#Cunning Protagonist

[fiapple]

i'm getting towards the end of the skypeia arc, & i'd like to say just how much i adore the way the female strawhats have been treated.

just... every aspect of how the way their characters have been previously contextualized influences the story-line is treated with a masterful amount of consideration. we're given so many layers to both of them that enrich not only their characters specifically, but the arc, and the one piece world as a whole. without nami & robin having their specific skills, and their specific values, without those being built upon, the story would have come to a halt.

you could not have skypeia without nami & robin being who they are as individuals. not just because they never would've gotten there without nami, but also because the way these women think is itself foundational to the machinations of the arc as a whole.

to be totally upfront, if you think any other strawhats were more central to the skypeia arc than nami & robin were you are full-on fucking lying to yourself.

[rotationalsymmetry]

One thing I've noticed about Angry Planet is it does something that you almost never see in genre fiction.

There's violence. But it's exclusively being done to the protagonists, not by them.

That's rare.

And I mean, our heroes do have skills that let them get out of the Situations, it's not like they're just helpless. But also the story doesn't skirt around how it feels to have someone willing and able to use violence use it against you when you can't fight back. And you could get really badly hurt and you could die and you can't fight back, they're bigger or stronger or better armed or something and you're not a fighter and if you try to fight you won't win.

[plumsaffron]

Bruh Felix and Lila can do similar stuff but the situations are not the same.

One is a creation of Marinette/Ladybug's doing. Absolutely preventable.

The other is the result of Colt Fathom's doing. Unstoppable.

One was Hawk Moth's powered to literally to kiss and become that person.

The other wasn't at all but to screw with everyone.

One was just checking around but to screw with Marinette because Marinette was being ugly.

The other came around visiting at a time of grievance.

Both though were treated as to be rid of by an akumatized.

One hates and has a reason to be against Ladybug and Marinette.

The other one is against Gabriel Agreste

One ends up working with Agreste/Hawk Moth

The other is trying to ensure they can't be erased or life be played with and is discover secrets and gain immunity.

One is connected to most of Marinette's friends or enemies.

The other is in association with upper class friends of Marinette but has no reason to really interact with them.

One ends up being screwed other and plans to set up the downfall of their main enemies without them even knowing.

The other isn't being screwed over and put their trust in what should be the hero.

One doesn't have known anchors yet.

The other seems to have such.

[queenerdloser]

ive been listening to the count of monte cristo since *checks watch* fucking january bc this bitch is 52 hours long, and for the most part it’s been a lot of “wow this is funnier than i expected” and “here’s yet ANOTHER secret identity for my boy” and “everything really does get easier when youre rich doesnt it?” and “it’s a secret thing that might help us later ;)” but i just got through the part where dantes meets up with morrel’s children and they’re going on and on about how much they love and respect the “mysterious” man who helped them years ago and when dantes honest to god like. cant speak and blushes and gets teary-eyed and remembers the good about humanity. i felt that.

[lizzstarkiller]

Of Cunning and Kinship || Part I (complete)

"Laguz"

Formlessness, potential, unpredictability.

"The ocean seems interminable to men,

if they venture on the rolling bark

and the waves of the sea terrify them

and the courser of the deep heed not its bridle."

- The Anglo-Saxon Rune Poem

AO3 || Wattpad

[magicfeatherspecialist]

Welp I have inhaled all the webcomic chapters available of Omniscient Reader's Viewpoint. The only thing stopping me from kirby-eating the novel as well is the fact that a) my eyes hurt I have been reading for hours and b) the novel is...so long apparently

[lameotello]

Bilbo Baggins is my all-time protagonist and I think he deserves some more recognition

[saraswritingtipps]

The Villain Checklist!

Creating a villain is a delicate art, much like crafting a masterpiece. To ensure your antagonist leaps off the page with depth, consider these essential elements for your villain checklist:

Motivation: Every great villain is driven by a potent motivation, one that fuels their actions and sets them on their dark path. Explore their backstory and unearth the core reason behind their villainy. Are they seeking power, revenge, redemption, or something more sinister?

