#I AM GOING TO FILL IT MYSELF

[whataboutmyfries]

YOU BBEST BELIEVE I AM GOING TO GO WRITE FANFICTION ABOUT THE MOST OBSCURE FUCKING MOVIE I SWEAR TO GOD

[iknowwhereyousnoozeatnight]

couple of mello + near doodles

[quaranmine]

On Wednesday before I gave my presentation I confessed to a new employee that I was worried it would be too long and she brightly told me her life hack was to just let AI rewrite things for her. She said I should put in all my talking points and ask ChatGPT to give me a five minute exactly presentation. I was like....how is the most polite possible way (since this is a new colleague I shouldn't get off on the wrong foot with) that I can express that I will Not be taking this advice. Ever. I told her that I didn't think we were allowed to use ChatGPT at this job (we most certainly are not, it is a nightmare for any type of protected information) and also that I prefer to write all of my own work. Despite my best efforts the last part of that was still passive aggressive, lol.

Something about being a writer makes it so that it's almost offensive to me for someone to suggest I use AI to do my work instead? Like, the day I reach the point where I let AI write something for me is the day y'all need to be checking me for brain damage because clearly I'm losing it

[kiok0r0]

Whoa! There's like 500 of you here and almost 4K of you on my art archive blog! I've been stressing out for a while about personal matters, but seeing that so many of you follow for whatever stuff I'm saying and for my art is really touching.

It's still hard for me to grasp that people genuinely enjoy my art, but this made me feel at peace. There's so many people who are enjoying my art and ideas out there. I can't wait to find a good point where I can draw consistently again so I can give you a moment of peace and joy when you see my art on their dashboard.

Thank you again for your support regardless of how much art and how many times I share <3

[rxttenfish]

Asking because I’m extremely curious about this, how did MonProm’s writing get different over time? I remember you saying that the lore and characters feel different, and that it's missing sincere character interactions, too. I know almost nothing about the lore and I’ve only seen a few people mention the characters, so I’d be interested in a rundown of what aspects you think got worse in the series

I wouldn’t mind a very long response since I’m not that active in the fandom, I need to catch up on what happened

sorry for taking so long to answer this! i kinda waffled on it for a long bit, mainly because i started doubting myself again, and whether or not this was me simply overreacting or being tinted by nostalgia or simply being extremely picky and choosy in what i like (the last of which is true, i seldom get into fandoms at all for this reason and stay away from most popular media, but i wasn't sure if it applied here). i've posted about it already, but i'm in the middle of a psychotic episode where i can't feel a lot of pleasure to begin with + most things i do experience ending up solidly in the "very bad" category, so as you can imagine, i really didn't want to mislead and check that i was actually in objective reality.

as it is, this is also when a lot more screenshots started to be posted in the monster prom tag, and that helped me bridge the gap back into returning to the games themselves and feel like i was making a more accurate judgement. if you're one of those people who have been posting screenshots, i sincerely thank you, and i appreciated seeing you in the tag greatly.

for those not in the know — i've been in the monster prom fandom since it first released, prior to even the first additional ending to be added (the "Punch the sun" ending, and i recall the minor fandom drama that happened at that time due to it). my impression of monster prom is very much influenced by this, as what got me into the first game was the fact that the characters genuinely seemed to care for each other and were friends with each other (not merely tolerating each other's presences nor dressing it up, they sincerely thought of each other as friends and were open about that fact), on top of the wide variety of small details and statements that, if taken at face value, could create compounding complexity in the lives of each and every character and had wider implications for their lives.

no, they were not necessarily explored nor even necessarily "real", with so many conflicting events and statements, but i liked this too, because it meant a wider flexibility in what you could imagine, helping to create a more tailored experience for everyone who thought about these characters. this was what i liked about the early fandom too. what was baseline "canon" was so vague and minimal that you could have wildly different interpretations of the same characters' histories and relationships with each other. you would have radically different perspectives on what the world itself looked like, what it was like, that there wasn't really any wrong answers so long as their personalities remained the same. this is where you got the old headcanon of polly and liam being childhood friends who knew each other as humans, or that the world of monster prom was post-apocalypse where humanity itself had gone extinct or only existed in tiny pockets, or my personal headcanon that both monster and human society existed right next to each other and had minimal crossover for petty cultural reasons. this was also prior zoe-as-ro, and there were wildly different interpretations of zoe's personality, with most going for a far more disquieting creepy-cute than the deep nerd we got.

