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fae-fucker · 6 years

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Review: The Murder Complex

by Lindsay Cummings

Meadow Woodson, a fifteen-year-old girl who has been trained by her father to fight, to kill, and to survive in any situation, lives with her family on a houseboat in Florida. The state is controlled by The Murder Complex, an organization that tracks the population with precision.

The plot starts to thicken when Meadow meets Zephyr James, who is—although he doesn’t know it—one of the MC’s programmed assassins. Is their meeting a coincidence? Destiny? Or part of a terrifying strategy? And will Zephyr keep Meadow from discovering the haunting truth about her family?

Action-packed, blood-soaked, and chilling, this is a dark and compelling debut novel by Lindsay Cummings.

There’s a video on YouTube where Sasha Alsberg and Lindsay Cummings try to promote Zenith and their favorite books by speculating about what sort of books Andi would enjoy reading.

Lindsay, being the humble creature that she is, says that Andi would enjoy this book. Why? Because Andi would recognize Meadow’s methods as similar to her own? Because Andi would enjoy reading an edgy “thriller” because she too is edgy? Or even because both Andi and Meadow are beautiful waifish white girls with silver hair who don’t particularly mind killing people?

Actually, no, you absolute fool. Sasha speculates on why Andi would enjoy this book (because of the title and how both Meadow and Andi have … uh … something … in common) and tries and fails to give Lindsay a way out. Lindsay admits to not listening, occupied with her book, which she lovingly strokes while staring into the camera.

I think this says a lot about Lindsay herself, Andi’s personality (or rather, lack thereof), and most importantly, the content of this here book.

This review contains spoilers and discussions of potentially triggering topics.

The Writing

I don’t have much to say here. Zenith was far, far worse when you just compare the prose. It’s simple, bare-bones, and straight to the point. Perfectly mediocre and not memorable at all. It flows well enough, and if it weren’t for uuuh everything else in this book, I’d say it’s a quick and easy read.

It does get very melodramatic and edgy at times, but that is to be expected, and since the melodrama mostly avoids getting too purple or lasting too long, I will officially give Cummings the “I could read your book mostly without cringing at the words” award.

The story is told from Meadow and Zephyr’s POVs, and I’d have to disagree with other reviewers who said that their narration was too similar. I mean, it wasn’t spectacular and they definitely had some overlap in expressions, but I could tell that Cummings was making a conscious effort to make them distinct and for me, it worked (mostly past the first half of the book where both of them just mope around and sound very similar), so I commend that.

The Characters

Now, while Andi OH SHIT FUCK I DIDN’T MEAN TO DO THAT THAT WASN’T A BIT I LITERALLY JUST TYPED ANDI INSTEAD OF MEADOW

Now, while Meadow and Zephyr are distinct, that doesn’t really mean they’re good characters, yea? Honestly, they’re pretty much the only ones who get any type of development and the only ones who can, paradoxically, turn off their edge and just be normal people every now and then.

Meadow is supposedly this Strong Femail Charactor who does Bad Things for Good Reasons. And … I mean, yeah? Like, I don’t remember ever feeling like she obsessed over a man, and her motivations were always either keeping her little sister safe or surviving or figuring out the mystery around their society and how it ties into her own family. As far as YA heroines go, Meadow isn’t terrible. But she’s not exactly interesting, either. She’s always collected and rarely loses her cool, she displays few emotions outside of anger, and is generally cold and downplayed to the point of having barely any personality traits. I guess it’s sort of on purpose? But there are ways of making a character subtle and still interesting, and Meadow just feels like somebody packaged a Strong Femail Charactor right out of the factory without slapping some paint on her first. Idk, I guess if this is what Lindsay was going for then she did a good job, but personally I prefer my protags to be a bit more … more.

I will apologize to Meadow for calling her Andi, though. Andi is a lot more smug and obnoxious and has fewer reasons to be.

Zephyr is a harder to define because I’m pretty sure he’s intended to be more colorful than Meadow, but he comes off as even more generic than her. He’s a convincing enough teenage boy at times, because he lusts after Meadow like a puppy and thinks in super dramatic and poetic prose about how perfect and beautiful she is. But outside of that, he just sort of exists and the plot happens to him? He has no consistent personality traits and no flaws that he has control over. He’s partially brainwashed to murder on command and he’s like, sad about it, for a second, but accepts it pretty quickly and swears to help Meadow out for … reasons? Idk I guess he’s in love with her or whatever. The blurb implies he wants to keep her from discovering the truth but he pretty much helps her from the start.

He’s perfectly non-threatening — a boy next door type if next door was a war zone. Most of the time I wonder how many hands he needs to count all his braincells. One? Or mayhaps two? Whatever happens he just sort of rolls with after a chapter or two of angst and he ends up feeling like he’s a crutch for Meadow, a non-character there to fill the role of the snarky sidekick whose personal conflict is a minor subplot, which is admittedly fairly unusual in YA, but for a co-protagonist isn’t ideal, as one might imagine.

Koi is Meadow’s overprotective older brother who wants to beat up Zephyr for reasons and refuses to chill. And yes, that’s his name.

Periwinkle/Peri is Meadow’s younger sister and Meadow’s Moality Pet. And yes, that’s her name.

Meadow’s dad is an abusive asshole dad who is Too Hard On His Children but whose lessons Turn Out To Be Helpful in the end. No, it’s not his name but I can’t remember what it is and can’t be assed to look it up because he’s just Meadow’s dad. Oh and he likes torture? While Meadow acknowledges her dad is fucked up he’s still treated as this wise authority figure who gives good advice and is only a result of his environment. Society is evil, so that’s why he treats his children like shit and teaches them how to murder good. It’s to protect them, see?

Talan is Zephyr’s best friend and teenage sex worker who lost her child and now is vaguely suicidal but it’s supposed to be charming and quirky??? Talan is the only major character to die brutally for shock value and she seems to welcome it. Tbh she was the only interesting character in the whole book so I actually felt bad when she was killed off like that.

And then there’s a bunch of other characters but what’s the point of me telling you about them since they’re all generic as hell and only exist to spout exposition at Meadow and her boy toy.

There was another character I liked well enough, but only because she was the only PoC and her name was Sketch, which is a pretty neat name, but she didn’t have much of a personality except “snarky hardass” and was basically a Deluxe Edition of an existing “snarky hardass” character. She appears only in the late chapters of the book and is there to get brutalized for the sake of our two white protags. She didn’t die though, so there’s that?

