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planetaryupscaled · 4 months

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Disenchanted

Male Reader x Karina

Tags: 6k, cheating, oral, story heavy

The story is not ours; we simply alter the original story to our preferred settings.

They say everything happens for a reason, if life gives you lemons turn them into lemonade. It always struck me as a strange saying a little too cut and dry. Like a mantra to lead my life with, it had been an upwards struggle. Devoid of any formal degree, in many respects I was a self-made man, grafting from the bottom of the pile and slowly making my way upwards, to the light, the fabled promised land of success, this is my story.

It was early 2020, still fresh from the Covid-19 meltdown. Looking back on it, we really did make a fuss over nothing, it was world ending stuff. Fresh out of a failed college career I had just turned 20, studies had never really held much of my attention, crashing out a year before graduation. Saying this, I was good at building networks, street smart you could say, I knew a good deal when I saw one and over the years, I would develop the timing and nous to know when exactly to pull the trigger. With a heavy interest in films, my main aim was to get into the industry by any means necessary. Luckily enough for me I knew a few people who were runners on in the SM Entertainment back in the day. The pay was basic if that and the job was menial, filled with odd jobs like fetching coffee or printing out stuffs. Nevertheless, it was a start.

“Seriously, where is that guy? the new runner guy, lanky looking kid,” Shouted the set manager.

“Ahem…” I replied, standing next to the sweaty looking man.

“What’s your name? You know what, it doesn’t matter, get a coffee to waiting room 4, quick kid,” he said, bits of saliva spraying everywhere.

God, I hated that guy, his breath always reeked in a mixture of cheap coffee and banana. Reluctantly I knocked on the door, prepping a fake smile for whomever was going to open it.

“Hey,” A chirpy voice said.

My mouth was lolling open slightly, mouth running dry as I struggled to form a suitable response. She laughed softly at my starstruck reaction, holding out her hand to shake mine. It was Karina. She was most teenagers wet dream, well, technically still is.

She was just as attractive as the in the magazines, her smokey brown eyes complimenting her tight, tone, bronze physique. I felt an instant twinge in my pants as I willed myself not to show my arousal, hoping to od it was not obvious that I was attracted to her. Brushing myself down mentally, I took a deep breath and fixed my shirt holding out hand containing her hot beverage. There was something about her, despite her arresting looks that calmed me. Maybe it was the kindness in her eyes or the kindness in her voice, whatever it was, it worked.

“Your- coffee,” I managed.

“How old are you?” She said, taking a sip of her latte.

“Erm… 20- Miss,” I replied.

“Seriously, call me Karina,” She smiled.

“You are pretty cute,” She followed up, handing me the piece of paper with a list of her requirements.

“From now on, you are my personal runner,” Karina said, high fiving me as she left for rehearsals.

I blushed at the comment, a throw away one at that but at the time, it was like gold dust to me. The piece of paper was basically a shopping list of drinks and snacks to get at what time. It remained this way for a year or so as I watched Karina’s fame sky rocket. It was almost inspirational how she climbed the ladder step by step. At that time, she was dating an actor, Lee Jiwook? Jiwoon? or something, I don’t know. Another forgettable character.

I had a sense that he felt superior to me, which granted at the time, he was dating Karina so one could forgive his arrogance. He was in her changing room on a number of times. There were rumors that they were due to get engaged which turned out to be true one it was released in the press a few months later. He was by all intents an purposes the luckiest guy alive in that moment.

On the rare occasions that we did get time alone, Karina and I talked about everything from our past to future aspirations. She even helped me get back into college, funding part of my studies to get into a foundation business course. It was a difficult time, I had to finish college, which I did with after work classes and after that, moved onto that foundation course. I was indebted to her in more ways than one, but our relationship never threatened to go any further.

Over the year I think Karina grew to see me as a brother of sorts. I mean it was fine, what more could I expect. Saying this, I always held on to that faint hope that we could be more, if only the tables were turned, and I was the rising up and comer, one could only dream.

If only I had known my time with her would be limited, maybe I would have been braver, more forward I told myself. However, it did not pan out that way, as per usual, life throws you lemons, make some lemonades right? Coming into the last few episodes of the final series I made my usual rounds, knocking on her door and entering without a response, only to find Karina scantily clad in a white bra and pair of cotton panties. I did it all the time, just enter and drop off a coffee, maybe have a chat, but this time was different.

“Crap- don’t you knock?!” Karina jumped, covering up her indecency.

“I- I did, I thought- sorry,” I replied.

I managed to sneak a peek at her crotch, sending my desires into over drive seeing her, Karina picked up the plushie, covering her sex. A drop of pre cum leaked my tip as I groaned internally at the visual stimulation. She was hot as fuck I thought in my head, what I would do just to be with her for one night. Regaining composure I chuckled, triggering her to break into a smile also, scrambling to get dressed.

“Nice plushie,” I said, winking at Karina

“Oh, Haha,” Karina replied blushing.

“Your morning coffee Miss,” I said, leaving her daily latte on the table, turning to leave as I closed the door.

That was my last encounter with her as I was moved to another set the day after. If we stayed in touch, it would probably be one of those funny memories we could bring up from time to time but it was not to be. Now in the present, decades later I was suited and booted, ready for my fourth-round interview for a Digital marketing executive role at The Prada Group.

—

“They will have you now,” The secretary called out to me, beckoning me into the conference room.

My hands were steady, nerves of steel. I had interviewed at many companies before, but had a renewed desire to nail this one. I had to; she was the co-founder. The days of being a runner were long gone, as I managed to land a junior marketing role. This however, was my bread and butter, marketing, networking and the like. It was like a hand in a glove, I loved it, and it showed in my work.

Holding my head high, I pushed open the doors, my presentation in hand, ready for whatever they threw my way. Ready for the interview? Yes, but ready for- Karina?! I was not. Under normal circumstances, shareholders would not be part of the interview process. Steadying myself I held out my hand, shaking each interviewer’s hand firmly. There were three, Karina being the last.

“Nice to meet you all,” I said with confidence.

I could see Karina racking her brain as to where she had seen me. The cogs in her head were turning till I saw her face light up.

“Oh my god, Minho!” She said, her face lighting up.

“In the flesh Mam,” I replied.

“Oh, apologies for the lack of professionalism, I worked with Minho...what is it now, Ten years ago?” Karina said, her smile lighting up the room and to my advantage, perking up the other interviewers.

“We can catch up after...carry on with the presentation,” she said beaming.

Unclasping my blazer and setting it to the side I went through point by point my ideas for the new product launch, our target audience, demographic and ways to capture their attention. It was as robust a presentation as I had ever given, leaving very little questions afterwards as the four discussed among themselves after grilling me with queries.

It was a positive sign then that all four were smiling in unison as my hands started to sweat, showing the first signs of how much this job meant to me. It was her presence that threw me a curve ball. After all these years, Karina was still as alluring as ever. If anything, she looked better now than she did when we first met. Now in her thirties, married and with kids, she looked fantastic. I managed to shake my fantasies of once an idol from my thoughts and concentrate on the panel in front of me, glancing at her every so often.

“Listen, we don’t do this regularly, but this interview has been far from the ordinary. Your links with Karina, coupled with her glowing references and your stellar presentation, we would like to offer you the job,” The man in the middle said.

I was slightly taken aback at the praise, this must have been the best interview I had ever had, taking a moment to process I smiled and nodded, shaking their hand in turn with acceptance.

“Minju from HR will settle the contracts with you by phone, I believe you are ok with our pay package?” The interviewer said.

“Yes Sir,” I replied, shaking his hand again.

To be fair it was a big bump on what I was on at the moment with the added benefit of an old love interest entered into the equation, it was a must take.

“Thank you for giving me the opportunity,” I said before turning towards the door.

“Minho, one sec, are you free later this afternoon for a catch up?” Karina said before I left the room.

“Sure,” I replied smiling before exchanging numbers.

It was a move so natural to me now, one which my 20-year-old self would be proud of. I had just nabbed Karina’s phone number.

“Well done on today,” Karina said, putting her hand on my shoulder.

“It’s really good to see you,” She followed up.

“Catch you soon,” Karina said smiling warmly at me.

“As long as you get the coffees this time,” I replied with a wink.

“Good one,” Karina reply, her cheeks turning a light pink for the briefest of moments.

—

For the first time in a long while, the fruits of my labor were finally bearing fruit. It was a constant struggle to get to this point in my career, blocked off at various stages in the chain by a combination of bad luck and wrong timing. I was always taught that we make our own luck in this world which is why I kept striving forward, kept pushing on, no matter what situation I found myself in. That interview had been a victory, a rare moment where the pieces just fell into the right slots, just at the crucial moment. On the way out, I had a quick glance around the office, taking in what would be my new workplace. Just at the back next to the director’s office was the marketing department, no doubt my new home going forward.

With great pride I made my way down the stairs and back to reception before being gently caught by the arm. It was the HR rep asking if I had a quick minute to sign the necessary documents instead of getting it mailed through. It did strike me as a peculiar move, normally it took HR a few days to draft the offer letter and send it out, but I thought nothing of it, browsing the important bits and signing off with my signature. Luckily, I had no notice to give as I had just left my role the previous week, a risk on my part, but one I felt I could confidently overcome. It proved to be the right choice as I handed the papers to HR.

“See you next week,” She said.

“Well done,” The rep followed up.

I nodded, shaking her hand, before turning to leave.

“Minho..,” A familiar voice called from behind me.

It was Karina, speed walking towards me through the crowd of workers. She caught many people’s glances, mostly men as they craftily snuck a peek of the former Idol striding confidently across the floor space. She was wearing an elegant cream patterned dress with a black leather jacket draped across her shoulders. It gave her that casual suave boss look, yet at the same time emanated a very elegant and feminine vibe. Her smile broadened as she caught up with me, lightly touching my shoulder as we walked side by side.

“Congratulations again, on landing the position,” Karina said with a bright smile.

It was hard not to be taken aback by her sheer beauty, but if time had taught me one thing, it was to stay calm and measured in moments like this.

“It... was a close one,” I replied with a grin.

“Pleaseeee, you totally nailed it, we are lucky to have you,” She replied.

“Ok now you are just flattering me for a free coffee,” I joked.

“Ah you know me too well,” Karina replied, chuckling lightly.

“I thought you were busy this afternoon?” I asked, as we made our way outside.

She shrugged her shoulders, playfully prodding me in the ribs with her elbow.

“They were just update meetings, not so important, besides it free’s up more time for us to catch up, unless you have other plans?” Karina said.

“No, not at all, we can go over some of my plans for the project,” I replied.

“No business talk, fill me in on everything else going on with you,” She said laughing.

We walked and talked for what seemed like a few minutes, till we reached a quint little French barista tucked away from the main road. Checking my watch, I realized we had literally been walking for a good fifteen minutes as it was already half past four in the afternoon. It felt seamless, chatting to Karina again, similar to the old days where we would talk about everything and anything while she prepared for another shoot in her Idol days.

“Skinny Latte?” I asked, eying up the menu.

“You know me so well,” Karina said in jest.

“Well, I had a lot of practice back in the day,” I replied with a smile.

Karina suggested we sit in the corner away from the busy eyes of onlookers outside. I had noticed she changed much in this aspect, not one to revel in the spotlight, she was quite reserved in many respects, no doubt influenced to some degree by her religious upbringing. I respected that, her values and steadfast nature in doing what was best for her and her interests.

“So, spill the beans, what’s been going on with you?” Karina asked, taking a sip of her coffee.

“Well, it has been quite the whirlwind to be honest,” I replied.

“Once I left that day, I worked on a few other company till I finally got a promotion to the PR team. From there I steadily plugged away, attending business class in the evenings, thanks to you, eventually graduating and landing an entry level Marketing role for a local website. I stayed there for a couple of years, continuing further study and gaining experience, leaving there as a senior marketing lead. My last job, that I just left was as the Digital lead overseeing different internal projects before rising to Miu Miu taking care of bigger picture stuff and here we are,” I said.

“That is quite the journey, I’m so glad you made it work for yourself,” She said, smiling warmly.

“Well, it was all thanks to your encouragement in the beginning, making me pull my finger out and get my ass into gear,” I replied.

“No, that was all you, I just opened a few doors,” Karina said, rapping lightly on my arm.

Something was different with her. It was like I was no longer seen as a brother but an equal in her eyes. It was the way she looked at me, no longer endearing, almost a bit curious. It triggered an itch within myself that I had to scratch, my infatuation with her since the early days only growing stronger. A feeling that I wanted to follow through and see where I could take this. There were the obvious blockers with her being happily married and all, but my selfishness got the better of me, kicking my moral compass to the side as I mirrored her actions, lightly touching her arm on occasion throughout or little catch up. Not that she seemed to mind at all, her beautiful smile always beaming, fixing her hair from time to time as our coffees soon turned into wine and eventually to dinner.

“So, tell me,” I said, motioning to her ring.

“Oh,” Karina replied blushing slightly at my abrupt change in tac, focusing on her personal life.

I did not expect much, as I knew she was relatively private in nature.

“Well, yes, I am married and have three beautiful children,” She said beaming.

Karina showed me a few pictures in my phone, leaning over the gap in the table to flick through the gallery. I could smell her perfume from here, laced in the depths of her nape, filling my nostrils with a sweet aromatic blend of floral notes and citrus. She smelt heavenly, as I felt my crotch stir at our sudden close proximity. We spoke for what seemed an age before she checked her watch after feeling her phone buzz. It was now half nine in the evening.

“Shoot..,” Karina said.

“God I better get going, the husband is messaging,” She said with an awkward smile.

“It has been good catching up, really good, you have changed a lot Minho,” Karina said, clasping her bag.

“Change in a good way I hope,” I replied with a chuckle.

I could see we had got through quite a number of bottles of wine as Karina dialed a local taxi for pick up as we settled the bill and walked outside to wait for her ride.

“Yes by the way,” Karina suddenly said.

“What’s that?” I asked.

“You have changed in a good way,” She replied.

“Ok that was like a five-minute delay Karina, losing your sharpness,” I said laughing.

“Pfftt, it’s the wine, deadly stuff,” Karina said, merrily leaning on my shoulder.

“You are much more confident and forward looking, it’s a good look,” She said softly.

“I can remember the first time we met, you were so star struck it was cute, standing there with a coffee in your hand,” Karina said laughing.

“Do you blame me?” I said chuckling.

“I mean it was adorable, your face was all flushed and, I can say this now but it was a little obvious you were a little too excited,” Karina said slapping my arm in hysterics.

I had hoped that she would have missed that all those years ago, but I guess she picked up on it, all of it. I could not help but laugh with her reminiscing about the past as the alcohol slowly set in.

“Oh, here’s my cab,” She said giving me a hug and pecking me on the cheek.

“It was so nice to see you, congratulations, again,” Karina said beaming, the smell of wine now laced in her breath.

“You too Karina, it was great to see you too,”

“Don’t worry I have managed to curb my excitement this time!” I joked.

Karina laughed, punching my harm.

“Must be losing my touch,” She said, smiling.

“I wouldn’t fret, you still have the same- effect..,” I replied, my expression of the cheeky, implying nature.

Karina blushed, swiping her hair behind her ear while she fidgeted on the spot for a few moments, smiling.

“Well, I best be going, see you in the office?” She said, gathering her composure again and leaning in for a hug.

“Yes boss,” I replied, closing the taxi door and watching her leave.

The walk home was a good one, a feeling of elation at nailing the interview and one of mild curiosity at the unsaid words and feelings I felt between us. With a bright smile across my face, I went to bed eager to get started on my first day.

—

Strolling into the work on day one all suited and booted gave me a great sense of accomplishment as the HR representative took me to my new office. It was large, much larger than my old one, decked out in a minimalistic art decor kind of vibe. It even had that fancy clap to shut blinds feature which made the inner child in me laugh in excitement.

“This is your team,” The rep said.

She introduced me to my marketing team manager Nayoung, who over saw our junior team members Sohye and Yeonjun. They seemed like a good bunch, all enthusiastic and willing to do the hard yards as we went full on into the new product launch. There was little time to settle in as the launch was happening in three months’ time, so all the marketing and advertisement had to be nailed down asap. From my first few encounters with Nayoung I got the impression that she knew exactly what she was doing, decisive in her actions but at the same time very popular with the other two. She must have been a few years younger than myself, perhaps on her late twenties, but her experience levels shone through her work. She had that girl next door look, yet commanded respect through her calmness and wicked sense of humor. She was sharp, I had to hand it to her, batting off my banter throughout the day and weeks with ease. It got to a point that our team work was seamless, synchronized as the group ramped up for the final presentation to Karina.

