#By-Tom Design Studio

[moodboardmix]

Winter Creek, Trentham, Victoria, Australia,

SOS Architects (Sense of Space),

Interiors: Studio Tom,

[mare-noctis-studios]

Time for another update! @alecjbi 's fantastic Twenty Dollars Verse is one of my favourite TopGun series out there.

I love the vibe of these covers, especially as a matching series set with the cover and Prettyboy (the Sereshaw companion work).

Until next time,

Mare Noctis Studios

(K. E. Birch)

[skullislandproductions]

Watercolor sketch of the lovely Señorita Theresa (voiced by Tasia Valenza), the heroine of “The Mark of Xero” episode of the “Duck Dodgers” TV show. Drawings like this were made prior to boarding and served as character models, 2005.

[garadinervi]

Nick Cave & The Bad Seeds, Abattoir Blues / The Lyre Of Orpheus, CDStumm233, Mute, 2004 [Covet The Cover]. Designed by the brilliant Tom Hingston Studio. Cover photography by David Hughes. Band photography by Delphine Ciampi

[the-imaginative-hobbyist]

Planning on seeing Alien on the big screen for the 45th anniversary next week?

[happywebdesign]

Tom Mark Henry

[pibgeonart]

tom the waits

[gebo4482]

A Plague Tale: Requiem by Tom Hisbergue #1

[tootern2345]

Various women character designs from the Van Beuren Cartoons

[itizjulz]

Loki in my style🌿🧚✨

Also added a jotun loki✨

Hope you like him💙

[jamesusilljournal]

@hingstonstudio

[stylishanachronism]

Anyway now that I’ve finished Alan wake 2 and sat on it for about a week, I suspect the reason I came out of it distinctly :/ (and why that seems to be the prevailing theme with reviewers) is twofold:

First (and less importantly) there wasn’t enough music

Second (and more seriously), for a game explicitly about the specific brand of horror that encapsulates haunted houses and Scheherazade’s telling stories until she told the story of how she escaped her own death, it really didn’t want to acknowledge that the heart of that fear is love.

[ahb-writes]

Comics Review: 'GRIM' TPB #1

GRIM TPB #1 by Stephanie Phillips, Flaviano, Rico Renzi, Tom Napolitano

action

fantasy

grim reaper

mythology

occult

secret society

violence

My Rating: 5 of 5 stars

The life of a reaper is not a charmed one. Death is an eternal business, with no beginning and no end, and with no rest for the wearisome minds who snare and ferry the dead to the afterworld. Also, it sure doesn't help that human souls are petty, disconsolate, and prone to bitter violence that bleeds them dry. In GRIM v1, a proficient reaper by the name of Jessica Harrow breaks the invisible tripwire safeguarding the breathing and the departed. By accident, of course. And in doing so invokes myriad entropic mayhem and supernatural occultic misgivings. Again, the life of a reaper is not a charmed one.

Jess isn't immune to the problems associated with her duty. When she ferries the dead, they bombard her annoying questions about the afterworld (which, as it turns out, is a labyrinthine bureaucracy). When she smacks an unwilling soul on the side of the head, they complain they never got a fair shot at life (which is obvious, since nobody does). But it's more complicated than that: Jess is the only reaper who doesn't know how she died; Jess traverses the realms of life and death like no one else should; and Jess has a sinking feeling that the sly demoness in charge of the afterworld, Adira, is hiding something from her.

GRIM v1 is the perfect comic book for readers who adore dark mythos with a twist, and who adore authors who rely on character agency to propel a story forward. It's also the perfect comic book for readers allured by the precariousness of uncertainty, a book that never falls into the trap of promising more than it is capable of delivering. This is not a book about killing random people, invoking an eternal war for its own sake, and reveling in the gore in between. GRIM v1 is about Jess's insecurity, her search for her past, and how she relies on her close friends to help her define her future.

The concept and designs for this book are exquisite. Skull motifs are used sparingly but effectively (e.g., when Jess is pissed, her face contorts into a skull). Assorted demonology and demon iconography is localized (e.g., the afterworld is rife with rivers and lakes of lost souls; scythes are stylized but not to the point of excess). And the setting design is clever and fun (e.g., the afterworld's filing system ranges from old bank-style pneumatic tubes to a digital messaging board).

The character designs are slick, diverse, and carry just the right amount of familiarity to goad readers into wishing they had more to consume than they do. Jess's friends include Eddie, an 80s hair-band rocker, and Marcel, a handsome 19th Century Frenchman. Other characters include Annabel, a fit rockabilly gal, and Vincenzo, Adira's right-hand man, whose Elizabethan-style garb is truly delightful.

And the coloring is fantastic. With each passing fight, Jess encounters a sinewy mixture of muddled maroons and bawdy dark reds. With each lurid gaze into the past, readers encounter a seductive cascade of blues, light and dark, paired with a hungry and fathomless spectrum of purple that leaves little room for error.

GRIM v1 boasts impressionable characters, great visual design, and a story that deepens the intrigue with each issue. Jess's past is essential to understanding her future. But the demoness Adira has other plans. More problematic? Those plans may well include a cryptic entity-smothering creature called The End that can smash or devour anything in its path. Is it worth suffering so much destruction just to restore an outdated concept of cosmic balance?

❯ ❯ Comics Reviews || ahb writes on Good Reads

[skullislandproductions]

Model sheet for Tuffy from “Tom and Jerry Meet Sherlock Holmes.” When Red finds herself implicated in a crime and on the run from the law, Jerry knows what to do. Turning to his friend Tuffy, the little church mouse at the great cathedral of St. Paul’s, for sanctuary.

[mossandfog]

Memphis Waterfront Park Features Inclusive Design, and Charming Layout

The city of Memphis has an impressive new waterfront park, sprawling 31 acres along the banks of the Mississippi River. Designed by Monstrum, SCAPE Studio and Studio Gang, the park features four distinct zones, comprising fun activity areas, paths, performance zones, as well as an impressive mass-timber canopy. The length of the park, coupled with the nicely terraced sitting areas create a great…

[513portfolio]

Serie A Season 2023 : Post Match Show / Paramount +