#I don't like my own writing is that normal

[olderthannetfic]

Someone recently left a comment on one of my fics that they were disappointed I wasn't addressing any of the criticism or comments I got on Goodreads. After all, I reply to comments on the actual fic. Why am I ignoring the Goodreads commenters?

Well, 1. I didn't know there was a Goodreads page for my fanfic 2. I think if they wanted a reply they'd say it where I'm known to reply to every single comment without fail and 3. the kind of dumbass who treats 800k of free fanfics in a series like something they paid for is not the sort of person I want to engage with. If 800k of stories, with main stories, tie-ins, prequel asides, missing scenes, etc. for free wasn't to your liking, just... go read another? We have stories in this fandom whose whole series clock in at over a million words. We have stories where people have done fan songs and fanart and fancomics tying into their main work. We have stories with multiple timelines. You have so many options, all of them totally free and easy to access. If my stories, which I fully admit ares flawed and show some of my weaknesses as an author, don't do it for you, you have options. You have wonderful options.

If I had an editor and a publisher and my stories were actual books, I wouldn't have this reaction to this comment. But these stories have one person working on them total. I'm not making income off of this. This is what I write while working two jobs, for fun. As much as I do view writing fanfic as something that helps me learn the ins and outs of writing and put my all into it, it's going to be rougher than if I'd had help with it or had time to do more drafts than the three I normally do.

And if I was known for ducking criticism, I would get having comments on another site. There are authors in my fandom who delete anything that's not praise. But I have had long conversations with my haters in which I take everything in good faith and explain my writing choices, word choices and ideas. I have my tumblr which is just about my fandom stuff listed in the AN of every chapter. DMs are open and anon is on. My Dreamwidth account, also under the same name, also has DMs open. I have publicly stated when I have made shit narrative choices and owned that yes, sometimes I have genuinely dropped the ball. This has influenced later chapters where things go off of the original outline in order for the shit choice to have consequences in a way that makes sense and feels true to the characters in the story.

So "why are you hiding from the Goodreads commenters?!" feels like the most baffling thing I've ever been asked. I tried to be nice about it, but all I could think was, "why didn't the Goodreads commenters who wanted a reply post their comments where they know I 100% would've responded to it?"

--

Madness!

(Also, lol, half the pro shit with a lot of comments on Goodreads is barely edited. Maybe they were bitching about content? But if it was whining about craft, the bar is in the floor and they have nothing to complain about.)

[lala-blahblah]

I absolutely cannot sit down and write a nice version of this bc my brain says no, but i would like to let you all know I'm thinking of a fanfic where older Edgeworth is moving back to the US (or japan, whichever universe you subscribe to) and runs into Nick in the store while buying mass produced art to hang on the walls of his new house.

And Nick is like "dear god do you want your house to look like a dentist's office. Please do better" (in a friendly way, they are too old for rivalry at this point) and so Nick invites Edgeworth to come over and take any of his old artwork from college, since it is just sitting in a portfolio in a closet somewhere. And Edgeworth agrees to come over and look through Nick's old stuff together. There are themes of 1) growing older and like reflecting on the past and 2) Nick's character trait of finding meaning in challenges vs Edgeworth's tendency to stick with what he does well. In my head I imagine that Nick was good at art and it came somewhat easily to him and that bored him, and he was drawn to law in part because it was hard and it excited him and made him want to try harder. And i think tying that in with fatherhood, like it being unexpected and hard but something he thrives at because he feels good when there's a challenge. Potentially also touching on how like, when he lost his badge he felt very listless and depressed because he wasn't being challenged anymore, there wasn't anything to drive him and motivate him. And I think Edgeworth would be impressed by seeing Nick's old pieces (I assume he hasn't seen much of his art before) and wondering why he didn't choose to pursue art further. He also thinks about how art had always put him off personally because he couldn't get it "right" right away, and on the other hand how the structure and logic of law came easily to him, which led him to become a lawyer. I think he measures his self worth by his success in his field because he never had the support to believe he had intrinsic value as a person and maybe wasn't so good at making emotional connections with people. So that big contrast between them is so interesting... I think Edgeworth would be jealous of Nick's bravery in pursuing something he was bad at without giving up and Nick would be jealous of Edgeworth's success in law, but in a subdued way as they've grown older.

A far as actual scenes in the fic, I think I would use Nick's art as a conduit for my own agenda to have them talk about topics that are of interest to me... I would like Edgeworth to feel out of his depth for once and for nick to be the confident one as he talks about something he is well versed in, and for edgeworth to have to face that discomfort and also be a little impressed intellectually with Nick. I think I would do that by having them look through some abstract art Nick did (my intro painting classes were all abstract so we could focus on color mixing and getting comfortable with the medium). Edgeworth compliments Nick on a painting with a bunch of colored squares in gradient clusters and then gets embarrassed when Nick tells him those were just color mixing swatches. Alternatively, in my mind they are both asexual and I think even though this feels like a hallmark cliche I would have Edgeworth flounder and be very embarrassed over Nick's old figure drawing piece. I feel like Nick would be like "no you don't understand it's all very professional and normal when we draw them, like it's just about learning the shape language" and Edgeworth would be like "this is very improper and I don't know how to react can we please not look at naked people!". I don't think i would do both, but something to upset the power dynamic for a moment would be interesting! Nick is always the awkward one I want to see him shine for just a moment enough for edgeworth to go "wait what... i've known him for so long but perhaps i don't really know him at all..."

