#Creative expressions

[anaheimhillsmontessorischool]

Creative expression plays a powerful role in a child’s development. Montessori art activities offer a unique way for children to explore their imagination while building essential life skills. These activities promote independence, self-confidence, and problem-solving—all through the simple joy of creating. It’s the kind of meaningful experience that reflects the child-centered approach found in a Montessori school in California.

[criiitter]

calm down dude

[stealingpotatoes]

just some quick fanart of my favourite ANIMATED movie, how to train your dragon, which is an ANIMATED movie made with ANIMATION that NOBODY is trying to make a live action version of at all whatsoever (: (: (:

[ellipsus-writes]

The words they're afraid of.

(Read on our blog.)

The recently appointed Department of Defense head Pete Hegseth (formerly Fox News pundit, perpetually soused creepy uncle, and current group chat leaker of classified intel) banned images of the Enola Gay from the Pentagon’s website for the offense of “DEI” language. In keeping with the far right’s stated war on anything vaguely resembling diversity, equity and inclusion, even historical photos are up for cancellation. When a literal weapon of mass destruction is censored for being a bit fruity under the Trump administration’s war against inconvenient truths, what exactly is left untouched?

This is clown show stuff, but the stakes are far from funny. While some might be hesitant to compare the current administration to the very worst history has to offer, we can at least all agree that they are dyed-in-the-wool grammar Nazis. Policing language has been the objective of the MAGA culture war long before Project 2025’s debut—the wave of book bans orchestrated by astroturf movements like Moms for Liberty, and Florida’s 2022 Don’t Say Gay bill have already had a profound effect in the arena of free speech and freedom of expression (despite the far right’s long tradition of doublespeak performative free-speech martyrdom to the contrary). Don’t Say Gay ostensibly targeted K-3 education, but LGBT+ content at all levels of education (and beyond) was either quietly censored or entirely preempted in practice. The results were not just a war on so-called ideology, or words alone—but on reality and essential freedoms.

Now, words as innocuous and important as racism, climate change, hate speech, prejudice, mental health, and inequality are targeted as subversive. Entire concepts are being vanished from government institutions, scrubbed not only from descriptions but from metadata, search indexes, and archival frameworks.

If you don’t name a thing, does it exist?

These words are as numerous as they are generic: women, race, Black, immigrants, multicultural, gender, injustice. But what is painfully unserious is also particularly dangerous in its real-world consequences. The process of controlling words is a well-worn authoritarian tendency. Fifty-two universities are now under investigation as part of the President's effort to curb “woke” research and thought crimes. Institutions are being coerced to comply with a nebulous set of ideological demands, or face budgetary annihilation. That means cutting funding for entire departments, slashing financial aid, defunding scientific grants, and pressuring faculty to self-censor.

The possibilities for censorship extend far and wide—interfering, by extension, in everything from reproductive healthcare programs, to libraries and museums. The Trump administration’s proposed budget slashing all federal funding for libraries, including the Institute of Museum and Library Services, will effectively gut an infrastructure that supports over 100,000 libraries and museums across the country—community centers, educational lifelines, internet access points, and archives of marginalized histories (starting with the Smithsonian Institution).

When you erase access, you erase participation. And when you erase participation, you erase people, and the means by which future generations might even learn they existed. A culture that cannot remember is a culture that cannot resist.

The erasure is, yet again, unsurprisingly targeted at minorities and LGBT+ people. The National Parks Service quietly revised the Stonewall Monument’s website to remove references to transgender people—a fundamental part of the original protests. Not an oversight, not a mistake, but a deliberate excision—one point in a wider plan of erasure depicted in stark detail in Project 2025, a blueprint to dismantle civil rights, defund LGBT+-related healthcare, and rewrite history from the ground up.

Dehumanization by deletion—welcome to the reactionary resurgence of doubleplusungood governance. In Trumpland, words are weapons—but not in the way they intend. Their fear of language betrays its power; that’s why they’re trying so hard to police it.

Words hurt them.

Hurt them back.

- the Ellipsus Team

[willowdraws]

[luvelydelilah]

Struggling with descriptors? Here are some synonyms to make your scene more interesting!

