#Giant-Size Conan

[browsethestacks]

Original Art - Giant-Size Conan #04 Pg 01 (1975) by Gil Kane, Frank Springer, And Vince Colletta

[savage-kult-of-gorthaur]

"...AND CONAN KNOWS AT LAST THE MEANING OF THOSE CRUSHED AND BROKEN BONES IN THE DUNGEON!"

PIC(S) INFO: Spotlight on inked pages 23 and 24 from "Giant-Size Conan the Barbarian" Vol. 1 #2. December, 1974. Marvel Comics. Artwork by Gil Kane & Tom Sutton.

"From afar, he sees a great bulky shape limned briefly in a grey doorway... The doorway to the very cell from which he has just come! Tarascus, then unlocked his door -- so that some murdering monstrosity could find him... Now, the thing emerges from the cell... he sees it more plainly now! Its giant, man-like body -- its shaggy, silvery-gray coat -- and Conan knows at last the meaning of those crushed and broken bones in the dungeon! The Haunter of the Pits is a grisly man-eating ape from the shores of the Sea of Vilayet! From past experience, Conan knows that it scents his presence -- and that it can see far better than he in the dark."

-- "GIANT-SIZE CONAN THE BARBARIAN1" Vol. 1 #2 (Dec. 1974)

Story/script by Roy Thomas, adapted from the works of Robert E. Howard.

Resolution at 1347x2000 & 584x900.

Source: Comic Art Fans (courtesy of Andrew Clarke, a "premium gallery owner").

[the-gershomite]

Giant-Size Conan the Barbarian #4 -June 1975-

Adapted from the novel:

"The Hour of the Dragon" by Robert E. Howard

writter & editor: Roy Thomas

artists: Gil Kane

embelished: Frank Springer & Vince Colletta

colors: Phil Rachelson

letters: Joe Rosen

[phantoms-lair]

Fredogawa - Enter the PizzaPlex

@pixlokita you wanted more of this AU so Happy Birthday

((From my DCxFNAF:SB))

((Also I never posted part 2, so, uh...here?))

"So we are stuck here?" Freddy asked.

"For now." Conan looked annoyed. They were supposed to catch their connecting flight to Hawaii here, but a storm over the ocean was making it impossible. The clear blue skies around them just made the reason seem so incongruous. "Thankfully we're already in the states so we won't have our visas checked or anything. Especially since you look mostly Caucasian and we both speak perfect English."

"Your accent might need a bit more practice," Freddy said gently. "I have the advantage of switching my language module. Well, there is nothing we can do about the weather." Freddy shrugged gamely. "Why don't we 'do the tourist thing' until a flight is available to meet with your Great Aunt and Uncle."

That's one thing Conan appreciated about him. As an entertainment bot, he knew how to commit to a bit. They were impossible far away from anyone who might know them, but he kept their identities, as well as his parents identities relevant to theirs, up.

"Sure Dad. What's around here?" he asked, also staying in character.

"Let's see." Freddy pulled out his phone and did a quick search. "Oh." His entire demeanor fell.

"What's wrong?" Conan asked concerned. He'd seen few things get under his 'dad's' skin like this.

"The biggest tourist spot in this area is...a Freddy Fazbear's PizzaPlex."

Yeah, that would do it. "We don't have to go, I'm sure there are other things we could do."

"No, I - I want to see. what it could have been like? How many people get the chance to see what might have happened if their lives had gone according to plan. And this one is even bigger than the one in Japan. Here I - The other Freddy has a whole band. It is strange and frightening, but I want to see."

Conan wasn't sure if he could say the same. If he could see a different Kudo Shinichi who'd never been shrunk, never had to lie to Ran...all in all he'd just rather not. But this was Freddy's choice, not his. "Sure Dad, sounds like fun." He gave Freddy his "I'm a little kid smile, which Freddy returned with a genuine one.

The Pizzaplex wasn't far from the air pad, and when they got there both stared at the building for a moment. 'Bigger' was an understatement. The Pizzaplex in Beika was the size of a good sized restaurant. This was the size of a mall.

