soon it'll be dawn again
transcript under the cut ⏬
page 01
Fig: no way? - you're still up?
Riz: Wh– yes?
Riz: Why'd I not be.
page 02
Fig: I me~~ean - that took.
Fig: whole day.
Riz: Yeah?
Fig: 'm beat.
Riz: you should sleep.
page 03
Fig: nah. my guy's still up
Fig: I wanna hang out.
page 04
Riz: That's really nice.
Fig: Hah! - Nobody ever expects an Archdevil rockstar to be nice.
Riz: … yeah. - 's just budget work tho. (the stuff I'm working on) - I've heard it's boring.
page 05
Fig: yeah, but you do it…
Riz: It keeps things going, right? - Nothing happens if nobody sits down and - does the thing.
Fig: That's right… - though. Yeah.
page 06
Fig: sometimes it's someone else who - doesn't want the same thing to happen.
Riz: … - mm.
page 07
Riz (off screen): …It took me a long time to get that not everyone likes doing what I do. - 's probably because you guys are so nice– - or. - kind.
Riz (off screen): to anyone too, not just. - the people you /love/.
page 08
Riz: that's not how it is elsewhere. - The world's– not. hostile. - but 's not like it's kind.
Riz: So I'm doing as much as I can now…
page 09
Fig: Hey.
Riz: ?
Fig: Go dig some dirt with me.
page 10
Riz: [blank speech bubble] - oh you meant like - actual dirt. (not incriminating information)
Fig: o yea.
Fig: there's clay in the backyard soil. - sometimes when I'm sun deficient or something I go touch dirt for a bit.
page 11
Fig: here u go
page 12
Riz: uh
Fig: now we make a thing! - 'm pretty good at freehanding a bowl.
Fig: I'll show u
page 13
Fig: just– yep, flatten that out as evenly as u can, then–! - actually ur nails'd be so good at cutting out the strip. [larger than usual space] wait. - wait. wait u can carve patterns with them! we HAVE to try
Riz: uh - What. do I carve?
Fig: anything!!!
page 14
Fig: and– yep just seal the inside uh. seam?
Fig: yep that works - okay time's up! all contestant hands up
Riz: [blank speech bubble] - okay - wh. what's next?
Fig: haha - watch this.
(sound effect text): FWOO—MP
page 15
Riz: WH– DON'T JUST DO THAT???
Fig: Now it's fired!
Riz: THAT WAS NOT SAFE
Fig: (actually it's just dry. if u add water rn it'll dissolve)
Fig: ok catch!
Riz: [blank speech bubble] - careful!!
Fig: dw no need haha
page 16
Riz (thought bubble): oh - it's warm…
Fig: now I want you to throw this.
page 17
Fig: u gotta do it - c'mon
page 18
Riz: wh– - It's like 3AM right now
Fig: oh it's not /fired/ fired it's not gonna make a loud noise
Riz: And then just? leave a pile out here?
Fig: pour water over it & it'll be gone I told u
Riz: but
page 19
Fig (off screen): RIz.
page 20
Fig: I've done all this before.
Fig: Can you trust that at least?
page 21
Riz: no, I– - I do. - I trust you.
page 23
Riz: okay what happens now
(sound effect text): glob
page 24
Fig: we do it again!
page 25
Riz: wh. [larger than usual space] What do you mean. (this clay's too wet also)
Fig: see! you're already learning
Fig: [blank speech bubble] - there are flows that are futile to fight. - The world changes.
Fig: Things change.
page 26
Fig: I've learned my lessons with "forevers". - But - as an artist
Fig: I can give you one thing: - You can always do it again.
page 27
Fig: most of everything depends on the rest of the world, - but this. - making new. - that's yours as long as you want it.
page 28
Fig: So?
page 29
Riz: Yeah. - Yeah! - let's make another one.
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Some notes on Wilson's marriages/divorces, and how he met House:
• House didn't just meet a freshly divorced Wilson. He met barely married Wilson, who just got notified about his #1 divorce by a lawyer, not his wife
• Wilson walked around with papers on hand, long enough to give House a chance to sneak a peek. The same day he received the news. (there's a chance it was some sort of middle step in the divorce procedure, but "just served", checkmate your honor)
• House 100% knew that when he bailed him out. No, I don't have any concrete evidence besides "it's fucking House"
• House had Wilson observed the entire time to know he didn't open the papers. The divorce lawyer prob gave him an idea of what it is, and he was just marinating in the suffering juice
• House had to be nosy and stealthy when he checked the package Wilson clung to, he saw what's written on it
• They didn't actually talk at the conference itself, so House did it silently too
• There was a law firm address on the papers, and you couldn't just google shit then. House's had to remember it to investigate it further, or he already knew of the firm (or it said "BLAH LAW FIRM BLAH HERE'S YOUR DIVORCE PAPERS, LOSER", which is possible)
• Wilson likely opened them in a hotel room (or he looked at the package sadly/angrily there too), needed a drink, and House was at the bar
• House was watching Wilson at that conference, then at the bar, then meltdown over the song, then the whole fight and the mess, then the detention, and was like yeah I'll bail that
• "First words you ever said to me." This is when they first talked, Wilson was in jail and the one in need
• Ok alright, hear me out, if House didn't know what the papers were at the time of bailing. There are 2 paths for him to find out
• Wilson STILL had them on hand in jail
• Or Housey saw them at Wilson's hotel room. Yeah
• It's been over the decade since they've met and they both vividly remember the details of that drunk night (I get why for storytelling purposes. Still... Much to think about)
• That conference is either the last one, or one of the lasts, House attended. And that one was already boring to House without Wilson. 15 years prior to s06e06 "Known Unknowns", can't do the timeline magic I just eyeball it
• House also introduced Wilson to Cuddy pretty soon, since she was a witness to the levels of despair he was apparently in
• House might've pestered Cuddy to hire him, or she chose to do so herself (whenever she was dean). Maybe House chased away some poor oncologist to make an opening. Even if House isn't as obsessed with Wilson at the start of season 1, he's always plotting
• There's the brother thing too. Wilson still fresh out of med school, still divorcing, still guilty af and looking for the brother in Princeton, so he was happy to work there
• Prior to that, Wilson was working 2 jobs to support himself and Sam and was ready to follow her to Baltimore
• The divorce and meeting House happened in 1991, the same year USSR completely fell apart. Just thought I'll throw that in #educational
• Wilson was married, non-fraudulently, for 12 years total
• Marriage #1 has only lasted 1 year
• That means every marriage House was present for has lasted longer #math
• Wilson found a way to get fulfilled while in the marriage
• Now he's got a needy bitch with infinite problems and who will slurp any poison he has to siphon
• I'd argue House is what made Wilson bearable at home
• At the same time, House is what kept Wilson away from home, ultimately contributing to the divorce
• Wilson himself describes his marriages as crappy - he doesn't really need help destroying them. House still helps~✨
• Timeline gets wonky, but there couldn't have been much of a downtime between marriages, a couple of years max
• "Fell in love at the wedding" - whatever the fuck that means for Wilson
• Either Wilson met Sam through that wedding, and she also aimed to work in medicine - how they've connected. Or they went there as a couple, both being med students? Got high on emotions and jumped into marriage
• Wilson speedruns relationships once he's in them, so it could've gone "hey that was a nice wedding, how about we have our own?"
