Tumgik
#I dont even remember the context behind this one
cornalicious · 5 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media
library of ruina if it was good
2K notes · View notes
vermilionangel · 9 months
Text
Tumblr media
2 notes · View notes
chaepink · 4 months
Text
Tumblr media
Money, Money, Money! | sub!izuku midoriya
Tumblr media
wc: 1.3k+ words | masterlist
dom!gn!reader, sub!pro-hero!izuku, sugar daddy x sugar baby relationship (reader is the sugar baby), degradation, bondage, financial domination, shoe humping, use of vibrator toys, gagging/choking, not really proof read
note: anon wanted the character to be changed to delu for context
AND GOD DAMN AM I PROUD OF THIS ONE
Tumblr media
"Do you like it, baby?" izuku lifts his head up, his hazy, glassy eyes staring at the way the new outfit you just bought today looks on you. it looks incredible but he isn't able to voice that thought out, not when you've attached a ball choker around his head and in his mouth which prevents him from saying anything.
You smile when he nods eagerly, taking your sweet time to pose for him so he could see the entire outfit. Though you take longer than usual to do so, just so you could tease him.
You walk towards him, each loud step of your shoes on the floor making izuku's heart race at what going to happen next.
When you've reached him kneeling on the floor in front of the bed, you lick your lips at the delicious scene in front of you.
Drool is dripping down izuku's mouth as it drips onto his legs and even on his leaking cock. a vibrator toy sits attached to his hard dick, waiting to be turned on. his hands are tied behind is back and you dont even need to tie his legs apart, izuku is obedient enough to do that himself. His body is fully revealed to you and if you were to see him from behind, you would be able to see a vibrator toy in his ass too.
You coo at him. "look at you, already leaking like a whore when i haven't even touched you yet." Izuku whimpers but you see the way his dick twitches at your words, his face flushing a bright red. He’s been in this position for a hour now and his dick has been hard almost the entire time. everytime he moves, his dick bumps against his stomach and he can't help but let out a moan each time.
"what? don't lie, you really are a whore for me." You stand in front of him, looking down to stare at the hearts in his eyes. "after all, you let me do all sorts of stuff to you." You chuckle before remembering something.
"oh right! i almost forgot about the toys on you, let me just grab the remote it came with." You reach for the nearby remote before reading the instructions carefully. You just bought the toy today for him and you were eager to test it out, wanting to see all the reactions it would emit from izuku.
"they both came together so i assume they're connected somehow." You quickly scan the paper.
"it says here.. that if i press this button-" You press a button and izuku sudden jerks forward, his eyes widening and tears immediately prickling his eyes. He whines and shuts his eyes. You can hear the sound of vibrations and when you glance at the one attached to his dick, you see the way its vibrating.
Holy shit. You assumed it was going to work well since it costed quite a lot but you didnt know it would work this good. Izuku’s face scrunches up and you realize you started the vibrations on high but you don't move to lower it.
A muffled gasp escapes from him as the toy in his ass immediately hits a spot in him that makes pre cum spurt out of his dick. You watch in amusement as izuku quickly falls apart at the feeling of being played with from both sides. He can't think properly on whether or not he focusses on the pleasure coming from his dick or his ass.
Drool escapes through the openings of the choker and he stares up at you with glassy eyes, pleading you to take it off. And so you do, you want to hear all the adorable noises he lets out obviously.
Though when you move towards him to do so, you purposely bump your leg against his dick, pressing it against his chest. Izuku lets out a cry at the friction.
You’re then surprised to see cum shoot of his dick, staining his chest. You watch in shock and disbelief but izuku is quick to apologize now that the choker is off him.
"s-shit [name] ah!" Izuku whimpers when his dick immediately becomes hard again and he realizes you haven't turned off the vibrations. If anything, he feels you increase them, making him widen his eyes.
"wait! i-i didn't m-mean ngh to c-cum!" You narrow your eyes at him and you suddenly grab a fistful of his hair to yank his head back.
"but you did cum anyways, didn't you? without my permission too like a brat." Izuku hisses at the pain and shuts his eyes. He slowly nods, not wanting to disobey you.
He feels you let go of his hair and stare down at him with narrowed eyes. You’re looking at him like he’s some dirty plaything for you and while he is, fuck do you look hot doing it.
You feel some movement against your leg and you stare down, seeing his dick move against your leg. Izuku must be doing it subconsciously because when he follows your gaze, he gasps and stutters out another apology but you quickly cut him off.
"what, you want to hump my shoe or something? you want to be a dumb whore for me?"
Izuku bites his lip but he then nods eagerly and you let out a small laugh. It’s addicting, really. The feeling of having such power and control over someone who could easily overpower you. He could break out of the bondage right now but you know he won't. You know he wants to be a good boy for you.
You stick your foot out in front of his leaky dick, presenting your new fancy leather shoes that izuku assumes are really expensive.
Well he knows they were expensive actually, he bought them for you for you twos anniversary recently.
With almost no hesitation, Izuku begins grinding his dick against your shoe, groaning at the friction of the rough material against his sensitive member. He can’t help but lean forward to lay his cheek on your thigh and stare up at you as he falls apart from your shoe. You feel the way his dick vibrates from the toy attached.
“F-Fuck ah! Y-Your shoe feels s-so good, baby.” You giggle and lean down to wipe the drool from the corner of his lips, making his eyes flutter.
Since he’s still sensitive from his first orgasm, his second one quickly approaches and he’s quick to warn you. He lets out a groan as he stares up with you with glassy eyes and you already know what he’s asking for as his mind is probably too foggy to even ask or think properly.
You play with the remote in your hand before turning the toys to its highest setting, making Izuku let out a choked whimper.
“Go on, baby. You’ll be a good boy and cum for me right? You finally asked for permission this time.” Izuku nods rapidly as his pace against your shoe speeds up even more. He suddenly lets out a cry as cum shoots out of his dick and stains your shoe along with your lower leg.
You feign a pout. "my shoe is all ruined now!" Though izuku doesnt seem to care, only continuing to rut again your shoe even though he just came for the second time. The pleasure must've gotten to his head, you think as you watch in amusement. You glance down and see as his cum drips down your shoe and onto the floor underneath.
You use a finger to tilt his head upwards towards you, a small grin on your face. "but you'll buy me a new pair right? you'll be a good boy and do that for me, wont you?"
Izuku stares up at you dumbly, hearts practically in his eyes. He nods eagerly.
"anything for you, [name]."
Tumblr media
ty for reading to the end! ❤ - chaepink
╰┈➤ masterlist | rules
1K notes · View notes
bazoonga-bazinga · 2 months
Text
watching tua s4 knowing fully how its going to disappoint me rn and something that keeps bothering me is just how awful it is that they dont show what happens during the 6 year time skip.
like in season 2 we get to see an abridged version of how everyone got to where they are. this allowed for me as viewer to at least undertsand the reasoning behind the siblings' actions and conflicts. but in season 4 there is just none of that.
instead we only get to see the after of the timeskip. Whatever bits we do hear abt the time in between are extremly limited because they are things that are told to us from biased/flawed/one-sided perspectives. I as a viewer do not get a clear idea of why any of the 8 charcters of the main cast change the way they do becuase i am never shown how this change ocurred. its more i am told things and have to accept because of the 6 year gap.
lila and diego's strained marriage is actually i think the only they showed without telling to an extent. but it still would have also been nice to see thier struggles transitioning to suburbia and would also aid me to better understand why neither of them tried to find an adequate balance in the 6 years. also like why is diego working as a delivery driver? in my mind it makes more sense for him to be a mediocre private investgator or something like that? idk just some more context behind the tension and thier decsions (especially lila dear god dont even get me started) would have been wonderful
viktor's journey to Canada and his distancing from the others sounded interesting and i would have loved to see that on screen. he clearly is unable to form long lasting intamate relationships and showing his life in the time gap would have been a great way to show his journey of accepting the loss of sissy.
allison was definitely hit hard by the lack of explanation. i understand the scheduling issues with raymond's actor but it truly was a heavy blow to season 3 allison actions when they just said he left with no other explanation. most of her conflicts in season 3 were motivated by the loss of claire and raymond and you are telling me she just lost 50% of that a year afterwards? and like this doesnt get mentioned until episode 3??
i actually enjoyed klaus's shift to a risk averse person and it did make sense to me after losing his immortality to become more aware of not only his but his loved ones mortality. the biggest glaring issue is the one everyone has talked about: the lack of dave. i think if they had shown klaus trying to find info on dave and/or even visiting his grave in the timeskip it would been fine with me that he wouldn't mention dave that much. but the dog tags being on screen and him not saying anything is actually inasne??? also it sounds like there was definitely more to his sobriety than what they have told sad that we didnt get to see that storyline....
everyone has said thier piece on how luther just mentioning sloane and then no other explanation is actually awful. like a simple flashback fo luther searching and finding sloane living a different life would have been better than them giving us nothing💀
ben i actually have nothing to say...it would have been silly to see the crypto scam ig. also an explanation of why they even showed the other ben the post credit of the s3 finale i think is warranted. like even a mention of yeah there is probably another ben who belongs to this universe walking around would have been okay ig
five oh where to even begin.... first of all how tf does a person who isnt even in thier 20s even get a gig at the cia. i know they said some bullahit abt five being a part of a relative young group/recruit (cant remember the exact wording) but like a person who is younger than 19 getting a job at the cia is a bit much. also i actually refuse to belive that five wouldn't have figured out his boss was part of the keepers there is just no way. after the handler and reggie i refuse to belive that five would lose his suspicion towards authority figures. i think the only authority figure he has ever listened to was the founder version of himself and even that took time. like if you want me to believe that bs then show me how five turned his brain into mush in the 6 year time skip. either that or show how me his loneliness in those six year because from what i have right now five worked at the cia and that is it nothing else. like from what i have been told by the show nothing else happended to him besides working. which if thier implication is that he was only working and drifted apart from his siblings that message was not clear enough to me as viewer and would have been alot clearer if i was shown such as thing.
65 notes · View notes
starry-bi-sky · 26 days
Note
I'm slowly becoming obsessed with the childhood friends au and it's mostly bc of something you said in the tags of an ask lol. you mentioned that they weren't soulmates they were something better. that they were two balls of yarn they batted around until they were intertwined, that they chose and continue to choose to be as close as two souls can be.
it's so poetic, the idea that fate has nothing to do with it. they looked at each other and said this is it, that's the one. It makes me think of so many different quotes but here's just a few. Hozier "lay me gently in the cold dark earth, no grave can hold my body I'll crawl home to her (him)" or like patroclus saying that if Achilles were to die that "all things soft and beautiful would be buried with him" and poor Danny grieving so long and so hard because "what is grief if not love perserving?" when you're in love with someone, that person is the lighthouse of your universe and to lose them is to be thrown to a tempestuous sea.
and thinking of their reunion makes me feel a little crazy too cause I see what you've been plotting and it just makes me think of how their relationship is going to be at first. like here's a person that you love so deeply and it's been so long since you've seen them and you've both changed since. will they click back together seemingly effortlessly? attached at the hip for a bit because they're both/or one is scared of being separated again? or will there be some friction for a while while they try to realign their pieces to fit together, to figure out what's different and what's practically the same? "you are a language I am no longer fluent in but still remember how to read"
sorry for rambling, I love them your honor.