—

It was now week three, and the first draft was about to be presented to Karina for approval. The team had been working hard throughout the process, pulling late nights on consecutive occasions as all four of us tidied up the final bits of the slides.

“So, we heard that you and the boss lady go way back,” Yeonjun said smirking.

“Yeah, I have known her for quite some time,” I replied.

Sohye and Nayoung smiled at each other.

“Seriously guys, we are going there?” I asked laughing.

“Well, she is kinda hot,” Yeonjun chirped in.

“Kinda? She is drop dead gorgeous,” Sohye replied.

“Guys, just get to work, I will leave the company card with Nayoung, order whatever you want,” I said smiling.

“Is that a no comment?” Yeonjun asked laughing.

Before I could hit back with some banter of my own, Karina walked in wearing an eye catching black short, black top, showing off way too much leg for the office.

“Evening all,” Karina said, smiling, her eyes lingering on me for a brief moment.

I could sense Yeonjun and the team in hysterics as I gathered my laptop. He bit his fist obviously in reaction to Karina’s insanely revealing work attire.

“Let me take you through the final proposal, Boss,” I said with a cheeky grin.

“Lead the way,” Karina replied.

My office was just around the corner as I snuck another peek at her smooth legs before shutting the door behind me.

“Bit bold for the office?” I said smiling.

“Ughh don’t get me started, just rushed off a shoot with Women’s Health, barely made it in time through the traffic,” She replied, sitting down in the swivel chair and crossing her legs.

Something about what she said did not add up though. According to her PA she had finished in the afternoon, as the shoot had been moved earlier on in the day. I knew this because our meeting was due to be the following day but I moved it forward to tonight as we were in good shape with the proposal. With intrigue racing across my thoughts, I settled down beside her, making sure not to stare at her smooth legs.

“So, what you got for me?” Karina said, tilting her head towards me.

I ran her through our slides, pointing out the key take aways and messages of the campaign. Karina nodded intently, chiming in with slight tweaks here and there. She really knew her stuff, explaining the ideology of the company revolving around sustainability and making the world a better place through safe practice and renewable materials. If not for her flawless attire, I would have paid better attention as I found myself staring at her face before being brought back to reality.

“Don’t you agree?” She said.

“What? Yes, yes, I do,” I replied.

“Did you just zone out? Hah for a minute there your face reminded me of when we first met,” Karina said smiling.

The slight awkwardness from a few weeks back when I dropped her off at the taxi were now long gone as I felt her get more and more comfortable with my company.

“What do you mean by this part?” Karina asked pointing to one of the slides.

I moved in closer, feeling the slight brush of her calf on my leg as I explained the ins and outs of the slide. The touch of her leg on mine was not rebuffed as I continued with my explanation, using it as an excuse to gently continue to rub my leg against her bare skin, my knee now sneaking up her leg slightly as we sat side by side. I felt a slight jump in her demeanor so I quickly moved my leg away, maybe I had pushed my luck too far.

“Sorry- bit tight in here,” I said, breaking the silence, which was an odd thing to say as the office was large.

The awkwardness steadily grew as the tension cranked up, Karina finally looking up at me after I had finished my re run through her query.

“Thank you…” For taking me through it.

“It looks, good,” She said.

Her face now a few inches from mine, the silence filling the gap, I felt a sudden rush of blood to my head, moving forward without skipping a beat planting my lips on hers. Initially feeling a tensing in her shoulders, this quickly dissipated as our lips melded together, my hands now resting on the side of her waist as we embraced in deep heavy petting.

“Wait…wait…I can’t,” Karina said, her hands gently pushing me away as I continued kissing up her nape and nibbling at her ear lobe.

“Minho…wait...seriously I’m married..,” She followed up, breaking our kiss and rolling away an inch or so in the seat.

Her face was flushed red, hair slightly out of place as the ravishing woman looked at me, slightly unsure and ashamed. I could see her breathing had accelerated by the way her chest was rising and falling rapidly as she rushed to fix her dress.

“What’s the matter, don’t you want to?” I asked enquiringly.

“Its. Not- I’m married and have a family,” Karina replied clearly flustered.

I closed the distance between us in the chair again without a response from her as she just sat still, pretending to fuss before picking up her phone.

“Jaewook called, just going to call home,” She said hurriedly, turning her back to me as she dialed home.

Catching the chair mid turn, I spun her back around, just as her husband greeted her. Placing my leg in-between her thighs I slowly inched forward. The look in her eyes were full of trepidation, yet her body showed no signs of rejection as Karina sat completely still greeting Jaewook on the other side of the line.

“Hey honey, yes I’m- just…in a meeting,” Karina said.

My confidence now shot to a hundred due to our kiss moments before so decided to take things a bit further, reaching out my hand and running it along the inside of her smooth pale legs. Karina showed brief signs of resistance, squeezing her legs shut before I eased them open again with my other hand, travelling further up her inner thighs till my fingers made contact with her moist sex.

“I should be home...in a bit..,” Karina continued talking.

Her face was clearly conflicted, trying to hold it together while I pleasured her with my hands, cupping her wet pussy through her silky underwear, rubbing firmly on her clit.

“Fuck..,” Karina moaned into the phone.

Her eyes shot open in fear, realizing what she had just said as her husband sounded confused on the other line.

“No... I just found an error in the presentation that’s all,” She quickly recovered.

Smiling, I nodded, our eyes meeting for the first time during this sordid encounter. Her pupils were dilated, washed over in a glaze of lust as her mouth dropped, gaping slightly at the touch of my hands now rubbing her cunt with increased fervor. Easing her underwear to the side, I crept my fingers delicately along the length of her lips, piercing Karina’s slick labia with my digits as I proceeded to stoke the insides of her married cunt.

“God...Unghh..,” Karina gently moaned, holding the phone to her shoulder.

Luckily, Jaewook was in the thralls of an explanation about some work issues he had today, missing his wife’s whispered moans. Slipping in another finger and then another I was basically cupping her sex, removing her soaked underwear completely, placing it in my back pocket while I delved my hand deep within her folds, feeling her walls close in around me. Extending my finger deep inside her tight slit, my digits making contact with her g-spot as applied pressure with my wrist making her twitch and writhe in her chair.

“Jaewook- Jaewook...can…I... call you back..,?” Karina said, her voice now slightly ragged.

Sensing her impending climax, I doubled my efforts flicking her clitoris with my thumb as I rubbed her deep inside her cunt, stimulating her g-spot with my fingers while she creamed all over my hand. Karina’s thighs were covered in her slick juices, my wrist now leaking with her nectar as I felt her cramping up. Her cunt walls squeezing down on my fingers as I impaled my hand within her womb, fucking her with deep steady strokes.

“Shit...mpphhh,” Karina said, moaning into my shoulder as I had moved forward, resting my face next to hers as I attacked her pussy with quicker jabs.

“Babe...you still there?” I heard Jaewook saying on the other line.

“Uhhh...huh…Just finishing up here,” Karina replied.

Her pussy was twitching in my hand as I felt her hips buck, stuffing more of my fingers deeper into her married cunt as she bit down on my shoulder to mask her cries of pleasure while climaxing on my fingers. We stayed in this awkward embrace as I continued to rub at her sex, her pussy leaking down my palms and onto the carpeted floor while she finished her conversation with Jaewook. Hanging up the phone the look on her face turned from the relief of just being brought to orgasm, to more of one of remorse of what had just happened.

Getting up without a word, she held out her hand, wanting me to hand back her sex-soaked underwear to which I refused, standing up and cupping her face in my hands.

“I- can’t...we can’t…” Karina said rather tame.

“We already have,” I replied curtly, planting another kiss on her lips as I eased her back onto the wall behind.

“Wait- seriously...I’m- ughh...married,” She replied, her moans steadily increasing as my hands danced up her dress again.

“Seriously...plll...pleaseeee,” Karina pleaded in vain, her emotions caught between guilt and pleasure as I held a my cum soaked finger to her lips.

“Shhh...allow me to make you feel...better,” I replied.

“I may not be your husband...but you will enjoy this..,” I said, kissing her once more before dropping to my knees.

Karina’s eyes were wanting, slowly turning to my way of thinkings as I proceeded to lift up her dress and take in her essence. The smell of her sex was divine, a mix of the pungent natural notes of her cunt together with the sweet taste of her juice was a dream come true as I licked her slit from the bottom to the top, suckling on her throbbing clit with my lips.

“Mmhh...aahhh..,” Karina groaned lightly, running her fingers through her hair.

I was slowly breaking her resistance, feeling her push her hips into my face as I slung one of her legs over my shoulders while feasting on her slippery pussy. Dragging my tongue up her swollen lips, I pierced her folds, tongue fucking her slit with gradual spears, tasting her cream in my mouth as I eagerly lapped up everything she had to offer.

“Fuck- we...we can’t- ahh…”. Karina moaned louder as I hit the right spot, her clawing more desperate now as she forcefully fed me her cunt.

Karina was on tip toes now, her initial resistance dissipated completely as I had my way with her, licking her pink insides with my tongue as I felt her inevitable climax build. Her thighs were now clamped around my face as I hoovered up her sexual fluids, adding my fingers to the mix, penetrating her sex with my digits while sucking at her reddened clit.

“Shit...shit...mmhh...fuckk...ughh,” Karina yelled, her climax hitting its peak as she shivered and twitched around my lips.

I stayed on my knees for a while, taking in her heavenly taste in my mouth as the sultry woman eased me back to my feet. She was silent, not saying a word, almost as if saying something would be an admission of our wrong doings. If anything, I was leading proceedings backing into my leather-bound chair as I eyed Karina up and down. She knew what I wanted, a slight smirk forming on her lips as she slowly walked towards me.

We kissed softly, as I felt her hands drift slowly down my body as Karina descended to her knees, gently pushing me into my chair. Her expression was livelier riddled with hunger as she bit her lips gently, hurriedly unbuckling my belt and removing my trousers.

I stared at her full lips hovering a mere inch from my throbbing member as she kissed my crown through my boxers. My pre cum leaking onto my cotton underwear as she gently pecked at my cock with her soft lips, tasting the hint of salt soaking through the fabric. It was like watching a beautiful car crash happen in slow motion as Karina freed by cock from by pants, fishing it out and dipping her wet lips along the length of my shaft. Her soft hands feeling my meat with a firm grip that pumped with perfect execution as she finally took me into her wanting mouth, eyes locked on mine for the entirety of the act.

“Mmmm...mmm”. Karina hummed on my dick, while she gave me the best fellatio of my life.

I was lost in the sensations of her tongue lapping up the underside of my shaft in one fluid motion, before sucking down again on my crown, over and over feeding more of my twitching cock between her married lips. Running my fingers through her hair I thrust my hips gently into her wanting mouth as her nose made contact with my pubic bone, deep throating my entire cock till my tip made contact with her tonsils. I held her here for a few precious seconds, feeling her tongue coat my cock in more of her warm spit as she took me to the back of her throat, her eyes flushed with desire.

“Shit- Karina...you feel...soo...good,” I groaned, suddenly disrupted by my office door swing open.

It was Nayoung, holding the company credit card with a grin on her face. The instance she went to speak, Karina had expertly hidden herself under my desk, my cock still sheathed between her lips while she continued to feed on my meat, turning her attention to my sack with long deep licks.

“Boss can we up the limit to say 25 each?” Nayoung said smiling.

“Yeah sure whatever you guys want” I replied, slightly breathless.

Karina was staring at me from below, mouth open, rolling my sack around between her lips, slathering me in spit while I tried maintaining my cool.

“Everything OK Boss, you seem a little uptight?” Nayoung said concerned.

“Yeah...the draft went down well, Karina has just popped out for a call,” I said, a bead of sweat forming on my forehead.

“You sure...?” Nayoung replied.

I felt Karina now clamp down on my balls and suck hard while she pumped my cock with her fist, my shaft straining for release as my orgasm built up rapidly.

“Yes...no problem...keep up the good work,” I said, struggling to keep a straight face.

“Ok boss, we are just outside if you need anything,” Nayoung replied before leaving.

I waited for the footsteps to soften before letting out an almighty yawn thrusting my cock further into Karina’s mouth.

“Shit...Karina...I’m close..,” I moaned, gripping the back of her head as I continued to thrust between her lips.

“Mmm...mmhh...mmhhfff..,” Karina replied, her mouth stuffed with cock as my impending release came.

She never stopped sucking, bringing her mouth around my crown and allowing me to unload inside her oral cavity. Spurt after spurt of my sticky load painted her pink insides, feeding her a torrent of my thick and salty seed, the mother of three just lapping up my sperm with her tongue as she pumped my shaft with her fist, milking my twitching cock to completion while swallowing my load, closing her eyes in euphoria.

It was immense, watching her continue to work my spurting dick with her lips until I grew soft within her mouth. A gentle squeeze of my balls dribbling out the final drops of sperm from my tip into her welcoming tongue.

“God damn Karina...that was intense,” I said breathlessly.

She looked up at me in a cum drunk haze, my seed dripping from her bottom lip.

“So...do I taste better than your husband?” I asked cheekily.

She looked at me with a frown, coming back down to reality after her earth-shattering fellatio, she had just given me.

“I don’t usually let him finish in my mouth..,” Karina said meekly.

“Usually?” I replied.

“Never..,” She said, kissing my tip softly with her lips.

I reached out stroking her face as I scooped up the last dribble of sperm on the side of her mouth, letting the ravishing woman suck it clean from my fingers a smile breaking out on her face at the taste of my essence.

Our sensual connection in that moment was disrupted by the sudden ring of her phone. It was her husband and just like that her mood changed from a state of utter arousal to one of panic and remorse as she stood up, flattening out her dress and grabbing her jacket.

“I... I have to go,” Karina stammered, clearly flustered as her cheeks went a bright red.

“Email me the rest of the slides?” She said turning to me.

“Look- about...what just…” Karina started.

I cut her off, kissing her gently on the lips.

“Go... I will see you in the meeting on Friday,” I said gently.

Karina smiled, avoiding my eye contact, clearly riddled with guilt from what had just transpired, but she clearly enjoyed herself. It gave me a surge of confidence knowing that fact, even if she was not ready to freely admit it herself.

The picture of her locked in the thralls of passion as I felt her up for the first time would forever be seared into my memories. I was officially addicted and I needed to get another hit of her...