this is why you get stuff like the timeloop theory, where everyone is repeating the same weeks leading up to prom over and over, and are perhaps vaguely aware of it but broadly unconcerned. this is also why it felt like the joke that, the characters were still in high school but were all fully legal adults with most in their 20's, best landed, because it was absurd and strange and didn't quite make sense, but the world itself was inherently absurd and semi-malleable to begin with. realistically, i felt like everyone understood it was making fun of the trope of having adults play teenagers in american sitcoms and wildly casting outside the age range, but for more in-universe explanations it wasn't any different from the way that you would have a large, dramatic ending in which everything changed, but then you'd restart and everyone would be right back at the beginning with nothing different, or even having conflicting events in the same run. it was a dream-logic that fit with the tropes and, thus, diagetically made sense.

to be clear, i don't mind canon having a set, well, canon on which it refers back to itself. i don't mind expanding that or including more things which are set in stone. but there was a perceivable shift in how the games handled this over time, becoming a lot more... bitter, it felt, towards all of these different branching ideas and concepts that, yeah, the people making them knew wouldn't necessarily be "canon" because "canon" already liked to contradict itself so much. most people weren't even sold on any one idea, and there was a much greater sense of enjoying and appreciating all the varying ideas people would come up with even if you personally didn't share them. making the characters be out of character was the real crime, because then it didn't diagetically make sense in the same way, didn't wholly fit.

(again, this is not to say fanon didn't happen and characters weren't smoothed down into a simplified personality that fit these varying fan-interpretations instead of the game itself. certainly damien love/lust was just as bad as it had ever been, and everyone loved to mangle his character into a more stereotypical "bad boy with a heart of hold" all the time. but it certainly felt less set-in-stone about it than it does now, with any deviation from the norm being considered strange and odd and even broadly shunned from the wider fandom.)

all of this is setup for establishing what the writing, lore, and characters felt like in the earlier days. the characters were the strongest part, with their relationships to each other being equally as important. the lore played it fast and loose and was far less interested in setting anything in concrete because that wasn't the important part. the lore wasn't the important part, which was what made it all the more intoxicating to think about, all the more fun to play with.

montrip is easily the biggest offender when it comes to setting everything in all-or-nothing terms and demanding absolutism from the world. broadly i blame the hitchhiker conversations for the worst of it, but i think ultimately the way they handled the entire premise of the game is where this problem stems from. it's not really an exploration in the same sense that you might explore the first game, discovering different perspectives and different people with different relationships to each other. it's an exploration in the sense of a sequel that over-explains the monster, that takes the most boring option out of all those that were possible and floating around and settles on something that was blatant, obvious, typically rejected not because of how novel it is but how trite and par for the course it is in the rest of the genre.

yeah, okay. humans know nothing about monsters and there's a "monster dimension" that exists separately from the human dimension. there's no crossover between the two of them. of course there's a big grand-scale fight between the eldritch powers that zoe used to be a part of, from which not only are slayers the main organization against them, but also the merkingdom has some horse in this race too. it's an urge to make things so universal in explaining them, in revealing connecting threads which unite everything that's ever happened in here, that makes the worldbuilding and lore immediately much more boring than it ever was before.

and it didn't have to be this way! nothing in the first game contradicts any of this too explicitly (see the above, the first game loves to contradict itself), and i would even be happy if this was basically canon but never stated or confirmed to be the big overarching everything going on underneath it all. i believe you should probably know these things about any world that you create and have them in the back of your mind. the difference is that you can know these things and keep them in mind, even focusing on things where its very relevant, and still not reveal them. this is why you have lore bibles, after all. every horror writer knows exactly how their monster works and the full underlying reason for everything that happens, but that doesn't mean the audience will see it or possess this same information too, and leaving it intentionally obscure will make far better stories.

which, this is bad enough, but it wouldn't be the breaking point for me if this was all there was.

but the worst thing of all has to be the slow decay of the very same characters that sold me on this world, this lore, this game in the first place. monster prom is nothing without the characters in it. it's a dating sim, it has nothing but characters to get you to play, and liking these characters are the entire reason anyone would pick up monster prom in the first place.

