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lesparaversdemillina · 1 year

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Le dernier vol de Julie Clark

Citation : « — Les gens ne verront jamais ce que moi, je vois, ai-je fini par lâcher.— Tu le crois vraiment ?— À ton avis, si Carolyn Bessette avait accusé John Kennedy Jr de l’avoir frappée, est-ce que le pays se serait mobilisé pour elle ?— Tu plaisantes ? On vit dans l’ère #MeToo ! s’est exclamée Petra en écarquillant les yeux. À mon avis, les gens se battraient pour être les premiers à la soutenir, et CNN et la Fox enchaîneraient les éditions spéciales.J’ai ri avec amertume. — Dans un monde parfait, je ne laisserais pas Rory s’en tirer à si bon compte, seulement je n’ai pas la force de me lancer dans un tel combat, qui durerait des années. On fouillerait dans les moindres recoins de ma vie, et tout ce qui pourrait m’arriver de positif par la suite serait terni. Tout ce que je veux, c’est être libérée de cette situation. De lui. » Mon avis : Le speech sur la couverture m’avait fait penser à une narration à deux voix. Un chapitre avec le point de vue de Claire, et un chapitre avec celui d’Eva, mais pas du tout ! Le roman est clairement centré sur Claire Cook avec son point de vue. Eva prend la parole, mais plus rarement, car elle est l’ingrédient mystère. La vie qu’elle mène est le mystère à élucider. Claire Cook est une femme à fleur de peau. Elle fait attention à chacun de ses gestes. Elle se sent surveillée. Le moindre retard est reporté à son mari par son assistante. Le moindre mot de travers peut déclencher la fureur de son mari Rory Cook. Les colères de son mari sont une hantise. Elle a peur. Elle essuie les coups. Elle les cache sous des pulls cols roulés à manche longue. Personne ne se doute. Elle n’a plus d’amis, Rory s’est arrangé pour les faire fuir ou elle s’est éloignée. Le personnel de Rory ferme les yeux. C’est tellement plus simple. Rory en homme influent prépare sa candidature au sénat. L’opinion publique est favorable à sa candidature. Elle le soutient. Il est beau, charismatique, il s’occupe lui-même de donner de l’argent aux associations pour enfant malade. Qui pourrait croire à l’enfer domestique que vit Claire ? Cette vie publique est un autre démon, une cage qui se referme sur elle. Claire prépare sa fuite. Tout est chronométré. Elle a mis de l’argent de côté, elle s’est fait fabriquer des faux papiers. Tout doit lui être envoyé à San Diego où se tiendra le meeting pour la fondation Cook. Bref, elle est prête. Seulement son mari bouscule ses plans. Il part à San Diego à sa place. Sa lettre de rupture est déjà partie par la poste avec les papiers d’identité l’attende à San Diego dans sa chambre d’hôtel. Que faire ? S’échapper sans papier ni argent, est-ce seulement possible ? Elle est au beau milieu de tout ça, quand elle fait la connaissance d’Eva. Que fuit cette mystérieuse inconnue ? Comment peut-on envisager d’échanger votre carte d’identité avec une inconnue ? Eva est-elle poursuivie ? Si oui, Claire sera-t-elle en sécurité ? Je l’ai dévoré. Addictif et plein de suspense ! Ce chassé-croisé aura eu le mérite de me sortir de ma panne de lecture. La trame est efficace, le suspense quant à cette mystérieuse Eva et le dénouement se maintient bien sans excès de rebondissement. Le rythme instaure une tension et une attente. J’ai tourné les pages avec la crainte que Rory retrouve Claire et en même temps envie qu’elle puisse vivre au grand jour sans le craindre. Le doute plane. L’issue n’est pas évidente et surtout la surprise est de la partie. En bref, un thriller haletant et alléchant qui nous entraîne dans une fuite en avant prenante et fort plaisante. Un livre à dévorer au coin du feu avec un bon thé et un plaid. ★★★★★★★★ D'autres avis : les voyages de Ly https://www.instagram.com/p/CnHGkvzjkD6/?hl=fr Read the full article

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alexlacquemanne · 2 years

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Octobre MMXXII

Films

Les Acteurs (1999) de Bertrand Blier avec André Dussollier, Jacques François, Sami Frey, Jean-Pierre Marielle, Michel Piccoli, Claude Rich et Josiane Balasko

Histoire vraie (1973) de Claude Santelli avec Pierre Mondy, Marie-Christine Barrault, Denise Gence, Claude Brosset, Isabelle Huppert et Danielle Chinsky

Le Passager de la pluie (1970) de René Clément avec Marlène Jobert, Charles Bronson, Annie Cordy, Jill Ireland, Ellen Bahl et Steve Eckhardt

Les hommes préfèrent les blondes (Gentlemen Prefer Blondes) (1953) de Howard Hawks avec Jane Russell, Marilyn Monroe, Charles Coburn, Tommy Noonan et Elliott Reid

De l'or en barres (The Lavender Hill Mob) (1951) de Charles Crichton avec Alec Guinness, Stanley Holloway, Sydney James, Alfie Bass, Marjorie Fielding et Audrey Hepburn

La Gueule de l'autre (1979) de Pierre Tchernia avec Michel Serrault, Andréa Parisy, Jean Poiret, Bernadette Lafont, Curd Jügen, Roger Carel et Georges Géret

Invasion of the Body Snatchers (1956) de Don Siegel avec Kevin McCarthy, Dana Wynter, King Donovan, Carolyn Jones et Larry Gates

Simone, le voyage du siècle (2022) d'Olivier Dahan avec Elsa Zylberstein, Rebecca Marder, Élodie Bouchez, Judith Chemla, Olivier Gourmet, Mathieu Spinosi et Sylvie Testud

Adieu l'ami (1968) de Jean Herman avec Alain Delon, Charles Bronson, Olga Georges-Picot, Brigitte Fossey, Bernard Fresson et Jean-Claude Balard

Itinéraire d'un enfant gâté (1988) de Claude Lelouch avec Jean-Paul Belmondo, Richard Anconina, Marie-Sophie L., Jean-Philippe Chatrier, Lio, Daniel Gélin et Béatrice Agenin