#karina smut #aespa smut #kpop smut #girl group smut #female idol smut #male reader

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cidnangarlond · 11 months

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some of these r people I made up some are based on actual mutuals or inspired by posts if not directly drawn from them but know I came up with these out of love. I love uuu my mutuals

mutual 1: made more art of the war criminal as a catboy in the style of Cabanel's The Fallen Angel. drawn in a fugue state in 2 hours

mutual 2: wrote a little poem as I waited at the bus stop *one of the most heart-wrenching poems you've ever read*

mutual 3: I NEED SLOPPY FROM THAT OLD MAN NOW‼️

mutual 4: I NEED SLOPPY FROM THAT OLD WOMAN NOW‼️

mutual 5: inventing a new kind of drug *photo of a joint made from columbo-themed rolling papers*

mutual 6: if this team scores against mine again I'm flying to their stadium to personally blow them all up

mutual 7: now see her sillay *photo of their cat everyone knows by name*

mutual 8: now see her sillay *photo of their car on fire*

mutual 6: which one of y'all reported me to the authorities I WAS JOKING

mutual 9: dnd session today if glumpus and glumpo don't resolve their sibling issues and put it behind them then the world is gonna end they are LITERALLY having this much beef and a character is already dead in the middle of this fight to save the world

mutual 10: I'm gonna have glumpo fuck old woman cheddar tonight

mutual 11: they were insane for this one *screenshot of them listening to the alphabet on youtube*

mutual 12: look at my son *oc everyone knows by name and loves*

mutual 13: hey guys staff terminated me again because they said my repeating replying to dumb as shit tumblr ads with the wikipedia article text for japanese giant salamanders was "harassment" reblog to help me find my followers again

mutual 14: hey guys my blog got nuked because I told a proshipper to kill themselves reblog to help me find my followers again

mutual 15: *callout post for mutual 14*

mutual 16: *20 reblogs in a row of art of dio brando with huge tits*

mutual 17: did a quick makeup test for the show! only took me half an hour this time ^_^ *photos of intricate professional-level work to make them look like a skeleton*

mutual 18: going to the arctic to find out if those men fucked on the doomed expedition wish me luck 👍🏻

mutual 19: hey guys we haven't heard from mutual 18 in a week I think they were serious

mutual 20: i think i hauve covid *photo of a sheet of white paper*

mutual 21: if I don't get to see this band in concert I'm making a pipe bomb (FOR LEGAL REASONS THIS IS /J)

mutual 22: got high with my manager on break and why's he kinda... like he's married (for now) butWIAT THE BUILDING IS ON FIRE

mutual 18: in the arctic just killed a seal. I've never felt more alive

mutual 23: just got to heavensward sooo excited to play this expac... heard it's crazy good

mutual 24: hey mutual 23 what do you think about haurchefant

mutual 23: he's my favorite. why

mutual 25: DYING POSTPONED I JUST HAD THE BEST SOUP EVER!!!!!!!!

mutual 26: LOOK AT MY WOL BOY *picture of their warrior of light with massive boobs*

you: awesome *reblogs it*

#addendum the war criminal mentioned he's fictional I'm not. mutuals w someone drawing art of real ones. before anyone says anything #because I know how people can be sometimes. anyway

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jokeroutsubs · 2 months

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[NEW ENG TRANSLATION] Bojan Cvjetićanin, Joker Out frontman: The world's being destroyed by unhappy people, so we should try to bring happiness to as many people as possible

Original article Written by: Sonja Javornik 28.11.2021 English translation by: @varianestoroff proofread by: @flowerlotus8

With two sold-out concerts in Ljubljana's Cvetličarna (the second one will be broadcast on TV Slovenija on New Year), Joker Out proved that, after a long time, we have new idols for the youth. The two concerts in Cvetličarna sold almost 600 of their CDs.

The majority of their audience are girls, which isn't surprising, as the band consists of handsome, talented and smart lads. Bojan Cvjetićanin is the frontman of the band and also the author of most songs. The Sociology student fascinates in many ways, as, despite his young age, he's an excellent and knowledgeable interlocutor.

I was surprised by how enthusiastic senior fellow musicians are about your success. They say you bring hope that the music scene will spring to life again. I'm glad they don't see us as a threat, so it made me extremely happy to see their honesty. Last time, Boštjan Meglič¹ came up to me and told me with a genuine smile that we reminded him of their early days.

Yes, we can definitely compare you to Siddharta - but, after them, there hasn't really been a band to cause such hysteria and excitement. I can say that everything has worked out really well. COVID-19's impact on us was positive, as we couldn't wait for the first album. It was a big thing for us. Since it didn't make sense to release it when there were no gigs, we polished it and changed it in a way we're really satisfied with, and we can finally say for ourselves that we're a really good band. We have a great energy, we're all good musicians and our arrangements are good. We're a solid team.

Nowadays we don't seem to have as much patience as we used to, so it's good that this long pause hasn't demotivated you. Do you feel like there are other younger musicians who are willing to be patient to be successful, or are you more of an exception?

¹Boštjan Meglič is a founding member of Siddharta and plays drums in the band.

I dare say we've taken a very mature approach, covering all the aspects needed to make it work. We're always willing to play for free as opening act for exposure, without any financial demands. That felt like an understandable investment, and I think a few others are doing that too - bands like MRFY, Koala Voice... We also started to acknowledge how important the overall image is, because you also have to externally portray what you represent in the music. I think a lot of people underestimate that, or think of it as showing off, but clothes on stage are actually important, as we also act differently by putting on specific stage clothing. We put on things we really dig, and we don't look for inspiration in fashion magazines.

For sure, rockers in Slovenia tend to underestimate their image - maybe they're afraid of looking too pop. On the other hand, serious rockers have always put a lot of emphasis on appearance and distinctive clothing - think of Bowie, Freddie (Mercury), but also Guns N' Roses or AC/DC, who can't be counted as pop artists, for sure! Or Siddharta, for Slovenia. Could it be that you've made such a difference compared to other young bands because you don't do music as amateurs, instead you understand that also this business has its rules?

For sure. We realised that there's no shame in saying that this is our job. As long as being a musician is perceived as a hobby in this country, it'll remain a hobby. You're no less an artist if you make a living out of this!

When did you start taking care of your appearance? Would you have looked the same on the stage of Cvetličarna even before the COVID-19 epidemic?

We'd have a similar style, as we knew from the beginning that Joker Out had to work as a whole. For Cvetličarna we went to RTV studios and borrowed clothes. Our stylist Suzana Juršič was with us and helped us choose the right items.

On stage as sex symbols

When I met you backstage before your concert at Cvetličarna, you warned me not to miss the intro. And it was brilliant - you prepared a video intro. How so?

We hoped for an epic intro, but we couldn't picture what that would look like. Mark Pirc, who shoots our videos, quickly intuited what we thought, so we let him design the whole visual concept. Afterwards, he called us and told us that we needed special outfits, in which we then filmed the intro a few days before the concert.

You always mention regular colleagues, you must have an extended team, which is unusual in Slovenia, as everything tends to follow the 'do-it-yourself' principle - I'll do it myself, so I can spare the fee.

This comes from the 'hobby vision' I mentioned before. Everybody can do everything themselves to save money, we left other aspects to people who know best. We quickly realised that we needed to be surrounded by people who love us and understand what we want to become. Joker Out isn't just the five of us, but there's Mark, who makes videos, there's Sandi, the sound engineer, a lighting engineer, a photographer. The permanent part of the team is small. We also have a guy who helps us carry and set up the equipment, and we used to have a photographer for a while, but we don't anymore. We also have a PR rep.

What does it financially mean for you? Are you already in profit or do you still have losses because of the team?

Absolutely. The deficit's a big part of our narrative, and we still go deficit if we have to. We often have a headache when it comes to certain amounts, but we still go to the ATM as we believe in our story. And we go to the ATM a lot... (smiles)

All successful stories started with the band members investing their money because they believed in themselves - like Čuki, Siddharta... But really, not many are ready for a financial investment.

It could quickly happen that the risk's high and the reward's low. We're lucky we've never believed in failure. Our dream was to play on big stages, but the process never was a necessary evil for us. We enjoyed the climb. Well, there are still a few more climbs to go! We've made it up the first climb and are now on the first top cap...

Aren't you afraid this might already be the peak?

Honestly, I'm not afraid of this as I feel a lot of creative energy in me. With this album, we haven't said everything we want. Also, nobody's worried next album will be less successful. I dare say that, out of almost all alternartive artists, we're the ones who do the most ourselves and work like a well-oiled machine. Even our first album was successful commercially, which makes us very happy.

The album is available online, and you've also released a CD for fans. How many CDs have you sold?

I don't know the exact amount, I know we sold around 500 to 600 CDs just at the two concerts in Cvetličarna, which seems a lot to others.

We're surrounded by people who love us and understand what we want to become

Worry not, that's a huge number given the times. Do you feel like a sex symbol as, already by the second song, bras were flying on stage?

At first, we were very scared on the first night, as we waited a year and a half for this mythical moment. This certainly increased expectations, but also stress. I had a million different scenarios playing in my head, and then it happened...

Did you have any stage fright?

I had a weird stage fright. I wasn't afraid of going on stage, I didn't know what would happen afterwards. As we stood and waited, we heared everything happening on and off stage, so we went on stage quite scared and shocked. We couldn't realise all the enthusiasm was just because of us! The second night we went on stage already as sex symbols, that's how we really felt.

Are you the most popular with girls because you're the most exposed, probably?

Different sides have formed, so we're all satisfied. (smiles) When we post, we can't wait to see who people are rooting for, who's the sexiest...

Bigger stages than the one in Cvetličarna are waiting for you, but you've already played on smaller Slovenian stages over the summer. Was there such response as in the capital?

Everywhere we went, the response was really good. In Cvetličarna, people already knew lyrics that aren't even online yet! This didn't surprise us, as we knew that those who came to our summer gigs would also come to the other side of Slovenia for our concert. We have some fans who've been to more concerts than Kris, who missed two shows because he was travelling with his girlfriend! (laughs)

And you let him do it?

As at the time he had everything already booked, it couldn't be otherwise.

But I was angry at the time. Luckily, there's a fellow guitarist in Fat Butlers who we're very close with, and he was able to quckly jump in, as he knew our repertoire.

When someone really succeeds, that boosts the entire music scene. Even when Siddharta made it, the overall rock scene was in great shape, everyone was performing a lot. Do your young colleagues realise that you created opportunities for them too?

I know that the entire scene has really grown, but I can't say we're the reason for that. When we announced the Cvetličarna concert two years ago, our opening act Kokosy had just released their first songs. We chose them because they sounded extremely amusing during their performance at Škisova tržnica and had good energy. At the time, few knew this band, today they're already well established performers with quite an audience. Now also our audience knows them, so the vibes were really good during their performance.

Parents listened to Indexi and Bijelo Dugme. You come from a family of doctors. Are your parents upset that you didn't follow their path?

No, they're very happy. Mum's glad I didn't choose medical studies, dad would've been happy if I'd become a doctor too. But there's no hard feelings, as, with grandma, she's by far my biggest fan. Both go on YouTube every day and tell me how many views we make, when we'll be on the radio... I also have an older sister, who's an extremely diligent lawyer. She too is very proud of me.

So will your sister review all contracts to make sure some label or promoter doesn't scam you?

That's right. (smiles)

Your parents moved to Slovenia due to the Yugoslav Wars. Do you feel any bitterness, any trauma in your family because of this?

Both graduated medicine in Banjaluka, and came to Slovenia during the war, here they did their specialisation. Both consider Slovenia home, as here they felt accepted when they needed help. They never felt like foreigners. Sure, it was hard for them at the beginning, being foreigners in a shared country until recently², but, despite that, they successfully finished their specialisation and started a 'new life'. I never felt like a foreigner myself.

Have you ever been subjected to prejudice?

I went to a primary school with a few 'čefur'³. In Grade 8, only two students had excellent grades in Slovene - besides me, a classmate whose surname ended in -ić⁴. They probably didn't even know who came from where.

Nowadays, Balkan music's very popular among the youth. How did you keep up with it? Were you fond of it due to your roots?

Pretty much. When I was little, at home we had albums. As children, we listened to the music our parents listened to. Whether it was Indexi or Bijelo Dugme, we listened to that too. When I got my MP3 player, my sister too downloaded some songs, by Siddharta, Big Foot Mama, Trkaj and Murat & Jose. These four artists were my favourites and I could say they still are today, I still love the ex YU rock scene, especially the new wave.

²Bojan's family moved from Bosnia around 1992, the year in which the Bosnian government declared independence from Yugoslavia, a statal entity that administered the western Balkan peninsula for much of the 20th century.

³Čefur is a word with a pejorative connotation that denotes people from Slovenia who originate from other countries of the former Yugoslavia or are descendants of such immigrants.

⁴The suffix -ić is a very common way to form surnames in Slavic languages. It is a patronymic suffix, indicating 'descendant of' or a certain personal name. As in most cases, people with these surnames are Serbs or Croats, or descendants of these, said suffix turned into an indicator of one's ethnicity.

What we couldn't realise was that all the enthusiasm was just because of us

Did you start writing the texts in Slovene right away?

The first song was in English, and Martin still keeps its paper at home. The melody was good and I can use it, but the lyrics were terrible. I've never been able to write lyrics without a melody, so I write the melody first. Also, I've never written lyrics to a melody made by someone else. Except for the first one in English, I've written all the others in Slovene, and I only write when the inspiration hits me. That's when I sit and start working, and a new song comes out of that. I discard very few songs, if something isn't good, I usually find out after the first lines. I usually get carried away to the point where it progresses. I wrote the song 'Gola' differently at first, but I didn't like the chorus. Later Kris reminded me of it, and I knew immediately what to change to make it sound right.

So, are you quite self-critical?

It's true. Sometimes I like something a lot at first, but within a week it doesn't satisfy me. Then I'm sad, because I disappointed myself, and I discard it.

But the Serbo-Croatian language market is much bigger than the Slovenian one. Have you also written songs in Serbian or Croatian, which you certainly know thanks to your roots?

Not all of them, but I'm working on adapting the whole album. It's easier to write songs in Slovenian, but it's true that I never started writing songs in Serbo-Croatian either. I tried to write one song in Serbian, but it sounded so bad melodically that I quickly gave up.

How often do you visit Banjaluka?

I used to go there a lot as a child and teenager, but not much since the epidemic, so I miss it a lot. I miss my grandmother who lives there. We live partly in the city and partly in the country, and it's the country that I miss the most. Everything is so pristine there. Everything is the same as when I was a kid, even the people are the same. In rural Bosnia, there are no things that can hurt or disappoint you.

Well, politicians continue to fuel nationalism in Bosnia, so it's always tense.

I love Banjaluka, but, since I grew up, the atmosphere has been tense all the time, so I don't like that environment. I'm worried for my grandma who lives there, as times aren't looking good and things can snap quickly. In the countryside, luckily, you don't feel this.

Can music and your message help improve this world? Do you think you can change something with music?

Unhappy people are destroying the world, so we can try to make as many people as possible happy. I think spreading love and positivity is the best we can do. Goran Bregović⁵ said in an interview that he stopped believing that music could change the world when all the musicians and cultural figures united, but were unable to stop the war. I think it isn't the job of us musicians to spread world peace, but we can try to make people happy, as happy people won't cause wars.

⁵Goran Bregović is a Bosnian musician and composer.

#joker out #jokeroutsubs #bojan cvjetićanin #bojan cvjeticanin #jan peteh #nace jordan #kris guštin #kris gustin #jure macek

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darkmaga-retard · 12 days

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Raphael Lataster, PhD

Sep 11, 2024

The debate between President Trump and Vice President Harris, hosted by ABC News, revealed that Harris and her friends in the mainstream media are all too happy to resort to lying, evading questions, and peddling long-debunked fake news. Source. Some lowlights:

Harris went on about the “Trump sales tax” which Trump pointed out were tariffs that he implemented, which the Biden-Harris administration left in place. When asked by the hosts about that Harris evaded the question, and, showing the bias of the supposedly objective mainstream media, was not challenged further. Brings to mind the bizarre campaigning on change and fixing America, when she’s been in power for the last 4 years, and her party has been in power for 12 out of the last 16 years.

On abortion, Harris said: “I think the American people believe that certain freedoms, in particular the freedom to make decisions about one’s own body, should not be made by the government.” Remember those things, oh what were they called… JAB MANDATES?! That destroyed the lives of people like myself, and which were implemented by… her administration. And women were of course amongst those who lost their livelihoods for making decisions about their own bodies.

Continuing on abortion, Harris said that Trump would sign an abortion ban. That is nonsense with no basis, which he refuted, noting that Roe v. Wade, which he effectively helped overturn, was not about banning abortion but about letting the states decide. Abortion-loving states can still abort at will. Fun fact: At the time CNN promoted horse medicine for use in abortions whilst they were mocking COVID-19 patients who also opted to use ‘horse medicine’.

Perhaps most shockingly, Harris brought out the old nonsense: “There were fine people on each side.” This is one of the classic go-to examples of TDS-inspired fake news, which was even debunked by the very left-leaning Snopes. Source. Of course, the hosts let that slide as well.

That’ll do, but there was more, a lot more, like the befuddling claim that Trump was weak on foreign policy (made by Harris, freshly endorsed by President Putin - source). The guy that brokered peace deals in the Middle East. Source. After his predecessors’ actions led to the deaths of millions. The guy that did his darndest to end the forever wars (like in Iraq). The guy whose term was ‘marred’ by global peace - y’all remember what Putin did before and after the Trump presidency, right? And I’ll never forget how the one time the media was nice to Trump was when he bombed a country. Despite all this, CNN personalities think that Harris “whooped him”, and “spanked him”. Source. The same CNN who is owned by the world’s wealthy elite (who openly admit conspiring to ‘protect democracy’) and whose supposed objectivity was laughed at even by a presumably CNN-loving audience:

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yuzurujenn · 5 months

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[2024.05.11] Quardruple Axel May Issue: MIKIKO - A Solitary Realm

-MIKIKO, your first collaboration with Hanyu was during his debut ice show “Prologue” after he turned professional. I understand that you were in charge of directing for the programs "Haru yo koi" and "Itsuka Owaru Yume".

