#Harriet Thorpe

[dixt]

mallorca, spain ⋅ ph. harriet thorpe

[sapphicsukeve]

“You deserved that.” 🔥

[forensicated]

02x09 - Loan Shark

TW: Unauthorised money lending, stereotypical talk about travelers and suicide discussion/depiction circa mid 1980's time of writing/filming.

A large amount of rubble has been dumped in the street by a fly-tipper. The lady demands that Taffy deal with it - now! - Taffy snarkily suggests she hand him a dustpan and brush. One of the council road sweepers has spotted the fly sweeper but he's now in the hospital after being hit by the truck involved.

A woman, Mrs Taylor, reports that her neighbour has been moving heavy furniture at all hours, playing loud music and 'has been sick on my windows'. She reports that the lady "is not 'riff-raff', her husband was a hospital administrator after all", but she's now taken to drink.

A shoplifter, Sharon, played by Michelle 'Cindy Beale' Collins. was stopped by a security guard after slipping a few bits of shopping in her bag without paying before leaving. Jim tries to encourage the security guard to let it slide because the loss is less than £2 and food for her children but she won't hear of it. Sharon protests she hasn't got any money and Jim tells her to say that to the Sergeant when she's being processed.

An adorable little dog has been brought into the front office after the teens who found him couldn't read his name tag. It appears that it's in either Russian or Polish as far as Pete can work out.

Ted asks Bob to to get his relief to keep an eye out for some car thieves and reports CID is so quiet, Roy is looking through holiday brochures. "I'm afraid he's going to ask me to go with him!"

Jim tries to help Sharon calm her toddler who has been screaming for the entire journey. "It's just like home." She sighs, looking around the room. "No sodding furniture."

Charles reports to Bob that there has been a report of an epidemic of commercial flytipping south of the river which has started to spread to Sun Hill. He's had a report from the resident that Taffy dealt with that she didn't see the funny side of his dustpan comment. He isn't taking it further but wants him to remind the troops to remain courteous. He then asks if Bob has any ideas about bringing some colour to the station. Bob is utterly lost so Charles hands him a copy of his 'Swedish report' memo. Flummoxed, Bob suggests that June is a dab hand at flower arranging. Unfortunately when asked it turns out that June knows nothing about flowers.

Bob processes Sharon and asks if she's getting the relevant benefits and if her ex is involved. She says all he did was send a Boots voucher at Christmas. Bob asks where her child allowance book is and she confesses - eventually - that she borrowed £100 and that 'a man' has taken her child allowance book away incase she tried to cheat him. Bob thinks it through and realises, given where Sharon lives, it must be Peg 'Aunty Peg' Miller and her son Bob, the not-so-friendly local loan shark. Sharon insists she's not a waster and that she'll support her kids no matter what, clamming up. Bob asks if a caution can be authorised for Sharon as it's all down to reduced circumstances and a loan shark having taken her benefits. Thankfully it's allowed.

Mrs Taylor, who reported her neighbour earlier has returned with a mirror she says she found hanging in the hallway of their flats with a message written on it in lipstick saying. 'I can't John, I can't." the named man is her husband who, Taylor tells Bob, has passed away.

In the pub, Bob and Roy discuss Peg Miller and her son. Roy is surprised to hear of the son because he sent him down for a long stretch but he's out again and is causing trouble on the estates. He tells him about Sharon and Roy says to nick him but Sharon won't press charges. He says he's passed it on to the DHSS (DWP now) but Roy says they're more interested in the easy win of OAP's earning beer money than loan sharks and won't do anything. Bob thinks about it, especially knowing that Auntie Peg will have been playing on all the vulnerable residents on the estate. He agrees to work with Roy to stop her and her son. He says he'll put Jim on it and they laugh that he'll probably lecture them on philosophy and the meaning of life whilst Miller is kicking his head in.

In the briefing, Bob tells Uniform that the fly typing has escalated and that they've not only had one man run over but another who confronted them had a spade wrapped round his head. Then, to eyerolls, he reminds them about deportment when dealing with members of the public. "That is manners in Welsh, Edwards."

Jim speaks to Bob about the loan shark business. Bob recommends that he doesn't actually mention the words 'loan shark' and to speak to the caretaker on the estate to see if he's heard anything about what's been going on.

Roy has sent down a gift for Bob. "Apparently they're very popular in Sweden."

The relief are very confused by it...

Jim approaches the Hardie Estate, the first I've heard mentioned in the first couple of series that remains in the later ones!

The caretaker isn't available but the Community Center's manager turns up with her toddler daughter moments later. "I just wanted to know if everything's OK..." Jim starts. "On here? You've got to be joking." she drawls, seeing right through him. "What's up?" Jim admits he needs some information and immediately brings up illegal money lending despite Bob telling him not to. It works out however as the manager tells him that most of the people on the estate are in poverty and they can't get credit elsewhere so they have to use illegal money lenders. The local one is Peg Miller who pretends to be on their side and tells them she knows how hard it is at the start of their 'relationship'. They borrow £100 and pay it back £10 a week over 13 weeks. It doesn't seem hard or problematic at the start - even with £30 interest being paid. However, the trick is that Peg doesn't the loan paid off so suggests that she keeps topping it up and loaning more and more for various reasons until it's completely unaffordable. For every thousand pound she lays out, she has £100 coming back in every single week just in interest. She takes their benefit books as insurance and uses intimidation by her son and humiliation if people don't pay. The manager has heard all sorts from the simple being shouted at in shops by Peggy through to being branded, pushed down concrete stairs, their windows broken and furniture stolen. The manager doesn't know of anyone who would speak out against them though.

Mrs Taylor is back to report that her neighbour had a man over who was "not her class at all, when her husband was alive anyway" and that they'd been banging around upstairs and shouting all night. At the same time, a caller reports another illegal fly tipping blocking their culdesac with a dog run over and residents threatened.

Taffy has left his radio in the car whilst he visits a demolition site. The foreman insists his boys would not drop illegally and that they use a legal site that is 5 miles away to unload their wagons.

Jim goes to speak to Sharon at her part-time job in the laundrette. He asks if she's had any trouble or if there have been any signs of breaks in. Sharon is defensive and upset at the interference and tells him that she doesn't know what he's talking about. Jim tells her the agreement Peggy made is unenforceable and she doesn't have to pay it back. If she attended the station he promises that he would help her know her rights. Sharon points out that she has to still live on the estate with her children and that people are already talking about her after seeing the police around her. She's never been in trouble before and she has to protect her children and wants him to get off her back and - if he really wants to help - to go see her husband who is refusing to pay maintenance for their children.

Jim and Bob speak to Roy about the money lending on the estate. Jim thinks it's horrific that the sick, disabled, elderly and poor are forced to go to money lenders to get cash because no one else will help. Some estates have started credit unions in Scotland to fight back. "Socially minded.." Bob smiles at Roy after dismissing Jim. "He's right this time though...." Roy sighs. "For a change..." Roy thinks it's about time he has a word with Auntie Peg.

Bob radios June to request her to visit Mrs Taylor who has rung in sounding hysterical. When June gets there, Taylor's neighbours are comforting her and promising her her husband will arrive soon. Another neighbour takes June inside and shows her that blood is dripping from Mrs Taylor's ceiling from the flat above. June hurries upstairs with the woman as a witness to her breaking in to find that the woman has seemingly committed suicide on the living room floor.

