, far more than it should be for the average person (though i also suffer from RSD due to my other disorders so i dont imagine thats helping)

If I dont receive enough attention, receive too much negative attention, or am led to believe I'm not actually the specialest boy on planet earth who deserves to be picked up and spun around and kissed on the forehead it can lead to whats referred to as a 'narc crash', or just a crash. Whatever we've been telling ourselves to keep our ego intact has been shattered into pieces, and we'll get rather angry and depressed, though mostly depressed. (we as in people with npd). The length of the crash usually depends on the severity of what happened, and whats being done to amend it, as far as i can tell.

Small things that may contribute to a crash For Me (or just feeling sort of upset tbh) are not being the center of attention in a group conversation, not being perceived as being the Best at something, not being prioritized by other people, not being invited to do things (even if you KNOW you dont want to participate in the activity), and PEOPLE SENDING ME ANNOYING FUCKING ANONS ON TUMBLR (not you. youre fine. this is referring to other people) among other things. Just this general sorta. thang. will get under our skin more than most. like 100% of the time. there are an infinite number of examples, but these are a handful of the most consistent ones for me.

One other thing i want to highlight is the "Has a sense of entitlement, such as an unreasonable expectation of favorable treatment or compliance with his or her expectations)" symptom. This is true but the wording is absolute dogshit. I do have a sense of entitlement; I feel like I deserve certain things, and i do heavily desire favorable treatment. However, I KNOW when those things are unreasonable. I know when it's unfair, I know when it's unrealistic, I know not everyone is going to be able to comply to my demands 100% of the time, but I really feel like the focus here should be on how UPSETTING it is when these things arent met vs how it sucks for other people. When I dont receive what i feel like i deserve, i just get. really sad and upset. I personally have the self control to not snap at people (usually; depends on if the infraction was fair or not), but the phrasing here makes it seem like if the person with npd isnt an asshole about it, then they dont have this issue. which is false. i shouldnt be worked up and wanting to cry because i didnt receive an award for something i know i dont technically deserve and didnt commit to. you know?????? idk. IDK man. (its this kind of thing that makes me INCREDIBLY competitive and its also why i never enter contests of any kind. if i dont win i will want to commit murder at a minimum. i am a sore loser)

Envy is also a big problem for me. I think (know?) that other people are envious of me and look up to me, but I'm envious of other people to like, what would be a friendship-ruining level if I actually expressed it all the time. Its an underlying sense of "i deserve this more than you, why are you receiving this, this isnt fair, this should be me instead" that becomes genuinely RAGE INDUCING when half the time its just like. someone telling me theyre going on a cool trip. lmao. like they dont have to be bragging they can just be like Hey check out this thing i get to do isnt that cool :3 bc they wanna share their happiness with me. it sucks. it really sucks. Hell, when I see my mutuals and peers receive fanart for their aus/ocs/etc i get so agitated i have to use xkits "block post" feature so i dont have to look at it LMAO

I do also wanna touch on the 'believes they are special and will only associate with special people or institutions' thing briefly, since its kinda vague. I like myself, and i'm only going to want to interact with people who are also "like me", because, to put it bluntly, i perceive them as being better. people who i cannot relate to get sorta. pushed to the side. and i dont want to say i look down on them, but thats the best descriptor i have for it; obviously, be kind to everyone above all else, but inside i WILL be annoyed by you if i perceive you as being boring and/or 'basic'. probably part of why i hate taylor swift fans so much TBH

Again, this description I've given is very personal, and may not wholly apply to other people w NPD--It also doesn't cover every trait/symptom, but is just a handful that I wanted to go over. Remember to check out the linked sources if you havent, and if anyone reading this has some extra links, I'd be happy to take them!!!! If you have any questions or need clarification on something, also feel free to ask :3

Edit: I feel like its important to note that while trauma is a common way for someone to develop NPD, (neglectful or abusive parents for example), its not the only way. theres a few different ways it can develop, and i personally did due to an excessive amount of praise in childhood, which is one of the more commonly listed causes. set up my brain to need that to function

[birds--daily]

welcome to birds daily!!

this is my blog where i draw a bird every single day! the idea was completely ripped off from one of my best friends of all time, @fish-daily !! please go check him out :0)

my name is sunny and i'm a wildlife biology major and art minor from michigan. i'm 21 years old and i use they/them pronouns!

i'm here because i love birds so much, and i'm assuming if you're following then you do too!!