MIKIKO: Yes, that’s right. I was mainly responsible for the ice projection, including the visual and performance effects.

-At that time, how did you draw inspiration from the programs for the projection effects?

MIKIKO: "Haru yo koi" was already a well-known program, so when creating it, I aimed to preserve its established impression while also hoping to generate a synergistic effect. As for "Itsuka Owaru Yume", since it was a new program being revealed for the first time at “Prologue,” I first asked him about the background of the piece he chose and his mindset while performing it. Hanyu sent me a long text and also shared videos of himself skating on the ice rink. I tried to break it down to understand it, and then thought about various things such as "What kind of image is suitable?" and "What kind of appearance is more appropriate?".

-What was the process of creating the visuals like?

MIKIKO: Usually in the live shows that I direct, images are often projected onto the background of the stage. It’s rare that I have the luxury to direct a performance where the entire venue could be used as a canvas such as in an ice show, so I was very happy about it. Being able to project images onto the huge, pure white ice surface was sure to guarantee a dynamic production, so I was very excited during the process.

-I had the pleasure to watch Perfume's "Perfume LIVE 2021 "polygon wave"" produced by MIKIKO-sensei before. The venue at that time happened to be PIA Arena MM, and just like this time, the venue was used extensively for projection.

MIKIKO: Yes. It was still during the COVID-19 pandemic, at a time when admission restrictions were finally relaxed, allowing live performances with up to 50% of the maximum capacity. We took advantage of this condition by not allowing the audience into the Arena (the inner part) and only setting up seating in the stands, which we thought would meet the 50% occupancy requirement. This allowed the entire inner venue to become the stage, and we set up LED Vision on the floor of the inner venue to create an effect similar to that on the ice surface.

I hadn’t imagined collaborating with Hanyu-kun at that point. I learned a lot from the Perfume performance, which eventually led to directing on an ice surface of the same shape. From a sequential task perspective, it was quite ideal for me.

-The skills developed in the live world have been effectively applied in directing ice shows.

MIKIKO: Yes, but ultimately, they are completely different genres. When producing “Prologue,” it was already decided that I would direct “GIFT,” which involved directing a performance at Tokyo Dome. When we first started communicating, we thought about trying to make two programs first, which was what happened during the session at "Prologue". So, if I have to say, "Prologue" was like a trial run.

Because ice show is an unknown world to me, we had to experiment a lot with "GIFT", but there is also strength that comes with being in uncharted territory. Perhaps from the perspective of figure skating, it may seem like something unconventional, but from our point of view, only figure skating can achieve dynamic movements at such a fast speed. In a normal live show, there would never be a situation where one person performs endlessly on such a vast stage. So, for me, this kind of cooperation brings a lot of new possibilities. Furthermore, thanks to the miracle of his technical prowess and expression filling up the entire space of the venue, we somehow managed to overcome various challenges. However, after watching the official performance of "GIFT", I once again realised how amazing Hanyu-kun is, and at the same time I also thought, "Ah, the direction could be better."

-MIKIKO, have you made any new discoveries or ideas through the official performance?

MIKIKO: Although I had experienced filling up the entire dome like this in the past, no one was sure what synergy would be produced in the official performance. But in the end, the actual outcome was even more amazing than imagined. I think part of it was due to the emotional investment of the ice fans, and another part was that Hanyu’s emotional and mental investment in the performance was richer than I had anticipated. So, I realized, “Since we could achieve this level, the directing could be even better,” which sparked ideas like “This can be done, and that can be done.” I think this is also connected to “RE_PRAY.”

-Specifically, what kind of ideas emerged?

MIKIKO: "GIFT" was a showcase of Hanyu’s figure skating career to date, presented in an anthology format, weaving stories in between intervals to demonstrate that "the same person has a variety of colours”.

As for "RE_PRAY", rather than that, I want everyone to have "the feeling of watching a movie or a stage play", so I incorporated game elements throughout the story and meticulously filmed the visuals performed by him. The story aspect of this can be seen as what I learned the most from “GIFT” and also where I made further refinements. -When the overview of “RE_PRAY” was announced, the use of game themes was quite surprising. It was hard to imagine what kind of ice performance it would be. I couldn’t help but wonder, “What kind of performance will it be?” MIKIKO, what were your thoughts when you first heard Hanyu’s concept for “RE_PRAY”?

MIKIKO: Through various exchanges, we had a rough understanding of each other’s preferences. So, from the conceptual stage of “RE_PRAY,” we continuously brainstormed and bounced ideas around, starting with “What should we do next?”

I am not familiar with games at all. For example, when he talked about "Itsuka Owaru Yume", he would explain it in terms of games, saying, "This is a Final Fantasy song, and it has this kind of ocean water feel, and it's like this…" In addition, as we talked about various things, he would always use game analogies or talk about game music at key points. Through this process, I felt that games had a huge influence on his way of thinking and his life. Gradually, I started to think, “Maybe a game-themed concept could be interesting.”

However, precisely because games are a very important presence in his life, it was more challenging to direct this concept. It seemed like a simple idea at first glance, but it required careful handling. Therefore, I thought that directing this theme would need to be approached with caution. It's catchy, so all the more to be careful. But then we decided, “Let's be brave and make a game out of it!” And that's how it all started.

-So, the concept was born from the discussions between the two of you. Regarding the actual “RE_PRAY” ice show, the overall structure of the first and second halves is not just a straightforward presentation of the programs; instead, it incorporates various contrasts and echoes, giving the impression of meticulous and detailed production. It’s something that can’t be fully grasped in just one viewing, much like watching a movie or reading a novel.

MIKIKO: Yes, exactly.

-The projections on the ice, the visuals on the screens, the monologues, the music selection, and the choreography all seem to carry profound meanings, but it’s difficult to pinpoint the exact answers. Or perhaps there are no right answers. How did you and Hanyu come together to create the overall concept?

MIKIKO: While you can restart a game as many times as you want, life only happens once and cannot be replayed. On the path of life, there are various crossroads. Choosing one path (to the right) leads to one world, while choosing the other path (to the left) leads to another world. Decisions are constantly being made, whether “yes” or “no.” The interesting aspect of games is that you can see both outcomes through resets, but in real life, even if you think “what if” or “maybe there could be such opportunities,” you cannot walk both paths simultaneously and must make a choice.

From my perspective, Hanyu-kun has been making ultimate choices throughout his 29 years of life. Each time he makes a choice, whether it was the right one is judged entirely by himself. He lives in such a world. Games can be reset and played again, providing opportunities for redemption, but one's life is a path that cannot be retraced. I think he might want to affirm such an existence. For the audience, he hopes that they can project themselves into the same situation, conveying the idea that “what everyone feels here today is also a YES.” Therefore, even if there are audience members who watch all the performances, the experience of the same program might vary depending on specific days, moments, physical states, or events that occurred before coming to the venue. I think this in itself is remarkable.

Hanyu, who exists in a world where “even performing the same program never feels the same,” probably wants to convey this affirmation to everyone.

-Hanyu himself said, "I hope it will give everyone an opportunity to think about something."

MIKIKO: So, even though both the first and second halves start with the same program, “Itsuka Owaru Yume,” different viewing angles reveal contrasts, such as appearing blue in the first half and pink in the second half. I wasn't sure if it would work, and I thought, "I think it's going to be difficult," but in the end, I think it worked very well.

Also, even though both halves use “play”, the first part is 'play' with an 'L' and the second part is 'pray' with an 'R' (note: there is no L sound in Japanese so both word sare written the same in Japanese "プレー"). Accordingly, the skating style of the first and second half has also been adjusted. The intent was to show that "even the same person's performance can be so different".

There is also an emotional aspect related to “not being able to save progress in the game and having to start from the beginning.” “Even if you start from the beginning, the scenery changes dramatically if you choose a different path” is the feeling we aimed to portray.

-The "L" and "R" of "プレー" you just mentioned. Who designed this way of wording?

MIKIKO: Although the name plays on “replay” with the added meaning of “pray” in “プレー (pray),” I think Hanyu-kun originally had the term “RE_PRAY” in mind. So, during brainstorming, the idea of “the concept for the first half using ‘L’ for ‘play’ also seems good” came up midway.

-That's really interesting. How was the overall structure decided?

MIKIKO: First, Hanyu-kun decided on the setlist (order of songs), and then he wrote down the corresponding storylines. After that, he wrote the actual monologue scripts to be used in “RE_PRAY,” and based on this, I created the production plan. Sometimes I would suggest, "I think it would be good if such a scene happened here," and he would agree, "That sounds good. Let's do it that way," and we had these conversations quite often. Then I came up with the idea of "Hanyu-kun holding the game controller on the right, with the game screen on the left," and Hanyu-kun continued to think about the narration that would correspond to that scene. Within the process, we also wrote ideas like "It would be interesting to swap ‘R’ and ‘L’."

-The “R” and “L” also have a contrasting meaning of right and left.

MIKIKO: Exactly. So, in the second half, Hanyu’s position was also reversed left and right. There are a lot of things like that. While this was just a small pleasure for the creators, such wordplay was added during the process, and we often discussed whether “it would be better to end in this way.” The entire production was completed through this back-and-forth process.

-I was surprised to see how well-detailed the visuals were, and the setting where Hanyu controls the game world himself—was this also your idea, MIKIKO?

MIKIKO: After I got the general concept from Hanyu-kun, I thought, "Let's start with this kind of image here”. For example, a scene like "Hanyu-kun enters an 8-bit game world and fights in costumes from his past performances”. After that, we talked to the producer in charge of the video, appointed a director, and decided on a creator. This is roughly how the process went.

-I also truly felt the power and excellence that comes from bringing together top professionals. This time, there was also a program choreographed by you, MIKIKO, for the first time. Is this your first time choreographing for a figure skating program?

MIKIKO: Yes, it is my first time choreographing an entire program. Previously, for Hanyu's performances of DA PUMP's "if…" and Mika Nakashima's "GLAMOROUS SKY" at "Fantasy on Ice," the choreography was done by him, and I just gave some suggestions for modifications. For example, I gave some advice from a dance perspective, "Here, it would be better if the hand direction is this way." In the process, I also took the opportunity to learn some figure skating techniques. This time, however, I choreographed an original piece using a song by Shiina Ringo.

-Did Hanyu ask you to help choreograph a program?

MIKIKO: Yes. We also decided on the song selection together. This was the second program in the first half. When everyone was discussing "Can we arrange any good music here that will make people immersed in it?", he proposed "I want to add some music that is different from what I usually listen to", so I sent him a collection of songs that I thought would be suitable. Among them, he chose Shiina Ringo's "Chicken, Snake and Pig".

-Choreographing for figure skating must be different from choreographing for dance on the floor, right?

MIKIKO: I definitely felt that it was very challenging. It’s similar to how some parts of "GIFT" were done based on a lack of knowledge about ice shows, and I approached it with a similar lack of understanding about figure skating choreography. I would think about the upper body movements as I would for regular dance. On the other hand, for the footwork, I could only suggest things like "I think you should move back and forth a few steps, then a few steps forward." I could only convey the image like this. So, it’s not so much me doing the choreography alone, but more of a collaboration. Even though it was difficult, it felt like "full of possibilities" because there are things that cannot be done in floor dance.

-What you can’t do on land but can do on ice is to move while skating, right?

MIKIKO: Yeah.

-Do characteristics of figure skating have a positive effect in showing dance?

MIKIKO: Ah, I think this is a very difficult thing. After all, the feet have to keep gliding on the ice. In particular, the dance movements I designed are movements where the feet are like buckles (fixed) while coordinating with the upper body. If the foot movements are not consistent, it will be very difficult to move the upper body. So, I think he really practiced a lot for this program.

-The transfer of the choreography on land to the ice must have been done by Hanyu himself, right?

MIKIKO: Yes. The footwork was entirely finalized on the ice. Initially, I choreographed the dance for the entire song, and after rehearsing with the mirrors, he memorised the movements and then tried them on the ice. Later, adjustments were made at the Sendai rink, such as "If we do this move here, it won't work," or "Let’s remove this part of the dance and focus on the footwork."

-This program seems to be based on the image of a straight line?

MIKIKO: Yes, before choreographing, we already had the image of "moving forward on a single path, against the wind." So, I thought of using lighting and lasers to create a path on the ice, designing movements that made it look like not wanting to leave this path. It was choreographed with many intentional constraints.

-In figure skating, where movements are typically curved, maintaining a straight path must indeed be very difficult?

MIKIKO: That's true. So, the fact that he manages to skate without being hit by the laser light is already quite impressive. Though, again, I’m not very knowledgeable about these details, so I’m just guessing (laughs).

-It seems that Hanyu’s technical skills were crucial in achieving such a performance.

MIKIKO: I really think so.

-As a choreographer for dancers and artists, how do you perceive Hanyu’s performance as a performer?

MIKIKO: His dedication to performance, daily lifestyle, and the preparation he undertakes to perform in front of an audience are things that I think everyone should learn from. If I were to evaluate, I would say, "I’m very grateful for him showing us that kind of attitude."

I have been working with BABYMETAL since they were in the fifth grade, and with Perfume for 25 years now. Although sometimes I feel sad that so much time has passed, but because they have always worked tirelessly, I genuinely hope they can create something that touches people’s hearts, which is why I haven’t given up over these 25 years.

And among this, someone like Hanyu, who has numerous fans and has won gold medals, still feels that he is "far from perfect" in the art of expression and continues to pursue it relentlessly. When I learned that he had put in such a huge effort, I really sighed, "It really is so." To me, achieving a performance that genuinely touches people’s hearts and standing in front of others can only be done through such a life-or-death effort.

-Hearing such sentiments from someone like you, MIKIKO, really makes me think how remarkable Hanyu is.

MIKIKO: I think he probably won't lose to anyone at this point. Although it may be a bit strange to say that he "won't lose to anyone", he really worked hard to the point where people would think that (not losing to anyone) is "natural".

-In the solo show, he performs more than 10 programs by himself. He hardly ever takes a break, even while the video is playing between performances.

MIKIKO: Yes, after all, he still has to change costumes.

-During the ice show, will you see Hanyu backstage?

MIKIKO: I was sitting on the audience side, observing the overall effect in the venue, so I didn’t see the backstage.

-How did you feel while watching the show?

MIKIKO: As I mentioned earlier, I only watched figure skating as an ordinary viewer, so I’m completely unfamiliar with the details of the competition. As for the performance, "Messenger of Ruin", it included many high-difficulty jumps and spins—so much so that it could even be directly entered into a competition, right? I watched that program every time and gradually began to understand the timing and difficulties of the jumps, so during the official performance, I felt like, "Ah, please!" If I were his mother, I would probably be too anxious to watch, thinking "I want to go outside…" I’d be scared to that extent. There’s this kind of drama in just two and a half minutes, and even if he made a mistake in a jump, he’d have to continue skating without losing heart. The more I know, the more afraid I become. But at the same time, I could see that the fans were moved by this, and I think I also understand what it means to fight alongside him.

-In the program "Messenger of Ruin", what he challenged himself was to skate an already difficult skating composition without making any mistakes. Even after becoming a professional, he must continuously evolve, which is probably also the driving force behind Hanyu's progress.

MIKIKO: He didn’t say he was retiring, but used the term “turning pro” I think he practices and embodies this in his daily life.

-Figure skating is a sport, but the artistic component is also significant. Has your view of the sport changed through your interactions with Hanyu?

MIKIKO: I sometimes thought that the dilemma he felt when he was a competitor was reflected here. The world of expression is influenced by individual preferences, and there is no so-called standard answer. Because of this, it is a world of both joy and pain. While scores can simplify things in competitions, they can also bring about significant pain. In the absence of a clear answer to the question "What is the standard?", it would be more fitting for him, who has been relentlessly pursuing his own expression, to go to a world where there is no answer.

Even though we live in a world without scores, technique is still essential before performance. In other words, it should be performed by people who already possess technical skills. So, what he does is not fundamentally different from what we do. First of all, having skill is a given; in my view, it is only those whose expressiveness is so strong that people forget to admire their "skill" who are truly remarkable.