The Plot

Alright, alright, I guess I have to write something.

I honestly have no fucking idea what the plot was. The blurb pretty much tells it all: Meadow meets Zephyr, they fall in love (?), Zephyr goes all Terminator on her ass and she’s like ??? and then uh … turns out Meadow’s family/dead mom are involved in the Murder Complex, which is the thing that’s making Zephyr and other random people kill others when remotely “activated” and so now they gotta find out what the heckity heck is going on, I guess?

It’s a clear enough plot but the motivations are a little weak, especially on Zephyr’s side. One would think he’d like to get rid of the whole “murder on command” thing in his brain but he seems to be able to fight it off easily once he meets Meadow and he’s more focused on helping her for reasons.

Yeah, I’m … I’ve already forgotten large chunks of the story so that should tell you something.

The “Worldbuilding”

O SHIT HERE COMES THE JUICY PART OF THE REVIEW.

*clears throat* Here we go:

The Shallows, Night Siren, the Initiative, Catalogue Number, Commandments of the Shallows, Creds, the Perimeter, the Silent Hour, Before, Rations Department, Pirates, the Dark Time, the Pulse, the Pin, the Red train, the Blue train, Wards, the Leeches, the Graveyard, the Survivors, Rations Hall, Initiative Headquarters, Wards of the State, the Gravers, NoteScreen, Evaluator, the Catalogue Dome, the Pit, Cred Orb, the Furnace Room, the Library, Sellout, the Hospital, the Believers …

Holy shit I don’t think I’ve gotten all of the Important Names yet and I’m already tired.

Y’all. This is the worst case of worldbuilding laziness I’ve seen in a while, and I’m someone who absolutely hates worldbuilding and will let authors get away with minimal effort. This? This is awful. And the thing is? I get it. I might’ve forgiven this because coming up with names is HARD and we humans usually go for the obvious anyway so this makes some amount of sense.

The problem is the fact that there are some words and concepts that are PERFECTLY REGULAR (i.e. the Hospital is literally just a fucking hospital) but still capitalized for no goddamn reason other than it being an attempt at sounding all sci-fi and dystopian without any actual effort. Everything blends together and the concepts are so generic and so MANY that it just becomes noise and you’re forced to simply roll with it and stop trying to actually imagine what anything looks like or where it’s located or how it works.

*takes deeep breath*

Speaking of how it works, let me tell you about the main premise. Basically, there was a war, a big war that tore the US apart like Lisa tears apart Johnny. Those who survived the war were infected with a plague, creatively named the Plague, that threatened to wipe out the population. One 20-year-old scientist cured the Plague, along with literally everything else, including death. Thanks to “nanites”, humans can no longer die of natural causes. This leads to overpopulation, and to stop this, the person who invented this all-cure comes up with another absolutely brilliant idea: let’s make MORE humans, but these humans have brains that are programmed to kill on command. Who gets murdered is chosen at random each and every night in a lottery, and survivors have to clean up dozens of new corpses every morning. (Meadow mentions the death rate is now 300 people per month.)

Yeah. I know. The same brilliant scientist who CURED DEATH not only fails to reverse the effects of their own invention, but decides that factory printing brainwashed humans who are then released into the world to also consume resources along with their victims is the best course of action?

Also, there are old people in this book. How are they still aging? How do you cure death but keep the aging? Why do you kill random people for shits and giggles instead of offing the semi-sentient sacks of flesh that the old people are bound to become as their bodies grow and decline but refuse to die? Surely you need young people to work in your factories? If resources are scarce, why keep old people alive past the point where they can contribute to society? If you have the technology to make remote controlled brains, why can’t you yank those bad boys out and just put them into robot bodies?

Why did nobody consider sterilization? I know this is a dangerous and sensitive topic that a white author probably shouldn’t touch with a ten-foot pole, but if you’re ok with writing indiscriminate murder and pretend that shit wouldn’t become very racist very fast, then you could do the same with sterilization. You can’t tell me that the nanites are so good they could grow you a new uterus. Evidently they’re not good enough to heal bullet wounds or stab wounds or else your little “murder complex” wouldn’t fucking work, would it?

I’m not saying these are “better” options than murder lottery, because these are all terrible things, but I am saying that they’re definitely more logical and profitable if you’re an evil government. Compared to making new people from scratch to kill your already existing people, anyway.

There are also implications of this all being a lie to control the population so that the “Initiative” can remain in control, along with the usual shitty YA dystopia thing where it’s implied that Earth is fucked and we’re out of resources.

This whole thing is a mess of half-assed concepts that are never explored but just sort of jammed together into an incoherent mess. There’s a big war, there’s a big plague, there’s senseless murder, there’s an evil government, there’s child soldiers, there’s brainwashing, there’s a rebel Resistance, there’s climate change … There’s even an Aptitude Test or whatever that never comes back despite being very angsted and exposited about in the opening chapters. It’s like Lindsay read all the YA dystopias that came before and couldn’t pick a gimmick and just went for all of them.

Oh I haven’t even mentioned the funniest part of all this: the swearing. As with Zenith, Lindsay has no problem describing gory murder and calling female characters “sluts”, but actual human curse words like shit and fuck? Don’t be silly. This is CHILD AND PUBLISHER FRIENDLY. Shit is now “skitz”, “fuck” is now “flux”. Can you imagine reading this fluxing bullskitz? WE NEVER EVEN FIND OUT WHAT THESE WORDS MEAN OR WHY THEY WERE REPLACED, SINCE THIS TAKES PLACE RECENT ENOUGH THAT MEADOW REMEMBERS GOING TO BASEBALL GAMES.

Oh and there’s also ChumHead, which, you guessed it, is never explained.

I guess now we know who to blame for “fike” and “starshined”. Oh and there are swears related to the stars in this book as well. I think Lindsay needs to get off that SJM juice.

The Edgy

Allow me to feed quotes into your gaping brain mouths. Not a lot of them because most of my notes are just me going WHAT at the concepts and the names more than the phrasing.

Every night, I stay awake for as long as I can to keep my nightmares at bay.

Scars are trophies in the Shallows. They show we know how to cheat death.