Complexity: Gone are the days of one-dimensional villains twirling mustaches and cackling maniacally. Infuse your antagonist with layers of complexity and nuance. Perhaps they possess redeeming qualities or wrestle with inner conflicts that humanize their actions.

Flaws and Vulnerabilities: Despite their nefarious intentions, villains should be flawed beings with vulnerabilities. These weaknesses not only add depth to their character but also create opportunities for conflict and growth throughout your story.

Backstory: Delve into your villain's past to uncover formative experiences that shaped their present disposition. Trauma, betrayal, or societal pressures can all contribute to their descent into villainy, providing rich narrative fodder for exploration.

Goals and Ambitions: Just as heroes strive for noble objectives, villains pursue their own twisted goals with fervor and determination. Define what your antagonist hopes to achieve and the lengths they're willing to go to attain it, even if it means sacrificing everything in their path.

Antagonistic Traits: From cunning intellect to ruthless brutality, equip your villain with traits that make them a formidable adversary for your protagonist. Consider how their strengths and weaknesses complement each other, creating dynamic conflicts that propel your story forward.

Relationships and Alliances: Villains don't operate in isolation; they forge alliances, manipulate allies, and cultivate relationships to further their agendas. Develop the connections your antagonist shares with other characters, be they loyal minions or reluctant collaborators, to add depth to their character dynamics.

Moral Justification (from their perspective): While their actions may be abhorrent to society, villains often believe they're justified in their pursuits. Explore your antagonist's moral code and the twisted logic that rationalizes their behavior, offering readers insight into their twisted worldview.

Arc of Transformation: Just as protagonists undergo arcs of growth and change, villains should experience their own journey of transformation. Whether it's redemption, downfall, or something altogether unexpected, chart the evolution of your antagonist throughout the narrative.

Memorable Traits: Give your villain distinctive traits or quirks that leave a lasting impression on readers. Whether it's a chilling catchphrase, a distinctive appearance, or a haunting backstory, give your antagonist elements that linger in the minds of your audience long after they've closed the book.

[vyinter]

he's a #2834516th regressor with op cheat skills in a tower grade system genre to YOU to me he's a guy who loves the beauty the world and helps every person he meets because he appreciates the value of people so much

[demilypyro]

Ok so there's this guy called Jonathan Joestar and he gets an adoptive brother named Dio Brando. Dio hates Jonathan with an intensity that really isn't justified but it likely has something to do with Jonathan being a rich kid and Dio growing up poor. Anyway Dio happens upon an ancient stone mask that turns people into vampires and he becomes a vampire. Dio tries to kill Jonathan after murdering their dad and burning down their mansion. Dio decides he's way too good for all this and that he's gonna use his new vampire powers to take over the world, so Jonathan learns sun magic from a random guy with a top hat so he can defeat Dio and save the world. Jonathan eventually wins but Dio's decapitated head survives and kills Jonathan on a boat.

Before Jonathan died though he did have kids and his grandson is the second protagonist: Joseph Joestar. Joseph fights a group of Super vampires known as the Pillar Men. That all doesn't really affect the overarching plot in any major way though.

What's important is that Joseph's grandson is the third protagonist: Jotaro Kujo. Jotaro's life is flip turned upside down when Dio returns, his decapitated head having taken over Jonathan's body and hibernated under the ocean for a few hundred years. Dio has learned about these magic ghost powers named Stands and in doing so has awakened the dormant potential to use Stands in most of Jonathan's descendants, including Jotaro, but it inadvertently threatens the life of his mom, so Jotaro has 50 days to travel from Japan to Egypt (where Dio is hanging out) so he can give that vampiric asshole a smacking, saving his mom and the world.