In this sense, Hanyu jumps so easily and lightly, and expresses them so easily, that viewers don’t understand how difficult it is. So, we keep asking him for more and more (laughs). But I think this is a requirement for someone who reaches the "professional" world.

-What you said is very meaningful.

MIKIKO: You first need to have technique, and then think about how to express music and emotions. I think that’s the way it should be.

-I feel that his solo performances have really transcended the traditional boundaries of figure skating. What Hanyu aims to achieve can no longer be summarised with just "skate".

MIKIKO: I think that's indeed the case. What will he create next?

-I am looking forward to him surpassing everyone’s expectations once again. Changing the topic, the ice show "Yuzuru Hanyu Notte Stellata 2024" was held in Miyagi Prefecture a few days ago.

MIKIKO: I was also there to watch it.

-Hanyu skated the solo program "Danny Boy". This song was recommended to him when he appeared on Gen Hoshino's TV show. It turns out that Hanyu was also greatly influenced by Hoshino.

MIKIKO: That's right.

-He also performed "Koi Dance" at an exhibition, and I was reminded once again that there was a connection with MIKIKO there as well.

MIKIKO: At that time, Hanyu-kun was dancing "Koi Dance" with his friends in a sort of lounge area, and the video spread on Twitter. After I found out, I silently posted something like " Yuzuru-sama also did the Koi Dance…" (laughs). He told me, "I already knew this." and said, "I thought at that time: 'It's been conveyed!'" (laughs).

-Hearing these stories from then to now is truly moving. How did you feel after watching "Notte Stellata"?

MIKIKO: Both "Danny Boy" and "Carmina Burana", which he collaborated with Mao Daichi, were choreographed by figure skating choreographers. When I look at them objectively, I reaffirmed their excellence. Then, what surprised me was to see how much his body had changed after the Yokohama performance from the Saga performance of RE_PRAY.

-He himself said that the Saga performance was physically tough.

MIKIKO: During this period of more than a month, I think he himself had a strong desire for revenge. There was a feeling of "I will change!" Wasn’t he also working on choreography for “notte stellata” at the same time? And he had to further polish his new programs. Under these conditions, there were significant changes in his skating style and strength, making me feel "Wow, he’s still evolving", and in a sense, it was also "terrifying".

-Probably the tension of facing the ever-evolving Hanyu.

MIKIKO: After watching the actual performance, the video creator of the ice show had a sparkling look on his face. It was obvious that the staff working with him felt it was rewarding, and I think that's because Hanyu-kun gives so much back to us in the actual performance. This is truly a give-and-take relationship; motivating the staff and making them feel the value of their contributions is essential for the performer. Because of this, we feel that "we must create excellent works." Through his performance and attitude, he has built a very positive relationship.

-I often hear the same sentiments from the staff involved in the shows.

MIKIKO: That's true. Watching him practice, it instantly makes you want to get serious and not be half-hearted. It’s hard to express, but you definitely can’t slack off. If everyone doesn’t perform at a high standard, there will definitely be something that feels out of place.

-It’s precisely this attention to detail that makes the ice show so high-quality.

MIKIKO: I really think so.

-Thank you for sharing so many valuable insights. Lastly, do you have any expectations or hopes for Hanyu’s future achievements?

MIKIKO: As I have said in various interviews, as someone who has been in the entertainment industry, having seen and created many things, I want to believe that “there are things that Japan can be proud of”. When I saw the actual performance of "GIFT", I felt that this potential was further expanded. It felt like witnessing "the moment a new door open" to an unprecedented world of entertainment, where figure skating is combined with visuals, lighting, and music, creating a tremendous synergy.

So, I hope more people can appreciate his ice shows and that those who need to see it will have the chance to enjoy it. While making Hanyu’s fans happy is a primary goal, I also hope to move those who aren’t normally interested in such performances, so that people from other fields in the world can also be touched.

He is truly doing something very difficult. Both physically and mentally. In order not to crush his potential, we also want to work tirelessly. It would be great if we could try our best to do something to support him. Although it is a bit exaggerated to say this, I hope it will benefit Japan and the world.

Source: Quadruple Axel 2024 #羽生結弦 SPECIAL pg 76-81 Info: https://x.com/AxelQuadruple/status/1790024157121351998

#hanyu yuzuru #yuzuru hanyu #羽生結弦 #figure skater #magazine #interview #machine #translation

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southeastasianists · 2 months

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Cambodia has a long history of performing arts that share commonalities with what is grouped under the "circus" banner nowadays. And like many of the country's ancient artforms, these traditions of acrobatics found themselves oppressed and vilified by the Khmer Rouge regime of dictator Pol Pot during the late 1970s. Inspired and supported by Maoist China, the Khmer Rouge intended to replace the country's old culture with a completely new one based on communist ideals. As such, traditional craftsmen and artists were routinely executed along with any dissidents, their relatives and even acquaintances. Cultural persecution thus became a part of one of the worst genocides of the 20th century.

Decades after this genocide, Cambodia still grapples with its consequences, not just in psychological terms but also the economic ripples of missing almost entire generations. As such, cities like Battambang, which was close to the border with Thailand and teeming with refugees, found themselves with high rates of poverty and children living on the streets. It was in this context that Phare Ponleu Selpak (PPS) was born in 1994.

A team of now adults, who had spent their childhood in refugee camps in Thailand, found themselves inspired by an art therapy program. This made them see their PPS initiative as a way to give other generations of disadvantaged children and young people the tools necessary to change their lives. While PPS's headquarters continue to be based in Battambang, their international flagship is Phare, the Cambodian Circus.

Most Phare performers may have originally lived in Battambang, but they now perform several shows per week in Siem Reap, the country's main tourist city. Their circus style takes some queues from the world-renowned Cirque du Soleil, highlighting human acrobatics and an artistic approach to their shows. Phare does not shy from references to the country's troubled history along with universal themes of strife. Phare has several shows that rotate on their performances. "Khmer Metal," for example, starts in a tourist pub the morning after a wild night, and features imagery like beer towers and drunk brawls, while "Influence" shows an authoritarian antagonist in a Mao-collared shirt.

Phare's aesthetic is a bit more DIY than Cirque du Soleil's current shows, but it is all part of their social enterprise aspects. Funds from their performances support PPS's other initiatives, which not only train future performers but also assist schools, art programs, and current performers' families. Following the massive negative impact of COVID-19 in tourism-focused Siem Reap, PPS needed an extreme act to raise additional funds for its reestablishment. It was this that led to their March 2021 performance. Including members of their Battambang and Phare crews, the show lasted just over 24 hours, earning them the still-standing (as of mid-2024) Guinness World Record for longest circus performance.

#Southeast Asia #Cambodia #Culture

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covid-safer-hotties · 1 month

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How The Koch Network Hijacked The War On COVID - Published Dec 22, 2021

Almost 3 years out from publication, and we can see the very real effects conservative dark money has played on public health in general, even for the liberal. (They never shift left for some strange reason.) Might be something to show your vote-blue-no-matter-who unmaskers in your life.

As Omicron surges, a shadowy institute filled with fringe doctors appears to be part of big business’ two-year strategy to legitimize attacks on pandemic interventions.

Earlier this month, as the Omicron variant began to spread, a small liberal arts school on a tree-lined campus in Michigan called Hillsdale College announced it was launching an Academy for Science and Freedom to “educate the American people about the free exchange of scientific ideas and the proper relationship between freedom and science in the pursuit of truth.”

The academy was inspired by the pandemic. “As we reflect on the worst public health fiasco in history, our pandemic response has unveiled serious issues with how science is administered,” noted the college president in a press release.

But the venture isn't exactly an effort to apply science to the COVID-19 crisis. The so-called “fiasco” was government pandemic measures like mask and vaccine mandates, contact tracing, and lockdowns.

Hillsdale is a conservative Christian institution with ties to the Trump administration. And the scholars behind the academy — Scott Atlas, Jay Bhattacharya, and Martin Kulldorff — are connected to right-wing dark money attacking public health measures.

The trio also has ties to the Great Barrington Declaration, a widely-rebuked yet influential missive that encouraged governments to adopt a “herd immunity” policy letting COVID-19 spread largely unchecked, even as the virus has killed more than 800,000 Americans.

The academy is the newest initiative designed to provide intellectual cover to a nearly two-year campaign by right-wing and big business interests to force a return to normalcy to boost corporate profits amid a pandemic that is now surging once again thanks to Omicron.

That campaign’s most recent success came earlier this month when Senate Republicans and a handful of Democrats joined together to pass a symbolic measure to repeal a Biden administration rule requiring large corporations to mandate vaccines or regular COVID tests for workers.

This is the story of how that corporate-bankrolled campaign originally started, and how it has continued to supplant public health experts and hijack the governmental response to the pandemic.

The War On Public Health When COVID began its spread across the United States in early March 2020, states responded by locking down to varying extents. All 24 Democratic governors and 19 of the 26 Republican governors issued weeks-long stay-at-home orders and restrictions on non-essential businesses.

Lockdown measures drove down cases in the U.S. and likely saved millions of lives globally. But the decline of in-person shopping and work, combined with factory shutdowns in places like China, disrupted the economy. A 2020 report from the corporate consulting firm McKinsey & Co. found the hardest-hit industries would take years to recover.

One sector in particular that took a big hit was the fossil fuel industry. Oil demand fell sharply in 2020, placing the global economy on uncertain footing.

Before long, business-aligned groups — particularly those connected to fossil fuels — began targeting the public health measures threatening their bottom lines. Chief among them were groups tied to billionaire Charles Koch, owner of Koch Industries, the largest privately held fossil fuel company in the world.

The war on public health measures began on March 20, 2020, when Americans For Prosperity (AFP), the right-wing nonprofit founded by Charles and David Koch, issued a press release calling on states to remain open.

“We can achieve public health without depriving the people most in need of the products and services provided by businesses across the country,” it read.

A month later, the American Legislative Exchange Council (ALEC), a business lobbying group partially funded by Koch Industries, published a letter calling on President Donald Trump to enable states to reopen. That letter was signed by over 200 state legislators and “stakeholders,” including leaders from Koch-funded groups like the Texas Public Policy Foundation and the James Madison Institute.

To fight its war, the Koch network also relied on the astroturf roadmap behind the anti-government Tea Party movement, using its dark money apparatus to coordinate anti-lockdown protests.

Participants for a number of anti-lockdown rallies were recruited by FreedomWorks, a dark money group tied to Charles Koch instrumental in organizing Tea Party protests in 2009. Several of the 2020 rallies were also promoted by the Convention of States Action, a group founded by an organization with ties to the Koch network and hedge fund billionaire Robert Mercer that wants to rewrite the U.S. Constitution. In Michigan, a major event was organized by the Michigan Freedom Fund, a nonprofit funded by the family of Trump’s secretary of education, Betsy DeVos.

Groups funded by the Kochs and their colleagues also turned to a more insidious form of combat adapted from Tea Party strategies: building an academic and intellectual network that would create and promote its own “science” to attack COVID mitigation policies.

“Build Up Immunity… Through Natural Infection” On October 4, 2020, the Great Barrington Declaration was released to the world. Authored by Stanford University professor Jay Bhattacharya, former Harvard Medical School professor Martin Kulldorff, and Oxford University professor Sunetra Gupta, the declaration recommended governments allow younger, healthier people to become infected with COVID-19 while reserving “focused protection” for the vulnerable, in order to reach herd immunity. Suggestions included having nursing homes limit staff rotations and businesses rely on workers with “acquired immunity.”

“The most compassionate approach that balances the risks and benefits of reaching herd immunity is to allow those who are at minimal risk of death to live their lives normally to build up immunity to the virus through natural infection,” read the declaration.

The document boasted a veneer of academic legitimacy. Its credentialed authors wrote the letter at a conference hosted by the auspicious-sounding American Institute for Economic Research (AIER) in Great Barrington, Massachusetts. According to the declaration’s website, the letter has since been signed by more than 2,700 “Medical and Public Health Scientists,” and “none of the authors or co-signers received any money, honoraria, stipend, or salary from anyone.”

But the declaration arose out of the world of right-wing dark money and corporate interests, and many of its signatories aren’t verified.

AIER, which hosted and filmed the conference and registered the declaration’s website, is a Koch-tied libertarian think tank. From 2018 to 2020, the Charles Koch Foundation donated more than $100,000 to the institute. And before that, the Koch Foundation donated nearly $1.5 million to the Emergent Order Foundation, formerly Emergent Order LLC, a PR firm that engaged in hundreds of thousands of dollars’ worth of marketing consulting for AIER.

AIER has also received $54,000 from the Atlas Network, an anti-regulation group formerly known as the Atlas Economic Research Foundation that has received more than a half million dollars from the Charles Koch Foundation and the connected Charles Koch Institute. The Atlas Network also pocketed nearly $3.9 million from DonorsTrust, a dark money fund connected to wealthy right-wing donors such as Koch and Mercer, and its sister group, Donors Capital Fund.

In exchange, AIER has provided fellowships to academics in several Koch-funded programs. That includes economist Peter Boettke, the former president of the Mont Pelerin Society, of which Charles Koch has been a member, and Michael Munger, an adjunct scholar at the Koch-backed Cato Institute. AIER’s trustees include Benjamin Powell, director of the Free Market Institute at Texas Tech University, which has received millions from the Koch network. Powell is known for his defense of sweatshops.

Bhattacharya, co-author of the Great Barrington Declaration, is a former research fellow at the Hoover Institution, which received $430,000 from Charles Koch’s foundation between 2017 and 2018, as well as $1.4 million from the dark money fund DonorsTrust from 2016 to 2020. Since then, Bhattacharya has appeared in multiple Hoover video programs.

Bhattacharya, Gupta, and representatives of AIER did not respond to requests for comment. Kulldorff insisted that he has never received money from the Koch network.

“Koch-affiliated foundations funded pro-lockdown COVID research by Dr. Neil Ferguson at Imperial College, but they have never funded me, either directly or indirectly,” said Kulldorff. “Lockdowns have generated huge profits for Koch and other big businesses while throwing children and the working class under the bus.”

“Access To The Very Highest Levers Of Government” The Great Barrington Declaration and its natural immunity strategy were widely derided by scientists around the world. The strategy was condemned by the Infectious Diseases Society of America and its HIV Medicine Association while World Health Organization (WHO) Director General Tedros Adhanom Ghebreyesus called it “unethical.” Thousands of medical professionals called on governments to disregard strategies that rely on natural infection.

“Never in the history of public health has anyone suggested infecting the entire population with a pathogen with which we have no long term experience as a strategy for managing a pandemic,” said epidemiologist and physician Robert Morris, who has advised several federal agencies.

Nevertheless, the declaration and its authors were embraced by a number of political leaders, since their arguments provided their laissez-faire approaches to the pandemic with scholarly validity.

This list included President Trump. Two months before the release of the Great Barrington Declaration, Trump welcomed the document’s authors to a White House meeting, even though the administration’s COVID-19 advisor, Deborah Birx, warned colleagues that the doctors were “a fringe group without grounding in epidemics, public health, or on-the-ground common sense experience.”

Trump’s COVID-19 adviser, Scott Atlas, a neuroradiologist with no background in infectious diseases, appeared to be one of several staff who supported the declaration’s strategy. While Atlas has denied urging the natural immunity approach, he publicly claimed that masks do not help curb the virus and called the idea of mandating vaccines for young people a “denial of science,” a claim that has been thoroughly disproved.

The president became enamored with herd immunity and the quick fix it promised for his reelection campaign. In mid-September 2020, Trump began trotting out the concepts that would soon be codified in the Great Barrington Declaration. He declared at an ABC News town hall, “And you’ll develop…a herd mentality. It’s going to be — it’s going to be herd-developed, and that’s going to happen.”

Following Trump’s lead, a number of Republican-led states adopted hands-off pandemic strategies.

Florida Gov. Ron DeSantis ordered the resumption of most commerce in November 2020, including indoor dining, and barred localities from enforcing mask mandates and social distancing.

Declaration co-author Bhattacharya advised DeSantis on his approach and called the governor “extraordinary” for his handling of the pandemic. Last month, DeSantis signed legislation banning vaccine mandates statewide.