In a paragraph before this one, Meadow mentions that nanites heal everything but leave scars behind for reasons, and it happens to everyone. So why would they be a status symbol?

It’s the moon. The moon that reminds me of the moonlit girl.

My moonlit girl. She’s the cure to my nightmares, the one thing that helps me feel safe when I can’t even trust my own dreams to harbor me.

Spoken like a real teenage boy, Zeph. Would you like some tissues with that spunk?

I hold the door open for [Talan], but she shrugs past me and opens the other one. Always independent. Never taking help from anyone.

Hi is this a Feminism?

I find two leather thigh sheathes and strap them to my legs. I slide two knives into them and stand, slinging the bow over my shoulder. […] Feeling angry. But feeling strong.

Convenient sexy makeover includes leather knife pockets and a cool but completely-impractical-due-to-the-existence-of-enemy-guns crossbow. I also want to mention that the book calls crossbow ammo “arrows”, when they’re usually referred to as bolts, but go off.

The Conclusion

The Murder Complex is a book that straddles the line between mediocre and bad. Its biggest flaw is how boring and shallow its ideas and characters are. Which basically means its biggest flaw is everything about it. I can’t say it was so bad it’s good, but I can’t exactly call it terrible because I’ve read far, far worse. It’s mediocre writing about bland characters angsting and murdering their way through a convoluted plot that’s based on worldbuilding as solid as half-eaten ham standwich found in a rainy alleyway. It’s not fun or entertaining to read and there’s nothing to get outrageously mad about.

In the end, I don’t think you should pick this up unless you’ve somehow read every other book in the world and this is the only one left. Don’t waste your time on this, not even as a joke. Don’t make my sacrifice be in vain.

#book review #repost #the murder complex #i'm pretty sure i'm the only person who's ever read this book

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thatchronicfeeling · 6 years

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Chronic Bibliophile: A Housebound Year in Books

2018 was a year in which my health got progressively worse and I read a lot of good books. For the first half of the year, I’d take a bus trip several times a month to the public library. It was a point of pride for me to be able to do this. I became (in)famous for always having a large pile of books under my name on the reserve shelf, and this led to warm, unexpected conversations with the librarians. In May, I got a stomach bug that made one of my chronic illnesses flare. Since then, I’ve been too ill to take the bus to the library. Reading gives me so much joy and it was important for me to find a way to keep borrowing books from the library. I signed up for the public library’s housebound delivery service and, once a month, receive a visit from the self-named ‘books on wheels lady’. Although I’ve been vocal in my thanks (and also in educating her about chronic illness and disability), I’m not sure she realises quite how vital a lifeline the service provides to me.

Here’s a list of the books I liked best: Pride and Prejudice by Jane Austen Wit by Margaret Edson Asylum by Javier de Isusi The Essential Dykes to Watch Out For by Alison Bechdel Take Courage: Anne Brontë and the Art of Life by Samantha Ellis The Miseducation of Cameron Post by Emily M Danforth Spinning by Tillie Walden My Brother’s Husband by Gengoroh Tagame Red Dust Road by Jackie Kay Patience & Sarah by Isabel Miller Circe by Madeline Miller The Living Mountain by Nan Shepherd White Houses by Amy Bloom Agnes Grey by Anne Brontë Another Brooklyn by Jacqueline Woodson Here Comes The Sun by Nicole Dennis-Benn Maus by Art Spiegelman

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blixstirmoon-drx · 1 year

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Fading into the void

#oc #au #the end #poster #concept art #XLQFTC #babtqftim #Dust Woodson #Dust #XLore #Fading into the void #X!Dust

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kalisss7 · 3 years

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Download (EPUB) A Wild Ride (The Adventures of Misty & Moxie Wyoming #1) by Niki Danforth

Read/Download Visit :

https://milatsrwe.blogspot.com/1507741952

Book Details :

Author : Niki Danforth Pages : 154 pages Publisher : Pancora Press Language : eng ISBN-10 : 1507741952 ISBN-13 : 9781507741955

Book Synopsis :

Read Online and Download A Wild Ride (The Adventures of Misty & Moxie Wyoming #1) .Upon waking on the morning of her tenth birthday, Moxie Wyoming Woodson embarks on a summer of magic, mayhem and adventure. With rodeo champion Granny Rose as her inspiration, Moxie?s birthday dreams kick up visions of a fine young horse that will also help her take on the more grown-up chores on her family?s Wyoming ranch. When her father unloads from his trailer the old sway-backed grey-flecked little black horse, Misty, Moxie?s hopes lie trampled in the barnyard dust. What she cannot see, but will come to discover, is that her new horse is special in more than just the way she brings this intrepid heroine into her own. Channeling her natural instincts to care for animals and dragging along her reluctant best friend and sidekick Pickle Turner, Moxie Wyoming grows out of pouty disappointment over her broken-down mare. She transforms into a courageous sleuth, hot on the dusty and sinister trail of a menacing gang with a hard-hearted plan to round up and sell a bold and beautiful .

Niki Danforth book A Wild Ride (The Adventures of Misty & Moxie Wyoming #1).Reading Download Pdf Epub

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surejaya · 5 years

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The Murder Complex (The Murder Complex, #1)

The Murder Complex (The Murder Complex, #1) by Lindsay Cummings

An action-packed, blood-soaked, futuristic debut thriller set in a world where the murder rate is higher than the birthrate. For fans of Moira Young’s Dust Lands series, La Femme Nikita, and the movie Hanna. Meadow Woodson, a fifteen-year-old girl who has been trained by her father to fight, to kill, and to survive in any situation, lives with her family on a houseboat in Florida. The state is controlled by The Murder Complex, an organization that tracks the population with precision. The plot starts to thicken when Meadow meets Zephyr James, who is—although he doesn’t know it—one of the MC’s programmed assassins. Is their meeting a coincidence? Destiny? Or part of a terrifying strategy? And will Zephyr keep Meadow from discovering the haunting truth about her family? Action-packed, blood-soaked, and chilling, this is a dark and compelling debut novel by Lindsay Cummings.

Download : The Murder Complex (The Murder Complex, #1) The Murder Complex (The Murder Complex, #1) More Book at: Zaqist Book

#book #zaqist #zaqistbook #zaQist Book : Read Latest eBook

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stuck-in-this-muggle-world · 7 years

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The List

As a person who loves to read but never finishes a series I have decided to make a list of books to read. This list will hold me accountable, even more so now that I have posted it for others to see. My goal is for this to become a community of readers. Where we can talk about these books or other books and block out the real world. I have included the full name of each book and author in case anyone wants to find one of these books for themselves.