I would want Edgeworth to end up taking a series of 3 canvases Nick did in an oil painting class that were still lifes of objects the teacher had set up around the classroom. I headcanon that Nick actually far preferred drawing people to objects and rebelled against the assignment by hiding his reflection in one of the objects in each drawing- the top of his head is hidden in an ornament on a christmas tree, his eye is reflected in the shine of a china vase, etc. So it's a little secret, and Edgeworth kind of likes that... it is sweet in a way to see a much younger Phoenix captured in time like that. Something Edgeworth will be reminded of when he sees the paintings but nobody else will catch onto

I would want to layer this with a fatherhood storyline... I think i would frame it as nick inviting edgeworth over to dinner with him and Trucy and Edgeworth stepping into this domestic family life as a visitor and witnessing how its transformed Nick, like seeing him from a different lens. I think after they pick out paintings and have dinner they sit around talking. Trucy had been sitting with them, earlier she showed off some magic tricks and gave Edgeworth a picture of hers from the fridge to add to his new art collection (it's a rainbow dolphin and a sea turtle wearing top hats. Nick says she's in her Lisa Frank era). But she's been quiet for awhile and Nick realizes she's fallen asleep and it's like 11. He's like, crap, i screwed up i should've paid attention and gotten her put to bed, I'm a bad father and I have an audience for this failure. And on top of that, I already failed at being a lawyer, no matter what I try I always disappoint everyone. It's an unexpected moment of vulnerability there... like he's seemed so put together and grown up to Edgeworth this whole time like a whole different person, but he's not a different person he just has different sides to him. And this moment is one where edgeworth can be like hey, no, you're a great dad, and I'm impressed by you and everything you achieved. And I think that could lead into vulnerability from Edgeworth about his relationship with his dad and how he misses him/how he feels like he hasn't really been loved by anyone since his dad died, and how Trucy is lucky to have someone like Nick in her life.

Nick excuses himself to carry Trucy to bed and Miles starts cleaning up the kitchen. I would give a moments pause here to talk about the strange intimacy of going through someone else's kitchen cabinets and drawers, you feel like a stranger there trying to put yourself into someone else's shoes to understand how they live in this space. Maybe he guesses the right drawer for the silverware first try and he feels a little spark of connection. like "we are different in many ways but we are alike enough that we look in the same place for our spoons". Details on the kitchen too about the kid safe plastic bowls and knives that indicate a child is part of the household, that the household has been built around the child, in fact. Edgeworth lives alone and I imagine things are kind of fancy for him (he's a man who wears a cravat so he probably has fine china right). It's completely different from this shabby mismatched cutlery that Nick has, but this kitchen has personality. Maybe he wouldn't mind having a kitchen like this so much. This is a hint at him being lonely, being included in this family unit just for a day has given him this curious sense of longing, for what he isn't sure... does he want kids? Does he want Nick? Does he just want to be part of a family? These are confusing questions and he would much rather not feel anything at all, but unfortunately it is late and he did have a glass of wine with dinner so emotions are Happening.

He hears Nick sigh tiredly as he comes into the kitchen, and Edgeworth starts to ask him where his tupperware is when suddenly Nick is wrapping his arms around him and Edgeworth is Very Tense because he's never good at knowing how to act in situations like this and he and Nick have never been on a hugging level before and he's not sure what this is even for. Then Nick is like "I keep thinking about what you said earlier, about feeling alone ever since your dad passed away. I didn't know, that's such a long time to feel alone. I don't want you to think you're on your own". Edgeworth relaxes a little bit because now he knows what the hug is for and what he's supposed to feel from it. Its very kind of Nick to worry but its unnecessary and he says so. He has colleagues he's friendly with and people from law school he keeps in touch with, he's alright. And Nick says he knows but he also knows it's difficult living the way they do, and what he means is single and in your thirties. Because everyone else is getting married or living with a long term partner or at the very least dating and their lives are focused on that relationship as the center of their being. And when you don't have that, not only is it harder to relate to the people around you but it is harder to feel like you matter in people's lives, because they all prioritize their partner before their friends. And maybe their situations aren't exactly the same (Nick has a daughter while Edgeworth lives alone) and maybe their choices were made for different reasons (Nick used to date and didn't mind it but didn't see a need to prioritize it. Edgeworth found himself unable to distinguish with certainty whether or not he was actually romantically interested in people, and rather than make the wrong choice he decided he would rule out error by choosing no one at all). But regardless, they both know first hand the isolation that comes with trying to carve a path for themselves that does not include a life partner in a world where everyone else comes in pairs. And Nick is reaching out across that emptiness saying hey, we might both be building different lives, but there's room for you to be a part of mine if you want.

Outloud, Nick says "Really, Miles. You aren't alone in this." and Edgeworth says "Well, Phoenix, neither are you". And he stands there and lets his friend hug him, and it doesn't feel like butterflies but it does feel solid and warm and good. And he doesn't even worry about whether he's supposed to let go by now or not, because it's nice, not being alone.

They stand there in comfortable silence for a long moment before Nick speaks again. "hey, remember when you used to hate me? And look at us now." Edgeworth turns his head sharply. "I never HATED you, Wright. I simply thought you were foolish and a waste of my time." He realizes a little too late that this is probably a rude thing to say to the person that just gave you a pep talk, but Nick just laughs, his head still resting on Edgeworth's shoulder. Looking at him from this angle, face almost fully hidden, Nick could be any age at all. It's easy to imagine for a moment that he's the same nervous version of himself that stood across from him in the courtroom for the first time all those years ago. The only thing breaking the illusion is the subtle streaks of silver that cross his temples. Not entirely sure why he does it, Edgeworth kisses the top of Nick's head. He feels odd about it the moment he does so, realizing it comes across not as a platonic or romantic action but as a gesture suited for a dog or pet of some kind. Nick looks up, looking confused but not displeased. "What was that for?" "It was a thank you I suppose". Miles steps away now, still uncomfortable with perceived failures even if those failures are just in social interactions, and begins to gather his things while Nick gets down a tupperware from a cabinet. "Thank you, for the dinner and for the paintings." Edgeworth continues. "I'd like to repay the favor once I get settled into the new house. Trucy's invited too, of course". As he says it, he realizes he genuinely is looking forward to seeing them again. Nick walks him to the apartment door and they say their goodbyes while Edgeworth tucks the paintings (and Trucy's dolphin drawing) under his arm.

He gets halfway down the hallway when he hears Nick calling after him. "Hey! Miles! Take an art class with me sometime" Newfound friendship or not, Edgeworth just looks at him in disdain. "what, so you can show off your superior art skills? No thank you, Wright" "No, for fun. You can make things of your own to hang on your walls. We can do something I've never done before so we're evenly matched. Like printmaking? Origami? Um, pottery?" Edgeworth bristles at the suggestions but takes a moment to acknowledge why he's feeling that way; again, it's that fear of failure. But he's enjoyed himself today and deep down he thinks it could be fun to try something new, not with the goal of being perfect at it but with the goal of spending time together. Nick surprised him today. Maybe he can surprise himself. "... I would consider pottery" Edgeworth admits. And Nick looks really happy about it. "Great. I'll book us a session then. It'll be fun, you'll see. Edgeworth shakes his head, but there's no malice behind it. "Have a good night, Phoenix" "You too. Get home safe Miles".