IMPORTANT INFO BELOW!!

what to know before you request

please check if i've drawn a bird before you request it! if you don't want to scroll through everything, all my birds are tagged by order. don't know the order of your bird? look it up! the IOC world bird list has a great resource for this.

i tag them by name, but some birds have multiple common names.

i also have a spreadsheet of every bird i've done so far! but i can definitely see myself forgetting to update this, so it's best to double check.

any avian dinosaur archaeopteryx-and-beyond can be requested! many ornithologists consider avialae to be the cutoff for "modern" birds.

i can't guarantee full-accuracy of prehistoric birds as i'm not very well-versed in paleontology.

please keep asks to only one bird! feel free to send multiple asks though. if you include multiple birds in an ask i'll just pick one. when i answer the ask to post it, the other birds will be gone forever...

i will prioritize requests in the order i received them in, but a couple times a week i might draw a personal pick instead.

not accepting duplicate birds doesn't mean you can't request a different version of the same bird, which leads me to…

sexual dimorphism and seasonal plumage!

yes! you can request different plumages and sexes of a bird i've already done! want to see a female ruddy duck? of course! want the breeding plumage of the willow ptarmigan? absolutely!

i have sex, maturity, and plumage recorded on my spreadsheet, but i'm bound to make some mistakes on there. once again, double-checking my blog is your best bet to getting accurate bird info!

if you don't specify anything, i'm going to assume the basic mature male with breeding plumage that you come to expect from a bird.

breeding and non-breeding plumage can also be called summer and winter plumage. some birds also have special names for their plumage forms. just to keep things consistent i'll be referring to it as breeding and non-breeding!

final notes

my main blog is @eggpathy if you're interested in any of my other art! i forget to post there a lot. most of my art is on my twitter under the same name (trying to move here though)

i'm a full-time college student with a job, so some days i won't be able to get a bird out. sometimes i might even have to take a few days to a week off just to keep my sanity. this doesn't mean i'm not having fun and enjoying drawing birds! it just means i'm busy and maybe need time for other things

i'm also still human. this means i WILL MAKE MISTAKES! i have not finished my degree yet and i'm still learning! one of the big reasons i made this account was to help myself learn my birds! i take extra time out of my day to find facts to post with my birds, and sometimes those are wrong. if you see me post misinfo, please kindly correct me with a comment, dm, or tag!

any post that isn't a daily bird will be tagged #not birds. any post that is a daily bird will be tagged #birds.

please feel free to add extra fun facts, info, and generally any other silly comment in the tags. i love reading them and they make my day!

asks don't have to be request-related! feel free to ask me anything :0)

thanks for reading! peent!

[fantasy-anatomy-analyst]

Hello! I wanted to start off by saying thank you for your digitigrade humanoid references, they've been super helpful for drawing my sheep-satyr oc!

I was wondering though, do you have any resources for writing nonhuman creatures? Specifically when referencing the nonhuman aspects of them. For example I have this sentence that goes:

"I jumped to my hooves."

I don't have any frame of reference for this :/ so when I'm writing my oc talking about what she does with the sheep half of her body it sounds kind of off.

I looked on Youtube and online and just saw "Do some world building and give your nonhuman characters human traits," which isn't what I'm looking for.

Kindest Regards-

oh I am doing so much of this in my own writing. I think the trickiest part for me is that I'm trying to also add in the detail that most of the people species don't smile the way humans do, with exposed teeth and a wide mouth being more of a fear/threat response rather than a happy expression. so I keep having to force myself to describe happy expressions in different ways! this is quite challenging, for obvious reasons lol.

but beyond that, honestly I like to just focus on using their non-human body parts to help enhance their body language. my porcine orcs and gnomes wiggle their snouts. anyone with large ears can move them as an expressive body part. tails do all sorts of things!

I think using the phrase "I jumped to my hooves" works just fine! it shows the reader that your character has hooves. The hardest part of course is figuring out how to introduce the character's appearance as early as possible to avoid too much confusion. Looking at my own writing, opening on a scene of a gnomish character, I didn't mention her ears until a few paragraphs in, and her hooves didn't get mentioned until several paragraphs after that. I'm still trying to scan through and find where I introduce her snout lol. it's really hard! and sometimes just using illustrations is unfortunately not possible.

But I think as long as you remember to mention different body parts when they're relevant and using them in the general body language, you'll be just fine. A few things I've been doing with this gnomish character include:

mentioning that she catches a pebble between her cloven toes

using her snout as an expressive body part

writing scenes where she needs to have her hooves trimmed because they grow perpetually

writing scenes where she files down her tusks, because she's also a quarter orc and has some recessive genes that cause tusk growth in amab gnomes, so filing her tusks is one part of how I explore her relationship with her body and gender as a trans woman

I also have elves with long monkey-like tails, though I give them tail expression more similar to cats. Teeth can also be an important expressive body part, when applicable! baring sharp canines or moving one's head and mouth in a way that puts a large pair of tusks on full display is a great way to show things like fear, intimidation, or anger.

you can also study the body language of whatever animal you're using for reference, like sheep, and apply those details to the way you describe your character!

here is an article about sheep behaviors for reference!

and a few quotes with non-human body language from my own rough draft:

“K’arik is the one I’m worried for, not myself,” Morianon murmured, flicking his wings nervously. Evarin nodded, wrapping her arm around her husband’s waist. “I’m worried for him too.” They walked in silence, gravel and bark chips crunching under their feet as they made their way up the road. Evarin spread her hoofed toes with every step, willing a stone to catch between them. A cold pebble lodged itself in the crease between her toes just as they turned up the path to her parents’ door.

