#Do you though child

[muffinlance]

Toddler: I am going to make a panopticon hover craft

And then he did

[big-greer]

a BIG part of the lore of Dungeon Meshi is how ageism is bad. About how the long lived races treat the young lived races like children and thus infantilize them and do not show them the respect and understanding they deserve simply because of their looks or short life spans. Whether its because to them they look like children in their eyes (like half foots and gnomes) or because the adult ages of the younger lived races are still in the child ages for the longer lived ones and so they get treated/viewed as children (we see otta receive comments about getting with minors when in reality she dated adult half foot women. so we already see this view towards things like this are a thing in the lore) We see this with chilchuck, senshi, and marcille where the two later view chilchuck as a child and treat him like one even though he is a full grown man who drinks (and is supposed to have grey hairs) all because he looks young and in the newest episode its revealed he is 29 which is still young children to the two of them. We see how perspectives that characters are children because of their age being a childs age for a different race as opposed to their race or because they look like children is a completely infantilizing and disrespectful behavior that causes so many problems in the long run. a theme that is completely flying over the average tumblr users head.

ive seen people get furious at other people because they sexualize chilchuck and even marcille

“oh they look like kids so dont do that you freak”

you absolute fool you missed a major theme of the fucking story. But because they look young suddenly they are children? have you paid no attention to the story? did you just ignore how the ageisim and weird mindset about ages like that causes so many issues that could easily have been avoided. and as for the age one i see people getting furious at others for being into and sexualizing izutsumi even though she is a year past adult in tall man years, but because she isnt in the adult age range in real life (wild your applying real life society standards to a fictional medieval fantasy world). even though even in lore she would be well an adult able to get married and everything tumblr really does have the media literacy of a toddler.

[paperglader]

they really put alicent in bridgerton blue on the reunion and genuinely expected me to think that she didn’t in fact march all the way to dragonstone to get wifed up? bfr

[puppetmaster13u]

Prompt 138

Danny squints up at the blurry form cradling him, brain trying to catch up with his situation. He can feel the pulse of his siblings’ cores nearby, gently pulsing contentedly despite the chaos of his last memories. His limbs feel too small and pudgy, too-small fingers gripping onto something as his vision started to clear. 

There was a man, holding him? Cradling his too-small form like he was an infant- was he an infant? He was pretty sure he wasn’t supposed to be, he had been older but now he wasn’t. He squinted up at the stranger, green eyes meeting green. Huh. They kind of looked like he could be their dad or something. 

[raviola-triggers]

Role swap AU designs (and some minor details about them) inspired by this post right here that got me brainrotting for the past five hours.

[kacievvbbbb]

Mihawk and the Red Haired Pirates

-Look I don't know what to tell you, Mihawk's epithet is literally Hawkeyes meaning he is world-renowned for his eyesight meaning that he'd probably make a good sharpshooter. And maybe Yasopp decides to test this theory with a little friendly competition. And after giving Mihawk a quick intro into how guns work, maybe Yasopp had to pull out every trick there is in the book to narrowly avoid losing to said Hawkeyes, who as it turns out is indeed very good at hitting targets and who had literally just learned how to cock a gun not even 30 minutes ago. But who's to say what actually happened, the day of November 25th at 2:35pm? Certainly not Yasopp, the record clearly shows he is undefeated.

-Once a year Ben and Mihawk go on a little trip just the two of them. They act like it's just so they can shit-talk Shanks but actually, they just go fishing somewhere in the middle of the ocean and drink horribly overpriced and fancy alcohol. Look Benn loves his crew, and would die for them but also if he doesn't get at least a week to himself once every year he'd kill them all himself. He deserves nice things and a little peace and fucking quiet and not being constantly inundated with the whims of a man child and Mihawk's the closest he's ever gonna get to a friend with taste, and he travels alone with a bunch of fancy wine. Sue the man. Mihawk who would rather nap is fine to let someone else sail his overgrown raft against the annoyingly ever-changing grandline for a week or two.

