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wisteria-lodge · 11 days

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I’d love if you ever expanded your thoughts on the way JKR writes romance, because it’s something I’ve been thinking about for a while. One thing that’s very interesting to me is that jealousy is used as a driving force for both of the main romantic storylines in HP. It’s more obvious with Ron/Hermione (the Yule Ball, basically everything that happens between them in book 6, the locket horcrux stuff) but also plays a big role in Harry/Ginny. Harry’s jealousy of her relationship with Dean is what makes him realize he’s into her, and moments where he’s pining for Ginny tend to focus on that jealousy more than an actual appreciation of Ginny’s personality. The most important part of writing a convincing romance is making readers believe that these characters actually care about each other and want to spend time together, and it feels like maybe what you describe as JKR’s obsession with pining made her lose sight of that. What do you think?

We've also got jealousy as a motif in Harry/Cho and Severus/Lily. It is absolutely a trope she uses, a lot.

When I was trying to get my head around how JKR writes romance, the main thing that made it click for me was realizing that, to her - romance is inherently threatening. And/or embarrassing, overpowering, animalistic, dangerous. (thanks to @the-phoenix-heart for that line.)

Really, the Harry Potter books are kind of a romance-free zone. It is incredibly unusual to see a romantic couple, acting like a couple, on the page. We spend a lot of time with Arthur and Molly, and while they’re both pretty fleshed out as characters, we get almost nothing of their couple dynamic (and what we do get doesn’t seem all that positive…) The blocking tends to physically separate them - Molly isn’t at the World Cup or Harry’s hearing, Arthur is working overtime when Harry is at the Burrow, etc. This is a pattern: her romantic couples, of which there are not many, have a way of being in different rooms, on different side quests, one of them is mind-controlled, one of them is unconscious, it cuts to black right before Harry kisses Cho, and right after he kisses Ginny.

Ron/Hermione takes place mostly outside of Harry’s perspective, and Harry/Ginny takes place mostly out of *the reader's* perspective. It’s a lot of narration, a lot of “Harry could not help himself talking to Ginny, laughing with her, walking back from practice with her” and “[Harry] was supposedly finishing his Herbology homework but in reality reliving a particularly happy hour he had spent down by the lake with Ginny at lunchtime.” Like, I don’t know. I might have liked to see those scenes play out.

Bill/Fleur is probably her most successful couple (I mean, who doesn't like Bill and Fleur?) But even they almost never interact with each other. They talk about their relationship to other people, other people talk about them, but like… I’m just going to go through a rundown of every single time Bill and Fleur interact as a romantic couple:

“’E is always so thoughtful,” purred Fleur adoringly, stroking Bill’s nose. Ginny mimed vomiting into her cereal behind Fleur. Harry choked over his cornflakes.

(Romance = embarrassing)

What if [Ron and Hermione] became like Bill and Fleur, and it became excruciatingly embarrassing to be in their presence, so that he was shut out for good?

(Romance = embarassing, threatening)

Most [of the people at Dumbledore’s funeral] Harry did not recognize, but a few he did, including (...) Bill supported by Fleur and followed by Fred and George

(put a pin in this one, I’m going to come back to it)

“Bah,” said Fleur [in Harry’s body], checking herself in the microwave door, “Bill, don’t look at me — I’m ’ideous.”

(I actually think this is kind of cute in context, but unfortunately JKR is being uncharitable to her hyper-femme characters again, and being weird about woman-in-male-body *sigh*)

“I’m taking Fleur on a thestral,” said Bill. “She’s not that fond of brooms.” Fleur walked over to stand beside him, giving him a soppy, slavish look that Harry hoped with all his heart would never appear on his face again.

(Romance = embarrassing)

“We saw [Mad-Eye die]” said Bill; Fleur nodded, tear tracks glittering on her cheeks...

(Not sure if this counts as them interacting, but they are at least next to each other)

“No,” said Bill at once, “I’ll do it, I’ll come.” “Where are you going?” said Tonks and Fleur together. “Mad-Eye’s body,” said Lupin. “We need to recover it.”

(this one doesn’t even frame them as a couple, since the teams have split into Bill and Lupin and Tonks and Fleur.)

“We can’t tell you what we’re doing,” said Harry flatly. “You’re in the Order, Bill, you know Dumbledore left us a mission. We’re not supposed to talk about it to anyone else.” Fleur made an impatient noise, but Bill did not look at her.”

(... does this imply that Fleur isn’t in the Order? Anyway, they’re married at this point, and kinda disagreeing a la Molly and Arthur)

[Griphook] continued to request trays of food in his room, like the still frail Ollivander, until Bill (following an angry outburst from Fleur) went upstairs to tell him that the arrangement could not continue.

(Another conflict, but hey, at least it sounds like they resolved it. We hear about their daughter Victoire in the epilogue, but this is the last time we see Bill and Fleur together.)

But, okay. Not putting romance in the Harry Potter books is a perfectly fine creative choice. JKR can absolutely decide she just wants to give other things more emotional weight. What clarified this for me was the Fantastic Beasts films and her adult literature (particularly the Cormoran Strike books.) In those, JKR is wanting to write romance. And yet....