Joyeuses Pâques (1984) de Georges Lautner avec Jean-Paul Belmondo, Sophie Marceau, Marie Laforêt, Rosy Varte et Michel Beaune

À bout portant (The Killers) (1964) de Don Siegel avec Lee Marvin, Angie Dickinson, John Cassavetes, Clu Gulager, Claude Akins, Norman Fell et Ronald Reagan

Détective Conan : Le Gratte-Ciel infernal (Meitantei Konan: Tokei shikake no matenrō) (1997) de Kenji Kodama avec Claudine Grémy, Philippe Valmont, Nayeli Forest, Gérard Malabat et Cyrille Monge

Les Guignols de l'info : La Fiction (1999) de Bruno Le Jean avec Yves Lecoq, Daniel Herzog, Sandrine Alexi, Nicolas Canteloup, Joël Demarty et François Jerosme

Les Trois Jours du Condor (Three Days of the Condor) (1975) de Sydney Pollack avec Robert Redford, Faye Dunaway, Cliff Robertson, Max von Sydow, John Houseman et Addison Powell

Le Bruit des glaçons (2010) de Bertrand Blier avec Jean Dujardin, Albert Dupontel, Anne Alvaro, Myriam Boyer, Christa Theret et Audrey Dana

Burn After Reading (2008) de Joel et Ethan Coen avec George Clooney, Frances McDormand, Brad Pitt, John Malkovich, Tilda Swinton et Richard Jenkins

Antoinette dans les Cévennes (2020) de Caroline Vignal avec Laure Calamy, Benjamin Lavernhe, Olivia Côte, Louise Vidal, Marc Fraize, Jean-Pierre Martins et Lucia Sanchez

La Soif du mal (Touch of Evil) (1998) d'Orson Welles avec Charlton Heston, Janet Leigh, Orson Welles, Akim Tamiroff, Joseph Calleia et Marlene Dietrich

Cinema Paradiso (Nuovo Cinema Paradiso) (1988) de Giuseppe Tornatore avec Philippe Noiret, Salvatore Cascio, Marco Leonardi, Jacques Perrin et Leopoldo Trieste

Séries

Doctor Who Series 13

Survivants du flux - Les conquérants - The Power Of The Doctor

Le Coffre à Catch

#84 : Chavo et CM Punk c'est la bagarre!! - #85 : Kelly Kelly fait du bon catch : Info ou Intox? - #86 : Le Nature Boy de passage à la ECW ! - #87 : Le meilleur Triple Threat de la ECW ?

Affaires sensibles

Qui a peur de Belphégor ? - 1984, George Orwell - Épisode 1/2 : L'affaire Dreyfus : au fond de la corbeille - Épisode 2/2 : L'affaire Dreyfus : l'innocent le plus célèbre de France - Farewell : l'espion qui a fait basculer la guerre froide - L'OVNI de Roswell et le mystère de la Zone 51 - L'Exorciste de William Friedkin, Belzébuth superstar - Le fantôme du château de Veauce

Graffiti 80

Le premier salon du changement (1981-1983) - Coulez le Rainbow Warrior (1984-1985) - Touche pas à mon poste (1986-1987) - A l'Est du nouveau (1988-1989)

Rex, Chien Flic Saison 5, 6, 7, 8

Le testament - Secrets fatals - Sissi - Série noire - Le secret des cartes - Le brésilien - Le faux coupable - Le cheval qui valait des millions - Plein gaz - Clichés tragiques - Héritage empoisonné - Mauvaises actions - À la dernière seconde - On n'embrasse pas les policiers - Et la mort frappa deux fois - Le petit chien - Hold-up - Œil pour œil - Les cachets

Dark Side of The Ring Saison 3

Le Procès des stéroïdes

Brooklyn Nine Nine Saison 1, 2, 3, 4, 5

Halloween - Halloween II - Halloween III - Halloween IV - Halloween V

Spectacles

L'Exoconférence (2014) d'Alexandre Astier

Livres

Des rives humaines de Delphine Evano

Bilbo le Hobbit de J.R.R. Tolkien

(III) et tes soupirs entre les draps de Celle qui aimait

Kaamelott Tome 8 : L'antre du Basilic de Alexandre Astier et Steven Dupré

Détective Conan : Tome 2 de Gôshô Aoyama

Marvel, les années 2000 : Tome 3 : Black Widow de Scott Hampton et Devin Grayson

Contes et légendes mythologiques de Emile Genest

Hitchcock présente : Histoires angoissantes

#mediatheque #octobre22

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mimesisfigural · 3 years

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Bibliografía

Baxandall, Michael. “Alberti y los humanistas: la composición” en Giotto y los oradores. La visión de la pintura en los humanistas italianos y el descubrimiento de la composición pictórica (1350-1450). 2 ed. Traducción del inglés de Aurora Luelmo; del latín de Antonio Gascón; del griego de Luis M. Macía. Madrid: La balsa de la Medusa, 2010.

Borgo, Francesca. “Leonardo legge Vitruvio.” En Leonardo e Vitruvio. Oltre il cerchio e il quadrato. Venezia: Marsilio Editori, 2019.

Burke, Peter. “Del Renacimiento a la Ilustración” en Comprender el Pasado: Una historia de la escritura del pensamiento histórico, editado por Aurell et al.

Black McHam, Sarah. “Pliny’s Influence on Vasari’s First Edition of the “Lives”.” Artibus et Historiae 32, n° 64 (2021), 9-23.

Cast, David J. (ed.) The Ashgate Research Companion to Giorgio Vasari. Burlington: Ashgate, 2014.

Clarke, Georgia. “Vitruvian Paradigms”. Papers of the British School at Rome 70 (2002), 319-346.

Cunnally, John. “Leonardo and the Horses of Nero”. The Burlington Magazine 130, n° 1026 (1988), 689-690.

Didi-Huberman, Georges. “La Imagen-matriz. Historia del arte y genealogía de la semejanza.” En Ante el tiempo. Historia del arte y anacronismo de las imágenes [2000]. Traducción de Antonio Oviedo. Buenos Aires: Adriana Hidalgo editora, 2011.

