#Didn't I just do that above?

[desultory-novice]

I almost forgot that I too had AU'd Magolor.

Mechalor is a clockwork Magolor who wished on a Galactica Nova and it went horribly wrong. He has flashlight eyes and loves to shock unsuspecting people by telling them the story of how he died in TMI levels of detail! (He's...he’s a bad Magolor...)

[egophiliac]

doylist explanation for why Gidel is only in Fellow's non-idle lesson animations: probably something about space constraints and making sure two sprites in one seat aren't covering anyone else when they're not in focus

watsonian explanation for why Gidel is only in Fellow's non-idle lesson animations: he snuck in and is hiding from the teachers, don't give him away 🤫

(I've reached my limit of unsuccessful attempts at pulling them before I need to save keys for Halloween, so I've been living vicariously through youtube videos...but the fact that Gidel just pops up from under the desk to wave his arms around happily is really testing my resolve. D: I'm gonna die when they finally get to do alchemy...)

[chaoticallyfluffy]

Ok consider:

A new hero emerges and the Justice League watches him for a while who make sure he’s not a threat. They see this giant clumsy man who moves like he’s not used to his body, smiles goofily every time he saves someone, and is clearly inexperienced with his powers and they’re all just like. Ah. This is a child.

Except they don’t think he’s a ten year old or however old Billy is at the time, no no. Clearly this hero came into existence shortly before his first appearance, just a few months ago. They don’t know how or why but It’s not the weirdest thing they’ve seen so it’s pretty easy to believe.

But they can’t just leave this toddler with the powers of a god to stumble around and potentially hurt someone by accident, nor go down the wrong path and become a villain. So of course they decide to ‘subtly’ guide him without alerting him to the fact they’re onto him.

They introduce themselves but instead of inviting him to the league they pop by every once in a while to ‘subtly’ teach him about responsibility and power, but also about love and humanity. They try to teach him to enjoy life and that he doesn’t have to act like an adult around them, instead encouraging him to enjoy his childhood even if it’s not an ordinary one.

(Too bad the Justice League suck at subtlety.)

Billy is certain they somehow found out he’s a kid before they even met him, probably because of Batman’s freaky know-it-all powers, but he isn’t very worried as they seem nice and don’t treat him like he’s dumb or fragile. They respect him as a hero despite his age so he lets himself act like a kid around them after a while.

When he gets comfortable enough to detransform Billy thinks that’s his identity reveal. The league thinks that he magicked himself a body that’s more of a representation of his true self and fits his developmental age better, possibly as a way to blend in with humans and experience what it’s like to be a normal child. Good for him!

Basically Billy gets a bunch of super powered parents and the Justice League get a newborn man that they think they’re raising from scratch lol

[leatherbookmark]

log 117 : (￣へ￣)(❁´Ɛ`❁)🤳🏼

[uncanny-tranny]

I've talked before about how the way people treat suicide can be unintentionally devastating to the suicidal person, but I don't think I really ever said how to avoid that.

Speaking about suicide in how selfish it "is" ("think about how you'll transfer your pain to your loved ones!") might seem like a way to put logical sense into the suicidal person, but, honestly? It runs the risk of massively increasing their shame and guilt about being suicidal. Suicide is not inherently a revenge fantasy or a way to "get back" at someone's loved ones, so when the suicidal person is treated like a criminal of a "crime" they haven't even committed yet, you can imagine how unhelpful that can become.

Instead, if you want to point out how cherished your person is, frame their relationships as something they can keep fostering.

"Your cat will miss you :(!!!!" becomes "you and your cat seem close, right? I'm sure it's beautiful having a close friend like that!" and maybe include ways that they and their cat are close and meaningful to each other, tailored to that relationship.

That's only one example, but when you shift the focus away from why that person should repent and feel guilty for being suicidal, you can instead focus on why they would live for that reason. See how you can frame that as a positive? Whatever is keeping that person tethered should never be used as a bludgeon, I think, because then you're taking away why they're living, the positivity of why they are here. Whatever they are here for should be remembered often and honoured.

[yellowocaballero]

Continuing the JJK posting: Gojo is such a mystifying character.

Action show where swinging out the gate you introduce a character who is so incredibly powerful you then have to, before every fight, establish why Gojo can't just show up and fix the problem in seconds. His existence weakens the stakes of everything. The rest of the show you are backflipping ridding yourself of him. He jobs two major bad guys off the gate and every subsequent extensive fight with them feels like cleaning up his leftovers. Put him in a box, he's ruining the game balance. So absolutely broken. As a writer it makes your job so difficult, but it's also the entire point of him. "Hey I want to write the single most badass character of all time who can do the most insane shit but I will also engage with that", rock on king.

