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#I also wanted to try a different style so there's that
vincentbriggs · 2 days
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so i am newly in a wheelchair which has been a Massive gain in my ability to go out and about. but i realized that i have aprox 0 clothes that look Good while seated. its a completely different silhouette and i am at a loss as to what to do for it. do you have any suggestions for what could look good seated? preferably no skirts or dresses.
Edit: Check the notes for more people's input, including actual wheelchair users who know much more about what works than I could!
Congrats on chair acquisition!!
Since you're sending this to me specifically I am working under the assumption that you mean to do some amount of sewing.
A high waisted silhouette definitely works best for sitting. I make all my pants with the waistband at my natural waist, and a bit of pleating or gathering at the back just like they did on 18th century breeches, and I've never noticed any particular discomfort from sitting in them. (I think high waisted pants are more comfortable in general, and that low rise jeans are evil.)
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It's something I've never really thought about before, but sitting is a very legs-forward position, so perhaps a colourful or fancy stripe down the side would work well.
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(I made this pair 10 years ago and they didn't fit well and are long gone, but I should do a better version someday...)
Or some other form of side seam decoration, like these fabulous button tabs.
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(I don't know what the source for this mid 19th century fashion plate is.)
Cropped jackets would also be good. The first thing that comes to mind for me is the Carmagnole, which was a style worn by French revolutionaries. It's got a pretty similar cut to a regular 1790's coat, just shorter.
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(Source)
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(Source)
And there are other styles of short jacket, like this one from a few decades later.
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I think it might be possible to get a similar effect from cutting down a thrifted corduroy jacket, depending on the pocket placement? It's not something I've done myself though.
A fancy little bolero could be a lot of fun too! I quite like these ones made by Marlowe Lune. Super easy to sew, and could be patterned by cutting down a bigger pattern that fits the torso.
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They'd be a good thing to try if you have a smallish piece of fancy fabric, or a small bit trim to use, or want to try a small amount of embroidery.
There are lots of historical styles with sleeves too, and all sorts of decorations.
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(Dunno the source for this one either, unfortunately, but the pin says 1880s reception dress. I think a little jacket like that would look good with a puffy shirt and pants.)
Short capes might be practical too, and the late 19th and early 20th century have tons of fancy capelets for inspiration, like this one.
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Or this one.
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I hope this is somehow helpful! I don't know if you're looking to sew things from scratch or to buy and alter stuff or what, and I have no personal experience using a wheelchair, but these are the best things I can think of for a suitable silhouette. Dramatic sleeve/shoulder puffs would also be shown off to great effect, if that's something you'd like to wear.
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kianamaiart · 2 days
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Hello your magical girl story looks really intriguing, the premise feels very creative, the art style is simple but good with its own identity, and the characters seem to be fleshed out with depth, personality, and backstory. In short, I love it, and I do have a few questions.
One: Is the story character driven, story driven, or something else
Two: Is the story rated G, PG, PG-13, or something else
Three: Would the story be a web comic, web show, or something else
Four: Will there be a lot of lore and world building, yes or no
Five: what other inspirations did you have for the story's characters, plot, and art style
Six: What humor do you use for the story
I'm only asking these questions out of curiosity. This is just because I love your story, and would like to know more about.
So please be free to not answer all the questions if you want. I'm also fine if you ignore this ask. so please, no pressure.
At the end of the day, please have fun, relax, work hard, take your time, and have a nice day.
I'm so glad! Thanks so much for your interest <3
Character driven (always)
PG/PG-13
Dunno! I've been reached out to already for a few opportunities but right now, I'm just trying to have fun with it and keep it mine until I feel like the idea is fully realized and ready for something bigger. Right now, I'm shooting to make a lil pilot animatic mostly on my own with help from a few friends
Depends on what you mean by a lot but I'd say a soft yes
For Aika, just generally other anime protagonists from shoujo and shonen. I feel like when you're doing a spin on something you do have to rely on the tropes from the genre at least a little bit. For Zira, Toko Fukawa was the jumping off point but they're very different. They're also both based off of aspects of myself (I feel like most artists do this with their ocs tho). Style and story-wise, I was definitely looking at Doremi and Panty&Stocking. That chunky cute look that's distinctly anime but takes some notes from Western cartoons. But mine's flipped where it's more based on my own style from working in Western animation but then having anime influence. And story-wise I like how they're more episodic with an underlying story. The magical girl stuff is more a backdrop that helps the story move forward and enhances the slice of life stuff that's being focused on.
I'm not sure what kind of humor to say other than my own? But my sense of humor has been shaped by Big City Greens (obviously) Adventure Time, Jimmy Neutron, Bob's Burgers, Smiling Friends and many other things but hopefully that gives you the gist
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kissmypoets-hp · 2 days
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Fanfic Classics Series ⏳🪐🌌 This batch of fanfiction deals with the multiverse!!! Time travel!!! Imminent thoughts about life and death!! Past lives and dreams of a future together — get ready to witness a love for the ages.
the earth from a distance by spqr
A Beginner’s Guide to the Afterlife by mcsyndrome
Us, infinite (unfortunately) by @thecouchsofa
"An Emerald In The Sky" by @corvuscrowned
In Every Universe by @skeptiquewrites
Our Little Life by @tackytigerfic
Dwelling by aideomai
there will be time, there will be time by @amywaterwings
Harry Potter and the Future He Doesn't Really Want, Thanks. by orphan_account
Everything is Relative to You by @thehoneybeet
The Star Splitter by @oflights
art credits + some cover commentary under the cut :)
I had a lot of fun finding/using artworks with circles, lines, and shapes to symbolize different worlds/universes and/or the passage of time...
Artworks used, in order:
"Several Circles" by Wassily Kandinsky (1926)
"To all appearances, it was a hand of flesh and blood just like my own" by Odilon Redon (1896) — A ghostly hand that fits the plot. The artwork's title goes with the fic so well too...
"(#2) (from series, Quantum)" by Garo Antreasian (1966)
"The story of the sun, moon, and stars (1898)" by Agnes Giberne — inspired by the summary "Somewhere along the way, Draco realizes he's been thinking in lines, when he should have been thinking in circles." The original artwork comes with a caption 'Stars whose distances are well-known'... I really feel that it fits since Draco was named after a constellation... Also, the star-circles have numbers on them, which could be interpreted as H/D through different ages...
Max Brückner’s Collection of Polyhedral Models (1900) — Exploring different parallel universe versions of yourself... the more things change, the more they stay the same.
"Construction (SM lg71)" by László Moholy-Nagy (1924) — some mild spoilers for the fic! inspired by the phrases "...plot a path through the many universes such that he would never die." / "flickering through timelines? Just getting glimpses, really" .
"Fish Magic" by Paul Klee (1925)
"The Terrace at Saint-Germain, Spring" by Alfred Sisley (1875)
"Arrival of the Normandy Train, Gare Saint-Lazare" by Claude Monet (1877)
"Charing Cross Bridge: Fog on the Thames" by Claude Monet (1903) — referenced in the fic. i try to pay attention!
"Boy with Kite" by Candido Portinari (1947) — Harry is a precious little lamb. more elaboration here
i’ve been making penguin classics-style covers for fics i have saved on my kindle, as inspired by zeziliazink and bubu0h’s works!
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dreemurr-skelememer · 19 hours
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Hello :D
I have been following you for the last year or so (a few days after I got my Tumblr lmao) and I absolutely love your art!
I have been wanting to study your art style for a while but don't really know where to start,,,
Could you please show me a small portion of your art process, if it isn't too much trouble of course. Thank you and have a nice day!
hello. oh my god. this took forever to find. im sorry it took 2 WHOLE FUCKING MONTHS for me to respond to this but i wanted to put it off until i felt happy with my art process again, so here it is
my fall 2024 rendering tutorial! (this will be very very long)
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FLATS AND WHATEVER YOU WANNA DO WITH LINES GIRL. then make sure to recolor the lineart to better match your base. trust me it helps, bold dark lines are Not your best friend when rendering. wait for that post-rendering
i start off with a doodle or a sketch, and then filling it in with flats and other details such as blush
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FIGURE OUT YOUR LIGHT SOURCE. FIGURE IT OUT GIRL YOU CAN DO IT you can make it as simple as possible, make it as big as possible, dont even THINK about the details.........just make it really fucking big so you at least know where the shadows and the light goes THEN add smaller shading details LISTEN TO ME. LISTEN TO ME OKAY!!!!!!!!
my key point with this is for you to learn lighting fundamentals. it's SOOO ANNOYING but alas......they are all correct. it helps a lot.
one thing i also really want to point out is that i like creating a big shadow shape first before fixing up the little details (such as folds and whatever) because it helps me focus on the way the lighting actually works instead of tunnel vision-ing into making the shading make sense on the clothing.
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contact shadows (i dont remember if thats what theyre called okay) theyre fucking ugly because im not actually thinking sorry 💔
okay so basically: contact shadows (if that's what they're called) are the spots in shading and lighting where light will NEVER hit.
shadows are still influenced by the colors and lights around it (it's why a blue shadow and a yellow shadow feel completely different, despite both being shadows) so it's not always COMPLETELY dark. BUT! there are small points in shadows where light never hits, and they're almost always super dark or pitch black.
it's hard to explain shadow and light so briefly for a tutorial, but you'll notice it when watching fundamental studies and when trying it out for yourself
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YES i unclipped the multiply layer YES its ugly and terrifying but it makes coloring the multiply layer easier okay the colors merged w multiply so now it looks cool and has depth overlaying colors that actually make sense
so basically what i did was color the multiply layer that i used to shade the overall drawing
adding a band of red/orange/yellow around where the light hits, and blue where the shadows get big and wide, gives it a fake ambient occlusion effect in the way that a person would get if they stood under the sun with a clear blue sky
the colors don't have to make sense, especially because i never draw backgrounds, but coloring the shadows really help it give a sense of depth and extra subtle detail and effect that just helps make the painting look nicer
around the end, i also put in colors (in an overlay layer with a low opacity brush) that actually make sense in context of the drawing, which is the lit cigarette and the yellow eyelights mostly because none of the colors were making sense and i needed to actually make use of the lighting that DOES exist in the drawing lol
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adding a muddy golden yellow pin light layer (opacity turned down to like 40-50%) to make the light colors less ugly lol
i SWEAR by the fucking pin light layer style. it's so useful and so so underrated.