Miss Peregrine’s Home for Peculiar Children trilogy by Ransom Riggs

Miss Peregrine’s Home for Peculiar Children

Hollow City

Library of Souls

The Inheritance Cycle by Christopher Paolini

Eragon

Eldest

Brisingr

Inheritance

Brown Girl Dreaming by Jacqueline Woodson

Hitchhikers Guide to the Galaxy by Douglas Adams

Wool Series by Hugh Howey

Wool

Shift

Dust

Dark Places by Gillian Flynn

Gone Girl by Gillian Flynn

The Girl on the Train by Paula Hawkins

The Mortal Instruments By Cassandra Clare

City of Bones

City of Ashes

City of Glass

City of Fallen Angels

City of Lost Souls

The 100 by Kass Morgan

The 100

The 100 Day 21

The 100 Homecoming

The 100 Rebellion

An Abundance of Katherine’s by John Green

Turtles All the Way Down by John Green

The Forgotten Garden by Kate Morton

In Twenty Years by Allison Winn Scotch

To the Lighthouse by Virginia Wolfe

The Beautiful and Damned by F. Scott Fitzgerald

Harry Potter by J.K. Rowling

Harry Potter and the Deathly Hallows

Harry Potter and the Cursed Child

Harry Potter and the Philosophers Stone (20 year edition)

House of Night Series by P.C. Cast and Kristin Cast ( I have included these books in the order that the authors recommend reading them. The four books marked novella were not originally part of the series but they help to expand further of the world and characters.)

Marked

Betrayed

Chosen

Untamed

Hunted

Tempted

Burned

Awakened

Dragon’s Oath (Novella 1)

Destined

Lenobia’s Vow (Novella 2)

Hidden

Neferet’s Curse (Novella 3)

Revealed

Kalona’s Fall (Novella 4)

Redeemed

This list is subject to change.

#books #goalsetting #bookworld #bookworm #list #thestartofsomethingnew #commitment #escapethemuggleworld #signal boost #book blog #currently reading

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richincolor · 7 years

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For poetry month I started looking for books to highlight. What I realized is that there haven’t been many young adult poetry books in my life lately. There have been a few books containing some poetry though. Here are some of my favorite novels with at least a little poetry woven into the story:

Gabi, a Girl in Pieces by Isabel Quintero [My Review]

Summary: Gabi Hernandez chronicles her last year in high school in her diary: college applications, Cindy’s pregnancy, Sebastian’s coming out, the cute boys, her father’s meth habit, and the food she craves. And best of all, the poetry that helps forge her identity.

July 24

My mother named me Gabriella, after my grandmother who, coincidentally, didn’t want to meet me when I was born because my mother was unmarried, and therefore living in sin. My mom has told me the story many, many, MANY, times of how, when she confessed to my grandmother that she was pregnant with me, her mother beat her. BEAT HER! She was twenty-five. That story is the basis of my sexual education and has reiterated why it’s important to wait until you’re married to give it up. So now, every time I go out with a guy, my mom says, “Ojos abiertos, piernas cerradas.” Eyes open, legs closed. That’s as far as the birds and the bees talk has gone. And I don’t mind it. I don’t necessarily agree with that whole wait until you’re married crap, though. I mean, this is America and the 21st century; not Mexico one hundred years ago. But, of course, I can’t tell my mom that because she will think I’m bad. Or worse: trying to be White.

Shame the Stars by Guadalupe García McCall [My Review] [Interview with Guadalupe García McCall]

Summary: Eighteen-year-old Joaquín del Toro’s future looks bright. With his older brother in the priesthood, he’s set to inherit his family’s Texas ranch. He’s in love with Dulceña—and she’s in love with him. But it’s 1915, and trouble has been brewing along the US-Mexico border. On one side, the Mexican Revolution is taking hold; on the other, Texas Rangers fight Tejano insurgents, and ordinary citizens are caught in the middle.

As tensions grow, Joaquín is torn away from Dulceña, whose father’s critical reporting on the Rangers in the local newspaper has driven a wedge between their families. Joaquín’s own father insists that the Rangers are their friends, and refuses to take sides in the conflict. But when their family ranch becomes a target, Joaquín must decide how he will stand up for what’s right.

Shame the Stars is a rich re-imagining of Romeo and Juliet set in Texas during the explosive years of Mexico’s revolution. Filled with period detail, captivating romance, and political intrigue, it brings Shakespeare’s classic to life in an entirely new way.

Piecing Me Together by Renée Watson [My Review]

Summary: Jade believes she must get out of her neighborhood if she’s ever going to succeed. Her mother says she has to take every opportunity. She has. She accepted a scholarship to a mostly-white private school and even Saturday morning test prep opportunities. But some opportunities feel more demeaning than helpful. Like an invitation to join Women to Women, a mentorship program for “at-risk” girls. Except really, it’s for black girls. From “bad” neighborhoods.But Jade doesn’t need support. And just because her mentor is black doesn’t mean she understands Jade. And maybe there are some things Jade could show these successful women about the real world and finding ways to make a real difference.Friendships, race, privilege, identity—this compelling and thoughtful story explores the issues young women face.Piecing Me Together by Renée Watson [My Review]Summary: Jade believes she must get out of her neighborhood if she’s ever going to succeed. Her mother says she has to take every opportunity. She has. She accepted a scholarship to a mostly-white private school and even Saturday morning test prep opportunities. But some opportunities feel more demeaning than helpful. Like an invitation to join Women to Women, a mentorship program for “at-risk” girls. Except really, it’s for black girls. From “bad” neighborhoods.But Jade doesn’t need support. And just because her mentor is black doesn’t mean she understands Jade. And maybe there are some things Jade could show these successful women about the real world and finding ways to make a real difference.Friendships, race, privilege, identity—this compelling and thoughtful story explores the issues young women face.