and the first game pulls this off extremely well. it's all in the tagline: be your worst self. they are, indeed, all terrible people. yes, even that character that you just thought of right now. they all have points in the game where they commit atrocities, where they kill or hurt people, where they do inexcusable things that could not be ignored in a more serious setting.

but that's the point. i think there's something very powerful in creating a character who not only do you love and love their personality and the way they interact with the world, but who also are inapologetically terrible, and to have the humor and the charisma be so good that you don't get bogged down in the "this is awful". likewise, it never feels the urge to really go out of its way to justify what's going on. this is not to say theres no discussion of if someone "deserved it", but usually there's still the sense that the joke is on them, that this is still an extreme reaction specifically for comedy and not necessarily something that can be justified. you can have damien set leonard on fire and have it feel earned, without prompting the needed reaction of what it's actually like to watch someone burn to death.

this is what sets the prank masterz ending apart from the rest of the game, and really establishes it as the first real "bad ending". because nothing that you do or happens in the prank masterz ending is any different from anything else that happens in any other run. you summon evil beings from other dimensions as a throwaway gag on how visiting one location raises your stats. you kill other people and damn them to terrible fates. you watch as body horror happens. the only difference is that, in the prank masterz ending, the laugh track doesn't play.

the rest of the game and the writing echoes this philosophy, this careful interplay of tropes that keeps everything tongue in cheek and yet sincere enough to make sure emotional beats still land when they're needed. the characters feel true to themselves and their own emotions, even when the world is extreme and excessive, when everything else runs on comedy logic.

this is also what i noticed failing first as time went on.

like i said, fanon has always existed and there's always been very specific ideas as to what characters are like in the same way fanon always flattens down characters into the same tropes over and over. scott is stupid and innocent and doesn't know what sex is. damien is violent and hot and too cool for anyone else. miranda is the idiot girl character. repeat over and over and over until you get sick of it.

but it's been an issue as time has crept on that canon has started to approach fanon and began to merge with it. now, scott is so innocent that he can't even curse. polly starts being mean to her friends and saying things that would be very hurtful to hear. the merkingdom isn't really super evil and fucked up, it's just miranda that's like that. they become simpler, easier to digest, streamlined for social media posts and mass-sharing. they become less and less subversions of existing tropes and moreso just another example of them, something else to add to the collection, not their own individual stories.

even further from this, what more complex traits they had are now stated and not shown. polly is stated to be smart and clever in a way that her party girl persona doesn't imply and to be sincerely rather down to earth with the people she cares about, but we seldom ever see this anymore unless its the game specifically trying to make a point about it, in which case it won't let her do anything that implies cleverness and moreso will just outline it in the narration. vera is stated to care for people in a very genuine and heartfelt way, but seldom will get a chance to do so, and every opportunity for her to do so to their faces is missed while she will just outright state it later. it does not feel consistent, it does not feel like any of these are intended reads of their actions. it feels like the devs have something they want to do but no idea on how to actually do so. and forget it if you want these traits to manifest in small ways that show up in unrelated moments and scenes.

the dialogue becomes harder and harder to tell between each speaker, if you are just looking at what's said and not at the pictures attached to it. the characters' distinct voices have been eroded away, so that they speak more and more like each other, relaying the same terms and ideas in the same words. perspective becomes a suggestion, instead of a must.

this is something that started back in monster camp too, as all of the endings in that game felt ultimately the same as every other ending. it's very hard to place or define the full reason why, why there feels like there's no emotional stakes nor investment, why everything feels moreso like selecting different coats of paint and trying to find all the different ending pictures rather than being interested in exploring the characters as characters.

stranger yet, the series that started with the tagline of "be your worst self" has experienced a kind of... softening, for lack of a better word? what i mentioned about being able to handle the balance between terrible people who do terrible things and the light tone of the game starts to change, as abruptly the same characters who were down with violent murder in the first game start to lose their nerve, acting more and more on more typical morality. it's one of those things that feels like it's starting to damage the tone, as abruptly it's not as absurd as it used to be, demands less suspension of disbelief which could buffer and support the rest of the setting on it. there's even a part in one of the endings in montrip which involves current-polly and current-scott looking back on their monprom selves and reacting in horror at how violent and careless their pranks are, in a way that fundamentally felt like it was undercutting and disparaging all the things that felt fun and made monprom what it was.