Roy and Ted enter a posh wine bar with Roy looking very uncomfortable. After ordering their drinks - scotch of course - they make their way over to the owner... Peggy 'Auntie Peg' Miller. Peg claims she's just an old fashioned tally girl who lives to look after people and, if she'd moved away when things took an upturn for her club, "who would have got the kiddies their clothes for going back to school, ey?" She doesn't want to let people down. Roy tells her that he's heard she's holding on to benefit books as security. She looks to Ted. "I thought this was friendly?". "As long as it's friendly there's some young tarts on the estate spreading rumours." She says, claiming that she only does good and can't stop people mouthing off but she holds no rumours. She says her son Bob doesn't want any more trouble after being in prison and that it really is a deterrent. Roy tells her he's going to ask the DHSS to run some inquiries about some of the people receiving benefits on the Hardie estate to make sure that it really is going to them "Don't make me laugh, Mr Galloway!" She smirks before, unmoved, Roy walks out. She shouts after him that it's her who has to look after "the poor devils that the DHSS can't be bothered with!"

Pete and Taffy sit in a panda opposite the demolition site. Pete says he reckons that it will be gypsies that are fly-tipping after being paid to get rid of it by the foremen of building/demolition sites.

Mike and June have a look around the flat to see if there's any cvlue why Mrs Taylor's neighbour would have committed suicide, other than the obvious. Dashers holds up a coronation cup and asks where June was. June calls him a cheeky bugger and says she was barely a gleam in her mother's eye. (Trudie would have been almost exactly 18m if it helps you work out June's canon age.) They've found an exercise book of 'Dear John' type stuff and that it's creepy. He says that getting married is a waste of time. June says that it works for some people. "... Didn't work for [the victim]." Dashers says crassly.

Viv reports that Peg's son, 'Freezer Bob' (Played by Duncan Preston) is removing furniture forcibly from the home of an elderly man. Freezer Bob insists everything is under control and it's a personal matter. The man insists that it's his property and he has no right to take it. Freezer Bob says it's an ongoing longstanding agreement between "me and Pop Curtis." A woman on the estate - the manager of the community center - tells Curtis to tell the police what is really going on. Freezer Bob ignores her at first before threatening her and telling her to keep her nose out of it. He insists the property belongs to him. "You got an order?" Pete asks. "A possession order." Without it he has no proof of what he's saying. Curtis snaps at him to put his property back in his kitchen. Pete's not taking any messing so Freezer Bob tells his mate to put it all back and that he'll 'Get his money, Pop!' "When I've got it, cock!" Curtis growls back. Freezer Bob stalks off to go place bets at the races.

Another uncredited extra appearance by Graham Cole as Tony Stamp

The community center manager comes into the station to speak to CID. She, Mrs Hall, tells Roy that she's not scared of the Millers as she has a husband, a father and 2 big brothers on standby to have her back. God love her, she's 5ft nothing with a mouth bigger than she is tall. Everyone needs someone like her! She asks Roy to check up with Sharon because she's really not managing. Roy gets Mike to take her statement and arranges to go with Ted to deal with not-so-sweet-Aunt Peg. Roy is adorable when he says goodbye to Mrs Hall's daughter after thanking her for her help.

Mrs Taylor asks June if she really does have to attend the inquest for her neighbour's suicide. June tells her that she does and then she asks about how she gets her ceiling and carpet cleaned.

Bob's report into the fly-tipping does not make good reading for Charles. There have been 5 more drops, the road sweeper in hospital, the dog that died and a garden wall has been demolished by the truck. It seems to come down to 2 Welsh men who had a dodgy registration. Charles wonders if they're disillusioned miners up to 'get their own back' and suggests Bob check the Merthyr computer with their descriptions. The foremen of the sites won't help because they're still getting rid of their rubbish for cheaper than the official places without the effort of transporting it.

A driver is stopped with a broken tail light and poor tread. He offers to give the police information about the Welsh fly-tippers if they let them go. Given that it's Pete... they do! The driver tells them the pubs that they frequent.

Harriet Thorpe guest starts as 'Tarty Woman' who complains about Roy and Ted seeming to jump the queue when going to see Peggy.

The officers ignore her and ring the doorbell. 'Tarty Woman' tells them there's no one home and they'll tell her that the police called. A neighbour has Sharon in her flat with her when Mike arrives. He identifies himself to the neighbour as police and says they've heard about threats made against Sharon. The neighbour says he's too late and Sharon shouts, from inside, for her to shut up and not tell him. Sharon appears holding her toddler and tells him she's got her child allowance book returned, but her arm is scalded red and she has a tea towel wrapped round it. Freezer Bob has made a visit... Mike apologises and takes her down to casualty to have it checked out. He reports it to Roy and Ted and tells them that he's already asked - she won't inform on them.

The boys watch Peggy make her house to house calls. "All that cash and no one touches her..." "They wouldn't dare. Would you?" Peggy stands outside 'Irene's' house and shouts and makes a scene in front of the neighbours before threatening to send her son around. Ted and Roy have seen enough and they march over to the house, asking Peggy where her son is and what he's done to Sharon. "He's gone too far this time." "Don't believe her, she's a lying little whore." They're adding conspiracy to her charges but Ted promises he'll pretend not to have heard it if she tells them where Freezer Bob is. Threatened with a spell in prison, Peggy tells them that he's at the races and where to find him. "I'll see you later." Ted growls.

The barman of a local pub calls the station, he has a lorry in his car park threatening to drop 20 tonnes of rubble. Pete and Taffy are sent over in the car and Yorkie attends on foot. The truck starts to drop the load as the landlord offers the two men £20 not to. Taffy and Pete make it in time. Taffy goes for the driver who tries to kick him in the face and then rip his head off whilst Pete tackles the oppo who tries to twat him with a spade repeatedly. Taffy clings on as both fall out of the cab but Yorkie makes it in time to grab the man and drag him off Taffy. The landlord then snaps that the boys have made a right mess of it (!!!!) That's thanks for you! "I've got a complaint winging its way in son, your feet won't touch the ground!" he threatens Bob who arrived to see what happened.

Roy and Ted enter the pub and spot Freezer Bob indulging in some illegal gambling. They approach him and arrest him for what he's done to Sharon. None of the men he's shouting to for alibi's step up for him. Not very popular is he!

Pop Curtis tells Jim that Freezer Bob is not very bright and keeps messing up hence getting arrested. He claims that Peggy is twice the man that her son is. She once pulled his false teeth straight out of his mouth once he missed a payment. He won't give a statement because if he does it won't solve anything. There's "Pal Joey" and "Lily Friend." who are nearby who are also illegal money lenders. "Debt doesn't go away, son." he tells Jim.

[evandstuff]

Behind the scenes photos from Midsomer Murders - The Stitcher Society.

(Photos from Harriet Thorpe’s Instagram.)

[willstafford]

Disco Ball

CINDERELLA Gatehouse Theatre, Stafford, Tuesday 13th December, 2022 As soon as Fairy Fleur (Harriet Thorpe from Ab Fab) opens the show with a flash and a puff of smoke, we know we are in safe hands.  Camp and cheerful, Thorpe takes charge and sets the tone for a hugely enjoyable evening.  And the producers get their money’s worth out of her, having her reappear in several guises throughout the…

[thoumpingground]

Okay, obviously I get why Emma gets to be the resident Disaster Matchmaker TM, but really John Thorpe gives her several runs for her money. He beats her in numbers of matches, execution, and production value accidentaly. Emma only managed to get Harriet's heart broken - twice. Thorpe's got it down to the details: he got Cathy the guy and a swoon worthy proposal. Cause if left to his own devices, Henry would have put together something sweet and heartfelt but simple, and Cathy would have been very happy of course, but she clearly doesn't mind a little bit of ✨romance✨. Thanks to Thorpe, she gets to brag forever that her husband loved her so much he bore being disowned and rode 70 miles on a horse to propose against his father's will.

Thorpe might be shooting in the dark, and aiming for the complete opposite goal, but d-mn it, he gets results, and I think he deserves to be the Austen Extended Universe Hipercompetent Matchmaking Menace TM. Not the least because, unlike Emma and every other Austen romantic rival, he has nothing else going for him.