i used an almost brown-ish gold color on stop of all the layers, and with the pin light layer, it helped make the bright (almost blue-ish) white colors more warm and more yellow. it just helps make things more warm (something i prefer)
i could probably show what it looks like without adjusting the layer opacity to truly show off what i mean (like in the coming section) but i sadly forgot to do that lol
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make a layer on top of your drawing with this color in these ranges YES the drawing is fully merged NO don't be afraid, the base was fucking ugly anyway 💔 make this layer into an exclude/exclusion layer style TRUST turn down your exclusion layer opacity from a range of 10% to 40% literally until you're happy with the contrast and the way the color over the drawing. use your eyeballs. i know you can do it im so proud of you
this is pretty self-explanatory instruction-wise, so i'll go into why i do this instead
i really like art that seems like it has low contrast, with almost mid-gray shading and lines. i don't personally use dark and bold lines and shading, unless i find it necessary for the tone of the piece, so using this method helps lower the contrast of the art and make it look "pleasantly muddy" in the way that it's easier and softer on the eyes.
the inverted blue color also helps makes things warmer! the exclusion layer style is still a bit of a mystery to me but i really like the effect it gives, even if i don't completely get how it works lol
if you want an alternative method to this, and if you have access to it (because i primarily use sai and sai only), i absolutely encourage you to play around and experiment with gradient maps. there are so many out there you can make yourself or even get from others that just give the painting an extra amount of depth and color variation. they're SO fun.
personally, if sai2 gets a gradient map update, it's over for y'all it will literally be so over no one will be able to stop me
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then i merged everything and actually adjusted the contrast back up because it was looking too muddy for me 💔 but the color adjustments are still there so all hope is not lost here's a comparison of the adjusted contrast in black and white (adjusted on the left) (newly merged layer without adjusting the contrast on the right)
as you can see, i actually turned the contrast back up (despite talking all about how i liked things with less contrast lol)
i wanted to demonstrate that doing adjustments should be done in moderation, and is why i adjust layer opacity often when making color effects you are free to play around with colors to help your style, but don't lose your initial idea and colors along the way. you still need to trust your own colors and intuition!
along with that, i just want to say that it's completely okay to change your mind mid-painting, and it's okay to make somewhat drastic changes. don't be afraid to change things you don't like or change your mind about certain aspects way later on that's basically the whole thing of this!!! don't be scared!!!
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now im gonna hold your hand when i say this..........but you need to learn how to render by yourself. it seems like i can teach you but i literally can't, because rendering is different on every piece and depending on how clean your base is. i have to render A LOT because of how fucking ugly my sketches are LMAO to simplify it, think of it as obsessively cleaning up every detail you can see, but with a color picker and a clean, hard edged brush. if you have shit lineart, you don't have to redraw it cleanly over and over, just paint over it. that's basically what rendering is
THIS especially is where you need to be brave and stop being scared. like i said, i can't teach you how to render, and it's something you have to discover yourself because rendering is something that will always be personal to every single piece you make. the way you render on every piece is different. on one piece, you will barely need to render, and on another, rendering is more than half of your ENTIRE process.
don't be afraid to paint over your old art. rendering is a process that's both very perfectionist yet also very careless. find your balance and just go for it.
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and then that's it……..u did it………..now yuo know how to paint and render. it's literally just layering shading and lighting knowledge until you think it makes sense and looks okay lol additional note: since i render in only one layer (you don't HAVE to do this, but it'll be harder for you…), i also made slight adjustments with the transform (and liquify, if you have it) tool to make things more proportionate. (i drew the head too big lol)
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if you compare the finished piece to the final unrendered base, you can see that a LOT changed, including a bit of subtle proportion adjustment. particularly, the sleeves changed A LOT (because i really didn't like them) but it's also over all cleaner and more coherent, instead of having haphazard colors and shading just thrown about.
rendering is when you finally use all 100% of your brain to finalize and figure out where the shading should go, where to clean up your lines, where to ERASE or ADD BACK in lines, and make sure all your colors look coherent.
it's not as intimidating as it seems, i only use a hard edged brush with a little bit of color mixing and my color picker. it's like dragging and dropping colors to cover up mistakes, it's really quite fun when you get used to it i wish i could explain it clearer but it's hard to describe without visuals!
i hope this helped, and i hope all my yapping isn't annoying (art as a special interest beloved)
have fun studying and trying to render in my art style!
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crazylittlejester · 2 days
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What are your hair headcanons for the chain? I personally think Wild, Wars and Legend have the longest hair but thats just because I think Legend's hat is full of hair he just pretends isnt there so he doesnt havd to brush it(warriors is going to kill him when he realizes)
Oooooh nice!!
I think Wild’s is definitely the longest, no contest. And I don’t think it’s THICK, it’s just dense. Like, the individual strands are rather fine, and his hair is soft and silky but he’s got a LOT of it. It’s definitely waist length, and has a slight natural wave to it, and he’s a natural dirty blonde. He’s experimented with temporary dyes because he got bored though. Also he does a lot with his hair and he takes really good care of it! It’s not HIS fault he wiped out and fell in a bush and got a bunch of sticks in it 😔
Second longest for me is Time, whose hair to me goes about two inches past his collar bone. He’s a warmer toned blond, and the color is completely natural, he doesn’t do much to his hair. I hc he has bad sensory issues and his hair can sometimes really bother his neck, but if he cut it short he’d never make it through growing it out again so when it bothers him he ties it up off his neck. Any hairstyles he does don’t have a WHOLE lot of thought put into them, but Malon and Wars have done pretty things with his hair before and he enjoyed it. He just can’t do that for himself. I also hc his hair is very thick and naturally wavy and Wars is constantly one toe over the line crossing into GENUINE jealously because Time does NOTHING and his hair just looks incredible and it hurts Wars to know that if he out just a Little effort into it it would look even better
Legend’s is about the same length as Time’s but most of it is always tied up and/or shoved into his hat. He’s naturally strawberry blond, and his hair is thick but pretty straight. It would hold a curl if he did curl it though, and he’s (of course) dyed it a few times in his life
We all know Four’s fuckass /pos bob. What an absolute legend I love his haircut. I hc his hair is very thin and fine, but it has that really pretty silky quality to it? It’s the type of stick straight hair that won’t curl even if you spray it to death and say a prayer. Its a cooler toned blond and it’s a lighter color than any of the other naturally blond Links
Hyrule to me has very dark 3c hair and if he pulls on it to straighten it out then he for sure beats Time for second place, but where his hair actually like falls to is right at his shoulders. Like it just rests at his shoulders. He had to learn to take care of it before he let it get that long because it was just kinda hard for a 10 yo kid to care for when he was so on his own, but he’s got the hang of it now and he’s really happy with how it looks. He doesn’t often do too much with it in terms of styling but sometimes he’ll braid it because it is kinda annoying to have to pick sticks out of it when he and Wild take a tumble and both walk back to camp FULL of sticks and then Warriors has to help the both of them
Sky’s hair to me has natural loose curls and is a fairly dark, slightly red toned brown. It’s very thick and just brushes his shoulders. It’s long enough that he can tie it back if he wants to, but he usually doesn’t because its so thick his arms will get sore from spending so much time trying to tie it back in a way that doesn’t look absolutely atrocious because theres just so MUCH of it and its hard to handle
Warriors’s is similar to Sky’s in length, and it’s naturally very thick, dark and curly, but he straightens and bleaches it to death. His roots are a very dark brown, but he does his best to cover that up. He also tries very hard to keep his hair as nice as possible and do what he can to prevent further damage. It’s curlier than Sky’s is naturally, but when it starts to curl up again it because of humidity or because he didn’t straighten it very successfully it looks a bit similar
Wind is a different styling technique away from a bowl cut. His hair is curly as fuck, not QUITE as curly as Hyrule’s is but definitely close, and his hair is naturally brown but has been highlighted and appears very blond. His roots are clearly brown, but not as dark as Warriors’s. His hair is very thick and hard to manage and Wars taught him how to care for it properly so after the journey when he’s more confident in how it looks, he lets it grow out past his shoulders. I hc Wars helped him LOVE his hair
Twilight is out here fighting demons but the demons are him. His hair is thick as hell AND dense as fuck, and it’s a bit wavy. It doesn’t listen to him, ever. He can’t so much as PART it differently because it’s gonna do what it’s gonna do. His hair was naturally a reddish brown, not a super dark color but definitely brown, but since the transformation he has a constantly dark roots no matter HOW much his hair seems to grow out, and his hair still has a red tone to it but he thinks it looks darker. It also takes him forever to wash his scalp because his hair refuses to let the water in anywhere and he gets a bit annoyed. Length wise you CAN see the back of his neck a bit, and it was definitely cut like, around his head in the sense that it’s not just layered with the intention of it hanging down long. the hair coming from the top of his head which is the longest part of his haircut are like 6 inches long MAX
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meanbossart · 1 day
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what would have to go differently in DU Drows story for him to take the bhaalist route? would it be a split second decision in the temple or something he’d have to slowly accept over the course of the game?
EDIT: I slightly misread the question, the answer still holds but the first line is about what has to be done for him to turn AGAINST Bhaal.
Both mechanically and story-wise, it's pretty simple. He just has to be taken into the group kicking and screaming 🤷‍♂️
DU drow rejects Bhaal because he finds the world to be fun, he finds the people in it to be interesting and strange and he doesn't see any benefit to getting rid of it. Wyll may get on his nerves but he wants so badly to see the day where he snaps and stands up for himself, Halsin is annoying but boy have him and Astarion had a riot making fun of him behind his back, him and Jaheira get on each other's nerves for fun and Minsc is a living fascination - not to mention the endless NPCs that provide a moment's entertainment. Yes, Shadowheart sparing the Nightsong and Astarion's lifestory played a big part in his choices, but I think a base had to be set first, otherwise he could have very easily twisted the lesson's he learned from them into something that fit the pro-Bhaal narrative. He doesn't want to kill the world, the world is hysterical to him.
Also, BG3 seems to have a theme about showing compassion and extending empathy even to people who don't deserve it. A lot of its characters are the opposite of nice and personable throughout the vast majority of the game, and what you end up clinging to are glimpses of humanity that they try to hide from you - Shadowheart is objectively exhausting to be around, Lae'zel is literally and figuratively a social alien, Astarion is Astarion and realistically we would have all blasted him into the horizon team-rocket-style if he wasn't funny. I hated all three of these characters going into the game and now they own my balls, because they ultimately charmed me with something or other despite their flaws.
(They are also all hot, to be fair, but this is a fantasy video game so what'reyougonnado. Though personally none of them are my type.)
Sorry about the tangent, but I think that gets my point across well; DU drow needs to be given the benefit of the doubt for absolutely no good reason, as long as that happens, he would have no motivation in the slightest to turn to Bhaal. Even if romanced, a socially ostracized DU drow could not be persuaded to turn away from his father.
In the gameplay, this would translate to the MC encouraging him to see the silver-lining in things, either by showing kindness and understanding or emphasizing the entertaining moments they've provided you with; also, playing along to his mean-streaked humor instead of reprehending him for not always having a kind thing to say about everybody. You have to either see the best in him, or turn people into a joke instead of a threat. Done that, he would move into Act 3 without any inclination to take Bhaals's gift.