"Fazbear Entertainment must be doing well in America." Conan commented.

Freddy nodded. "Shall we?"

Conan held his hand, slipping his face into that of a little kid excited for an afternoon with his father. They walked through the giant glass doors and that where everything went wrong.

They had barely stepped foot into the Pizzaplex when Conan froze in place. Freddy did a quick scan of his son and noticed in addition to his paling skin his heartrate had skyrocketed and his breathing had quickened to a worrying degree.

He knelt down next to his son. "Conan, are you okay?"

He wasn't sure what he expected, but it wasn't for Conan to grab onto him like a koala, gripping his clothes in fear while small sniffles escaped from him. None of this was standard Conan behavior.

"Is your son alright?" a concerned lady in a Fazbear uniform asked.

"I think he's overwhelmed." he responded, wondering why the woman suddenly looked surprised." He stood, holding Conan to him. "I'll take him to the parking lot and see if that helps."

Thankfully as soon as he exited the doors Conan's death grip on him relaxed, thought it wasn't gone completely. His breathing evened out and his pulse rate dropped to normal.

"Hey there, superstar. You okay?" Freddy asked, rubbing Conan's back soothingly.

"No." Conan croaked. He took several deep breaths before he continued. "I...I've trained my detective instincts a lot."

"You have," Freddy agreed.

"And I've gotten them to the point where if someone's feeling a large amount of bloodlust or malice I can tell. Not who, and it wouldn't be permissible evidence in court even if I did know who, but...I don't feel it everytime but when I do it's never wrong."

That didn't sound like something that should be physically possible to Freddy, but now wasn't the time for that. "Is that what happened when you entered the building?"

But Conan shook his head. "No, it was.." Haibara used smell as her example, and Freddy was made to be a musician. "Think of it like a sound. Usually when I pick up on malice it's like a sudden note out of silence, a stinger on a violin. It's shocking and I have to pay attention to it. Walking into the Pizzaplex..." Conan gulped. "It was like stepping out of a sensory deprivation chamber into a cacophony. Loud horns, screeching violins, hands slamming on a keyboard. A thousand overwhelming notes of malice, death, violence. And they just kept playing. I've never felt anything even remotely resembling that."

"Do you think something bad is going to happen?" Freddy asked gravely.

"I think," Conan gulped, trying to make sense of the whirling feelings going on inside him. "I think something bads been happening for a while."

"Can we tell to the police?"

"No. We have no evidence other than me having a panic attack, which they'll be even less likely to listen to due to my age. And if they look into either of us they might realize we entered the country illegally."

Freddy thought a moment. Then he sighed. He wanted nothing more than to lick up his son, turn his back, and leave this place forever. But the thought of leaving victims, most likely children, made his servos twist. And he knew his son. Knew if he tried to leave Conan would just turn around and sneak back in to handle it himself. And the thought of Conan going there alone if this was anything like was happened at his Pizzaplex..."We are leaving."

Conan opened his mouth to argue.

"For now." Freddy appended. "We will get food and rest and give you time to recover. We will return shortly before the last big show. If we cannot find anything to give to the police, we will hide until closing in one of the recharge chambers. Though I have been altered to no longer require them, I should still register as a Fazbear Entertainment Animatronic and you would not be harmed in my stomach hatch. We can investigate after it is clear. The Pizzaplex is hugely busy. If something bad is ongoing, it will not be happening during opening hours."

"Thank you," Conan whispered.

[ladygriffith]

REVEALED! The real villain of Berserk: The Skull Knight

(The Skull Knight) (Thulsa Doom)

Kentaro Miura has mentioned that Berserk was inspired by Conan The Barbarian (Robert E. Howard).

Conan the Great is a fantasy novel by American writer Leonard Carpenter, featuring Robert E. Howard's sword and sorcery hero Conan the Barbarian. It was first published in paperback by Tor Books in April 1990.

In Conan you have the kingdom of Aquilonia (Latin Aquilae means eagle, like Falconia means Falcon).

