Today my therapist introduced me to a concept surrounding disability that she called "hLep".
Which is when you - in this case, you are a disabled person - ask someone for help ("I can't drink almond milk so can you get me some whole milk?", or "Please call Donna and ask her to pick up the car for me."), and they say yes, and then they do something that is not what you asked for but is what they think you should have asked for ("I know you said you wanted whole, but I got you skim milk because it's better for you!", "I didn't want to ruin Donna's day by asking her that, so I spent your money on an expensive towing service!") And then if you get annoyed at them for ignoring what you actually asked for - and often it has already happened repeatedly - they get angry because they "were just helping you! You should be grateful!!"
And my therapist pointed out that this is not "help", it's "hLep".
Sure, it looks like help; it kind of sounds like help too; and if it was adjusted just a little bit, it could be help. But it's not help. It's hLep.
At its best, it is patronizing and makes a person feel unvalued and un-listened-to. Always, it reinforces the false idea that disabled people can't be trusted with our own care. And at its worst, it results in disabled people losing our freedom and control over our lives, and also being unable to actually access what we need to survive.
So please, when a disabled person asks you for help on something, don't be a hLeper, be a helper! In other words: they know better than you what they need, and the best way you can honor the trust they've put in you is to believe that!
Also, I want to be very clear that the "getting angry at a disabled person's attempts to point out harmful behavior" part of this makes the whole thing WAY worse. Like it'd be one thing if my roommate bought me some passive-aggressive skim milk, but then they heard what I had to say, and they apologized and did better in the future - our relationship could bounce back from that. But it is very much another thing to have a crying shouting match with someone who is furious at you for saying something they did was ableist. Like, Christ, Jessica, remind me to never ask for your support ever again! You make me feel like if I asked you to call 911, you'd order a pizza because you know I'll feel better once I eat something!!
Edit: crediting my therapist by name with her permission - this term was coined by Nahime Aguirre Mtanous!
Edit again: I made an optional follow-up to this post after seeing the responses. Might help somebody. CW for me frankly talking about how dangerous hLep really is.
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An “what if there’s a pizzaplex location in China” au
They're an Eclipse, but you can just call them Wu Dan
They are a theater bot from the Shanghai pizzaplex, they play the Wu Dan role (female warrior/fighter role) in Traditional Chinese opera. They can sing they can dance, they perform with a spear, and they do Bian Lian mask trick.
Most time they stay as Eclipse but if needed they can switch between Sun and Moon on command. As the picture shows, the red mask is Sun, the Blue mask is moon, the split face is when both are up but not in sync, they can’t stay like that for long it burns their battery, and the white face is Eclipse
Sun is more hot headed and extroverted, Moon is more ‘hohoho I’m evil’ and introverted, when split face, they’re mostly having a fight and they use their traits against each other, when Eclipse, their traits are combined creating an neutralized version of themselves
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Anyway here we go, three of my favourite moments with Roy, Wally and Donna in Bat comics:-
(Nightwing #143) - Roy, the JLA member.
Wheel in the sky keeps on turning. I like tucking in the world every night, help keep the monsters in the closet.
(Nightwing #88) - Wally checking on Babs after the DickBabs breakup.
And as his best friend, I’m doing what he’d want me to do and making sure that you’re okay.
(Batman Chronicles #7) - Donna visiting Dick right after he moves to Bludhaven.
You know, with all this running around, we haven't had a chance to cover the important things yet. How's your love life? Had any heart to hearts with your mentor lately? And what about sleep? Are you getting enough sleep?
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I just can't stop thinking about Pen and Colin as mirrors.
Of the apology scene. I can't stop thinking about how Colin's so earnest, so different from his persona at the start. How he literally had lines to feed to the debutantes, to repeat, ad nauseam, vamping with each new player to the stage, but but how his conversation with Penelope is from the heart. How he responds to her 'you are embarrassed of me' with 'I am most certainly not ashamed of you' and her 'I am the laughingstock of the ton' with 'you are clever and warm'.
I'm thinking about how his voice speeds up after that to 'and I am proud tocallyoumyverygoodfriend', how it is so clearly genuine, how it makes so much sense that he is nervous, because she means so much to him, because it's not rehearsed: and then how she tells him it frustrates her that he can walk into society with ease. His face when she says that. . .I keep rewatching it. How he looks to the side. How he swallows. How he looks down.
How he could keep eye contact with her the entire time, except when she says that.