[historicallyaccuratecheese]

Well, I guess I’m continuing to make these now! Here’s the next part of my thoughts on every Magnus Archives episode! Now, last time I said that I was planning to write about episodes 21-40 in the next post, but as it turns out, the hyperfixation has set in and my thoughts are a LOT longer (so buckle up if you want to read this), and I also reached the tag limit. So, I’m only going to be covering episodes 21-30 here, and then I’ll write about episodes 31-40, and this 10 episode trend will probably continue for the rest of the posts, but that just means I’ll be able to put them out faster.

Also, unlike my first post, where I wrote all of my thoughts after finishing episode 20, all of these ones were written right after I finished the specific episode I talked about, so my thoughts are a lot more clearly documented. Finally, there’s a link to my masterpost, which will contain all the post’s detailing my thoughts on every episode before and after these ones.

Once again, no spoilers for future episodes please, and for anyone who hasn’t watched up to episode 30, spoilers are under the cut, so I recommend turning away until you’ve caught up. :)

- Episode 21, Freefall 🪂

Statement of Moira Kelly, regarding the disappearance of her son Robert.

WHAT THE FUCK??!! MARTIN??!! DAMN, I guess the horrors did get to him! Well, it’s nice to finally meet him, even if his first line was dropping shit on the ground. Either way, I get the vibe I’m in for a wild ride for this second half. ….What was I talking about? Oh yeah, the actual statement. Anyways this one upset me. Not only did it bring out my fear of heights pretty well, but the portrayal of a grieving mother who can’t comprehend what happened to her son was really heartbreaking. The line “The sky ate him” was kind of comedic at first, especially with Jon’s following reaction (love this guy btw, he’s such a loser), but then it became really horrific when I realized how it was just Moira desperately trying to make sense of the impossible horrors she just witnessed. The plot thread set up with Simon and Harriet Fairchild is also very interesting, and the whole sky thing kind of reminded me of Dominic’s visions in Ep. 4. Overall another one of many fantastic episodes, but HOLY SHIT I’M SCARED.

- Episode 22, Colony 🔦

Statement of Martin Blackwood, archival assistant at the Magnus Institute, London, regarding a close encounter with something he believes to have once been Jane Prentiss. Statement taken direct from subject.

….aaaaaAAAAAAAAAAAAA!!!! Ok let’s start from the top. Firstly, I’m really happy we finally got to meet Martin in this episode, and he’s great! Honestly he comes off as more dorky than stupid, and just comes off as a real sweetheart, so Jon’s distaste for him (outside of very different personalities), gets more mysterious. Though all things considered, after what he experienced, I don’t think that the bullying is his biggest worry anymore… Alexander J. Newall does a fantastic delivery, as much as I love Jon’s readings, you can really feel how terrified Martin is here (also “Blackwood” is a sick as fuck last name, and I related to him trailing off about spiders…) Outside of Martin himself, we have Jane Prentiss (or what remains of her) and…well, let’s just say that I don’t find the sex worms nearly as funny anymore. Jane and the worms inside her are absolutely terrifying, and while I would say I’m excited to learn more about her, I wouldn’t be complaining if the institute staff never had to deal with her again. Also the text episode made me, if you’ll excuse my language…squirm. Honestly, this might just be my favorite episode so far. The way that the plot threads from previous episodes connected here was extremely satisfying, and needless to say, I’m very excited and horrified to see where the show goes from here.

- Episode 23, Schwartzwald 🇩🇪

Statement of Albrecht von Closen, regarding a discovered tomb near his estate in the Black Forest.

Worst episode ever because Jon didn’t do a German accent, smh. Ok but in all seriousness, I really liked this one! It wasn’t the strongest in terms of complex themes in my opinion, but it had a great vibe, and was still very interesting, entertaining, and decently creepy. Having a “statement” written before the archives was founded is a really cool idea that’s executed perfectly here, and while we didn’t learn that much about Jonah Magnus, I still found it cool to get a first glimpse of the archives’ history. (Also, given the eye imagery that appears both in here and in other episodes, I can’t help but feel like Albrecht’s wording of Jonah having “good eyes” or something like that is a little weird…) And…now that we have the instance of something that isn’t a statement, but is important being in the archives, I absolutely agree with the idea that Gertrude Robinson organized these poorly on purpose, so that Jon would get the knowledge he needed to have. Regardless, this whole episode had the vibes of a classic ghost story, which while not as weird and off-putting as some of the other horror here, was still a nice change of pace overall. The descriptions of The Schwartzwald were really well done and added to the atmosphere, and I just like the fact that we have another historical episode, that’s also set outside of The UK. Also, the way that they played with the time period at the end was amazing, I already had my suspicions due to the eye imagery, but the reveal of Mary Keay (and therefore Gerard Wa- I mean Keay) being a descendant of Albrecht was still really cool. I also do wonder if the Arabic book was eventually found by Jurgen Leitner in the future…eh, food for thought. Lastly, I loved Martin jumping in out of nowhere, it was both funny, and a grim reminder about how fucked the archives supposedly are, yippee!

Wow, these are a lot longer than my previous thoughts. This, my sweet children, is a phenomenon called “brain rot”.

- Episode 24, Strange Music 🪆

Statement of Leanne Denikin, regarding an antique calliope organ she possessed briefly in August 2004.

Jon, honey, are we not going to elaborate on the fact that one of ✨the horrors✨is literally inside the institute? Like, HELLO? That’s not terrifying at all! Anwyays, this episode continues the trend of making me scared of things I’m not initially scared of, yippee! It had great vibes as well, the weird shit in the attic was made to be as creepy as possible. Initially, I didn’t find this one to be too scary, and figured it was going to go in the direction of “music makes people feel kind of weird”. AND THEN JOSHUA GETS KILLED AND TURNED INTO A DOLL HELLO??!!! Like, I know he was kind of a toxic boyfriend, but DAMN, whatever was behind the calliope and the dolls did NOT have to go that far. (Also until the end I thought he might be Joshua Gillepsie, and like, I don’t care how toxic he is, but you do not dump a guy who bested an evil coffin with his freezer.) Outside of that, It was really cool to meet Sasha! I like her voice, and the introduction was quite funny. (Also, even as someone who has lived in England for over two years, and has a family that is 90% British, nothing hurt more that Jon’s “Americans”.) Lastly, I have a theory, which I like to call “Ringmaster? More like cult leader.” Because I’M SORRY, but you cannot convince me that a CIRCUS, called THE CIRCUS OF THE OTHER, which possessed a HAUNTED CALLIOPE ORGAN, is anything but a cult. (Watch me when I’m inevitably wrong lmao.)

I guess now is a better time than any to say that I’m kind of wondering if there’s an in-universe reason for the music in the background? I mean, considering that the whole framing device is Jon recording these statements, I have to wonder if there’s a reason for the noise we hear, especially with the worms in Ep. 22 and the music in Ep. 24.

- Episode 25, Growing Dark ⛪️

Statement of Mark Bilham, regarding events culminating in his visit to Hither Green Chapel.

HAHAHAHAHAHA!!! I LOVE BEING RIGHT!!! I saw the episode title and immediately assumed this would continue the lore of Episode 9, and I WAS SO RIGHT!!! (Also, I now just noticed that the PCOTDH’s symbol is a closed eye, while The Keay Family’s symbol is an open eye…my cult theory thickens…) Anyways, this was another very enjoyable episode! Firstly, even though it’s far from the first piece of media to do so, I though the way they portrayed a cult brainwashing someone when they’re most vulnerable was very well handled and pretty depressing. I also really enjoyed how the episode isn’t the most weird and paranormal on it’s own, but the knowledge of the connections to Ep. 9 makes us know that it DEFINITELY is, even when the characters in the story don’t. The episode was certainly very spooky, the description of the spinach and the dark church definitely got me. (Also my mom came into my room briefly and when she left she accidentally turned off the light and I nearly screamed.) There were also some really interesting plot threads set up here, like the chanting of the northern most human settlement in the world, the mention of “three hundred years waiting”, and I also wonder if “Mr. Pitch” is an alias for “Detective Rayner.” then…the ending. Holy shit. You know, maybe I DON’T need to know what happened to Gertrude….