Forty, Adrian. “First translation of Vitruvius’ De Architecture in Italian” en Treasures form UCL, editado por Gillian Furlong.

Ginzburg, Carlo. “Huellas. Raíces de un paradigma indiciario”. Mitos, emblemas, indicios. Morfología e historia. Barcelona: Gedisa, 1989.

Gombrich, Ernst. “Tradition and Innovation: The Later Fifth Century in Italy” y “Harmony attained: Tuscany and Rome, Early Sixteenth Century” en Story of Art.

Halliwell, Stephen. The Aesthetics of Mimesis: Ancient Texts and Modern Problems. Princeton y Oxford: Princeton University Press, 2002.

Hardwick, Lorna and Classical Association. Reception studies. Oxford: OUP, 2003.

Land, Norman E. “Leonardo da Vinci and Apelles”. Notes in the History of Ar 25, n°2 (2006), 14-17.

Martínez, J. Rafael. “Acordes vitruvianos en Leonardo”. Interdisciplina 8, n°21 (2020), 47-74.

Porter, James I. “Disfigurations: Erich Auerbach’s Theory of Figura.” Critical Inquiry 44 (2017), 80-113.

Russell Ascoli, Albert (Editor). “Boccaccio’s Auerbach: Holding the Mirror up to Mimesis” en A Local Habitation and a Name: Imagining Histories in the Italian Renaissance. Nueva York: Fordham University Press, 2011.

Sverlij, Mariana. “Retórica y arquitectura: De Re Aedificatoria de Leon Battista Alberti”. Rétor 4, n°2 (2014), 200-219.

Yerkes, Carolyn. "Building in Theory and Practice" en A Companion to Renaissance and Baroque Art, editado por Babette Bohn y James Saslow. Chichester: Wiley-Blackwell, 2013.

Zak, Gur. “Humanism as a Way of Life: Leon Battista Alberti and the Legacy of Petrarch”. I Tatti Studies in the Italian Renaissance 17, n°2 (2014), 217-240.

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aion-rsa · 3 years

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The Cinematic Legacy of Lupin: Arsène Lupin’s Live-Action Filmography

https://ift.tt/2ToNPSY

When Netflix premiered the first season of Lupin last January, 70 million sheltered-in-place households ravenously binged it, making the series the most-watched non-English show for its premiere month on the streamer so far. Lupin steals a page from French literature. The hero of Lupin, Assane Diop (Omar Sy) is inspired by France’s iconic ‘Gentleman Thief’ Arsène Lupin, a fictional figure created by French writer Maurice Leblanc in 1905.

Lupin was the subject of some two dozen books by Leblanc, who continued adding into his literary franchise until well into the 1930s. Akin to Robin Hood, Lupin stole from the rich, and often did good deeds despite his thieving capers. He was a master of deception and disguise, a lady killer who always operated with a classy panache. With a legacy spanning more than a century, there have been plenty of live-action depictions in film and TV.

The First Lupin Films are Over a Hundred Years Old

The earliest cinematic portrayals of Lupin were in black and white, and many have been lost. One of the very first was a U.S. production, a short film titled The Gentleman Burglar in 1908. William Ranows, a veteran of over sixty films, played Lupin. It was directed by one of the first film directors ever, Edwin Porter, who worked for Edison.

Leblanc was a contemporary of Sir Arthur Conan Doyle, the creator of Sherlock Holmes. Consequently, Holmes appears in a few Lupin stories. Doyle took legal action against Leblanc, forcing the name change in Lupin stories to the thinly disguised ‘Herlock Sholmes.’ As Holmes is loved by the British, Lupin is cherished by the French, and both characters became global icons. Consequently, among the many film and TV adaptations, several that depicted their rivalry regardless of copyright issues. In 1910, a German film serial titled Arsène Lupin contra Sherlock Holmes starred Paul Otto as Lupin and Viggo Larsen as Holmes (Larsen also served as director.) There were allegedly five installments in the series, but they’ve all been lost.

France produced Arsène Lupin contre Ganimard in 1914 with Georges Tréville as Lupin (Inspector Ganimard was constantly on Lupin’s trail). The silent film Arsène Lupin came out of Britain in 1916 with Gerald Ames in the titular role, followed by more U.S. productions: Arsène Lupin (1917) starring Earle Williams, The Teeth of the Tiger (1919) with David Powell, which is also lost, and 813 starring Wedgwood Nowell. 813 was the title of Leblanc’s fourth Lupin book.

Lupin and the Barrymore Clan of Actors

The legendary thespian John Barrymore played Lupin in 1932’s Arsène Lupin. He took on the role under one of Lupin’s aliases, the Duke of Charmerace. His brother, Lionel Barrymore, played another Lupin nemesis, Detective Guerchard. Given the illustrious cast, this is a standout Lupin film, although there isn’t a shred of Frenchness in Barrymore’s interpretation. Coincidentally, John Barrymore also played Holmes in Sherlock Holmes a decade earlier. He is also the grandfather of Drew Barrymore.

Barrymore’s Arsène Lupin revolved around the theft of the Mona Lisa from the Louvre. Historically, the Da Vinci masterpiece was stolen in 1911 and recovered in 1913. This inspired a Lupin short story, a parody akin to early fanfiction that was not written by Leblanc. In 1912, mystery writer Carolyn Wells published The Adventure Of The Mona Lisa which imagined Holmes and Lupin to be part of the International Society of Infallible Detectives alongside A. J. Raffles, Monsieur Lecoq, and other crime-solving luminaries. Barrymore’s Arsène Lupin does not retell this tale, but the theft of the Mona Lisa comes up again in other Lupin films because it’s France so robbing the Louvre is a common plot point. Netflix’s Lupin begins with Diop’s heist of the Queen’s necklace from the Louvre, an Easter egg referring to Leblanc’s original Lupin short story, ‘The Queen’s Necklace’ published in 1906.