The rest of the JoJo parts are largely about other descendants of the Joestar clan fighting villains who were in some way caused by Dio's nonsense, including Josuke who has to solve a murder mystery in a small Japanese town, Giorno who wants to become the head of the Italian mafia, and Jolyne who wants to escape from prison and protect her family from one of Dio's servants. There's also three later parts set in an alternate universe that are mostly disconnected from the original Dio stuff.

JoJo arcs all largely contain a lot of "Stand battles", where all the characters involved have an extremely specific superpower and they have to use strategy and cunning to utilize their powers in creative ways to defeat their opponent.

I hope that answered your question

[ystrike1]

One Husband Is Enough - By Go Seon-young (8/10)

What would it be like to have a charm level of 999? Everybody loves you. You just have to look your victim in the eye to have their love. Lust is seconds away from you at every moment. You have multiple stalkers. Wait. Being popular is starting to sound awful...

An everyday office worker accidentally curses her new body. She decided to max out her Charm stat, which completely destroyed the game story the second she reincarnated.

The maids, butlers, and men at the ball were all supposed to ignore Crochetta. She's just an illegitimate daughter. Her father, The Count, was just keeping her pretty face around to marry off. She's supposed to be the butt of every joke, but after she wakes up with Charm....men stalk her around the ballroom in packs. They fight over the right to sniff her dropped handkerchief.

It's horrible. Everyone who spends a minute alone with her turns into a pervert. An animal with only one thought in mind. Crochetta isn't exactly "Charming". That game stat measures how attractive the protagonist is to other characters. At level 999....well she's in danger all the time.

It works like this.

Minor characters like maids and butlers can't even resist for a second.

Other noble ladies will chat with her for a minute, before they randomly try to kiss her.

The men behave like monsters and they blame her for seducing them.

The plot twist is the three male leads ARE affected by her Charm, but to a lesser degree. They do "fall for her", but they notice how unnatural her Charm is. Which makes for an interesting story.

Crochetta's old fiance went mad the same day she acquired "Charm". He became overwhelmed with joy and jealousy. He was in heaven. He had the right to marry the most attractive woman in the land. When the maids dared to fawn over his bride...he went on a rampage. The walls of the Counts mansion turned red.

The family tried to cover up the incident.

The Count did it because he's obsessed with his daughter now. Now, Crochetta must find a husband that can protect her. Her father is no longer interested in marrying her off.

He wants to lock her away in the tower, and keep her Charm a secret.

His secret.

*vomits*

Crown Prince Ethian believes she is the ultimate weapon. A woman that can be used to make the political world his slave. If every man loves his Queen fanatically revolution and true power will be in his grasp!!!

That's his story, but he seems pretty obsessed.

The issue is Charm doesn't guarantee loyalty or sweet love. The Prince is incredibly lustful, and it's obvious he would have multiple lovers with Crochetta as his main squeeze and prize.

The Duke reacts more violently. Arnold believes Crochetta has poisoned him. His one obsession is money. He actually hates women. His immediate lust for Crochetta is literally foreign to him. He runs from her like a scared animal, but not before he pushes her around. She kind of deserves it. Crochetta is looking for a marriage of convenience. A man who can protect her.

Her intentions are not pure.

The Knight, Rosen, is a very chaste man.

He saves Crochetta from a gang of admirers, and he seems completely unaffected.

She kisses him on the cheek to test him, and even then he seems fine.

Then, her carriage rolls away and he drops to his knees.

The Prince proposes.

He says he will kill her if she refuses.

If another man marries her he will gain a massive amount of influence. A bride powerful allies will serve and die for.

Also, it looks like he is affected by her Charm. He's just not stupid about it.

He offers her what she needs, but he's too cunning to let her control him.

If she wants his protection she'll have to let him have....everything.

She visits the Duke out of desperation, because the Prince is terrifying.

He runs like a coward. Deep in his heart he knows the lust in him is wrong.

Crochetta also knows that chasing him is wrong, but the Prince is too damn scary.

Their relationship develops a little bit, but the Duke continues to resist her Charm.