On the flipside, I think a romanced partner could persuade a "good" DU drow to consider it, though. By valuing his strength and potential-influence instead of his personality, he would arrive at the conclusion that to keep you, he must continue to pursue power, which would ultimately land you in the place Astarion ends up in his Bhaalist AU.
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matcha3mochi · 1 day
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fast lane
gojo satoru x reader x geto suguru
🪼⋆。𖦹°🫧⋆.ೃ࿔*:・
The racetrack was buzzing with excitement, the roar of engines deafening as the crowd cheered for their favorite racers. Among the contenders, two stood out: Suguru Geto, known for his smooth, calculated style, and Satoru Gojo, the reckless daredevil who raced as if the rules didn’t apply to him. Both were legends in their own right, but for you, they were more than just racers—they were your best friends, and lately, something more.
You had been part of their team for years now, working as an engineer and mechanic. The three of you were inseparable, with a history that stretched back to when Geto and Gojo were still rookies. The camaraderie between them had always been competitive, and that competitive edge often spilled over into your dynamic with them. Flirtations, teasing remarks, and the occasional glimmer of something unspoken had always danced between you, Geto, and Gojo. And now, it felt like things were on the verge of tipping over.
Standing in the pit, you watched them prepare for their next race. Gojo’s white and blue car gleamed under the sun, while Geto’s black and purple machine had an almost intimidating aura about it. Both were polar opposites in style, just like their drivers.
“You look nervous,” a familiar voice said from behind you.
You turned to find Gojo sauntering up, his racing suit half-zipped down to reveal a white undershirt clinging to his toned chest. His trademark grin was plastered on his face, hidden slightly behind his racing helmet that dangled from his fingers. The white hair falling messily around his head didn’t help your already weak composure.
“Why would I be nervous?” you shot back, trying to keep your cool as you fiddled with the tool in your hand. Gojo always had a way of getting under your skin—playful, cocky, but also so damn irresistible.
“You’re always nervous before our races,” Gojo teased, stepping closer until he was invading your personal space. His icy blue eyes flickered with amusement as he tilted his head. “Or is it because you’re worried I’ll leave Geto in the dust again?”
“Please,” Geto’s voice cut in smoothly from behind, his tone calm but edged with a bit of playful sarcasm. “You’ve been eating my dust since last season, Gojo.”
Geto approached, his dark hair neatly tied back, though a few strands had escaped, framing his face in a way that made him look effortlessly handsome. He was the opposite of Gojo in every way—quiet, reserved, and dangerously focused. The two of them, standing so close, with you caught in the middle, felt like being between fire and ice.
You let out a sigh, feeling the familiar tug of their banter. “You two never stop, do you?”
Geto gave you one of his rare, subtle smiles. “Can’t help it. I know how much you enjoy watching me win.”
Gojo leaned in closer to your other side, his breath brushing your ear. “Or maybe you just like seeing me push the limits,” he whispered, his voice low and teasing. “It’s more fun when there’s a bit of danger involved, isn’t it?”
Your heart stuttered at the attention. You had long since accepted the fact that you were caught between two forces of nature, each pulling you in different directions. And while the rivalry between them was playful on the surface, there had always been an undercurrent of something deeper, especially when it came to you.
“Well,” you said, trying to shake off the sudden heat crawling up your neck. “I just hope both of you make it to the finish line in one piece.”
Gojo laughed, standing up straight and running a hand through his hair. “Oh, I’ll finish alright. And when I do, maybe we can celebrate, just the three of us.”
Geto raised an eyebrow, the smallest of smirks tugging at his lips. “Only if you can keep up, Gojo. Wouldn’t want you to be too tired after losing again.”
You rolled your eyes at their bickering. “Alright, enough. Both of you need to focus on the race. Save the trash talk for afterward.”
Gojo winked at you before walking back to his car. “You’ve got it, boss. But I’ll be expecting a kiss for good luck before I start.”
Your mouth fell open in disbelief, but before you could retort, Geto leaned in close, his voice low and smooth. “You should give me one too,” he murmured, his lips dangerously close to your ear. “You know I race better when you’re thinking of me.”
Your breath hitched, caught off guard by the intensity in his voice. He was always quieter, more restrained, but moments like this? Moments where he turned his full attention on you felt like the world around you was narrowing to just the two of you.
You cleared your throat, trying to maintain your composure. “I’m not giving anyone anything until one of you wins.”
“Then we’ll both win,” Gojo called out, sliding into his car with a grin that could light up the entire track.
Geto’s smirk deepened as he straightened up, his dark eyes locking with yours before he finally turned to walk away. “You’d better keep your word.”
As the race began, the atmosphere shifted dramatically. Engines roared to life, and the crowd erupted into cheers. You took your position at the pit, your heart racing as the cars sped off into the distance.
From the sidelines, you could feel the tension and excitement in the air. Gojo took the lead almost immediately, his car weaving through the competition with an exhilarating ease. You watched as he pushed his limits, taking risky turns that had you gasping in anticipation. He loved the thrill of the race, and you could see the joy written all over his face.
Meanwhile, Geto was playing the long game, maintaining his position a few cars behind. His eyes were sharp and focused, assessing every move of his competitors. It was mesmerizing to watch him strategize, calculating when to push forward and when to hold back.
You felt your heart pounding in your chest, the thrill of their rivalry igniting something deep within you. This wasn’t just another race. It felt personal. The way both of them had looked at you before they started, the challenge in their eyes—it was as if this race had become about more than just who would cross the finish line first. It was about who would win... you. Each time Gojo took a daring risk, you felt yourself hold your breath, and every time Geto executed a perfect turn, you couldn’t help but cheer internally for him.
As they approached the final lap, the tension reached a fever pitch. Gojo and Geto were neck and neck, both pushing their cars to the limit. Gojo took a sharp turn, the tires screeching as he maneuvered dangerously close to the edge, while Geto followed, expertly handling his own car as he slipped into position beside him.
You could hardly breathe as they sped down the final stretch, engines roaring and tires squealing. The finish line was in sight, and the crowd was on their feet, screaming for their favorites. You stood at the edge of the pit, heart racing, feeling the adrenaline coursing through your veins.
As they crossed the finish line, the world seemed to hold its breath. In an instant, both cars shot past the checkered flag, and it was impossible to tell who had won. The crowd erupted into cheers and gasps, and you found yourself rushing toward the pit. The officials were already debating the results, but it didn’t matter. For you, the race had been a tie from the start.
Both drivers pulled into the pit, their cars screeching to a halt. Gojo was the first to step out, pulling off his helmet and shaking his hair loose. He looked exhilarated, eyes bright as he jogged over to you.
“Told you I’d win,” he said with a cocky grin, but before you could reply, Geto stepped out of his car, calm as ever.
“Technically, it’s a tie,” Geto pointed out, but there was no irritation in his voice. In fact, there was something almost satisfied in his expression, as if he knew that neither of them could truly lose today.
You crossed your arms, trying to look stern, but the smile on your face gave you away. “You guys are impossible, you know that?”
Gojo stepped closer, his grin widening. “So, about that celebration…?”
Geto’s gaze darkened with a quiet intensity, and he stepped forward as well. “You made a promise, didn’t you?”
Caught between them again, you felt the familiar pull—the heat of their rivalry and the way they both looked at you, like you were the real prize they had been fighting for all along.
Maybe you were.
“Well,” you said with a teasing smile, “I guess I owe you both.”
Gojo chuckled, wrapping an arm around your shoulder as Geto stood close on your other side, his hand brushing yours. “I think we can work something out.”
And in that moment, with both of them beside you, it felt like maybe, just maybe, they both had won.
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tennessoui · 16 hours
Note
3 or 60 for the Stacy's mom AU pretty please?
thank you for sending this in <3
[from this list of prompts] / [Stacy's Mom AU]
3. Do they wear the other’s clothes? (sweatshirt, bandana, necklace, etc.)
honestly as much as they'd both probably enjoy wearing each other's clothing, their styles and color choices are just so different that it's too noticeable and both of them are committed to flying under the radar with their relationship. the most they could get away with is probably anakin dumping his cloaks on obi-wan's shoulders at the slightest shiver from a slightly chilly day. obi-wan now owns like. 12 of anakin's cloaks. he has no intention of giving any of them back.
i imagine obi-wan attempts to give anakin a poorly carved jappor snippet after he reads about the cultural traditions on tatooine. it's really really ugly and it sort of looks like someone's hacked it to pieces and then set it on fire, but master skywalker takes to wearing it religiously.
also i think master skywalker's fascination with obi-wan's hair grows deeper now that he gets to play with it whenever he wants and lace his fingers through it, etc etc, and he takes a lot of calming joy out of playing with it at night if he's awake and obi-wan's asleep, which turns into braiding different sorts of hairstyles into his hair. obi-wan takes to wearing them around the Temple when he's awake - they're much fancier than the padawan braid and much, much more elaborate (because anakin can never do anything half-assed)
60. Who pulls the other closer when they’re sleeping?
lmao ok i think obi-wan's preferred sleeping position is with anakin draped on top of him which anakin is happy to accommodate. but anakin also runs hot, and obi-wan hates being hot in his sleep so anakin often wakes up to obi-wan-shaped fists and feet shoving him away (only to get cold a few hours later and pull him back closer as if he's not a jedi master but obi-wan's personal weighted blanket)
anakin doesn't really mind but he definitely fantasizes about retiring from the Order, convincing obi-wan to follow him, and moving them to some arctic snowy planet where obi-wan is always a little cold and never ever shoves anakin away during the night
snippet (pertaining to question 3)
At first, Obi-Wan is inclined to believe that Quinlan is doing this on purpose, out of some practical joke or in an attempt to tease him and prod at him as if they're still padawans. As if Quin doesn't have a padawan of his own now.
Obi-Wan blinks down at the young girl's upturned face. "Uh," he says, glancing up at Quinlan and resolutely not turning to stare at Anakin, who he can feel shaking with silent laughter beside him.
"Please," Orka adds, placing her hands behind her back. Not for the first time, Obi-Wan wonders how in the Force such a sweet child became Quinlan Vos' padawan.
"Uh, well," Obi-Wan says. "The thing is..." he stares hard at Vos, but the other man just looks expectant and slightly confused, arms crossed over his chest as he leans against the tall duracrete pillar of the fountain behind him. "I think actually Master Skywalker would be thrilled to help you with your hair, Orka."
Quin raises an eyebrow. "Seems unlikely," he mutters, just low enough for Obi-Wan and Anakin to hear. Obi-Wan flushes even as Orka stomps her foot.
"But I want you to braid my hair, Knight Kenobi!" she says. "You have the best hair in the entire Order, all the padawans think so! Please braid mine to look like yours!"