🫵 DONT YOU DARE APOLOGIZE FOR RAMBLING I LOVE GETTING RAMBLING ASKS. AND SAME.
There was this one sound on tiktok that I heard that reminded me of them, and I just went and found it, and it goes: "I would recognize you in another lifetime entirely in different bodies, different times, and i would love you in all of this. Until the very last star in the sky burnt out into oblivion." and the first time i heard it i literally thought "this is CFAU Danny and Jason"
AND YEAH THEY JUST. I love devoted characters, i love when characters are so deeply devoted and loyal to each other its like you can't imagine them being anywhere else but at each other's side. That wasn't wholly my intent when I first came up with CFAU last fall, but god I am not complaining about how it turned out. My favorite part of the chapter 1 rewrite is making sure Danny's devotion to Jason was reciprocal.
god those quotes. they're so accurate too. yeah. i thought about this au once in the context of a soulmate au, and just couldn't get behind it. It made their whole dynamic felt cheapened, like of course they're soulmates; it was destined. When no, it wasn't. They made it that way.
(If the two of them were somehow transported to a universe with soulmate marks, they would not have matching symbols. That's okay, Danny and Jason don't need them to be. They'd pick up a tattoo gun or a pen and make their own. They wouldn't call it a soulmate mark, just a them mark.)
("Why should I share my soul with some schmuck I don't know? I want to share my soul with you.")
yeah. their reunion is. ! about as exactly as intense as it needs to be :]. They've both changed so much, and they're both scared of being separated again. Jason purposely stayed away from Amity because he knew he couldn't keep away if he didn't. Being back together again is like having a piece of them returned.
SPEAKING OF QUOTES. Here's one:
I don't believe in the death that you're bringing The reason I'm living is you Wherever you go That's where I'll be Even if death tags along, I don't mind It's still you and me I'll never leave you alone
"Death's At My Door" - The Outsiders Musical
75 notes · View notes
notmyprey · 1 month
Text
Guys, Im taking this into my own hands. There's not enough Ninjagº (sfw) vore writing, so I shall add to it :)
Context/Content Warnings
Contains: Some (SFW) Vore towards the end, a hella lot of g/t, bad injury (but not like- gory descriptions), and many many personal headcannons. One mainly being I kinda ship Zane×Cole. But if ya wanna see it as platonic, I have written it so it can be interpreted as such too.
This is very self-indulgent if you cant tell....
This takes place between seasons 4 and 5. I've not seen any season past season 10 or 11, I can't remember exactly, so yeah.
Also, important personal headcannon for this fic: Zane kept his more human looking form, not cause I dont like his titanium form. I just like my drawing design I made
Btw it's in first person, so it's hard to tell, but the person who is the pov is Cole-
Fic under cut:
It was a normal fight, honestly nothing special. Just defend the Bounty from a few wannabe villains. That's all we had to do. But it's never that easy, not for us.
Our ship wasn't soaring the clouds today nor parked near the city, but rather parked near a small mountain. We went there in search of a few caves that we were told housed a potentially dangerous artifact. Our plan was simple.
Get in, get out, and destroy the object.
But as we parked, and some treasure hunters flooded the Bounty, we didn't take the time to notice the ground beneath us, or rather lack of. That's where a large pit sat, unnoticed and waiting.
Among the commotion, I started a tussle with one of the bandates near the edge of the ship. She shoved me against the railing, knocking some air out of my lungs. I was quick to retaliate, sending a swift kick to her gut and sending her a few feet backward. Another swift kick, and she was out.
Before I had time to catch my breath, a panicked shout drew my attention. Zane had gotten cornered, 5 treasure hunters surrounding him.
I pushed myself forward, ignoring my still stinging lungs. Of course, they would go after Zane first, I thought bitterly. He was made of metal, and to them, an item practically begging to be sold. This is the third batch of these guys we've run into this week, and I still hated that was how all these treasure hunters and collectors saw him. I hated it with every fiber of my being.
As I got closer, Zane managed to kick one my way, prompting me to, instinctively, punch them, thankfully knocking them out. Now we were 2 against 4. This got the rest of their attention. I smirked. Something about it felt good, watching Zane fight back. It was almost like he was getting back at them in a way, but I knew that was very unlikely intentional. Zane had a heart of gold, with an intent to hurt no one if avoidable.
As these thoughts played in my mind, I didn't notice the large footsteps behind me. In an instant, someone behind me grabbed my shirt. They were much bigger, so much bigger than me. I couldn't even react before I was in the air. They flung me back but kept their grip on my shirt. I was slung forward, then their hand let go, and suddenly, I was flying in Zanes direction. Treasure hunters dove out of the way just before I landed on top of Zane, knocking him and I onto the ground. Due to the way I was thrown, my head took the majority of the impact.
My head started throbbing instantly. All of the aches and pains I had suppressed until now were showing full force. Each breath burned, making me think I broke a rib. I tried to get up, but I felt my consciousness slipping.
My ears were ringing, but I still managed to make out bits and pieces of Zanes' voice.
First, Zane muttered something I couldn't understand. But his next question was one I was all too familiar with.
"Cole, are you ok?"
I could only groan in response. With that, everything started to blur. I couldn't push myself off of him, and I knew the quicker he was back on his feet, the better this would be for the both of us. Thankfully, Zane understood what was happening and pushed me off himself. He didn't give me the grace of placing me down too gently, but I dont blame him. He had bigger problems.
Now that I was on my back, I could see bits of movement, a large figure was starting towards us.
I couldn't see anyone else, Kai, Jay, Lloyd, and even Sensei were all nowhere to be found. My blood went cold, and momentarily, my heart stopped beating. Had something happened to the others?
No matter how hard I fought to get up, how much I told myself I needed to keep fighting, I was starting to loose consciousness. My eyes started to close on their own, and I soon felt myself getting lifted into the air once more by the larger treasure hunter. The last thing I remember was falling. Between the pressure change and my pre-existing head trauma, I couldn't stop myself from passing out before I even hit the ground.
Where is Zane?
I shot open my eyes, a swelling sense of panic rushing over me, but to my surprise, I couldn't see anything. Where am I?
I felt terrible. I think I broke my leg, maybe my arm too. I rolled over, helping relieve the pressure off both of my most likely broken limbs. There was a light far above me, but I couldn't see anything else that would help me figure out where I was. I couldn't get up, I couldn't see anything, I couldn't even speak. All I could do was lie and wait.
For hours, the shadows jumped at me, making my heart race in my ears. I knew I couldn't do anything, and that made the dark that much more terrifying. It was sufficating, how dark and alone I felt. Seconds felt like hours, and hours felt like days. No matter what I did to calm my anxiety, nothing helped. All I could do was lie in the silence and pray someone found me.
"Cole?" I heard Zanes voice calling from above. My heart leaped out of my chest, tears forming at the corner of my eyes from gratitude. He had found me.
"Here." My voice barely even came out.
After a few long moments, I felt the ground beneath me shake, and a loud thud echoed beside me.
"Cole?" This time, Zanes' voice echoed through my very core. My good arm instinctively went to cover up my eyes and ears.
I felt the earth shake a bit more, then a gasp echoed somewhere above me. Slowly, a blue light was brought closer, one I recognized as Zanes eyes. I loosened up upon that realization, unfurling and opening my eyes once more.
It took a moment for my eyes to adjust. I sucked in a quick breath once I could finally see again. Zane towered over me, his meer hand was about as long as I was tall. I wanted to move away, but seeing that about half of me was broken, that was not an option. Slowly, he crouched down. Then gently he put one of his hands down and softly plyed his fingers under me. He lifted me up a bit, then placed his other hand under me as well.
"Cole?" He paused, a bewildered expression plastered on his face, "Cole, can you hear me?" His voice was a wisper now, but even his wispering seemed to completely surround me.
Between the shock of this whole experience and my hurt ribs, I was finding it increasingly harder to speak. I couldn't find my voice. The only thing that came out of my mouth was a pathetic squeak.
His thumb rose and started to brush over me. He didn't apply much pressure, but once he got to my broken arm, I couldn't help but flinch.
Zanes must have noticed that, since his eyes narrowed a bit, something he mostly did when he was annalizeing our 'injury status', as he tends to put it.
"Im going to get you back to the ship, alright?" I was grateful that he continued to keep his voice at a wisper.
I nodded again, to which he started to stand up.
Curling his fingers over me a bit, he suddenly shouts upward, "I FOUND HIM."
This sudden blast of noise hurt, making me return to the covered position I was in before. Zanes shout echoed through the pit, making me shutter in pain a few more times before the noise finally weakened.
Soon, Zane was lifted up, and as a result, I was too. As soon as I was out, noises boomed around me. One question seemed to come through the commotion in unison. "Where's Cole?"
I heard Kai, Jay, and Nya for sure, but Lloyd, I couldn't make out. Did he get kidnapped again? I knew Lloyd was another one of us that the treasure hunters tend to objectify, and that only increased my worry.
I felt Zane move his fingers again, this time unfurling them so that I would lay flat on his palm.
A series of gasps came from the group, and finally, I heard Lloyd. "What happened?" His voice, knowing he was ok, finally allowed my nerves to relax a bit.
"I dont know," Zane sighed in response, "but Cole is not in good condition. He has 3 broken ribs and a broken thigh bone. And his humorous bone is broken as well."
"Zane, now is no time for jokes." Jay piped up.
"The humourus is the bone in the upper arm, I am not displeased with Coles' humor." Zane said blatantly. I could hear the annoyance in his voice. If I had been able to speak, I would have tried to ease the tension, but unfortunately, I still felt too winded.
"Let's get him back then." Nya, the only one who seems to have more than half a brain cell most days, finally chimmed in. It was as if the same thought rung through everyones head, as everyone seemed to simultaneously start back towards the Bounty.
It was so strange. I never realized just how much I would miss the light until it was taken from me. I gazed up at the lamp above me, fixated on its lumosity. Most of my life, I had taken light for granted, but now, I couldn't be more grateful for it.
"How are you feeling?" The unexpected question made me nearly jump out of my skin. Zane must have come back into the room. It was only 15 minutes ago that he had left to take a well-deserved break, and honestly, I expected him to be gone for longer with how much work he put in to get me patched back up.
After I got back on the ship, Zane and Sensei both started to treat my wounds the best they could. With me being small, it was difficult for anyone but Zane to put my splints into place. He was the only one with such precision. Sensei, though he had tried, his hand kept shaking too much to do any good. This also was why they decided it was best for me not to get a cast since they could easily put it on too tight and hurt me more. They decided instead that no one would be allowed to handle me, but Zane.
This was something I found relief knowing. I had already started to imagine Jay coming in here to tease me over goodness knows what and getting too rough. It was strange how a part of me was now afraid of some of my friends. I didn't like it.