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Afraid

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Apprehensive

Dread

Foreboding

Frightened

Mistrustful

Panicked

Petrified

Scared

Suspicious

Terrified

Wary

Worried

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Annoyed

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Aggravated

Dismayed

Disgruntled

Displeased

Exasperated

Frustrated

Impatient

Irritated

Irked

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Angry

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Enraged

Furious

Incensed

Indignant

Irate

Livid

Outraged

Resentful

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Aversion

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Animosity

Appalled

Contempt

Disgusted

Dislike

Hate

Horrified

Hostile

Repulsed

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Confused

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Ambivalent

Baffled

Bewildered

Dazed

Hesitant

Lost

Mystified

Perplexed

Puzzled

Torn

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Disconnected

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Alienated

Aloof

Apathetic

Bored

Cold

Detached

Distant

Distracted

Indifferent

Numb

Removed

Uninterested

Withdrawn

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Disquiet

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Agitated

Alarmed

Discombobulated

Disconcerted

Disturbed

Perturbed

Rattled

Restless

Shocked

Startled

Surprised

Troubled

Turbulent

Turmoil

Uncomfortable

Uneasy

Unnerved

Unsettled

Upset

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Embarrassed

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Ashamed

Chagrined

Flustered

Guilty

Mortified

Self-conscious

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Fatigue

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Beat

Burnt out

Depleted

Exhausted

Lethargic

Listless

Sleepy

Tired

Weary

Worn out

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Pain

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Agony

Anguished

Bereaved

Devastated

Grief

Heartbroken

Hurt

Lonely

Miserable

Regretful

Remorseful

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Sad

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Depressed

Dejected

Despair

Despondent

Disappointed

Discouraged

Disheartened

Forlorn

Gloomy

Heavy hearted

Hopeless

Melancholy

Unhappy

Wretched

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Tense

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Anxious

Cranky

Distressed

Distraught

Edgy

Fidgety

Frazzled

Irritable

Jittery

Nervous

Overwhelmed

Restless

Stressed out

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Vulnerable

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Fragile

Helpless

Insecure

Leery

Reserved

Sensitive

Shaky

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Yearning

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Envious

Jealous

Longing

Nostalgic

Pining

Wistful

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[tensyc]

please bring them back to me

my sweet girl <3

[wifdc]

𝐂𝐚𝐩𝐭𝐮𝐫𝐢𝐧𝐠 𝐭𝐡𝐞 𝐂𝐨𝐥𝐨𝐫𝐬 𝐨𝐟 𝐎𝐧𝐚𝐦: 𝐀 𝐅𝐚𝐬𝐡𝐢𝐨𝐧𝐚𝐛𝐥𝐞 𝐅𝐞𝐬𝐭𝐢𝐯𝐞 𝐄𝐱𝐭𝐫𝐚𝐯𝐚𝐠𝐚𝐧𝐳𝐚!

Glimpses from our vibrant Onam Celebration on Aug 23, 2023! Fashion Designing students brought the essence of this joyful festival to life through their creative flair. Stay tuned for more highlights!

Greetings, Waves Institute of Fashion Designing

[candylandphotos]

Beautiful women James

"Unveiling Beauty: Portraits of Captivating Women Through the Lens of James."

[nathanielmoikabi]

Explore the Melodic Haven: Big Biggie's Etsy Store

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[thirdity]

And why don't you write? Write! Writing is for you, you are for you; your body is yours, take it. I know why you haven't written. (And why I didn't write before the age of twenty-seven.) Because writing is at once too high, too great for you, it's reserved for the great — that is for "great men"; and it's "silly." Besides, you've written a little, but in secret. And it wasn't good, because it was in secret, and because you punished yourself for writing, because you didn't go all the way, or because you wrote, irresistibly, as when we would masturbate in secret, not to go further, but to attenuate the tension a bit, just enough to take the edge off. And then as soon as we come, we go and make ourselves feel guilty — so as to be forgiven; or to forget, to bury it until the next time.

Hélène Cixous, "The Laugh of the Medusa"

[literaryvein-reblogs]

Writing Ideas: Feeling Loved

definitions, word alternatives, related emotions & facial expressions

Coo. To talk fondly, amorously, or appreciatively.

Pout. To push out or purse the lips in a sexually suggestive way.

Murmur. A soft or gentle utterance.

Sigh. An often involuntary act of sighing especially when expressing an emotion or feeling.

Sough. To make a moaning or sighing sound.

Desire. A strong feeling of wanting or needing something. It can be accompanied by physical sensations such as an increased heart rate or butterflies in the stomach.

Joy. The facial expression can include tightening of muscle around the eyes; "crows feet" wrinkles around the eyes; raised cheeks; and diagonally raised lip corners.

Squinch. To screw up (the eyes or face); squint.

