I really don't understand what is this disgenuineness or stave acting u all r talking abt. He is actually one of the most genuine person & it is not like he holds back or pretends to be something he isn't. (Flashback: the entire show after the chicken nugget incident). He isn't fawning over or pandering to them, he is doing his end of the job and trying to have an enthusiastic show with the fans. They don't match up with Latam & Asian fans but that doesn't means he should also compromise.
Who is this all? And why is it such a ginormous problem if someone is displeased with something related to Louis? Do you want us to be like harries are with their favorite and never ever do anything but kiss Louis’ ass no matter what? Cuz no thank you. I actually have a brain and I know how to use it.
The fact that his behaviour in Australia annoys me is something I’m allowed to express on my own blog. Literally not asking you to agree with me. But since you seem to want to so desperately know how someone can possibly possess individual thought process, here’s my reasoning;
- you think fans in latam or Asia didn’t want to take selfies with Louis on stage? Or throw gifts to him on stage? Or throw their own phones on stage so he could maybe film with them? But they didn’t. Because they were respectful and followed the basic rules of decency established by Louis and his team after the Denver incident. Yet here he is rewarding fans in a different country, (and it really goes without saying but if you’re going to literally pry it out of my mouth then here it is: white fans) for doing the same thing that he and his team had previously asked fans not to do.
- you think fans in latam and Asia didn’t want to have photos taken with him? Regular m&g after every show? But they once again respected his privacy, and in latam only showed up at his hotel following whatever rules his team put in place for them. And in Asia not at all. Do you know that most Turkish fans knew where Louis was most likely staying? Yet did you see them waiting for him at his hotel after the show to try and get selfies with him? No. Because they respected his privacy. Yet fans who seem to be doing just the opposite in Australia are being rewarded for their invasiveness.
- fans in Australia are back to singing god forsaken one direction songs during the encore, and when they were doing that in Europe, Louis made it pretty clear he wasn’t pleased. Yet here he walks on stage after every encore and proceeds to tell them how fuvking amazing they’ve been.
And like I said before TWICE, I get it. I get that this is part of his job! He has to do it. Doesn’t mean I have to like it!
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the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
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the day i picked up dazai or smth idk i've never read it
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one of my favorite things about zedaph is that on a server full of people that find strange and oft-overlooked minecraft mechanics or rare events and then see just how far they can push them in the name of spectacle or efficiency or world-breaking, zed is over here finding these mechanics in order to do the weirdest things he can think of in as entertaining a manner as possible
like i 100% have faith in zedaph's theoretical ability to be just as efficient or spectacular or world-breaking. if he wanted to do that stuff, i trust that he absolutely could. but thats so far from being his priority. instead, hes going to spend around a week of irl time focused entirely on eventually having the good luck to spawn in something insanely rare so that he can convert it into something even rarer, the result of which being something that 99% of the server reacts with complete and utter shock that it even exists in the first place, just because its zany and funny and he wanted to. and i love that
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I would like to cuddle up with someone and be sad for a little bit before falling asleep together
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hate to say it, but part of ending the stigma around sexual assault means not assuming every woman blames herself. yes, female socialization encourages it, but that doesn’t make it a given, and the goal of all of these campaigns is to eventually diminish the proportion of women who do blame themselves. it is entirely possible, and increasingly common, for women to experience sexual assault and not feel shame or guilt, which we should be happy about. but instead, there are only so many times you can hear “you know it’s not your fault, right?” before it sounds like “it was your fault”. and there’s only so many times you can hear “don’t blame yourself” before it sounds like “you should blame yourself”. because it feels good to say, doesn’t it? sure, you don’t believe she’s guilty, but you do believe she should feel guilty, so that you can disabuse her of the notion. just something to consider.
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Tango makes a terrible, terrible face as he walks into Grian's new creation. Bit rude, he thinks that is, but whatever. Grian waves his arms out, getting ready to show Tango more than he'd shown him when the practice room was still in-progress, when Tango says:
"What did you do to it?"
"Huh?"
Tango shudders. He folds his arms over himself and looks at Jellie the ravager. "What did you do to it. To this place. Why is it... warm?"
"I mean, it's not really warm, see it's all white so it actually doesn't retain heat very well, even with the froglamps, so I had to do some work to make sure the temperature was appropriate for heavy physical activity while not risking frostbite the way the actual dungeon does, and..."
Grian trails off.
"The point is that it's mostly just, I don't know, mild temperature? Unnoticeable temperature? The fact you commented on it is weird."
There's a strangely echoing quality to Tango's voice as he steps back again, against the door to the practice room. "It's clean."
"Yeah. I mean, that's the aesthetic, isn't it? Wiped clean of everything but the ravager, the water, and the drowned. None of the distractions. Good for practicing, you know?" Grian squints. "You should like it. You said you'd like it. Wanted people to be able to practice so they'd do better at the dungeon."
Tango shudders again. "You've wiped clean the ravagers, too. I can't... touch her."
"What?" Grian says, baffled.
"What have you done to this place," Tango says.
"Listen, I won't have you insulting my clean room," Grian says. "I cleaned it of all the dungeon bits. It's nice and easy and white and understandable. I won't have you corrupting it."
Hm. Not sure where that one came from, he realizes. Probably a bad sign. He'd certainly guess as much from Tango, who is staring at him with something akin to horror.