Some novels in verse are:

Cinnamon Girl by Juan Felipe Herrera

Summary: I want to see what is on the other side of the dust When the towers fall, New York City is blanketed by dust. On the Lower East Side, Yolanda, the Cinnamon Girl, makes her manda, her promise, to gather as much of it as she can. Maybe returning the dust to Ground Zero can comfort all the voices. Maybe it can help Uncle DJ open his eyes again. As tragedies from her past mix in the air of an unthinkable present, Yolanda searches for hope. Maybe it’s buried somewhere in the silvery dust of Alphabet City.

Booked by Kwame Alexander

Summary: Like lightning/you strike/fast and free/legs zoom/down field/eyes fixed/on the checkered ball/on the goal/ten yards to go/can’t nobody stop you/ can’t nobody cop you…

In this follow-up to the Newbery-winning novel The Crossover, soccer, family, love, and friendship, take center stage as twelve-year-old Nick learns the power of words as he wrestles with problems at home, stands up to a bully, and tries to impress the girl of his dreams. Helping him along are his best friend and sometimes teammate Coby, and The Mac, a rapping librarian who gives Nick inspiring books to read. This electric and heartfelt novel-in-verse by poet Kwame Alexander bends and breaks as it captures all the thrills and setbacks, action and emotion of a World Cup match!

Brown Girl Dreaming by Jacqueline Woodson [My Review]

Summary: Raised in South Carolina and New York, Woodson always felt halfway home in each place. In vivid poems, she shares what it was like to grow up as an African American in the 1960s and 1970s, living with the remnants of Jim Crow and her growing awareness of the Civil Rights movement. Touching and powerful, each poem is both accessible and emotionally charged, each line a glimpse into a child’s soul as she searches for her place in the world. Woodson’s eloquent poetry also reflects the joy of finding her voice through writing stories, despite the fact that she struggled with reading as a child. Her love of stories inspired her and stayed with her, creating the first sparks of the gifted writer she was to become.

A Time to Dance by Padma Venkatraman [My Review]

Summary: Padma Venkatraman’s inspiring story of a young girl’s struggle to regain her passion and find a new peace is told lyrically through verse that captures the beauty and mystery of India and the ancient Bharatanatyam dance form. This is a stunning novel about spiritual awakening, the power of art, and above all, the courage and resilience of the human spirit.

Veda, a classical dance prodigy in India, lives and breathes dance—so when an accident leaves her a below-knee amputee, her dreams are shattered. For a girl who’s grown used to receiving applause for her dance prowess and flexibility, adjusting to a prosthetic leg is painful and humbling. But Veda refuses to let her disability rob her of her dreams, and she starts all over again, taking beginner classes with the youngest dancers. Then Veda meets Govinda, a young man who approaches dance as a spiritual pursuit. As their relationship deepens, Veda reconnects with the world around her, and begins to discover who she is and what dance truly means to her.

Under the Mesquite by Guadalupe García McCall

Summary: Lupita, a budding actor and poet in a close-knit Mexican American immigrant family, comes of age as she struggles with adult responsibilities during her mother’s battle with cancer in this young adult novel in verse.

When Lupita learns Mami has cancer, she is terrified by the possibility of losing her mother, the anchor of her close-knit family. Suddenly, being a high school student, starring in a play, and dealing with friends who don’t always understand, become less important than doing whatever she can to save Mami’s life.

While her father cares for Mami at an out-of-town clinic, Lupita takes charge of her seven younger siblings. As Lupita struggles to keep the family afloat, she takes refuge in the shade of a mesquite tree, where she escapes the chaos at home to write. Forced to face her limitations in the midst of overwhelming changes and losses, Lupita rediscovers her voice and finds healing in the power of words.

Told with honest emotion in evocative free verse, Lupita’s journey toward hope is captured in moments that are alternately warm and poignant. Under the Mesquite is an empowering story about testing family bonds and the strength of a young woman navigating pain and hardship with surprising resilience.

Finally, here are two poetry related books I look forward to reading sometime this year:

The Playbook by Kwame Alexander

Summary: You gotta know the rules to play the game. Ball is life. Take it to the hoop. Soar. What can we imagine for our lives? What if we were the star players, moving and grooving through the game of life? What if we had our own rules of the game to help us get what we want, what we aspire to, what will enrich our lives?

Illustrated with photographs by Thai Neave, The Playbook is intended to provide inspiration on the court of life. Each rule contains wisdom from inspiring athletes and role models such as Nelson Mandela, Serena Williams, LeBron James, Carli Lloyd, Steph Curry and Michelle Obama. Kwame Alexander also provides his own poetic and uplifting words, as he shares stories of overcoming obstacles and winning games in this motivational and inspirational book just right for graduates of any age and anyone needing a little encouragement.

Long Way Down by Jason Reynolds

Summary: A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE

Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES.

And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if WILL gets off that elevator.

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ucflibrary · 8 years

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The national celebration of African American History was started by Carter G. Woodson, a Harvard-trained historian and the founder of the Association for the Study of Negro Life and History, and first celebrated as a weeklong event in February of 1926. After a half century of overwhelming popularity, the event was expanded to a full month in 1976 by President Gerald Ford.

Here at the UCF library we are passionate about celebrating African American culture and history (no seriously, I got a massive amount of emails with suggestions). We are proud to present our top 22 favorite books by, and/or about, African Americans, plus two streaming films.

Click the keep reading link for full descriptions and catalog links.

Between the World and Me by Ta-Nehisi Coates Framed as a letter to the author’s teenage son, this chronicle of race in America works as memoir, meditation, and call to action. Suggested by Megan Haught, Teaching & Engagement/Research & Information Services

Blood at the root : a racial cleansing in America by Patrick Phillips Forsyth County, Georgia, at the turn of the twentieth century was home to a large African American community that included ministers and teachers, farmers and field hands, tradesmen, servants, and children. Many black residents were poor sharecroppers, but others owned their own farms and the land on which they'd founded the county's thriving black churches. But then in September of 1912, three young black laborers were accused of raping and murdering a white girl. Soon bands of white 'night riders' launched a coordinated campaign of arson and terror, driving all 1,098 black citizens out of the county. In the wake of the expulsions, whites harvested the crops and took over the livestock of their former neighbors, and quietly laid claim to 'abandoned' land. The charred ruins of homes and churches disappeared into the weeds, until the people and places of black Forsyth were forgotten, as locals kept Forsyth 'all white' well into the 1990s. Blood at the Root is a sweeping American tale that spans the Cherokee removals of the 1830s, the hope and promise of Reconstruction, and the crushing injustice of Forsyth's racial cleansing. With bold storytelling and lyrical prose, Phillips breaks a century-long silence and uncovers a history of racial terrorism that continues to shape America in the twenty-first century Suggested by Mary Page, Administration