I think he's most interesting when understood as somebody who is fundamentally alien and removed from ordinary human thought processes. In his world there is absolutely nothing he cannot do, and the thought 'maybe I can't do something' just doesn't occur to him. He is capable of doing whatever he wants and of killing anybody who tries to stop him from doing what he wants. If he is not doing something, it is because he does not want to do it. If he wants to do something (kill all of his superiors) and he's not doing it, it's because he doesn't think it's the most effective route towards what he has decided to do. I think this informs the majority of his actions (and, importantly, what he doesn't do)(murder). I think he's reasoned out that you should have a general reason to do things, and it feels like sheer luck that he places value and meaning in human life, and as such you shouldn't kill them without a strong reason. Watching the flashback arc, if I hadn't seen a) JJK and b) Naruto and you asked me which shitty teen became a law abiding school teacher and which became a mass murderer I would have guessed the wrong ones.

Anyway, the way I like to think of him, he's a raging narcissist with a god complex to match. Horrifically, he's actually a good teacher, but he is also a teacher as an ego/'raising my child army' thing. He would be the kind of mother who is a good mother but lowkey had kids also as an ego/unconditional love/lots of attention/'surely my child will worship me' thing. Gets randomly into new hobbies, obsesses over them, gorges himself on the novelty factor, before dropping them in a week once he gets too good at them. Rinse and repeat. The only hobby that does not eventually grow boring is annoying people, so it's his only hobby. Geto told him age 15 that he'll never have any friends if he keeps on casually reminding people that they live on his sufferance, so he developed another back-up hobby more conducive for friendship of helping people forget that they live on his sufferance. This has convinced him that he's a god of subterfuge, intrigue, and trickery. Does eat women out, but is convinced that this makes him God's gift to women, and is actually pretty terrible in bed because his partner's desires never even occur to him. Is convinced he's as good at sex as he is everything else. Sex is actually the one thing he's bad at, but he's not ready to hear that.

In S1 he overall left me with the general impression that his entire idea of how high school worked was sourced from anime, and as such decided that being a teacher involved nothing but field trips, sports games, beach episodes, sports festivals, etc. Did not know how the classroom component worked so he skips it. Jossed, but also left me convinced that it would be very funny if he was an immortal 150-whatever years old and had founded the high school himself out of, you guessed it, an ego thing, and never once properly learned how high schools worked and just arbitrarily made his own aging students the new principals so he could continue engaging in training the kids who are too Misfit (TM) to get apprenticeships and living his fun slice of life anime life and raising a child army of kids who will worship him any day now. Annnyyyy day now. Any day now.

[gojuo]

"i assure you players, it is vitally necessary to the plot that miquella is an eternally underage femboy caught in an incestuous love triangle with two of his older brothers that he is secretly planning to merge into a flesh golem he will marry"

[northstarscowboyhat]

Wouldnt Chujin be pissed that the guy he cant stand is rizzing his wife up after he dies?

Funny short answer? Yeah, he'd be pissed. He cannot stand Starlo and the fact that Star's flirting with Ceroba long after the fact would make him gag

Serious, longer answer (because I am diseased and must talk about them)? No, I don't think he'd actually be upset.

If Chujin's ghost gets to witness everything that happens after his death, I don't think he'd be angry Ceroba eventually enters another relationship. He's dead, but she's not; he wants her to be happy and move on. Honestly, he'd probably be very worried watching her not make more connections, platonic and romantic, after he passes away. She doesn't NEED another romantic relationship necessarily, but it's not good for her to close herself off from others.

Being with Starlo helps her connect with people again. She makes friends in Dalv and Martlet and others, stops closing herself up emotionally, stops drinking to cope with the pain at the saloon. A lot of that is her own strength, her own determination to keep living on and be happy for herself, but Starlo does play a part in that and helps her out. That's something Chujin's ghost would appreciate.

Starlo treats her right, is always there for her emotionally, offers her comfort and any kind of support she requires, makes her smile and makes her laugh. Yes, Chujin finds him very aggravating and honestly still disagrees with a lot of his politics and opinions, but even he can't deny Starlo's a good man. And if being with him makes Ceroba happy, he has no complaints. He would fully support her dating and eventually marrying Starlo.

Them adopting a human child and having them move into the house he built, though...

(He's okay with it. He's learning to make peace with it. It's fine. This is fine.)

[fallloverfic]

I love singNsong again reminding people in Side Story that Dokja wanted other people to read TWSA (he wrote reviews and comments! It was his first wish), and he only stopped bothering because people harassed him for it. He didn't gate-keep the story. When he's avoiding talking to Sangah about it at the beginning of ORV, it's because he knows what happens when he tells people about the story, not because he's gate-keeping it from her. He notes he's not proud of his hobby (likely because he's been bullied all through his life, including for reading the thing he loves): he finds it embarrassing to talk about, and better respects her studying Spanish in her free time (learning another language is a generally accepted thing in society). He assumes she won't care or will look at him funny (or worse) for when she learns about the novel he's into.

Basically anyone writing "let's gatekeep ORV" posts because of the anime announcement or because they dislike the manhwa or some other weirdness, y'all are the villains in the scenario.

The literal climax of the story is about sharing ORV with as many people as possible. What story were y'all reading?