In Fantastic Beasts, she can write the awkward getting-to-know-you pre-romance stuff, but the second Jacob and Queenie are actually a couple - he loses his memory, then he’s brainwashed, she’s with Grindelwald, they’re different plot lines that never intersect… and then they just get married at the end of Secrets of Dumbledore. So it’s not even a slow-burn, will-they-won’t-they thing. Tina and Newt get the same treatment, except their pre-romance getting-to-know-you beats are so subtle that a lot of people missed them completely. Then Tina's angry at Newt for a very silly misunderstanding… then in a separate plotline… and is only in the third film for two minutes at the end. People compare the structure of these films to Indiana Jones, but in those movies the love interest is actually hanging out with Indy the whole time. In the Cormoran Strike books, the romantic leads do spend time together, but they’ve also been doing a pining, bad timing, will they/won’t they back-and-forth thing for seven books. And they’re long books.

So okay. What’s going on. Why is this.

JK Rowling has been very public about the trauma she has from abusive relationships and sexual assault, and I’m afraid I do have to bring that up in a conversation about why she treats romance so negatively. More specifically - if I had to guess - I think she finds male attraction towards women threatening. (I’m sure we all remember Harry’s chest monster.) I think she feels a little icky writing it, which is why when she does do it… it feels perfunctory, generic, repetitive, and also not the sort of thing that would come from a teenage boy. (Like when has a 14-year-old boy ever thought a girl was pretty because she had nice teeth. That’s such a straight girl compliment.) BUT, when she writes about the attractiveness of guys - it gets more specific, more nuanced, more interesting, and also a lot less uncomfortable. J.K. Rowling likes guys! She’s allowed.

But of course, she also tends to write male viewpoint characters, and I think this is why a lot of her guys (and Harry specifically) kinda read as queer to a lot of people. We’re told Harry is distracted by/attracted to Cho Chang… but is he though? Compared to the way “pretty boy” Cedric, or “sleek haired” Draco get under his skin?

I want to take a look at her adult romantic leads for a second. Because in Fantastic Beasts, she really did pull out all the stops to make Newt and Jacob as non-threatening as humanly possible. Newt is a gentle, pacifist, Doctor Dolittle-type conservationist who barely seems interested in women at all, and Jacob… is a Muggle baker. She pairs Newt with Tina, tough as nails American star auror. Jacob is with Queenie, who is constantly literally reading his mind. Which is an ability we’ve only seen with the most powerful wizards. These guys are not a threat to these ladies. In Queenie’s case, the power balance is tipped so insanely far in her direction that I’m a little bit worried for Jacob (and she does in fact, bewitch him into doing stuff.) I think JKR wrote her couples this way so any romance she wrote with them would also feel safe… and sadly I don’t think it worked. The most fleshed out couple dynamic we get is Dumbledore/Grindelwald, who have a coffee date and a duel in the third movie. But - that’s the one movie where she doesn’t have sole screenwriting credit, they’re exes, and they're also both GUYS, so she doesn’t have to worry about any kind of male/female power imbalance gunk, or put herself in the headspace of a guy being attracted to women.

Now I do want to talk about Cormoran Strike. Of all her non-threatening male love interests, this is the one who seems to work best for her. She’s stuck with him the longest, and it actually seems possible that we might get an actual romantic scene with him in the next book.

Here’s my theory. I think that when JKR was writing Goblet of Fire, and it came time to introduce the real Mad-Eye Moody - imprisoned in the bottom of his own trunk, weak, down a leg and an eye - something clicked. Because that is someone who is both entirely masculine, and entirely safe, and that makes him the perfect romantic figure. And I absolutely think she grabbed that archetype when it came to writing Cormoran Strike.

Basically, this character just is Mad-Eye Moody, only 15(ish) years younger, and non-magical. Strike is an ex-military cop who now freelances. He’s older than his love interest, he’s been around the block a few times. He’s gruff, but careful and kind, world-weary and grizzled, extremely capable, principled, tough, and just sort of hyper aware of what’s going on around him. He is also a bigger guy with some access weight who is not “conventionally attractive” - and for JKR this is a feature, not a bug. If your female character is into someone who is not *~*~handsome~*~* that means they’re cool, deep, not like other girls. Viktor Krum is not conventionally attractive, and (after the werewolf attack) neither is Bill. In fact “he now bore a distinct resemblance to Mad-Eye Moody.” JKR likes Mad-Eye Moody.

And you better believe that Cormoran Strike has a broken nose and a missing leg, just like Mad-Eye Moody. Strike’s prosthetic leg comes up a *lot.* I think it’s telling that the loving interaction we see between Bill and Fleur is her physically supporting him at Dumbledore's funeral post werewolf attack, and the loving little wrist squeeze we get between Lucius and Narcissa is right before Lucius hands his wand over. Basically, JKR likes someone who is sexy and capable and has a lot of presence, but who you get to take care of, and who… can’t chase you. Doesn’t pose a threat. That’s the fantasy. And that's why a lot of the romance she writes feels a little... off.

#hp #jkr critical #mad eye moody #cormoran strike #jacob kowalski #newt scamander #bill x fleur #bill weasley #harry x draco #harry x cedric #dumbledore x grindelwald #literary analysis #close reading #anti jkr

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