"Better." My voice was still weak, but at the very least, I had some painkillers now, so my lungs weren't on fire.
I had been set on top of a pillow, meaning I was a bit higher than I would've been on the bed. It wasn't too much higher than the bed, though it still allowed me a better view of the room. The pillow also meant I was more comfortable, which was a nice contrast to laying on the hard rocky ground in the pit.
Zane dragged his chair closer to me. He once again loomed over me, but in the light, now I was able to make out his face easier. I hadn't realized just how detailed his skin was till now. Even though it's not real, up close, you wouldn't be able to tell.
"Do you remember anything after you fell?" Zane broke the silence again.
"No," I shake my head, "I fell, and the next thing I remember is...." I fall quiet. Even the memory of how scared I felt sent cold dark shivers down my spine. "Waking up." I quietly finish.
"Is there anything that happened between you waking up and me getting there?"
"No..." I felt guilty for the fear I felt. Im sure they all were up on the bounty fighting, I shouldn't be pittied for falling in a hole. And I'm not lying, saying nothing happened since nothing did happen. But on the other hand, a lot felt like it happened. That fear was real. The pain was real. But neither of those should be anyone elses problem than mine.
Zane went quiet. He looked like he was thinking, but sometimes I can't tell with him. We sat like that for a while before Zane finally announced he was going to make dinner.
If I make a little in between part, I will link it here
Days passed. I was under strict orders that, until my bones were healed, I was not to leave the bed, save for when I needed to use the bathroom. It was long and boring. I couldn't play video games, nor could I even play board games. All I could do was watch TV and occasionally talk with one of the others. Zane came to check on me the most, but Jay made a point to seek me out a few times and mock me for my height. He made a point to remind me of the fact that I had called him short, and now the rolls are reversed and blah blah blah. I think he was trying to cheer me up, in his annoying Jay kind of way, but I honestly got tired of listening to him and zoned out most of the time.
The four days I lay in bed were practically tourture. I have never felt more lucky that my elemental powers also helped increase my bodies ability to heal itself. I may have gone insane if I stayed any longer.
Zane came in late on the fourth day of me lounging in bed. Once he announced that I could take both of my splints off, I did not hesitate to free myself from my confinement.
Once I managed to pry the splints off, it dawned on me. What was I going to do? I had been so focused on being able to leave this bed and the pillow that I hadn't thought much further than that.
Zane grabbed both of the splints I had set aside and placed them gently on the nightstand. Then, with a tired smile, he turned back towards me. "So, you're free now." He said with laughter in his voice, "Where do you want to go?"
"I dont know... I didn't think about it much."
"Well, I think I have an idea." A more sincere smile tugged at Zanes face, one that I wasn't sure if it was just friendly or one I should be suspicious of. His palm rested on the bed in front of me, but I hesitated to move myself onto it.
"I dont like that smile of yours. You're not bringing me somewhere to pull a prank on me, are you?" I narrow my eyelids, glaring right into his eyes.
He laughed at my suspicion, "No, no, I promise. This is a good surprise."
I climbed onto his hand, slowly, and still not feeling reassured. I found that sitting down is a lot less disorienting than laying down or standing, so I sit facing him.
I marveled at how large his hand was, even though he now had carried me many times, it was still something I could never quite get over. His hand so large that I could stretch my legs out fully and still have enough room to lay down.
He gave me a reassuring smile, then started out the door.
He carried me down the hallway and past a few rooms before turning into a doorway. I instantly recognized the room as the kitchen, even though it was now so much bigger. There was a delightful smell in the air.
"Mmmm, cake." I take another wiff, "Chocolate cake. " I specify.
"Your nose never ceases to amaze me, Cole." Zanes hand shook lightly as he laughed.
"I'm just that good." I smile, looking up at him.
A timer starts to go off, and with me turned towards Zane, I could see the exact moment he realized what the timer was for. He quickly placed the hand I was sitting upon on to the counter and gently nudged me off with the other. Wasting no time, he headed off, spinning around and rushing towards the oven.
Zane opened a drawer and pulled out two oven-mitts. I knew he didn't need them, and I'm sure he knew as well, but I guess it was a habit he had before discovering he was a robot. I also think that there's also a part of him that loves the oven-mitts since it was a gift we get him often.
Reaching forward, Zane opened the oven, sending a new wave of delicious chocolatey scents my way. I practically shook in anticipation as I saw him pull the source of the smell from the oven.
"One, Two, Three..." I mumbled as he took the tin of cupcakes out. He had made a total of 12 cupcakes. This means that if I take Zanes's portion, I get a total of 4 cupcakes! I big smile crept across my face.
I get up, still a bit wobbly from having sat mostly still for four days, and wander over to the cupcake tin. Zane was taking the cupcakes out and placing them on a rack to cool down faster.
"So I get all of them, right?" I give him the best pleading smile I could muster.
He rolled his eyes with a laugh, "No. You get two. Everyone gets two, or else they may need to make a movie about what happened when one of you got three instead."
Zane always had a way of making me laugh, "But I get your portion, right?" I step forward, closer to him and the edge of the counter.
"Not this time."
"Please tell me you're not giving them to the treasure hunters. You know they dont have a good bone in their body!" I joked.
"Ah, no matter how much I would love to see the look on everyones face at that, no. I am putting them away for when we get back to the city."
I furrow my brow, "But we won't be back to the city for a while! I mean, we haven't found the object thing, whatever it was - yet. And we still need to fix this!" I gesture towards myself.
"We have been looking while you were healing, Cole. Nia thinks she may have figured out where the object is. We're going to go tomorrow to try and retrieve it." My sholders slump. They have been looking without me?
"I thought you guys would wait." I mumble, on one hand, I was a bit bitter about it. They all went cave searching, finding who knows what cool objects and stuff, while I had to sit here and be on bed rest.
But, I could also see their side of it. They needed to get this done. If we didn't find this mysterious object, someone else would.
"Im sorry, Cole." Zane must have heard me muttering to myself.
"Well, at least I can come with tomorrow." I flop down on the counter, forgetting about my newly healed arm and leg. I let out a small shreak at the surprise pain. Zane reached forward to grab me but decided instead to hover his hands, ready to help me if needed.
"Cole," as Zane says this, his expression softened, "you aren't going to be coming with us tomorrow."
My heart dropped, "What?"
"You can't come with us tomorrow, Cole. It's too dangerous, and we can't risk you coming while you're..." Zane paused, considering his next words carefully, "... like this."
"I can still help!" I plea, I can't stay back again. I need to help. I have to help. "I still have my elemental powers! I can move some rock still! What if you get trapped? Then what? I am the Earth ninja! That's what I do! I move rocks!" I could see it. My words were doing nothing to convince Zane, and as I tried to reason more, I found I was grasping at flimsy straws, "I can still help..." I wisper.
"I am sorry, Cole. It's not only me who thinks you should stay. Sensei, he was the one who made the final decision. You need to stay here." Zane gave a sorry smile. "Rest up, maybe once we get back, you will be back to normal, and you can help us figure out what the mystery object is."
I sat there, defeated. I couldn't believe that I was being left behind. How could I keep them safe? How could I save them from the bounty?
The cupcakes started to sound less and less appetizing the more I thought of what tomorrow would bring for my brothers.
I woke up early the next morning. I had to get a good head start. I shuffle to the side of the bed, clinging to the sheets as I made my way down. Finally, once I reached the floor, I encountered my first obstacle. The door had been shut the night before, and I didn't know if I would be able to open it myself. The crack under the door was too narrow for me to fit under, so that wasn't an option. The door had a lever handle, so perhaps I could open the door?
I look around in an attempt to find something I could use to pry it open. The problem now I faced was that I was small, and I couldn't see much around the room. I walked back towards the bed, prepared to have to climb back up it so I could just see what was around the room. Just a moment after I grabbed onto the sheets, I saw something shiny under the bed. There was a clothes hanger under the bed.
I hesitate, the eery and mysterious shadows taunting me. My heart raced, I couldn't seem to look away. If I looked away, then it may consume me, the dark. My reason broke through my anxiety, telling me I had to go into the darkness, if just for one brief moment.
Shakily, I inched forward, feeling for the form of the clothes hanger with my feet. Soon, I felt the cold metal through my clothes. I quickly grabbed it and drug it back out to the light.
I had the clothes hanger, now to put it to use. I headed back towards the door, bringing the clothes hanger along with me. Once I reach the door, I swung the clothes hanger up, stretching my arms out and standing on my tip toes to give myself any bit of extra height.
The hanger caught at the handle, and I pulled down while also moving backward to open the door.
Finally, I was in the hallway. Though it was darker than the recovery room, it had many dim lights that fought off the dark enough for me to feel safe. Besides, the dark was the least of my worries now. I scurry along the edge of the wall, carefully listening for footsteps. I never thought that I would have to be so careful in my own home. But I had to pay attention, both because I dont want to get caught, and also because what would happen if someone didn't see me. The idea that someone could come along and accidentally step on me was one that I ran through my mind as I sped down the hallway.
I stopped at one familiar door. This is what I was looking for, my brothers room. Im sure right now they were still asleep, which was good for me. Unlike my recovery room, I knew that this door had a chip in it.
I believe Kai had said it was from Jay 'borrowing' my scythe. Whatever had happened before, it happened to work in his favor now.
I slunk into the dimly lit room. The only source of light was from outside the window where the moon was now lowering in the sky. Although it was difficult to see, I knew this room at least, and as such, I still found my way around. I creeped along the edge of the bunk beds, careful not to make a single noise.
In a heap on the floor, I saw my long-term goal, Zanes ninja suit. I darted over to the cothing pile, picking up and moving stuff out of my way until I found one of his pockets. I crawled inside, squirming to get comfortable as I did so.
A quiet but relieved sigh excaped my lips. Im going with them, whether they like it or not.
My brothers were too predictable. They woke up late, of course. Nia had already gotten dressed and was ready for them to start their search. Everyone was scrambling to put on their gear. Even Zane seemed to be unprepared, seeing that he didn't notice that his suit was a bit heavier today.
I bounced around any time Zane made any kind of big movement, including running, jumping, and turning. All of those being things Zane apparently does often. When Zane finally sat down to listen to Nia's brief, my head didn't seem to care and just kept spinning.
I couldn't hear much of Nia's ramble, but what I could hear clear as day was Zane. Normally, I tune out a lot of these long, borning, and often too elaborate plans. But today, I found it hard to disassociate. Any time I would finally zone off, Zane would ask another clarifying question. It hadn't dawned on me how many questions he asked before going on a mission. I swear he could write an essay just about the mission brief.
It took a while, but Zane eventually ran out of questions. Now, I thought, we could get on to the fun part.
A cacophony of chairs screeched against the floors as everyone stood at once. Once again, I started to sway and bounce. At one point, I think they were climbing down a rope, but it was hard to keep track. Everything was so disorienting that it was hard to even tell where I was. Were we in the cave yet? Or are we still on land? Did we even get off the Bounty yet? None of my questions seemed to be answered by the lighthearted chit chat that started from the group.