Conan rescues the dwarf Delvyn, jester to Balt. Delvyn, however, is not the fool he appears, but the secret instigator of the invasion and servant to Kthantos, an evil demon.

Delvyn feeds on Conan's anxieties about his advancing age, while heightening his concern over the amoral and ruthless Prince Armiro. 

Concerned by rumors Armiro has imprisoned his former lover, Queen Yasmala of Khoraja, he decides to liberate her and so gain intelligence on his foe.

He rides disguised across Koth to the Tarnhold, Khoraja's infamous prison fortress. Gaining entry through an underwater passage guarded by a giant water spider, he finds Yasmala indeed present, but in voluntary retirement. Armiro and some of his retainers, who had secretly followed Conan, burst in on the two; in the incursion, Yasmala's maid, Vateesa, is critically injured.  The enemies renew their combat, but Conan falters when Yasmala begs him to spare Armiro, now revealed as her son.

The demon god Kthantos, playing both sides, visits Yasmala, who is nursing the comatose Vateesa in their new prison. The demon attempts to possess Yasmala, a fate she evades only to fall to her death.

News of her demise reaches Conan he assumes Armiro responsible and guilty of matricide, kindling his wrath against the prince all the more. Kthantos then appears in a dream to Armiro with an offer of power; the prince is skeptical, but reports the dream to his subordinates as a holy visitation. 

Delvyn encourages him to envision himself emperor of the world with the godhood such a role implies, a notion previously implanted. After a disturbing dream in which Conan imagines himself drawn to his doom, he awakens to word that an army equal to his in size has entered the plateau from the Kothian side—Armiro and his host, guided by the prince's dream.

The antagonists face each other at the temple, which proves the lair of Kthantos. As the demon god hails them, Delvyn and Amlunia incite the two rulers to personal combat, the prize being mastery of their combined armies and the world under Kthantos's patronage. Both monarchs, realizing they've been used, are suspicious of the god but otherwise game, as each believes the other the instigator of Yasmala's death. Their confrontation is interrupted by Queen Zenobia, driven by chariot in relays all the way from Aquilonia. With her is the partially recovered Vateesa, now revealed as the queen's mysterious visitor. They reveal Conan that Armiro is not just Yasmala's son, but his own as well.

This balks Conan while inflaming Armiro to new fury as he vents on Conan the distress over abandonment that has afflicted him his whole life. The fight is on, and Kthantos manifests in triumph. Vateesa recognizes and denounces the demon as Yasmala's murderer, uncovering its machinations. At this the two kings put aside their quarrel and turn on Kthantos, toppling a shattered pillar into the well from which it issues. The dwarf Delvyn remains, released from his patron's spell, and is revealed in his true form—a giant twice the size of Conan. Shunned by humanity, he had studied ancient lore to achieve vengeance, which had led him to Kthantos. In his diminished guise he had played the fool, enticing kings to the demon's service until, in the troubled Conan, he had found what he deemed the perfect tool, to be first used and then supplanted. Now unmasked and thwarted, he challenges the king. Conan has his soldiers dispatch him.

Under truce, and still uncertain of their feelings for each other, Conan and Armiro resort to their advisers and diplomacy. A modus vivendi is envisioned in which both monarchs will pull back from Ophir and respect each other's spheres of influence, abandoning pretensions to sole mastery of the Hyborian world.

(Conan the Swordsman)

Kull of Atlantis or Kull the Conqueror is a fictional character created by writer Robert E. Howard. The character was more introspective than Howard's subsequent creation, Conan the Barbarian, whose first appearance was in a re-write of a rejected Kull story. Kull's mortal enemy is the sorcerer Thulsa Doom.

Thulsa Doom is described by Howard in "The Cat and the Skull" as having a face "like a bare white skull, in whose eye sockets flamed livid fire". He is seemingly invulnerable, boasting after being trampled by one of Kull's comrades that he feels "only a slight coldness" when being injured and will only "pass to some other sphere when his time comes". Thulsa Doom is the most authoritative and powerful sorcerer. One of his most notable abilities is shapeshifting, allowing him to claim various identities. Often impersonating someone else. He was able to hold his own in a sword fight against Conan or Kull.