The stranger bent low, pushing their enormous three-toed feet over the threshold, ducking their head and reaching forward to pull themself inside. “What’s going on?” He-esh squinted and frowned. “Elkha, tell me what’s going on.” He tapped Th’elir’s arm, but she too had been caught by surprise and only mumbled as she tried to explain. Evarin stepped back towards K’arik, eyes wide. She glanced at her mother and saw her own shocked expression mirrored right back. As the stranger grunted and half-crawled through the low door, she saw her father escape the crowd and hurry to join her. “Can you believe—“ he whispered, but Tawei shushed him. The stranger’s body blocked the whole door as they finally fit themself through it and stood up. Even inside, they had to bend their neck to avoid the rafters, towering over the tallest orcs in the room. Four hooved feet, holding a body so heavy they sunk into the packed dirt floor. Legs as tall as a gnome. They wore layers of woven cloth, all green and brown and cedar red in beautiful leafy patterns, draped over their uncanny body that seemed to have two sets of ribs. Their arms were just skinnier versions of their forelegs, Evarin noticed. She could barely see their face in the shadows by the rafters. Morianon could see them better, perched above everyone else. His feathers shivered as the stranger noticed him, catching and holding his gaze. Their mouth was tense, their long ears laid flat against their head. Morianon glanced away and found Evarin’s eyes, shaking his head in disbelief. “Forgive me,” the stranger said, bringing the murmur of the crowd to a dead hush, “for not announcing my arrival ahead of time.” They walked carefully forward, every step remarkably delicate for someone so massive. “I came to deliver my herd’s respects to you, He-esh.” “Oh? Ah, no, I do know you,” He-esh sat up with Th’elir’s help, clearing his throat. “Or perhaps this is an old man’s dying dream. Are you a spirit?” he laughed, “I never thought I’d live to see a centaur enter my village. I suppose it would have to happen on the last day of my life, wouldn’t it?” He smiled up at the centaur and welcomed them forward with an open hand.

Despite the difficulty, Kouto looked oddly chipper for an early morning and sat down in a hurry, tail curling playfully.

“I remember when he was a kid,” Nanji said, shaking his head, “he had a lot of potential. Shame to see him grow up into such a stubborn and angry fellow.” He passed the tray to Jen who set it on the central table. “I hate to blame anyone but him for his change of heart, but we all know it happened after he got married and moved to that other clan up north.” “He was very annoyed that He-esh wanted to die by song instead of the usual orcish tradition,” Mori said, “Kept giving Evarin nasty looks.” He ruffled his feathers and sat a little closer to his wife. “I was too nervous to pay him any mind,” Evarin assured him. Ikar’s irritated gaze had added to the nervousness, she admitted to herself, but it had been among the least of her worries.

Leaving the bedroom, Evarin was momentarily startled by the looming figure of Ikar at the hearth. She had been in such a hurry, she hadn’t noticed him on her way in. He gave her a sideways glance, lightly swirling the cup in his hand. “At’ali’s granddaughter, aren’t you?” he muttered. “That’s right.” Evarin tensed up defensively. Ikar humphed. “You look nothing like as’el. Must take after your father’s side more.” He sipped his drink and went quiet, turning away from her. Evarin’s snout wrinkled and grew hot, but she left the house without another word, shaking off his comment and breathing deep in the fresh air.

[nyuuronfly]

quick doodle showing how you draw perspective, if that's ok?

i really like your art btw, you're one of the few people i usually go to for reference for drawings and actively follow

i'm definitely not the best teacher haha! this may not be useful. in general, my approach to perspective is the basic stuff: horizon lines are the most important, and vanishing points are placed along it. I am working on a drawing right now which is pushing perspective, its my first very extreme fisheye lense one. I could use it as an example of somethings.

the horizontal line in the middle is the "horizon line" or "eye level." It shows that anything above the line is above the viewer, and anything below it is below. So below, you are looking at the top of things, and above, you are looking at the under-side of things. The other points are the furthest possible point down an axis. In this extreme perspective, you can see all the way to the right and left (or east/west) of the viewer. So it is very distorted. Anything that is getting further away from a viewer along a certain axis is moving closer to a respective vanishing point. so as we go further right, they converge toward the right point. upwards is converging into the upwards point. etc. The guides are there mainly as reminders of how to keep certain dimensions in mind. But the most important thing is to think of things 3-dimensionally and visualize. I'm freehanding this, so its imperfect. But hopefully that illustrates some of the idea. Normally, perspective does not have to curve. It curves when there is two vanishing points for polar opposite directions like up/down etc. but for lower field-of-view "camera," where just one point on an axis is visible or relevant, i dont need to do that.

If you're interested in learning perspective properly, the two books you might want to look into are either Perspective Made Easy by Ernest Norling, or How to Draw by Scott Robertson. The later is more advanced, but is basically the best resource. I probably could learn a lot from it myself.