Obi-Wan winces. Behind him, he can feel Anakin's hair traversing up his back to tug teasingly at the end of one of his longer braids. It's incredibly unhelpful. So is the fact that his lover is sitting there and laughing about this whole thing instead of trying to find some way to be helpful.
"The thing is, Orka," Obi-Wan says, clearing his throat. "I don't. Ah. Know how to braid your hair."
Quinlan and Orka both tilt their heads to the side in perfect mirror of each other. It would be cute if Obi-Wan did not feel so incredibly close to humiliation.
"What, you can't figure out how to braid someone else's hair?" Quinlan asks with his eyebrows firmly knitted together. "I'd think it'd be easier than doing your own. Less need to be...you know. Flexible. To get it done. And I mean, I know you're flexible, but..."
Obi-Wan closes his eyes, even as he feels Anakin's chin come to rest on the top of his shoulder. Oh of course, he's no help at all when faced with a youngling's innocent request for assistance, but the moment Quinlan Vos even slightly alludes to his and Obi-Wan's shared sexual history, and Anakin has to say something.
"I braid his hair for him, little one," Anakin tells Orka, reaching out and tucking a longer braided piece of hair behind Obi-Wan's ear. "What Knight Kenobi is too proud to say is that he doesn't actually know how to braid at all."
Orka's eyes widen and she turns to look in between the three of them as if this is an incredible, total betrayal.
Quinlan's own eyes also widen, but he looks more like Life Day has come early. "Oh," he says. "Oh."
"Shut up," Obi-Wan snaps in forewarning. "Whatever you're going to say---"
"But it's always all pretty by breakfast!" Orka protests, eyebrows knitting together. "Do you braid his hair for him every morning? Even before you eat?"
Anakin's Force signature is far too smug. He's enjoying this far too much. Obi-Wan is far too in love with him anyway. It's terrible for his health and his pride.
"Sometimes adults like to have sleepovers just as the younglings do," Obi-Wan says delicately. "Just as the younglings do," he repeats loudly when both Anakin and Vos snort. "And yes, sometimes Master Skywalker enjoys braiding my hair. During those sleepovers."
Mostly, Anakin enjoys braiding his hair either in the aftermath of sex or sometime during the night when Obi-Wan is asleep and malleable and Anakin is kept awake by some nightmare or another. Mostly Anakin enjoys braiding his hair because it's the only sort of claim he can lay on him--not while they're both still Jedi.
And mostly, Anakin. enjoys braiding his hair because he spent years seeing Obi-Wan walk around the Temple with another master's braid hanging down his shoulder, and he'd hated the sight of it.
"Oh," Orka says. She considers this new information before she turns with narrowed eyes to Anakin. "So you can braid my hair."
It sounds like a threat. This time, it's Obi-Wan who has to cover his snort with a cough.
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jetii · 7 hours
Note
hello lovely!!! if you have the time for it with your follower celebration, i’d looooove #21 with hunter 🤭 or if you get too many reqs for him with howzer or wolffe! tysm, and congrats on this big milestone!!!! 💗💗💗💗
okay so i got a lot of requests for #21 so i'm trying to do something different for each! also a slightly different style than i'm used to with some slightly more unhinged smut. @a-cryptid-called-magetha come get your man
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A Game
Pairing: Hunter x fem!Reader
Words: 5,049
Tags/Warnings: angst with a happy ending, smut, friends with benefits to lovers, Frat Batch era Hunter, semi-public sex, oral (m receiving), unprotected sex, dirty talk, underwear kink?, the most dominant Hunter I'll ever write, he's still a simp tho
Prompt: 21. “Moan a little louder, cyare. Let all of 79s know who’s fucking you.”
500 Follower Celebration Masterlist | Main Masterlist
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You’ve played this game a hundred times, so you know that when Hunter meets your eyes across the bar, you have a choice. You can walk over and talk to him, or you can ignore him. 
The first will take you on the route of the seducer. He’ll buy you a drink, and you’ll let him. You’ll let him slide his hands up your skirt, and you know where it ends.
You can already feel him behind you, his breath in your ear, his lips on your skin. You can hear him say the things he always says, the words that’ll make you feel like there’s no one else who has ever made you feel the way that he does. He won't be wrong.
Or, you can look away, and let him come to you. The seduced. It isn't like he won't find his way over. It isn't like he isn't always there. You'll pretend that you don't see him until you feel the heat of him right behind you, his presence filling the room, his hands on the back of your chair.
You'll pretend you're not thinking about him and what you could do with him. You'll pretend not to want it, because you know the game, and you know how to play it well.
You can tell yourself that you aren't going to give in. You're not going to let him kiss you, and touch you, and fuck you. But it's a lie. You are going to. And it infuriates you that you're still doing this. It makes you angry, and you can't quite figure out why.
You don't look at him again, because if you look at him, you'll be done for. It's not that you haven't had this conversation a thousand times. It's just that sometimes it feels like it's not a game anymore. It feels like something real, and you hate the part of you that wants to believe that. You hate the part of you that still lets you think that there's a chance.
So you don't look. And, even though he's the hunter, it's you who waits. It's you who watches. You don't have to turn your head to see him. You don't have to watch. You already know how it will play out. You're only here for the ending.
Hunter doesn't come to you right away. He takes his time, talking to his squad, pretending that he isn't watching you, pretending that he doesn't know exactly where you are. You know he can see the tension in your body. You can see it too, because you can't stop the way your hands clench, the way your thighs shift, the way your back straightens. You can't keep from turning your head to look at him.
It's then that he makes his move. He crosses the room to stand beside you, and the rest of the bar fades into the background. He doesn't touch you, doesn't even come close. Instead, he leans in and speaks, and his words are the ones that make you weak. "Let me get you a drink."
The thing is, you shouldn't let him. This isn't supposed to be happening. You aren't supposed to be here. Not with him.
"No." You shake your head. It's the first time you've ever said it, and you aren't sure how it feels. "I'm not interested."
He gives you a look, like maybe he doesn't understand what's happening, like he didn't expect to have to try this hard. Then, he looks down, and when his eyes meet yours again, you feel something shift. He knows.
His voice is different when he speaks, and he's so much closer now. "Are you sure?"
"Yes." You nod, and it's not the first lie you've told tonight, but this one feels better, and so does the next one, the one where you tell him, "I have to go."
You leave the bar, and he doesn't follow. Not this time.
It's a good start.
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The second time, you're not going to give in.
You don't know if you can say no again, but you have to try. Because there are things that matter. Things like love, and trust, and respect. There's a future.
You want that future. You want it more than anything, and that's what you have to remember.
Hunter walks in, and you think maybe he's going to ignore you. He’s talking with one of his brothers, the one that joined the Batch a few months back, and they seem engrossed in whatever they're talking about. You feel a flood of relief, and maybe a little disappointment.
But then, Hunter meets your eyes, and you realize that he hasn't forgotten. Across the floor, you're frozen in place, and all the things you should say, all the things you should do, have left your head. His eyes are dark, and the room is crowded, but somehow, it's like there's no one else here.
When he looks at you, it's like the whole world is falling away.
You're the first to break the contact, looking down and away, pretending you didn't see him. You feel a flush creeping up your neck, and you hope no one notices.
You can't do this.
You shouldn't do this.
It's the only thing on your mind as the music pounds through the speakers, and the crowd surges around you. It's all you can think about, and it's distracting, because you keep seeing him in your peripheral vision. It's like he's everywhere, and you can't escape.
You know that if you turn your head, he'll be there, and if he's there, then this will all be over. He'll come to you, and you'll let him. It will be like every other time, and you'll wonder why you tried, why you thought you could say no, why you thought it was worth a try.
He'll be there. You know he will.
You keep your head down, and your eyes averted. You focus on the lights and the music and the crowd. You focus on your feet, and your hands, and the glass in front of you. You don't think about Hunter.
Someone else approaches you. Not Hunter. Someone you don't know, and it's nice. This is the kind of thing you came here for. This is the distraction you needed.
You aren't sure why it makes you feel worse.
You go home alone.
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The third time, Hunter comes to you, and it's over.
He doesn't wait. He doesn't ask. He's already got his arm around your waist, and his lips are pressed to your throat, and you've got no choice. There's no way to stop this, and no way to walk away.
"I missed you." He breathes the words into your ear, and there's no one else, not for a single moment, who could ever matter the way he does. You can't even remember what your life was like before him.
"You saw me a few days ago."
"It's not enough." His hands are in your hair, his hips pressed against yours. "Not anymore."
You have no answer to that. There's no reply.
Hunter pulls away, and he's still holding you, and when he speaks again, the words are low and urgent. "Don't make me beg. Please."
Your hand is on his chest, and you're not sure if you're trying to push him away or hold him closer. You've never heard him sound like this before, and it's something new. Something terrifying.
Something hopeful.
"Okay," you tell him.
Hunter exhales, and his arms tighten around you. He rests his forehead against yours, and there are a million things you want to say. You could say them. He might listen.
"Come on." He doesn't kiss you. He doesn't even let go. He just takes a step back, and you can't stop yourself from following. You know what's going to happen.
This is the part of the game you can't stop playing.
You aren't surprised when Hunter pulls you into the nearest darkened corner. He isn't gentle, and he doesn't stop moving. When you're alone, it's like he can't get close enough, can't touch you enough.
It's like this time, he wants to prove that he's still got a hold on you. That this hasn't changed.
It hasn't.
His lips are against your neck, and his fingers are digging into your hips. He's everywhere, and all you can think about is how this was a mistake. You knew it would be.
It's just that it's so hard to remember why.
“Hunter...” Your voice sounds strange, and Hunter lifts his head to look at you. His eyes are so dark, and the light from the main room glints off his tattoo.
When he meets your gaze, he stops. You see the realization cross his face, and it's not what you expected. You thought he'd keep going. You thought he'd push. You didn't think he'd care.
He doesn't speak, and neither do you. You're not sure how long you stay like that. Seconds. Minutes. Hours.
You don't say anything. There are no words. There's just him, and you, and the fact that, after all these months, the rules have changed.
For a moment, he almost looks scared, and you don't know what to say.
"I don't..." He looks away, and you can tell that he's struggling, trying to figure out what's happening, and what he's supposed to do. It's the first time you've seen him this unsure, and it's your fault.
"Hunter." This time, when you say his name, his eyes meet yours. He's not hiding anymore, and he's still touching you. You can still feel his breath on your face.
You've played this game a hundred times, but the stakes have never been higher.
"I can't."
Hunter frowns, and the confusion on his face is obvious. He doesn't understand. You're not sure if it's because he never believed that you could stop, or because he never expected that you would.
"You said—"
"I know what I said."