Edgeworth gets home a little before midnight and props the three canvases against the moving boxes still stacked up in the foyer. Tomorrow, he'll figure out where he wants to hang them. Right now though, he walks over to the bare fridge and carefully pins up Tracy's dolphin drawing. There's a lot more work to do, but it's already starting to feel like home.

[salt216000]

I saw a post today that made me quite upset. Normally I'd just ignore, but I read some of the tags and they upset me quite a bit too.

Username is cropped out because I don't want to make it seem like I'm putting 'em on blast, I just want to give my opinion on this.

Transfem headcanons of Gabriel are absolutely fine. Awesome, even. But not while putting down transmasc headcanons at the same time.

The post makes a really interesting and good point! Transfem Gabriel does work well with his narrative of growth and discovery of his own identity, especially as someone cast out of Heaven for not achieving the ridiculous standards they set. That is a really good notion that, yes, being entirely honest, I don't see as frequently from that angle.

But you do NOT have to say it is a 'failure of the fandom' and pin the blame on more people headcanoning him as transmasc. If you want transfem Gabriel content then you can make it: art, writing, musings, anything, but you don't have to put down other creators for projecting their own ideas and potentially their own experiences onto a character they like and relate to.

I'm going to preface this next part with: I am NOT disparaging against transfem Gabriel headcanons, or giving reasons as to why they shouldn't exist. All I am doing here is clarifying why people tend to headcanon him as transmasc. Francis Xie was hired by Hakita to draw concept art, and he is known for drawing a lot of artwork of Gabriel (some NSFW in nature, as a warning in case you decide to look for yourself), and in said artwork he depicts his headcanon of Gabriel being transmasc. Of course, this is not gospel, it is not officially canon and even if it was people are allowed to headcanon him as whatever they want, I only bring this up to help explain why the headcanon may be so popular.

More personally, I find it really gender affirming to have a character in the ballpark of masculine in frame and voice, but to see him wear more feminine clothing in official artwork without it being degrading. It's very nice to see a depiction of this to help push back against the reinforcement that masculine presenting people must conform to certain standards, and that's why I personally enjoy the headcanon too.

There are also a decent few characters that DO get more transfem rep: Mirage, the mindflayers, mannequins, V2, so I don't understand why it's a problem that it is the minority with Gabriel. I wasn't originally going to post this publically, but these tags pushed me to do so:

Username once again cropped out for the same reason as above. To be clear, these are NOT OP's tags.

I don't care what the original tone OP meant was, if it was joking or playful or whatever else, because the sentiment that that post gathered is absolutely wretched. I don't have much else to say about it without getting deeper into gender stuff that I don't want to extend this post with, but I'll reiterate my main point.

You can be upset that there aren't headcanons that represent a certain idea you prefer, but DO NOT put down others who have contrasting ideas in the same breath. If you want to make a post about Gabriel being transfem being a great narrative, go for it, no one will stop you, but do not fucking wrap in a 'transmasc headcanons are wrong and don't get it, and my headcanon is more correct', and at those tags in particular, do NOT treat transmasc headcanons like this, 'transmasc pandemic' is such an awful way to put it and makes me feel as though a line in the sand is being further drawn between transmascs and others who are not.

[arcadia-of-pluto]

More LADS ideas

Hey guys! I'll definitely write some more drabbles soon BUT I have a really good idea that I wanted to share with you all!

I'm not sure if it's been done before (and if it has, then that's okay), but my idea was to have a LADS x reader but the MC is still present. It's probably going to be difficult to workshop this idea– but I'm going to really try!

So my idea was that the reader (you) possibly just wake up in the game. Maybe in a field of flowers just outside of Linkon to really show that you don't belong here, instead of waking up in a nice, warm bed. It really sets in that you are stuck here and have to work your way from the ground up. In a world where the main character shares your name and appearance.

That's right, the mc is still going to look like you and have the same name as you, but that's where the similarities end. She will have her Anhausen Class evol while you...You'll have your own Anhausen Class evol, a direct opposite of hers and your level can be determined unlike her's (since her evol is unstable and the level can't be measured).

That's all the ideas I have so far, since I just wrote it all up, but I know what evol you'll have! I just don't know if I'll have it be a specific x reader or with all of the guys or just have an ending for each of the guys. I feel like it's going to be a bit difficult to pull them away from the MC since she's their reincarnated lover, but I'm going to try.

I also think it would be fun to have the reader think they've become the mc and then you see her from aware with one of the male leads and you're like "...what the fuck–". So then, you go into panic mode because you're worried they'll kill you if they see you. You realize that if someone wants to kidnap mc, they might kidnap you on accident. Stuff like that. It's honestly going to be a stressful ride, I feel. But I'm torn between the reader wanting to hide out and live a normal life, so you just get a job or trying to literally flee the country. Maybe living in Snowcrest would be fun. You could hide out there and live with the elderly doctor (I genuinely forgot his name) and his fox, Pie.

I definitely got to come up with more ideas before I can write this one though– let me know if there's anything you want to see! I've definitely been slacking on my oneshots, I haven't written in any of them since I posted their teasers 😞 but don't worry, nothing is discontinued! I'll work on them soon (or eventually)

That's all for now though! 🩷

Edit; now that i think about it, I'm going to add a poll for if the mc should look like the reader or not! Since some LADS mcs are just your ocs and you didn't model them after yourself. This information would definitely help me when writing this in the future, so if the highest result is "not looking like you" then I'll just come up with a name for the mc and describe her as "looking like your mc" instead of identical to you.

In retrospect, this is probably a dumb question, but I just wanted to make sure! Because, of course, it would be cool if she looked exactly like you and had the same name, but if she didn't, you wouldn't have to hide and try to disguise yourself so the male leads don't potentially kill you, you don't get kidnapped, people don't think you're her, and stuff like that.