Wonder. An emotional state that arises when individuals encounter something surprising, unexpected, or profoundly beautiful. This experience can lead to a heightened state of awareness and a desire to understand or explore the phenomena further.

Awe. One component of wonder. It is a feeling of reverence and amazement, often in response to something grand or sublime.

Admiration. Another component of wonder. It is a sense of appreciation for the beauty, complexity, or uniqueness of the experience.

Smiling is an open, approachable facial gesture that indicates warmth and interest.

Beam. To smile with joy.

Grin. To draw back the lips so as to show the teeth especially in amusement or laughter.

Smicker. To ogle and smile amorously—used with at or after.

Eye contact. Most Western countries view eye contact as a sign of interest.

Briefly closing the eyes and quickly opening them again is called confirmatory blinking and can indicate confirmation or approval of another person.

Dilated pupils can demonstrate interest and attraction, while

Widening the eyes can signal surprise or excitement.

Nodding when another person is speaking is a sign that you are focused and listening. It can demonstrate that you agree with or acknowledge what is being said and validate opinions. Tilting the head to one side is also a sign of attentive listening and respect.

Sources: 1 2 3 4 ⚜ More: References ⚜ Writing Resources PDFs

You're too kind, thanks so much! I couldn't find a specific word that fully encapsulates those expressions. Describing it in a phrase (or a few sentences) might better capture it. You can choose from these alternatives which ones fit your character, plot, writing style etc. Hope this helps with your writing @srue-on-fire.

[ellipsus-writes]

Stories of resistance; communities of power

(Read over on the blog!) The first time I met a queer character was a literal flash in the dark: stumbling onto Maurice on the IFC channel, sometime around midnight—the Merchant-Ivory adaptation of E. M. Forster's novel where the two leads actually get a happy ending.

Before that, the only queer characters I’d ever seen were Scar and Ursula, camping, preening, and scheming their way to classic villainhood—swishy, fabulous, undeniably doomed. And then I found Oscar Wilde at the library: an actual gay writer (thrilling: I bought a poster on the nascent internet of the author lounging on a settee and taped it too my bedroom door—abandon straightness, all ye who enter here). And then I learned how it ended: destroyed by the state, dragged through a prejudicial court system—the ultimate doomed narrative, for the crime of being human.

There have been big strides in the, uh… how many intervening years? (Y2K was 10 years ago, right?) We no longer have to sit quietly, waiting for a flicker of queer joy on late-night TV, clawing our way through a wasteland of tragedy to feel seen.

Now, we make our own stories.

I wrote my own stories in high school; digging through the cracks to find historic queer spaces I could enter, rediscovering buried worlds and realizing we’d always been here. (Ask me about mid-18th-century gay life in Paris, or ‘20s Berlin... or don’t.) And fanfic, which went mainstream a little later, changed everything. It’s the way so many people carve out space for themselves—claiming stories that were never meant for us and making them our own.

Of course, it’s 2025. There are tragedies happening right now. Big ones, small ones, ones so personal they’ll never make the news; losses so massive they leave entire communities grieving. They can feel insurmountable.

But we have something stronger—community.

You’re already doing the work. You’re making yourselves visible—writing without permission, without waiting for gatekeepers to tell you what’s marketable or appropriate. You write anyway. You’re valid because you write. Your stories spread across the void, forming bonds when they most want to divide us. Instead of more tragedy, you’re making whole universes gay (literally).

Telling stories—messy, joyful, painful, honest, true—will always be a defiant act. Every time you write a queer character, spin a fanfic with queer headcanons, share a few lines that spring straight from your gut, you’re pushing back. The act of creation sets off a chain reaction—visibility, empathy, and the simple, profound reminder that you’re not alone.

That’s the gift of stories: to expand someone’s world, to help them see others—and themselves—more clearly, no matter what the world tells you. The power of storytelling has always been revolutionary, and the beauty of community is that it makes us unbreakable.

Our community proves this every day. You show up for each other—offering feedback, encouragement, shouting 2AM prompts and plotbunnies into the void (and the void answers back). You share your worlds, your ideas, your selves. You make space for each other, and you make Ellipsus stronger, more resilient, and more fiercely alive.

That’s why Pride matters. And why writing matters—more than ever.

For us, this work is personal. As a queer-founded company (myself—Rex—and my partner, John—hey how are you), we built Ellipsus as a home for creators who, like us, find deep belonging in community and creative expression.

With queer voices under attack—rights stripped away, books banned, Pride erased from calendars (FCK GGL)—we don’t need to tell you we’re worried. You’re worried, too. But together, we’re determined. We’re courageous and connected.