Once again, I wasn't able to hear what anyone else had to say other than Zane, which made it hard to figure out what was being said. The more I tried to fill in the gaps, the harder it became to understand what was happening. After about 15 minutes of me trying to decipher the illogical code, I gave up.
Who knows how long I have been in this pocket now. So far, they haven't seemed to run into any blocked paths, nor have they trapped themselves inside a cavern, which was a good sign.
How much longer will this take? All I wanted to do is get back to the Bounty, tell everyone I was here the whole time, and reassure them I can go on missions still. Maybe I couldn't walk by myself, but I was small and able to go places most cant. Imagine if I was this small when we got locked in the cage that one time. I could have gotten us out. I could be helpful.
We have to be in the cave now. There is a musty smell in the air, and I have to suppress the urge to sneeze every ten seconds. This could not be a worse time for my allergies to rear its ugly head.
We passed a particularly dusty portion of the cave. My heart sped up, I can't be caught now! They will just bring me back and go on without me! I hold my breath, hoping that if I dont breathe in the dust, I won't sneeze.
I had to breathe eventually, and as soon as I caught my breath again, I felt the overwhelming urge to sneeze. It started to rise from my nose and through my mouth. I had to stop it, I tried, doing everything in my power to stop the sneeze.
I breathed out once more, and the need to sneeze wad suddenly gone. I silently celebrated my victory.
I celebrated too soon. My sneeze snuck up on me. It was too late to stop it, so I tried to cover it up the best I could. But it was too late, I felt Zane come to a sudden hault.
"What was that." He asked, I heard the unease in his voice.
Some replies came from my brothers, but again, none that I could hear. My heart beat in my ears. Maybe Zane would write it off as the cave shifting. It does that sometimes, right?
An intense pressure shoved against my side for a moment before quickly disappearing. Zane gave an annoyed grumble above me.
Suddenly, a hand appeared, enclosing me in its grasp. It brought me up out of Zanes' pocket to be level with his face. He made sure to keep me facing towards him but didn't lighten his strong grip on me.
"Cole." The ice in Zanes' voice made my heart skip, I hardly hear him angry, and never is it towards me. His lips were thin, and his eyes were practically piercing through my soul. Normally, I can fight back, spit words, and defend myself. But his grip has become so tight that I was starting to struggle to breathe.
I wheezed a bit, doing my best to keep my composure. With my ability to breathe, slipping now, though, it remained difficult.
"Zane," I gasped in between desperate breaths, "Breathe. I can't."
The moment those words left my lips, Zane hand loosened, and so did his expression.
"What are you doing?" This was the Zane I knew now. He was annoyed, sure, but he wasn't the same as he was only a moment ago. He tilted me back a bit and set me down on his other palm.
"I -" Before I could get the sentence out, Lloyd brought up a finger to his lips. I turned to watch as Lloyd creeped towards a 90° turn in the cave. Just as quickly as he peered around the corner, he retracted his head. Turning back towards us, he wispers something. I couldn't hear it, I can't seem to hear anything lately. I turned to look at Zane, hoping he heard it. One look at his face told me he did.
I started to open my mouth to ask him to repeat what he heard, but shut it when I saw Zane already opening his mouth to reply.
(Start of events in comics here 1 + 2)
I watched as he didn't speak, but rather just kept his mouth open for a moment. One second, I was on Zanes hand, staring up at Zane. The next, I was shoved forcefully towards Zanes face. Suddenly, I was surrounded by a mass that glowed a light blue. Any time I tried to move, tried to reorient myself, I was pinned down again. I felt the confined space push me head first into another tighter tunnle.
The light followed me, and with this light came many new noises. There was a distinct ticking noise, along with the sound of what I assume was gears grinding together. Soon, blood started to run to my head, and my brain felt light.
(End of events in comic)
A few seconds after I thought I was about to pass out, I was pushed into a larger chamber. It was soft, and it had the same blue glow as the other one had before. It was definitely bigger and stretchier than the other two. That said, it was still very cramped. I was forced to lay down, as the ceiling was practically brushing against my hair, and the rest of my body was pressed into the sides of the room. Something about this place was familiar, but I couldn't quite place it.
A series of sporadic movements tossed me about a bit, but comparatively, it was not nearly as bad as it was in the pocket.
What would be my train of thought asking me where I am and what was happening got interrupted with a series of muffled shouts. I instinctively sunk into the rippling soft cloth underneath me, hopeful that it will keep me safe from this unseen danger.
The same sounds of gears and gadgets still were present but much more muffled now. The ticking was still audible too, but I had to strain to hear it.
There is where I stayed for a long time, trapped in the chamber. The pillow-like surroundings kept me in place for the most part, but every once in a while, there would be a bigger movement that caused me to fly into one of the walls. The walls, though, were soft and squishy, making the experience when I wasn't getting slammed into them actually kind of enjoyable.
After a while, the movement slowed down and finally came to a hault. Just as I started to bask in the peace, a loud voice from above brought me back. "He's fine. He's in my storage compartment." I recognized the voice instantly as Zane. I wonder who he was talking about? Who would even fit in his storage compartment? I have seen it before, it's small. No one was that small.
My breath hitched. I am that small. I felt the blood rush to my face as I realized just where I was. It was embarrassing how comfortable I had felt here. I lightly pushed at one of the folds around me, as if feeling it would help confirm.
I tried to push myself up, to put a bit of space between me, and what I now knew was Zane. My efforts were foiled as my back hit the top of Zanes storage chamber, and I flopped back down.
Zane started to speak again, "Is that all of them?" He must be talking to our brothers.
After a brief pause, where I assume someone had responded, Zane continued, "Then let's get moving again."
So they weren't going to bring me back. That was a relief. I can stay on the mission with them. Zane would let me out, and I could finally have some normalcy back in my life.
I felt Zane start to move again, this time, though it was more methodical, and the chamber only swayed slightly with each step. He wasn't making any sort of motion to let me back out. Did he forget?
I lightly knocked at the glowing pillow in front of me, "Um, Zane?" He didn't slow his pace. I waited for a few seconds, but he didn't respond.
"Zane?" This time, I raised my voice more in case he couldn't hear me the first time.
Zane started to slow his pace, meaning he heard me this time. "Yes, Cole?" He still sounded very annoyed with me.
"Are you going to let me out?" I poke at a spot next to me, hoping he would understand what I was getting at.
"No, I am not." He said matter of factly.
I'm a bit surprised. "What?" I scoff, not able to stop the word from coming out of my mouth.
"You not only disobeyed Sensei. But you also put yourself in danger and, by extension, could have put us in danger, and you still have no remorse for any of it." His tone reminded me of how he spoke to Lloyd when he was younger, something that hurt more than I thought it would.
"Im not a kid. I can handle myself just fine." The hurt seeping into my words.
Zane grumbled, a sudden pressure from the outside squeezed me to the opposite side of the chamber for a moment before releasing me once more. "I know you aren't a kid. But you need to listen to me, Cole. You aren't indestructible. You are putting yourself in more danger than I think you realize by being here. I dont want to lose you." He sighed, the previous annoyance in his voice fading. "There are bad people in these tunnels, and if you get separated from us all, it would take is for one to grab and toss you to..." The chamber pushed in again, "I can't lose you, ok?"
I couldn't think of anything to say to that. All the tension and defensiveness in me disappeared in an instant. How could I have been so neglectful. I know he cares about me. That's all he meant, and I should have known.
The pressure once again released, and I flopped onto the plush beneath me. I hadn't realized until then, but I had been tense. It had been exhausting, keeping that grudge. I relaxed, sinking furtherer into the pillow beneath me. Closing my eyes for a minute wouldn't hurt, right? I nestled my head down, and as I felt Zanes speed pick up to catch up with the others, my mind started to wander into the best sleep I have ever had.
52 notes · View notes
Text
I would like to show something off but first let me say a few things first.
I draw dragons, not people. I use bases for people, no, I don't remember where I got the base from, I did this one my phone while travelling so it's not great and I dont have the energy to make it better and Finally these where to just get my vision down and out of my mind to see if everything worked.
No I present Chimera Divorce Quartet. (There will be context for what brought this along at the end)
We have a Zombie, Gorgon, Vex, Blazeborn Cleo
Tumblr media
A Moth, Avian, Merling, Wolf, Breeze Pearl.
Tumblr media
A Pufferfish, Mimic, Glare Martyn.
Tumblr media
And Finally a Unicorn, Merling, Starborn, Iceolliger (I guess?) Scott.
Tumblr media
Now Desgin talk and Context under the cut.
So originally these where for an AU I was making with the Divorce Quartet (Cause I love them so much) where they were used as experiments in splicing together different hybrid traits.
They all grew up in a lab together and watched as each of them became further and further from what they were born as.
Eventually (Like when their in their mid teens) they escape and have to try and live as normal of a life as they possibly can.
They all also had an element which is why there's Blaze, Breeze, Glare and Iceolliger in the mix.
Anyway Desgin talk
Cleo: Cleo was pretty easy, their hair snakes glow faintly and get an almost molten look when she's angry, their stitches glow, and I give her some warmer toned patches. I imagine that though they can't turn people to stone she can freeze people in place with their glare, she's got a higher magic affinity due to the Vex part, they can use their wings to fly but it does require a small bit of magic to do so. Her element is obviously Fire(also, she has a tail cause I just like doing that)
Pearl: The bird I used for Pearl (even if she just has some bird legs so she can perch on things) was the Pulver (the Aussie one) those birds are terrifying and I feel like people she make Pearl Aussie birds more often. I'm not gonna lie most of my thoughts were 'this would be cool' Salmon scaled hands just cause, a wolf tail cause all I can think of is happy Pearl with her tail wagging behind her, Pearl's element was air so she's part breeze I imagine she can shot off the breeze things around her arm.
Martyn: no thoughts pure vibes, I like Pufferfish Martyn, he's covered in spikes and if he gets mad and puffs up he tends to ruin his shirts (also spots cause pufferfish have those) his headband is a part of him with the small amount of Glare he has that's what he got. His element was just nature so Glare it was.
And Finally Scott: Once again No thoughts only vibes, his Stars change colour based on his mood he also has a higher magic affinity, his element was Ice hence the Iceolliger.
Also could you tell this was also gonna be a hero/Villian au?
20 notes · View notes
archivalofsins · 7 months
Note
hey, do you remember if mikoto/john ever made any comment about the viewer's opinions? fuuta outright tells the voices to shut up, amane acknowledges them when fuuta asks her about it, and mahiru mostly just feels like her thoughts and love are being rejected. i dont think mikoto/john ever even acknowledge the viewers thoughts about their situation outside the double mv and vd, and even then that could be about what es thinks about them and not the omniscient viewers.
They do!
It's one of the things specifically highlighted by Milgram and Yamanaka within his tweet about Mikoto's voice drama. Through the fact that they recognize and view what Es has deduced through Milgram as valid.
To keep it short. Mikoto references the audience opinions in these instances.