Episode 26, A Distortion ☕️

Statement of Sasha James, assistant archivist at the Magnus Institute, London, regarding a series of paranormal sightings. Statement taken direct from subject.

I…what…I don’t even…we are so fucked. Ok, there’s a LOT going on here, but I’ll try my best to formulate my thoughts as clearly as possible. Firstly, this episode easily scared me the most so far, I agree with Jon when he says that the horrors being somewhat friendly is scarier than them being antagonistic, like HOLY SHIT this one was unnerving. But with that out of the way…uh…let’s talk about Sasha! She’s really cool, I like how her character gives us a lot more insight into what working in the archives is like for a fairly regular person (i say this because Jon is weird as fuck and Martin is too nice to be normal, and I mean that as kindly as possible). But…while I don’t necessarily doubt her status as the most level-headed person in the archives, I don’t think that’s saying much. Like, she saw a creepy guy with weird-ass hands who spoke in riddles and knew too much about her and her coworkers, and followed him into a dilapidated building, also she works at the council of ghost stories despite not liking horror. Like, no offense, I’m sure she’s overall an intelligent person, as are most people in the archives, but none of them are beating Joshua Gillepsie anytime soon (yes I’m still thinking about him.) But mentioning the guy with fucked up hands, WHO OR WHAT EVEN WAS THAT??!! I have very little ideas as to how this “Micheal” even connects to the greater picture. I know some people connected him to the mentions of the man with bones in his hands in Episode 8, but that honestly reminds me more of the Leitner in Episode 17. Outside of that, his name is quite interesting, I initially thought that he might be Micheal Crew, but given that Sasha doubts it being his real name, I have my suspicions (although it would give us a connection between this, the words in Episode 8, and The Boneturner’s Tale….hm….) However, I could absolutely see him being Micheal Keay, as he gives off enough ghost vibes to pass as him (and I’m assuming that if Gerard’s dead, Micheal is as well.) Also he is not described as having a Lichtenburg figure on him so…yeah. Lastly, we have the return of THE SEX WORMS. And as happy(?) as I am to see that The Magnus Archives, a podcast developed by RustyQuill.com, that is also licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, is continuing it’s message of staying abstinent, all things considered, that was absolutely terrifying. I just LOVE the knowledge that the worms are a hive-mind and that Jane might not be the source, I LOVE THAT SO MUCH. In conclusion, I am probably going to sleep with a fire extinguisher tonight, and I am very scared for what the next 14 episodes have in store for me.

Also I guess I’ll mention Tim (the archival assistant, not the dead guy) here because why not. So far I’m getting major bastard energy from people’s descriptions of him, which means I will either love or hate him. Also I found it very funny but also kind of sad that Jon said he only trusts Tim to not prank him in Episode 11, and then he pulled a prank shortly before this statement took place.

- Episode 27, A Sturdy Lock 🔑

Statement of Paul McKenzie, regarding repeated nocturnal intrusions into his home.

Ok, after everything that happened in the last episode, it was nice to get a short and sweet one here. Well, as sweet as an episode of a horror podcast can be. Overall, this one isn’t my favorite, I thought it was a little bit under the standards of creativity for the show as a whole, but that’s obviously not saying much, as it was still pretty damn good in its own right. I think it was definitely very effective with its storytelling, and credit where credit is due, it certainly brought out my fear of weird noises in the middle of the night. And even if I can’t personally resonate with this aspect of it, I do really appreciate how it tackled the idea of mental illness at old age, and while I’d be surprised if the statement wasn’t real, considering where the show seems to be going, it did a very good job at planting seeds of doubt in my mind. But still, it was genuinely pretty crushing how Paul had no proof throughout the entire thing, along with how the cops treated him. It really did make me thing about what would have happened if he hadn’t washed the blood off his hands. It still had a creepy atmosphere, and the reveals at the end were pretty interesting, I hope they show us Marcus’ statement soon enough. Also, the aspect of loneliness in this one did remind me a lot of what happened in Episode 13, so I wonder if there’s some connection there. (Also, I love how I’m 27 episodes in and Jon is STILL roasting Gertrude’s organizational skills.) So while this one isn’t the most interesting for me, I still enjoyed it, and it was nice to have a slightly lighter one after Episode 26. I hope Sasha had a good few days off, she deserves it.

- Episode 28, Skintight 📷

Statement of Melanie King, regarding events at the abandoned Cambridge Military Hospital during filming in January 2015. Statement taken direct from subject.

WHOA THAT WAS SO GOOD!!! Ok, I feel like I should start off with my thoughts on the basic premise, as while those episode is certainly…not the most humorous in its execution, the premise itself kind of is. I don’t know why, but I just thought the idea of there being an in-universe competitor was a really fun concept that was executed perfectly here. It kind of reminds me of something like Hatchetfield and Clivesdale (I don’t know how many people reading this will understand that, but there seems to be overlap between TMA fans and Hatchetfield fans, and also like, shut up, let me indulge in my hyperfixations.) The bickering between Melanie and Jon was great, as was Melanie herself, I’d love to see her again as I think she oddly brought a lot to the world of the series. Although I will say that, while it doesn’t make me like him any less, Jon’s reluctance to buy into statements is a lot more frustrating when there’s another person in the room. I also absolutely love the fact that there’s an in-universe spooky podcast mentioned by name, like, come one, that’s genuinely hilarious. But comedic value aside, this one was definitely pretty creepy. In a similar vain to what Episode 23 was doing, the whole “young people enter creepy abandoned building to film stuff and then get genuinely scared” concept felt evocative of other classic horror stories, and the way they spun it into the context of the show was great. The atmosphere was definitely very creepy as well, as I have mentioned, hospitals creep me the fuck out. And lastly…oh my god, THE CONNECTIONS. So, I’ll start off by saying that all of the skin shit reminded me of what happened in Episode 18 (which I hope is true because I think some connections to other things would make me like that episode more). But that pales in comparison to the fact that we have stuff on THE ANGLERFISH, HOLY FUCK THE ANGLERFISH. I’m SO glad that they didn’t throw it away just because it was in the pilot episode. In retrospect, I think that the story of Episode 1 isn’t quite my favorite. It doesn’t really have to be, as I think the main draw of the episode is getting a first look at the framing device and general vibe of the entire podcast, but the stories didn’t really grab me until Episode 2, which is still one of my favorites. But MAN, this episode really made me appreciate the setup at the beginning so much more, and the knowledge that the people who walked into the alley didn’t necessarily die, meaning that all of those names could potentially come back, is SO exciting to me. In fact, when you consider that Sarah was kind of going through what looked like a possession, I wonder if The Anglerfish is a figure of worship in a cult, if that theory is to be true. (Also I have relatives that live in the same area as Sarah so…maybe I should tell them to watch out for their neighbor lmao.) So yeah, this…this show is just really freaking good.

Note: I have discovered the Leitner rant, and therefore I have achieved true enlightenment.

- Episode 29, Cheating Death ♟️

Statement of Nathaniel Thorp, regarding his own mortality.