Because it would probably be very difficult to get a job in a world you just wound up in. Especially if you have no form of ID or birth certificate, so I've got to really think about this tbh—

[balkanradfem]

Okay so I know I just hit you all with the controversial chestnut poll, but I have some new development in life that I want to complain about, and in order for me to complain about it, I need to give you the context.

I don't particularly want to give you the context. You're going to diagnose me with female socialization, and some of you will feel the urge to click the anonymous ask button and tell me off. Today I need you to fight that urge! I am feeling insecure, I am feeling lost, I'm not certain in my choices, I've acted without thinking, and got myself into a situation I can't control. So please don't be mean to me. I deserve to complain on the internet and not be called out, alright?

So this is the story of how I accidentally became a live-in caretaker for an injured, elderly woman. It's temporary! She'll get better, hopefully.

I worked for her occasionally, and she's always been kind to me. She would give me a little jar of jam sometimes, and I love little jars of jam, it's a way to win my heart. A few days ago, she called me in a panic, telling me she fell, and she needs my help. I came over, and found out she broke her arm in two places, and one of her rib is broken. She fell unconscious, after being dizzy all day, and fell on a big metal lantern, breaking it. She was now in so much pain she couldn't get up by herself, dress herself, or do any kind of household tasks. She went to the ER, got her arm wrapped up, and was trying to get a pain injection. I helped her get trough the day, and promised to come early next morning, to help her up from the bed.

Next day I found her in tears in her bed, unable to get up, desperate to go to the bathroom. It became clear she needed 24/7 assistance, and she asked me if I would move in until she got better. I said yes without thinking, because I was at this point, severely concerned, and wanted to do anything to help her out.

So this is all not so bad, right, I'm being normal, it's normal to offer help to an injured elderly woman who is nice, but there's a catch. She doesn't live alone. She lives with her older husband. Who is also disabled and can't help her at all. So in order to help her out.. I had to move into a place where a male lives. That is the worst part of this.

I'm still in the first few days of living like this, and my own life had to fall to the background. I can't go foraging for chestnuts every day, I can't go to my garden as much, I'm still going to work, just from her place. I'm overwhelmed and struggling to get used to the new situation. I'm not used to being around people at all, and now I'm forced to socialize almost all day. Caring for someone comes fairly natural! I'm already so in sync with her, she can just look in the certain direction and I know what she wants me to do. I've figured out where everything is in her kitchen, closet, and basement. She's pleased that I know how to do basic household tasks, and am willing to do it in her way. And she's nice, she's telling me things like 'thank you' and 'what would I do without you', which feels good. But I am very exhausted and sleep deprived, she wakes me up at 1am, and then 5am again, and I'm unable to fall back asleep in a room I lack familiarity with. I miss my room.

She and her husband said they were going to pay me, and in my natural ways, I said something like 'no you don't need to' which I feel like everyone will get mad at me for, but they did insist they would pay me anyway. I as usual lack the sense to care about money – someone's arm is broken, that's way more serious issue to me!

Alright so now to the part of the post I wanted to write, a fun poll where you guess, what has her awful husband done by this point :) go ahead and guess!

You have one day to guess! Which one of these scenarios happened in the first few days of his wife breaking three bones in her body. I'll tell you the correct option tomorrow!

[ninyard]

Okay I NEED some Allison headcannons

Here’s some ideas if you need any lol:

Like how does she help Neil feel more “normal” after everything that happened? I feel like Matt, Dan, and Renee would probably walk on eggshells around him for a while, even after Nathan dies and the championship game and everything, cause now the adrenalines over and now they have to deal with the aftermath. I feel like Allison would just treat him normally. Not unkindly, but give him a sense of normalcy, yk?

favorite ice cream flavor

How does she react to Seth’s death post-aftg? How do the rest of the Foxes help her process her grief about Seth? Cause from Seth’s death to the last championship game is about 8 months, and death (especially of someone you love) doesn’t just go away like that fast ofc

Favorite brands? (She definitely owns AT LEAST once juicy couture set)

Music taste?

How do you think her relationship is with the other foxes? What are some things that she talks about and does with one person, but might not do with another?

How motherly she is with Neil. Seriously we all know she dragged this boy by the ear to the mall so she can buy him some real clothes.

Some chaotic Allison cause this bitch (affectionate) definitely has done some crazy, weird shit

Girls night with The Girls!! (And Neil, he’s an honorary member)

her friendship with Andrew (srsly i so hc them being friends..they’re both judgy rude bitches (in a good way) so there’s no way they’re not like..secretly watching shitty reality tv together)

Sorry about how long this is! Make sure to go eat and drink some water Nin :)

-💜💜✨

YOU CANT DO THIS TO ME bc now i just. want to write about them all so

I feel like Allison wouldn't tiptoe around the things Neil's been through or done. She's been straight up with him before about all of his lies and how she doesn't/didn't trust him, so I think if there's something on people's minds, she's not going to step around it or avoid the elephant in the room. If she's pissed, she'll tell him. If she doesn't understand something, she'll say it. But I think Neil would appreciate that more than knowing people are talking about him but won't just come up and ask him something themselves. It'd feel more normal if she addressed it, rather than just leaving a tension in the air/nobody feeling like they can joke about it or anything with him.

Some sort of sorbet. She used to say something like lemon, but truth be told her favourite is raspberry.

God, grief works weird. I think she cried. A lot. I think she spoke to Bee about him a lot, and I think every time she heard his name or saw his picture it was like she was finding out he was dead all over again. I think it was really, really hard for her. As much as they fought, as much as they broke up and got back together again, he was her rock. He was all she had, he knew her. She doesn't really have family to rely on, she can't call her mom or dad up to be like "My boyfriend died and it's destroying me". I think it was a very lonely time for her no matter how much the team insisted they were there for her. (I would worry about her recovery in the immediate aftermath of his death - I like to think that Abby was really looking after her for those first few weeks to keep her on track and make sure she was being safe and kind to herself)

Youre SO right with the juicy couture. That's just such a given when it comes to this series. Maybe she wore Abercrombie and Fitch too but i don't really know any other brands from 2006 oops

She's a bubblegum pop girly i think. Probably fucked with Avril Lavigne and Rihanna at the time. In my head she's a girls girl so Kylie, Britney, Fergie, P!nk and Beyonce. All the ladies like that.