Rosen hasn't appeared again yet.

I have no idea who the winner will be. Crochetta will have a heavy fate. There's no escape from the obsession around her.

[moonsaver]

Do you have any thoughts about the opposite of the "Im afraid to confess because our friendship could get ruined"? As in, "I'm afraid to reject you because I don't want to lose this friendship so I accept your confession even though I don't feel that way for you and never will".

Like the protagonist tries to convince themselves that this is just like being friends only that we now kiss (and more). I feel like it would fit with a yandere that is a bit delusional or desperate, eveb insecure so whenever the protagonist doesnt seem as into this relationship as them, they just try to convince themselves otherwise, or love bomb the protagonist.

Idk lately Ive been into reversing the tropes and I found this one particularly interesting to me when it comes to a yandere. In HSR i was thinking of Argenti as he seems like the delusional type. Or even Aventurine who would have had to put down a lot of walls to be friends with you and then even more walls just to confess, so rejecting him doesnt seem like an option to the protag (out of pity and care).

THIS THIS THIS!!!! qnon ur brain is so wrinkly and soggy with brain juice..... this used to be my favorite trope at some point idk why i forgot about it i remember eating up any fanfics out there based on this

Tw: yandere (obv), manipulation, intimacy (mainly romantic, only hints of sexual), emotional blackmailing, whatever yadda yadda

But anyways, under the cut!

Okay, so, I imagine this is possible with literally... almost all of hsr's cast. Mainly because most of them have such tragic backstories, and most of them out of that have a really shrewd and cunning mind, so they'll exploit this to hell and back.

I also imagine this is with a people pleasing reader, so lets go with a bit of implication of that.

Anyways, since Aventurine and Argenti are the ones mentioned specifically, I'll probably dive in on them first.

Aventurine is so hard to not feel pity for. Every stolen glance at the marking on his neck makes you feel worse and worse for "rejecting him", knowing he's been throwing signs of wanting more than a friendship quite possibly everywhere and you're most likely ignoring them in hopes of keeping your friendship. It's not like he hasn't quite caught on, either. He knows people's hearts quite well. And where there's opportunity, he seizes it.

It's a bit frustrating for him – just why can't you see he wants more? Or rather, just why aren't you accepting him? You're the first thing on his mind when he wakes up, when he clutches his chip and bets on his life, the last thing on his mind when he goes to sleep. Hell, he's even tried to dream of you, forcefully. But then he realizes.. how easy you are to just push around. He goes ahead with the confession, and it's almost a sadistic kind of pleasure when he sees you even try and stutter out any kind of a rejection when he's leaning in a perfect angle that shows off his little marking (out of all the times he curses it, it seems like this time it's worked in his favor). He watches carefully as your eyes nervously flit to his neck and you shut up immediately for a second, before accepting. And when you do.. he's over the moon! Coddles you, kisses your cheeks, becomes so much more grabby, as his keen eyes watch your discomfort. Well.. you didn't reject him, so this is what you should expect.

Again, the frustration doesn't wear off easily, but just seeing you writhe and try to create distance while he suffocates you in affection far from platonic nature, is so sadistically pleasuring to him. He loves watching you in that state, bending to his will so easily, as he waits for you to snap. But he'll probably find it easier to squeeze water out of a rock than to squeeze a rejection out of you – which is precisely what he exploits. You're not going anywhere, are you? He puts on his best, pleading little eyes that he used to have to put on, shaking, trembling voice, desperate hands that cling to you; all the things he acts out like his life depends on it when he senses even a waver of your hesitation.

Oh, fine.. he hates seeing you so queasy almost all the time, so he'll give you a reprieve from time to time. Plans and schedules things you used to do "back when you were friends" (he emphasizes this – you don't think you can just ignore everything, right?), and makes sure to at least crack a few smiles and giggles from you. Of course.. his hand is still loosely hanging around your waist, pecks you on the lips from time to time, just as a small reminder of what you guys really are now.