I should start off by saying that I love the episode title for this, like, it’s not even metaphorical, the guy literally cheated in a game against death. Well, anyways, the main thing that caught me about the episode was how it absolutely blindsided me. While I was right about the soldier being the same as the statement giver, which I think was supposed to be obvious, everything else in those last six or so minutes left me with a wide-open jaw. (Also, can I just say that I love how poetic this guy just…decided to be? Like, I just love it when the statements really show of personalities with the way they’re written, and it comes with a cool framing device.) Regardless, I initially assumed that it was going in a very traditional line. Nathaniel cheats death, becomes immortal, and regrets it in modern day because he’s lived longer that he really should have. That, combined with the fact that “Death” didn’t seem like the one of the more creative horror monsters in the show so far, had me so prepared to just write this one off as one of my least favorites (once again, not like that’s saying much.) And then the twist comes and HOLY SHIT I WAS WRONG. The idea of there basically being multiple grim reapers at the hands of some unknowable power, who have to gain successors to finally die themselves is absolutely terrifying and extremely clever. I tip my hat to you Rusty Quill, you did a great job at fooling me. Kind of funny considering how this is a story about being punished for your hubris (which seems to be a recurring theme???) I have a few other small thoughts as well. Firstly, I can’t help but shake the feeling that Nathaniel Thorp was an actual revolutionary war soldier, but I can’t find anything online other than the character from this episode. Also, the fact that his fate remains unknown makes me think he’ll show up again, as it seems weird to NOT end the story with confirmation of his death, given the themes. Secondly, a lot of the…less than pleasant imagery here definitely reminded me of Piecemeal and The Boneturner’s Tale. I don’t remember the story inside that Leitner very well, but I might check just in case there’s any parallels between it and this statement. (Update: Not really.) And finally, I was just a little bit intrigued by the fact that we learn no one who was working at the institute in 1972 works there anymore. It’s probably nothing, but given the mysteries surrounding Gertrude’s death, I’m just a little suspicious, both in general, and of Elias because he’s still around. Overall this episode went hard, I’m still kind of stunned by what it pulled off.

Jane Prentiss statement…save me…save me Jane Prentiss statement…

- Episode 30, Killing Floor 🍖

Statement of David Laylow, regarding his time working at an industrial abattoir near Dalton.

You know what, Jon is right, there’s a lot of meat in this show. Not that I’m complaining, I mean, it does fuel my obsession with connecting the dots between statements. Regardless, while this isn’t among my favorite episodes so far, I still had a good time with it. The reason it’s not one of my favorites is purely personal, as I don’t do too well with animal violence. Like, as much as I do really appreciate how viscerally Jonny Sims can describe the statements, I will admit that the opening minutes describing the slaughter house made me more uneasy than the actual horror, and not in a particularly fun way, but it was overall fine. Speaking of the actual horror, that was actually pretty good. The endless hallways lined with doors that lead to precarious situations also kind of tapped into a personal fear of mine, but in a more fun and digestible way. And while the idea of “imagine humans being slaughtered like animals” is something I’ve seen many a time before, it was still much more well executed than many other interpretations of the idea (*cough cough*, peta) and there were also plenty of other interesting themes and ideas, like how the episode touched on the inherent horror of working in a job as gruesome as the killing floor, being enslaved to said job, and the idea that maybe we’re all just walking sacks of meat in the end, and nothing more. As for some other thoughts, I was definitely creeped out by Tom Han, I’m not sure whether or not he’s someone who spreads ✨the horrors✨or someone affected by ✨the horrors✨, and his sudden disappearance was certainly…odd. On top of that, it’s admittedly haunting to know that there’s still creepy stuff going on at the slaughter house, and that this isn’t something that happened to David, and only David. Overall, a pretty good episode, I don’t have much to say about it, but it was a fun time overall.

Tim…save me…save me Tim…

Well, if you’ve made it this far, thank you so much for reading! Genuinely means the world to me when there are people willing to listen to me ramble about my horrible (affectionate) interests lmao. I should have my thoughts on the final episodes of Season 1 out in due time, and while I’m sure it’s obvious, I’m absolutely hooked on this podcast. It absolutely has the potential to become one of my favorite things ever if the overarching plot becomes more involved and this is coming from someone who up until now, wasn’t all that gripped by podcasts. While I’m a little sad that I’m as late to the party as I am, then I remembered “oh yeah, I was in elementary school when this horrifying series came out”, and I’m also hopeful that I’ll be able to be around for The Magnus Protocol while it’s airing (I know it premieres in like a week but still.) Anyways, thanks for reading and hopefully you’ll be around for my thoughts on the next batch :)

[nerdypixel]

Joshua Gillespie and Hezekiah Wakely in this again, because I saw all of your complaints that you wanted to vote for them but chose Mike Crew instead, because you liked him most. I will do another poll with just side avatars so you have the pain of choosing again.

[bethanydelleman]

what do you think would have been the most personally tragic (plausible) outcomes for each of the heroines?

Catherine Morland - She was somehow forced to ride in John Thorpe's gig for a third time.

Now I'll be serious. I refuse to imagine my dear Catherine in a tragedy.

Marianne Dashwood - Willoughby seduces her and she ends up pregnant and ruined. I've written this, twice. Also, she could have died from her fever

Elinor Dashwood - Edward marries Lucy Steele, she ends up resigning herself to a prudent but loveless marriage or never leaves home, occasionally hearing through her family that Edward is completely miserable

Elizabeth Bennet - marries someone she doesn't really respect and becomes a female version of her father

Jane Bennet - never gets over Bingley, eventually settles for a loveless marriage and it kills her inside

Fanny Price - Edmund marries Mary Crawford and Fanny watches in silent agony as she destroys Edmund's (weak) moral core and he becomes an entirely different person. William's ship is lost and Fanny never hears from him again

Emma Woodhouse - kind of cheating since it's in the book: Mr. Knightley does fall in love with Harriet Smith and stops coming to Hartfield as often, leaving Emma loveless and lonely

Anne Elliot - Captain Wentworth marries Louisa Musgrove out of duty, he also realizes his love for Anne but sees no way out. Anne remains within his sphere through her connection to the Musgrove family, she is aware that he loves her but there is nothing either of them can do about it. After a few years and two children, Wentworth confesses and Anne is forced to remove herself to the house of a distant family member. She eventually marries and Wentworth takes on more and more risks as a naval officer, leading to his ship being destroyed and his entire crew dying. He survives and feels so guilty that he eventually hangs himself, leaving his disillusioned wife and kids to fend for themselves (don't worry, Louisa has a great family and a good fortune).

Lady Susan - Sir James refuses to die and escapes all of her attempts like a clueless cartoon character who cannot be killed. Her daughter is also widely reported to be more beautiful than her.

[foxeia]

Harriet Thorpe

[sapphicsukeve]

Elaine Peacock, Callum Highway + Kathy Cotton (20/09)

[thienvaldram]

(Doctor Who) UK Prime Ministers and US Presidents

Full (Incomplete) UK PM List in the DWU from 1950 – 20XX (Some years are guessed)

Will be updated whenever I can be bothered we get new information. Just random speculation jamming together a list that was never meant to be jammed together.