[lloydfrontera]

actually i get very emotional when i think about the giant ants arc because when arcos is told that there's an entire colony of monsters that could easily destroy the estate the very first thing he asks is where lloyd is. and when he's told that he's still down in the mine he doesn't hesitate for even one second to grab his armor and go down there himself just to get to lloyd. like. those things are huge and they're vicious and there's hundreds of them and to face them is *checks notes* "to guarantee your own death". arcos hasn't even touched his sword for a decade. he's not winning that battle. but it doesn't fucking matter at all because his son is down there and arcos is going to get to him even if it kills him.

he just. he fucking loves his kid so much. and this is not even like that far ahead into the novel. lloyd is barely beginning to clean up his body's act. this is chapter 25 it's like 6% of the whole plot. and this man was already completely and unhesitatingly willing to die for his son. how am i supposed to not cry about that.

[brethilach]

euughh just saw someone say that Celegorm kidnapping Lúthien to force her into marriage was "out of character" and just. I understand the urge to smooth the edges off your blorbo's flaws or whatever but if you've gotten to the point where you genuinely believe the author's portrayal of his own character isn't in line with canon then I think you just misunderstood what you read

[cruelplatonic]

ruminating on 'the vees died despondent nobodies' thoughts

velvette interrogates vox after she hears him give various conflicting and bombastic accounts on air. a selection of these include: blew his brains out on live television, administered the death penalty for killing his "bitch wife," a tragic accident involving two shetland ponies, dubiously legal iranian yogurts, and a whole lot of cocaine. the actual cause was shockingly ordinary- a heart attack in front of the television, alone, his corpse only recovered after two weeks passed. he was watching a game show and his last mortal regret was never even learning who won, because he died during the commercials.

[hadesknockedupintheunderworld]

You always have good things to say in your essays, so I am curious what your overall thoughts are on the Sonic Movie 3 trailer?

Ah, well, thank you! I'm glad that you like what I have to say🥺❤️

So, I originally watched the trailer quickly before I had to go to work. I think at that time my general thoughts overall were basically:

Team Sonic!!🥺💖

Every new installment they surprise me with just how sad and wet Agent Stone's eyes can get in the presence of Robotnik

Pop pop?! Gerald?? He's alive??

Ough parallels between movie sonic and movie shadow

...What if Movie Shadow made a connection with Tails and Knuckles over their individual struggles in finding home despite their pasts?

Movie!Knuckles wants Movie!Shadow so bad it makes him look stupid. I love how excited he is to fight him. Like they just took Sonic's initial onesided fixation on fighting Shadow from SA2 and gave it to Knuckles and I'm not complaining

They should make Shadow and Tails implied friends like the Tailstubes did. For me 👉👈

Wooo fat movie Robotnik!

Ajsjsjjsq I love how he just ripped Stone's shirt off and kept it for himself

The juxtaposition between Sonic and Knuckles here is hilarious to me. Knuckles insulting Sonic when he sees Shadow, right in front of Sonic. Sonic trying to tell Knuckles they should be reasoning with Shadow and Knuckles is like "Nope can't hear you I need to fight him!"

I wonder just how much they're gonna tie in the Knuckles tv show. I kinda hope Wade and the flames of disaster make an appearance at least

ㅤ

I did, however, rewatch the trailer for this ask, so if you'd like to see some more in depth thoughts on the trailer, I've put them under the cut

ㅤ

"Sonic, you've finally found your family."

This line is interesting to me simply because Tom says it, but it only shows Knuckles and Tails onscreen.

Now, personally, I think this series is perfectly capable of presenting a version of "family" that doesn't 100% mean the nuclear family dynamics. In other words, especially since images of Maddie and Tom weren't put onscreen during Tom's line, I like to think that harkens back to the wish Tom and Maddie expressed for Sonic back in movie 2 to find his squad (his team of best friends and wingment to grow up with). In essence, I personally do not believe this line means "oh Knuckles and Tails are your siblings now", especially since it would contradict that sentiment in movie 2 and (while I don't think Knuckles finds them family in a nuclear family way either) would be weird paired up with Knuckles calling the Whipple family "home" in the Knuckles series.

So yes. Family because they're friends, wingmen, comrades who have each other's backs and work together, not because they're siblings unified under one particular household.

Woo! I see the flames of disaster!! Nice to see tidbits of things carrying over from the Knuckles series

I am very interested in the shot of Tom uncovering the picture Sonic drew of himself and Long Claw.

I suspected back after movie 2 that we wouldn't be done talking about Long Claw. Of course this is true by default if they want to touch on the Echidna/Owl war stuff any more, which they have in every installment thus far, but I mostly mean in terms of how Sonic's past.

Personally, especially with Knuckles turning out to be the Iblis trigger after the Knuckles series, and those lines from Long Claw about Sonic potentially being hunted for his power (even though we yet have no evidence the Echidnas were hunting Sonic for any purpose), I still think there's a possibility of the movie universe touching more on Sonic and Long Claw for bigger reveals into the past (quite possibly into Sonic's origins??)