Argenti on the other hand, has no awareness of your discomfort at all.

He's like a huge dog, the way he's so happy about you accepting his confession and doesn't even stop to think afterwards just why you were so hesitant during it.

Constantly praises you, and it's not soon before it gets to a more intimate nature. He wants to do all the romantic things – kissing under the rain, protecting you from something, twirling you in the air and then kissing you again after putting you down, telling everyone proudly that you two are a couple, buying more and more "romantic" gifts that turn more intimate sooner or later. You have no way out of this without completely ruining everything.

It's.. almost painful the way he doesn't realise. At some point your discomfort probably gets so.. obvious, but he just shrugs it off; perhaps he hasn't been paying you enough attention? Or you're just too shy to ask something of him? Oh, how sweet! How adorable! He thinks. He simply falls deeper and deeper into this delusion, stringing you along and stretching your patience thin. Unfortunately, unlike Aventurine, you can't find most, if any bits of the things you both used to do as platonic companions in the relationship you have with Argenti. He's just a full-blown romantic who wants to do only that. It makes you even more queasy when people look at you in pity, if they realize just what happened between you two.

You can't back out, even if you tried. If you somehow manage to find a way to squeeze out a rejection, or have any kind of a reservation about things getting more intimate/romantic stuff, he's so devastated. Did he do something wrong? Perhaps he's not as experienced as you wanted him to be? Or you're not satisfied with some of the things he's said? Don't fret, he's right on it! Constantly holding you so close you're afraid your bones will break, whispering incessant praises into your ear that slowly spiral into affirmations that you belong to him, spoiled rotten with everything you want; yet, even then.. you can't shake off the intention they were given in. Not when you're suffocated by it.

[localtheorycorner]

Which protagonist are you? The cool, unfeeling, emotionally repressed, muscular, perfect hair (usually black), super handsome, and ridiculously OP protagonist?

Or are you the scammer, obsessed with money, my little pathetic meow meow, cunning, grabbable waist, average/pretty boy, scammer smile, and lowkey kinda weak/at the same time powerful, loser protagonist?

[justruse]

Blood touched your lips.

One moment you were walking home, and the next you were waking up in a hospital room with a searing pain in your neck and an insatiable hunger lingering in your belly. The events of the previous night were a blurry and chaotic mess of fear, panic, and blood.

Your blood...

ONCE BITTEN is a dark romance interactive fiction game set in a vampire-infested 1990s New York City. Navigate the city as you try to regain your footing and find your place as a recently-turned vampire. Being a vampire isn't as glamorous as the stories make it out to be, especially when you have a group of Hunters that want you dead.

Content Warnings: suggestive themes, violence, gore, blood, body horror, drug use, death, animal cruelty, homophobia, and transphobia

* Note: Content warnings, with the option to disable them, will appear before each chapter.

DEMO ✦ PINTEREST ✦ SPOTIFY

Play as a customizable protagonist, with the ability to choose your name (including nicknames), gender, pronouns, and appearance.

Befriend a cast of characters and pursue one of five romance options.

Explore New York City and its vampiric nightlife as a newly-turned vampire. Experience what it truly means to be a creature of the night.

Adopt a dog, or don’t. Be warned, it will come back to bite you.

A focus on choices, rather than stats, that will alter your relationships with the cast as well as the narrative moving forward. Will you choose to embrace your new existence?

Dr. Joseph Levi (he/him)

A seemingly quiet, albeit quite sarcastic, professor at first glance, Dr. Joseph Levi is more than what meets the eye. In reality, he is a type of vampire hunter known as a Keeper—and he also happens to save your life and doom it too.

Vanya Kreisky (she/her)

Beautiful, cunning, and deceptive, Miss Vanya Kreisky is the queen of the Scarlet Palace, a historic hotel and casino nestled in the heart of Manhattan. She much older, and more powerful, than she first lets on, and seems to have an odd interest in you.