Texas Gov. Greg Abbott lifted his state’s mask mandate and COVID business restrictions in March 2021. The next month, he declared Texas could be close to herd immunity. Recently, Abbott issued an executive order banning mask mandates, which a federal judge recently ruled unenforceable because it violated the Americans with Disabilities Act.

The Great Barrington Declaration’s central arguments also found support overseas. In September 2020, co-author Gupta met in London with U.K. Prime Minister Boris Johnson, who had been slow to impose lockdowns and implement testing after the coronavirus was first identified in his country. A month after this meeting, Johnson sent a series of texts echoing talking points from the declaration, including that the virus wasn’t a real risk to people under 60.

The London meeting was also attended by Anders Tegnell, the state epidemiologist for Sweden, a country that became well known for its rejection of lockdowns. In April 2020, Sweden’s public health director asserted, “There is no clear correlation between the lockdown measures taken in countries and the effect on the pandemic.”

“You have to hand it to the [authors of the] Great Barrington declaration: They have had extraordinary access to the very highest levers of government,” said Gavin Yamey, M.D., M.P.H., a professor of global health and public policy at Duke University. “They have had a profound impact on policy-making. Time and time again, we’ve seen the [people behind the] Great Barrington Declaration get what they want.”

A Devastating Toll Despite the Great Barrington Declaration’s claim that it was delineating “the most compassionate approach” to COVID-19, states and countries that embraced its anti-interventionist strategy have all experienced a COVID massacre.

At the time of the declaration’s publication, roughly 200,000 Americans had died from the virus. Since then, that number has quadrupled, the highest known number of any country.

Florida has become a COVID-19 hotspot, accounting for nearly one in five U.S. cases last summer. Virus numbers also surged in Texas, with the two states accounting for one third of all U.S. COVID-19 deaths at the time.

Even with all those infections, herd immunity was never achieved. Last week, University of Texas researchers warned that the Omicron variant could lead to the largest surge to date in the state.

International efforts to reach natural herd immunity haven’t fared much better. A scathing report released in October by British lawmakers — many from Prime Minister Johnson’s own party — found that the country’s failure to respond to the virus quickly and aggressively was “one of the most important public health failures the United Kingdom has ever experienced” and led to “many thousands of deaths which could have been avoided.”

And in Sweden, where roughly 11 out every 100 people had been diagnosed with the virus, COVID-19 fatalities stand at 1,476 deaths per million, many times that of its closest neighbors.

“We Are Intent On Not Letting Omicron Disrupt Work & School” Despite the costs, right-wing messaging against public health measures continues.

At first glance, lockdowns may appear beneficial to some big businesses, especially those that were deemed essential businesses and boasted robust online marketplaces. But social epidemiologist Justin Feldman, of Harvard’s FXB Center for Health and Human Rights, noted that “some regulations directly cost businesses money.”

Feldman explained that “paid quarantine and isolation means workers will be paid to stay home instead of working,” vaccine mandates could “make hiring difficult during a labor shortage,” and mask mandates “signal to the public that there is danger and they will then not patronize businesses.”

That’s likely why in March 2021, the dark money fund DonorsTrust spent nearly $800,000 to spread the narrative that the pandemic’s toll was actually due to government interventions. In May, DonorsTrust issued a press release claiming lockdowns hurt workers.

In June, Mercatus Center, a libertarian think tank at George Mason University heavily funded by the Koch family, began funding a database run by Emily Oster, an economist who has argued that the drawbacks of school closures outweigh the risks of COVID-19 exposure. Oster’s work was cited by Gov. DeSantis when he signed an order last August allowing parents to defy school mask mandates.

And earlier this month, the Foundation for Economic Education, another Koch-funded nonprofit, claimed that “naive government interventions” were responsible for a rise in global malaria cases and a spike in worldwide poverty.

Such anti-public health intervention narratives have had a lasting impact.

President Joe Biden hasn’t embraced herd immunity through infection the way Trump did, and he instituted a vaccine mandate for large companies that has faced court challenges and pushback from Republican and conservative Democratic lawmakers.

But Biden, whose COVID-19 response team is headed by former investment firm CEO and so-called “businessman’s businessman” Jeffrey Zients, has continued his predecessor’s push to keep the country open, even prematurely declaring “independence” from COVID-19 on Fourth of July last summer.

Earlier this month, Biden assured reporters that lockdowns would not be returning, despite the emergence of the Omicron variant and continued spread of Delta. According to a recent scientific simulation, an eight-week stay-at-home order in response to the new surge could save 300,000 lives.

Last Friday, the White House’s coronavirus response team put out a statement reaffirming its limited approach, a stance Biden reiterated in his remarks on Omicron on Tuesday: “We are intent on not letting Omicron disrupt work & school for the vaccinated.”

The defeat of lockdowns is only part of big business’ takeover of the country’s COVID-19 response.

The country’s eviction moratorium was allowed to lapse after it faced multiple legal challenges funded in part by the Charles Koch Foundation — at the same time as Charles Koch began making new investments in real estate. A subsequent moratorium put in place by the Biden administration was also struck down by the Supreme Court.

And while one of Biden’s first presidential promises was to clarify COVID-19 workplace safety standards, the resulting guidelines ended up limited to a small subsection of workers, following months of lobbying by business groups like the U.S. Chamber of Commerce.

The Chamber and other corporate interests have also pushed for a corporate liability shield to protect employers from COVID-19-related lawsuits and have also been fighting against ongoing efforts to release the vaccine intellectual property at the World Trade Organization to speed up global vaccination.

The right-wing push against public health measures shows signs of success. Support for pandemic lockdown measures dropped significantly over nine months from the start of the pandemic. A Gallup poll from November 2020 found that a plurality of 49 percent of Americans said they would shelter in place in response to a serious outbreak, down from 67 percent in March. The decline was mostly due to a “sharp drop” among Republicans.

“A Shining City On A Hill” The Great Barrington Declaration’s authors continue to push herd immunity through COVID-19 infections. Gupta co-founded a U.K. nonprofit called Collateral Global dedicated to exposing alleged negative impacts of COVID mitigation measures, which has Bhattacharya on staff.

Bhattacharya, meanwhile, published an op-ed last January claiming that vaccinating people in his native India was “unethical” because most had “natural immunity” and the risk of adverse reactions outweighed the benefits of inoculation. A month later, the country experienced its worst-ever surge.

All three co-authors are also now affiliated with the Brownstone Institute for Social and Economic Research, an Austin, Texas-based nonprofit founded by former AIER editorial director Jeffrey Tucker in May 2021 to prevent “the recurrence of lockdowns.” Bhattacharya serves as the organization's senior scholar, Kulldorff is a senior scientific director, and Gupta is an author.

According to Yamey at Duke University, the institute has been actively promoting vaccine disinformation.

“Time and time again, they have peddled dreadful misinformation and disinformation about vaccines,” he said. “They are, for example, vehemently opposed to vaccinating children, even though we know that unvaccinated children are 10 times more likely to be hospitalized. They very sadly went on television to say that health workers don't need to be vaccinated because they falsely claimed vaccination has no effect on transmission.”

Now declaration co-authors Bhattacharya and Kulldorff, as well as former Trump advisor Scott Atlas have surfaced yet again, as the first three “fellows” at the new Academy for Science and Freedom at Hillsdale College.

Hillsdale, a private non-sectarian Christian school, has long been a factory for conservative thought. In 2016, during a Hillsdale commencement speech, Supreme Court Justice Clarence Thomas called it a “shining city on a hill.” Statues of Ronald Reagan and Margaret Thatcher adorn a section of its campus known as “Liberty Walk.” Hillsdale President Larry Arnn chaired Donald Trump’s reactionary 1776 Commission, which sought to craft American history curriculums around America’s strengths.

Hillsdale refuses to accept public funds so it can be free from government mandates. Instead, it accepts large sums from the foundations and donor conduits of right-wing corporate executives and their families. The Charles Koch Foundation has donated over $300,000 to Hillsdale since 2015, and DonorsTrust gave over $3.6 million since 2014, including $2.5 million in 2020. The school has also found generous benefactors in the DeVos family, known for their Amway fortune, and Betsy DeVos’ parents, the Princes.

According to the academy’s recently launched website, the new academy will work “to educate policymakers and the general public about important discoveries and ideas that might otherwise be ignored by scientific journals and corporate media.” To do so, the academy plans to host scientific workshops and conferences, publish academic papers, and engage in “media and government outreach.”

But Feldman isn’t buying it.

“They have no interest in science,” he said. “They have been wrong about the pandemic time and time again. They use their stature as 'experts' to push for policies that are indifferent to ongoing mass death.”

#covid #mask up #pandemic #covid 19 #wear a mask #coronavirus #sars cov 2 #still coviding #public health #wear a respirator

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9w1ft · 1 year

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Hi! I'm a longtime kaylor lurker, but I saw you and your anons were trying to think through the reason for this Travis Kelce push and I thought I'd share some perspective as an American who's not exactly a football fan per se, but is from an area of the country where football is very popular so I'm kind of an ambient fan by default. I'm very sorry this got a little long, but I do think there are some really interesting dynamics at play here, but the tldr; is - broad appeal for the American premiere and politics.

There are some optics about Travis Kelce that are I think getting lost in the NFL-to-Swiftie translation that may be important. He's a famous football player, yes, but NFL fans skew heavily towards older men in non-urban areas, which also means NFL fans skew conservative. Travis Kelce promoted Bud Light when transphobes in America were boycotting the brand, and is also partnering with Pfizer for a public health campaign to promote the COVID-19 vaccine, which is very controversial for American conservatives. He's also known as a very stylish man (which is weird to say but is pretty uncommon among American athletes, especially white ones, and he's well-known for it) and before Taylor, all of his known/rumored exes have been Black or mixed (I could write an essay on the racial dynamics alone of this weekend, but... suffice it to say it's there and messy). I'd also heard rumors that he was closeted before he got together with Taylor, but I never really looked into them that deeply so I don't know how true they are, or whether they arose just because he dresses well and doesn't usually date white women (sad but true that for a portion of Americans, that would be enough to make them doubt his masculinity and therefore heterosexuality). Which kind of gets to my point - before this, a lot of the more conservative wing of NFL fans saw Travis Kelce as controversial, "beta", not sufficiently manly, despite the fact he is a champion football player. I know all of this sounds a little insane, please remember that these are the people electing Donald Trump and going after drag shows and banning books with LGBTQ+ people in them.

So, with that slightly more nuanced image of Travis Kelce, I think that makes the clearest takeaway from this weekend, at least for me, how extremely traditional all-American it was. Football player, blonde girl cheering in the stands with his mom, driving off in his convertible after the game, them making a point to correct the initial reporting that she had paid for people's meals so that he's the one renting out the restaurant for her. To be clear, this isn't really how Travis Kelce is normally seen, and already I've seen some hit tweets with people dunking on conservatives criticizing Kelce for being insufficiently manly by responding something along the lines of "uh, he won the Super Bowl and bagged the world's most famous pop star, I think he's doing okay" - so, reading between the lines, he's performed (specifically) white masculinity very successfully. And for Taylor, too, I think we've already seen a lot of people saying how she's finally with a "real man" - he's very tall, he's very athletic, he's American, I think a lot of the joking anti-Joe "he's got a real job" comments fall into this bucket as well. She is performing white American womanhood in a very specific way, a large part of which is that she's being framed as not the 'dominant' partner in the relationship in the way she was in her relationship with Joe (by virtue of their differences in wealth and success).

So I think this is re-orienting both of their images into a new, very traditional, Americana-inspired direction. I don't think this is a market Taylor has really gone after maybe since she moved into pop in the first place, but especially not in recent years, when she swung very hard into a much more urban liberal niche (basing herself more out of NYC and London than Nashville, associating herself musically and socially with people like the Haim sisters, Phoebe Bridgers, MUNA).

I don't think we can know exactly why she's leaning this direction yet, but if I had to guess it's more about the American documentary premiere. In Hollywood, typically for the biggest box office impact you want a "four-quadrant movie" - one that appeals to the four biggest demographic quadrants (male/female and under 25/over 25). Taylor Swift's fanbase skews female and young, with a solid presence over 25 as well, and like I said earlier, the NFL's fanbase skews male and over 25. I don't think showing up to a football game will make a bunch of NFL fans suddenly want to see her documentary on opening night, but it may make them more inclined to go see it with their girlfriends, wives, or daughters a few days later, instead of staying at home, and that would have a very big box office impact.

I also think she *might* be looking at the political optics, and wanting to not only move on from MH but also put herself in a kind of solidly centrist-liberal place (she likes good ol' American football but also the vaccine! she votes Dem but she's not one of those New York liberal elites, she eats chicken tenders with seemingly ranch! - truly seems like this is a couple tailor-made (or maybe Taylor-made ;) ) to appeal to swing voters), which I think is very much where she tried to position herself with Miss Americana as well and which seems relevant given her voter registration push recently and as we move into an election year. I'll be very interested to see if she does anything further politically, or says anything about politics in her documentary again. Between her voter registration effort and his Pfizer partnership and the timing of both, politics is actually the angle I'd bet on driving this.

hi! thank you for sharing these thoughts, it provides more context for everything! i do think it shapes her persona in the public eye, and it’s interesting to think how that might benefit her in ways other than a profit motivation

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thedailyjcs · 6 months

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The Shift: Pop to Indie Folk—A Taylor Swift Masterpiece

by Jerraine Sy & Jose Carlos Morata

"Folklore," an album written and released by Taylor Swift on July 24, 2020, showcases her versatility as an artist by exploring different genres, ranging from her signature pop sound to indie folk. She wrote this with her now ex-boyfriend, Joe Alwyn, Taylor spoke also about how they love writing sad songs, which they expressed in every song released with the "folklore" album." Then later announced after receiving the Grammy for the album that the pseudonym used “William Bowery” is Joe Alwyn. However, the reason why they did this hasn’t been clear by Taylor Swift or Joe Alwyn.

The whole album is a poetry itself—diving into various scenarios and mixed-up feelings of something you cannot really talk about upfront. It’s like a box of the unsaid things you want to say out loud but you don’t have the right words to explain it—thus, "Folklore" was created in a very poetic way of singing a song and storytelling prowess. The melody and the nostalgic feeling linger in every piece as it syncs with the heartbeat of sadness and heartbreak. Each song plays in a poetic and reflective way to explore both fictional tales and personal experiences in portraying a story, and it shows in these songs worth mentioning.

In her first track in the album "the 1," Taylor Swift traverses a difficult emotional terrain while considering the what-ifs and choices that she did not take in a past relationship. She explores the subtleties of lost love while expressing both acceptance and longing. Meanwhile, "exile" is a song of an unsettling duet with Bon Iver, that explores the fallout from a breakup by connecting the two points of view to convey emotions of longing and sadness. Then after, Taylor Swift draws inspiration for "epiphany" from her personal experiences during the COVID-19 pandemic and her grandfather's World War II experiences, offering a melancholic contemplation on trauma, resiliency, and hope. She addresses feelings of betrayal and disappointment resulting from a broken relationship in "hoax," the album's closing track, displaying her raw vulnerability and emotional depth.

Overall, the people loved and embraced the new genre of Taylor Swift, which is more of an indie folk and alternative style. Her album is now considered as one of her fan's national anthems for heartbreak, sadness, and pain. The success of "folklore" shows in the number of plays in music platforms and the impact she has put across many parts of social media.

#blog #photography #graphic design #taylor swift #music #folklore

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mariacallous · 8 months

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Though the Take Our Border Back convoy has largely been a mess so far as the small group makes its way toward the Texas-Mexico border, experts warn that it has acted as a lightning rod for militias, far-right extremists, and even long-dormant vigilante groups. It could reach a tipping point this weekend, as multiple rallies are planned against immigrants and the Biden administration along the border in Texas, as well as Arizona and California.

“Data we collected tells us emphatically that the standoff between Texas and the federal government has become a magnet for far-right vigilantism,” said Devin Burghart, the executive director at the Institute for Research and Education on Human Rights, during a press briefing on Thursday organized by the immigration reform group America’s Voice. “From the convoy steering committee on down, the protest comprises many of the same dangerous elements as the January 6 insurrection: militia members, election deniers, QAnon conspiracists, Covid deniers, and other hardcore far-righters.”