-Wouldn't it be cute if Mihawk learned a lot of his fancier cooking techniques from Roux? Like he knew how to cook to survive but watching Roux is how he learned to like properly dice vegetables and that eating fish prepared the same way three times a day is not infact a life he would like to lead. This was of course less cute to Lucky Roux who in the beginning had no clue what was happening and only felt the weight of Mihawk's otherworldly stare on the back of his neck as he handled knives. (he defiantly for at least a little bit, thought Mihawk had a knife fetish. which, he's not entirely wrong)

-To Building Snake (who I just learned is the RHP's navigator) Mihawk might as well be a modern-day miracle. In his eyes, Mihawk's sailing is proof that god exists, because only divine intervention can explain how this man ever gets anywhere never mind on time or early even. Building Snake is pretty sure he owns neither a map nor a log pose and he has never actually seen the sails of Mihawk's pretend ship unfurled or in use. Actually, he has never seen Mihawk do anything but sit menacingly on the throne in the middle of the boat, which why? If you think about it for even a second longer that 2 minutes how Mihawk "sails" anywhere breaks every law of physics and somehow even the concept of geography. Building Snake would like to dissect him and study him under a microscope but knows the boss would disapprove.

[araremonaka]

After losing Clay, Brozone disbanding, and Branch never having singing killed my grandma trauma (she dies just not by branch singing dwdw). Branch still wanted to sing and perform with his brothers.

JD was the only one in the group still hanging onto what they achieved with Brozone, with no one else wanting to reallly go back to performing JD would become Branch’s manager to help him (and to relive what he had before). In his mind he thinks he’s helping and doing what Branch wants, Branch just wanted to sing and perform with his brothers which got twisted into JD’s ideals

[bonefall]

the worst parent poll made me realize just how many ppl in the fandom are willing to jump straight into abuse apologia. bc on one hand you have ppl dumbing down crow's abuse to "him just being mean" and on the other end you have ppl saying that curlfeather didnt abuse frostpaw because she sacrificed herself and frost + her siblings love her so she couldnt possibly be an abuser. truly mindboggling stuff take these serious topics away from the fandom asap.

Part of me feels like it's because many in this fandom have a feeling that if a character's actions are abusive, it means you're "not allowed" to like them. Like there's an impulse where if you liked a character, it MUST mean they weren't THAT bad, because you'd personally never like "an abuser."

As if it reflects poorly on your own morality, as a person, that you connected with An Abuser. Understood them, even. Even if it was just a character.

If it's immoral to Like Abusive Characters, of course your reaction is going to end up being abuse apologia. To enjoy something isn't logical, it's emotional, so you will get defensive about it when questioned. When you do, it's not going to be based on logic because you didn't reason yourself into that position in the first place. It's an attack on you as a person.

I feel like that's often the root of abuse apologia in this fandom, and sometimes the world at large; "If I admit that this character/person IS abusive, it means I was doing something bad by liking them, so I have to prove to everyone else that they weren't or it means I'm bad too."

And to that I say... That's a BAD impulse! Grow up and admit you resonated with a character that did a bad thing! If that's an uncomfortable thought, sit with it!

Sometimes abusers are likeable! They usually DO think they're justified in their actions, or doing it for "a good reason," or were just too preoccupied to care. MOST of the time, people who commit abusive actions are also hurt or traumatized in some way. You might even empathize with them. None of this means their actions have to be excused or downplayed.

"Abusers" aren't a type of goddamn yokai, they're people just like you and me. You don't help victims of abuse by putting the people who hurt us in an "untouchable" category.

In fact, all it does is make you less likely to recognize your own controlling behavior. You're capable of abuse. People you love are capable of it, too. People who love YOU can still hurt you.

In spite of how often people regurgitate "It's Ok To Like A Character As Long As You're Critical Of Their Actions," every day it is proven to me further and further that no one who says it actually understands what that means.

All that said; I think it's no contest which one's a worse parent, imo.

They both mistreated their children, but Curlfeather did it through manipulation without verbal or physical abuse. She politically groomed her into a position of power so that she could use her as a pawn. It can be argued if this counts as child abuse-- but it's firmly still under the broad category childhood maltreatment, which is damaging.