The ‘30s delivered two more Lupin films. The French-made Arsène Lupin detective (1937) starred Jules Berry as Lupin and the American-made Arsène Lupin Returns (1938) with Melvyn Douglas who was credited under another Lupin alias Rene Farrand (Lupin has a lot of aliases). Despite being a completely different production, Douglas’ film was an attempt to capitalize on the success of Barrymore’s film as both films were from MGM. Universal Studios entered the fray soon after with their version Enter Arsène Lupin (1944) starring Charles Korvin. The following year, the Mexican-made Arsenio Lupin (1945) featured Ramón Pereda as the French thief. That film also starred José Baviera as Sherlock.

The Early Japanese Lupin Adaptations

Lupin captured the hearts of the Japanese. Ironically, Japanese speakers have a difficult time pronouncing ‘L’s so Lupin is usually renamed as ‘Rupan’ or ‘Wolf’ (Lupine means wolf-like – remember Remus Lupin from Harry Potter). As early as 1923, Japan also delivered a silent version of 813, retitled Hachi Ichi San, starring Komei Minami as the renamed Lupin character of Akira Naruse.

In the ‘50s, Japan produced 3 films that credit Leblanc: Nanatsu-no Houseki (1950) with Keiji Sada, Tora no-Kiba (1951) with Ken Uehara, and Kao-no Nai Otoko (1955) with Eiji Okada. However, post-WWII Japan has obscured most of the details on these films. Like Hachi Ichi San, these Japanese versions laid the foundations for the Lupin III, which debuted as a manga in 1967 and spawned a major manga and anime franchise. In karmic retribution for Leblanc poaching Sherlock, Japan stole Lupin. Lupin III was Arsène Lupin’s grandson.

Notably, the second Lupin III feature film, The Castle of Cagliostro, marked the directorial debut of famed animator Hayao Miyazaki and is considered a groundbreaking classic that inspired Pixar and Disney (Disney’s The Great Mouse Detective (1986) pilfered the finale clockwork fight from The Castle of Cagliostro). In the wake of the anime Lupin III Part I (1971), Japan produced some anime films that were more loyal to Leblanc, notably Kaitō Lupin: 813 no Nazo (1979) and Lupin tai Holmes (1981). However, this article is focused upon live-action adaptations. Lupin III is another topic entirely.

In the late ‘50s and into the ‘70s, France reclaimed her celebrated son. Robert Lamoureux became Lupin for two films, Les aventures d’Arsène Lupin (1957) and Signé Arsène Lupin (1959). A comedy version pitted rival sons of Lupin against each other in Arsène Lupin contre Arsène Lupin (1962). Playing the Lupin brothers were Jean-Pierre Cassel and Jean-Claude Brialy.

Lupin on the Small Screen

From Lupin III to Inspector Gadget: Examining the Heirs of Arsène Lupin

By Natalie Zutter

France also delivered several TV series. Arsène Lupin ran from 1971 to 1974 and starred Georges Descrières. It encompassed 26 60-minute episodes. L’Île aux trente cercueils (1979) is often included in Lupin filmographies because it is based on a Leblanc novel published in 1919 in which Lupin makes a guest appearance. However, he was omitted from this six-episode miniseries, so it doesn’t quite count. Arsène Lupin joue et perd (1980) was another six-episode miniseries loosely based on ‘813’ with Jean-Claude Brialy from the 1962 comedy.

One more French TV show, Le Retour d’Arsène Lupin, was televised in two seasons, 1989-1990 and 1995-1996. These were 90-minute episodes with 12 in season 1 and eight in season 2. François Dunoyer starred as Lupin.

And in 2007, the largest Lupin TV show ran for a whopping 96 episodes plus one special. Lupin was made in the Philippines no less, starring Richard Gutierrez as André Lupin

Lupin in the Last Decade

In 2011, Japan delivered one more live-action film Lupin no Kiganjo starring Kōichi Yamadera. Based on Leblanc’s 3rd Lupin book, L’aiguille Creuse, the film is reset in modern Japan.

In the strangest permutation of Japanese Lupins, Daughter of Lupin was a TV series that is an odd hybrid of Lupin III and Leblanc’s work. A campy sitcom in the tradition of Romeo and Juliet, Hana (Kyoko Fukada) comes from a family of thieves known as the L clan who are inspired by Lupin. Her lover, Kazuma (Koji Seto), is from a family of cops. When in thief mode, Hana wears a carnival mask and a velvet catsuit. It’s goofy, sort of a live action version of anime. It ran for two seasons in 2019 and 2020.

The Lupin Adaptation You Should See

The strongest modern adaptation of Leblanc’s iconic burglar is the period film Arsène Lupin (2004). It’s an actioner, a creation story for Lupin, starting from his childhood and moving rapidly to him becoming a master gentleman thief. Romain Duris plays the titular role, and the film is in French. Backing Duris are veteran actresses Kristin Scott Thomas as Comtesse de Cagliostro and Eva Green as Clarisse de Dreux-Soubise. The story is absurd, like a mash-up between a superhero film and the DaVinci code, and it gets a bit muddled in the telling. However, it’s shot on location (including the Louvre) and encapsulates the spirit of Leblanc’s character in an updated fashion. It’s a perfect primer for Lupin Season 2.

cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });

Lupin seasons 1 and 2 are available to stream on Netflix now.

The post The Cinematic Legacy of Lupin: Arsène Lupin’s Live-Action Filmography appeared first on Den of Geek.

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#aion-rsa #Den of Geek

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vpba · 4 years

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Ships I’ve shipped so hard I nearly died (and still do) chronological (more or less):

Darcy/Riven (Winx club, yeah a while back)

Blair/Chuck (Gossip girl, like .. goal)

Bree Van de Kamp / Karl Mayer (desperate housewives, that was something)

Piper/Alex (OITNB) BUT BUT BUT, I didn’t actually ship them. I think I just shipped Alex alone. Alex can do whatever she wants to me.

Daisy/ Benjamin (Benjamin Button)

Morticia /Gomez (The Addam’s family, 1964!!!! I don’t want to hear about the other adaptations. The only true one is 1964 with John Astin and Carolyn Jones. No other.)

Regina/Robin (OUAT, I met Lana and Sean btw!! This ship nearly drowned me. Not kidding.) I shipped many ships in this fandom. It was an infinity of ships. Regina/Malenficent mhhh, actually I shipped Regina with everyone..