which is odd, really, because more and more i feel like the characters in these games like each other less and less. the friendships and genuine enjoyment of each others company that brought me to this game in the first place has gone. now they don't mention each other as much, don't care for each other's feelings and reactions as much, aren't as willing to support each other. they are more and more found on their own, relied on their own, seem to seek out contact and interaction with their own friends less and less. it feels like they're all separating out into their own worlds, but also feels like they wouldn't willingly want to interact with each other if they weren't already forced together by some other outside contrivance.

if anything, i'd compare it to every other dating sim out there, where you, the player, are the most important person in these characters' lives, and they only feel ambivalent or antagonistic towards every other character. which, again, is not why i picked up monster prom or why i liked it so much in the first place.

and it's because of this that it feels like the current state of the series has to focus on its increasingly weak worldbuilding and lore, trying to form a more serious foundation without character relationships being so tightly bound together, without the characters themselves being more developed and rich, without an aspect of absurd humor to rely on.

more and more i've noticed monprom has to rely on referencing other series to make itself funny and create humor, which, again, it's always done. it was just easier to ignore back then, if you didn't know what was being referenced, because there was always more going on in the exact same scene to bolster it and give context clues as to the setup and punchline at play. it feels like the current games are much more dependent on you knowing pop culture references in order to have any fun with it, and i'm someone who, again, is very picky in what i like or what i'll seek out. i'm not interested in a stream of references about other things that i would much rather be doing than playing through a game that feels like it hates that i like it at all, when i could, again, just be engaging with the thing that takes itself seriously and knows what it wants.

[carnivalcarriondiscarded]

i love cakes filled with sprinkles. i think all cakes should bleed when you stab them

[zerodaryls]

it's so funny (read: sad) that if bigoted fuckheads didn't insist i was a woman simply by virtue of my body at birth, i'd probably be chill with she/her pronouns in addition to he/they. if my mom didn't insist i was her daughter, i'd probably let her call me that, and we could still have a relationship.

i'm nonbinary and 'gendered' words are hypothetically meaningless, but because there are so many people who are more interested in telling me who i am rather than lovingly and curiously letting me express my own sense of self, those words carry trauma.

there's no reason a nonbinary person like myself can't be a son and a child and a daughter. there's no reason a nonbinary person like me can't go by he, they, and she.

'she' is not a slur. 'daughter' is not derogatory. 'beautiful' 'pretty' 'gorgeous' 'feminine' are not insults.

to the contrary, they're parts of language that express certain facets of a multi-faceted human existence, like mine.

and i have this sad, mournful feeling that if it weren't for unloving, condescending people, i'd probably be down to be called any of those things alongside my usual masculine/neutral terminology.

but i'd rather die than let anyone tell me what i have to be called.

[orcelito]

Super sexy me is so sexy I accidentally set off the fire alarm while baking pie shells for my pumpkin pie. And now I don't know if I should've even baked them in the first place. But well. Too late now 👍

[rubenesque-as-fuck]

Anyway I got notified that I'll be getting a nice $$ bonus from work today and I wish that I could celebrate with someone in a way that didn't just feel like obnoxious bragging. Like beyond the financial aspect, it's just nice to be recognized for good work and I actually feel... good?? about this job??

But it feels so silly to say I want to celebrate when I just got back from what felt like my first real vacation in a very long time and am doing cool comic con stuff this weekend and am scheduled for a new tattoo next weekend. I am already doing lots of things to try to make myself feel good! It feels selfish to want more!

But I guess even with all of that, there's just still a hunger for external validation from trusted sources. Will I ever grow out of wanting someone to be proud of me?

[stabyou]

the way i need genuine intense psychological rewiring just so i can talk to people in a normal setting is just crazy to me. i would ask what happened to me but i have always been this way, it just keeps getting worse and worse

[tj-crochets]

So it turns out if I make this pattern with actual canvas instead of what I thought was canvas (it’s duck cloth) it’s a softer, more “reusable grocery bag” kind of bag and less of a tote?