Thulsa Doom is also seen as controlling the elements and being able to call up a storm out of a calm sea. While Thulsa Doom cannot be killed – even when pierced by a sword or thrown from a great height – he's vulnerable to steel being driven through his body, such steel acting to imprison him and prevent Doom from getting away.

Thulsa Doom is the prototype for many of the future undead evil wizards in Howard's stories. he is also called the 'Skull face' and he has foresight of the most possibilities.

He appeared when he and his legions invade the lands of Cimmerians for the first time, leading to a massacre of the people there including the young Conan's parents (the father was killed by Doom's dogs while the mother was decapitated by Doom with the father's sword). As the young Conan became a gladiator after years of slavery, Conan swore to avenge his people's tragedy by killing Doom.

Posing as the nobleman Ardyon, he forms an alliance with four rebels who actually dethroned the hero, and set him on a quest to regain his lost kingdom. Thulsa Doom sent members of his Black Legion to ambush Kull and Brule, though they won the fight. Thulsa observed the battle through a magic crystal. Kull and Brule's ship was later attacked by a sea serpent, with which Thulsa may or may not have had anything to do.

Thulsa Doom/Ardyon learned of the curse of Torranna (essentially, if a scarred man wore the crown and sat on the throne, he would be unable to ever leave the throne), which he determined to bestow upon Kull. Thulsa Doom drew Kull into Torranna and had him undergo a series of trials to gain the crown of Torranna. Thulsa Doom revealed himself to Kull, challenging him to one final battle. Thulsa Doom pulled Kull into a pocket dimension for their final battle. Kull managed to slash Thulsa Doom's face with his sword, but was ultimately overpowered by the necromancer. Thulsa Doom returned them both to Torranna, but Kull rallied long enough to push Thulsa Doom onto the throne and place the crown on his head. His face scarred by Kull, Thulsa fulfilled the prophecy and fell victim to the curse himself. Thulsa's power were drained by his curse as the city of Torranna collapsed, seemingly crushing him. Kull, luckily, escaped, and then returned to Valusia to retake his own throne.

Set in the time of King Arthur (though Arthur himself doesn't appear onstage) Thulsa Doom comes back to life after 18,000 years on a sinister deserted island. Recognizing Cormac Mac Art – an Irish adventurer who joined a band of Danish Vikings – as a reincarnation of his old enemy King Kull, Thulsa Doom immediately resumes his ancient vendetta and relentlessly seeks to kill Mac Art.

The Riddle of Steel In the beginning, we see Conan's father explain the Cimmerian lore concerning the ancient Giant Kings of earth stealing the forging secrets from the god Crom. Conan's father tells him that he must learn by himself the riddle of steel. Giving him a hint, he tells him that you cannot trust anything in this world, except for one thing; and, showing him the sword of steel he just forged, he says: "This you can trust." What he does exactly mean by "this" is not clear.

Years later, Conan tracks down and confronts Doom and his raiders. Doom tells him that he has abandoned the pursuit of steel, because flesh is stronger. To prove his point, he beckons one of his cult followers on a cliff to come to him. Enthralled by her faith, she steps off the cliff and falls to her death. This, the ability to lead loyal followers who are willing to die for you, is real strength for Doom, and he reproaches Conan for not recognizing where his own strength is. Then, in his final confrontation with Doom, as he is subjugated by Doom's mind control, Conan looks at the damaged sword and somehow frees himself and kills his enemy with one thrust of the still sharp sword. It is implied that, in that instant, he figured the riddle and the true answer to the riddle. Which these are, however, we are never told  Fans have come up with several explanations over the years. One is the Nietzschean idea that will is indomitable and stronger than both steel and flesh. 

“In this world, is the destiny of mankind controlled by some transcendental entity or law? Is it like the hand of God hovering above? At least it is true that man has no control, even over his own will. Man takes up the sword in order to shield the small wound in his heart sustained in a far-off time beyond remembrance. Man wields the sword so that he may die smiling in some far-off time beyond perception.”