(though anon I'm with you 100% at seeing RED when "but she sacrificed herself" is used as an excuse. Curlfeather's death does NOT CHANGE what she did to Frostpaw in life. I think it's a valid point to bring up when comparing her to another terrible parent for judgement purposes, such as in the context of this poll, but I really hate the implication that redemption deaths "make up" for maltreatment.)

Crowfeather, meanwhile, is textually responsible for putting Breezepaw through verbal AND physical abuse, as well as child neglect. His motivations include embarrassment from a hurt ego, revenge on his ex, and being sad because of a dead girlfriend. This abuse drives Breezepelt towards radicalization in the Dark Forest.

You could argue Curlfeather is a worse person for Reedwhisker's murder, but as a parent? It's not even a question to me. Crowfeather's one of the worst dads in WC.

[rubberduckyrye]

Okay in all seriousness. There's something that I REALLY want to talk about as an open discussion with the fandom, but. This is not going to be a very nice thing to hear/talk about.

It's about how Gonta is treated by the fandom.

As a fan of all the V3 characters now, and as someone who has always been a fan of Gonta, and as someone who has many mental disabilities and two diagnosed neurodivergancies... I'm tired of playing nice about it.

You all need to stop being ableist towards Gonta.

I've mentioned in the past that I don't like shitting on personal interpretations. I don't like saying something is or is not canon because narration is just a big web of text that you try to decipher with your own personal biases, experiences, and thoughts. That's why two literary analysts analyzing the same text with the same literary criticism rules can come to wildly different conclusions--why people develop different headcanons from the same canonical information.

But one of the things that challenged my integrity is just how many people view Gonta as this innocent, naive, ignorant, baby boy who can do no harm/never has a complicated/dirty/violent/sexual thought in his life ever.

This incredibly ableist interpretation of the character bothered me for, well, obvious reasons (See: It's fucking ableist, need I say more?) but I never challenged it as harshly as I am now because to be frank, it's not my place to tell people how to HC a character. It still isn't. But I've pretty much given up on my integrity on the subject and have decided to go all in on discussing why this interpretation of Gonta is just. Really bad.

First of all, not to promote my own analyses here or anything, but I think this analysis I did of Gonta explains a LOT in regards to the ableism the cast gives him in canon. I also think that this subtle ableism is why the fandom is so bad with Gonta's characterization in headcanons and fanfic--because they've seen how the cast treats him, and they think it's normal. They don't see the microaggressions, they don't see the subtle ableism in the cast--they just see this big giant idiot who speaks like Tarzan in the English version (which... I don't actually know why people assume Tarzan (Thinking of Disney's version) is stupid. Like as a boy he had to reinvent the spear with no one to guide him on how to do it. He was able to strategize and outsmart "civilized" men in the final showdown. Still I digress) and don't see the literal genius behind his social awkwardness.

There is also another very important point I'm going to make in addition to this, and it's going to be very uncomfortable to Gonta fans who insist he's nothing but a sweet baby who only has pure thoughts. Especially to the fans who insist he "can't be sexual" or think it's weird to ship him with his peers.

Sorry to burst your bubble, but... Gonta blatantly has sexual desire and gets horny right in canon.

This is further clarified here:

It wasn't a matter of Gonta didn't want to touch her because touching someone in their underwear was inappropriate, or being flustered because she was in her underwear which is inappropriate...

It was literally a "weird feeling" that made him unable to approach her or touch her. A "weird feeling" that Miu makes pretty obvious as to what it was--sexual arousal.

He literally was sexually attracted to and felt sexual arousal from looking at Miu in her underwear. He had sexual feelings and thoughts about Miu. Why?

Because Gonta is a young man.

Gonta is a brilliant, talented young man who has normal human thoughts for someone his age--sexual desires, upsetting thoughts, complicated thoughts, ectect. He is not a child, he is not mentally stunted (I've been informed that people have literally said this on Ao3 for the NSFW Gonta fics, please for the love of god stop that)

I think the reason why Gonta fans typically want to keep him as a "pure baby child who can do no wrong" is because treating him like the young adult that he is makes it harder for them to justify Chapter 4. Every time I've seen a Gonta fan that hates Kokichi, it's always followed by the sentiment of "Kokichi manipulated and abused Gonta into killing Miu, so it's all Kokichi's fault." They're afraid of nuance and liking a character with the grey morality of genuinely thinking Mercy Killing the cast is a viable option, because it challenges their own morals about the character they adore.