[beatingdrumspouringwine]

Hi there! I've recently taken more of an interest in Hellenism, but I don't at all know where to start. I've never really been religious before, only really knowing the basics of Christianity. I did see you created a post of advice for beginner Hellenists, but I was wondering, if it's not too much trouble, if you had any additional information for someone like me who's just starting out.

Hello anon! Sorry for how long it took to write this up, I definitely went a little bit wild on this one :)

First off, welcome to Hellenic Polytheism! It's definitely a wild ride, but depending on what sect of Christianity you come from, it's not completely and totally foreign.

Starting off with a list of some websites, general resources, and accounts that I have found helpful:

theoi.com

Apostolos Athanassakis translations of the Orphic and Homeric Hymns

Hellenic Polytheism: Household Worship by Labrys

Hellenion.org

@khaire-traveler's Subtle Worship Master List

@thegrapeandthefig's Wordpress

And now breaking them all down, because I love when people justify their choices to me :)

theoi.com The nice thing about this website is that it's about as much information about the Gods as you can possibly want in one place. Not only does it seemingly have just about every possible deity in the Greek pantheon, but it has an incredibly good collection of historical references, family trees, and even artwork from ancient Greece.

Apostolos Athanassakis translations While theoi.com is good, I'm not the biggest fan of the version of the translations that they use for the Orphic and Homeric Hymns - they're a bit too "translated" for me. This meaning that the translations in question don't sit too close to the original text, and in my opinion, if you're trying to understand a deity through some ancient work, you want to get the closest translation to the original, even if that means sacrificing some of the flowery language. And Athanassakis' translations are some of my favorite for those "close translation" hymns. You can find his work on the Internet Archives.

Hellenic Polytheism: Household Worship I think this is one of those staples that every Hellenic Polytheist should take a look at at least once. It's pretty dry, but within it, there are plenty of rituals and general information on Hellenism as a religion. I don't use most of the rituals in it, but even still, I keep a copy on hand for the future when I'm able to practice more freely.

Hellenion.org This is a pretty good resource for more modern Hellenic Polytheist prayers, as well as rituals. This is a more heavy reconstructionist lean (which focuses on an accurate recreation of Hellenic Polytheism, as opposed to revivalism, which focuses on recreating it for the modern day), but still incredibly helpful, and a bit easier to understand than Hellenic Polytheism: Household Worship.

@khaire-traveler's subtle worship masterlist Honestly, if a resource like this existed when I was first starting out, I would be light years ahead of where I am now. Stag has managed to fit just about every idea you'd need to get started with worship/offerings into an easy-to-digest format, and I find myself going back to it time and time again when I start incorporating a new deity into my practice.

@thegrapeandthefig's Wordpress I don't even think I could summarize how amazing Aurora is into one little paragraph. There's everything on her Wordpress from historical offerings, to modern festivals, to dissections of various ancient customs. One of the things which has helped me the most from her blog has been her Attic calendar, which shows the schedule of the various religious observations throughout the year (and there are a lot).

Finally, a few extra words of advice that I might not have included in my original post that you mentioned in the ask:

Try to have one prayer memorized for each deity, if you're easily able to memorize things. Chances are, after about a year or so, you'll probably have a prayer or two that you really like and will have memorized because you've said it enough (I definitely have my fair share). And there's definitely something nice about finding yourself in a situation that reminds you of your deity and being able to just rattle off a prayer.

Try to avoid TikTok for your spiritual knowledge. But, if you want to add a bit of Hellenic flair to your FYP, I'd recommend Bria Melitta and hesiodic (who's also on here and maybe on TikTok as well [I might be wrong, haven't been on TikTok in a hot minute] under the name @olympianbutch). Both of these creators are really good, and I especially love Dagan for his devotion to Zeus, who often gets a bad rap from new practitioners because of behavior attributed to Him in myths.

Other than the resources I mentioned, some good stuff for casual reading would be: the Iliad and the Odyssey, any ancient Greek plays (I'd recommend starting with Aristophanes, if the tragedies are a bit too heavy), and Hesiod's Theogony.

And that's about all I can possibly think of throwing at you right now! I hope this came in handy, and as always, if you have more questions, please feel free to drop more in my ask box :) I'm always more than happy to answer questions and help to the best of my ability!

[rubberduckyrye]

I really wanna hear your thoughts on the racism with Angie, I may not have been in the fandom for like 5 years now, but I have ALWAYS been so bothered by how she and Gonta are treated by the narrative and fandom back then but nobody wanted to talk about that back then too, so it's been refreshing seeing it brought up by you.

Honestly I've been screaming about Gonta ever since I got into the fandom--like, back in 2018? Angie I've known for a while her story was a bunch of racist stereotypes but as a pastey pastey white person, I wasn't sure how much I should speak on it. I started talking about it more casually on my blog at first, and now I'm just screaming it into the void because everyone keeps ignoring or dismissing me about it.

I'll start off by saying that the extent of her racist caricature was really brought to my attention by my partner Celest, and she pointed out the initial stereotypes that lead me to further researching on Pacific Islander cultures, Indigenous cultures, and the stereotypes that are associated with them. Even the use of "Atua", while at first glance seems to be more accurate and inclusive, is incredibly inaccurate at best, and racist at worst.