Brown Girl Dreaming by Jacqueline Woodson Raised in South Carolina and New York, Woodson always felt halfway home in each place. In vivid poems, she shares what it was like to grow up as an African American in the 1960s and 1970s, living with the remnants of Jim Crow and her growing awareness of the Civil Rights movement. Touching and powerful, each poem is both accessible and emotionally charged, each line a glimpse into a child's soul as she searches for her place in the world. Woodson's poetry also reflects the joy of finding her voice through writing stories, despite the fact that she struggled with reading as a child. Her love of stories inspired her and stayed with her, creating the first sparks of the gifted writer she was to become. Suggested by Min Tong, Regional Librarian

Dreaming Me: An African-American Woman's Buddhist Journey by Janice Dean Willis In the fall of 1969, in the wake of a widening racial divide in the United States, Jan Willis began what would become a life-changing sojourn. By the time Willis left her home in an Alabama mining camp for undergraduate studies at Cornell University, the harsh reality of life in the segregated South of the 1950s and 1960s had left an indelible stain on her consciousness. Confronted then with the decision to either arm herself in the struggle for human rights at home or search for the possibility of a more humane existence abroad, Willis ultimately chose peace among the burgundy and saffron robes of a Tibetan Buddhist monastery over the black berets of the Black Panther Party. What she discovered, living in a narrow temple amid sixty Tibetan monks, was the healing place she had sought but not found in her Southern Baptist town of Docena. Suggested by Sandy Avila, Subject Librarian

Dust Tracks on the Road by Zora Neal Hurston First published in 1942 at the height of her popularity, Dust Tracks on a Road is Zora Neale Hurston's autobiography, an account of her rise from childhood poverty in the rural South to a prominent place among the leading artists and intellectuals of the Harlem Renaissance. Hurston's personal literary self-portrait offers a revealing, often audacious glimpse into the life -- public and private -- of an artist, anthropologist, chronicler, and champion of the black experience in America. Suggested by Susan MacDuffee, Acquisitions & Collections

Evicted: poverty and profit in the American city by Matthew Desmond In this brilliant, heartbreaking book, Matthew Desmond takes us into the poorest neighborhoods of Milwaukee to tell the story of eight families on the edge. Arleen is a single mother trying to raise her two sons on the 20 dollars a month she has left after paying for their rundown apartment. Scott is a gentle nurse consumed by a heroin addiction. Lamar, a man with no legs and a neighborhood full of boys to look after, tries to work his way out of debt. Vanetta participates in a botched stickup after her hours are cut. All are spending almost everything they have on rent, and all have fallen behind. The fates of these families are in the hands of two landlords: Sherrena Tarver, a former schoolteacher turned inner-city entrepreneur, and Tobin Charney, who runs one of the worst trailer parks in Milwaukee. They loathe some of their tenants and are fond of others, but as Sherrena puts it, "Love don't pay the bills." She moves to evict Arleen and her boys a few days before Christmas. Even in the most desolate areas of American cities, evictions used to be rare. But today, most poor renting families are spending more than half of their income on housing, and eviction has become ordinary, especially for single mothers. In vivid, intimate prose, Desmond provides a ground-level view of one of the most urgent issues facing America today. As we see families forced into shelters, squalid apartments, or more dangerous neighborhoods, we bear witness to the human cost of America's vast inequality ; and to people's determination and intelligence in the face of hardship. Suggested by Mary Page, Administration

Eyes on the Prize: America's civil rights years, 1954-1965 by Juan Williams This compelling oral history of the first ten years of the Civil Rights movement is a tribute to the men and women, both black and white, who took part in the fight for justice and kept their eyes on the prize of freedom. Companion to the highly acclaimed PBS television series. Suggested by Rebecca Hammond, Special Collections & University Archives

Fences by August Wilson From legendary playwright August Wilson, the powerful, stunning dramatic work that won him critical acclaim, including the Tony Award for Best Play and the Pulitzer Prize. Troy Maxson is a strong man, a hard man. He has had to be to survive. Troy Maxson has gone through life in an America where to be proud and black is to face pressures that could crush a man, body and soul. But the 1950s are yielding to the new spirit of liberation in the 1960s, a spirit that is changing the world Troy Maxson has learned to deal with the only way he can, a spirit that is making him a stranger, angry and afraid, in a world he never knew and to a wife and son he understands less and less. Suggested by Mary Page, Administration

Freedom Seekers: Stories From The Western Underground Railroad by Gary Jenkins, filmmaker Freedom Seekers brings an understanding of the regional issues relating to antebellum slavery and the antislavery movement that helped shape the western Underground Railroad. Slaves, with the help of stationmasters and conductors, had to dodge professional slave catchers, federal marshals, and slaveholders on a grueling thousand-mile journey to freedom. Viewers will learn how the Kansas/Missouri political conditions created the opportunity for the perhaps less known escape route along the western frontier. This film uses primary source documents, historians, interviews with slave descendants, moving readings and dramatic depictions to tell exciting stories of Underground Railroad activities. (online streaming video through Kanopy) Suggested by Mary Page, Administration

Hidden figures: the American dream and the untold story of the Black women mathematicians who helped win the space race by Margot Lee Shetterly Before John Glenn orbited the earth or Neil Armstrong walked on the moon, a group of dedicated female mathematicians known as "human computers" used pencils, slide rules and adding machines to calculate the numbers that would launch rockets, and astronauts, into space. Among these problem-solvers were a group of exceptionally talented African American women, some of the brightest minds of their generation. Originally relegated to teaching math in the South's segregated public schools, they were called into service during the labor shortages of World War II, when America's aeronautics industry was in dire need of anyone who had the right stuff. Suddenly, these overlooked math whizzes had a shot at jobs worthy of their skills, and they answered Uncle Sam's call, moving to Hampton, Virginia, and the fascinating, high-energy world of the Langley Memorial Aeronautical Laboratory. Even as Virginia's Jim Crow laws required them to be segregated from their white counterparts, the women of Langley's all-black "West Computing" group helped America achieve one of the things it desired most: a decisive victory over the Soviet Union in the Cold War, and complete domination of the heavens. Suggested by Megan Haught, Teaching & Engagement/Research & Information Services