But at baseline of course we will be getting parallels from Sonic's past to Shadow's. So I'd say that how much we touch on Long Claw and Sonic's past in this movie and the importance of it will remain to be seen.

"I know it's not easy, but you didn't change who you are in here." "Yeah. In my lungs." "Or your heart."

(The following is partially a joke) Tonhon Chonlatee reference making it's way into Sonic movie 3??

Okay, so it seems to be that someone is still going to free Shadow on Prison Island? The visuals kind of suggest he just broke out, but that line from Commander Walters can also still suggest that someone breached the security (Ala SA2 Eggman) to facilitate the freeing of Shadow. In this case, I'm highly curious as to who will be doing it, and whether they will be present when Shadow exits the pod. Personally, after Movie 2 I hoped it would be Agent Stone, but we'll get our answer when the movie comes out.

WOW that shot of Shadow punching through the glass of his stasis pod is freaking EPIC. Definitely a fav scene of him in this trailer for me

TEAM SONIC MENTIONED! (Team Sonic is my favorite team, so movies 2 and 3 are wins from me in seeing team dynamics with them)

THEM CRUMBS🥺💖

I am a shameless sontails shipper and lover of Tails so this shot is everything to me

Okay, so earlier in the trailer we saw Team Sonic separately in places all over the world. Here I think at least one of these is to show them looking for someone like Shadow with intent to stop him (or to stop another threat at baseline). Also in the trailer we see a short clip of Sonic searching in a room with a flashlight.

My first thought on this is that during the course of the movie, Team Sonic's secondary objective (either self imposed or given by GUN) is to find out more about Shadow and his past. So this scene could be related to that.

My second thought is that this scene could also be Sonic taking a look for clues on the arc, though I'm not sold on this interpretation.

Third, at baseline, this is clearly a scene of searching for someone or something. No matter who it is though, I suspect the reason or room is related to either Ivo or Gerald in some form. Plus the fact that Sonic is searching most likely means he entered the scene with intent to search rather than spontaneously deciding this.

Finally, though I don't have many thoughts here. A figure can be seen in the background in the right of this clip. Since they are not also searching with a flash light, this could be a scene where we see Sonic caught in the act of what he's doing.

Commander Walters talks about how similar Sonic and Shadow's stories are during the clip of Sonic searching, Shadow in the pod while Maria stands outside of it, both pressing their palms to the glass.

While not necessarily a confirmation, this is why I believe that scene of Sonic searching is related to Shadow's past or possibly Gerald.

Also, unrelated, I really love that clip of Shadow smiling in the pod at Maria while they press their palms together over the glass. I'm completely normal about it (sarcasm)

"But where you found family and friends"

This line from Commander Walters is overlayed over shots of Tails (during "family") and Knuckles (during "friends"), a line which (like the earlier family line) I'm sure the loudest Sonic fans are making 1k note posts about.

Anyhow, I have two interpretations of the intent of this clip in the trailer, especially since it's another scene where they neglected to show Tom and Maddie in the mini montage

1. Where the scenes are cut is meant to associate Knuckles more strongly with "friends" and Tails more strongly with "family". In this case, "family" will be used in a found family/found home manner that does not denote in nuclear family with/siblings to. In any case, while Knuckles and Tails are both his friends and undoubtedly part of his squad, it remains that Knuckles and Tails do not have the same relationship to Sonic. Despite all being friends, we see at the beginning of the Knuckles series that Tails is comfortable living with Sonic and his textual adoptive parents, and that he doesn't have the same problems as Knuckles fitting in as Sonic's roommate. Likewise, based upon Movie 2's attachment to Sonic in particular and love of being considered Sonic's friend (with those moments in movie 2), combined with what we see at the beginning of the Knuckles series, it's clear to me that Tails' home is with Sonic and Sonic in specific. Tails is Sonic's friend who considers him his home, but while Knuckles is also his friend, he goes on a journey in the Knuckles series which was meant for him to find his own home (which he finds in the Whipple family). In other words, I'm saying that one interpretation of this clip is to denote the difference in strength of bond to and relationship Sonic has to members of his squad. Tails is his family, his best friend, and Sonic is part of Tails' home. Knuckles is his friend, squad member, ally, but he does not find home in Sonic.

2. The downfall of interpretation 1 is that it contradicts what I said about Sonic considering them both his family, his best friends, his squad earlier with the other family line. So interpretation 2 asserts that the whole friends and family line is meant to be applied to team Sonic. Again, especially with the absence of Tom and Maddie, I believe this is not in a nuclear family way, but as in "they are my friends, my squad, my family". As in, Sonic feels connected to these two and feels that they are family to him in the sense that they are important to him and a big part of his life. The family one chooses to stay connected to.