And then I contrast that to the scene in the Bridgerton house (which by the way? I'm swooning. He asked her where or what it was that made her feel most comfortable when they were at the market, and she said Sunday Teas at Bridgerton House, and mourned that she couldn't have them anymore. So he invites her there. So he sets up a refreshment table. So e sets the scene for her. It's not Sunday Tea, and it's not as it was, but here: there's a quartet preparing for a Parisian Quadrille, here, there's mamas perched on sofas, gossiping about the decor, here, there's a dance floor. She says she was at ease, indicated she isn't, and so he makes her smile. So he helps her unfurl.) where she tells him that "Deep inside, I know I can be clever and amusing but. . .somehow my character gets lost between my heart and my mouth and I find myself saying the wrong thing, or more likely nothing at all"
And he looks down, again. But this time, he looks right back at her. he connects with her immediately.
Because she's speaking to him. No, not with him, but to him. To his heart. To the insecurities he keeps hidden away. Speaking aloud how he feels. Mr. 'I had to rehearse that speech for hours', Mr. 'Living for the expectations of other people is a trap', Mr. Put on the Facade, Mr. People Pleaser.
And this is his face
It's such a small 'blink and you miss it' moment. It lasts barely half a second. But in that room, in that moment, with her. . . he feels seen. Colin who had to rehearse what he said to Jack, Colin who spent so much of Season 2 talking about his travels and everyone being annoyed at him, Colin who responds to 'Well it sounds remarkable' with 'Yes. . .remarkable. As in, I have many remarks about it'. Colin who knows how it feels to never have the right thing to say. Colin who empathizes. Colin who understands.
Not just understands her, but understands that she understands him, too.
They're mirrors.
Mirrors as in: I see you. I see the heart of you. I see the you that you try to hide, but you cannot hide from me.
Mirrors as in: you are my reflection. You are not me in exactitude, but ever so familiar, reversed. Where Colin is of such importance to the ton on the outside, his thoughts are unimportant. Where Penelope is of such disregard on the outsides, her thoughts run the entirety of the ton.
Mirrors as in: You help me see myself better. You see me kindly, you see me beautifully. Colin who refuses to let Penelope call herself stupid, or a laughingstock. Colin who will not accept her low self-esteem, because he sees her as more. Penelope who then begins to see herself as more, in turn. To recognize that she is more and always has been. If you can see me like this, surely I can too. Penelope who loves Colin's inner thoughts, who asks him for more of them. Who responds to his letters, who enjoys his journals, who sees the him behind a page and behind a falsified smile and says 'I like the real you', and so he can be the real him more and more often. Pen coming to the light externally, and Colin internally. Such ease with each other.
Mirrors as in: I see myself in you. You are familiar. Of the same heart. The same tenderness, us two dreamers with soft, bruised souls, shaped by each other's fingerprints. If I press my hand up to this glass, I can touch you, warm like me. Lonely like me but not lonely when we are together. Better with me like I am better with you.
Mirrors as in: I see myself in you. Tumbling and freewheeling, submerged in you, in your words, in your body, in your life.
I just can't stop thinking of Pen and Colin as mirrors.
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How bad do you think Franky's abandonment issues are? Do you think he spent the first few months he was with Tom terrified that he was going to do something wrong and Tom was going to abandon him like his parents did?
What happened to hello 😭 This is so painful all of a sudden out of nowhere-- But I love angst so I kind of appreciate it, ngl.
I do think Franky has pretty bad abandonment issues and also pretty awful self-esteem and guilt inside him. But he is also a person who has been able to build a reputation and a family on his own surrounded by people who actually do care about him despite everything, and he is pretty damn independent in that field.
But now (especially after Sabaody) even if the strawhats are strong, there is always this fear of losing them. All of the crew shares this feeling but Franky is after all one of the most emotional (despite his rational thinking, these things can go hand in hand) and cherishes family bonds like nobody. So of course he fears they're going to leave at some point because he lived all of his childhood believing the same thing and blaming himself.
Franky has people to rely on now, more than ever. Robin understands what it feels like to be left out and seen as a monster and Franky teaches her that no matter what, her existence could never be wrong. His bond with Usopp is just-- Perfect and I still believe he feels guilty for what happened between them at first but now it's just them being genuinely close. I'd like to see more of him and Sanji, too, especially after the Wano thing. And in general, Franky has close bonds with everybody around him and it's noticeable because he is a family man and because I feel he does this to make everybody feel included and loved. He makes his fear of being abandoned a strength, because this way he understands others better and makes them all feel part of the family.
So to answer this, yes, I think his abandonment issues are pretty damn bad but he learns to be (and makes him feel better) the one supporting and helping others instead. Franky is a after all a very protective person when it comes to the people he loves and now I feel like his only fear is them being taken away from him rather than him being abandoned by them. But feelings are not rational so Franky wondering and asking Robin (because they're married. I swear. I saw it) if they're going to leave him in a vulnerable moment is pretty plausible. I think it'd take a while before he opens up like that, though, because I feel he doesn't want to be a burden and prefers to be the one comforting others. But !!!!!!! I agree.
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