But I'm getting ahead of myself--time to wipe my hands of this once and for all and talk about the thing that the fandom doesn't want to talk about--how Angie is a racist stereotype of Indigenous and Pacific Islander cultures.

I'm gonna need a lot of resources for this one.

So the biggest problem with Angie is how she is characterized/heavily coded to be Native Hawaiian/an indigenous Polynesian young woman. While I can't find any specific articles about specifically Indigenous Polynesian stereotypes regarding it, I know for a fact that the "Merciless Indian Savage" applies heavily to native/indigenous Polynesian cultures just from the horrible media I was subjected to as a child by my own father. Of course I was never taught about how racist it was until I learned it for myself, but I've seen many a movie where Pacific Islanders, specifically indigenous, were portrayed as savage, violent subhuman cultures that horrifically sacrificed human lives and blood.

I can't tell if this just, isn't well documented or I'm bad at finding research material, but I have first hand experience seeing this stereotype in modern media, so I know it's a thing. Like in King Kong movies--I remember those older movies being especially bad about it. This movie was made in 2005 and is one of the most racist depictions I've ever seen and be warned this is quite disgusting to watch with the context of this being incredibly fucking racist.

(Please remember that King Kong's island is, well, an uncharted island called Skull Island. It's an island in the middle of the ocean. Do I need to say any more as to why this is a huge problem.)

The top comments on this video are also incredibly fucking racist too:

"The natives are scarier than the big scary monster" "I would be scared of directing this scene" like Jesus fucking Christ do you people even hear yourselves.

Anyway. Yeah this movie's depiction of natives is incredibly racist and I'm sorry to subject you to this scene. I just want to specify what I mean though when I say I've seen this shit so much in media and yet I'm struggling to find people talking about it. Like, I'm not going crazy, right?

Still.

The fact that in Angie's FTEs, she bluntly describes blood and even implies human sacrifices is enough to invoke such horrible cringe from me, but the fact that her "native island" is referred to as "strange" with fauna that attack humans is also reminiscent of the racism presented for specifically Pacific Islander stereotypes.

This specific instance is especially telling, because--

If this "DeepSea" shipping service can ship just about anything--including organ meat, children, and blood--then what on earth is Angie talking about when she says they don't stock "Offerings"?

The likelihood is that she's referring to adult humans--as these children from this "shipping" company are clearly trafficking human children, blood, and organ meat. Since we know blood offerings are something from "Angie's culture", it can't be blood offering's she's referring to. Since it only lacks those two things according to Angie, that's the only thing that can be really inferred/implied--adult human sacrifices.

This is also shown here in Kaede's second FTE with her:

Angie is having a nightmare about the blood/human sacrifices necessary for her "culture" and "island", and is clearly struggling and horrified with it. This also plays into the racist stereotype in that Angie is Not Like the Other Savages and condemns her people's practices, even if only internally/privately, and portrays her as a victim of something almost cult-like--which from the clip you saw above, is still a heavily racist stereotype of indigenous cultures due to how the "Merciless Violent Savage" appears cult-like when you involve human sacrifices.

So let's talk about Atua.

This is very much only in the english version, but the use of Atua to replace "god" in a more singular fashion is incredibly inaccurate. From my understanding, "Atua" more so refers to the gods of Māori mythology. The way Angie refers to Atua in canon is more like how one would refer to a singular god. The Hawaiian Kupua, something that wikipedia seems to suggest is the Native Hawaiian version of Atua, also expresses polytheistic customs.

So yeah. the English dub made it worse.

But wait, there's more!

Now I have. No idea where this "custom" came from, as when I looked it up I just got a whole lot of nothing--but notice how Shuichi is reacting to it. The custom presented is supposed to be extremely weird and even terrifying, invoking the reader to see Angie as strange/abnormal. She continues on talking about her "island's customs", and--

The sexuality presented here is very obvious--presenting the fluidity of sexuality one might see in Pacific Islander cultures as abnormal, bizarre, or down-right wrong. A small article for this one because I cannot find the other one I originally read: 1 but the general idea is that Christan/Conservative ideology has oppressed the gender and sexuality of a lot of Polynesian cultures. To express that Angie's culture is "exotic" and "strange" for its fluid sexuality is inherently racist in nature. I don't think this is an intended character flaw--this is blatantly the bias of the writers for V3.

Now for this specific one, I've completely lost the article I read it on, so take my words with a grain of salt. However, a big stereotype of Polynesian cultures is that they are extremely carefree--something that we see Angie being in canon without her FTEs. This is portrayed as a mask by the fandom, however, so it's a bit of a sketchy one to include. Still wanted to mention it though.

Anyway--these are all things I've learned from doing research, and I still can't find a lot of information about it. Pacific Islanders/Polynesians/Native Hawaiian people are often incredibly silenced and spoken over, which is why writing this post up was so incredibly frustrating to me.

I know these stereotypes exists for these cultures--but I cannot find many resources on the subject matter.

