Mild Rant Post
Sometimes I read posts about characters in different story continuities and I wonder if they see fiction the same way I do. I wonder if they think that each character already has their own story, even if it's not exposed to us. I wonder if we see characters differently because I ponder the depth in characters that are just a name, if even that. Meanwhile, other people see the character's name and promptly forget they exist.
It hurts my soul to witness people spitting on the idea of a character having any semblance of meaning or significance when they only appear once or not at all. Especially since there's nothing that takes from the other stories being told by the other characters.
I know that I don't always have such an important fixation on a specific character, and I can change who I want to write about depending on how much I want to explore that character. And it's fine that not everyone wants to do that. But it still stinks to see blatant disdain for characters just because they get the spotlight they don't always get.
It makes me feel kind of sad. If they do that to characters they don't like in stories, how do they feel about other people in their lives?
Actually, scratch that. It makes me really sad.
Yeah, I'm vague-blogging. Shocker. But the fnaf fandom is really dragging me down rn. Maybe I'll just stay away from anything after UCN. I certainly need some time away from Gregory, for sure.
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Consider this: ghosts are actually exactly what the Fentons think they are.
They're snapshots of a longing so strong, unfinished business so deep it reaches out beyond life. Lingers just a bit longer. And if it happens to meet a dense cloud of ectoplasm (invisible to the naked eye, but omnipresent even in the mortal realm), it coalesces. The ectoplasm fits into the shape of it. Which, when the desire is strong enough, it's got a rough idea of its self-image. This tends to mean a more humanoid figure, though it's more often warped in some way–a self-reflection, skewed by said desire. The warping varies on the dead soul’s perception of themselves, the intensity of their desire, how much time passed after death, and how much ectoplasm was present.
In short… no matter how “normal" a ghost looks or acts, it really, truly isn't human. It's animated ectoplasm with a single goal: an obsession. Nothing else. They're more akin to plants than animals, following a single drive with no emotion. They react to stimuli, recognize threats (including other ghosts), and can even imitate human speech and mannerisms to obtain fulfillment of their obsession.
Not “evil" by any stretch, but they're entirely driven by instinct. A tree doesn't pause to consider the rocks it breaks with its roots. A cordyceps doesn't torture its host for fun, or kill with malice. It just does. It follows code in its DNA to survive and multiply–And ghosts just follow the code in its ectoplasm to fulfill its obsession. The more powerful a ghost, the better it's able to overcome obstacles preventing this–whether through brute force, or manipulation. This power is always directly proportional to the amount of ectoplasm present at the time of formation, and how much time passed since death.
What then, does this mean for Danny? Danny, who's previously come to the conclusion that he's only half-ghost, which surely explains how he retained his mind? His independent thoughts and emotions?
What does this mean for Phantom, who experienced an entire world’s worth of ectoplasm condensed as a singularity, at the exact time of his death? Whose strength only grows and begins to exceed every limit they previously thought possible?
If a ghost was as strong as him… could it mimic a human perfectly? Down to a molecular level?
Could it, in its desire to fill an obsession… trick its own fake mind into thinking it was still human? Or half-ghost?
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girl how long was santana left abandoned in mexico???
homeboy doesn’t know what hamon is!! looking at santana himself, he only wears a simple white cloth covering. he doesn’t have any anti-hamon weapons like the other pillar men have. when he sees joseph, he calls him “unique” and unlike any other human he’s seen before. he even tests this theory on speedwagon, confirming that joseph was different than any other human he had seen before.
kars, esidisi, and wamuu had time to not only travel to europe and possibly asia (at least esidisi did), meet the hamon tribe and fight against them long enough not only to develop specialised weapons and techniques, but to eradicate them. AND IMHO i think the hamon clan was numerous! when caesar gives his spiel about wham killing random man #5, all the pillar men laugh and talk about how all the hamon users are the same and how they all value friendship.
kars states directly that his quest for the red stone has been ongoing for 5,000 years. it’s reasonable to assume that’s when the triumvirate left mexico in search of the stone across the atlantic. it’s entirely debatable if santana was ever given the stone mask that gave the other three their modes. he may be the ONLY actual, non-elevated, pillar man left.
THEY JUST LEFT HIM THERE???? WITH SOME USELESS ROCKS THAT POTENTIALLY NEVER WORKED AT ALL???? NONE OF WHICH KARS EVER CAME BACK FOR BTW HE JUST MADE NEW ONES!