For the record, I'm also biased towards this interpretation of the family lines (not just because I don't personally like the alternative), but because every main character thus far has avoided ever labeling his relationship to Tails or Knuckles as inherently sibling like. Sonic movie 2 even had Maddie and Tom at the very end saying Sonic had found his squad and best friends for growing up, and the beginning of the Knuckles series has Sonic call the two his roommates, while Maddie treats the two more like other kids that live in the house than necessarily *her* kids. Then there's also the Knuckles series ending, where Knuckles calls the Whipple family his home, but the series purposely chooses not to make it clear what his role would be in a nuclear family dynamic, only that he's a part of it. All of that juxtaposed with the fact that Tom and Maddie were explicitly confirmed as Sonic's parents in movie 2 (and combined with the fact that it's not taboo in Eng Sonic media to consider Sonic and Tails as bros or media in general to confirm characters of the same sex as basically adoptive siblings to each other) tells me that those involved in these movies purposely choose to consider these characters family to each other in a way that doesn't conform to nuclear family dynamics and friends to each other as well. In other words, they have had every available opportunity (especially if Sega wanted it or approved it) to confirm this sort of relationship outright (and might I mention that Sonic being given explicit adoptive parents is more big in terms of the past mandates than someone like Tails being a bro (which has been let into eng media on occasion in the past)), and have not done so. They have not given any indication they will do so. And I feel that at this point after showing us good examples of canonically platonic relationships that are important without necessarily being sibling/nuclear family dynamics, it would be a waste to just go "yeah they're siblings" and call it a day, ripping the complexity out of it.

But that's just me.

Right after the clip I just mentioned, we see Team Sonic race each other, with Tom and Maddie starting the race.

Now I've already seen postings about how this shot is confirmation about how Tails and Knuckles are so siblings to Sonic.

Since I have my own post here, I just want to say that at very baseline I think that reasoning is incorrect. This is because the Knuckles series, again, explicitly confirmed Knuckles' home to be with the Whipple family, in contrast to how the beginning hammers in how he doesn't fit in with the Wachowski family or feel quite at home with them. They literally cannot be canonically siblings to each other if they haven't referred to each other this way and if one of the characters involved in the scene doesn't even consider this family in question his home. At best to me the association of this clip and the words about friends and family beforehand implies that Sonic considers these 4 all parts of his family in different ways (again, not necessarily with all 4 fitting into nuclear family dynamics). I don't endeavor to say Sonic sees Knuckles and Tails as siblings to him (in a situation where the feelings aren't exactly the same both ways) because, again, Sonic outright avoids considering them this way, and considers them his friends and roommates explicitly in the first episode of the Knuckles series.

Anyways anyways. I digress. The point of this clip.

At this time I'm thinking either this is a friendly race they've asked Tom and Maddie to intervene for (possible), or this is the start of the journey earlier when we see the trio at different places all over the world. In other words, it's possible they started their separate journeys around the world with a race, intending to beat each other to doing something with a friendly contest.

"Shadow found only pain, and loss"

I know how people have been talking about this set of clips, but at this time I do not believe the fire (aftermath of possible explosion) we see is the original event on the Arc resulting in Maria's death. Yeah, sure, the movie universe isn't 1 to 1 with canon, but I really do not feel like that scene is depicting the arc. This instead reads as a scene to me where Gerald and Shadow are going through a painful moment of loss in the present and being cornered by GUN for capture. It seems more like a scene that occurs partway through the movie as an event that happens rather than a flashback.

Take that with a grain of salt though. That's just my interpretation, and there's not a lot of proof to find to back up any particular one.

We've also heard rumors of time travel being involved, so it's also possible there's a plot bit involving saving Maria and reversing the hurt that way and it tragically failing? Don't know.

Also love the shot of Shadow looking at the cracked glass👌

S sorry just them again looking at each other and Sonic turning to Tails for guidance 🥺🥺💖

This entire mini clip means quite possibly a bit too much to me for a mere trailer but I love their dynamic

I have talked about it before but damn. Knuckles "He is much more impressive than the hedgehog I fought previously"

We literally see a shot of Shadow revealing himself, and then Knuckles starts talking about how impressive he is.

I know there were a lot of jokes made in the last couple years that Sonic would see Shadow and instantly be enamored, but oh how the turntables! In the end, in this trailer at least, it's actually Knuckles who becomes instantly enamored. One look and he's calling him impressive. One look, and he's already ignoring any direction on Sonic's part to perhaps de-escalate the situation by talking to Shadow, because Knuckles wants to fight Shadow so badly it makes him look stupid.

The way the interaction is done reads to me that Knuckles wants to get a go at tussling with Shadow either more than the stakes of the plan at hand, or would want to despite reality. In other words, even if Shadow "switches sides" so to speak successfully here, Knuckles would still want to fight him for personal reasons.

Of course right after this we get the subject of a billion jokes about how Shadow hates Tails so much in specific that he goes out of his way to beat him up.

Where is that meme image of the guy looking out the window holding his cigarette, just tired? (Rhetorical question)

I did not think it would be need to said but here.