This has been editted to get rid of spellings errors and add more context. Editted on 02/28/24. (There were so many spelling errors to correct don't know if I got them all. I added so much more quotes from the timeline and interrogations and tried to adjust for tone.)
"Eheheh... But...it's not coming to an end. All of this. With things I've never even heard before, the whole ti- The whole time... Haah... I have to see through all of these irritating experiences...!" (Doesn't directly reference Es just that things now feel like they never end. Along with things he's never even heard before.)
"As for alters... Why do you think they're born?" (Specifically asking Es how they think this works instead of divulging any information he's heard from the audience that would in fact be beneficial to Es who after being asked immediately shows they don't know a damn thing about it. Staying consistent with what happened in Amane's voice drama prior.)
"Right. You're decision to not forgive me is especially stress inducing." (Recognition of the punishment attached to the guilty verdict working properly for Mikoto and that's adding to his stress. So, yeah he's hearing the voices.)
"You know that because of Milgram! I don't care about the law, I want to know what you think!"
His birthday interaction from last year. (Him asking if there's really another him implies, he has heard the audience bring it up.)
His birthday interaction with Futa after his verdict.
21/10/06 (Mikoto’s Birthday) Mikoto: ……ah, Futa? What’s up? Did you come to celebrate my birthday? Futa: Hah!? Like I care about your birthday. ……what’s up with you, though, you’re usually a lot more excited. I thought you were the sort of idiot who’d make a big deal over your birthday. Mikoto: Yeah, usually that’d be the case. ……I think I must be getting tired. It’s like I’m anxious over something but I can’t really explain what it is…… Like, the feeling that I’ve been totally wrong about something. Haha, but it’s not like talking to you about it is gonna do anything. Futa: Yeah, yeah, just like you say. Talking to me about it isn’t gonna help. ……but, it’s not like I don’t get what you’re saying. Or rather, I understand exactly what you mean. And if it’s the same thing as I’ve been feeling, then it will just get stronger as time goes on…… probably. But anyway, rather than talking to someone like me you should go and bother the others. Go and get showered with their stupid birthday wishes.
Also, the fact that Mikoto's entire defense for his actions pivoted from I don't remember, and Milgram probably got the wrong guy by mistake to the other one did it. Which not much different from the excuse he gave before but was an excuse widely jumped on and presented by the audience after he was called out for faking for a good period of time and being bad rep. Well, to say the least- It puts a different meaning behind this line,
"“He’s a liar”, you said, and made me out to be a scoundrel, why?"
Since it encapsulates what his first trial was like in a nutshell. Where people either called him out for faking/lying or blamed the alter for all the violent acts making him out to be the scoundrel. People even posited that what we see in MeMe is fake because it's far more graphic than the others and cuts and that this could be due to him having DID and lookie here.
In fact Mikoto's mental footage was so violent... "It's unforgivable." That was my judgment. "That too could be just a fake or attributed to multiple personalities, right?!"
Overall Mikoto, like many of the prisoners, does not state what the audience has told him. However, he heavily implies through his actions he's been told something. What that something is we don't know and given his first verdict percentage he would not be as inclined to tell us as the others would. Hell, even then a lot of others don't tell is. We were never shown what innocent does to a person outside of this from Mu.
21/07/05 (Mu’s Birthday) Mu: Yuno. Don’t you have something to say to me? Yuno: Huh? To you? Me? ……ahh, uh? Your birthday, right? Happy birthday~ Mu: How mean…Since it’s my birthday, I really wish you’d said something before I had to come and tell you myself. Yuno: Right, right, I’m sorry. I’ll be more careful in future~ Later! Haha… things have become even more of a bother… ……so was that Mu-chan’s real personality, then? It’s probably because the guard did something, right?
But yeah, since you were just asking if he referenced the audience outside of his voice drama and music video there's no need to read the rest here. What comes after this basically goes over how I tend to tell when the prisoners are subtly referring to the audience and other things but it's very long.
Now onto the interesting stuff. Because I wrote this before rereading the question and seeing you were asking about things outside of the voice drama and song. So, I'm leaving it.
Mikoto discusses the audience in the way similar to how Mahiru does. Never referring to the audience or the voices as an individual entity or directly instead either referring to that as Milgram collectively or referring to it as an extension of Es' actions and decisions.
Even in Double and I Love You neither of them refer to a big group of people but go "You".
"What you trampled is my, “This is how to be in love with you”."/ "“He’s a liar”, you said, and made me out to be a scoundrel, why?"
Unlike the rest of the prisoners who refer to multiple parties, Mikoto and Mahiru couldn't give a damn less about who is causing them problems and considers the audience, Es, and Milgram all the same entity. Never really separating the three. Because they don't care to.
Other prisoners that do this are Haruka, Shidou, and Kotoko if I'm remembering correctly.
"I will definitely make you love me again."-"Hug me again as you once did."
"You don’t even know yet, and yet."- "What do you mean INNOCENT, if this is my punishment... Now I see, this world is cruel and merciless. The vote that negates the option of death, the love that won’t perish."- "No thank you, it’s none of your concern."- "Shall I fulfill your request and elect to live."
"That's why I became your fangs."- "Tell me why you tell me, “Stop'. Don’t you dare stop now."
Kotoko and Shidou do something interesting in their second trial songs having parts where they both directly refer to Es and the audience separately within their songs. Referring to Es at the beginning and then the audience in the second half.
"I want to be INNOCENT, I want to live. So this is unpleasant, hurling slurs of “hostage game”, you do know that it’s up to me? That’s right, there are lives that need safeguarding. So hey, prolong my life, I’m indispensable. The correct answer, I don’t yet know, but there are lives that need safeguarding. So hey, prolong my life, I’m indispensable."
Shidou Trial 2 Voice Drama
"But... as long as Milgram continues in this direction. We won't be able to save those who get injured if I'm not forgiven." ...! "Even now, Shiina-kun is in a condition where any digression could be fatal. She can't live without my treatment. If I'm not forgiven she will end up dying."
Just want to highlight how Shidou uses the same tactic as Mu but somehow what he does ends up succeeding and what she did doesn't. A lot of people may think that's because none of them asked to be put in that situation and Kotoko was the one who attacked. Yet, my honest response to that would be what the fuck is actually stopping Shidou from helping if he was guilty?
Like prisoners who were Guilty once can still move around and interact with others and the things around them. Unless one is assuming that the punishment for being guilty trial two is worse than one. Something I don't believe would make sense and would not be fair considering this would just simply for many of the prisoners be their first time being guilty. Although, this is Milgram so maybe who knows.
Even in a situation where the trial two punishment for being guilty is harsher than trial ones; what the fuck is stopping him from teaching or instructing someone else within the prison on how to help if he were restrained? He even said Amane could be assisting him and Yuno has been. He's very replaceable, actually. So, it's wild this worked.
As we will get into it is wild any of them are getting away with what they are.
He also doesn't say this as if it will change later. Instead he literally states that Mahiru now just can't live without his help which given injuries should not be true. Yet considering that she hasn't been getting better over the course of trial two honestly yeah, I guess he's right.
That's... true I suppose. "From now on conflict between the prisoners will probably become more frequent."
Dude why the fuck does he say this??? Like no I'm being serious why does he fucking say this? Especially considering last we heard from Haruka in his second trial voice drama Shidou and Kazui were meant to have been negotiating a ceasefire? This sounds like something an individual about to start a conflict would say. A person about to throw down if you will.
Like what the fuck does he know in regards to this? The most good faith interpretation is the ceasefire negotiations have failed. Yet, it's still a weird thing to just add. Especially since he says conflicts between the prisoners. Implying that people other than Kotoko may end up instigating fights.
Even though most of the other prisoners are simply attempting to mind their business and he's the only one who directly states hostility towards Kotoko in various ways.
Others that state having animosity towards someone are
Yuno,
Q.11 Which of the other prisoners do you get along with least? Yuno: I wonder. The ones that are painful just to watch are Haruka and Mu-chan.
Futa,
Q.12 Are there any prisoners you don’t get on with? Futa: Can you not tell by looking at my face? Obviously Kotoko.
Mu,
Q.12 Are there any prisoners you don’t get on with? Mu: Yuno has been really cold lately so maybe her a bit.
Shidou,
Q.06 Do you forgive Kotoko? Shidou: No. I can’t forgive someone for trying to achieve thing with violence.
"To extract that fang, now."/“That’s why I became your fangs.”
Oh, and he has some feelings on Mikoto as well.
Q.07 Are there any prisoners you get along with? Shidou: Kayano-kun has become like that, and I can’t spend my time smoking at the moment, so the smoking trio has disbanded, which is a bit lonely.
What those feelings are beyond me. However, he speaks of his current disposition as though it's a problem. So, I'm putting it.
Kazui,
Q.06 Are there any prisoners you don’t get along with? Kazui: To be honest, probably also Kashiki-chan. It feels like she sees through all the things I don’t want anyone to notice.
Amane,
Q.06 Are there any prisoners you don’t get along with? Amane: Kirisaki Shidou.
and Mikoto,
Q.12 What do you think about Kotoko? Mikoto: I don't like her.
It makes sense that we the audience would know whom everyone is hostile towards. Especially since we just blatantly asked in some written interrogations. However, it's not as though many of them have been presenting their hostility towards each other openly.
Outside of Amane and Kotoko everyone else attempts to be cordial with each other or just outright avoid people they dislike. So, it's still weird he would know this unless he's really good at reading the mood and paying attention to others.
Something he has not shown himself to be. Though, maybe he really is. Still considering he has two individuals he'd could possibly have an issues with this really sounds like some shit somebody who wants start trouble says.
"If I'm not there... They will be in even more danger!"
Bitch you will be there- Guilty or not. You're not getting out of this panopticon any earlier unless you see yourself out buddy. Where do you think you go if you're guilty? The sunken place? You gonna mentally tap out because of the guilt and constant bombardment of being told you're wrong by the audience?
Other people who have been Guilty before you with no warning of what that mental or evironmentally entailed were still able to help and speak to others while suffering under the affects of said verdict. The child did it grow a backbone man! You're an adult and apparently you hold a lot of stake in the fact that you are... So, at least make it make sense why you do with your actions.
In case Shidou has forgotten we have a third trial. So, he's just being a fucking manchild here. Does he think we're gonna kill him immediately after he's voted guilty in this second trial out of three? Does he think as soon as the guilty verdict hits Kotoko is going to attack him? That's the most reasonable and good faith interpretation of this statement.
Like she did attack guilty people that's a fair concern to have. Yet, he's currenty being guarded. Because now that an attack has happened once the others are more on guard.
As Yuno implied would be the case,
Q.09 What do you think about Kotoko’s attacks? Yuno: Is she an idiot? Nothing’s going to change in the world if you just act out violently where everyone can see.
If a person just acts out violently where everyone can see most people will reasonnable recognize that person is apart of the problem too. They won't usually assume they're the solution to anything. Plus again the fact that other people were guilty before him and he knows what that could reasonably entail he should be preparing for that possibility. It's clear that he wants to avoid it by any means and is doing his best to do that.