Rana Ayari (she/her)

Rana Ayari is the owner of Lilith's Lounge, a small bar near West Village. She's a welcoming face to strangers with an easy-going attitude. Unless you're stirring up trouble, you'll be welcome at Lilith's.

Addison Reyes (he/him | she/her)

Only turned about fifteen years ago, Addison is probably the youngest vampire you'll meet, and because of that, they have a sense of optimism and adventure many older vampires lack. They like to have fun and they'll share it with you—well, whenever they're not stuck working a shift at Lilith's, of course.

Dr. Michael "Ellie" Elliot (he/they)

Dr. Michael Elliot is a doctor working at the hospital you wake up in after being turned. They're quite zany, in a way you can't quite place, and it's obvious they've seen some things in their centuries long existence that they quite haven't processed yet.

[read-marx-and-lenin]

Can you explain why 1984 is fundamentally reactionary? I remember seeing a journalistic article talking about the same thing but sadly it was paywalled

The whole premise of the book is "if we let the government do too much stuff, eventually the government will get so big it will do Everything and nobody will be able to stop it, it will grow so big it will be a self-perpetuating tyranny."

It's your typical liberal cautionary tale against "authoritarianism", conflating fascism and communism while understanding neither. Orwell had never been to the Soviet Union, and instead drew heavily from his own experience working for the British Ministry of Information. Later in his life, he would even compile a list of suspected Communists to hand over to British intelligence agents, some on the list included solely because they were gay or Jewish.

Animal Farm is another example of his reactionary sentiment, in which the peasants and workers of the Soviet Union are depicted as gullible and weak-minded animals jerked around at every turn by the pigs, a stand-in for Marxists in general and Bolsheviks specifically. Incidentally, Orwell during his time at the Ministry of Information had become acquainted with one Gertrude Elias, who shared with him her own idea for a cartoon film depicting the Nazis as tyrannical pigs ruling over the other animals in a farm. Orwell had told her the idea wasn't any good, before going on to write Animal Farm, replacing the fascists in the story with communists.

Here's a good read about Animal Farm by the way, which I feel shows very clearly the kind of reactionary Orwell was:

Compare Orwell's depiction of the mindless masses in Animal Farm to the "proles" in 1984. 1984 hardly mentions them except to say that they all live in squalor and have no agency worth considering, which allows them to live free of surveillance and control, since the State doesn't see any purpose in expending the resources to surveil them. They're all dumb, mindless addicts and gamblers whose only purpose is to provide menial labor. Meanwhile, the protagonist of the book, who is cunning and able to question the whole situation, is a middle-class white collar propagandist, just like Orwell was during his time at the Ministry of Information. Orwell clearly viewed himself as superior to the mindless masses, and he was a racist to boot, just look at what he wrote about the Burmese or the Irish. The Russian masses as depicted in Animal Farm needed little more than to be ordered around and they were willing to follow whoever was giving the orders. The English masses as depicted in 1984 needed a bureaucratic mountain of sophisticated social engineering dedicated entirely to manipulating every last minutia of information in society in order to be subject to the same level of control.

[screeching-bunny]

Dark/yandere king x the queen's lady in waiting mc, perhaps with Anne boleyn vibes👑🌹♟️♥️

Saw the witch x priest post and I have to say that the morally grey protagonist is a really refreshing and unique take

Yandere! King pt.2

Warnings: Obsessive Behavior, Yandere Thoughts, Bad Writing, Stalking, Possessive Behavior, Reader is Referred as ‘You’

Pt.1

Even though you were never assigned to him Yandere! King couldn’t help but want to be by his side no matter what. You are the in-waiting for the queen, you’ve been with her for all her life and you adored her. She was strong willed and she was extremely intelligent. You’ve been by her side ever since you were young and have a tight bond with her. She was cold but you were happy to serve someone like her. Yandere! King was someone that people couldn’t be offended easily. When in his presence, everyone needed to watch their tongues if they wanted to keep it. He was a ruthless man who only cared about his own needs and goals. Even though he was married it was clear to see that the marriage was clearly political. There was no love between the two of them and they would almost daily cheat on each other. He sometimes even forgot that she existed. It was due to this loveless marriage that he became so interested in you.

