Presence, or Polaroid Ghosts (Part 9)
Part 8
Souvenirs
The past is dangerously addictive. Nostalgia, especially second-hand nostalgia such as mine, often threatens to become an endless placebo in place of living. How alluring the past seems when we convince ourselves of having experienced it for a brief moment through culture and art.
The ghost story writer M.R. James lived with this addiction to the past more than most.
James…
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"why should I get invested in shows if they'll just get canceled" I was deeply invested in Heroes (2006) and it was not canceled, it just got really terrible. I also got really invested in the sandwich I had a few weeks ago despite it only lasting like 15 minutes. You must embrace the ephemeral. You must be willing to love things that may not love you back, that might betray you, or that may die an untimely death. As the great philosopher Mr. Mitchell Lee Hedberg said "I'm not gonna stop doing something because of what happens at the end."
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TAEMIN ‘Guilty’ MV filming site [Melon]
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look, you cannot "headcannon" that the mona lisa was fake without destroying the literal text of the film. the mona lisa is epstein island, and miles is presented as untouchable because that's how billionaires literally are. nothing can be pinned on him, not with any real certainty, because his resources are unfathomably vast. he is just that powerful. it is not his murder that damns him, not his corporate crimes, not the recklessly negligent energy source, not the actual things that we know he has done to get to where he is. had only the glass onion blown up, it might have dealt him a blow financially and smeared his name and dragged him into court. but he's a billionaire. it wouldn't have ruined him. people wouldn't have cared enough to see that he actually goes down for what he does. we know that because it happens all the time in real life.
but the press coverage of destroying the mona lisa that he had in his possession only through corruption and backdoor dealings? that people will notice. it is the literal on-screen symbol of his power bought by wealth, and his sheer arrogance in thinking that he is above all rules because billionaires are above the rules that brings him down in the end.
as fun as it is to think that miles is so stupid that he was tricked into believing a fake mona lisa was real, it doesn't compete with the actual brilliance of film in taking the concept of epstein island and turning it into a light, family-friendly parable for child sex trafficking and somehow make it darker. because unlike epstein, it's not what miles does to people that matters. not the actual harm he does to them, the death he causes, the death he will cause if he's allowed to continue. only his destruction of a painting.
and it's supposed to remind you that in real life, epstein was murdered in his cell. miles gets justice in the film because it's a film and it needs a happy ending but it's not just. it's not for the crimes he deserves to punished for. in glass onion, the world is broken, and it's a reminder that ours is too.
because a this isn't a film, and we didn't get a happy ending. here in the real world, epstein’s co-offenders were never caught.
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