Which I can't fault the man for that's only natural. But-The fuck is Shidou's second voice drama fearmongering 101?! Why the fuck is he acting like this towards the end?
I bet you're thinking Gunsli is this your first time listening to Shidou's voice drama and honestly yeah it is.
This man is in here like what will they do without me. Despite the fact that a majority of viewers have pretty much agreed the child can take him out/is a serious threat to his safety. At the point the previous statement is widely considered a genuine concern true if anyone wants him dead outside of himself in this facility he is going to die. Because we know that from the beginning Shidou has wanted this all to end and to get the death penalty.
That he's been smoking to be unhealthy,
20/08/04 Mikoto: By the way, why did you two start smoking? For me it was just a means for communication with people at work. Kazui: Hm? I don’t really remember……It’s maybe changed nowadays, but in the past it was just natural for everyone to smoke. What about you, Shidou-kun? Do you remember? Shidou: ……I wonder. I suppose…… I just wanted to do something that was bad for me. Mikoto: Ahh, I kinda get that. It’s like eating instant ramen in the middle of the night.
So, he came into Milgram already trying to get out of life in general. So, he can't threaten himself like Haruka can. He's still gunning for that death sentence even now.
"The scale tilts to and fro, I yearn to be found “GUILTY”."
The only thing he can do is what he's always done used the lives of those around him to excuse his actions and validate his own existence.
"But it tilts towards, find me “INNOCENT”. If the voices crying out in pain, can be saved by me- Allow it to be my charge and mission."
Like I don't know why he came in here acting like this verdict gonna make him someone he ain't and never was. Like man you couldn't even take care of your own- You want us to leave you in charge and responsible of even more people. People who have no reason to have to listen to or take him seriously. People who don't even like him.
Meanwhile Shidou's kids in Triage out here looking like they need Yusuke Urameshi not Shidou Kirisaki. What will they do without me? Man I don't know probably have a better grasp of road safety. You know just spitballing some guesses here.
Tumblr media
He came in here really pretending to be the guy and for who? Himself because he's fucking weak and emotinally immature. He can't handle the mental stress of a guilty verdict, he couldn't even handle his own social relationships when his wife was alive,
Q.19 What was your partner like? Shidou: A strong person. I tend to be a bit careless in my personal life, so I was always relying on her.
or taking care their kids after she either died or got ill.
Like listening to the end of his second trial interrogation is legit hearing him hype up his own importance. As though he's going to be a meidcal doctor on the frontlines of a war and voting him guilty is equivalent to immediately killing him in front of a bunch of injured civilians. Halting people from getting aid. When that's not what's occuring here at all!
He's still going to be in Milgram and he will still have another trial. Like maybe he thinks that's what's occuring because of Kotoko but that's even weirder. Because there are more people against Kotoko's actions in the prison than for them.
One of which is fucking Kazui who is already guarding him.
Shidou... "I need to be punished... But I also need to stay alive or young lives will be lost."
Oh, Shidou you're such a martyr.... Pushing to the side your selfish desire to die because you're sick of living with yourself, your own failures, and the fact that the things you worked towards weren't the benefit you thought they would be and instead a massive failure-
Q.15 Do you think you’ve made a contribution to society? Shidou: I used to think my work was a contribution to society.
All because you've found something that validates your existence again. Something that,
"Tells me, the reason it’s ok to be here."
Again I need to highlight we're not fucking killing him with this verdict. Telling someone what they did was wrong is nowhere close to comparable to murder. Also, Kotoko can attack prisoners whether they're innocent or not. Jackalope's brought up that the prisoners are allowed to attack each other during the intermission all of them regardless of verdict.
Unless they're physically restrained and thuse made unable to they can still do it. Plus some of them are shown in full restraints within Undercover still ready to attack somebody if needed. It's not like she is completely bound to acting in accordance with Milgram's rules as has been highlighted before.
22/08/05 (Kazui’s Birthday) Kotoko: ……Mukuhara Kazui. Thanks to you, I wasn’t able to properly serve justice to those who did something unforgivable. I’m currently acting as an agent for our prison guard Es. Don’t get in my way next time. Kazui: Oi oi, don’t be silly, Yuzuriha-chan. There’s no way I could just look away from your outrageous display of violence. Anyway, even disregarding the fact violence against those voted guilty isn’t a part of Milgram’s system, what you’re doing is just acting recklessly based on a broad interpretation. As long as I’m free myself, I’ll stop you. Kotoko: ……what a pointless argument. Hmph. Since Es forgives you, I have no choice but to forgive you myself too. If you to keep to your words, then you’d best do what you can to keep being forgiven. If you’re not, then next time you’ll be one of my targets. Kazui: Oh, how scary. That girl truly is frightening. ……well then, I wonder what the guard will decide to do with me. That’s the one thing I really can’t make out. Honestly……
Yet, throughout his second trial voice drama he keeps subtly pushing this idea that not only will Mahiru die if we vote him guilty but he will too. That not even really touching on the fact the one to bring up a death sentence or execution as a result of the trials to begin with was Shidou.
He brought it to this point and is now lamenting about it being there like oh what should I do.
"I... I don't know what to wish for anymore. I'm starting to think that I want to live. That I want to be forgiven... Despite being so riddled with sins...! ..." Shidou... Do you remember what i told you? "..." Back when you were still fine with dying at any moment, I told you to deperately want to live. "Punishments for sins exist in the first place because we have an attachment to life. your existence in itself is a sacriliege to Milgram and myself", I said. "Yes... I remember." And now, finally, you've gotten attached to life and finally become a real prisoners of Milgram. That's what I believe. You wanting to be forgiven and your wish... Those are the steps that now represent you. "...That won't do... I musn't be forgiven. Otherwise... the countless lives I've taken will never be paid back." Heh. If you're really trying to give up your life as compensation for the people you've killed, then there's no reason to stay alive that will hold up anyway. "..." Don't face them with a life that you're so willing to throw away.
Es greatly sums up the main issue with Shidou's logic.
He is ready and willing to die.
Yet, all the people he killed weren't. Usually people seek medical attention for help, because they want to live. Because they're in pain and they don't want it to get worse. Thesse are people who are trying to survive and seeking out what they believe is the most appropriate help for either themselves, a family member, hell even a stranger on the street if someone calls an ambulance.
It's incredibly tragic when help doesn't get there soon enough but it's down right dispicable when the help is there and decides no you'll die today because I feel like it. You understand what it's like to have to take in order to give and I need to take from you to give something to myself. We're all suffering and you know some people like myself deserve to suffer less than others so this is just how it has to be.
Since that's the case-
"You're in my way...hurry up and die."
I see no difference between this and this.
"Please, go ahead and die already."
Excpet one of the people making this sort of statement puts a lot of stock in being a mature adult and never acting childishly. While the other is at least emotionally honest about their mistakes.
Why did I bring all of this up? To highlight a key difference between Shidou's voice drama and his song. Es never rebuts Shidou for saying he's the only one that can help or calls what he's doing a hostage game.
Making it more than likely Shidou is referring to the audience and the voices he heard discussing his case or something from his real life given the quotes around the phrase. This is more than likely something Shidou has said in reality or had said to him. I lean more towards the first interpretation when it comes to viewing these put in quotations lyrics as direct snippets of quotes from statements the prisoners have said but I'm not that committed either way.
The point is it highlights that he's not just referring to Es here,
"I want to be INNOCENT, I want to live. So this is unpleasant, hurling slurs of “hostage game”, you do know that it’s up to me? That’s right, there are lives that need safeguarding. So hey, prolong my life, I’m indispensable. The correct answer, I don’t yet know, but there are lives that need safeguarding. So hey, prolong my life, I’m indispensable."
He's instead speaking past Es and directly pleading to the audience or voters.
Which is the same thing Kotoko does here-
"So, make yourselves my reason. Just choose the only choice, GUILTY. Say that sympathy is useless. Hate evil as the evil that it is. Don’t you dare stop now. I want a reason for judgment execution, I want it. Give me the next target “UNDER”."
Notably not stating that she became our fang before that but leading into that again. These lyrics (along with the prisoner 011 line in Kotoko's case) recontextualizes the entire song as a direct plea to the audience with allusions of concern towards Es. Mostly merging the two and going if you're on good terms with me I'll be on good terms with all you and your proxy if not things could get messy.
This showcases that they all see no difference between the audience, Es, and Milgram like stated before.
The ones who are more direct while referring to the audience are Yuno, Futa, Mu, Kazui, and Amane. Instead referring to multiple parties through their songs or one.
"I’m the one who chose, let you and you and you all in."
Yuno mentions two others before stating she let "you all" referring to the audience in.
"Don’t get cocky, you in that cypher."- "Tolerate, impress those spectators."- "This prison hosts ears and lethal eyes, I’m sick of it. You and you, throwing around rules for fun, hoisting up morality and feeling good. Should I succumb, make your wish come true? Full of yourselves, are you?"
Futa seperates the prison host from the audience the spectators. In a way showing off that he views Es as an entity hosting an event and the ones spectating as the actual entity he needs to impress or sway to his side. He's basically going if the audience likes me I'll be fine.
"So, it’s wrong? Oh shove that! INNOCENT, isn’t that right?"
It's a personal dislike of mine. People who act based on their sexual urges like that, that is. "It's personal?" Yeah. That's right. "That's strange. I did think that, despite being neutral as a warden you did have some things you dislike, but..." ... "Isn't it unusual to openly reavel a personal dislike as a personal dislike?" You're splitting hairs. "Seems like you really disliked my crime... I get it! Maybe it's because you're so young... Which is to say... ..." Hah? Stop staring at me so openly. It's disgusting. "..." ... [Es punches him]
Honestly warranted he is making fun of Es for the same reasons Jackalope did in Es' voice drama. Being a bit green behind the ears. Which is never fun. So, of course after that the first thing Es does is do the same thing to Amane in her interrogation after this.
... Now I feel better. "-Ow! What are you doing all of a sudden..?!" It was an instinctive reaction. Don't take it personally. "Would you stop just punching me in the face without any hesitation? ...huh Anyways... That's how it is, huh? That's how it is...?"
Kazui stating "That's how it is..." highlights that he does take note of Es' personal feelings. He not only does that but seems to take a moment to mentally compare them to what he's been hearing from the voices over the course trial one. Really honing in on the fact that Es says them disliking Kazui's crime is a personal thing.
Meaning that Kazui knows full and well that Es' personal opinion does not matter when it comes to the verdict and may have concluded as such. Something made even more clear by his second trial song opening with him telling Es to just go shove it. Fuck off get that nonsense out of here.
Kazui literally forgoes Es' statements on his actions from his second voice drama at the jump of cat like oh well the guard said it was wrong but fuck that- Innocent is the right answer. It's the conclusion you all came to the first time so.
Double down. Hence the-
"Lie, until it gets better, follow the king of the masquerade. Lick that sin and oppose punishment, until you can meet the king of the masquerade."