If you watch the scene, Shadow kicking Tails is not presented as more important or targeted than anything else. First of all, it is within a sequence where we see him take down the members of Team Sonic one by one in a single blow. Second of all, Tails' is actually the least focused on in the trailer. Knuckles punching Shadow only for Shadow to (presumably) break his wrist is shown as a big thing (especially as a call back to the first big clash between Sonic and Knuckles that was advertised a lot for movie 2). Shadow going for Tails is something he literally cuts behind Sonic to do, which quickly segues into him grabbing Sonic and using his air shoes to boost them high into the air so he can slam Sonic down into the ground. Tails being kicked here is presented like something he had to do to get to Sonic, not him going out of his way to beat up Tails. Seriously. How can that even be true when Knuckles and Sonic get flashier and longer beat downs?

Anyways, all that aside, this scene is very neat. It's very clearly to set up the disparity in power between Team Sonic and Shadow the same way it did between Sonic and Knuckles in movie 2, with the framing this time presenting Shadow as a powerhouse unlike anything anyone has ever faced. In other words, combatting Shadow will be more of an ordeal than combatting Knuckles was.

The scene where Tails says "this is a bad idea" and Sonic goes "when has that ever stopped me".

It would be completely fine and dandy if this does turn out to be about the crew looking for Robotnik and deciding to join with him. Personally, I think this is one of those cases where a line from a movie is cut in the trailer to show that it's about something when it really has to do with something else.

Besides the fact that we just don't know when or how everyone will learn Robotnik is alive (since it's pretty well considered by the main characters that he died at the end of movie 2), I think with Tails outright opposing this and Sonic looking angry, this scene is referring to something potentially more risky and dangerous than joining forces with Ivo Robotnik. Depending on how epic the scene is, this could predate a major moment

But I'm excited to see the context regardless of what it turns out to be!

Sorry I know I said it earlier but WHOO fat Robotnik. Hollywood fatphobia aside, I'm honestly glad that Jim Carrey has been winning his battle of moving his character closer visually to Robotnik's canon design.

It's pretty clear by the "we" have visitors that Stone has been with Robotnik taking care of him at some point since the ending of Movie 2. I remember a lot of us assumed the battle in movie 2 did kill Robotnik but that Movie 3 would involve Stone bringing him back somehow. Either way, though I know this was technically dependent on whether Jim Carrey would return to this movie, I do feel vindicated for saying "Robotnik isn't gone for good since we didn't see a body and GUN didn't find one at the end of movie 2".

Agent Stone and his sad wet eyes

So to go into a lot of detail would require a proper essay post, so I'm going to try to make this section as short as possible.

Now, as far as I've gathered since movie 2, Stone's sad wet eyes appear in 1 of 3 instances.

1. When he misses Robonik so so dearly (as seen in the beginning of Movie 2)

2. When he is jealous and fears being replaced by someone else Robotnik chooses to hang out with and go on his missions for the evil plan with (as seen during the scenes where Robotnik has Knuckles with him in the Mean Bean in movie 2)

3. When Robotnik continues to change from the exact kind of slick, collected, confident, and fashionable guy we see in movie 1 in ways which Agent Stone would percieve as him "getting worse" (As seen in movie 2 where Stone sees Robotnik again for the first time, remarking that he looks different, and in the annoyance he gets in movie 2 when Robotnik leaves him out of his plans and continues to include Knuckles rather than consult or use him (Stone))

Now, clearly it is not option 1, given that he is fully aware of Robotnik's location and has clearly been watching over him.

I also do not believe it is number 2, for two reasons.

1. The context clues imply Robotnik has likely only been around Stone all this time. There's no one already living in this space for Stone to be jealous of.

2. We see Stone and his bike blocking the path between Team Sonic and Robotnik, and it's Stone who brings Team Sonic inside to appeal to him. Since it's implied Stone chose to let them in and doesn't seem annoyed when he announces their presence, he does not have the sad wet eyes because he's jealous of their connection to Robotnik in any way.

So this leaves us with option 3: Robotnik is changing further in ways that are messing with Stone, and Stone sees it as Robotnik beginning to "fall from greatness" so to speak.

And I think this interpretation is actually pretty clear. We don't see evidence of a struggle on Stone, so it's unlikely he seriously fought Team Sonic. Rather, it seems to me that they told him they wanted to appeal to Robotnik to get him to help with protecting the world, and they convinced Stone to let them see Robotnik because Stone hopes their involvement (or such a mission) will get Robotnik out of whatever his current rut is (with the state of his hair and stache and the mess in the place he's staying in, it's pretty clear he's in a depressive rut). Stone is sad to see Robotnik this way and hopes Team Sonic can fix it.

We are not actually done with Stone's sad wet eyes though, as he still has them during the scene Robotnik retreats to the bathroom for an outfit change (yes, the scene where he rips off Stone's shirt). It's also worth noting here that Stone still sounds sad during this scene.