As someone who is trying their hardest to be racially aware and sensitive, it is very frustrating to try and comb the internet to find resources to reference, and the best thing you can find is a god-damn Wikipedia page. No, really. I could not find any reliable sources on anything outside of Wikipedia. Again I could just be really bad at finding research material/it could also be that the internet is getting so much worse about finding articles on subjects like this, but I digress. The fact that it's this difficult to find things--and then to re-find things, as I mentioned earlier, some of the articles I found are just, gone now--is a testament to how much of a problem this really is.

And it's so frustrating that I keep getting silenced/ignored about the matter because I want to learn. I want to learn what stereotypes to avoid for this demographic of people and their culture. I want to learn how I can fix a character like Angie--who I DO like, by the way--and make her much less of a stereotype in my own AU. I want to learn if the Atua and the Kupua are interchangeable words like Wikipedia suggests. I want to learn for my own Native Hawaiian OC so I can write him correctly. I, as a white person who doesn't have access to this culture, want to learn about it so I can accurately portray it and help fight against the negative stereotypes that people 5 years ago thought was "great storytelling."

But I can't learn anything if the fandom keeps ignoring me because they're too afraid to acknowledge the racism is there at all, in fear that them liking a racist caricature of a character makes them racist.

And to that, I say: Please stop ignoring me. I want to learn. I want to talk to people about the subject. I want to find someone willing to talk about the culture and educate me. I can't do that if I am constantly ignored.

So. Yeah.

Sorry if this is a little haphazard, my brain died halfway through making it because finding the research materials to showcase my points was incredibly difficult. Literally have been here for hours.

I hope this can be spread around though--so people understand why it's important to have this discussion, why it's important to acknowledge the racism, and why it's so frustrating to feel silenced/ignored when all you want to do is better yourself and your own knowledge.

So... let's talk. Let's talk about the racism in Angie's character--and how we, as a fandom, can address it.

[what-even-is-thiss]

Hey do you have any literature recommendations for people who want to broaden their knowledge on the classics and Greek/Roman myths without taking university courses?

So like for people (such as myself) who have read Bullfinch's Myths of Greece and Rome and Edith Hamilton's Mythology: Timeless Tales of Gods and Heroes but want to deepen their knowledge and maybe go to intermediate level type stuff. Or whatever the level above the mentioned literature is.

Well those two books are quite old and skip over quite a few things. Both are very important to our culture, historically, but I'd recommend reading through some more modern popular retellings like Stephen Fry's Mythos series if you're looking for pure entertainment and a dummy's guide to Greek myths.

The Penguin Dictionary of Classical Mythology is a useful reference book if you have difficulty keeping track of all these names and whatnot. It's just a reference book but you know. Having a reference book handy is quite useful. I personally prefer reference books when it comes to checking stuff when I'm doing mythology things anyways. They're generally more organized than the internet.

If you're looking for entertaining retellings of less popular myths, I'd actually recommend going to videos and podcasts for that. YouTubers like MonarchsFactory, Overly Sarcastic Productions, Jake Doubleyoo, and Mythology & Fiction Explained are all people who do a lot of research themselves on the myths they retell and I would recommend all of them to basically anybody. As far as podcasts go, Mythology & Fiction Explained has a podcast version and Let's Talk About Myths, Baby! is a very informative podcast that talks about sources for the myths and has interviews with experts on the subjects. It's also a podcast that is specifically Greco-Roman based.

As far as doing slightly more in-depth research, I cannot recommend theoi.com enough. I really can't. It has overviews of the most common myths, it has pages about god and hero cults, it cites it's sources and has an online library of translated texts. It's just really good. Go clicking around it for a while. It's a lot of fun if you're into that sort of thing.

As far as primary sources for myths go, there's a few places you could start. The Iliad, perhaps. The most recent English translation is by Caroline Alexander but I personally prefer Stanley Lombardo's translation. The Odyssey is a more accessible read in my opinion if you're not used to reading epic poetry. Emily Wilson's translation is especially accessible, written in iambic pentameter and generally replicating Homer's simple conversational language.

The third traditional entrance into the epic cycle of the surviving literature is the Aeneid. The newest translation of that is by Shadi Bartsch, which is pretty good, but it reads more like prose than poetry. Would still highly recommend it though. Robert Fitzgerald's translation is also good.

If you wanna get fancy you can read the Post-Homerica which attempts to bridge the gap between the Iliad and the Odyssey. It's not often read but it's one of the latest pagan sources we have from people who still practiced ancient Greek religion.

If you want a collection of short stories from ancient times, Ovid's your guy. Metamorphosis is specifically Roman and specifically Ovid's fanfiction, but it's also a valid primary resource and Ovid generally views women as people. What a concept!

Though I think the absolute best overview from ancient times itself is The Library aka Biblioteca by pseudo-apollodorus. Doesn't matter what translation you get. The prose is simple to the point where it's difficult to screw it up. Not artistic at all. It is, quite simply, a guy from ancient times trying to write down the mythological history of the world as he knew it. It has a bunch of summaries of myths in it, and most modern printings also have a table of contents so you can essentially use it as a reference book or a cheat sheet. I love it.