To those people who read this and are upset: You can and should like Gonta! Gonta is a magnificent character who showcases the subtle way microaggressions can manifest and hurt people, he's a good-hearted person and a literal genius, he cares deeply for his friends and loves everyone with upmost sincerity.

But.

You need to re-evaluate your stance on Gonta if you think he's a stupid, naive fool who Kokichi manipulated. You need to re-evaluate why you think those thoughts, why you think Gonta being shipped with anyone is "Kinda weird" or "has weird consent problems" or "give you the ick." You have to challenge yourself and ask yourself uncomfortable questions in regards to why you treat Gonta like a child when canon has proven otherwise, why you think he cannot have violent or sexual thoughts, why he can't think mercy killing his class is the only way to save them.

This isn't an attack on you--but understand that these specific takes on Gonta? They are ableist in nature. They belittle and dismiss him, they treat him like a child, an idiot who can't think for himself--and you have to come to terms with the fact that Gonta is a far more complex character with complicated thoughts and feelings who is a young adult. Not a child. A young adult.

So again, ask yourself this: Why are you treating this young adult like he's a toddler?

[wonderfull-star]

I like that face Dev makes.

He just a smol baby 🥺

[finemealprompt]

DP x DC Prompt #55

Barbara didn't know she had a brother. Well, okay she knew she had younger brothers, but not an older brother. She didn't know about Danny.

Not until she started looking into her own family and found some discrepancies in the paperwork.

[thatorangedrank]

Little is Alyx 👎🏻

Little is Penny 👎🏻

Little is a reflection of Ruby in Vol.1 and is a physical representation of “healing your inner child” 👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻

[traumawhomst]

Solaris and Songbird

A snippet of a full version of this earlier post I made

(450 words)

Fae King and (GN) Child Reader

The Summer King was not always the most kind Fae, he could scarcely afford it. In his world kindness was weakness waiting to be paid back in kind. So when he heard a young voice pierce his quiet peace, he decided to use the as a lesson about his forest. It would an easy task, appear and play with them a bit, maybe turn them to a songbird since they seemed to love their voice. A punishment to neglectful parents about teaching your child to walk around the forest alone as if they owned it.

He had admit that the child did have a rather sweet voice for a human, and he thought of doing something more than just a simple songbird, maybe one that could also speak and mimic sounds. It would be amusing if nothing else.

The child was bent over in the dirt, singing some old folk song, hair loosely pulled back dirty and sweaty. Who knows when they last had a bath, the King scoffed internally. It only strengthened his resolve to turn them to a songbird. At least he knew how to care for his things.

He stepped into the forest clearing, the air around them both growing thick and wild, a smell of hot summer grass hung like a cloud. The King watched with a smile as the figure froze in place, smart child, to know when they were outmatched, no grand heroics or disrespect would save them now. The child lifted their face, and the King was oddly pleased, it was cleaner than their hair and he could that the child had spent most of their life facing towards the sun. Their eyes looked the same as a fawn caught in the sight line of a wolf, but their mouth was turned into a hesitant smile.

The smile caught him off guard, and before he could think too much on it, the child open their mouth and spoke

“Hello,” they said, their voice soft with a slight tremor but a distinct note of hope, “what’s your name?”

With those simple four words, the King knew that this was to be his third child. A neglected songbird, but with a quick wit and curiosity that spoke of greater things than their tiny village. He wanted to scoop them up, and tell of all the great things they would see and do. But this was not his first time bringing a child of his own. So he smiled as he knelt to be closer to the eye level with the child.

“You, songbird, may call me, Solaris, may I know what you to call you songbird?”

When the child’s face brightened, any hesitation or second doubts were gone, this child was his and he couldn’t wait to bring them home.