I've mentioned my thoughts on her and Kevin before and how their relationship as friends develops post-TKM but as for the others. I think Dan, Matt and Nicky are the ones she's closest with, but the first one she'll call for advice is Renee. I feel like Nicky is literally like her gay best friend and they're ALWAYS arm-in-arm. If she needs someone to go shopping with it's always him. They're always bitching and gossiping. Her and Aaron aren't very close, especially considering the choking incident, but I feel like they still appreciate each other on the court and still with hug and congratulate each other when they do well. I don't know about her and Andrew either. That's a tricky one, also considering the choking thing, but I know she's also not afraid of him, either. She sees what he did for her after Seth's death, and so that have a sort of mutual respect, but I don't think they're exactly friends. I feel like her and Neil would be pretty good friends, but aren't exactly going out of their way to hang out with each other.

I LOVE how much she cares about Neil. I think he's cute to her. I think she literally wants to pinch his cheeks and cuddle him even though she knows everything about his past and what he is capable of. He has that Wesninski smile and she's like AWWWW

Like. Listen. I do feel like Allison can be NUTS. I feel like if she didn't restrain herself she's the kind of girl to key someones car for cheating on her or pop someones tyres because they catcalled her. She'd fight anyone on a night out to stick up for her friends, even if she's just about blackout drunk, she's ready to fight. I feel like she's had one of those movie moments on the court where she screams. Like you know what kind of scream I'm talking about. One of those movie girl screams. She can be a total cunt if she wants to be. But most of the time she doesn't

okay i want to write more about the last two but im trying so hard rn to clear my inbox and drafts because i feel like so many ppl think i'm ignoring them so i will leave you with these few thoughts on Allison <3

[awkward-imaginations]

| A Spike of Uncertainty |

tetsuro kuroo x f!reader

The first time Kuroo saw you was when he noticed you sitting with Kenma, happily playing video games together. He would have been lying if he said he wasn’t surprised when Kenma mentioned he had made a friend on the first day of the new school year. He didn’t share much about you, but Kuroo knew you had just transferred to Nekoma High and somehow you had piqued his interest.

warnings/notes: highschool romance, fluff, slight angst, I do NOT write fanfictions or storys normally, this is a first, so I am generally sorry for everything. CRINGE. def will be cringe in some parts. I'm a big sucker for Kuroo, him and Kenma may be ooc but I don't care this is my silly story and I just need to get it out of my head so I can finally write my Master's Thesis in peace. Also, english is not my first language. This has been "proofread" by my friends (who are also non-native speakers, enjoy).

word count: 1961

former chapter | masterlist | next chapter

“No way!” Kenma snatched Kuroo's DS from you the second you took it out of your bag. You wanted to protest, but before you could say anything, the Animal Crossing tune started playing, “I've been dying to see Kuro’s Village since we left elementary school.”

“Kenma, give it back,” you reached out to grab the DS, but Kenma effortlessly dodged, his eyes already glued to the screen. The familiar chimes of Animal Crossing filled the space between you two, and Kenma’s expression softened into one of pure focus. “I’ve been waiting for this moment,” he murmured, barely noticing your frustration. “Kuroo’s always bragged about his village, and I finally get to see it.” His fingers moved deftly across the buttons. But before Kenma could navigate from the menu into the game, you knew how he would react. He took a deep breath and sighed. You mentally prepared yourself for the look of disappointment on his face.

“You started a new game?” His voice was emotionless, even more so than usual. Normally, he would be glaring angrily at you right now, but he continued to stare blankly at the top screen.

“Kuroo said it was okay.” You tried to placate Kenma, but each of your excuses was just silently dismissed. Even your remarks about how unspectacular Kuroo's village was and how he hadn't missed anything couldn't appease him. Kenma's day, maybe this whole week, was ruined.

Before you could dwell on Kenma’s disappointment any longer, the classroom door slid open, and Kuroo's voice cut through the tense atmosphere. “Hey, you two ready?” He strolled in, his usual confident grin plastered on his face. Kenma barely looked up from the DS, still brooding over the lost village.

Kuroo noticed the device in Kenma’s hands and chuckled. “Let me guess, you’re mad because Y/N-Chan wiped out my Animal Crossing legacy?” Kenma gave a slight nod, but Kuroo just shrugged it off. “No worries, Kenma. You’ve got bigger things to focus on now, like making sure we crush it at practice today.”

Kuroo turned his attention to you, his grin softening. “Glad you’re coming to watch us. We could use a good luck charm on the sidelines after the training break.” There was a slight blush creeping up his neck, and you felt your own cheeks warm in response.

“I’m just here to make sure you don’t slack off, Kuroo,” you teased back, trying to ignore the flutter in your chest.

“Is that so?” Kuroo leaned in closer, his voice dropping to a mock-serious tone. “I’ll have to make sure I show off a bit, after all. Don’t want to disappoint our special guest.”

Kenma finally tore his gaze from the DS, rolling his eyes at the exchange. “Can we just go already?”

“Right, right,” Kuroo said, straightening up but sending you one last playful wink. “Let’s get going.” Together, you left the classroom and made your way to practice.

After the two boys had changed, you entered the gym with them. Some of the boys on the court turned around curiously as you walked in. Kuroo raised a hand in greeting but kept his pace brisk, leading you straight to the others. “Hey guys,” he called out, a slight edge in his voice, “this is Y/N, Kenma's new classmate. She’s watching today.”

All eyes were on you now, and you could feel a slight wave of nervousness creeping in. Before you could fully process it, a small boy with a friendly smile broke away from the group and approached you. “Hey, nice to meet you! I’m Yaku,” he said, extending his hand warmly. “Don’t worry, we don’t bite.”

You smiled shyly, about to reply, but Kuroo quickly stepped forward, a subtle frown crossing his face as he swiftly pulled you away from Yaku. “Come on, Y/N-Chan, I’ll introduce you to the rest,” he said, his tone a bit more forceful than before. As he led you around, you could sense a slight tension in his posture.