Historical Before This Point

Winston Churchill (1951-1955)

Anthony Eden (1955-1957)

Harold Macmillan (1957-1963)

Sir Alec Douglas-Home (1963-1964)

Harold Wilson (1964-1970)

Edward Heath (1970-1972)

Jeremy Thorpe (1972-1974)

Harold Wilson (1974-1975)

Brenda Jones (1975) (According to a Jonathan Morris Tweet)

Shirley Williams (1975-1976)

James Callaghan (1976-1979)

Margaret Thatcher (1979-1990)

Margery Phipps (1990-1992)

John Major (1992-1997) (Assassinated)

Lord Greyhaven (1997) (De Facto PM for several weeks)

Tony Blair (1997-1999)

Terry Brooks (1999-2000)

Phillip Cotton (2000) (Deputy PM until election was called)

Kenneth Clarke (2000-2001)

Tony Blair (2001-2002) (Second term)

Unnamed Male Pro-Europe PM (Possibly Hugh Grant) (2002-2005)

Tony Blair (2005-2006) (Third term)

Joseph Green/Jocrassa Fel-Fotch Passameer-Day Slitheen (2006) (Only served as acting PM for a day)

Harriet Jones (2006-2008)

Harold Saxon (2008)

Aubrey Fairchild (2008-2009)

Brian Green (2009-2010)

Denise Reilly (2010-2013)

Kenneth LeBlanc (2013)

Denise Reilly (2013-2014) (Resumed for a second term after Kenneth Le Blanc died)

David Cameron (2014-2015)

Daniel Claremont (2015)

Theresa May (2015-2018)

Felicity (2018-2019)

Fiona (2019-2020)

Boris Johnson (2020-2021) (Revealed to be an Auton)

Jo Patterson (2021)

Edward Lawn Bridges (2021-2023)

Unnamed Woman (2023-2025)

S J Wordley (2025-2026)

Glenda Jackson (2026-2028)

The Director (2028-2046)

Roger ap Gwilliam (2046)

Dai (2047-2049)

Lomax (2049 - 2050)

Mariah Learman (2050-2055)

Unnamed (?-2065-?)

Corollaries (PM List)

Jeremy Thorpe and Shirley Williams are said to be Prime Minister contemporaneously with the UNIT stories (Which are assumed here to take place on their airdates as per Mawdryn Undead and most Modern Who references)

In a tweet Jonathan Morris claimed the Prime Minister in Terror of the Zygons or Mawdryn Undead was Brenda Jones, Harriet Jones' auntie. I put this in 1975 (for less than a year) because why not. Ignore this if you think it's bad.

The Torchwood Encyclopaedia claims that Denise Reilly succeeds Brian Green, since the next PM chronologically is ‘Unnamed Female PM from BF Silence Audios’ these have been welded together.

Actual dates of Kenneth Le Blanc and Unnamed Female PM are unknown, but are set in the UNIT audios between Power of Three (2012-2013) and DotD (2013).

Felicity and Fiona are given as PMs in Aliens Among Us and God Among Us (Torchwood S5 and S6) released and presumably set in 2018 and 2019 respectively.

Eight gives the PM list as Heath -> Thorpe -> Williams -> Thatcher -> Major -> Blair -> Clarke in Interference, this is not supported as a direct list by other sources, though I tried to fit it as best I could, resulting in Blair having two non-adjacent terms.

2010s are a mess due to BF, Titan Comics and the Lucy Wilson novels all giving conflicting accounts of who is PM only a couple years apart, apparently there were a lot of elections/resignations in that decade

Harriet Jones initially served Three terms prior to the Doctor altering history and deposing her, given UK Term Length is unclear, it's unknown how long this would have been, I would guess around 15 years, which would've put Harriet Jones at (2006-2021) where she'd be succeeded by Jo Patterson.

The UK becomes a military Dictatorship from 2028 until 2046 headed by ‘The Director’.

Dai is described as the 'first Prime Minister to serve after the Director is overthrown' this seems to contradict 73 Yards depicting Roger ap Gwilliam's election, but if Roger ap Gwilliam was overthrown as well he can't be said to have 'served', his deputy PM, Iris Cabriola technically succeeds him, but is never the official PM and presumably Dai is then elected the following year.

Then in 2050 Lomax is the dictator of the UK. In the 'mid 21st Century', Mariah Learman is a ‘benevolent dictator’ of the UK.

An unknown Prime Minster led the UK during the weather crisis of December 2065.

Full (Incomplete) US President List in the DWU from 1960 – 20XX (Some years are guessed)

Historical Before This Point

John F Kennedy (1961-1963) (assassinated)

Lyndon Johnson (1963-1969) (VP who succeeded their predecessor)

Richard Nixon (1969-1974)

Gerald Ford (1974-1977) (VP who succeeded their predecessor)

Jimmy Carter (1977-1981)

Ronald Reagan (1981-1989)

George H.W. Bush (1989-1993)

Carrol (1993-1994)

Bill Clinton (1994-1997) (Presumably VP who succeeded their predecessor)

Tom Dering (1997-1999)

George W Bush (1999-2001) (Presumably VP who succeeded their predecessor)

Bruce Springsteen (2001-2003)

Chuck Norris (2003-2005) (VP who succeeded their predecessor)

George W Bush (2005-2007)

Arthur Coleman Winters (2007-2008) (VP who succeeded their predecessor)

Winter’s VP/Speaker of the House (2008-2009) (Succeeds Winters after he’s killed by Saxon)

2009-2017 Term

Felix Mather (2009-2017) (Presidency overwritten by Faction Paradox)

Sampson (2009-2017) (Presidency induced as an aberration by Lolita)

Barack Obama (2009-2017) (Replaced Felix Mather in history)

2017-2021 Term

Daniel Strunk (2017-2021) (Presidency overwritten by Faction Paradox – Mather’s Successor)

Matt Nelson (2017) (Presidency induced as an aberration by Lolita – Assassinated at Inauguration)

Lola Denison/Lolita (2017-unknown) (Assassinated her predecessor)

Donald Trump (2017-2021) (Replaced Daniel Strunk in history)

After 2021

Courtney Woods (unknown-2049-unknown)

Gavin A32X40 (unknown – 2086 – unknown)

Corollaries (President List)

The Eighth Doctor gives the list of Presidents as Carter -> Reagan -> (HW) Bush -> Clinton -> Dering -> Springsteen -> Norris

The President given in 2004 is referred to by the nickname ‘Chuck’ in Cat’s Cradle: Warhead which combined with the fact Springsteen was the President in 2003 and ‘Norris’ succeeded them suggests that the 2004 President was Chuck Norris.

The President in 2006 was implied to be George W Bush based on Harriet Jones’s dialogue. He was previously stated to be President in 2000 (Which he hadn’t been in real life)

Clinton is stated to be President in both 1997 (by metaphor in Placebo Effect) and in 1999 (in Rosa). However both of these are less conclusive than Tom Dering’s direct appearances in Option Lock and and Millennium Shock (also 1997 and 1999) implying that the mentions in Placebo Effect and Rosa were merely off by 1-3 years.

Obama is explicitly stated and shown to be President in 2009, 2012 and 2016, however Felix Mather is stated to be President in the 2010s, physically meeting the Eighth Doctor in Trading Futures. It is stated that Mather’s role in history was replaced due to Mather refusing to make a deal with Faction Paradox and so that has been taken into account.

Concerning the 2017-2021 Presidential Term

Donald Trump is stated to be a candidate in 2016 and is subsequently stated to be President in 2017, 2018 and 2020.

In contradiction, Daniel Strunk is stated to be President in 2017.

This is resolved by having Strunk be Mather’s successor who’s term was also replaced when Faction Paradox remove Mather’s term from history.

The Faction Paradox novel ‘Head of State’ depicts a 2 term Democratic President named Samson who is succeeded by Matt Nelson of a newly formed Radical Party. They are subsequently assassinated by their VP, the sentient humanoid TARDIS Lolita (Who has also been War Queen of Gallifrey and Queen of the UK before, as well as having devoured the Eleven Day Empire). It’s unknown how long she served nor when beyond ‘Early 21st Century’. She (along with Matt Nelson and Samson) have been as a temporal aberration replacing Mather and Strunk before themselves being replaced by Obama and Trump following Lolita’s defeat in True History of Faction Paradox and the ending of the War in Heaven.