Pam/Eric (true blood)

Claire/Jaimie (Outlander. True. Love. Story. Change. My. Mind)

Ned/ Catelyn (wrote my best fan fictions I swear, ASOIAF and GOT too ) definitely the most mature ship I’ve had , and I love them even more for it.

Et voilà... just felt like sharing those

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angelitam · 1 month

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Partageons mon rendez-vous lectures #14-2024 & critiques

Voici mes critiques littéraires sur Livres à profusion. L’Inuite de Mo Malo L’inuite de Mo Malo – Editions La Martinière Krummavisur de Ian Manook Krummavisur de Ian Manook – Editions Flammarion Carolyn et John de Stéphanie des Horts Carolyn et John de Stephanie des Horts – Editions Albin Michel En lecture, L’eau qui dort de Fiona Barton L’eau qui dort de Fiona Barton – Editions Fleuve…

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norsereadalong · 4 years

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Additional Readings for the Eager...and or, those with the Saga-Fever!

As we dig into the wonderfully fantastic saga that is Eyrbyggja Saga, I wanted to give readers the opportunity to look at discussions in Old Norse Scholarship that have buzzed with the themes and topics brought up by this saga! Politics, Gender, Magic, Law, the Restless Undead, Religion-Belief, and the construction of a saga itself! Below this cut you’ll find a regularly updated haphazard Bibliography separated into sections.

Those entries with an * (asterisk) present are free and accessible online–I will be happy to send you a pdf of every other article/chapter if I have it, just DM me the particular article you want at @cousinnick and I will do my best to send it to you. If you have any suggestions to add to the list, I’d be happy to look into them!

Old Norse Read-Along Bibliography: Eyrbyggja Saga

Íslendingasögur/Icelandic Family Sagas:

Andersson Theodore M. The Icelandic Family Saga: An Analytic Reading. Cambridge, Massachusetts: Harvard University Press, 1967.

Andersson Theodore M. The Displacement of the Heroic Ideal in the Family Sagas. Speculum 45, 575—93, 1970.

Byock, Jesse. Medieval Iceland: Society, Sagas, and Power. Berkeley, 1988.

Hastrup, Kirsten. “Defining a Society: The Icelandic Free State Between Two Worlds.” Scandinavian Studies, vol. 56, no. 3, 1984, pp. 235–255.

Jonas Kristjansson. Eddas and Sagas: Iceland’s Medieval literature, trans. Peter Foote. Reykjavik: Hið Íslenska Bókmenntafélag, 1988.

Ian Miller, William. Emotions and the Sagas in Palsson, Gisli 9th ed. From Sagas to Society. Engield Lock: Hisarlik, 1992.

O’Donoghue, Heather. Old Norse-Icelandic Literature: A Short Introduction. Blackwell, 2004.

Vesteinn Olason. Dialogues with the Viking Age trans. Andrew Wawn. Reykjavik: Heimskringla, 1998.

Vesteinn Olason. The Icelandic Saga as a Kind of Literature with Special Reference to its representation of Reality, in Learning and Understanding in the Old Norse World: Essays for MCR, ed. Quinn et al. Brepols, 2007.

Eyrbyggja Saga:

Chadwick, N. K. “Norse Ghosts (A Study in the Draugr and the Haugbúi).” Folklore 57.2 (1946): 50-65.

Kanerva, Kirsi. The Role of the Dead in Medieval Iceland: A Case Study of Eyrbyggja Saga. (2011).*

Sayers, William. “The Alien and the Alienated as Unquiet Dead in the Sagas of the Icelanders.” Monster Theory: Reading Culture. ed. Jeffrey Jerome Cohen. Minnesota: University of Minnesota Press, 1996.

Draugar/Revenants/Restless Undead:

Ármann Jakobsson. “Vampires and Watchmen: Categorizing the Mediaeval Icelandic Undead.” Journal of English and Germanic Philology, 2011, Vol. 110.3., pp. 281-300.*

Ármann Jakobsson. The Troll inside You: Paranormal Activity in the Medieval North. Earth, Milky Way: Punctum Books, 2017.*

Ármann, Jakobsson. “The Fearless Vampire Killers: A Note about the Icelandic Draugr and Demonic Contamination in Grettis Saga.” Folklore, 2009, Vol. 120, no. 3, pp. 307-316.*

Ármann, Jakobsson. “The Taxonomy of the Non-Existent: Some Medieval Icelandic Concepts of the Paranormal.” Fabula, 2013, vol. 54, pp. 199-213. *

Ármann Jakobsson. “The Trollish Acts of Þorgrímr the Witch: The Meanings of Troll and Ergi in Medieval Iceland”. Saga-Book, 2008, Vol. 32, pp. 39-68.*

Chadwick, N. K. “Norse Ghosts (A Study in the Draugr and the Haugbúi).” Folklore 57.2 (1946): 50-65.

Cohen, Jeffrey Jerome. Monster Theory: Reading Culture. Minneapolis: U of Minnesota, 1996. Ebook Central.

Glauser, Jürg. „Supernatural Beings. 2. Draugr and Aptganga.“ In Medieval Scandinavia: An Encyclepedia, Edited Phillip Pulsiano, pg. 623. New York: Garland, 1997.

Hartnell, Jack. Life and Death in the Middle Ages: Medieval Bodies. New York: W.W. Norton & Company Inc, 2018.

Kanerva, Kirsi. The Role of the Dead in Medieval Iceland: A Case Study of Eyrbyggja Saga. 2011.*

Kanerva, Kirsi. “Having No Power to Return? Suicide and Posthumous Restlessness in Medieval Iceland.” Thantos, 2015, Vol. 4, pp. 57-79.*

Kanerva, Kirsi. “Restless Dead or Peaceful Cadavers? Preparations for Death and Afterlife in Medieval Iceland.” Dying Prepared in Medieval and Early Modern Northern Europe. ed. Anu Lahtinen and Mia Korpiola, Leiden: Brill, 2018.*

Kanerva, Kirsi & Koski, Kaarina. “Beings of Many Kinds—Introduction for the Theme Issue ‘Undead’”. Thantos, 2019, Vol. 8, pp. 3-28.*

Laurin, Dan. The Everlasting Dead: Similarities Between The Holy Saint and the Horrifying Draugr. Scandia, 2020. N. 3.*

Merkelbach, Rebecca. Monsters in Society: Alterity, Transgression, and the Use of the Past in Medieval Iceland. Kalamazoo, MI, 2019. The Northern Medieval World.