The Homeric Hymns weren't actually written by Homer but that's what they're called anyways. They're a lovely bit of poetry because, well, they were originally hymns. They've got some of the earliest full tellings of the Hades and Persephone story and the birth of Hermes in them. They also provide an insight into how ancient people who were most devoted to these gods viewed them. Go read the Homeric Hymns. They're lovely. You can buy the Michael Crudden translation or you can read a public domain translation online. I don't care. Just read them.

If you're into tedious lists, the next place I'd recommend you go after you read all the fun stuff is Hesiod's Theogony. Hesiod, the red pill douchebag of the ancient world, decided he was gonna write down the genealogy of all the Greek gods. That means lists. I'm not exaggerating. Be prepared for a lot of lists. But this work also has the earliest and one of the most complete versions of the story of Pandora, the creation of humans, and the most popular version of the Greek creation myth. So, it's very useful. If you can take all the lists.

The Argonautica aka the voyage of the argo by Apollonius of Rhodes, is also here. That is also a thing you can read. About the golden fleece and whatnot. And Jason. You know Jason. We all hate Jason.

Greek theatre also provides a good overview of specific myths. The three theben plays, Medea, the Bacche, etc. We've only got thirty-something surviving plays in their entirety so like... look up the list. Find one that looks interesting. Read it. Find a performance of it online, maybe. They're good.

If you want to dive into the mythology as a religion that was practiced, Greek Religion by Walter Burkurt and Ancient Greek Cults: A Guide by Jennifer Larson are pretty good books on the topic and often used as textbooks in college courses.

If you wanna get meta and get a feel for what the general public today thinks about Greek myths and what the average person that's sort of knowledgeable about Greek myths knows, the books you already mentioned are good. That's what people usually read. In addition to those, most people's intro to Greek myths generally involves The Complete World of Greek Mythology by Richard Buxton, D’Aulaires’ Book of Greek Myths by Ingri and Edgar Parin d’Aulaire, or The Percy Jackson series.

I've been flipping through the big stacks of mythology books I keep on my table trying to remember if I've forgotten anything but I don't think I have so, yeah. Hope this helps. There's no correct starting point here. Once you get started there's a nearly endless void of complications and scholarship you can fall down that you'll never reach the bottom of. This post is basically just a guide to the tip of the iceberg.

[goodluckclove]

Are You a Writer That Isn't Writing? Join Me Inside My Blanket Fort!

Hi! Welcome! It's so good to see you. i've just been hanging out here, kind of listening to my favorite podcast and drinking some green tea. I have another bottle here - do you want to try? It has lemon in it. It's sweet, but not too sweet. Just like I like it.

Yeah, so I might need to introduce myself. My name is Clover, but you can call me Clove. I've been a write for fifteen years and I've finished fourteen novels. I published one and I'm working on the sequel. I've written and produced plays, published short stories, and even worked as a copywriter and ghostwriter. That wasn't very fun. Actually, the writing was fun, but they brough in AI right at the end - it's a long story. Anyways, what I mean to say is that you could consider me a working writer. If you go through my blog I post a lot of snippets from what I'm working on. You can even Google my old pen name "Miranda Seaver" and find some columns and stories and I think a short play I had some strangers do over Facebook.

I'm not saying this to brag. I'm saying this because I've been doing this for a long time and I want you to have context to the work I've done as we keep talking to each other. If you read what I write and you don't like it, maybe you can decide that I have no idea what I'm talking about. That's fine. We can still be friends!

Okay, so you're probably here because you're having trouble writing. Either that or you just can't resist the allure of a blanket fort - that makes sense too. But assuming you're unable to write for some reason, I just wanted to speak to you in private. Because I know it's hard. I know it's disillusioning. And though there's this weird perception online that writers are supposed to hate writing, I personally believe the situation is a lot more nuanced than that.

Maybe you're scared. Or you're tired. Or the whole act of sitting down and writing feels so big and clumsy and unwieldy as it bounces around your head that you don't know what to do with it. The weight of it doesn't feel right. It happens - it happens to me too sometimes, and it never feels good. But it's a natural part of the creative process and it's more of a slight mishandling rather than massive sin or flaw of character.

It might not help that there's so much advice online, isn't there? It seems all these people have a set guide to how to do literally everything. There's some sort of odd binary to the creative process that some make it seem as if writers innately fall under. You're either a pantser that never outlines, or a plotter that only structures. Every draft has have a specific focus, and you must follow an arc to achieve any specific goal in your character or plot.

That's a lot! Isn't that a lot? I've been talking to a lot of new writers on here who find all of that information - especially the information that conflicts (A lot of them) to be deeply intimidating. If not intimidating, then just slightly...off. Potentially enough to make the act of opening a word processor and slamming out a few hundred words to not really seem like that much fun anymore.