Any normal person would be intimidated by this but you honestly didn’t care. If his attention would help you get a pay raise then let him stare at you all you want. In this economy, there was no way you were letting this money bag go. Something that you noticed about this man was that he was overly possessive and seemingly jealous of the things that he considered “his”. If he remotely took interest in something then it was his until he got bored and discards it. No one is dumb enough to stand in his way; he's cunning, backstabbing, and absolutely brutal. Morality means nothing when faced in his way.

Right now, your current situation was… strange. In a dining hall filled with luxurious food. There was a centerpiece in the middle of the table that no one could take their eyes off of.

“You’re majesty, please let me go! I repent, please forgive me for my sins! Please just don’t kill me!” The man screams with streams of tears pouring down his face. It was quite a pathetic sight to behold.

Yandere! King stared coldly at the man nailed down to the dining table. The look on his face could send shivers down anyone’s spine. He was absolutely pissed off right now. Aside from the man in the middle screaming, the room was filled with absolute silence as everyone held their breath. The tension in the air was thick enough to cut it with a knife.

“Your highness please have mercy on my husband! He didn’t mean to! He wasn’t in the right mind! Please forgive him!” The man’s wife begged.

“Listen to him scream like a pig. He touched someone who belonged to me. A sin like that is unforgivable.” Looking your way the king says in a menacing voice. “Tell me where he touched you.” Oh boy, you knew for sure that this was about to get very bloody. Man you really wanted to leave right now. All you could do was hope that he’d increase your salary pay after this for compensation for having to witness this. Like yeah it sucked that someone was going to die right now but there’s no way that you’re quitting. This job paid way too much and you were way too money hungry to quit.

“Tell me where did he touch you? I’ll make sure to gouge out the exact body parts to match.”

“My cheek, my neck, my waist, and my thigh”

Giving you a dismissive look, the king finally allows you to finally leave. On your way out all you could hear were the screams of the man and the sound of ripping flesh. Thank god that was over, it was starting to get annoying. Now you might be wondering where was the queen in all of this? Well, she was with her lover of course! Like I said, the king and queens marriage was only a political one. As long as they didn’t bother each other or get into the other's business, then they did not care about what the other did. It was just truly a loveless marriage.

Making your way towards the queen’s chambers you begin to perform your daily duties. Mindless tasks that bore you to death. The only reason your pay was so good was because of how fond Yandere! King is of you. Any other person in your position would only get a fraction of your wage. You were a bit thankful for this because if he ever deemed you as boring and fired you. You’d still have enough money to live a fairly decent lifestyle. Something that you’ve learned while working for the royal family was that it was always best to stay away from their personal affairs. It gets real ugly once an outsider ever decides to interfere. You honestly wished you knew this before your parents forced you to sign up for this job. Maybe it would have saved you from an annoying king?

Sometimes he’d hand you little trinkets to indulge yourself in. It seemed that he was quite fond of observing you and witnessing your reaction to new devices. With someone like him running the country most people would think that it’d be in ruins. However, he’s definitely smart and knows how to run a country. It’s thanks to him that his kingdom has one of the best economies in the world.

Even though you were primarily assigned to the queen you saw Yandere! King more than her. To you, he was an obnoxious and dangerous figure. One that can easily win wars and conquer any land he so desires. He is a very selfish man that has a habit of being physically and emotionally manipulative. To be honest you can’t say you were any better. Oftentimes you’d use people to your own benefit but he’d definitely take it to the extreme. The amount of people that he used and discarded was insane. Weakness is a word that seems to be out of his dictionary.You could never tell what exactly he was thinking, he was like an enigma. One thing you were certain about was that with the rate of his obsession he’d never leave you alone.