What about Griffith / Femto then

Antagonist Villain

Antagonist vs. Villain

Griffith is the Antagonist of Berserk:

Antagonists are plot devices that create obstructions and challenges for your protagonist, while villains are evil characters with malicious intent

A story’s villain is always an antagonist, but not every antagonist needs to be a villain

Often, antagonists are other characters who have their own goals and their own obsessions. Unlike the villain, they don’t necessarily take pleasure in causing the main character harm—they just happen to have desires that conflict with the protagonist’s desires.

Many antagonists are compelling characters in their own right, since they’re not necessarily bad people. They can even go through character development and grow throughout the course of the story.

Skull Knight is the Villain of Berserk:

The villain in your story is the character whose primary motivation is malicious destruction. They’re usually the main antagonist of the story, causing the biggest source of conflict for the hero. Many of them remain hidden until the finale or hide their true intentions to create a plot twist.

He gave Guts the cursed Berserker armor, feeding off of his life force for vengeance. His hatred and darkness is consuming his flesh and SK wanted to kill the moonlight boy, who had helped Guts not to lose himself and hurt his party.

His astral form prevented Guts from killing Casca and falling into madness. Skull Knight could foretell the future but didn't prevent the eclipse. He also tried to kill Femto to stop the birth of Falconia, the peaceful city for human race.

He started the cycle of revenge and sacrifice when he probably tortured the clergyman who transformed into Void who called the god hand upon him.

Clearly, Griffith was an innocent child before he was corrupted by the God Hand giving him a behelit.

Finale Skull Knight Theory

I think Skull Knight will be the End Boss of Berserk and Guts will have to fight him.

Using the power of the Yobimizu no Tsurugi (Sword of Resonance/Actuation), Skull Knight can cut through dimensions. Time is often referred to as the "fourth dimension" 

Guts will win against him and take Skull Knight's Sword. He will cut through the dimension and time travel to Griffith's childhood.

When the clock struck notice the flashing purple light which opens a dimension and Guts appears before Griffith?

You have the same purple hue when SK visits him and Casca. Also The SK's eyes have the hue.

In Conan you have Doom who looks a lot like the Skull Knight. In Conan in the end he is revealed to be the main villain and Conan has to fight him!

Griffith is torn between his dream which is the castle and Guts. HE CHOOSES GUTS and runs towards him. Meaning they will see through the manipulation of those who forced his destiny and defeat the God Hand as well as Skull Knight.

Griffith's love for Guts is the only thing keeping him from losing his humanity, and Guts's too. Griffith is no narcissist. He is misunderstood and manipulated. As he grew up, he was corrupted. A tragic character, whose true will was taken from him.

Great foreshadowing there. Guts will save Griffith set it all right this time! They will beat their fake destiny.

[ms-nesbit]

can you do jason todd x reader headcanons? like if he falls in love/?

Yes, love!

Jason todd x fem!plus size reader headcanons

warnings: mentions of sexual abuse and trauma

"holy shit" were undoubtedly the first two words he said when he saw u

and if you're a big reader, he will keep tabs on what you're currently reading and then read it too

if not, he will try to convert you

not into giant romantic gestures, but loves physical touch from you

especially if you're holding him

he just loves private, unconventional forms of intimacy to know you're not sick of him yet

he is a huge baby behind closed doors

"I've never seen him like this" - dick, about jason's relationship with you, half-worried

"Master Todd said you were special" - alfred, upon meeting you

and that did hit different

he loves how squishy you are in certain places

and says that there's no such thing as unflattering squishiness

(and if you're muscular, he gets turned on by the defined muscles and contoured areas)

will debate with you

but it will end in a make-out session

he also buys new outfits for you

but only if you were okay with it

with random texts and photos

SOMETIMES OF HIM TRYING OUT SAID OUTFITS

including - your favorite - one mirror selfie in an emerald dress at a Nordstrom Rack

and his favorite love language is bits

like joking around for hours and hours

and when you two are around any of the batfamily, they can sense when a bit is coming on, and they all acknowledge its presence with an exaggerated groan or sigh