Those groups include the Proud Boys, neo-Nazi militias, and other vigilante groups. Last week, the Republic of Texas Proud Boys shared a post in its Telegram channel calling immigrants “brown immigrant invaders,” and the South Texas Proud Boys told followers to “grab your guns.” Meanwhile, the neo-Nazi Aryan Network issued a rallying cry in support of the Texas ‘resistance,’ asking for white men to join. In another post, the group added, “to hell with the United States of America.”

“The convoy itself has really inspired some of these more fringe, really extreme sects of the far right to engage in operations down in border states,” said Freddy Cruz, the program manager for monitoring and training at Western States Center, during the briefing. “Discussions around the convoy and just the convoy itself really animate extreme anti-democracy groups to go down to the border.”

The convoy had an inauspicious start; just 19 vehicles set out from Virginia on Monday, and within minutes some were lost. There has been paranoia and infighting within the small group, and a convicted pedophile showed up. But on Thursday night, when the convoy organizers held a rally at the One Shot Distillery and Brewery, owned by former US Army colonel Phil Waldron, who was a key figure in proposing plans that ultimately led to the January 6 insurrection, a different picture emerged.

Hundreds of people gathered at the event, which featured far-right speakers that included Chrisitan nationalist pastors calling for “drawing a blood line around Texas, around America.” Convicted January 6 insurrectionists threatened another insurrection. There were Covid deniers, Pizzagate adherents, and sovereign citizens. Former conservative news presenter turned conspiracy booster Lara Logan was also onstage, talking in graphic detail about child trafficking and the dark web. Michael Yon, one of the convoy promoters, screamed and ranted at the audience about how Jewish people were funding an NGO that works along the Texas border. He also claimed that Hamas and Hezbollah are coming across the border: “Allahu akbar, when you hear that shit, you better get ready, your thumb better be hitting that safety.”

Sarah Palin, the former governor of Alaska and the late senator John McCain’s 2008 presidential campaign running mate, introduced musician Ted Nugent, who called President Biden a “piece of shit.”

Elected officials were also present: Republican Texas state representative Carrie Isaac repeated the conspiracy about “terrorists at the border.” She was introduced onstage by Chris Burr, a board member of the Texas GOP.

Though tensions surrounding immigration have been simmering for a while, the most recent crisis was sparked earlier this month when the US Supreme Court lifted an order by a lower court and sided with the Biden administration to rule that Border Patrol agents could remove razor wire installed by the Texas National Guard and state troopers. Rather than stand down, Texas governor Greg Abbott, a Republican, replied in a letter that Texas has the right to “defend and protect” itself against an “invasion” of migrants, adding that this “is the supreme law of the land and supersedes any federal statutes to the contrary.”

The vast majority of the GOP has backed Abbott, including more than two dozen Republican governors, Speaker of the House Mike Johnson, and former president Donald Trump, who called for National Guard troops from other states to be sent to Texas.

The rhetoric from the right has continued to ratchet up. “This is an invasion from third-world countries,”Texas’ lieutenant governor Dan Patrick told Fox News. “They're coming here with health issues, they're uneducated, unemployed, and all they do is commit crime on the streets.”

Since the standoff began, there has been “an online explosion of invasion and great replacement rhetoric, the idea that white people are somehow being displaced intentionally with immigrants,” said Heidi Beirich, cofounder of the Global Project Against Hate and Extremism. “We've seen white supremacist and neo-Nazi groups all taking advantage of the standoff to push their propaganda and recruit new members.”

On Friday, the convoy will reportedly conclude in Quemado, Texas, and the Cornerstone Children’s Ranch, a humanitarian charity which provides food and support for low-income families in the US and across the border in Mexico. “The people that are coming here are doing a religious prayer for the border,” Lori Mercer, the director of the organization tells WIRED, adding: “We have to be peacemakers.”

The location was picked by Pete Chambers, one of the people organizing the convoy, who claims to be a former Green Beret. Last week, Chambers spoke with school-shooting conspiracist Alex Jones about how the convoy planned to travel to the border to hunt migrants in collaboration with sympathetic law enforcement. Other convoy organizers have said that the effort is “peaceful” and that they are not going to the border. But comments made by members of the group on livestreams, online videos, and in Telegram channels indicate that not everyone feels that way.

“We will engage decisively, and if it gets worse, in the infantry we call it ‘fix bayonets,’” Chambers told a pastor in one online video this week, adding: “That’s war, we don’t want to go there, but that’s where we’re at right now.”

On Saturday, the group will take part in a trio of rallies along the border: in San Ysidro, California; Yuma, Arizona; and Eagle Pass, Texas, the epicenter of the current standoff between Abbott and the Biden administration.

“They've discussed calling out militias or posses and needing to ‘show force,’” said Burghart. “One organizer, who is also a militia leader, even threatened, ‘We'll do whatever we got to do to put a stop to it.’ Leading border-conflict figures have also stated that their convoy is meant to pick up where January 6 left off. Moreover, they've amplified the specter of kicking off a second civil war.”

While it’s unclear what is going to happen over the weekend, there are already signs that the convoy and the standoff generally are activating long-dormant vigilante groups.

“Earlier this week, we did see vigilante group Women Fighting for America in Arizona livestreaming the group's expedition to try and track down a migrant camp in Arivaca, Arizona,” Cruz said. “Women Fighting for America have previously been on the border, but they took a two-year hiatus, and all of a sudden they're back on the border because the media is covering the convoy.”

In a video posted in the group’s Telegram channel, Christine Hutcherson, Women Fighting for America’s founder, is seen wearing night-vision goggles, talking about a camp run by a Catholic charity set in a remote part of the Arizona border region. “I’ve been here before a couple of years ago. They are housing migrants, illegals, mostly single adult males of fighting age. And we’re getting ready to go into this camp right now,” she alleged.

Experts are concerned about the impact of this kind of extremist rhetoric long term. “It’s important to keep an eye on how these types of efforts are successful in mainstreaming fringe far-right ideas and far-right groups into a much larger context,” said Burghart.

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acknowledge-reigns · 8 months

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Somebody truly had the nerve to say Roman has never had to deal with or wrestle with injuries/set backs in his career and that he "could never power through like C*dy did with his torn pec". First of all, comparing how these two athletes deal with injuries is big fucking weird but since we're going there and I take my role of #1 Joe Anoa'i defender to heart what I'm not about to do is let y'all set up here on this internet and make it seem as if my Tribal Chief ain't ever fought through shit because this man is a WARRIOR, do you hear me???

(HE'S A TWO TIME LEUKEMIA SURVIVOR SINCE Y'ALL MOTHERFUCKERS LIKE TO FORGET HE KICKED CANCER'S ASS TOO.) Generally speaking, not just that situation but in many others in Joe's life, some of your faves would have folded. (especially those two yt men that run from company to company when they don't get their way) . Really this ain't shade to C*dy, I give him his props for powering through injuries and shit too. Most of these superstars have. And saying some of them would probably fold (hell, I would. Most of us would.) Isn't saying they're weak. I'm saying Roman is a badass on a different level and you can argue with your momma or with the wall on that one, not me.

List of injuries/illnesses known to us throughout Roman's career -

Back + Hip injury 2023 (Sumerslam, v Jey Uso.)

Ruptured Ear Drum 2022 (Survivor Series, v Kevin Owens who surprised him with a spot that was not planned and resulted in the injury. There however is no bad blood between the two.)

Had COVID 2022 (https://www.espn.com/wwe/story/_/id/32974962/roman-reigns-wwe-biggest-star-tests-positive-covid-19-scratched-atlanta-event)

Lingering affects from COVID 2022 (due to being immunocompromised https://www.fightful.com/wrestling/roman-reigns-discusses-his-covid-experience-says-he-still-feels-chest-tightness)

Shoulder/Arm injury 2022 (Wrestlemania 38, v Brock Lesnar)

Reveals Leukemia treatment side effects (including Nausea and arthritis in arms and legs, mentioned in 2019 and 2020 interviews. Ex. https://www.leukaemiacare.org.uk/support-and-information/latest-from-leukaemia-care/inspirational-stories/roman-reigns-wwe-cml-and-me/#:~:text=Previously%2C%20Reigns%20revealed%20to%20the,in%20terms%20of%20being%20sick.)

Knee Injury 2019 (Hell in a cell tornado tag with Daniel Bryan, v Erick Rowan and Luke Harper.)

Second battle with Leukemia 2018

Eye injury, required stitches 2018 (after 6 man tag match on RAW https://www.wrestlingnewsworld.com/wwe/roman-reigns-gets-stitches-raw)

Shoulder injury + Cracked ribs 2017 ( RAW, v Braun Strowman)

Shattered nose + Surgery 2016 ( v Triple H. See attached article https://www.wwe.com/shows/raw/2016-02-22/article/reigns-surgery)

Needed stitches May 2016 (live show, see photos https://www.wwe.com/worldwide/gallery/roman-reigns-receives-stitches-in-melbourne-australia-photos#fid-40042095)

Head Injury that required staples 2014 (https://youtu.be/OYMce1GDiDc?si=KtbVybtoQVr7FKDL)

Emergency surgery for Hernia 2014 (which he wrestled for some time while dealing with, see WWE.com article herehttps://www.wwe.com/shows/nightofchampions/2014/roman-reigns-breaking-news)

This list does not include FCW injuries, football injuries or his 2007 leukemia diagnosis durring which he was unhoused with a child on the way. And these are just the instances we know of!

Say what you will about Roman in kayfabe but do not minimize the struggles Joe has been through or his resilience. And if you're a Roman "fan" buying into the the rhetoric that he hasn't faced any adversity then as my dear friend @love-islike-abomb says, Please "Go whistle in the woods". IYKYK.

Oh and while we all here...

Acknowledge him, Bitches ☝🏾☝🏾☝🏾☝🏾.

#i will defend joe anoa'i with my life #no shade tho to most of c*dy nation #but be so fuckin for real #roman reigns #the tribal chief #wwe roman reigns #head of the table #the head of the table #the only one #joe anoa'i #the bloodline

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bumblebeeappletree · 1 month

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youtube

Dulé Hill arrives in North Carolina to meet Joe Troop, the creator of “Latingrass” music. Joe and Venezuelan refugee, Larry Bellorín, are blending Latin folk with Appalachian bluegrass music to show music has no borders.

In Durham, North Carolina, Dulé Hill joins musical duo Larry & Joe for a family bar-b-que. Joe Troop grew up in Winston, Salem, North Carolina. Frustrated by the racism and xenophobia he witnessed in his hometown, Joe spent 14 years abroad, including a decade in Argentina. Inspired by the culture and sound while there, he combined the fundamentals of bluegrass with Latin-American folk music to create “Latingrass.” Joe toured with the Grammy-nominated band, Che Apalache, but when the 2020 Covid-19 pandemic shut down their tour operation, he at long last, returned home to North Carolina.

Larry Bellorín, a Venezuelan refugee, left a 25-year music career when he fled political persecution and came to America. Forced to work construction to provide for his family in the states, Larry feared he would never play music again professionally. When Joe Troop saw Larry play his Venezuelan harp online, the two met and discovered they were musical soul brothers. They quickly formed the duo, Larry & Joe. Today, they tour and live off their musical earnings, which has allowed Larry to quit his job in construction and return to his lifelong passion — music.

#PBS #solarpunk #music #north carolina #USA #venezuela #argentina #Dulé Hill #Joe Troop #Larry Bellorín #Latin folk music #bluegrass #Che Apalache #Youtube

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mikeywayarchive · 3 months

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Electric Century: My Chemical Romance's Mikey Way on Blending Music and Comics

The My Chemical Romance bassist reveals the inspiration for his new graphic novel.

BY MIKE AVILA

UPDATED: APR 28, 2021 2:06 PM

POSTED: APR 28, 2021 1:53 PM

Full interview under the cut:

Mikey Way is busier than ever.

Despite having many 2020 plans derailed by the pandemic, the former bassist for My Chemical Romance (and brother of lead singer Gerard Way) revived his musical project, Electric Century, and turned it into a multimedia outlet for his creative energies. The result is EC’s self-titled sophomore album which reunites Way with singer David Debiak, as well as a new companion graphic novel written by Way and Shaun Simon and illustrated by Toby Cypress, and published by Z2 Comics.

In an exclusive interview with IGN, Way opens up about the personal inspirations behind the GN, which tells the tale of a burnt-out former TV star who winds up trapped inside a hypnotic fever dream in mid-'80s Atlantic City. Way describes talked how his childhood in New Jersey and the immense fame he experienced during the My Chem era informed key aspects of the story.

The Origins of Electric Century

EC in many ways has been a lifeline for Way ever since MCR broke up in 2013. Meant to be the outlet for his and Debiak’s love of new wave and Britpop music, the first album came out just as Way checked into rehab in 2014. That scuttled any plans for touring with the album.

Now this one is out, and Way had some big ideas for taking the new record out on the road, in a way that would bridge the worlds of music and comics he’s constantly traveling between. Except, COVID-19 brought the world to a standstill.

“There were cool plans at San Diego Comic Con [in 2020] for this graphic novel,” Way says. “We were going to play at Comic-Con, too, and then, bam! The pandemic happened. This is maybe the second time that happened where we were planning to do an Electric Century show and it didn't happened. So it was like someone was telling me, “Am I not supposed to play a show?”

The writer-musician did like everyone else did; He adjusted to the restrictions of pandemic life. After discussions with Z2 Comics, it was decided to take a more organic and less calendar-timed approach to the release of the Electric Century GN. Available directly through Z2’s website , fans can either order the book separately or as part of a package with the album and other merchandise. It’s also available through other retail outlets.

"But we pivoted and we're going to do other different, cool stuff with it," Way adds. "And the cool thing about this project is there's no timeline. We’re just going to let this organically grow.”

Of course, 2020 was also when Way was supposed to be rejoining his brother Gerard and the rest of My Chemical Romance for the highly anticipated reunion tour. Like nearly all other musical tours, those plans have been put on hold while the world recovers from COVID, so there is no practical update for MCR’s return. Given the nature of such mega-band tours, lots of I’s must be dotted and T’s crossed before things can happen, so Way politely steers clear of tour talk.

With regards to Electric Century, however, he’s an open book. The graphic novel came into play as recording for the album was nearly complete. It was conceived to be a parallel creative journey to the music that exist independently of each other. Way credits some of the inspiration for the dual project to the hitmaking virtual band Gorillaz.

“I have a lot of respect for [Gorillaz co-creator] Damon Albarn, I'm a huge fan of all of his musical projects. He always thinks outside the box, and it was brilliant what he did with Gorillaz, where it was this fictional band and video projections and screens. So basically, my mind just went from there. I started listening to the album over and over and an old idea I had for a story kind of peeked out.”

The seeds for the story that would eventually see print in the graphic novel were planted in 2014, after Way had exited rehab for drug and alcohol abuse. Seeking different types of therapy to help with his recovery, he attempted hypnotherapy, where hypnosis is used to create a state of focused attention during which positive suggestions and guided imagery are used to help people deal with issues. That experience made a lasting impression on him, especially as a potential story.

“I kind of had the idea of writing a story where somebody goes through hypnotherapy but they actually get transported somewhere and they can't get back,” he says.

Who Is Johnny Ashford?

That’s how Johnny Ashford came to be.

Ashford is the alcoholic former sitcom-star who is the main character of EC. He sees a hypnotherapist who transports him to his “happy place,” which turns out to be the Electric Century casino in Atlantic City in the 1980s. The visits to the Boardwalk spark new obsessions and before long he realizes his life depends on figuring out how to escape the Electric Century.

Having grown up in the Garden State and visited Atlantic City often, Electric Century afforded Way the chance spend quality fictional time at a place he visited often as a kid. It also gave him a chance to tap into his familiarity with the pitfalls and pressures of immense fame, having experienced it during MCR’s halcyon days.

“I used some of my personal experience [for the book],” he admits. “But I also had a fascination with eighties child stars since I grew up in that time. You know, back in the eighties, celebrity was different. If you were famous, you were like, legit famous. Everyone knew who you were, but there was intrigue. The only information was what was in magazines or on television. There was no social media, nobody was willingly giving any information about their lives on a daily basis. So these people seemed larger than life.”

For young Mikey Way, the young stars of shows like Diff’rent Strokes and Charles in Charge seemed to be kids you'd hang out with after school. Which is what he did, coming home from school to watch reruns daily.