A 2000 Bernice Summerfield short story claims Hillary Clinton was US President at some point. However, these records are portrayed as suspect with Bernice questioning them herself and have been ignored for lack of a position to place Clinton into the timeline.

[operachristine]

Holiday Gifting Day 5

Day 5 of 5 features a few Wicked audios with Nessarose understudies!

Idina Menzel (Elphaba), Helen Dallimore (Glinda), Adam Garcia (Fiyero), Nigel Planer (The Wizard), Miriam Margolyes (Madame Morrible), Caroline Keiff (u/s Nessarose), James Gillan (Boq), Martin Ball (Doctor Dillamond) October 28, 2006; London Matinee

Link

Ashleigh Gray (s/b Elphaba), Dianne Pilkington (Glinda), Pharic Scott (u/s Fiyero), Sam Kelly (The Wizard), Harriet Thorpe (Madame Morrible), Emily Tierney (u/s Nessarose), Alex Jessop (Boq), David Stoller (Doctor Dillamond) February 6, 2010; London

Link

Idina Menzel (Elphaba), Kristin Chenoweth (Glinda), Kristoffer Cusick (u/s Fiyero), Joel Grey (The Wizard), Carole Shelley (Madame Morrible), Eden Espinosa (u/s Nessarose), Christopher Fitzgerald (Boq), William Youmans (Doctor Dillamond) December 21, 2003; Broadway || Notes: This is the only known recording of Eden as Nessarose! Missing No Good Deed and March of the Witch Hunters.

Link

Shoshana Bean (Elphaba), Megan Hilty (Glinda), David Ayers (Fiyero), Ben Vereen (The Wizard), Adinah Alexander (u/s Madame Morrible), Stacie Morgain Lewis (u/s Nessarose), Jeffrey Kuhn (Boq), Sean McCourt (Doctor Dillamond) September 24, 2005; Broadway

Link

Dee Roscioli (Elphaba), Erin Mackey (Glinda), Derrick Williams (Fiyero), Gene Weygandt (The Wizard), Rondi Reed (Madame Morrible), Kate Fahrner (u/s Nessarose), Adam Fleming (Boq), K. Todd Freeman (Doctor Dillamond) March 21, 2007; Chicago

Link

Jenna Leigh Green (u/s Elphaba), Kendra Kassebaum (Glinda), Derrick Williams (Fiyero), David Garrison (The Wizard), Carol Kane (Madame Morrible), Lori Holmes (u/s Nessarose), Logan Lipton (Boq), Timothy Britten Parker (Doctor Dillamond) April 9, 2005; First National Tour

Link

Willemijn Verkaik (Elphaba), Valerie Link (u/s Glinda), Jens Simon Petersen (u/s Fiyero), Carlo Lauber (The Wizard), Angelika Wedekind (Madame Morrible), Maike Switzer (u/s Nessarose), Stefan Stara (Boq), Michael Günther (Doctor Dillamond) December 22, 2007; Stuttgart Matinee || Notes: Valerie's first show as Glinda.

Link

Eden Espinosa (Elphaba), Kendra Kassebaum (Glinda), Nicolas Dromard (Fiyero), Tom McGowan (The Wizard), Jody Gelb (Madame Morrible), Neka Zang (u/s Nessarose), Etai BenShlomo (Boq), Paul Slade Smith (Doctor Dillamond), Gregory Haney (Chistery), Samantha Zack (u/s Witch's Mother), Tim Talman (Witch's Father / Ozian Official) April 6, 2010; San Francisco || Notes: Neka's first show as Nessarose.

Link

[thatscarletflycatcher]

So, there's this famous quote (and source of many memes) from Northanger Abbey, where Henry Tilney says:

“and this is a very nice day, and we are taking a very nice walk, and you are two very nice young ladies. Oh! It is a very nice word indeed! It does for everything. Originally perhaps it was applied only to express neatness, propriety, delicacy, or refinement—people were nice in their dress, in their sentiments, or their choice. But now every commendation on every subject is comprised in that one word.” (chapter 14)

Indeed, Jane doesn't seem to like the word that much, at least in this novel: of the 14 times it is used, 3 happen before this exchange, 10 during it, and then one last time in chapter 29.

It appears

7 times in Pride and Prejudice (used mainly by Lydia, but also by Mrs Bennet, Mrs Gardiner and Lady Catherine);

12 in Sense and Sensibility (by sir John, Marianne, Edward, Mrs Palmer, and Mrs Jennings most of all);

17 in Emma (by Harriet, Mr Woodhouse, Emma, Miss Bates, Mrs Elton, and Mr Weston);

15 in Mansfield Park (by Mrs Grant, Mrs Norris, Mary, Tom, Mr Crawford, Maria, and Edmund);

12 in Persuasion (by Elizabeth, Wentworth, Admiral Croft, Mr Elliot, Mary

But of those, none are used by the narrator in NA; 2 in P&P; 3 in S&S; 5 in Emma; 4 in MP; and 6 in Persuasion (and I'm including all indirect speech). Very nice.

But you know what generic, vague descriptor our beloved Jane loved? fine.

NA: 33 times (18 from dialogue: used my Mrs Thorpe, Mr Allen, Mrs Allen, John Thorpe, Catherine, a miss Thorpe, Isabella, Tilney, and Mrs Morland.)

P&P: 40 times (21 in dialogue: used by Mrs Bennet, Charlotte, Lizzy, Darcy, Caroline, Mrs Gardiner, Mrs Reynolds, and Mr Bennet)

S&S: 29 times (17 in dialogue: used by Willoughby, Marianne, Edward most of all, Mrs Palmer, Anne Steele, and Mrs Jennings)

Emma: 48 times (33 in dialogue: used by Harriet, Mr Woodhouse, Mr Knightley, Emma, Miss Bates, Jane Fairfax, Mr Weston, Frank, Mrs Cole, Mrs Elton)

MP: 67 times (38 in dialogue: used by Mr Rushworth, Lady Bertram, Edmund, Mrs Norris, Fanny, Mrs Grant, Dr Grant, Mr Crawford, William, Mrs Price, Mr Price, and Mary)

Persuasion: 35 times (17 in dialogue: by Mrs Musgrove, Mrs Croft, Charles Musgrove, Sir Walter, Admiral Croft, Captain Wentworth, lady Dalrymple, Harriet Smith).

Not only is fine used much, much more than nice, but nice is most often used by silly or unrefined characters, whereas fine sees more representation of all sorts of characters, and it is used by the narrator specifically, much, much more, not only to describe weather, but to describe people, places, clothes, and so on and so forth.

So, dear Jane, I think we need to talk...

[latibvles]

27. boxed for harriet morgan

##27 — BOXES

harriet morgan u are a national treasure and the whole of the bomb group adores you (literal). that's all the notes I have for this one. send me a prompt for the bomber girls!

—

Airmen were superstitious by nature — Harrie was no exception to that.

She knew she had a package or two waiting for her this morning. Her ma made it a habit to send her a plethora of things: books she left at home, hair ribbons, and some type of snack, too. Enough to share with the rest of her crew and still have leftovers. And her ma always wrote too — testifying that she prayed over them too, sending her love and blessings with all the pastries and articles of clothing.

Harrie made a point to never open these packages before they took off. She’d always pick them up from the post, set them gingerly atop her cot like she was setting the table back at home, but she’d never opened them.

She figured if they had something to look forward to on the way back, then it’d help them beat the odds. That, and gorging themselves on her mom’s homemade cookies and blessings seemed like a hard earned reward. Harrie made a point to send back the tins they were sent in, often with some type of trinket for her little cousins to fawn over.

Word traveled fast in Thorpe Abbotts — not so much about the blessings, but definitely about the treats.