For Pride Month, we’re excited to give back to the community that gives so much to us—and to launch a few things along the way…

A new Pride theme for Ellipsus

Because queer joy should shine in every word you write. (Yes, it’s forever—not just for June!)

And coming soon…

You’ll be able to support your favorite little writing tool in more ways… yep, we’re jumping on the merch gambit. But it’s not all about us—50% of all proceeds from our shop will go directly to LGBTQ+ organizations fighting back against censorship, discrimination, and erasure:

The Trevor Project—Supporting LGBTQ+ youth.

Trans Lifeline—Providing life-saving resources for trans people.

The ACLU—Fighting for freedom of expression, trans rights, and against book bans and censorship.

... Pride is about all of us—so we want to hear from you.

What does Pride mean to you as a writer? How does your creativity reflect your community, and your hopes for the future? How does writing get you through it, help you make connections, and bring you joy?

Share your stories in our Discord, or shout into the void of Tumblr, Bluesky (and tag us!). We’ll be sharing some of your responses throughout the month. Our aim is simple: to give you a space to write freely, protect freedom of expression, and uplift queer voices—not just for a month, but for as long as it takes.

[willowdraws]

[luvelydelilah]

Struggling with emotional scenes? Here are some tips for writing emotion!

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1. While you’re writing, try to build an explanation for their feelings. What triggered their emotion? Is their reaction rational or are they overreacting? Do they fight, flight, fawn or freeze when provoked? Do they feel threatened? 

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2. Show, don’t tell. Describe what is happening instead of plainly stating the situation. Try not to use words like sad, happy, devastated, in pain, angry, nervous, scared, or worried. They cut back on the emotional integrity of the scene and make it hard for readers to connect with your characters. Here are some different behaviors for different emotions.

-Eager-

Bouncing up and down

Unable to sit still

Breathing deeply

Fidgeting

Pretending to do something

Trying to stay busy

Constantly looking at the clock

-Nervous-

Red and hot face

Sweaty palms

Voice cracks

Shaky hands

Biting nails

Biting lips/inside of cheek

Wide eyes

Shallow breathing

Heart racing

-Excited-

Wide smile

Squeal/scream

Bouncing up and down

Fidgeting

Playing with hands

Tapping foot

Talking fast

Tapping pencil

Pacing back and forth

-Scared-

Curling up/bringing knees to head

Closing eyes

Covering ears

Stop breathing or breathing quickly

Biting nails

Shaking

Gritting teeth

Hugging/squeezing something tight

-Frustrated-

Stomping

Grunting/mumbling/yelling

Deep breaths

Red and hot face

Hitting/kicking something

Pointing

Straining/veins become more visible

-Sobbing-

Eyes filling up with tears

Eyes burn/turn red

Red cheeks

Face becomes puffy

Pursed lips

Holding head down

Hyperventilating

Fast blinking

Trying not to blink/holding back tears

-Happy-

Smiling wide

Laughing loudly

Cheeks hurting

Talking loudly

Higher pitched voice

Animated/expressive

-Upset-

Walking slowly/shuffling feet

Head down/avoiding eye contact

Biting inside of cheek

Dissociation

Keeping quiet

Fidgeting

-Bored-

Pacing back and forth

Sighing loudly

Complaining

Fidgeting

Blank face

Looking for something to do

Making up stories

Talking about random topics

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3. Try and bring some trauma into your character’s emotions. For example, something might happen that reminds them of a suppressed/traumatic memory. This is an easy way to hook your reader and have them really feel like your character is a real person with real emotions. They might have some internal conflict they need to work through and a certain situation reminds them of that. They might become irritable at the thought of their traumatic experience and they might snap at whoever is nearby. 

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4. Most characters won’t dump their entire backstory or feelings in a conversation. Try and reserve your character’s emotions to make more interesting scenes later on. For example, your character may be triggered and someone may ask them what’s wrong. Will they give in, soften up and share? Or will they cut themself off and say they’re fine? Also take into account that your character might not know the other character very well and won’t be comfortable sharing personal information with them, like details regarding their trauma.

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5. Last but not least, you don’t need to have a major event happen to connect emotionally with your audience. You don’t have to kill off a character every time you need to spice up your story, even simple interactions can just help your readers understand your character better. Show how they react to certain topics or situations. Describe their feelings, their surroundings, their body language. Their defense mechanisms will help the audience to better understand what kind of person they are.

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