He takes a step back, and the space between the two of you is wide, and empty, and cold. The air is different without his hands on your skin.
"Did I do something?"
"No,” you say. You shake your head, and then, because there are some things you can't deny, you add, "Yes."
"Tell me." He's still standing so close, and when his voice drops, your breath catches. He puts his hand on your arm, and when he slides it up to your shoulder, his thumb grazes your collarbone. "Whatever it is, I can fix it. Tell me."
He's not listening, and he doesn't hear you. If he did, then this wouldn't be a problem.
"I don't want to do this anymore."
His hand freezes. "You don't want..."
"This," you say. You gesture to the space between the two of you. "This thing where we pretend that nothing's happening. It's not just sex anymore, Hunter. I'm not some random stranger. This means something."
He's still frowning, and you're not sure he gets it. "Of course it means something."
"No," you say. You're getting frustrated, and he still isn't letting go of you. "You don't get it. You need to take a step back, and we have to figure out what we're doing here. Because I can't do this, and—"
"What?"
"I can't have a casual relationship." The words are rushed, and quiet, and everything comes spilling out at once. "I can't have a sex-only, friends with benefits, no strings attached relationship. Not with you. I want more. I've wanted more since the day I met you."
Hunter opens his mouth, and then closes it again. He looks like you've hit him, and you want him to say something, to say anything. But he doesn't, so you speak for him.
"I can't keep pretending that it doesn't matter. I can't keep lying. It's too much." You take a deep breath. "So, no. I can't. Not anymore. We can't."
Hunter doesn't move. He doesn't say anything. He’s preternaturally still, and there are so many things you wish he would do, but this is not one of them.
It hurts more than you could have imagined, and it's more than you can bear. You feel like you can't breathe, and like the only thing holding you together is his hand on your arm. He's staring at you like he doesn't recognize you, and you have to look away.
It's only a moment, and then Hunter moves. His fingers drag up to your chin, tilting your head up so you're forced to meet his eyes. You're caught. Held in place by the intensity of his gaze.
"You really don't know, do you?"
You blink. You aren't sure what to say, so you don't say anything.
"This isn't casual. Not for me,” he says, his voice rough, and his eyes search your face, like he's trying to make sure that you're understanding what he's saying.
You're not sure you are.
"I haven't touched anyone since the day we met." He pauses, and the words are like a blow, knocking the wind from your lungs. "Not anyone. Not ever."
He keeps talking, and you're not sure what's happening.
"I didn't lie. Not ever. I never told you how I felt, but that's not because I didn't care."
"Hunter..."
"You're not the only one who feels something," he says, and his voice is low, and desperate, and full of all the things you've never allowed yourself to believe. "There is no one else. There never was. Just you."
He's not playing the game anymore.
"I'm not pretending," he says. "This matters."
You can't speak. Your throat is tight, and your heart is pounding. You want to believe him, and it's almost too much.
"You—"
"Yes," Hunter says. He nods, and then he smiles. "Yeah. Yeah, I do."
He leans in, and you're frozen. You can't move. It's like the world has stopped.
"Do you understand now?" he asks, and he's close. So close.
"Yeah," you breathe.
Hunter's eyes close, and he exhales. "Good."
Then, his lips are on yours, and this isn't like any other kiss you've shared. This isn't a game. It's different. Everything is. It's like the first time, but better, because this time, you both know where you stand. This is a beginning, not an ending.
"I've wanted this for so long," he murmurs, and his lips trail down your neck. "I thought... I didn't know."
"Me too," you whisper. "I didn't want to hope."
"I know." Hunter's hands slide under the hem of your shirt, and his fingers dig into your hips. His mouth is against your ear. "But, now, I want to know what else I've been missing."
"Me too," you say. "Stars, me too."
"Yeah?" He's still smiling, and he's not stopping, and you've never been more turned on. "You gonna show me, then?" 
"Oh, yes," you say. You guide him back with a gentle shove of his shoulders, but you don't let him go far. The door to the women’s restroom is right behind you, and without thinking, you grab the lip of his chest plate and drag him inside. He laughs as he follows you in, and the sound makes you smile, but then, he's not laughing anymore.
Hunter slams the door shut behind him, throwing the lock into place. You don't waste any time, pushing him back against the door, and he groans. He's already reaching for the hem of your shirt, but you've got other plans.
It's easy to slide to your knees, and when you reach for the buckle of his belt, Hunter's eyes are wide, and dark. His breath catches as you unlatch his codpiece, and toss it to the floor. You don't wait, pulling his cock free, and Hunter's head thunks back against the door.
"You don't have to—"
You take him into your mouth, and his words dissolve into a moan. It's been too long since the last time, and the weight of him on your tongue, the taste of him, is better than you remember. The thick vein that runs along the underside is throbbing, and you press your tongue against it, feeling him twitch in your mouth.
He's already breathing hard, his hands on the door behind him, as though he's not sure what to do with them. He's got one foot braced against the tile, his hips shifting restlessly, and when you glance up, his eyes are closed, his mouth open, his face slack.
He's beautiful.
You don't have time to think about that, not with him filling your mouth, the head of his cock bumping the back of your throat, his fingers threading through your hair. His hands are gentle, guiding, not pushing. You can feel his restraint, the way he's trying to hold himself still, the tension in his thighs as he rocks against you.
You hum, and Hunter gasps, his hips bucking, his cock thrusting deep. He hits the back of your throat, and you moan, and it's the first time that he tightens his grip, the first time that his voice breaks. "Oh, fuck."
His hand is cupping the back of your head, holding you close, and when he pulls back, the drag of your lips over his cock is obscene.
"I'm sorry. I didn't—"
You cut him off with a lick along the slit at the tip, and Hunter moans. He doesn't seem to be able to look away, his eyes glued to the sight of you on your knees, and the way his cock disappears into your mouth.
"Fuck, I've missed you."
You laugh, and the vibration of it makes Hunter shudder. He's shaking, and when he meets your eyes, his own are burning. "I mean it. You don't know what it was like. Watching you walk away."
You take him deeper, and his words come faster, like he's finally getting it out. "It's always like this. Every time I'm close to you, I can't think. The way you look, the way you feel, fuck, the way you smell."
His cock slips from your mouth, and you suck a line down the length, and then back up. He's leaking, and you lap at the salty tang of his release, swirling your tongue over the sensitive head. 
"All I can think about is burying myself inside of you, and fucking you until you're screaming. I don't know what you do to me, but it's too much."
He's rambling, and his fingers are tugging your hair. You can feel the tension in his body, the way he's shaking. "It's too much. It's always too much, and it's never enough."
You know exactly what he means. You can feel it every time he's near. It's a pull, a draw, and a need. There's a part of you that is always searching for him, that needs him closer, and closer still.
It's maddening.
"I can't stop wanting you."
You've never heard Hunter talk like this, and it makes you moan. The sound is muffled around his cock, and it's like the last of his self-control evaporates.
"Get up here."
He tugs your hair, and you can hear the urgency in his voice. He's not waiting. Not anymore.
His cock slides from your mouth, and his hand wraps around the back of your neck, hauling you to your feet. His lips are on yours, and the kiss is rough and biting, his tongue thrusting deep. You can taste him, and you can feel the way he's shaking.
You've never seen him like this, and it makes you want more. It's intoxicating, and addictive, and all you can think about is how much more he's going to give.
He doesn't give you time to catch your breath. He's spinning you, and you're facing the sink, your hands gripping the edge. He doesn't ask as he rips his gloves off and tosses them into the sink, but you can see the question in his eyes. He doesn't have to.
You nod, and it's all he needs. Hunter's hands are on your waist, and then he's yanking your skirt up, and his fingers are sliding between your legs. He curses, and when he pulls his hand away, his fingers are glistening with your wetness.
“All this from my cock in your mouth, and I've barely touched you." His words are a low rumble, his breath warm against your ear. "Is this what you wanted? Me to take you hard and fast, so that anyone who walks in can hear how good I make you feel?"
Your thighs clench, and Hunter groans, his voice cracking. "Do you have any idea what it does to me, knowing that I'm the only one who can make you come like this?"
"You're the only one I want." Your voice is breathy, and uneven. You can't seem to get a full breath, not when he's looking at you the way he is, his fingers sliding between your folds.
He brings his hand to his lips, and licks his fingers clean, his eyes closed. He looks like he's savoring it, and you're transfixed. It's not until his hands are back on you, hooking into your panties and pulling them down, that you take in a gasp of air.
You watch as he kneels behind you, dragging your underwear down to your ankles. He lifts one foot, and then the other, pulling the soaked garment off. You don’t see where it goes, but you don’t hear it hit the ground. He doesn't drop it. Instead, he stands, and shoves it in one of his pockets, and when he looks at you, he smirks.
You aren’t sure what to say. It shouldn't turn you on. It does.
Hunter leans forward, and his cock slides along the cleft of your ass, and then lower. His lips are on your neck, and when his cock brushes against your clit, you gasp. You can't take much more of this.
You try to turn, but his hands are on your hips, and he's not letting you. His mouth is hot against your neck, and his lips are pressed to your ear.
"No." His voice is a rough growl, and you can hear the smile in his tone. "Stay."
It's not a request.
You freeze, and his teeth sink into your neck, making you cry out. He doesn't speak, and the only sound in the room is your breathing, and the soft, wet sounds of his cock sliding between your folds. He's rubbing the head against your clit, and it's almost too much. You can't stop moving, but the pressure on your hips keeps you still.
"Hunter,” you whimper, and the word is half plea, and half command.
He doesn't answer, and his breath is coming fast and shallow. His fingers are digging into your hips, and he's pressing his cock lower, and lower. You can feel him notch against your entrance, and he pauses, the both of you held in limbo.
"Please."
The moment stretches out, and then Hunter's hand is on the back of your neck, pressing you down. Your forehead hits the cool porcelain of the sink, and you can feel his fingers flex, and then his cock is pressing forward, and stretching you open.
You moan, and it's all you can do not to move. He takes his time, easing inside, and the feeling of him filling you, the sensation of being stretched and filled and claimed is exquisite.
It's not until he's seated inside you that he lets go of your neck. His hand is on your shoulder, holding you in place, and his hips snap, driving him deep. You gasp, his name a strangled cry that tears from your throat, and you can feel his lips brush against your skin.
"That’s it,” he grunts, his breath hot against your ear. He's barely pulling out, fucking you with quick, sharp thrusts. “Moan a little louder, cyare. Let all of 79s know who’s fucking you.”
You don't know what he's doing to you. All you know is that you want more, and you're desperate to obey. You can't help the noises spilling from your mouth, and if you weren't so focused on him, on the way his cock felt inside of you, you might have been embarrassed.
But all you can think about is the way his fingers are gripping your hips, and the way his body is pressed against yours, armor cold and unyielding against your back. You can hear him breathing, and the quiet grunts and moans that fall from his lips are driving you mad.