“Anybody seen Juney?” Harrie asks, turning her head this way and that in the armchair. “Don’t want her missin’ out this time.” Fern waves her hand dismissively from her spot perched on the arm of the chair.

“We’ll just save her one. She’s got a grandpa’s bedtime anyway.” Fern explains, which makes Harrie laugh quietly under her breath. Of course, this corner of the front room had garnered its fair share of curious eyes. Fern perched on the arm chair, Carrie by the fireplace and Inez returning from the snack bar with napkins — likely to run Viv and Willie their hard-earned luxury rations, straight from the kitchen of Mary Morgan herself.

There were also a couple editions, men trying to stake their claim on the inevitable leftovers: Harper, from DeMarco’s crew, sat right across from her, burning a hole through the packaging. And although Blakely was keeping his distance, Harrie didn’t miss the way the pilot’s curious eyes would drift to the boxes balanced delicately in her lap every now and again — she makes a mental note to run one to him when she’s handing them all out.

There’s a whistle behind her, the soft thump of hands smacking the hard leather of the chair. She turns around to grin up at Douglass, who’s grinning right back at her, all teeth and mischief as he eyes the packages.

“Another package from my best girl?” he drawls, which has Harrie groaning and batting at his hands as he reaches over to pick at the packaging.

“Quit talkin’ like that ‘bout my ma, Dougie,” Harrie huffs, knowing he doesn’t mean it. “And lay off, we got manners ‘round here. Gotta read the card first,” Douglass’ hands retreat, but he sits on the opposing armrest. Part of Harrie feels like she’s ten years old again, and all her cousins and her brother, too, are watching her open up all the presents or blowing out candles. She takes the envelope too and tears into it, clearing her throat. “Dear Harriet…”

She goes through the typical stuff — local baseball scores, church gossip, how the animals were fairing. She skips over the more personal stuff for the sake of not dampening the room with her at-home worries. That was to be further looked into in the barely-there privacy of her cot, not read aloud among her friends.

“Send your friends ma’ love. Prayin’ over ya always, I hope these treats do somethin’ to make ya’ll smile a bit. Love momma. P.S, Pa sends a welcome gift for your new Commandin’ Officer,” Harrie wraps up, smiling by the end of it — an ear-splitting thing that makes her face hurt as she pockets the letter and then tears into the first package, undoing its wrapping.

The box is a well-polished wood thing with a gold latch, and Harrie recognizes it immediately as her pa’s cigar box. She can’t help the small gasp as she pops it open. Covering the cigars, however, was a small stack of photographs that she’s quick to snatch up before shutting it quickly, shuffling through photographs. She’s never been more happy she committed to not opening up her packages until after today’s flight.

“Look Carrie, s’that calf I was tellin’ you about. Nervous Nellie,” Harrie beams, extending her arm to give her friend the picture. “N’ these are the baby chicks. Well… I guess they ain’t babies no more, but they was when I hatched ‘em.” She points to the one still tucked under their hen’s wing. “I named that one after you Dougie, that one’s Hammy n’ that one’s Juney. Oh! There’s Harper.” Harrie points out each chick named after a bombardier in the company, and although his eyes roll at first, he starts chuckling as she goes down the line.

There’s a few others in there, some with her cousins and all the animals Harrie doted on at home. She pockets the pictures too, closes the cigar case and sets it before her on the coffee table. Then, she gives her small audience a sweeping look.

“Now don’t ya’ll go grabbin’ at me. ‘Specially not you two,” she points to Harper, who makes a noise of half-hearted offense, and then Dougie. “Rules are rules. Ladies first, then you can go callin’ dibs and what-not.”

With that in mind, she opens up the second, smaller box, and lets out a disbelieving laugh.

“Thank you, Mrs. Morgan,” Fern declares as Inez passes Harrie a napkin. She takes out one of the apple turnovers delicately packed into the metal tin and immediately passes it to Fern, who passes it to Carrie, until they’ve gone around their immediate circle. Then Inez plucks two to run to Viv and Willie, and Fern takes another for June. Harrie rises with the tin, laughing at the prolonged stare that the guys are giving her.

“Alright, alright, one each — Blakely!” The pilot, who was now making conversation with Kidd, snaps to look at her. “Quit actin’ polite and come over here ‘fore the rest are gone.”

As Blakely makes his way over, Harrie does the quick mental math to save enough for Jo, and one for Colonel Harding, to go with the box of cigars. And she silently prays that the blessings her mom sent with the turnovers will last to the next flight, the next package. But when they approach — she doesn’t admit to that. She just smiles and continues to hand out the extras, more than happy to share all of her gifts.

[moonnotfound13]

Hello Beautiful Peoples!!

I've just started writing fan fics/headcannons, I've always loved writing so I decided to give it a try.

Here is a list of all the people/fandoms I'll be writing for:

Teen Wolf:

Scott McCall

Stiles Stilinski

Derek Hale

Allison Argent

Lydia Martin

Malia Tate

Liam Dunbar

Kira Yukimura

Peter Hale

Theo Raeken

Isaac Lahey

Cora Hale

Jordan Parrish

Erica Reyes

Brett Talbot

Braeden

The Maze Runner:

Thomas

Minho

Newt

Gally

Aris

Brenda

Harriet

Sonya

Winston

Teresa

Twilight:

Jacob Black

Bella Swan

Edward Cullen

Rosalie Hale

Emmett Cullen

Esme Cullen

Carlisle Cullen

Alice Cullen

Jasper Hale

Leah Clearwater

Seth Clearwater

Sam Uley

Embry Call

Quill Aterea

Tanya

Kate

Carmen

The Last of Us:

Ellie Williams

Abby Anderson

Joel Miller

Dina

Once Upon A Time:

Emma Swan

Regina Mills

Snow White

Prince James "Charming"

Peter Pan

Felix

Devin

Belle

Drizella Tremaine (I freaking love Adelaide Kane)

iZombie:

Liv Moore

Major Lilywhite

Peyton Charles

Blaine DeBeers

Dr. Ravi Chakrabarti

Chase Graves

Lowell Tracey

Levon Patch

TVDU:

Elena Gilbert

Stefan Salvatore

Damon Salvatore

Caroline Forbes

Bonnie Bennett

Matt Donovan

Tyler Lockwood

Alaric Saltzman

Jeremy Gilbert

Enzo

Kai Parker

Klaus Mikaelson

Elijah Mikaelson

Rebekah Mikaelson

Freya Mikaelson

Kol Mikaelson

Hayley Marshall

Cami O'Connell

Davina Claire

Marcel Gerard

Jackson Kenner

Kaleb Westphall

Keelin

Hope Mikaelson

Josie Saltzman

Lizzie Saltzman

Landon Kirby

MG (Milton Greasley)

Jed Tien

Rafael Waithe

Ethan Machado

Cleo Sowande

Finch Tarrayo

Stranger Things:

Eleven (no smut!)

Mike Wheeler (no smut!)

Will Byers (no smut!)

Lucas Sinclair (no smut!)

Max Mayfield (no smut!)

Dustin Henderson (no smut!)

Steve Harrington

Jim Hopper

Nancy Wheeler

Joyce Byers

Jonathon Byers

Robin Buckley

Billy Hargrove

Eddie Munson

Dmitri (Enzo)

Kali Prasad (8)

Henry Creel/Peter Ballard

Sam and Colby:

Sam Golbach

Colby Brock

Seth Borden

Jake Webber

Corey Scherer

Katrina Stuart

Kris Collins (KallMeKriss)

Stas Siver

Amanda Raye

Wednesday:

Wednesday Addams

Enid Sinclair

Tyler Galpin

Xavier Thorpe

Ajax Petropolus

Bianca Barclay

That is all for today my people! I do take requests, so please tell me what you would like and I'll try to get to it!

Have a good morning/day/night❤️🫶