The rest of the introductions went smoothly, and everyone greeted you with smiles, clearly welcoming you warmly despite not actually being part of the team. However, you couldn’t help but notice the way Kuroo’s gaze flickered back to Yaku more than once, his irritation barely hidden.

“You can sit over there,” Kuroo pointed to the bleachers, his voice softening again as he directed you. “That’s the best place to see everything.” And with everything he mainly meant himself.

“And if you have any questions, just let me know!” Yaku called out with a grin as he started to warm up with the others.

Kuroo shot a quick glance in Yaku’s direction, a slight crease forming between his brows before he turned back to you. “Just relax and enjoy the show,” he said, though his smile seemed a bit tighter than before.

Despite the slight tension, you immediately felt more comfortable. The guys were all nice and open, and it was clear they were a strong team that supported each other.

“Y/N, want to practice a few passes with me?” Yaku ran up to you after a few minutes with a ball in his hand, “we're an odd number of players and I thought just watching would get boring.” On any other team you would agree with Yaku, but here you had a good opportunity to watch Kuroo for a longer time without it being weird. Nevertheless, you accepted the offer with a smile. It felt good to be actively involved in the group.

The passes that Yaku tossed to you were pretty easy but you didn’t complain, he probably didn't want to overwhelm you. Besides, you were still able to look over at Kuroo a few times, who was practicing with Kenma and seemed to be talking to him on the side. “You're pretty good,” Yaku praised you after a few rallies. “Thanks, my friends at my old school actually played volleyball too. They always persuaded me to train, a bit like Kuroo and you now, although they hit much rougher balls than you do.”

Every now and then, Kuroo would give you a look, as if to make sure you were having fun. And every time you returned his gaze, you felt a slight tingle. Contrary to your expectations Kuroo was actually looking at you and Yaku because he wanted to make sure you weren't having too much fun with the Libero. “Man, I wish I'd gotten the idea of practicing with Y/N-chan.” He clasped his hands behind his head and Kenma's pass flew right over him.

“I didn't think I'd ever have to tell you this but Kuro... Focus.” Annoyed, Kenma went to fetch the ball only to hit it over his inattentive captain's head again immediately afterwards.

“I don't get it, she's not even his type.” You were in fact not Yakus type but he saw the opportunity to unsettle Kuroo and took it.

“Then you don't have to worry about it.” Kenma sighed, retrieved the ball and started to serve, but stopped in motion. He mustered a glance at Kuroo, who was still staring over at you and Yaku, clearly distracted. He couldn’t remember the last time he had seen his captain so unsure during practice, especially over something—or rather, someone—like this. Usually, Kuroo was the one pulling the team together, his sharp eyes always on the game, on strategy. But now? Now, he was missing passes that even first-years wouldn’t let slip by.

Kenma sighed internally. “I told you you'd be annoying about it,” he muttered under his breath, just loud enough for Kuroo to hear.

Kuroo snapped his attention back to Kenma, blinking as if coming out of a daze. “What do you mean? I’m not being annoying.”

“You're not? You’re letting balls fly right past you,” Kenma pointed out dryly. “And you keep staring at Y/N like she’s going to disappear if you don’t.”

Kuroo rubbed the back of his neck, a sheepish grin forming on his face. “I’m just... making sure she’s comfortable, you know? It's her first time here with us. Gotta be a good captain.”

Kenma rolled his eyes, his usual indifferent tone laced with a hint of sarcasm. “Yeah, sure. That's what this is about.”

Kuroo dropped his hand, letting out a small huff. “I just didn’t expect to see her getting along with Yaku so easily, okay? It’s... different.”

“You’re overthinking it,” Kenma said, tossing the ball lightly at Kuroo. “She’s here, she’s having fun. And she’s not going anywhere, unless you keep acting weird and scare her off.”

Kuroo caught the ball, looking at it for a second before letting out a small laugh. “You’re right, I’m being ridiculous.”

Kenma gave a rare, almost imperceptible smile. “Yeah, you are. Now, I never thought I would say this, but can we please get back to practice?”

Kuroo nodded, the tension easing out of his shoulders. He tossed the ball back to Kenma, a more focused look settling on his face. “Alright, let’s do this. No more distractions.”

Kenma gave him a final, pointed look before serving the ball. “Good. And maybe try not to look like a lost puppy for the rest of the day.”

Kuroo chuckled, positioning himself for the next pass. “I’ll try my best.”

With that, the easy rhythm of their movements returned as Kuroo finally managed to push his thoughts aside. He couldn’t help but glance over at you one last time, just to see you smile as you hit another one of Yaku’s passes. But this time, when he looked back at Kenma, he was met with a raised eyebrow that clearly said, Focus.

In the two weeks since that first practice, you’d found yourself at the gym nearly every day. What started as an excuse to hang out with Kenma and Kuroo had quickly become routine—afternoons spent watching practice, evenings split between studying with Kuroo or gaming with Kenma. It felt natural, like you’d always been part of their rhythm.

One evening, after the team had left, you and Kenma sat outside on a bench, waiting for Kuroo to finish his meeting with the coaches. Kenma, having switched from his PSP to an old DS—thanks to you snagging Kuroo’s—was quietly immersed in another game. The only sounds were the occasional soft beeps from the device or the quiet laugh you’d share when one of you messed up. It was a peaceful kind of waiting, the murmur of voices from the gym a distant background to your silence.

Kenma didn’t say much, as usual, but every now and then he’d glance at you out of the corner of his eye, as if he knew something was on your mind.

When Kuroo finally emerged, he looked directly at Kenma, who hadn’t even noticed his best friend approaching. “We’re going on a trip next week. Coach Nekomata has organized a training match with a team from a high school in Miyagi. Karasuno, I think.”

You nearly choked on your iced tea when Kuroo mentioned the name, startled out of your thoughts. Fortunately, he didn’t notice, too focused on Kenma as he rambled about old rivals, crows, cats, and a ‘dumpster battle.’ You weren’t sure if you’d heard correctly or if the choking had thrown off your hearing, but it all sounded a bit dramatic.