The only allusion to Es in Cat is,
"So it’s wrong? Oh shove that!"
This is because Es has already said they personally dislike Kazui's crime or people who act based on their sexual desires. Meaning if Kazui's crime is that of a sexual nature trying to sway Es on seeing it any other way is pointless. So, he no longer has an interest in convincing Es his behavior was okay. Plus he's not even really concerned by what the audience themselves have assumed or figured out. Something alluded to through how comfortable he in while singing Cat in comparison to Half.
Amane's is rather straight forward as well. Considering her song starts with direct recognition of the audience/spectators going-
"Good morning, ladies and gentlemen! It’s the beginning of a most wonderful day! However, there are blasphemers and silent by-standers, who would have it otherwise. We must not give into them, they are the ones that should be judged." - "I disavow you, eyes corrupted must be crushed."
These are the only references Amane makes to the audience and Milgram. Literally going those who agree with me you know what to do. Those who don't well we can't give into those people now can we!
Then there's Mu,
"I am innocent as everybody desires."- "We are just the same. Don’t you think it’s wonderful to control them with my gentle sting?"
Mu compares how what the audience is doing is no different from what she has done. So of course it only makes sense she'd be Innocent. Then specifically speaks of Es after. The one who is also controlling people with their gentle sting. (This statment does apply to the audience as well. Since we're impacting the prisoners through the press of a button a gentle sting/poke. )
The lines calls attention to the emotional and psychological abuse Kotoko points out as being just as bad as what she's doing in her voice drama. Something Es also brings up as a factor in Mu's case during you guessed it her second voice drama.
When Mu says she never really hit anyone herself and Es goes yeah you just had other people do it for you.
"I haven't bullied anyone! I'd never do such a mean thing!" ... "I've never once hit anyone or poured water over anyone's head. I wouldn't do something like that!" ... "I'm not lying. I'm not being dishonest! I really haven't done anything!" I see. I'll take note of that.
Just like Kotoko did with Es. Saying just because you never hit anyone doesn't mean you haven't caused harm or incited it to occur. As Es attempts to highlight they never really used excessive physical violence/took it as far as Kotoko did with the prisoners. Despite the fact that they have hit them and impacted some of them just as negatively as Kotoko has.
Even more so from the admission of Mahiru in her second voice drama.
"I mean it. It doesn't hurt. Compared to the way I felt when you chose not to forgive me... Not at all." ...! "Not at all... Nothing. None of it hurts. It's not...as big of a deal. Ever since, I've constantly been hearing...voices saying I couldn't be forgiven. Yours? Whose? I don't know... I don't know, but... I've heard them this whole time." Mahiru, calm down... "Was what I did such a bad thing? I just... had a normal relationship like everyone else...! That's all I did! Why can that not be forgiven? Hey, why? Why? Why?"
Kotoko's second trial voice drama does well to follow up on those similarities It's Not My Fault, Bring It On, and Backdraft highlighted between the prisoners and those who watch Milgram. The same mentality to jump into something that is quite frankly no one other than the parties involved business just to turn around and blame others when things get bad.
Later
"Ah- But if you don't forgive me, then Haruka-kun will die. So, I think it'd be best not to do that." ...! So, you've heard about that nonsense, too? "Mhm! Haruka-kun told me. So, I could rest easy according to him. That made me happy... It made me really feel our friendship!" You know about it and you're not trying to stop him? Haruka, that is? "Why would I? Haruka-kun says that's what he wants. So, there's nothing I can do, right?" But you're calling him your friend? "Isn't it exactly because he's, my friend? Isn't friendship about letting your friends do the stuff they want?" ... "Are you planning to tell me, "That's not what friendship is."? Then, what is it? It's about sticking together because it's beneficial for everyone involved, isn't it?" I don't think Haruka is benefitting from that at all. "No way... It's not like you'd know what's good for him." ... You sure are tough to beat. "I really don't get what it is you're trying to say, Warden-san. Haruka-kun is free to decide what he wants, and I'm not doing anything wrong. It's not like I asked him to do that!" I see. So, that's how it is, huh. You don't say anything; just because you're present, the wishes of those around you evolve to benefit you- Oh, so that's it. Like, a born queen. No, it's as if you're influencing your surroundings not with words but with pheromones... Just like a queen bee. "Pheromones...? I'm not sure what you're going on about but I'm not a fan of that lewd-sounding stuff." That's not the nuance i was talking about. "Either way there are prisoners much more deserving of not being forgiven than me. So, I think you should focus your energy on those guys instead. Like, Kotoko-san has been up to no good, for example. Ah, but what she did was approved by you, wasn't it?" ...You're making my blood boil. "Anyway... I think you would do good to forgive me. Then Haruka-kun will be safe, too. Ah, actually- Couldn't you just forgive everyone? Then Kotoko-san won't run amok, and you won't have to think about all the difficult stuff." ...That is...a very enticing proposal. "Right? Hah, hehehe." Abandoning all thinking... How nice it would be if I could just do that. "...If you ask me, I don't really get why you don't do it..." Because this is the role I'm playing! "But this role was giving to you, wasn't it?" ...! "You didn't end up doing this because you wanted to, right? It's not a dream you've had for a long time or anything, Warden-san? So, there's no need to let it tie you down. Couldn't you just quit?" What are you... "Warden-san- We call you warden, because that's what you are, right? And I wa sassigned the role of prisoner, but that doesn't mean I'm now nothing but a prisoner at heart, too. After all, I'm still me." ...! "Are you okay warden? Are you feelings sick again?" Haah...haeuahh... "That's because you keep thinking too much about difficult things." ...Gyh!... Haah... "Just stop. Being the warden, that is."
Es brings up that Mu is emotionally manipulative. That she hones onto any weakness to exploit in those she dislikes and makes herself look small so those around will feel more inclined to help her. Through her voice drama, like many of the other prisoners, Mu uses the same tactics that got her into Milgram to begin with.
From her first voice drama Mu is well aware that Es has issues when it comes to thinking about themselves outside of their job as prison guard. She recognizes it as a trigger which she willfully exploits in an attempt to get her point across better.
Then despite saying what Kotoko did is no concern of hers and since it was approved by the warder it'd be wrong of her to disagree with it earlier in the same voice drama her tone changes a lot near the end.
"Huh? But that has nothing to do with me." What? "The ones who are suffering are the ones who have done bad things right? You know, like, what goes around comes around?" ... "Besides Kotoko-san hurt and was mean to the people who you chose not to forgive, right?" ...Yeah. "Wouldn't it be weird for me to have any thoughts on that, then? After all, I didn't do anything wrong. You forgave me!"
Yet, suddenly when the idea that she might be viewed as in the wrong later comes up Kotoko is running amok and is a prisoner more deserving of not being forgiven than her. Because Mu as she has always done puts targets on other people to avoid being singled out herself. Then to add insult to injury she directly contradicts what she says about friendship and it being letting the people around you do what they want.
By continuing to badger Es into quiting being a guard and stop taking the role so seriously. Because Es taking their job seriously does not benefit Mu. It puts her at risk of being singled out and votes guilty later down the line. So, it's better if they just drop it.
If they don't/can't she has no issues, or qualms making the situation more difficult for them by poking at weak spots until Es-
Tumblr media
If you want to betray from jealousy I’ve told you what’s gonna happen.
What's the point of highlighting all of this? Why include all the others when this is just meant to be about if Mikoto references the audience over the course of trial two.
Well, to be completely honest this isn't about them.
Even though at times this seems to be about the others. They're only being used as examples of how I analyzed the information provided and discerned through my own perspective when the audience was being referred to, how it was being referred to and why.
It is just easiest to explain that method over the course of all the prisoners and build up to Mikoto.
It just so happens that this may stand out more overtly with Mu than any of the other prisoners. Because of how consistent a character she is. Like she states in her voice drama no matter what labels external forces put on her, inside, in her heart she will always be Mu. She, like all the other prisoners, isn't changing and has no desire to change.
Their only desire is to escape punishment and gain social power and influence by any means necessary at times.
This is important with how they refer to the audience and the entities they choose to suck up to. Many of the prisoners have recognized being nice to Es just does not matter long term because they are just a proxy. They don't have much power or influence over how the prisoners are viewed.
Sure, it's good to get along with them for images sake during the interrogation but ultimately how well off they are with the guard doesn't heavily impact their verdict.
Yet, as long as they aren't outwardly and overtly malicious, they can get away with harassing Es if they want to. Mu's whole thing is making it appear as though she had no malicious intent or at least if she did it was a warranted response to the circumstances. She's just a victim, an underdog biting back. It's not her fault people were mean to her, but she doesn't just have to take it on the chin and wear it.
She has a right to protect herself after all she was-
"Having such a hard time." and "Trying so hard."
She was at a point where she couldn't take it anymore. Her heart was all dried up and her sorry spells weren't working.
Mikoto is the same way throughout his voice drama.
A mix of Mu and Mahiru's behavior. Basically, they're all passive aggressive about it. Dancing around the point instead of tackling it head on.
Not really elaborating on what they've heard but more so implying it through their emotional states and responses.
"If you just laugh and pretend, usually things will work out in the end right?"
Tumblr media
X
"I'm pretty good at that! Making things work out to the best of my abilities." Is that so... "Eheheh... But...it's not coming to an end. All of this. With things I've never even heard before, the whole ti- The whole time... Haah... I have to see through all of these irritating experiences...!" You emerged, huh. "Hey. Looks like you haven't received a beating yet, Warden brat." ...! ... "Hah? What, are you scared?" Like you didn't get beaten by Kotoko...! "Heheh... That was just because she caught me off guard. We went at it again while you were asleep and it's not like i lost there."
Mikoto in his second voice drama similarly to Mahiru and Kazui does not willfully give Es or the audience information. Instead questioning Es on what they believe and what they saw.
"As for alters... Why do you think they're born?" In precise terms it's called, Dissociative Identity Disorder. Generally speaking it refers to when a person experiences severe pain or stress, and a new personality is created in order to isolate the original personality from the resulting trauma. "Yeah. I... probably come out to ease the stress I experience."
It's important to note that Mikoto (John) is not speaking in past tense here but present tense. So, he's not stating I emerged in the past in response to the stress Mikoto was experiencing. He's literally saying I'm coming out now to ease the stress he's currently experiencing.
Subtly calling to attention that Milgram, the verdict and the audience voices are causing Mikoto stress and he was brought out to handle and relieve Mikoto from that.
Even elaborating after that-
"The fact that I come out for longer just means that I'm constantly under extreme stress."
Again highlighting the negative impact Milgram has had on Mikoto's mental health and wellbeing. Yet also calling to attention that Mikoto (John) doesn't have a clue about what the source of the stress is. Just that Mikoto must be stressed for him to be here. Saying that just means and going off the fact that he's here at all to discern that.
Them asking this at least confirms again that they both recognize the audience as well as Es at least know Mikoto has Dissociative Identity Disorder. Something Mikoto states he's heard from the voices on his birthday as well.