So, this is where I take the time to talk MORE about Agent Stone in relation to Ivo Robotnik (but again without going too in detail and doing too much outright essaying). This bit is connected to the previous part, but I wanted to give it its own section since this has to do with my prediction for the future.

My theory? Stone may be set up for an eventual Dr. Starline parallel.

Let me explain a bit.

So, if you don't know who Doctor Starline is, he origates in the IDW Sonic comic adaptation. He is a very intelligent (and fashionable) scientist who holds great admiration for Robotnik, and is obsessed with him. From the beginning he'd put Robotnik on a pedestal and had wanted not only to be like him, but to be vital to him. Starline wanted to be a great help Robotnik to take over the world, and essentially superimposed himself into the position of Robotnik's number 2 (a position comparable to Stone's in the Sonic Movies, Snively in SATAM and the Archie comics, and Grimer's in the Fleetway comics). Over the course of Starline's time together with Robotnik as his self imposed number two, the two start out fairly strong only to clash more and more often as Robotnik expects a lackey who only does what he says, and Starline expects a partner who will listen to his advice. Tensions grow, Starline becomes more disillusioned in the genius and superiority of his hero, and finally, Starline takes it upon himself to be insubordinate. Believing that Eggman's plans are short sighted and destined to fail, he takes it upon himself to "fix things" by going behind Robotnik's back and bringing in the Zeti as (assumed) pawns. It is after this act where Starline decides he needs to save his hero from himself that Eggman tosses him to the side and fires him.

Now, it's worth mentioning that Eggman so easily tosses him aside because there is one thing Starline does not have in common with the other examples of Eggman's number two in other media. This is that they have the advantage of time spent with Eggman, allowing him to become attached to them enough that even smaller acts of insubordination aren't enough for him to fire them completely.

But in any case, Robotnik didn't completely reject Starline after this. He was of the mind that he'd be willing to take Starline back if Starline begged at his feet and apologized. However, since Starline had too much pride, he did not do this. Rather, he begins to believe that Robotnik still is a grand genius, just that he's short sighted and can never take over the world with how he handles the threat of Sonic. So, Starline takes it upon himself to take over the world for Eggman (since he believes he himself is smart enough to do so without falling into Eggman's folly), and then dreams of doing such a good job that it's Eggman who begs to he at his side, since Starline is hung up on Eggman's rejection and wants him to choose him.

So, what does this have to do with Stone?

Well, I have no doubt that Stone was a smart man from the start given his position related to the US gov and that he's been able to perfectly Robotnik's assistant. But you can also take Eggman's word for it as well, courtesy of the prequill comic (which takes place between movies 1 and 2)

It is also by this very comic that we know that Stone was the only man Robotnik trusted to enact his plans in his absense, and perhaps the only man he had ever shared the secrets of his manifesto.

And it's how we know that Stone undoubtedly undergoes major changes by movie 2 compared to movie 1. Not only does he have it in his mind that he is Robotnik's number 2, a man personally responsible for doing what Robotnik cannot with the mission of personally rebuilding Robotnik's glory, but this entire experience contains the purpose of molding Stone to be more like Robotnik himself.

Stone by movie 2 is more cunning and calculating in the way Robotnik is. He was given a personal mission to rebuild his master's former glory, and he throws his entire self into it. It is not a stretch to assume that Stone is saddened upon meeting Robotnik again in movie 2 because it did not match his expectations.

All in all, especially since he'd given Robotnik the tools for a makeover, I think from Stone's end he was expecting for Robotnik to return to him a man who has gone through an ordeal but maintains his style and greatness (essentially, looking like he did before), as a man of who would congratulate Stone on his work in his absense (praise him even), and take him at his side as they work together to enact Robotnik's world takeover plan.

But Stone's expectations are dashed as Robotnik arrives in a new fit, with a new stache, seemingly more mentally unstable than before (keep in mind, Robotnik's thing in movie 1 was that he was more intelligent and thought differently than everyone else, not that he was unstable. He was the kind of "genius who is written off as unstable but sees what no one else does", but since his involvement with Sonic HAS been seemingly less cool and collected and more unstable), and with a space echidna at his side. In the span of one meeting, Stone had the means to feel replaced and to feel as if Robotnik was falling short of his glory/falling from greatness as he's changed.

And then over the course of movie 2, though there are people who do Movie Ivo character study who'd agree that Robotnik does genuinely care about Stone, just is bad at showing it or doesn’t show it conventionally, it's pretty clear that Stone himself doesn't really see it. He doesn't feel valued. He doesn't even get to be used by Robotnik as he was in movie 1, actively on the road trip with him. Nope. Robotnik leaves him at the Mean Bean most of the movie.

And this is why Stone doesn't seem happy most of the movie. This is why it excites him so that Robotnik accepts him at the end of the movie and makes room for him as a vital helper.

What I assert, in essence, is that after the prequill comic, Stone can no longer just be okay in his role as he was before with little praise/acknowledgement, nor can he even he even take solace in the fact that Robotnik will always keep him around because he needs him.