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my notifs recently got me thinking about the very random concept of "what if there is a second, secret CHB. directly below normal CHB." and i ended up brainstorming it in the discord.
context for how this originated: one was just a random notif on my post talking about the tunnels under the Hephaestus cabin, and the other was some tags from @drksanctuary on my fake readriordan article mentioning the idea of a chthonic demigod camp.
so. my brilliant (read: "smashing my 2 brain cells together") idea: the elaborate and seemingly infinite tunnels under cabin 9 are remnants of an abandoned underground CHB that exists directly underneath camp. It's basically just normal CHB except in a big cave system, probably connected to the labyrinth somewhere and has the separate tunnels, and instead of the Olympian cabins it has chthonic cabins. there's probably also some infernal nymphs and etc down there too. since all chthonic demigods can learn to shadow-travel they probably used that to get down there, and a lot of chthonic demigods probably have geokinesis just by nature, ergo the tunnels (for when they don't want to shadow-travel, or can't).
in brainstorming with the discord we decided it could be cool if some of the cabins lined up with the above-ground cabins, either for thematic purposes or associations or whatever. Like there's maybe a Hermes and maybe Poseidon cabin in the chthonic CHB too that just link to the above-ground ones, but also like Persephone cabin lines up to Demeter cabin because of course it does. and maybe Hecate cabin lines up to Cabin 8 cause Artemis is sometimes 1/3rd of Hecate. Maybe Angelos cabin is beneath Cabin 1, and Zagreus cabin is beneath Cabin 12. Things like that.
The other ones i thought of were either Hypnos or Thanatos cabin lines up with Apollo, because twins, and the other is just right beside it (because twins). And Charon's cabin is beneath Cabin 9, ergo why the tunnel system connects to it (because Charon. Ferryman. Surface access. It makes sense in my brain).
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Reverse Gondolin AU family portrait
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Tharja x Lissa
(Fire Emblem Awakening)
First time I'm ever drawing these two even though I'm a big fan of the fire emblem series, and awakening got me hooked to the games! Maybe cuz my art wasn't the best when I played it back in 2020 so I may have gotten scared I wouldn't be able to draw them right shhbskdnekd.
A thank you to @/clericknight (on twitter) and their art for giving me a boost in inspiration just to Draw!
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Knightfall in Dream Land - Page 6
Meta Knight begins his long fall to Popstar’s surface and passes by some familiar faces on the way down.
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Tonight's Vibes
Anathema-verse: every time Alice sees Jasper, she gives him a hug. And every single time, he jumps a little because being casually touched is still unexpected, especially with affection. Alice notices but never says anything.
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Honestly, I'm never really going to get over how the writers use Luz lying to her literal girlfriend as plot convenience. They really think that little hug at the end of Eclipse Lake fixes Amity's insecurities surrounding her relationship with Luz. Even though Luz shows her time and time again that she doesn't trust her enough to be honest with how she feels lmao.
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He's getting too old for this
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ngl, it IS really funny to me to see people in posts about Finn's panel being happy about "having Mike's cluelessness confirmed", because... what exactly would Finn have needed to say for you to think he wasn't clueless? because saying Mike is clueless is literally the only way for Finn to dodge Mike's feelings/sexuality right now
"yes Mike knew what Will was talking about/that Will was hurt/ that Will was crying, he just didn't do anything about it because... uhm..." he doesn't really have a way to explain the van scene without prompting more questions from the audience
i'm personally not very hard set on any interpretation of the van scene. i think it's possible to write the story from here on out with Mike being confused and not sure what to do with it, thinking Will was a bit more involved with everything than he let on, hoping that Will was actually talking about himself etc. a lot is possible from a writing perspective since they didn't give us Mike's pov at all
but the idea that actors would "confirm" an interpretation in a panel is insane to me. they told everyone and their mother than Will was straight for 6 full years. if anyone asked Noah if Will was gay/into Mike post s3 he straight up lied, because it was in his contract. Will being gay and in love with Mike was only supposed to fully get addressed in s4 so up until then Noah had to reflect the popular/heteronormative audience opinion of Will just being behind in development
Finn talking about Mike's opinions/thoughts in scenes that explicitly go out of their way in canon to NOT show us them isn't going to give more information. they went as far as blurring Mike out of the bg in the van scene. Finn coming in to clear up what was actually going on in his head won't happen until the show officially decides to go there on screen
actors will never give away more than canon tells you since they're not allowed to give spoilers
rule of thumb: if a character does smth and it's ominously left unaddressed in the show, the actor will either lie about it or play it off as unimportant in an interview until it's revealed in canon. you'll only get a genuine answer for what was going on if the scene was inconsequential to the plot. like "what did x actually think about that annoying guy they met in the mall" etc.
and how Mike felt about/thought about Will, his best friend, confessing his feelings in code, which was left unclear and purposefully confusing to the audience, is the BIGGEST spoiler territory you could possibly move into right now
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Usually I'm all for not treating two characters as a one inseparable unit. I'm all for exploring them separately from each other or considering some interesting rare pair options for them.
But not with Madara. I love Madara very much but I'm sorry his canon obsession with Hashirama can't be ignored by me. I can't separate it from him. Their bond with Hashirama is completely something else. It's a very integral part of who Madara is.