In a voice that echoes like a card readout, Tango says: "You won't do this in the dungeon. You'll feed us what's left from this. Or I'll have to ask you to move it."
Grian rolls his eyes. "Geez, yeah, I won't touch the actual dungeon! I already broke the sound test room, I'm not breaking any really important redstone. Now, do you want to see the drowned dodging room or not?"
"I'm horrified to find out what happened to the drowned, if this is your ravager."
Grian looks between Jellie's blank stare and Tango and throws up his hands. "Nothing! I did nothing to her! I have no idea what you're on about!"
"It's like you bleached their insides," mutters Tango. "Bleached everything. It's not natural."
"Not natural? Like you're one to talk!"
"I need to know. Show me," Tango says.
"Right then. Take off your armor first, I don't want Jellie getting thorned or something, then let's practice some dodging and get in there. Then you'll see this is a perfectly normal set of eerie white rooms and leave me alone, right?"
Tango makes a face.
"I don't know why I bother. Honestly. You'd think I'd done something weird," Grian says, and then neither of them talk much, on account of the ravager trying to chew their faces.
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In the world I love
_
In a different world
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caterpillar? more like cu. more like cunty. cuntypil. um.
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just kinda a thing i wanted to say since ik i have younger artists following me (its applicable to everyone really, but very important to form care habits as early as possible)
i read about others artists experiencing pain from overworking and i always thought to myself, i wouldnt let that happen to me, im real young, i still have time before i have to worry about really damaging my body
but your body really doesnt care, if you push yourself, if you ignore the pain, its going to fuck you up. maybe for the rest of your life
please god take care of yourself when you draw, write, game, literally anything. stretch your wrists, fingers, dont keep your elbow in a locked a position for too long, especially dont lean on your elbows. get up around every 45 minutes, drink water, eat food, use the bathroom, stretch your whole body and your hands again. walk outside and let your eyes readjust
your body is trying to communicate with you for a reason when you start hurting, please listen to it, be kind to yourself, you deserve it
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I'm thinking abt that pretty fall leaves embroidery pattern post and about how like... it is categorically a repost, it's a reupload. right? a thing that is generally disliked. but because it's credited, it's genuinely boosting the artist in question.
and it could ALWAYS be like this. reposting content could ALWAYS be a symbiotic relationship, but because sourcing back to the original creator of something is so uncommon, it's just easier to ask people not to repost it at all. and people still don't understand the difference. or they'll go to the effort of cropping out usernames/signatures to repost something, which is More Effort than literally crediting the creator of something you liked enough to want to repost.
Like. I literally don't actually care if my own shit gets reposted, you have to understand. I just don't want it STOLEN. But "do not repost" is easier to write on my art than "you can repost this, but don't alter the image/remove my signature, don't you dare write 'credit goes to the artist' because that is not credit, please link back to my original post or someplace that you can actually find me. please use an actual link/url instead of writing a non-clickable link of my username, because making it text instead of a clickable link cuts the number of people who will go to the effort of visiting my own page in Half."
All those aggregate themed accounts, those fuckin annoying as hell instagrams and facebook groups that are like "body positive art we love wamen 💕 hashtag feminism" and then MASS-STEAL plus sized art created by women, if pages like these that always go and steal my older self-portraits and other works... If they just put a link to my prints of those pieces in the text of those posts, or, fuck, my commission info page? I would literally be living on the moon right now. I would have a house on the moon
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I woke up to find a squirrel in my apartment this morning
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"You just don't get her deep lyricism and her poetic plays on words—"
Yup. You're right. I don't get it.
Because how am I supposed to get it, when the beat puts me to sleep? How am I supposed to get it when all 31 songs somehow manage to blend into one?
You want me to listen to the lyrics, but I'm too busy nodding off.
I don't give a rat's ass if Taylor Swift is some sort of lyrical genius (which I know she isn't), because if I wanted only good writing I'd pull out a fucking poetry book.
Taylor Swift is a singer. You know, a song artist.
Who makes music. Who is regarded by Swifties as this amazing, misunderstood genius. She's 'objectively good'.
But I say that to be objectively good at music, you're supposed to be able to take care of the lyrics and the rhythm.
You're supposed to be able to both write well and have a good beat in the background. Preferably, one that doesn't sound the exact same as the previous five.
I'm not under any circumstances saying that every song has to have both. Not at all.
But if an album of 31 songs is to be considered actually good, then it better have both to an extensive degree.
There should be variation. There should be something to make it interesting, to pick up the pace.
Now before the whataboutisms kick in, I'm not saying that you can't enjoy it. I'm not saying that it can't be your favourite.
I'm fucking saying that you have no right to act as if we're the crazy ones because we don't "get it".
Or, or, or maybe, have you considered that for some of us, there's nothing to get.
We're not stupid, nor slow. We know what a damn metaphor is. We get what she's trying to say.
But just because there's meaning in something doesn't mean it's good, or smart, or interesting.
'You wouldn't last an hour in the asylum that they raised me.'
Mhm. Yes, Taylor, tell me more about how your parents brought you to Nashville to get famous because you wanted to. About a deliberate choice that you made and keep making, even though that line implies that you had no say in the matter.
Fascinating. How difficult it must be to have a billion dollars lying around in your bank accounts.
That's just cringe worthy.
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i miss my ocs <- literally the guy making the story
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THAT right there, ladies and gentlemen, is a LOVE CONFESSION
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