Kenma’s gaze slowly shifted to you, his eyebrows narrowing slightly in thought. “Miyagi? Isn’t that your former prefecture, Y/N?”

As Kenma said your name, Kuroo finally turned to look at you too. Your throat still tickled from the sugary drink, so you just nodded, pressing your lips together.

“Is it?” Kuroo teased with a grin. “Wouldn’t it be funny if you went to Karasuno?”

You managed a nervous smile, “Yeah, wouldn’t that be funny?”

[loadedberetta]

5 Minute break // Ghost x Reader (fem no body desc)

cw mentions of smoking, guns and shooting

You planted your back against the tall brick wall just below the sign that proclaimed this very spot as a smoking area. A tall tree hung over the top of the wall, shading the whole parking lot. It filtered out most noises of the city, making the inner courtyard a cosy little space. From the other three sides, a tall, glassy apartment building encased the little asphalted eden. Smoke almost always rose from the spot you stood at, as all the people working in the multi-storey office building came down to have a break. As you did too. But the people close to you in the office knew you didn't smoke, and stopped offering you cigs long ago.

"You wan' one?" A new voice asked from moderately far away, as you just finished guessing the daily word in the game on your phone. As you registered someone coming closer to you, you looked up. He was a Brit, comfortably in his 40s. If you wouldn't have been an expert in men his age, you would have easily taken him to be a bit younger.

The thick but carefully trimmed locks of dirty blonde hair suited him, sometimes even falling towards his forehead, covering some of the gathering wrinkles below them. His browbone directed your gaze down to his eyes, brown pools of mature coyness. If dark chocolate, coffee, and brown leather had a lovechild, it would be that colour. His nose bent in a sharp line, that set a commanding effect to every small movement with his head, you imagined. Disappearing below a cloth mask that was pulled up to cover his ears halfway too, hid an angular and sharp face; that was all you could figure out before he pulled down the mask. His mouth angled downwards, pink lips contrasting the scars littered across his face, one particular one tearing into the supple flesh of his upper lip.

You noticed yourself staring when he disrupted the line of his mouth with the white, slim body of a cigarette. It stuck to his mouth as he spoke:

"Hey, I asked d'you wan' one? You look like you need it."

Shaking your head a little, you looked up embarrassed, to meet his inquisitive eyes. As soon as you saw he read your gaze, his crow's feet deepened, and he nudged your limp hand beside you with the box.

"Take one."

You finally found your voice again. Or so you thought. The words came out breathy and cracked.

"I don't smoke, thank--" You coughed into your elbow a few times, thanks to the small amount of saliva that you inhaled when trying to clear your throat. So much for first impressions. He didn't bat an eye, but his hands did stop mid-air.

"No, it's fine, light it." You told him after clearing your throat one last time. He lowered his hand, however.

"I'm fine actually. I'm… trying to quit."

Looking up at him with sorry eyes, you flashed a weak smile at him, not knowing what to say. He pulled out the box again and put the white stick away. You had just noticed how he was wearing all black. Boots, trousers, and shirt. All black. Something still showed through it all. A concealed bulletproof vest was comfortably hugging his frame. And to top it all off, the belt you mistakenly took for a utility belt until now, holstered a standard issue pistol, some cuffs, and other accessories of a security officer.

"…head security officer."

Dumbfounded yet again by him in the last two minutes, you looked up at him, meeting his eyes that harboured a strange darkness in them, as if they could tell a thousand stories.

"I'm the new head security officer. Simon Riley."

Finally coming to your senses, you managed to answer without swallowing saliva into your lungs. In the next moment, you had to realize though, that you have in fact swallowed nothing into your lungs. It felt as if he created the air unbreathable around you but in a good way. When you realized you were supposed to tell him what you were doing at the complex, his hand was already out to shake yours. You barely managed to blurt your own name back. He practiced it once, and a small smile settled on his face as he pronounced it back correctly.

"I'm… the sales director at John Rigby on…"

"…the third floor. I know."

Ah, he probably knows it from…

"…the safety briefings. I had to learn the place from the inside out, including all the people who work here. It's sort of… compulsory." For the safety company. A gun manufacturer's sales office is a bit conspicuous and would stand out for every trained eye. Just like his, as they were surely trained on you. From the first moment, he was surveying you. Breaking you down to sheer components, and putting you back together, without as much as saying a word. And you could deal with him, picking you apart. You wanted to remain composed and divert his attention from your features, so you commented snarkily on his appearance:

"Why have you got a safety vest then, and I don't?" You crossed your arms, coercing your delicate breasts upwards, forcing him to choose between talking while looking into your eyes or talking and staring at your tits. He chose the obvious third way, and darted his eyes with painful precision across your body, raking in every last drop of the sight.

"Because bodies like yours don't get shot at." When the compound higher-ups hired this new company, you had high expectations. Optically, they were in the clear so far, and you filed away that for later.

"And what if they do?"

"Then we did our job fucking poorly." He said with a hint of swagger, yet still sounding responsible and capable. After all, he was your new security officer.

After a moment of silence, you decided your break was up. If you spent any moment more out here, you were sure your clothes would have melted off of you, you were so hot. Despite the sun not being able to reach you through the high concrete walls around the spot, you felt hotter than ever, a damp patch growing in your panties with each passing moment prompting you to leave urgently.

For now... As you knew you hadn't seen the last of him yet.

my first long-ish work in a hot minute, I'm very insecure about it. have at it I have more thoughts on security guard Ghost. not betad by a long shot; it might contain some mistakes for which I apologize, this was like a year-old piece I renod

[inkskinned]

you wanted to be a good friend, because you loved your friends, but the truth was that everyone else somehow had a pamphlet on being normal that you never received. most of the time you learn by trial-and-error. you are terrified of the next big mistake you make, because it seems like the rules are completely arbitrary.

you've learned to keep the prickly parts of your personality in a stormcloud under your bed - as if they're a second version of you; one that will make your friends hate you. it feels feral, burning, ugly.

instead, you have assembled habits based on the statistical likelihood of pleasing others. you're a good listener, which is to say - if you do speak up, you might end up saying the wrong thing and scaring off someone, but people tend to like someone-who-listens. or you've got no true desires or goals, because people like it when you're passive, mutable. you're "not easy to fluster" which is to say - your emotions are fundamentally uninteresting to others around you; so you've learned to control them to a degree that you can no longer really feel them happening.