Sanders, Karin. Bodies in the Bog and the Archaeological Imagination. Chicago, Ill.; London: University of Chicago, 2009.

Gender and Sexuality:

Ármann Jakobsson. “Óðin as Mother; the Old Norse Deviant Patriarch.” Arkiv För Nordisk Filologi 126 (2011): 5-16.*

Clover, Carol. “The Politics of Scarcity: Notes on the Sex Ratio in Early Scandinavia.” Scandinavian Studies 60.2 (1988): 147-188.

Clover, Carol J. “Regardless of Sex: Men, Women, and Power in Early Northern Europe.” Speculum 68.2 (1993): 363-87.

Jesch, Judith. Women in the Viking Age. Woodbridge: Boydell P, 1991.

Jochens, Jenny. Old Norse Images of Women. Philadelphia: U Pennsylvania v, 1996.

Jóhanna Katrin Friðriksdóttir, ‘Women’s weapons a re-evaluation of magic in the Islendingasogur.’ Scandinavian Studies 81.4 (2009): pp. 409-28.

Laurin, Dan. But, What About the Men? Male Ritual Practices in the Icelandic Sagas. Kyngervi, 2020.*

Price, Neil. The Archaeology of Seiðr: Circumpolar Traditions in Viking Pre-Christian Religion. Brathair 4 (2), 2004: 109-126.*

Raffield, Ben, Neil Price, and Mark Collard. “Polygyny, Concubinage, and the Social Lives of Women in Viking-Age Scandinavia.” Viking and Medieval Scandinavia 13 (2017): 165-209.

Ström, Folke. Níđ, Ergi and Old Norse Moral Attitudes. London: Published for the College by the Viking Society for Northern Research, 1974. Print. The Dorothea Coke Memorial Lecture in Northern Studies; 1973.

Wallenstein, Frederik, The Burning of Rǫgnvaldr réttilbeini, (Nordic Academic Press, 2013).*

Politics and Law:

Jesse Byock. Feud in the Icelandic Society. (Berkeley 1982).

Firth, Hugh. “Coercion, Vengeance, Feud and Accommodation: Homicide in Medieval Iceland.” Early Medieval Europe 20.2 (2012): 139-75.

Miller Ian. William. Choosing the Avenger: Some Aspects of the Bloodfued in Medieval Iceland and England, Law and History Review 1, 159-204.

Miller Ian. William. Law and Literature in Medieval Iceland. Stanford: Stanford University Press, 1989.

Miller, William Ian. Bloodtaking and Peacemaking: Feud, Law, and Society in Saga Iceland. Chicago, Ill.; London: University of Chicago, 2005.

Fantasy:

Hume, Kathryn. Fantasy and Mimesis : Responses to Reality in Western Literature. London: Methuen, 1984.

Larrington, Carolyne. “The Psychology of Emotion and Study of the Medieval Period.” Early Medieval Europe, 2001, Vol. 10, no. 2, pp. 251-256.

Mundal, Else. The Treatment of the Supernatural and the Fantastic in Different Saga Genres. (2006)

Ross, Margaret. “Realism and the Fantastic in the Old Icelandic Sagas.” Scandinavian Studies 74.4 (2002): 443-54.

Todorov, Tzvetan. The Fantastic: A Structural Approach to a Literary Genre. Cleveland: Press of Case Western Reserve U, 1973. Print. A Volume in the CWRU Press Translations.

Mythology/Vikings:

Clunies Ross, Margaret. Prolonged Echoes : Old Norse Myths in Medieval Northern Society. Odense: Odense UP, 1994. Print. Viking Collection. v. 7, V.10.

Hayward, John. The Penguin Historical Atlas of the Vikings. London: Penguin, 1995.

Jesch, Judith. The Viking Diaspora. New York: Routledge, 2015.

Jones, Gwyn. A History of the Vikings. (OUP: 1968 rev. 1984)

Lindow, John. Norse Mythology: A Guide to the Gods, Heroes, Rituals, and Beliefs. Oxford: Oxford University Press, 2002.

Price, Neil S. The Viking Way : Religion and War in Late Iron Age Scandinavia (2002).

Sawyer, Peter. The Oxford Illustrated History of the Vikings. (OUP, 1997)

Williams, Gareth, Peter Pentz, and Matthias Wemhoff. Vikings : Life and Legend. London, 2014.

Magic in Icelandic Family Sagas:

Ármann Jakobsson. ‘The Trollish Acts of Þorgrímr the Witch: The Meanings of troll and ergi in Medieval Iceland. Saga-Book of the Viking Society 32 (2008): 39-68.*

Davidson, H. R. Ellis. ‘Hostile Magic in the Icelandic Sagas’ in The Witch Figure, rd. Venetia Newall. London: Routledge & Kegan Paul, 1973. 20-41.

Dillmann, Francois-Xavier. Les magiciens dans l'Islande ancienne. Uppsala: Kungl. Gustav Adolfs Akademien for svensk folkkultur, 2006.

Gísli Palsson. “The Name of the Witch: Sagas, Sorcery and Social Context.” Social Approaches to Viking Studies, ed. Ross Samson. Glasgow: Cruithne Press, 1991. 157-68.