He wants his attention even if it will be in a fight he wants everything Hashirama can give him. He'll recognize him in any situation. He'll be happy to see him even if the last time they have seen each other Hashirama killed him. He talked about uniting Ying and Yang and clearly meant Hashirama as Yang to his Ying. He ended up merging a part of Hashirama into himself in a most literal sense. He can't shut up about Hashirama when we see him as himself and not an impersonator (obito) or through other's memories.
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The thing about the fandom headcanon that calls Pharma Ratchet's crazy ex and treats him like some sort of stalker or intrusion on Ratchet's love life (usually with Drift) is that
On one level, it's already annoying when a perfectly fine/interesting character is reduced to nothing but "bitter ex getting in the way of The Actual OTP" because it simplifies the character to only exist as a satellite to someone's ship (the bitter loser who can't let go/doesn't deserve person A/etc) instead of having their own life going on.
But when it comes to Pharma it's particularly annoying because it reduces Pharma to "the crazy stalker/bitter ex", framing Pharma as if he's the villain ruining Ratchet's life with his inability to just let go,
When in actual canon it was Ratchet who was best friends with Pharma their whole life (they're even shown together in the Functionist Universe). Ratchet who ditched Pharma with barely a word of goodbye (before Delphi, and ironically the same conversation where Pharma asked Ratchet if he should accept the station at Delphi). And it was Ratchet who asked Drift if he was scared of going into DJD territory as an ex-Decepticon, but treated Pharma like scum for killing patients under threat of being murdered by the DJD. And Ratchet who stole Pharma's hands. And Ratchet who tried to manipulate Pharma by using his deepest insecurities against him on Luna-1.
It's not like Pharma is some rando who Ratchet barely knew. They were BEST FRIENDS whose friendship was severed on a really messy note. Pharma has every right to be invested in a relationship/friendship that almost literally lasted he and Ratchet's entire life. It sucks when people implicitly treat Pharma as if he's obsessed and should just move on when the reality is that it was Ratchet who first terminated their relationship with no explanation or even a goodbye (pre Delphi) and then with leaving Pharma to die and then stealing his hands (post-Delphi). So is Pharma really "obsessed" or is he just understandably upset about being betrayed by the person who should've known and cared about him the most?
So like, it's really annoying when Ratchet has so many flaws in canon and questionable ways he treated Pharma, but the fandom just calls Pharma a crazy stalker ex as if Pharma is the freak who's overreacting and mentally insane while Ratchet is just some guy who was only minding his own business. To me it's not even a matter of shipping, it's just the fact that Ratchet DID handle his relationship with Pharma super fucking poorly. And I really wish more people in the fandom acknowledged that instead of framing Pharma as the evil/crazy/overly attached one for being upset about being ditched. Pharma has reasons to be pissed off and driven to get revenge on Ratchet, and even if his romantic feelings towards Ratchet might play somewhat of a role, Pharma is way more than just some stalker ex who's evil because he's crazy and wants Ratchet to be his boyfriend.
I mean Pharma literally says on the page that the reasons he's angry at Ratchet are for ruining his plans at Delphi and for stealing his hands. Even though Pharma-as-Adaptus orders Drift shot later in LL, it's not explicitly framed as some romantic jealousy and could also just as easily be construed as Pharma getting revenge for Drift cutting his hands off. I don't think Pharma ever even talks about or mentions Drift in the entire story. It's very clear that Pharma's beef/obsession with Ratchet is entirely between him and Ratchet and Drift is only a footnote in all of the reasons Pharma is pissed off.
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Jude seems like the person who would randomly come up to Cardan and say “kiss me you piece of shit” 💀💀💀
hmm canonically speaking, i'm not sure i really agree. not only does "piece of shit" not appear to be within the Faerie lexicon (their insults are much more creative), i can't think of a scenario in which Jude would sling around such heavy-handed insults before a romantic moment.
which isn't to say she doesn't get angry with Cardan. we all know she very probably does. i just don't think it's in her nature to mix anger/insults and romance.
when Jude is at her lowest low, when she is the angriest at Cardan she's ever been, the most she does is wheel around and slap him. she doesn't clock him, she doesn't tackle him to the ground or attempt strangulation. she doesn't even really use fighting words. it's a one-and-done slap, and it is certainly not a romantic moment.
Cardan on the other hand.... 👀 while "piece of shit" might not be something he'd actually say, he does canonically say "you're a dirty mortal liar" to Jude. which isn't exactly in a romantic moment, but is something i can very easily see being transposed onto one.
–Em 🖤🗡️
(p.s. if this was meant as a prompt for more writing, please tell me that explicitly in future asks! i might not agree with a canonical interpretation of this line, but that's not to say i wouldn't write something like this into a modern contemporary setting. this ask seemed like it could go either way, so an explicit request is very much preferred 🖤)
more theories and analysis
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suzying feat. Sue and Sanna (suzys weird parallel cousins)
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you must be this tall to mount this bear
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