"jesus will it ever end" - damian

he knew he loved you when you told him your favorite talk show host is conan o'brien

[hattoriandkudo]

History with Conan: Japan’s Yayoi Period (Worldwide Contemporaries)

While Japan was in the Yayoi period, the Roman Empire’s power in Europe was expanding. Beginning in the 8th century BCE in a small city on the Italian peninsula, Rome had unified the country by 272 BCE. Then they conquered the surrounding nations and expanded their dominion across the Mediterranean Coast. In 27 BCE, Rome became an empire, ruled by an emperor. By 117 CE, its territory had reached its peak size. Under the strong rule of the Roman emperor, the empire was at peace, and literature, philosophy, and art flourished. When the emperor made Christianity the national religion, Christianity took root in Europe, which had a major effect on Europe’s history and culture.

Territory of the Roman Empire in 117 BCE, Rome marked in red.

Roman ruins: the Colosseum and the aqueducts. The Colosseum hosted fights within its 50 meter walls (164 feet). With a diameter of 188 meters (616 feet), it’s a giant work of architecture. The aqueducts were built to carry water from rivers and valleys in order to manage the empire’s water supply.

With illustrations and information from History Detective Conan 2: Yayoi Period (The Lonely Little Queen).

That’s all for the Yayoi period! Coming soon: Japan’s Kofun Period

Kofi Tip Jar

[shsl-box-worshipper]

Reblog for a bigger sample size

[smashedpages]

Titan Comics will release a second Conan the Barbarian omnibus in May, featuring classic Conan stories originally published by Marvel. The cover art for the regular edition is by Neal Adams and by John Buscema for the direct market edition.

Here’s the solicitation info:

CONAN THE BARBARIAN: THE ORIGINAL COMICS OMNIBUS VOL. 2 Writer: Roy Thomas Artists: John Buscema, Gil Kane Publisher: Titan Comics, Heroic Signatures HC, 7.25" x 10.875", 856pp,  $125.00, On Sale: August 9, 2023

THE ADVENTURE CONTINUES, IN THIS COLLECTION OF CLASSIC CONAN STORIES, PERFECT FOR FANS AND COLLECTORS ALIKE!

Tired of the thieving life, Conan signs on as a mercenary for the warring kingdom of Turan. The enemy will tell of Conan’s legendary skill in battle — if any of them live to tell the tale — but palace intrigue may prove more dangerous to the barbarian.

Collecting CONAN THE BARBARIAN (1970) #27-51 and ANNUAL #1; GIANT-SIZE CONAN #1-4 and material from SAVAGE SWORD OF CONAN (1974) #1, #8 and #10.

COVER: REGULAR: NEAL ADAMS COVER: DIRECT MARKET: JOHN BUSCEMA

[pulpsandcomics2]

Giant-Size Conan #5      1975

[titanomarchy]

In Conan Exiles playing characters higher than the default max size multiplier (1.05) would cause issues when trying to use the sorcery crafting stations. I found out that this can be avoided by crouching when crafting if size is at least up to 1.3. Love playing some giants.

[metalshockfinland]

CONAN Sign to Heavy Psych Sounds Records for Release of Next Two Albums

UK’s battle doom giants CONAN join the Heavy Psych Sounds roster for the release of their next two albums, with the first to be released in the spring of 2025. About signing to Heavy Psych Sounds, the band says: “We are delighted to announce we will release our next album on Heavy Psych Sounds. We have watched the label grow in both size and stature, and watched awesome bands join, and we feel…

[savage-kult-of-gorthaur]

"THE HAUNTER OF THE PITS... A GRISLY MAN-EATING APE FROM THE SHORES OF THE SEA OF VILAYET!"

PIC INFO: Resolution at 974x1445 -- Spotlight on cover art to "Giant-Size Conan the Barbarian" Vol. 1 #2. December, 1974. Marvel Comics. Artwork by John Buscema & John Romita, Sr.