you have long suspected something is wrong with you, but most of the time, googling doesn't help. you are so-used to helping-yourself, alone and with no handbook. the reek of your real self feels more like a horrible joke - you wake up, and, despite all your preparations, suddenly the whole house is full of smoke. the real you is someone waiting to ruin your other-life, the one where you're normal and happy. the real-self is unpredictable, angry.

your real self snarls when people infantilize the whole situation. because if you were really suffering, everyone seems to think you'd be completely unable to cope. but you already learned the rules, so you do know how to cope, and you have fucking been coping. it's not black-and-white. it's not that you are healed during the other times - it's just that you're able to fucking try. and honestly, whenever you show symptoms, it's a really fucking bad sign.

because the symptoms you have are ugly and unmanageable for others. your symptoms aren't waifish white girl things. they're annoying and complicated. they will be the subject of so many pretentious instagram reels. if they cared about you, they'd just show up on time. you care, a lot, so deeply it burns you. you like to picture a world where the comments read if they loved you, they'd never need glasses to see. but since that's a rule you've seen repeated - "one must never be late or you are a bad friend" - you constantly worry about being late and leave agonizingly early. there are no words for how you feel when you're still late; no matter how hard you were trying.

so you have to make up for it. you have to make up for that little horrible real you that you keep locked in a cabinet. you are bad at answering emails so every project you make has to be perfect. you are weird and sensitive so you have to learn to be funny and interesting. you are an inconvenience to others, so you become as smooth as possible, buffing out all the rough parts.

all this. all this. so people can pass their hands over you and just tell you just the once -how good you are. you're a good friend. you're loveable.

[quatregats]

Something I've been thinking about is how Patrick O'Brian manages so skillfully to write characters whose actions contradict their beliefs, which I think is honestly a big part of why his characters feel so real. Mostly with Stephen and Jack—e.g., and perhaps most notably, Stephen has notably leftist sympathies (honestly I have no idea how to characterize his politics in period terms) who nonetheless becomes very comfortable with his rise to the landed gentry, while Jack is a card-carrying Tory who much of the time sympathizes far more with working class sailors and farmers than with the upper classes—but I'm sure he does it to a lesser degree with some of his minor characters (James Dillon, while perhaps not precisely minor, comes to mind), and I love that he's able to do that, especially the way in which he embeds it in the narrative. We see how they're all unreliable narrators of themselves; we understand how they want to be seen and how that does and doesn't coincide with the reality, but most importantly, this isn't presented as something reprehensible, just as a part of their own humanity. They are not their expectations for themselves, but they don't need to be those expectations to be beloved.

[crownedwille]

.

[fitzrove]

todolf iceberg

[soot-and-salt]

The gothic radioapple series has been named!

Introducing "We Should've Been Enemies": A lush, bloody radioapple gothic horror/romance that takes place in a strangely sentient Hazbin Hotel...

The title is taken from a song by dark industrial noise band HEALTH called "BODY/PRISON". It's a droning, eerie little piece of music about faith, pain, and betrayal. I thought the vibe of the song was fitting as well as the title, since by all rights Alastor and Lucifer shouldn't get close. It's dangerous. They SHOULD have stayed enemies. But, well, fate and a certain hotel conspire against them.

If you want to subscribe to the series, the link is below. A third fic should be coming out in the next few days and who knows what else might be on the horizon.

(Low key it feels a little silly to be like ta da~ here is a series for my dumb fanfiction but in my defense I'm very bored at work today and it was bothering me. Let me know what you think of the new title! And definitely give the song a listen if you've never heard it before, it's a real good time. Well, it is if you like dark brooding goth noise and ethereal, whispery vocals.)

[zeb-z]

ok listen. you're badboyhalo and having the worst week of your life. you're willing and wanting to give anything, anything, to get your kids back. forever, your crush/enemy/friend/date partner?/ president sits you down and asks you to marry him. he's on a drug that makes him manically happy and has an extreme level of brainwashing for federation purposes.

you consider for the briefest moment saying yes, because you're drowning in your grief and hard in bargaining, but it won't do anything to help bring the eggs back, forever doesn't know anything. forever wants the eggs back as much as you do, the real one at least, you know this.

you're surrounded by roses. you ask him what you can do to help him, what he needs, asking the forever that you know is in there somewhere. any other personal feelings aside, he's your friend and he clearly needs help. he asks you to marry him again. he tells you to stop making some noise that he's clearly hearing through auditory hallucination. you just want your kids back, you keep telling him this, until he snaps and starts shooting mines under both of you.

forever is still out of his mind. your kids are still missing. the roses are burning.

bad said no to the proposal, of course he did. that's not forever, the kids are gone, this is no time or place for such a thing even if forever was himself. but I don't think forever asked because he feels "opposite than what he usually feels" under the pills. he's manic and under the influence and half brainwashed - he wants every day to be the best day.

and how heartbreaking is that? that bad is only being proposed to while forever is out of his mind. that forever wants bad to say yes because that would make the day the best day ever for him. that under any other circumstances, on that bench with the roses all around them, it might have been something good?

[lighthouseshepard]

.

[draconicace]

watching a playthrough of indika and though i haven't finished it yet, i think pathologic and disco elysium fans would really like it.

you play as a hallucinating nun named indika with a voice in her head and everyone at the monastery hates her, to the point of sending her away on a dangerous letter delivery. early on, she meets ilya, a guy who really wants to get his arm fixed via religious miracle.

flashbacks are done in retro-style video game graphics, and the rest of the game is done in a 3d-realism style. sometimes things in the background are very big and sometimes indika gets to operate a crane. it's set in 19th century russia. there's a giant dog that chases you. important questions are asked, like: 'do the ends justify the motivations? who gets to have free will? can you love without a body? can you measure sin?' and many more quandaries to think about. the setting and framing of certain shots is impeccable.

i don't want to say any more to avoid spoilers, especially about the characters, who are really interesting. be aware of content warnings, but the game (as far as i've seen) isn't voyeuristic or sensationalist about anything. give it a try perhaps