Heide, Eldar. Spinning Seiðr. Old Norse Religion in long-Term Perspectives: Orgins, Changes and Interactions. (2006 Lund: Nordic Academic)

Jochens, Jenny. The Prophetess/Sorceress in Old Norse Images of Women. (1996)

Jolly, Karen. Definitions of Magic in Witchcraft an Magic in Europe: The Middle Ages. (2002)

Kieckhefer, Richard. Definitions of Magic in Magic in the Middle Ages. (1989)

Laurin, Dan. But, What About the Men? Male Ritual Practices in the Icelandic Sagas. Kyngervi, 2020.*

Lindow, John. ‘Supernatural Others and Ethnic Others: A Millennium of World View’ Scandinavian Studies 67.1 (1995): 8-31

Meylan, Nicolas. Magic and Discourse of Magic in the Old Norse Sagas of the Apostles in Viking and Medieval Scandinavia. (2011)

Miller, William Ian. ‘Dreams, Prophecy and Sorcery: Blaming the Secret Offender in Medieval Iceland’ Scandinavian Studies 58.2 (1986): 101-23

Mitchell, Stephen. Skirnismal and Nordic Charm Magic. (Turnhout: Brepols 2007)

Mitchell, Stephen. ‘Magic as Acquired Art and the Ethnographic Value of the Sagas’, Old Norse Myths, Literature and Society. Ed. Margaret Clunies Ross. Odense: UP Southern Denmark, 2003. 132-52. (attached).

Mitchell A. Stephen. Witchcraft and Magic in the Nordic Middle Ages. (2011)

Morris, Katherine. Sorceress or Witch? The Image of Gender in Medieval Iceland and Northern Europe. (1991).

Price, Neil. The Archaeology of Seiðr: Circumpolar Traditions in Viking Pre-Christian Religion. Brathair 4 (2), 2004: 109-126.*

Raudvere, Catharina. Trolldomr in Early Medieval Scandinavia’, Witchcraft and Magic in Europe: The Middle Ages. London: Athlone v, 2002. 75-171.

Steven, Justice. Did the Middle Ages Believe in their Miracles? (2008)

Ward, Benedicta. Miracles and the Medieval Mind: Theory, Record and Event 1000—1215. Philadelphia: University of Pennsylvania Press, 1982.

#norsereadalong #Eyrbyggja saga #bibliography #Additional Readings #Articles #Books

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hallmark-movie-fanatics · 1 year

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NEWLY EXPOSED SECRETS PUSH CASH TO THE EDGE IN AN ALL-NEW EPISODE OF ‘RIDE’ PREMIERING MAY 21, ON HALLMARK CHANNEL

STUDIO CITY, CA – May 15, 2023 – Family secrets come to light and push Cash (Beau Mirchoff, “Good Trouble”) to the edge in “Truths Laid Bare” this week’s all-new episode of “Ride” premiering Sunday, May 21 (9 p.m. ET/PT), on Hallmark Channel. Nancy Travis (“Last Man Standing”), Tiera Skovbye (“Riverdale”), Mirchoff, Sara Garcia (“The Flash”) and Jake Foy (“Designated Survivor”) star.

The McMurrays face the fallout of the Booker wedding fiasco. After being cornered by Grace Booker (Barb Mitchell, The Curse of Audrey Earnshaw) at the wedding, Valeria (Garcia) finally opens up to Isabel (Travis) and the family about the circumstances that brought her to the ranch as a teenager years ago, but there may be more to the story. Though the bride cancelled the wedding, the Bookers refuse to pay up and place the blame squarely on Missy’s (Skovbye) shoulders. Missy, feeling responsible and sad about her estrangement from Gus, turns to Tucker Clarke (Roger LeBlanc, “Joe Pickett”) for money. While at the pawn shop, she uncovers another secret that someone in the family has been hiding. Cash considers his last message from Austin (Marcus Rosner, “Arrrow”) and wonders what he could have done differently. When secrets surrounding Austin’s death come to light, a spiraling Cash is pushed to the edge and decides to take matters into his own fists.

“Ride” is a Blink49 Studios/Seven24 Films Production. Executive producers are Rebecca Boss, Chris Masi, Sherri Cooper, Alexandra Zarowny, Paolo Barzman, Greg Gugliotta, FJ Denny, John Morayniss, Carolyn Newman, Virginia Rankin, Elana Barry, Josh Adler, Jordy Randall and Tom Cox. Mark Haroun and Alejandro Alcoba are co-executive producers. The series is produced by Brian Dennis. Lesley Grant is supervising producer. Paolo Barzman directed from a script by Sherri Cooper and Alexandra Zarowny.

#ride #s1 e9 truths laid bare #hallmark channel #press release #hallmark original series #season 1

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aspiestvmusings · 3 years

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ZEP: SONGS - S2 WISH LIST

This list started as a wish/suggestion list of songs that I thought would fit into the ZEP season 1 end storyline quite well. But these weren’t used. So they become part of my general wish list for future episodes/S2:

WISH LIST

"Accidentally in Love" (”Shrek” soundtrack) - Counting Crows

“Adore You” - Harry Styles

“All of Me” - John Legend [by Max, to Zoey]...the rest of the song

“Almost is Never Enough” - Ariana Grande & Nathan Sykes

“And So it Goes..” - Billy Joel

“At the Beginning” - Donna Lewis & Richard Marx

"At Your Side" - The Corrs

"Baby Come Back" - Player

“Back at One” - Brian McKnight

“Back To Life (However Do You Want Me)” - Soul II Soul

"Bad Romance" - Lady Gaga [by Simon]

"Because You Live" - Jesse McCartney

“Better Than Love” - Griffin House [duet]

“Better Together” - Jack Johnson [Zoey/Max]

“Birthday” - The Bird and the Bee [Zoey/Max]

“Blinding Lights” - The Weeknd

“But I Do Love You” - LeAnn Rimes

“Can’t Fight the Moonlight” - LeAnn Rimes

“Collide” - Howie Day

"Complicated” - Carolyn Dawn Johnson [by Zoey]

"Confusion" by Electric Light Orchestra (ELO)

“Crazy Little Thing Called Love” - Queen

“Creep” - Radiohead [slowed down version... PS. This is one of my all-time favourite songs. Its hauntingly beautiful. I would love if they found a way to use it on the show]

"Dance Me to the End of Love" - Leonard Cohen

“Dancing in the Moonlight” - King Harvest

"Dancing on My Own" - Calum Scott version [by Zoey, to Max]