[thecruellestmonth]

Batman never argues for the sake of compassion or rehabilitation in UTRH. Batman was especially callous, punitive, and lacking compassion throughout that early 00s era. He was not championing compassion, rehabilitation, redemption, justice system reform, or (HA!) abolitionism in UTRH—he did not have faith in those things for *the kind of people* whom Red Hood murdered, and he did not have faith in those things for Jason himself.

Every single person that Jason hurt is someone that Batman would hurt. Every single person that Jason murdered is someone that Batman would've unhesitatingly thrown away to rot in prison (a prison system explicitly shown and stated to be outrageously inhumane even by the horrifying standards of the USA).

If the person was lucky, then prison would reform him sufficiently that he could be employed through Wayne Enterprises (Gotham City's biggest employer, seemingly a monopoly on legal employment options for the formerly incarcerated) once he got out after... however long he'd been sentenced. Non-violent felonies can earn years, decades of prison time. Or if he was unlucky he'd be killed by one of the regular prison-breaks staged by Batman's rogues (including Red Hood that one time when a Batman kept him in prison, but more consistently by other repeat rogues).

Red Hood's argument is ''blah blah my crime is not like the other crime‚ my new cycle of violence is totally better than the current 20-year-old cycle of violence.'' Batman's argument is not "we can't throw criminals away‚ they're people just like us :("‚ but instead more like ''ew Jason has succumbed to his inherent criminal nature‚ sucks how he needs to be thrown away with the rest of the susperstitious and cowardly lot.''

[mic-check-stims]

ddid you know he turns 44 today

[kacievvbbbb]

You do get the sense that the fallout of Roger's death and the Roger pirates disbanding not so much traumatized Buggy and Shanks indifferent ways but instead generated such drastically different reactions to the trauma.

While the trauma of everything seemed to push Shanks into the future, always constantly waiting for something, putting plans on hold and then later in place, for this great moment, this great coming that he sees on the Horizon. For Buggy it rooted him firmly in the past keeping him trapped in this grief masquerading as anger.

While Roger's death forced Shanks to grow up fast, it kind of arrested Buggy's development keeping him stuck in those same feelings, rooted int that same place.

You get the sense that Buggy's whole east blue schtick is just one long overdue rebellious phase one big fuck you to Roger and his ideals. He's rebelling against Roger's principles. One of their rules was don't steal from innocent people and Buggy was keeping a whole town in poverty. If Roger and Luffy's pirating styles are diametrically opposed to someone like Blackbeard, who might be the most literal pirate in the entire series, then buggy is the parody of that Blackbeard piratism. He is playing up cruelty, being the most piratey pirate possible, hell he's literally a clown on a stage. It's all a show! It's his own special way of trying to "get back at Roger" of trying to discard everything Roger taught him for this overacted, over exaggerated clownish cruelty. Mentally he never left that execution square. He is still 15, alone and scared.

Hell he literally never left either, while I'm pretty sure Shanks' booked it out of the east blue as fast as he could, Buggy never lef, might have never left, if not for Luffy. It's part of why Luffy bothers him so much, he's just like Roger everything that Buggy is trying hard to forget and here comes this kid, whose never even met the Captain but is wearing his hat, shoving it right back in his face.

It makes sense that he never leaves the east blue till Luffy literally forces him out of it (fucking with Luffy gets him captured and imprisoned) and it makes sense that it's Luffy that literally breaks him out of prison, literally sets him free, and on the path to greatness that maybe he was always meant to achieve (even if he trips his way into it). This boy that is tragically so much like his old captain but so beautifully unabashedly himself, is what Buggy needs to start letting go off the past, to start trying to move forward.

Maybe that's why Buggy, at what could arguably be described as his lowest moment, gets the strength to free himself from his own self imprisonment, realizing that even back then he was locking himself away and pinning his own dreams on Shanks. And, maybe for the first time ever, Buggy really own his dream. He declares to his tormentors and his crew and the entire world that; actually He wants to find the one piece, him, as captain of his own crew, this crew, not just a part of someone else's. That's his dream and he's willing to turn the world upside down to do it.