Malcolm X: A Life of Reinvention by Manning Marable This biography of Malcolm X draws on new research to trace his life from his troubled youth through his involvement in the Nation of Islam, his activism in the world of Black Nationalism, and his assassination. Years in the making, it is a definitive biography of the legendary black activist. Of the great figures in twentieth-century American history perhaps none is more complex and controversial than Malcolm X. Constantly rewriting his own story, he became a criminal, a minister, a leader, and an icon, all before being felled by assassins' bullets at age thirty-nine. Through his tireless work and countless speeches, he empowered hundreds of thousands of black Americans to create better lives and stronger communities while establishing the template for the self-actualized, independent African American man. In death he became a broad symbol of both resistance and reconciliation for millions around the world. Filled with new information and shocking revelations that go beyond the Autobiography of Malcolm X, this work unfolds a story of race and class in America, from the rise of Marcus Garvey and the Ku Klux Klan to the struggles of the civil rights movement in the fifties and sixties. Reaching into Malcolm's troubled youth, it traces a path from his parents' activism through his own engagement with the Nation of Islam, charting his astronomical rise in the world of Black Nationalism and culminating in the never-before-told true story of his assassination. This work captures the story of one of the most singular forces for social change, a man who constantly strove, in the great American tradition, to remake himself anew. Suggested by Larry Cooperman, Research & Information Services

March. Book One. by John Lewis This graphic novel is Congressman John Lewis' first-hand account of his lifelong struggle for civil and human rights, meditating in the modern age on the distance traveled since the days of Jim Crow and segregation. Rooted in Lewis' personal story, it also reflects on the highs and lows of the broader civil rights movement. Book One spans Lewis' youth in rural Alabama, his life-changing meeting with Martin Luther King, Jr., the birth of the Nashville Student Movement, and their battle to tear down segregation through nonviolent lunch counter sit-ins, building to a climax on the steps of City Hall. His commitment to justice and nonviolence has taken him from an Alabama sharecropper's farm to the halls of Congress, from a segregated schoolroom to the 1963 March on Washington D.C., and from receiving beatings from state troopers, to receiving the Medal of Freedom awarded to him by Barack Obama, the first African-American president. (Book Two and Book Three are also available at the UCF Curriculum Materials Center in the Education complex) Suggested by Cindy Dancel, Research & Information Services

Native Son by Richard Wright The novel tells the story of 20-year old Bigger Thomas, an African American living in poverty in Chicago’s South Side ghettos during the 1930s. Suggested by Megan Haught, Teaching & Engagement/Research & Information Services

Negroland: a memoir by Margo Jefferson At once incendiary and icy, mischievous, and provocative, celebratory and elegiac, a deeply felt meditation on race, sex, and American culture through the prism of the author's rarefied upbringing and education among a black elite concerned to distance itself from whites and the black generality, while tirelessly measuring itself against both. Born in 1947 in upper-crust black Chicago--her father was for years head of pediatrics at Provident, at the time the nation's oldest black hospital; her mother was a socialite--Margo Jefferson has spent most of her life among (call them what you will) the colored aristocracy, the colored elite, the blue-vein society. Since the nineteenth century they have stood apart, these inhabitants of Negroland, "a small region of Negro America where residents were sheltered by a certain amount of privilege and plenty." Reckoning with the strictures and demands of Negroland at crucial historical moments--the civil rights movement, the dawn of feminism, the fallacy of post-racial America--Jefferson brilliantly charts the twists and turns of a life informed by psychological and moral contradictions. Aware as it is of heart-wrenching despair and depression, this book is a triumphant paean to the grace of perseverance. (With 8 pages of black-and-white illustrations.) Suggested by Richard Harrison, Subject Librarian

Roots: The saga of an American family by Alex Haley This poignant and powerful narrative tells the dramatic story of Kunta Kinte, snatched from freedom in Africa and brought by ship to America and slavery, and his descendants. Drawing on the oral traditions handed down in his family for generations, the author traces his origins back to the seventeen-year-old Kunta Kinte, who was abducted from his home in Gambia and transported as a slave to colonial America. In this account Haley provides an imaginative rendering of the lives of seven generations of black men and women. Suggested by Peggy Nuhn, Regional Librarian

The Black Seminoles : history of a freedom-seeking people by Kenneth W. Porter This is the story of a remarkable people, the Black Seminoles, and their charismatic leader, Chief John Horse, chronicles their heroic struggle for freedom. Beginning with the early 1800s, small groups of fugitive slaves living in Florida joined the Seminole Indians (an association that thrived for decades on reciprocal respect and affection). Kenneth Porter traces their fortunes and exploits as they moved across the country and attempted to live first beyond the law, then as loyal servants of it. He examines the Black Seminole role in the bloody Second Seminole War, when John Horse and his men distinguished themselves as fierce warriors, and their forced removal to the Oklahoma Indian Territory in the 1840s, where John's leadership ability emerged. The account includes the Black Seminole exodus in the 1850s to Mexico, their service as border troops for the Mexican government, and their return to Texas in the 1870s, where many of the men scouted for the U.S. Army. A powerful and stirring story, The Black Seminoles will appeal especially to readers interested in black history, Indian history, Florida history, and U.S. military history. Suggested by Megan Haught, Teaching & Engagement/Research & Information Services

The Block by Langston Hughes A collection of thirteen of Langston Hughes poems on African American themes. For both Langston Hughes and Romare Bearden, the New York City neighborhood of Harlem was a source of inspiration, and its sights and sounds are reflected in the art that each created. Now 13 of Hughes's most beloved poems are paired with Bearden's painting, "The Block", in a dazzling celebration of city life. Suggested by Susan MacDuffee, Acquisitions & Collections