This one is for my grandma! I think I’m making them for pretty much everyone on my list for the holidays this year

[akkivee]

decided for my hypmic 7th anniversary post to list my fav song in each album, thinking it’d be easy enough, but i’m already stuck on the first mtr album what have i done to myself

[cashweasel]

🏨 gimme those blorbo rooms fdsfdsfsfsd, since it’s Pinterest can I ask for more than one? XD if so ima ask to Karimas and Shaheens OH and also Gideons (low key I know what valens/yazans looks like but its a good excuse for u to get to share) so if u want to Valens and Yazans wild be fun 😌

K BYEEE <3 😘

LOLL im glad you asked and yes i will give you all of them 😌😂😂

Karima: she’s obsessed with collecting room decor and she has a crochet corner, half of her decor is crocheted too honestly 😂 I think she also has a thing for animal print stuff esp curtains and pillow cases, she’d keep small ceramics stuff she made with daemon everywhere

Shaheen: idk why it was funny to imagine his college dorm lol he uses space very efficiently also his desk is very important 🧠

Gideon: his room is so big and so empty but he’s barely home so who cares, the only notable thing about it besides the diabolical toys collection on display is the display cabinet he keeps all his medals, plane models, pictures, uniforms etc in

Yazan: yazan’s room as you know is a Dumpster 😂 it’s impossible to find anything in there and it’s never tidy, also so many posters and records + ofc drum corner

Valen: very pretty but his room is an entire house in itself you need directions to where everything is 💀 Texas king bed with a canopy, mirror above bed/on ceiling, maximalist unique decor and very beautifully coordinated color wise. Also huge portraits of himself obviously lol

[OC headcanons: Picture Edition!]

[ectoodle]

Hello! I wanted to ask what made you fall in love with bingqiu?

Hey there!

Ah hmm that's an interesting question, I've never thought about it actually. I like bingqiu a lot, but I never considered it as falling in love with the ship? They're a fun ship to play with and they have a wide range that's pretty flexible so I'm always in my comfort zone drawing them.

I suppose most of the art I draw for bingqiu are a love letter to them, though. And I think that's pretty telling of my brain rot for them 😂

I think the food the fandom cooked up really helped a lot. SV fic writers are on a whole other plane of existence when it comes to analyzing binghe's character and filling in on his journey of healing with sqq by his side. I'm the annoying type of audience that gets bored when the main couple gets together at the end...so when scum villain ended the way it did, mxtx may as well have german suplexed me on the concrete. scum villain is a story that subverts its tropes left and right and the ending was no exception! I love that bingqiu getting together at the end was not an automatic happily ever after, but rather, they still are putting in the work and effort to understand and stay in each other's lives. The glimpse of that path we get in the extras really did solidify my desire to see how bingqiu will continue to stay together--bingmei vs bingge extra was probably the finishing blow for me tho lmao. I couldn't stop thinking about what the heck happened to bingge after he left the sv world that I read a bunch of fics about him and needed to soothe the angst with sv bingqiu

on a side tangent, bingqiu parallels another of my all time ship, nozomizo from liz and the blue bird. mild spoilers if you haven't seen liz, but nozomizo had a similar codependent relationship that needed them both to grow apart as individuals in order to stay together. bingqiu separated unwillingly and binghe's growth as an individual was fueled by betrayal, despair, and that dying glimmer of hope that maybe, maybe shizun could accept him now that they're equals. but they don't. because binghe still hasn't emotionally grown to get past his temper tantrums (thanks xin mo) and sqq is still failing binghe by constantly misunderstanding him. but bingqiu still choose each other, choose to love and support each other, and they refuse to be separated again. whereas nozomizo was a healthy separation with a promise of reunion, bingqiu was fighting through the muddy trenches with a vague hope that the other is reaching out their hands too. i thought it was neat how differently both ships handled their codependency that still guarantees a happy ending, no matter how dirty and bruised they got along the way.

I also think sqq's compassionate narration in regards to binghe's suffering got to me lmao. He truly does care for binghe, and even if naysayers argue it's not romantic, it's undeniable that binghe is special to sqq. although not the best choices, most if not all of his choices were for binghe's best interest (thanks system). sqq had so much heart for binghe that it affected me through the screen too. binghe's abandonment issues and fake wet tears have captivated me. his gap moe as a chuuni emo demonic overlord and wife with a maidenly glass heart has bewitched me body and soul. i want luo binghe to be happy so badly!!

i think that's why bingqiu fascinates me. most of the bingqiu arts i draw are like slice of life vignettes, so without the meat and bones of fanfic diving into bingqiu's messiness, i would not have ascended to this level of brain rot for them...

[aria0fgold]

Drinking water the way that I do is like orz... Why'd I have to get used to drinking water like this, water just went down my shirt AUGH

[writhe]

just had the most terrifying experience of being followed