• He fucking sucks at proposals, his looks and general air of niceness carried him all 3 times, I will not be hearing any objections on the matter
• When Wilson talks to Cameron about cheating. He says, "I have (cheated). I always told them"
• "Them"
• It's could've been every marriage (#1, #2 and #3). If boy managed to sneak in cheating in his 1-year lightning marriage #1, while he was studying + 2 jobs (now I don't doubt his time management skills, but it's still a hassle. On the other hand, all that stress couldn't have been helping)
• Or it could be #1 and #2, or #1 and #3. But #3 is pretty much a certainty (he flirts with nurses on screen, House is also there), and it's "them", so why would he randomly stop in the middle? Don't think so
• What's most likely is - #2 and #3. When arguing with Sam (#1) again she didn't mention or allude to the cheating, her problem was that Wilson didn't communicate ANY emotions to her, she even admitted to House she made the most mistakes in that marriage, let's say there's some truth in that
• Wilson either didn't tell Sam about cheating, she didn't have a problem with it, or he lied to Cameron
• OR he didn't cheat on Sam
• He started to cheat after the first divorce AND his marriages started to last longer, which is funnier too
• He could've started cheating prior to House entering the picture, but much more likely - after. Divorce and/or House are the cause
• Speaking of. Meeting House is very tightly linked to the #1 divorce. Every time Wilson would think back on it, he would have to think about all the turmoil and getting bailed by House. And vice versa - every time he'd think back on meeting House...
• "I met someone who made me feel funny. And I didn't want to let that feeling go." Another Cameron talk. Ur honor, there's something on that wall
• btw, he is STILL married while meeting House, so if you hilson 1st-night-fuck truther, that meeting is his cheater origin story in a more practical sense. He then could've really meant all the marriages, but then he lied about telling Sam/Cameron, he might not count it since he's divorcing to tell Sam
• Ultimately, he's a huge liar, and I'm wasting my time. What I'm saying - nothing is really off the table with this guy in terms of hcs
• Aftermaths of #2 and #3 aren't really talked about like #1. It must've been really nuclear
• House says neither of them recovered from (#1) divorce to Wilson's face, Wilson doesn't contest that in any way. Even tho House didn't know Wilson before the divorce he usually right on the money with these things
• After the divorce #2 Wilson got 3 legged cat
• After failing to secure marriage #4 (#1 part 2) he got a diabetic cat
• Just like the thing he has with missing phone calls, after every divorce, consciously or not, he might expect a savior to bail him out
• After and during #3 he crashed at House's, then surfed hotels, then moved in with a dying patient, then Amber's, then House moved in with him (still Amber's)
• Maybe his wives kept taking properties in the divorce, and he just stopped getting them
• Man frankly didn't have a home for a while (HOMELESS BUT NOT HOUSELESS)
• Then Wilson finally commits and gets the place for himself and House, from Bonnie (#2)
• Wilson adamantly remains on good terms with his ex-wives (but not random exes. One helps House with a prank, House kept tabs bc of course)
• But Wilson thinks they hate him. Did he ever pay attention to them?
• While spending all the time with House, then cheating, telling his wives about it, Wilson gave them more attention and emotions to delay the divorce
• He also learned how not to get attached in marriage, to not get destroyed by the divorce (excellent gambit if you expect your marriage to fail)
• He has a better support system now too. Can't believe House is your support system, fucking lmao and ouch. Cuddy is his only other friend we see, maybe Stacy at some point (he kept in touch with after the incident)
• All his other friends and family we hear next to nothing about, at best they're surface level
• In season 5 he's only visited by the coworkers/House's team + Cuddy <- all that is pretty much House's tolerance circle
• House is pathetic, but Wilson is something else entirely
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Hi, how did you learn to draw Steve's physique?
Ohh what a complicated thing to answer...
When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.
(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)
The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.
For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.
In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.
I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)
I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.
The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.
This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.
I also, of course, have done many figure, gesture, and master studies...
These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.
What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.
The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.
And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.
It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.
This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!
Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part
But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...
There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.
I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.
I hope even one thing in here helped you! Sorry it's so long.
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