The half has never been told: slavery and the making of American capitalism by Edward E. Baptist As historian Edward Baptist reveals in The Half Has Never Been Told, the expansion of slavery in the first eight decades after American independence drove the evolution and modernization of the United States. In the span of a single lifetime, the South grew from a narrow coastal strip of worn-out tobacco plantations to a continental cotton empire, and the United States grew into a modern, industrial, and capitalist economy. Until the Civil War, Baptist explains, the most important American economic innovations were ways to make slavery ever more profitable. Through forced migration and torture, slave owners extracted continual increases in efficiency from enslaved African Americans. Thus the United States seized control of the world market for cotton, the key raw material of the Industrial Revolution, and became a wealthy nation with global influence. Told through intimate slave narratives, plantation records, newspapers, and the words of politicians, entrepreneurs, and escaped slaves, The Half Has Never Been Told offers a radical new interpretation of American history. It forces readers to reckon with the violence at the root of American supremacy, but also with the survival and resistance that brought about slavery's end—and created a culture that sustains America's deepest dreams of freedom. Suggested by Peggy Nuhn, Regional Librarian

The Immortal Life of Henrietta Lacks by Rebecca Skloot Her name was Henrietta Lacks, but scientists know her as HeLa. She was a poor black tobacco farmer whose cells—taken without her knowledge in 1951—became one of the most important tools in medicine, vital for developing the polio vaccine, cloning, gene mapping, and more. Henrietta's cells have been bought and sold by the billions, yet she remains virtually unknown, and her family can't afford health insurance. This phenomenal New York Times bestseller tells a riveting story of the collision between ethics, race, and medicine; of scientific discovery and faith healing; and of a daughter consumed with questions about the mother she never knew. Suggested by Megan Haught, Teaching & Engagement/Research & Information Services

The Misadventures of Awkward Black Girl by Issa Rae In the bestselling tradition of Mindy Kaling's Is Everyone Hanging Out Without Me?, a collection of humorous essays on what it's like to be unabashedly awkward in a world that regards introverts as hapless misfits, and Black as cool. My name is 'J' and I'm awkward--and Black. Someone once told me those were the two worst things anyone could be. That someone was right. Where do I start? Being an introvert in a world that glorifies cool isn't easy. But when Issa Rae, the creator of the Shorty Award-winning hit series The Misadventures of Awkward Black Girl, is that introvert--whether she's navigating love, work, friendships, or 'rapping'--it sure is entertaining. Now, in this debut collection of essays written in her witty and self-deprecating voice, Rae covers everything from cybersexing in the early days of the Internet to deflecting unsolicited comments on weight gain, from navigating the perils of eating out alone and public displays of affection to learning to accept yourself--natural hair and all. Suggested by Martha Cloutier, Circulation

The Underground Railroad by Colson Whitehead Cora is a slave on a cotton plantation in Georgia. Life is hell for all the slaves, but especially bad for Cora; an outcast even among her fellow Africans, she is coming into womanhood—where even greater pain awaits. When Caesar, a recent arrival from Virginia, tells her about the Underground Railroad, they decide to take a terrifying risk and escape. Matters do not go as planned—Cora kills a young white boy who tries to capture her. Though they manage to find a station and head north, they are being hunted. In Whitehead’s ingenious conception, the Underground Railroad is no mere metaphor—engineers and conductors operate a secret network of tracks and tunnels beneath the Southern soil. Cora and Caesar’s first stop is South Carolina, in a city that initially seems like a haven. But the city’s placid surface masks an insidious scheme designed for its black denizens. And even worse: Ridgeway, the relentless slave catcher, is close on their heels. Forced to flee again, Cora embarks on a harrowing flight, state by state, seeking true freedom. Suggested by Mary Page, Administration

The Women of Brewster Place by Gloria Naylor Gloria Naylor weaves together the stories of seven women living in Brewster Place, a bleak inner-city sanctuary, creating a powerful, moving portrait of the strengths, struggles, and hopes of black women in America. Vulnerable and resilient, openhanded and open-hearted, these women forge their lives in a place that in turn threatens and protects—a common prison and a shared home. Naylor renders both loving and painful human experiences with simple eloquence and uncommon intuition. Her remarkable sense of community and history makes The Women of Brewster Place a contemporary classic—and a touching and unforgettable read. Suggested by Rebecca Hammond, Special Collections & University Archives

We are not Afraid: the story of Goodman, Schwerner, and Chaney, and the civil rights campaign for Mississippi by Seth Cagin and Philip Dray The infamous murder of three civil rights workers by a Ku Klux Klan mob and Mississippi law-enforcement officers in 1964 takes on the dimensions of a personal, political and national tragedy in this riveting account. The drama of the triocollege students Michael Schwerner and Andy Goodman, both white Northerners, and James Chaney, a young black activist from Mississippipits their faith in nonviolence against a murderous rage fueled by racism. Cagin and Dray, who coauthored Hollywood Films of the Seventies, have done their homework: interviews, news reports, FBI documents and trial transcripts undergird their brilliant re-creation of the incident, interwoven with a full-scale history of the civil rights movement. The search for the bodies turned up many black corpses, purported victims of police/Klan violence; the Klan conspirators were paroled before serving their full sentences; in the aftermath, Lyndon Johnson questionably maneuvered to defuse the situation. Suggested by Rebecca Hammond, Special Collections & University Archives

Whispers of Angels: A Story of the Underground Railroad by Sharon Kelly Baker, filmmaker Defiant, brave and free, the great abolitionists Thomas Garrett, William Still and Harriet Tubman, along with hundreds of lesser known and nameless opponents of slavery, formed a Corridor of Courage stretching from Maryland's eastern shore through the length of Delaware to Philadelphia and beyond -- making the Underground Railroad a real route to freedom for enslaved Americans before the Civil War. Long-format interviews with prominent historians blend with dramatic reenactment to create a powerful story about the fight to end slavery. Actors Edward Asner and Blair Underwood portray the two most prominent abolitionists on the eastern line of the Underground Railroad, Thomas Garrett and William Still. Bearing a remarkable resemblance to Thomas Garrett, Asner reenacts the famous courtroom scene in 1848 in which Garrett foreshadows the Civil War and firmly declares to redouble his efforts in fighting for true freedom in America. In spite of the court's imposition of a crippling financial punishment, Garrett's ideals were not altered; his clandestine activities continued for many years even during the War. Reading documented text in the form of letters exchanged by Thomas Garrett and William Still (a free black abolitionist in Philadelphia), Asner and Underwood bring to life the fascinating working relationship between the two men and those they helped. Underwood, as William Still, meets in secret with the frightened fugitives who pass through his Anti-Slavery Society Offices in Philadelphia on their dangerous journeys to the north. (online streaming film through Kanopy) Suggested by Mary Page, Administration

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