“Hunter—”
He's not waiting for you to finish, not even bothering to let you catch your breath. You feel the way he responds to the sound of his name, the way his hips jerk, and the way his cock thickens inside of you. His arm slides under your body, wrapping around your stomach, and his hips are moving faster, his thrusts rougher. Hunter fucks you like he's trying to claim you, and in a way, he is.
His mouth is at your ear, and when he speaks, the words are a rough whisper. "Tell me you're mine."
You're shaking, and it's not from the force of his thrusts. It's from the way he says the words, the way he breathes them into your ear, like a plea and a prayer.
"Tell me, and I'll let you come."
You don't know how he can keep talking. You can't form the words, and he's relentless. The way his cock fills you, the way his hips snap, the way his mouth is pressed against your neck, his lips leaving kisses and marks that will linger, and remind you that you're his.
"Please," you manage, the closest your fogged mind can get.
"Say it."
"I'm yours," you whisper, and the way his hips jerk is telling.
He doesn't speak, his hips shifting, and when he drives into you again, it's all you can do to hang on. He's hitting the perfect spot, and when he fucks into you, he stays there, the head of his cock grinding against the most sensitive parts of you. His hand finds your clit, his thumb circling, and it's only moments before you're coming undone.
The force of it hits you, and the noise that escapes is not quite a scream, and not quite a moan. You're shaking, your vision going white, and your entire body is clenching, tightening around him. It's only then that he lets go, the sound that spills from his lips making you shudder.
You can feel him coming, the heat of his release flooding your core. It's a sensation that will never get old, the feeling of his body pressed against yours, the way his hand tightens on your hip, the way his mouth opens against your neck. The way he gasps, and sighs, and whispers your name, like you're the only thing that matters.
It's always like this.
He holds you close, and neither of you speaks. It's just the sound of your breathing, the quiet rustle of his armor, the gentle hum of the music from the club outside the door.
There's a knock on the door, and Hunter curses, his hands tightening. His voice is rough, but quiet, and there's no mistaking the warning in his tone. "Go away."
You're frozen, and there's no reply, just the sound of footsteps retreating down the hallway.
"Fuck," he groans. The sound vibrates through your body, making you shudder.
"You're gonna get us thrown out,” you tell him, and Hunter laughs.
"It wouldn't be the first time." He pulls away, and it's an unpleasant sensation, the drag of his cock leaving your body. You can feel him leaking from between your legs, and you shift, trying to find something to clean yourself up with.
"Here." Hunter pulls a towel from the rack, and he's gentle as he runs it over the inside of your thighs, and between your legs. He cleans himself and tucks his cock back into his blacks, and the whole time, he's got a hand on your waist, like he's not ready to let go.
You adjust your clothes, and when you turn to look at him, Hunter smiles.
"I've been thinking," he says, and he's reaching for you, pulling you close.
"That sounds dangerous."
"Maybe." Hunter dips his head, and he kisses you, his hands cupping your face. His mouth is warm and soft, and it feels like an apology. When he breaks the kiss, he's still holding you, and the next words out of his mouth are the last ones you expect.
"Do you want to go to dinner with me?"
You blink. Hunter's eyes are serious, and his hands are on your shoulders like he's bracing himself.
"Like, on a date?"
He nods, and he looks so nervous, it's hard not to laugh. The two of you have been having sex for months, have done things that would make most people blush, and he's nervous because he wants to take you to dinner.
"Just the two of us?"
Hunter nods again, and when you smile, his own lips curl up.
"Yes." You wrap your arms around his waist, and he looks relieved, like he didn't think you were going to say yes. "I'd love to."
Hunter smiles, and it's brilliant. It makes his eyes shine, and you can't help but grin.
"Good," he says. "That's good."
“But you’re going to have to give me my panties back."
Hunter raises an eyebrow and dips his hand between your legs, the touch light, but firm. His fingers glide through your folds, and the sound you make is high and strangled. He's still wearing a smirk when he pulls his hand away, and when he licks his fingers clean, there's no mistaking the way his gaze darkens.
"I think I'm going to keep them," he says without a hint of remorse.
"But—"
"Consider it a promise." His smile is wicked, and his voice is low and rough. "For later."
Your eyes widen, and Hunter chuckles.
"Now," he says, his hands sliding down your arms. He interlaces your fingers with his, and pulls you toward the door. "Let's get out of here."
This time, you follow him without question.
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How to Make a Charm Necklace Magic-Style
✩₊°.⋆☾⋆⁺₊✧✩₊°.⋆☾⋆⁺₊✧✩‧⁺⋆⁺‧₊☽✧☾₊‧⁺⋆⁺₊✧✩₊°.⋆☾⋆⁺₊✧✩₊°.⋆☾⋆⁺₊✧
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So in a recent post I talked about having a set of charms that I wear whenever I leave the house. I thought it might be a fun tutorial to detail how someone could make a similar thing for themselves! The post is a long one, so the rest of the guide is under the cut!
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Step 1: Lay out all of your perspective charms and see what speaks to you and what you might want to put together. When you're choosing pieces, try to think of your goal and intent while you're putting your charms together (i.e. mine is for general day-to-day so I mostly focus the charms around safety, ease of way, and good fortune. Tailor yours to what you need). You don't have to make a necklace, just make sure that whatever you're attaching your charms to and the jump ring(s) connecting everything are sturdy enough to hold the charms' weight.
I have a 'main' components and 'auxiliary' components with the main components being the anchor points and foundation of what I'm working towards (i.e. I have my locket with sigils and my key charms as main components and I'll switch out the other parts as desired). Listed below are some ideas for options that you can combine, but use whatever feels best to you:
Lockets- I HIGHLY RECOMMEND that a locket is part of your configuration. You can fit a slip of paper with spells/sigils written on it AND if it's a scent locket you can add a bit of fabric with a perfume oil or a spell oil that would be safe to wear (check the spell oil ingredients if you're going to use a spell oil).
Bottle/Vial Charm Pendants- these are really good for wearable spell jars (you'd just have to careful about breaking them). You can buy pre-made bottle spell charms (there are a lot of options available) OR you can buy a vial pendant and do a working of your own choosing depending on your preferences/needs (there are also many options for empty vial charms you can buy). You could also keep spell powders/dusts in a vial charm (also usable for on-the-go workings).
Crystal Pendants- If you are someone who utilizes crystals in your practice, having some complementary crystals or crystals that you tend to favor can really add a kick.
Religious pendants/charms- Pentacles/crosses/saint pendants/deity pendants/etc. are all good options for this sort of configuration if they're something that features in your practice or you have a specific figure you want to invoke.
Symbol/Icon charms- similarly to the option above, charms that have animals/flowers/symbols/ whatever else you may want to invoke the properties/help of can be a good addition as well
Bells- bells have traditionally been used in different cultures for sound cleansing and to ward off negative spirits/entities. If that's something you might want (and are ok with making some noise) adding a bell might be a nice touch.
Keys- keys are useful magically for unblocking roads, gaining access, and invoking magic/energy relating to crossroads. Keys/key charms can be pretty easy to get too, so it might be worth trying to have one in your configuration.
Other meaningful charms: as it says on the tin, if it's important to you or you want to keep it on you, try it out in your configuration see if it will work well with it. In the picture above of my own pendant collection alongside more standard pieces there's an antique pen knife that can be worn as a pendant. Put whatever you want on these configurations is my point.
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Tip! Some pendants like the pendant on the right have a paste/textured back that you can write on. If that's something you'd want to do, aim for something that looks like the pendant on the right. It's a solid way to hide sigil magic in your jewelry.
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Step 2: Prepare the individual charms that you're going to be putting together. Clean/cleanse* everything appropriately (use mundane and magical methods), get sigils written out, anoint anything that you want to anoint, charge/enchant anything that needs it- whatever workings you need to do to the individual components of your charm necklace, do them now.
*If you're using metal pieces (especially if they're old/antique) there's a decent chance you may need to clean those pieces periodically with a metal cleaner/polish. When you clean the metal, do maintenance work for the rest of the configuration by charging/re-enchanting the other charms.
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Step 3: Put your charms together and test out your configuration. Sometimes things won't work together as well together or a different component will work better in your configuration.
Ending Notes & Tips
If you put something like this on an object, make sure you focus on how you need/want to effect the object. Like, I have another variation of this on a chain on my bag, and that working is more focused on security and being unobtrusive more than anything else.
Generally I would consider how fragile your individual charms/items are and how likely breakages are to occur. You don't want to be scattering any broken glass/sharp bits and you definitely don't want to cut yourself on anything in the event of any broken charms.
Other considerations should be if individual parts are safe to wear. As previously mentioned, select for spell oils that are safe to wear and for crystal pendants that won't interact with water/skin oils/body products (i.e. selenite melts in water and pyrite will create sulfuric acid when exposed to water). Basically make sure that having this on your skin isn't going to cause any problems for you.
It can be a a good idea to change up individual charms in your configuration to tweak things to your daily needs. Using my usual configuration as an example, I'll switch out my crystal pendants or other charms if I have specific needs/events for a day (like maybe if I'm traveling I'd add more protection/safe travel oriented charms or if I had a date on I'd choose one of my love/attraction charms).
I hope this gave you some ideas for your own practice, thanks for reading💜
✩₊°.⋆☾⋆⁺₊✧✩₊°.⋆☾⋆⁺₊✧✩‧⁺⋆⁺‧₊☽✧☾₊‧⁺⋆⁺₊✧✩₊°.⋆☾⋆⁺₊✧✩₊°.⋆☾⋆⁺₊✧
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I want to submit Felix from Cassette Beasts! It's a monster-collecting indie game where people, ideas, concepts, characters, and stories from different time periods and realities can end up/physically manifest.
Felix is my favorite companion. He's a zote artist and comes from a world where comic books don't exist. He quit his job and went freelance, because he got fed up working under shitty bosses who never recognized him. Which... really hits home when you're also a fellow creative.
His questline is my favorite. You and Felix encounter his ninja-half angel-half demon-purple-cat girl OC, Kuneko, that he made when he was 12... except Kuneko has become her own character and is desperate to prove herself so that Felix won't find her embarrassing anymore.
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Beyond the hilarity and relatability, it's really interesting how his questline involves creator-meets-creation; dealing with the overall lore of how concepts can come to be. Seeing Felix come to accept and love his past works, recognizing they're all a part of who he is today. It was just... touching.
He's a sweetheart dork (who makes you his MUSE) and I still haven't "finished" the game, because I don't want to part with him just yet.