“Diamonds” - Rihanna

"Don't Look any Further" - M-People

"Dream of Me" - Orchestral Manoeuvres in the Dark

“Everybody’s Changing” - Keane

"Everyday" - Toby Lightman [by Zoey]

“Everything” - Michael Bublé

"Fix You” - Coldplay

“Flying Without Wings” - Westlife

“Follow Through” - Gavin DeGraw

“Greatest Love of All” - Whitney Houston

“Grenade” - Bruno Mars

"Happy" - Pharrell Williams

“Happy Together” - The Turtles [Zoey/Max]

“Head Over Feet” - Alanis Morissette

“Honesty” - Billy Joel

“I Don't Care” - Ed Sheeran & Justin Bieber

"I Don't Know" - Lisa Hannigan

“I Don't Want to Miss a Thing” - Aerosmith [but a ‘lullaby' to the baby]

“If I Ain’t Got You” - Alicia Keys [but for Mitch]

“I’ll Be There for You” (”Friends Theme song) - The Rembrandts [Zoey/Max]

“I’m Your Man” - Leonard Cohen

“I Need You” - LeAnn Rimes

“In These Arms” - Bon Jovi

"If Today Was Your Last Day" - Nickelback

“It Had to be You” - Frank Sinatra/Harry Connick Jr

“Just the Way You are” - Billy Joel

“Lay Your Hands on Me” - Bon Jovi

“Lean on Me” - Will Withers

“Love of My Life” - Queen [but somehow dedicted for/by Mitch]

"Love Runs Out" - One Republic

“Lovesong” - The Cure

“Lucky” - Jason Mraz Ft. Colbie Caillat [duet]

“Make You Feel My Love” - Adele [by Max, to Zoey]

“Mercy” - Duffy

“My Best Friend” - Weezer

“My Heart Will Go on” - Celine Dion [but from Mitch to Zoey/Zoey to Mitch]

"Never Enough" - Loren Allred

“Never Tear Us Apart” - INXS

"One Kiss" - Calvin Harris & Dua Lipa

“[Extra] Ordinary People” - John Legend [by Max, to Zoey]

“Perfect Day” - Lou Reed

"Pinch Me" - The Barenaked Ladies

“Price Tag” - Jessie J. Ft. B.o.B.

"Rose of My Heart" - Johnny Cash

“Say Goodbye“ - Dave Matthews Band

"Say You Won't Let Go" - James Arthur

“Shake It Out” - Florence + The Machine

"Some of Us" - Starsailor

"Someone You Loved" - Lewis Capaldi [by Zoey, to dad. Not romantic]

“Some People” - LeAnn Rimes

“[Let’s Give Them] Something to Talk about” - Bonnie Raitt [Zoey/Max]

“Stand by Me” - Ben E. King

“Starving” - Hailee Steinfeld & Grey Ft. Zedd #emotionalEarthquake

“Stay With Me” - Sam Smith

"Story of Your Smile" - Mike Comfort

“Temporary Love” - Ben Platt [by Max, to Zoey]

"The Book of Love" - Peter Gabriel, but acoustic [for Mitch, somehow]

“(For) The Longest Time” - Billy Joel

“The Reason" - Hoobastank

“Thinking Out Loud” - Ed Sheeran

"Titanium" - David Guetta Ft. Sia

“Treat You Better” - Shawn Mendes [by Max, to Zoey]

“True Colours” - Cyndi Lauper [by Max, to Zoey]

“Truly. Madly. Deeply” - Savage Garden [by Max, to Zoey]

"Two Princes" - Spin Doctors

“Two Steps Behind” - Def Leppard [by Max, to Zoey]

"Used to" - Daughtry [Max/Zoey friendship]

“Weak” - SWV [Zoey, to Max]

“We are All Made of Stars” - Moby [by/for Zoey]

“We Don’t Talk Anymore” - Cliff Richard

"What about Now" - Westlife

“What a Girl Wants” - Christina Aguilera [by Zoey, to Max]

“What a Man Gotta Do” - Jonas Brothers [by Max, to Zoey]

“When Can I See You (again) - Babyface [Zoey...to Mitch/dad...not romantic]

"When I'm 64" - The Beatles [David/Emily or Max/Zoey]

“When I See You Smile” - Bad English [Zoey, to Max?]

"When You Say Nothing at All" - Ronan Keating

“You” - Ten Sharp [Zoey, to Max]

“You Don’t Fool Me” - Queen

"You Get Me" - Michelle Branch [Zoey/Max]

"You Gotta Be" - Des'Ree

"You Light Up My Life" - Debby Boone [but “lullaby” for the baby]

“You Make My Dreams (Come True)” - Hall & Oates

“You Raise Me Up” - Josh Groban [Zoey, to Max OR Zoey for dad/Mitch]

“You’re My Best Friend” - Queen [Zoey, to Max]

“Yours” - Jesse McCartney [by Max, to Zoey]... some parts/verses

GRIEF/FOR MITCH:

“Dear Mr. Fantasy” - Traffic

“In the Arms of a Ghost” by Jacob Dylan

“[When I] See You Again” - Whiz Kalifa ft. Charlie Puth [by Zoey, to Mitch]

These aren’t necessarily my personal favourite songs, though some are. And many of my all-time favourite songs are not on this list simply because I cannot figure out how they’d fit into the show/storyline. Cause we know that song lyrics on this show have meaning for the characters. And lyrics are part of the storyline, not separate.

ET: But I really want them to use (in some way, in some form) something from ABBA, Leonard Cohen, Queen, Hall & Oates, OMD, some power-voice female singer(s)... to name a few things... even if I have no idea how they’d incorporate those artists/songs... Like I want Mo to sing something Jessie J for example.

Most of the songs are for Z/M and the “love triangle” because this is the one & only storyline we know for sure is happening, hence easy to name “fitting” songs. I find it harder to suggest other songs without knowing the stoylines. !

#ZEP #ZOEY'S EXTRAORDINARY PLAYLIST #ZOEYS EXTRAORDINARY PLAYLIST #ZOEY'S EP #TEAM MAX #CLARKEMAN #Zomax #Zax #ZEP S2 #ZEP SEASON 2 #SEASON 2 #WISH LIST #text post #list post

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