So here's where the Starline parallel comes in. Now that Stone sees himself as a much more important figure in Robotnik's life, with a mission given to him by a version of Ivo who Stone could possibly see as "at his most sane" to make sure he succeeds and attains his former glory, I think he sees his number two role as less of a guaranteed thing and something he must fight to keep (this means stuff like putting himself out there at the end of movie 2 and begging to go with Robotnik, or taking it upon himself to find Robotnik after the battle and support him). And so, I suspect (especially with those shots we got in the trailer, Stone being sad at presenting Robotnik's current state, his potentially angrier faces as he's finally allowed to groom Robotnik and shave his hair, his continued sadness even as Robotnik has moved out of his rut) that we're going to see Robotnik to continue to take Stone's presence as his "sycophant" for granted, while Stone continues to become disillusioned with his idol and master.

But in the end, this is just my theory. I do not yet know how much of this will actually come to pass, but I hope it's food for thought for you all.

I predict Stone will continue to become so disillusioned with Robotnik due to seeing him as a man falling from greatness and due to lack of acknowledgement and appreciation, that Stone will eventually turn on Robotnik. But not to stop him or to become better than him. No. I predict, Starline style, Stone will take it upon himself to restore Eggman to his former glory, to eventually go behind Eggman's back and enact his own plans, to attempt to take over the world for Robotnik, and to accomplish it all in such an amazing display that Robotnik has to express that he wants him around and to acknowledge him as a partner and to praise him.

At least, that could be the plan/setup. It would remain to be seen how these two characters resolve this event (essentially, in which ways this diverges from the parallel and the two inevitably come back together again). After all, no matter what ends up happening between Stone and Robotnik, I think something will need to give and change eventually, and the two will need to make their feelings/wishes...more clear to each other

By the way, I too love the Stobotnik scenes in this trailer. We are eating good👌👌👌 However, it really is hard not to see that scene where Ivo rips Stone's shirt off as another moment where Stone doesn't feel appreciated. Ivo over here ripping off a man's shirt (gay. Sorry. The people are right when they asked if it was gay for him to just rip it off and then choose to wear it during the movie), and it's entirely possible the man in question thinks that this is proof that Robotnik doesn't think much of him in this state (even if Stone is clearly not going to keep him from doing what he wants here)

"When we're done, there won't be anything left"

Cool, so Shadow is actively planning on destroying the world here. Potentially to satisfy revenge.

Interesting. So the scene with the Chao mascots also looks like an ambush is happening, with Team Sonic specifically being targeted with missiles

"What did you do?" "What I had to."

Movie Sonic has his classic extremely angry face here too, so Shadow must have done something major. It's either world ending, or it put the lives of his family and friends in HUGE jeopardy (or both).

AND FINALLY. Gerald reveal

I cannot express the surprise I felt here. This scene shows us that Gerald is here in the present, not just a man who died 50 years ago by execution. So, possible time travel shenanigans or not, the fact that he's involved in the present conflict (perhaps with Shadow personally) is highly interesting and I'm excited to see where this goes.

Also, based on the layout of the room here, it's potentially possible that either this is the same room Sonic is searching earlier in the trailer, or that Gerald had multiple lab like living spaces he was jumping between over the years to stay under the radar, and that Team Sonic and Team Robotnik ended up finding Gerald while looking into clues on Shadow

ㅤ

And...done. Whew. Wow. I had a lot of thoughts so uh. I hope my ask satisfied your curiosity, flashonetwo. I also hope for anyone that read this far that you enjoyed it at least a little bit, and that your mind is running with thoughts of your own.

I'm beyond excited for this movie, and I genuinely can't wait to see what happens next. So here's to seeing how much we get right in the future, and here's to enjoying what we get!😊❤️

[fictionadventurer]

🌠

[creative-hanyou-girl]

You guys know on how InuYasha, the few times he talks about it, badmouths his father and says he doesn't care to avenge his death when he battles Ryukoltsei?

I wonder if InuYasha starts to regret his mindset towards his father once he himself becomes a father. Or at the very least, he starts to understand his father better. Especially if you want to go by the Movie 2 canon where part of Toga's death was from protecting InuYasha and his mom.

Just makes me wonder if InuYasha looks at Moroha or any of his other children and has the thought that it'd break his heart if any of his kids felt resentment towards him like he felt for his own father, especially when everything he ever does is to protect them. And I wonder if it makes InuYasha start to look at his father's memory differently, now that he's a parent himself and would do anything and everything to protect his kids, even if it meant dying and leaving them without a father.

Not that he'd go and try to get himself killed, as he wants to actually be alive so they don't have to grow up like he did, but you know he'd sacrifice himself if it meant his children could live, just like his father did for him (according to movie 2).

I don't know, I just wonder if InuYasha starts to ever regret the way he looked at his father's memory back when he was a teen once he becomes a father to Moroha and starts to understand his father's actions as a parent now that he himself is a parent. Ya know what I mean?

[jimmyspades]