Also, look at his blushing face:
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God he looks like he gives great hugs. Omg his lil cheeks. I'll forgive him the Killmonger look this time. What's a zote? Shit, I think everybody who works a job can recognize shitty bosses who don't give them credit 😭
Okay first I'm cackling at the drawing bc I thought you dropped the wrong pic for a second 🤣 why is Kuneko so accurate?? 🤣🤣 This wasn't my first reaction but it's at the top bc it sent me. Okay. Aww wait, you said she's trying to gain his pride 😭 oh now I feel bad for laughing. I'm sure she's a sweetheart.
Felix actually reminds me of Hot Chocolate! Like, if I had to draw his face in this style, it would look like this, but with longer locs and a mustache.
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strawberryblue-blog · 15 hours
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don’t know if ur request are open but could you please do a ferran nsfw alphabet?
A TO Z. NSFW alphabet
—Ferran Torres.
summary: request.
warnings: YES. +18. smut, explicit content, headcanon.
words count: +1.2k
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A - after care (what is it like after sex?)
He is probably quite affectionate after sex. He might hug you from behind being the big spoon or lay you on his chest to stroke your hair. He likes to feel you close, give you love and enjoy you.
B - body part (favorite part of your body and his)
In you it would be your eyes and smile, your face practically. He likes the way your eyes shrink when you smile, how your cheekbones contract and how he fall in love every time you smile. How deep and silky your eyes look, he loves to see them.
On him, it would be your back. He works his back a lot and he knows it's your favorite part of him, he likes how you caress him when you're in bed or when you're hanging on him.
C - cum (anything about cumming)
Inside you definitely. As long as you're on birth control, he won't hesitate to cum inside you every time. He loves the sensation of feeling you so much his, inside you while your heat takes it so well.
D - dirty secret (some dirty secret)
He would like to share you sometime. Obviously he's a little shy about it but he'd like to maybe try something different sometime as long as it's with someone unknown (male preferably) to you.
He is not a jealous person and is curious about what you might do if someone else fucks you while he is there.
E - experience (experience in sex)
Pretty much. Maybe it's pretty simple but he knows how to do it, what you like, what he likes, how you like it, everything he needs to know to give or receive pleasure.
F - favorite position (to fuck you)
Missionary would be perfect for Ferran. There he can control everything, kiss you, look at you and above all fuck you non-stop. Although from time to time he'll put one of your legs up on his shoulder to go deeper, he could also try doggy style or even have you ride him.
G - goofy (how serious is he during sex?)
Too serious. He is serious about everything that has to do with sex, he is cautious and careful. He doesn't like to play with you, he couldn't tease you or leave you wanting. He is a man of principle and does not like to keep his lady waiting.
H - hair (how do he/you take care of his/your privacy?)
Completely shaved on him by care and choice. While on you, he doesn't really care. It's not as if some pubic hairs prevent him from fucking you.
I - intimacy (what is it like during sex?)
Slow at first, cautious and caring but after several minutes inside you, he will become wild and passionate. He likes to go deep until he fills you up.
J - jack off (masturbation, how much do he/you masturbate?)
Quite a lot. He likes to have control over it too, so he probably does it while showering, he prefers you to be there and your hand to jack him off but he also likes the solitude a bit.
K - kink (fetishes during sex).
Smacking and bite your ass probably. He likes to see how your skin turns red and how you like it when he smacks you, either during sex or even outside of it. Maybe he also likes to squeeze your neck or bite your tits while you ride him.
L - location (places to have sex)
Anywhere. If he really needs you he won't care where you are, Ferran will find a way to be inside you.
M - motivation (what excites him/you?)
He really likes it when you initiate things, he will immediately notice your intentions and get horny as shit. It turns him on to have your body crushed against his, to feel your hard nipples or your dirty mouth on his skin.
N - no (what wouldn't he do with you?)
Although he likes spanking, he wouldn't go much further than that. Anything that can hurt you physically or mentally is a no for him.
O - oral (how does he like to give/receive?)
He really likes to give but also receive. Like 50/50. But sometimes it seems like he likes to give it to you more. His tongue can do wonders and he knows it, he likes to make you lose yourself in the sensation.
P - pace (how do he like to do it?)
As I said before deep and hard but it can be slow and romantic. It all depends on his mood and the situation. But he is usually wild and memorable.
Q - quickie (do he like quick sex?)
Yes. Ferran could do anything. Fast or not, if he wants he will take you wherever and however. Time is not a problem for him when it comes to making you cum.
R - risk (would him take risks? which ones?)
Yes. He's actually a little attracted to the idea of being caught with you. He's a bit flirtatious and likes someone to know how good he makes you feel.
S - stamina (how long does it last during sex?)
He can last two or three rounds but then he needs a break and so do you after he fucks you like he does.
T - toy (he use toys?)
It could be. A vibrator maybe. He might like to watch you with a dildo too but he always prefers his own cock and he might be a little jealous that something else is giving you pleasure other than him.
U - unfair (how much does he like to provoke you?)
A little bit. Just to warm things up and speed things up but he is 100% committed and doesn't like to be too mocking.
V - volume (how loud is it during sex?)
He's too vocal but that's because he likes to talk to you while driving you crazy with his cock. While he likes you to scream, beg and moan loudly.
W - wild card (small random story)
You woke up in the morning after your eight hours of peaceful sleep, your body was relaxed and ready for a new day. You turned to your side trying to find your boyfriend but there was no one next to you, you raised your head a little bit looking around the room but you were alone. In the distance you could hear the shower running and you sighed noticing Ferran's clean clothes on the bed.
You stretched your body getting out of bed while you were still a bit groggy from sleep. You waited a few seconds to see if he was coming out but apparently he had just come in, on your tip toes you ran to the bathroom and got in. The warmth of the steam dampened your skin and you smiled as you removed the few clothes you were wearing. You slipped your hands into the shower and stroked Ferran's big back, making him gasp in fright and turn to look at you quickly.
"Good morning" you whispered hugging him.
"You scared me, baby" he mentioned wrapping his arms around you.
"Sorry" you pouted as he kissed your forehead in greeting.
The water was starting to hit your body and you gasped in relaxation, Ferran's arms held you and made you feel safe and warm. His lips sought yours quickly and melted into a slow, romantic kiss, which gradually began to taste hotter and needier. His hands held your waist and cupped your curves delicately, caressing your skin with his fingers as your hands wrapped around his strong shoulders. Quickly his hands moved to your ass, kneading it as the atmosphere began to feel stickier and hotter.
He lifted you up until you were over his waist, wrapping your legs around his body and you were surprised how quickly he had become aroused that his cock gently caressed your lips. You stifled a moan as you felt the slight rub on your clit, Ferran smiled amused. He played with you a little, making sure you were wet enough for him and when you begged for him to fuck you, he did. He plunged deep inside you, making them moan in unison, looking at each other as his onslaught began to pound you over and over again.
"Mmm I missed you" he murmured in your ear as his kisses traveled down your neck, biting into your skin and making you gasp loudly.
"But we saw each other last night before bed" you laughed stroking his hair as he continued to fuck you on the verge of delirium.
"No, honey" he denied returning to your eyes. "I missed this tight and hot pussy that drives me crazy" he said with his eyes set on fire.
You bit your lip hiding a gasp, you loved when Ferran talked dirty while he fucked you. His fingers reached for your nipple and squeezed it as he leaned you against the bathroom wall and kept ramming you.
X - x-ray (how big is it and how?)
He is big, really big. Thick and long, his tip is dark pink and he is too big.
Y - yearning (how long can desire last?)
He has a very high desire, especially because he likes to take advantage when you are together. Maybe twice in one day after not seeing each other. Or maybe several days in a row.
Z - zzz (how is his sleep after sex?)
As I said at the beginning, he is quite affectionate. He likes to make sure you are okay and that you have enjoyed yourself, so they will talk and then he will fall asleep after you.
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glitterhammies · 17 hours
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 Alcina Dimitrescu x reader
A night spent with Alcina caring for you when your feeling bad. 
FLUFF 
Your lady was your greatest concern of a evening, when you first arrived at the castle you were one of the scullery maids, nothing more than the lowest of the low. But now you were her lover, her personal maid also. everything you do was for your Lady. Even though Alcina loved to look after you and make sure you didn't have to lift a finger but you couldn't help continue you maid duties. 
You knocked on her bedroom door eagerly awaiting her voice, "come in" she called. You slowly opened the door and stuck your head round the corner. she was facing her dresser putting her hair in little rollers, you loved seeing her like this. Everyone sees the grand lady Dimitrescu who shows no emotion and instils fear in all who speak to her. But this is your favourite Alcina is your favourite, the wish of living a domestic life with her. 
she saw your reflection in the vanity mirror " My darling" she grinned at you " come help me finish this off" she said pointing to her hair. You shuffled over taking her gorgeous midnight locks into your hands. No matter how long you have been together she still takes your breath away every time your close to her. " 
" How was your day Darling" she whispered into your hands as you moved them to gather more hair. " It was okay, I've missed you though. spent most of today in the library" you replied. Now you were no longer Alicnas maid you spend your days anywhere other then the wings that lead to the dungeons. you have seen you fair amount of maids go down there and never return and the screams are enough to keep you awake at night. You were lost in your own thought brushing your hands through her hair humming to yourself. You felt Alcinas large hands over yours, she was looking at you in the mirror with concern " My love, tell me, what is bothering you" 
you sigh looking down at the floor. Alcina notices your sadness and turns round so she's facing you, even with er sat down and you standing she was still a head taller than you. she lifted your chin up with her fingers. " I just never see you anymore" you whisper trying to hold back tears "Your always in meetings with Mother Miranda or dealing with business for the wine, which is good I'm happy your doing business but I just miss seeing you I get lonely being here by myself" you were battling with tears that feared escaping from your eyes as you spoke " I just feel like you don't want me around anymore"
You look into Alcinas eyes you could see the sorrow forming " oh my Darling don't think that, I'm sorry I haven't been spending as much time with you but with the wine and Mother Miranda i don't have much time during the day and when I get back here I see you sleeping so peacefully i don't dare wake you" 
"Here let me make it up to you" she picked you up bridal style carrying you to the bed something she enjoyed way too much considering your height difference. she set you down on the edge of the bed and started slowly removing your dressing gown. she kissed a trail down your neck as she removed the fabric replacing the silk with her lips. you moaned slightly into her touch enjoying the closeness. Once she got down to your belt she pulled it off and slowly let the fabric fall onto the bed. You were wearing a black lace underwear set, something Alcina has specifically tailored for you.
She looked down at your figure on the bed and brought her lips to yours, you took her mouth in yours and enjoyed the moment, you brought your hands to her waist and took off the belt that surrounded her waist, pulling the fabric back over her shoulders and onto the floor. she released your lips and pulled back so you could see what she was wearing, a Blood red lingerie set accented with black lace. It complemented your set perfectly. you licked your lips at her.