See, there are useful writing resources on tumblr. People with unique experiences sharing their specific information in a public space where writers can benefit from it. How would a certain mobility aid impact a person's life? What are the physical ramifications of training on a sword? Look at this picture of some sickass gems of different colors! These are all super cool things that I find incredibly useful for both current and future reference.

On the other hand, the guides that speak structurally to writing? That try and tell you the exact steps to follow in order to achieve a certain result? A lot of them end their posts by plugging their ko-fi but don't actually show any of their own personal writing? They don't necessarily have the answers.

If you read some prompt list and it inspires you, that's cool and great! Our brains think of a lot of really innovative things based on the smallest spark of input and that's a truly incredible thing. But if you read someone who makes a list of ways to show a certain emotion and you're left confused and discouraged - consider that they're wrong. Or not wrong, not really. They just don't have the right story.

For other forms of writing advice, maybe they're right - only not in a genre you want to write in. That's the weird thing about all these writing blogs that don't actually say what they write or read. If I was looking for writing advice, I wouldn't go to someone who specializes in reading and writing political thrillers or mysteries. They're valid genres, just not what I specifically do.

You just can't make grand blanket statements about this kind of thing, and that's an unpleasant truth I think we all need to hear.

Every writing rule has been broken successfully. The Dharma Bums, and frankly anything else Jack Kerouac has ever written, has truly no plot. American Psycho chains you to a truly reprehensible protagonist. Naked Lunch was written in one long chunk that was then cut up and rearranged, and then that nonsense was published. If On a Winter's Night a Traveler takes YOU (literally you - half the narrative is written in second person) and sends you on a wild goose chase where every other chapter is a different book. Kurt Vonnegut has a literal self insert of himself that shows up as a side character in Breakfast of Champions and then takes role in the lead cast in Timequake. Read a Chuck Palahinuik book and he will lie to you three time at least. Read House of Leaves and you'll feel like you're wandering a contemporary art gallery. I can't fucking get past the first 60 pages of Ulysses but I've been TRYING for YEARS because the prose is BEAUTIFUL.

I'm rambling. What I mean to say is that - you know Monet? Manet? Degas and Renoir, and all the other painters of the Impressionist era? They make the kind of paintings you probably think of if I ask you to imagine a painting you'd find in an art museum. They're respected - idolized, even. People will dedicate their lives to painting in honor to the legacy of Impressionism.

This would be a great surprise to early Impressionists, who were mocked mercilessly for their work. The name itself - Impressionism - was a reclaimed dig at how their art style was an impression of actual art. The road for it to even be CONSIDERED art, much less respected AS art, was a long one.

I'm rambling again, aren't I? I had a lot of this green tea. I just hate to hear so many people refuse to develop the ideas in their heads for one reason or the other. Or, even worse, they circle the brainstorming stage over and over again, far past the point of usefulness. I agree that some people function better with some form of an outline. I outline in my own way, through short form bullet points or taking space to storyboard in my head to music. It can help! But even if you work better with structure, there's a good chance that you don't need that much structure.

You can't fail here. You truly can't, I promise you. If you finish listening to me and you crawl out of the blanket fort and write two paragraphs, nothing bad will happen. If it's not the strongest thing you've ever written, that's okay. We're writers, aren't we? If you write something that you don't like, you aren't a fraud. You aren't weak. You aren't a hack. You haven't failed. You don't lack creativity or imagination or motivation.

Here's the truth: If you write something you don't like, you're a writer who wrote something you don't like. It doesn't mean you're bad. It doesn't even mean the writing is objectively bad. That's it.

Writers tend to be dramatic. I know I am. I laid on the couch for an hour trying to wrestle with act three of my newest book, and as my wife tried to talk me through it I slowly sank off the couch and onto the floor. Much as a slug would. If you ever get into that mindset, that's just a thing that happens when you're an artist. I think in the Hemmingway days writers would drink or smoke until they had the strength to try again.

We've seen how that turns out though. So welcome to the new era of writers who - though occasionally neurotic - try again at some point. And everyone is welcome. As I said already, there are no real rules or guides to the structure of writing, only ideas. And if you don't like the idea, you can look or think of another one.

And you can think of another one. Assuming you don't just have a drastically unrealistic perception of how much societal clout you can achieve by saying you're a writer (Answer: nearly none), you clearly want to tell a story. I haven't met a single person with that dream that has it based on nothing. The situation is so much more vast and complicated than the internet will try to make it out to be. Did you see some variation of the Apple Test and decide that your Aphantasia means you can never be a writer? Consider reading up on the Aphantasia Network to get a better look at the condition and learn more about what it means for you. Imagination is nuanced and it is absolutely not limited to Overall Apple Clarity!

Okay, that's all I have to say. I just want to see more people here putting their ideas to paper because a lot of them are really good and interesting, and they deserve to be seen. The feeling of writing your story is so much more complex and rich than just thinking about it, I promise. I know you can do it.

Okay okay. I have to pee. This was a long talk! I'm going to scoot past you in the fort now, but I think before you go on with your day you should maybe check out a video I think you'd like.

Have a nice day, Friend!

oh and this too.

yeah nice