"From afar, he sees a great bulky shape limned briefly in a grey doorway... The doorway to the very cell from which he has just come! Tarascus, then unlocked his door -- so that some murdering monstrosity could find him... Now, the thing emerges from the cell... he sees it more plainly now! Its giant, man-like body -- its shaggy, silvery-gray coat -- and Conan knows at last the meaning of those crushed and broken bones in the dungeon!"

-- "GIANT-SIZE CONAN THE BARBARIAN1" Vol. 1 #2 (Dec. 1974)

Story/script by Roy Thomas, adapted from the works of Robert E. Howard. Artwork by Gil Kane and Tom Sutton.

Source: www.hipcomic.com/listing/giant-size-conan-the-barbarian-2-40-new-haunter-of-the-pit-1974/9112822.

[the-gershomite]

Giant-Size Conan the Barbarian #4 -June 1975-

The Lurker Within! (11-19 of 19)

writter: Roy Thomas

artists: Barry Smith

embelished: Dan Adkins

letters: Sam Rosen

[nonsololibristore]

Bentrovati amici di carta e di inchiostro ecco le novità del giorno: PANINI COMICS: - ANTEPRIMA 374 - AVENGERS VS X-MEN AVX GIANT SIZE EDITION - BEAST COMPLEX II - BLUE LOCK 15 - BOTA BOTA - BLUE SKY COMPLEX 2 - CALL OF DUTY - VANGUARD 4 (DI 4) - CITY HUNTER - REBIRTH 10 - DAREDEVIL 5 - OBBLIGO O VERITÀ - DAREDEVIL DI FRANK MILLER - RISTAMPA - EXCUSE ME DENTIST 2 - FIRE FORCE 30 - GIANT KILLING 53 - CAPITAN AMERICA: STANOTTE MUOIO - TESORI MARVEL - HELLO MORNING STAR 2 - IMMORTAL X-MEN 4 - IL PAPA TERRIBILE DELUXE - LA SPADA SELVAGGIA DI CONAN 1990 PARTE 2 - MARVEL INTERNATIONAL - GLI INCREDIBILI X-MEN 46 - MUSHOKU TENSEI 13 - NIGHTMARE BEFORE XMAS RICETTARIO - NAMAIKIZAKARI - MA CHE SFACCIATO 5 - RAT-MAN GIGANTE 104 - SCORCHED - CHI MORIRÀ PER PRIMO? - SASAKI E MIYANO 4 - STAR WARS: L'ALTA REPUBBLICA 18 - THE MARVELS 2 - TERRA INCOGNITA - WOLVERINE 429 - X-FORCE 31 - X-MEN 394 PANINI COMICS - DC: - ANIMAL MAN DI JEFF LEMIRE OMNIBUS - BATMAN BEYOND FLASHPOINT 0 ( NORMAL E VARIANT ) - BATMAN - HUSH - RISTAMPA - BATMAN - KILLING TIME 2 - BATMAN DEATH METAL - BATMAN - UNA BRUTTA GIORNATA 2 - FRECCIA VERDE - I CACCIATORI DALL'ARCO LUNGO - JUSTICE LEAGUE VS LEGIONE SUPER 2 - JUSTICE LEAGUE 29 - KID ETERNITY - KAMANDI DI JACK KIRBY OMNIBUS - LANTERNA VERDE DI GEOFF JOHNS 1 - POCKET ( NORMAL E VARIANT ) - SUPERMAN IL MONDO DI KRYPTON - SUPERMAN ALIENO AMERICANO - SUPERMAN 41 - WATCHMEN - PRIMA RISTAMPA VI ASPETTIAMO!!! #fumetterianonsololibri #gadgets #gadget #manga #comics #fumetti #graphicnovel #consiglidilettura (presso Non Solo Libri - Store) https://www.instagram.com/p/Cj2zKhHt4BN/?igshid=NGJjMDIxMWI=

[browsethestacks]

Giant-Size Conan (1974-1975)