You scooted back onto the bed giving her indication to join you, Alcina crawled up the bed towards you. you could see her animalistic side coming out. She kissed you again this time with more passion, grabbing hold of your waist and pushing you into the bed. She enjoyed how soft you were under her fingers, she loved your curves and the plumpness of your body, letting you know about it every time you were together " you look gorgeous my darling" she said into your lips not letting you go. "I could say the same about you" you giggled pulling back and biting her bottom lip. 
There you stayed for a while cuddling with each other, talking about simple things like what dates you want to go on and rearrangements of the never-ending pile of books in the library. 
Looking into your ladys eyes you noticed them looking darker then usual. " Are you okay my love" you ask a bit concerned. Alcina looked down at you " would you mind if I got up to get some wine" she asked with genuine concern in her voice. " of course go, go" you chimed shooing her away. Alcina got up and slid back into her robe swaying her hips as she walked to the wine cellar. 
You didn't mind about Alcinas constant drinking, you knew she needed the Blood to keep her mutation under control, and if you had to admit you found it incredibly sexy seeing how animalistic she got over it. 
After a few minutes she returned, ducking her way under the door bottle and glass in hand. She sat down on the spot she had just been in before. you taking the bottle and pouring her a glass. She sipped back the first mouth full and you could see her visibly relax. " Darling, you look so beautiful when you drink that" you say to her. you couldn't help yourself you loved to see the stain of red around her lips and smell the wine on her breath. you didn't care what she had to do to get the wine as long as it meant she could stay with you, you didn't mind. 
You had a idea watching Alcina taking the last swigs of her glass. she positioned the glass towards you so you will be able to fill it up again but instead you brought the bottle to your lips letting the liquid fill your mouth. Alcina looked confused " my love what are yo-" 
You pulled Alcinas face close and put your lips around hers pushing the liquid into her mouth. you felt her ease into your grip and drink down the liquid. parts dripping out of your mouth and down your chest. Alcina pulled back, a slight moan leaving her lips admiring your blood stained mouth. 
"oh darling, you have no idea what you have just done" she grabbed you and slammed you back onto the pillows. Passionately kissing you for the rest of he night. 
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tyrantisterror · 1 day
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What's the worst legacy sequel you've ever seen? What, in your opinion, separates a good legacy sequel from a bad legacy sequel and what's the worst thing you think a legacy sequel can do?
The worst that I've seen is probably Rise of Skywalker. It's close competition, though - both Jurassic World: Fallen Kingdom and Jurassic World: Dominion have moments that are significantly more stupid than anything in Rise of Sky Walker, but I also think both have a bit more creative effort put into them - Fallen Kingdom has that third act where it basically becomes a Resident Evil adaptation except with a murder-saurus in place of the Tyrant, and Dominion has the whole locust plotline which, while terrible, is at least an unexpected direction for a Jurassic Park sequel to go into that tries to figure out something ELSE you could do with the genetic engineering premise of the franchise beyond just making dinosaurs. Like, all three Jurassic World movies have big problems and they get progressively dumber with each installment, but they're also all ambitious to some degree that I still feel respect for, even if they never really actually reach those lofty aspirations.
Rise of Skywalker, on the other hand, has no ambitions at all. It has nothing it wants to say, no unique twists to pull, no real identity of its own. It's a potroast made of leftovers from better movies, a resuscitated corpse of something much more interesting, patched together like a Frankenstein's monster and abandoned to a cruel world just as callously.
It has no desire to do anything new, merely a checklist of Things You've Seen Before That the Focus Groups Say You'd Probably Like to See Again. Any character that can be slipped into an arc that was done in a previous Star Wars film is slipped into one no matter how little sense it makes for them, and any character who can't is either forced to tread water with nothing to do (hi Finn!) or just quietly shoved off to the side early on and forgotten about (hi Rose!).
Any story beats that weren't in the original films are simply grabbed from a box that reads "time tested cliches to keep your script moving with minimal effort." Make the plot a treasure hunt so we can just race from scene to scene with the flimsiest justification possible and try and trick the audience into thinking something is actually happening! What's that, audience interest is flagging? Quick, throw in a cameo of someone from an older movie! What's that, they're bored again? Pretend to kill one of the old characters, but make sure to reveal they actually lived in no more than two scenes down the line, or else we might piss off the fanboys! Hey, let's look at the Cinema Sins videos for the original movies and see if there's some gripes we can "fix" with this one for added fan cred! Can't disappoint our audience!
It's the story-telling equivalent of smothering something in salt to cover up the funky taste of the close-to-the-expiration-date ingredients.
As for what makes a good vs. a bad legacy sequel... ok, so, let's define legacy sequel first. A legacy sequel is a film or TV show that is a sequel to a popular film or TV series that ended a good many years ago, which brings back some of the old cast of characters (generally played by the same, and thus much older, actors that played them in the past) along with adding a new cast of characters played by younger actors. It tries to replicate the tone of the original series despite being made in a different era and probably by different writers and directors, and generally aims to give you that Ratatouille style moment of nostalgia.
I think most Legacy sequels are kind of doomed to be mediocre at best on the outset because the goal of them from the moment of conception is so mercenary - they're not created to Tell A Good Story, they're created to Keep Consumers Invested in a Lucrative Content Franchise. They have the artistic aspirations of a McDonald's Hamburger - "This tastes exactly like what you had as a kid, and doesn't that make you crave more of it?"
I don't think that art made for mercenary reasons is doomed to be bad, mind you - I mean, almost ALL movies and television were made to make money first and foremost. Even the classic High Art movies I love like Seven Samurai and The Third Man were made for mercenary reasons at the end of the line - it didn't stop the people who were working on them from having artistic goals, but it's a fact nonetheless.
But Legacy Sequels just have an uphill battle in the "artistic aspirations" department, because most people with artistic aspirations don't want to recreate the feeling someone else inspired with their art - they want to put their own stamp on it, their own spin, their own voice. And that will often mean something VERY different will be made, something that might piss of the fans - something that doesn't taste like the McDonald's hamburger you had as a kid, even though it came in the same wrapper.
The worst parts of Legacy Sequels are the only parts that Rise of Skywalker is made of - the parts where the story is clearly only trying to show you things you know, only trying to reheat the leftovers so they taste like your memories, only trying to trick the nostalgia center of your brain that you're four years old again eating at McDonald's. "Here's the thing you know! Here's the running gag you liked, repeated five more times by actors with far less enthusiasm! Here's the same basic premise as the first film, but the stakes have been inflated to make it feel like a progression! Cameos! Catch phrases! Eat your hamburger, you consumer pig!"
The rare good legacy sequels don't really TRY to be legacy sequels. They're just... sequels. Another story in the same world as the first, bringing back the characters who actually have interesting arcs left in them, creating new characters with their own shit going on who have good chemistry with the pre-established characters and setting, expanding on themes from the original and exploring parts of the setting that hadn't been explored yet, and all in all telling their own story that's related to the first one's but still manages to be its own distinct thing.
There are not many good legacy sequels, because a good legacy sequel is different than the McDonald's hamburger you ate when you were four, and might make less money than desired because of it.
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rowanisawriter · 2 days
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writer q&a
thanks for the tag @luvwich i love talking about myself lmao
tagging… @mashamorevvna @yourworsttotebag @swordbisexual no pressure
When did you start writing?
10 or 11 handwriting a three part series in notebooks lol i still remember the plot of my first book which was basically xmen AU. fic writing also started around that time
Are there different themes or genres you enjoy reading than what you write?
not really, my writing and my taste in reading usually align. even poetry which i read a lot of but don’t write, somehow still sneaks into my writing because i like making things read pretty
Is there a writer you want to emulate or get compared to often?
idk about fic but for published authors i like sally rooney and her character work, and i also love t. s. eliot’s rhythmic style in poetry, im always trying to emulate them
Can you tell me a bit about your writing space?
i have a toddler to the answer so this for now is my phone on the couch or in my bed in the middle of the night lmao. i’ve learned how to write under weird circumstances, but hopefully once she gives back some of the mental capacity she takes from me daily then i’ll sit at a table or something
What's your most effective way to muster up a muse?
can’t do it easily lol it comes to me in visions, usually after i read something or see a piece of art but if it’s not there it’s not there
Are there any recurring themes in your writing? Do they surprise you?
i write a lot about religion… no that’s not surprising…. i also write a lot about love… that’s not surprising either lol
What is your reason for writing?
i like stories a lot, and i like being praised, so writing stories and having people read them checks two boxes for me lol
Is there any specific comment or type of comment you find particularly motivating?
all comments are precious, but comments where people find something that i didn’t consciously put into a fic those are my favorite comments. i put a lot of myself into everything i write, sometimes i write things i don’t think about, when someone points it out it feels very personal (good)
How do you want to be thought about by your readers?
hope i don’t come across as insane, i want to be aloof and interesting but then people find me on tumblr and learn the truth
What do you feel is your greatest strength as a writer?
hopefully emotion, i focus a lot on that instead of setting or plot most of the time so if i get emotion right then that’s good, as long as i can make someone feel something then they’re compelled to continue reading (conversely when i am reading something and don’t feel any emotional connection to the thing then i put it down)
How do you feel about your own writing?
i like it very much, it’s the exact thing i want to read, and it was a very long road getting here to my true voice and style. i reread my own work constantly i really like it
When you write, are you influenced by what others might enjoy reading, or do you write purely for yourself, or a mix of both?
i can only write for myself, the motivation to write is only there if it’s something i want to write, even challenges and prompts i struggle with because there is some aspect of “this isn’t truly my idea” that i struggle with. i’ve written things that just aren’t popular (weird ship, quiet fandom, etc) but i wrote it anyway because i wanted to. obvs i want to be read otherwise i wouldn’t post online but i have a good audience now so usually no matter what i write it does get read anyway, so may as well just write what i want lol
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failsquirrel · 2 days
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hai guys i don't normally post shit like this but im low on money rn and having about 100 extra bucks would be a big help so please if anyone wants to commission me id appreciate it a lot!! i will do a flat color solo piece for around 20, and a page of different poses in the same style would be more like 30 (you'd get something like this)
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a more detailed drawing with shading would be 40 for a solo piece, and 50 for a page with multiple poses OR a solo piece with a more complex background/scene
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i can also do ref sheets for around 30 ^_^ i also can try doing custom designs but idk how good they'd be lol
just as a warning i cant draw humans as well, they probably won't be as good since im better at drawing furries, but i can still try!! i can also do nsfw so just dm me about it, if there's any concept i personally wouldn't want to draw ill just let you know
if you don't have much money to spare but still want something, even if you give me like a few dollars ill still draw you something small like a little icon or emoji or something literally anything is appreciated ^_^
tysm and even if you don't want to or can't buy any art please reblog to spread this i appreciate it a lot!! :'3
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