“And then at some point, as I got older, I saw the sad side of show business and how a lot of [child stars] get discarded. That always made me sad because they were so important to people.”

Nostalgia plays an important role in Electric Century. New Jersey landmarks like Lucy the Elephant, the oldest surviving roadside attraction in America, show up in the book. But the the remembrances are soaked in melancholy.

“I wanted to play upon everyone's natural inclination to be nostalgic about something,” Way says. “That concept fascinates me because I often think if you could walk through a tunnel and be in some other time in your past, would you love it still? Or would your perspective now be, “I'm not into this anymore.” I'm a 40 year old man now; how would I process Atlantic city in 1988? No idea.”

Even though the two Electric Century projects were designed to exist separately, the track “Alive” is a seamless fit to accompany the graphic novel. It’s a song that Way wrote about five years ago – it was originally meant to be on the first Electric Century record – and he considers it one of his best compositions. “It's kind of reminding you to be alive and be in the moment,” Way says of the song. “And I think that's something I'm guilty of not doing, I think everyone in the world is guilty of not doing. I like to think about that when I hear that song to, you know, snap out of it, live in the now and stop worrying about where you've been.”

What's Next After Electric Century?

Way has several comics-related assignments in various stages of development. Up next is a story he’s writing with his big brother Gerard for the graphic novel tribute to the Anthrax album Among The Living, which Z2 is releasing on May 12. He also couldn’t contain his excitement over one project. “I’ve got something that I'm very excited about that I'm working on right now,” he says. “I don't know where it's going to end up. We're talking to some places, but it will be very cool.”

Finding himself at this stage in life where writing comics is such a big part of his life isn’t some fluke. Way doesn’t view comics as just a fun side project to do in-between albums and tours. Like his brother, comics have been a part of his life longer than music.

“I’ve been a fan almost the entirety of my life,” he says. “When I was three, four years old, I was thumbing through comic books at the barber shop, learning how to read from comic books, because I wanted to know what they were saying instead of just asking, “Gerard, what does this say?””

The Way Brothers became hooked on comics with titles like Superman, Spider-Man, Captain America and other superhero series. But for Mikey, G.I. Joe was a major influence. He not only enjoyed the stories but studied the format and how the story unfolded over 22 pages. When it came time to do his first full-length comic, Collapser for DC Comics’ Young Animal imprint, he took the same approach he had when MCR was formed. And he’s continuing to work at the craft.

“I was a super amateur guitar player-turned-bassist for My Chemical Romance and it was something I just had to practice,” Way says. “That's kind of what is going on with me and comic books now. I'm learning from all my peers that are top-tier professionals.”

Some of the comics pros Way reaches out to for advice include DC’s Chief Creative Officer and comics legend Jim Lee.

“Jim was somebody who was very instrumental in my comics career. He'd come to me numerous times and be like, 'When are you going to write a comic?' That's kind of how Collapser came about.”

He admits to being afraid to make that jump into comics, for a number of reasons.

“I was busy a lot and I'm a bad multitasker, so I always just kind of pushed comics to the side,” he says. “I would write stuff out. But when My Chemical Romance broke up, Jim had mentioned to me, 'When are you going to do this?' And then I pitched him something, which turned out to be Collapser.”

As he continues to sharpen his comic book storytelling chops, Mikey Way is also trying his hand at yet another skill: Cooking. Being on lockdown during the pandemic motivated Way to apply his creativity to the kitchen.

“Cooking is a new thing for me. For the whole duration of My Chemical Romance, I think I ate breakfast, lunch and dinner at a restaurant. Even when I was home, I would just eat out, or I would order takeout.”

“It’s definitely fun, but it's difficult. It's very, it's very difficult,” he continues. “There's a learning curve, but my family is very encouraging to me in my endeavors. But yeah, I'm a novice. A true novice.”

Electric Century is available in bookstores now.

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mikefaistinfo · 4 months

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Interview: Mike Faist Isn’t Sure About This Whole Acting Thing

“I can’t tell if I hate acting or if I love it too much,” he said ahead of the debut of the Amazon series “Panic.” Coming soon, a major role in Steven Spielberg’s “West Side Story.” For now, he’s going to Ohio.

By Elisabeth Vincentelli Published May 27, 2021

Tall and lanky, looking as if he were born wearing Wranglers, Mike Faist cuts quite a striking figure in the Amazon Prime series “Panic”: His character, Dodge Mason, is a Stetson-wearing rodeo dude who breaks untamed horses, then soulfully gazes into their eyes.

That, however, is not at all how the character was written in the Lauren Oliver young adult novel that inspired the show, debuting Friday, in which Dodge and a dozen other small-town teenagers face off in a series of life-threatening challenges — think a naturalistic “Hunger Games” with more class war.

After shooting a pilot in 2018 in upstate New York (where the book is set), the production completely rebooted in Austin, Tex., a year later, and Dodge’s back story was changed to better fit the new locale. Suddenly, the school wimp who was interested in cards and magic had been turned into a Western archetype: the strong, do-right loner who doesn’t say much. Faist went with the flow.

“Ciphers can be really boring,” said Oliver, who also wrote the screenplay, “but he manages to capture the power inherent in a certain level of invisibility.”

Dodge is quite a departure for Faist, who is best known for his Tony-nominated performance as the tormented, cynical Connor Murphy in the Broadway musical “Dear Evan Hansen.” Blessed with a rangy charisma and a bone structure that appears to have been carved with a scythe, the actor, now 29, could have easily coasted in “Panic.” But his sensibility is closer to that of such atypical leading men as Adam Driver, and he modernizes a potentially boilerplate part.

“Mike really didn’t want to be a caricature, but I don’t think he ever could be,” said Jessica Sula, who plays Natalie, Dodge’s love interest in “Panic.” She recalled that when shooting resumed in Texas after a Covid-19-imposed pause, Faist chose to live in a trailer on a plot of land with his rescue dog, Austin.

“He’s just so fabulously ridiculous and wonderful,” she said of Faist, laughing fondly.

Faist’s own course has been ascendant since he dropped out of acting school at 18, and his plum role in Steven Spielberg’s highly anticipated “West Side Story” as Riff, the leader of the Jets, should put him on Hollywood’s speed dial when it debuts in December. (Shooting wrapped in September 2019.)

And yet the actor spent much of a recent conversation candidly admitting to ambivalence and incertitude. He spent some of the past year driving around the country with Austin and writing a screenplay. He has been turning down offers and is now selling his Brooklyn apartment and heading back to Ohio.

Faist was warm and laid back on a recent sunny morning in Park Slope, and he laughed a lot in what seemed to be protective self-deprecation as he pondered his future, professional and otherwise. These are edited excerpts from the conversation.

How did they spring the new Dodge on you?

It was still the same elements in terms of, “Oh, here’s the new guy,” but instead of, like, a weird magician, he’s now a … cowboy? I was like, “What do you mean, I’m now a cowboy?” They were like: “Yeah, yeah, you’ll be fine. Maybe try an accent.”

You do look pretty comfortable playing a horse whisperer.

I’d never worked with a horse in a production before. There were two of them: a very calm, gentle horse and a skittish one. We just ended up working with this skittish horse because it was actually doing stuff. The scene where the horse moves toward me was not planned or choreographed at all. They are, you know, unpredictable.

It might have been less intimidating than a sex scene. Is the one with Jessica Sula your first as an actor?

Maybe. I don’t know.

Wouldn’t you remember?

You’d think! I did do a romantic scene [onstage] in “A Month in the Country” with Taylor Schilling. I remember getting a pretty [expletive] review. [Laughs.]

Since the fall of 2018, you’ve gone back and forth between “Panic” and “West Side Story.” How did you handle these very physical projects?

For “West Side,” I found these Bruce Davidson photos of Brooklyn gangs from the late ’50s. If you look at their photos, these guys are emaciated, they have tattoos, and they look wired. Any money they had, they would pool and buy cheap wine and maybe they would have French fries or something. Then they were doing drugs. So I was like, “I need to lose some weight.” But my body was totally breaking down. Then I tried to bulk up as much as possible for “Panic” — just eating potatoes.

Did you do any kind of special training?

I started going to the Mendez boxing gym in Manhattan for “West Side.” I was working with John Rosado, who was raised in New York, Puerto Rican, badass. He was like, “I can’t believe I’m training a Jet!”

Your first big job was in the Broadway musical “Newsies,” which is quite dance heavy. Still, was it daunting to audition for “West Side Story”?

I put together a tape, and then they said, “We want you to come back in and dance.” I was like, “Is there any way you could not have me dance?” They were like: “What are you talking about? This is ‘West Side Story’!” The only saving grace is that Justin Peck [the choreographer] and I have similar body types: tall, nothing but arms and legs. They had their work cut out for them in order to get me up to snuff.

Why aren’t you in the upcoming “Dear Evan Hansen” movie alongside your former co-star Ben Platt?

I feel like I couldn’t do it. I started that when I was, like, 21, and was with it for five or six years. When you’re doing eight shows a week, it very much turns into relying on your technique and the job of it. And the show was such a zeitgeisty thing. It really took a lot out of me, and I didn’t really have it in me anymore.

With “Panic” and “West Side Story” behind you, what are you lining up?

Maybe this is so pretentious, but “West Side” was everything I had ever hoped to accomplish as an actor. It’s really crazy, but it was transcendental: either I didn’t feel like I was myself, or I was the most authentic version of myself. I can’t really tell which one. Having gone from having no money, wanting to just be a working actor — I don’t want to just be a working actor anymore. I had that experience. It [expletive] me up.

What did?

“West Side,” in the best of ways. I can’t unsee what I’ve seen. The pandemic nearly killed us and — what, I just want to be an actor? That’s ridiculous. [Laughs.] I don’t care enough. It’s a weird thing: I can’t tell if I hate acting or if I love it too much. It’s not like I don’t plan on doing it. I just don’t want to follow the trajectory of what the industry wants me to do.

Which is what?

Put on a cape and wear a mask. I need to take more agency because no one’s going to do it for me. It’s tricky, but it’s interesting and pretty exciting. I’m going to hang out with my family in Ohio and then start to figure out where I’m going to go. I would like to ultimately be of service and of use; that’s when I feel at my best.

You can find here: https://www.nytimes.com/2021/05/27/arts/television/mike-faist-panic-west-side-story.html

#mike faist #interview #2021

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queen-of-the-avengers · 1 year

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Taken Under His Wing

Pairing: Steve Rogers x Teenager!Reader

Word Count: ~1.1k

Warnings: fluff

Request by anon: Platonic (Big bro figure steve x teen reader) In the middle of quarantine everyone is bored or doing their thing like bruce and tomy joining in to help make a vaccine, wanda and vision trying dishes . Little miss y/n thought its a good idea to do cosplay this time its her brother figure Steve she sneakily used his sheild when she finished her cosplay suit inspired by him . Steve was finished doing his workout routine he plans on sketching with y/n only to find shes not there So is his sheild his eyes went wide and ran to her room only to see her posing for a pic and her cosplay she made is seen. Steve is amazed and chill . He and peter showed her comic con a year after she was free from stryker (shes a mutant with fire manipulation) he sneaked behind her and lol got shy" sorry steb had to complete the cosplay 🥹"

Summary: While stuck in quarantine, everyone does their own thing. Being the youngest Avenger with a power you can't control means you get to stay in a lot. Somehow, you find things to keep you occupied.

Squares Filled: social media (1) for @happystevebingo

Author’s Note: any and all comments are appreciated <3

Life use to be freeing. You used to be able to go outside and enjoy the breeze on your skin along with millions of other people. Beaches would be filled to the brim with families, couples, and people who wanted to enjoy the warm water. Stores would be packed with people trying to get their groceries before the end of the day. Life used to be whatever you wanted it to be.

That is before COVID-19 hit.

The entire world was on lockdown. People weren't allowed to go to public places without a mask, only a certain amount of people were allowed in stores, a lot of items were suffering from a shortage because of hoarding, and a lot of people were stuck at home with nothing to do. Food delivery services, online stores, and YouTube have become the future for most people.

For you, it was hell. Crime had gone down significantly since people were scared to go outside for fear the virus would get them. There was no need for the Avengers to save people as often as you did before the virus.

Most of the Avengers all in one place with nothing to do equals a lot of bad things. Tony and Bruce got to work in the labs to see what kinds of things they can create without having another Ultron incident, Wanda and Vision are in their lover phase, Bucky and Sam are seeing how much shit they can stir without getting yelled at by Tony, Natasha and Clint are busy relaxing since they don’t get that luxury often, and Steve is training and working out since he never knows when a mission will come up.

You’re just trying not to get in anyone’s way. You’re the youngest Avenger even with Peter on the team. He’s fifteen and you’re slightly younger at the same age. He’s a few months older than you are, so everyone saw you as the baby of the team, but you don’t feel like it. Alongside Pietro and Wanda, you were part of Stryker’s experiments. You three were the only ones that survived and the only ones that mattered to him.

Wanda got the magic, Pietro got the speed, and you got the fire but unlike the twins, you weren't taught how to use your powers. You always failed every single one of Stryker’s tests and he’d often pick on you. Wanda was the only one who stuck up for you and helped you so when her brother died, you two became even closer.

She’s your best friend and you don’t know what you’d do without her. She’s the reason why you were allowed on the team even though you had no idea what you were doing. Everyone has been so nice toward you since you arrived, especially Steve. He’s the one who you grew attached to outside of Wanda.

You’re not allowed on the big missions but you can go on the small ones with other Avengers. You have to be able to practice your powers in and out of a controlled environment. It’s usually with Wanda so she can use her magic to contain your fire if you ever get out of hand, but you’ve been practicing a lot recently so you feel confident to go on some alone.

You know, if the world ever goes back to normal.

You and Peter often send each other videos of things you two find on TikTok to make each other laugh and one of the things you got really into is Comic-Con. You’ve never been to a convention like that but you’d like to go and dress up and experience your favorite characters with people who love the same characters. They even have an Avengers Con where people can dress up like their favorite superhero and hopefully catch a glimpse of the real hero. Tony, Peter, Thor, Sam, and Clint love going to those places to meet fans and try to fool others by wearing their costumes. The rest tend to stay out of the limelight.

If you were to ever go to one, you’d love to dress up like Captain America after the man who took you under his wing.

Speaking of the Captain, he’s in the training room focusing on bettering his moves and gaining more muscle like he needs it. He’s been training all week like he has someplace he needs to be, and he’s about to start another set when he remembered what he promised you at the beginning of the week. You love drawing, sketching, and painting and Steve has always wanted to learn how to do that. He said he’d sit down and draw with you if you taught him how to be better at it.

He leaves the gym and showers quickly so he can have the rest of the day with you. He checks the kitchen first and finds Wanda and Vision trying to cook. The kitchen is a mess with food ingredients covering the entire kitchen island.

“We’ll clean this up,” Wanda giggles when she sees Steve’s look.

“Where’s Y/N?”

“Last I saw she was in her room.”

“Thanks.”

He has to pass by his room to get to yours and he pauses by his door when he notices something missing. He sees the spot where he keeps his most prized possession which isn’t there. He continues on his way to your room where he finds you in the corner wearing a homemade Captain America costume. You’re looking at yourself in the mirror with the shield in front of you. You’re kind of struggling to keep it upright since it’s very heavy for someone like you. Steve has all these muscles that can carry things like these, which you’ve always been envious of that.

You look over the details of your costume and notice Steve standing by the bedroom door. You gasp and drop the shield on the ground while trying to figure out an excuse as to why you have it.

“I was just--you weren't using it--I figured--”

“Y/N, calm down,” Steve chuckles.

“I needed it to complete the look.”

“You look good. You did a good job. It looks a lot like mine.” You grin proudly at him and allow him to take his shield back. “I thought we were going to draw.”

“We were and still are. I wanted to try this on. I’ve been working really hard on it. Do you think it’s good enough for Comic-Con?”

“Yeah, but who knows when Comic-Con is going to be available again. What we can do now is draw.”

“Yeah, you’re right. I promise not to burn the canvasses this time like last time.”

“I don’t know, the charred edges made it look better,” Steve smiles.

He wraps his arm around your shoulder and gives you an encouraging smile. You couldn’t ask for a better mentor than him.

Follow my library blog @aqueenslibrary where I reblog all my stories, so you can put notifications on there without the extra stuff :)

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