The fact that he's questioning if there's really another "me" on his birthday means he more than likely heard that from the audience. He doesn't really get the chance to broach it in his voice drama or doesn't broach the topic.
Yet it is made abundantly clear before that occurs that Mikoto is aware due to the voices he's heard from the audience. So there's that as well.
All this makes the moment after this particularly interesting.
Stress... Namely, the environment of Milgram, right? "Right. You're decision to not forgive me is especially stress inducing. That's why I'm entrusting me with my heart." I see. "Not like I can blame myself. From my point of view, I'm being blamed for a crime I can't even remember." If that's the truth, then... You're the one who committed the murder? "Yeah, it was me. I killed them off." ... "So, I, Mikoto really didn't do it." Can i ask... Why you killed them? "They annoyed me." Who did you kill? "Just whoever was walking around nearby." ... How many did you kill? "Can't remember I was just born back then, you know. It's kind of fuzzy."
Just whoever was walking around-
Tumblr media
In this empty ass back alley looking underpass in the dead of fucking night. Okay, Lil' Slugger. I believe you.
I too walk around in the dark of night to secluded spaces with no public foot traffic and a loud passing train that would mask not only my screams but those of anyone else around this is true and reasonable. It's something we all have to do we can't control where our homes are located or find other safer alternative night routes at times. Sometimes you just gotta do what you gotta do and people like Mikoto are there.
Sometimes you have to walk up to or past a suspicious ominously posted up stranger that definitely doesn't look in any way to be waiting to initiate a hit. That's not something any person would want to avoid in the middle of the night on their walk by all means. I would have seen you like this and went whelp fuck my house is that way... Aw, damn he's either gonna kill me or I'm gonna get home but I gotta walk that way. Better start praying and speed walking.
I ain't even a religious person but I need something to have me right now.
We already made eye contact. I saw him see me. That was my first mistake. Can't get out of it now. Whelp, I have the perfect song for this. I'm such a fucking disappointment. Oh, this route will be shorter there's not many people on it! We'll get home faster. Now I'm about to die.
I would be so pissed to die because this guy was just what fucking waiting to hurt somebody. What the fuck man pick up a contact sport and put the bat down!
Think I was fucking around when I said okay I belive you well ha ha; no. I wasn't. I don't believe this is the truth in this instance. However, I one hundred percent believe this is some city shit. The fucked up thing is what he just said isn't unreasonable like that shit happens there's senseless violence all the time. That doesn't make it better he really went on the mic and said,
"I killed someone because it really was just one of those days, I'm quirky like that. I didn't even know them. Didn't even know their name. They were just annoying had those hit me with a bat vibes you know."
Like dude fuck you that's not better. That's substantially worse actually. I'm sorry this has nothing to do with the question. It's just... Rewatching Mikoto's second voice drama is a trip. One second it's like if you did do that for the reason you stated then you're kind of just objectively the worst person here and continuing to vote you guilty would be better.
He just admitted he just does this shit to relieve his own stress and it doesn't matter who he hits. It's not personal in any way. Does having a hard time and demanding job excuse that? I don't think it does. These were all people to his own quick and flimsy admission had no connection to him. Never wronged him, hell they're strangers whose only crime was walking near him.
Yet the child who killed their abuser is barely treading water while he's here coasting-
Tumblr media
That's fucked up! The fanbase did Amane Momose dirty and it really just seems like it's because she's a child. Because these fucking adults be acting hell of childish and they are not getting as much heat as this twelve year old has. Be better. The fuck type of defense is this. He really came in here and said,
"I felt like it so I did. What's the problem?"
Then a majority of people went alright go off he's such a victim- Of what nepotism, marginally good looking priviliege?! Being shippable and okay to sexualize leading to people liking and projecting on him more than a twelve-year-old?! Because all of those things are actually helping him a lot if you take a step back to think about. Like if you take in the image in full he's doing quite well now in comparison to the shit start he had.
He literally said I killed just because they annoyed me. I didn't even know them and people went I do not dee the problem with that. Go off king people do be annoying. If you don't want to die don't be annoying in public. Being annoying death penalty actively abusining your child for years and killing a cat come on Amane jumping to murder due to that was a bit of leap wasn't it. Like even if your religion said so sweety killing is bad.
Because the truth is if he was Amane's age and gave the excuse that was given here it wouldn't be working. It would be giving repeat offender energy he would need to learn a lesson. He would be hiding behind his disorder.
Even though Mikoto (John) may only be admiting to committing the murders to cover for Mikoto which I'll go into again later... I'm mostly highlighting this to go this should not have made him be more favorably viewed. Like people really just ignored he said that shit.
Yet, then other times in the voice drama it really sounds like listening to your friend lie about the disorder they have blatantly and without restraint to get out of something they simply did not want to do to begin with. To an individual that is woefully underinformed about how the disorder works. Which is me saying it's fucking hilarious. It is absolutely amazing. He should keep doing that actually.
It's not Mikoto or Mikoto (John's) fault that people are ignorant when it comes to dissociative identity disorder and stereotype people that have it. He should take advantage of what aids him. If that's the ignorance of others in this age it takes ten seconds to start researching. No one has to teach anybody in the real wold except teachers and they ain't paid well for it.
We gotta figure it out on our own. He is in jail he doesn't owe society or anyone in that jail shit especially the truth and he isn't giving it.
Mikoto (John) goes me fronting longer has allowed me to stabilize which probably isn't good and means Mikoto the prisoner is disappearing. That is not typically not how Dissociative Identity Disorder works. I don't know why anyone would want to present it as though it does work the way Mikoto (John) is purporting. He's basically saying that alters are born at random and are immediately violent.
This is a a very weird and stereotypical way of discussing and presenting people with DID. That has led to the demonization and stigmatizing of the disorder. It's not like it can't happen people can have violent alters but usually they're responding to a trigger not just being violent towards uninvolved parties or just lashing out at anyone while outside of stressful situations.
Plus, alters can go dormant but that doesn't just happen due to someone else fronting. They can also be integrated. Everyone is different though. So, maybe that's just how this works for Mikoto. Though, alters do disappear for a bit that happens as well. So, why is Mikoto (John) acting like Mikoto's gonna die?
It's difficult for me not to question how this was phrased, especially given what others have pulled over the course of trial two. A good deal of trial two has been prisoners going well if you vote me Guilty someone else will disappear/die- So, you should just like find me innocent. It's that easy find me innocent and everything will be fine.
Like these assholes have genuinely forgotten they are in here because someone has already died. They really be out here like I will certainly take a life but it won't be mine. Do as I say not as I do. Violence is bad and we wouldn't want to hurt anyone let's all just get along.
Where was this Barney ass logic when you were giving people head-on collisions with bats, knives to people's chest, committing malpractice. Like none of these people have said there's no reason to take a life because they've all fucking done it. Just that there's no reason to take away their lives. At least with the people who have brought that sort of thing up.
Isn't that sort of fucked up? That all of trial two a good deal of prisoners threatened the audience with the idea of someone dying as a result of the audiences' actions. Completely ignoring, downplaying, or evading the fact that someone has already died because of their actions.
Instead, it's about reducing harm in the present suddenly. Yet they weren't thinking about reducing harm when they did what they did. Maybe reducing harm to themselves. Then when their victims come up they get real quiet suddenly. Unless it's Shidou or Mahiru who immediately turn it around and make it about how the victims deaths are impacting them.
How it's making them feel bad.
Even ignoring all of the emotionally questionable things presented here and over the course of trial two. Pushing that to the side and just taking the voice drama by itself.
It's riddled with contradictions. For example, this statement
"Evidently, the time I've been fronting has been getting longer. So, this "me" has been able to stabilize. Isn't that the reason we can talk properly?"
Let's again ignore the fact that you were working and taking the fucking train before Milgram. Something that is not only expressly shown in your music video but corroborated by Mikoto's own testimony that directly conflicts with seeing you on a fucking train,
Q.12 How do you travel to work? Mikoto: Road cycling. It’s one of my hobbies, and it’s good exercise too. The fact I don’t have to worry about making the last train can be both a blessing and a curse.
Meanwhile in clown town where the alibis are shit and keeping a story straight is dead.
Tumblr media
Q.17 Do you smoke? Mikoto: Only electric. I used to smoke real cigarettes in the past, but since I started my job I’ve stopped.
Like they even change the tote bags they carry so one has the color we fucking have had associated with Mikoto (John) and the other doesn't so the person taking the fucking train is more than like Mikoto (John).
Tumblr media
Not even adding to the fact Mikoto confirms that he's the one who works at night in his fucking first written interrogation through this answer-
Q.06 What do you hate? Mikoto: working overnight / reptiles / violence
All things that appear or are alluded to in MeMe. Either from the tarot cards or expressly shown like with the images of him returning home.
Ah, man it'd be a fucking shame if on top of all that there was canonical merch that showed Mikoto vaping after the murder or holding an e-cigarette.
Certainly no one has that and the staff wouldn't provide us with something so damning because they like to keep things up to interpretation and it's not meant to be solvable. It's about how we all view it, view it in our hearts through our feelings.
Meanwhile the third anniversary art coming in with a steel chair.
Tumblr media
(Something I brought up way before, along with the idea that the art from the third anniversary is in fact the prisoners after their crimes. Even getting this merch to check more closely. )
Oh, Holmes I'm absolutely stumped at what this could mean. Surely this is still just Mikoto (John) too. It could be no one else. Mikoto is an honest innocent man who couldn't hurt a fly.
All he did was dream. Except when that witty bastard plum forgot he still smoked cigarettes occasionally just a few times. Quitting is difficult, yes, even when moving over to the same thing in a different form. It doesn't mean he's a liar.
For another example, here
Tumblr media
This is not Mikoto (John) in MeMe smoking in the tub but still Mikoto. He's an honest but confused man. Who wouldn't know or rightfully remember no longer smoking cigarettes.
Okay time to stop joking around-
It is more reasonable to recognize that they both appear throughout MeMe and Double and this is subtly displayed through their stated habits, clothing, and facial expressions. Then just ignoring the pile of evidence that shows Mikoto (John) clearly had a life outside of here too.
Along with that again to Mikoto's own admission trial one he was the one more active at night until recently. Stating with extraordinarily little prompting-
Q.20 Are you more of a morning person or a night person? Mikoto: I used to be basically nocturnal. Recently though I’ve been falling asleep pretty early.
Ignoring all of that again he's still just fucking lying.
Just because alters don't front doesn't mean they don't have a stable internal existence. What the fuck are you on about right now? Like at most I can generously say he meant it was becoming easier for him to front but this was bullshit.
This was not a good way of phrasing that. Again alters that don't front have personalities and could even have rich lives internally. So, Mikoto (John) is on some nonsense. Like he's just testing what he can fucking get away with because he knows Es is stupid and ill informed.
Every day I question how he is getting away with it when the honest answer is,
People frankly don't care to see it and that's fine.
There's even the fucking fact that Mikoto (John) directly fucking contradicts himself right after stating this.
"Evidently, the time I've been fronting has been getting longer. So, this "me" has been able to stabilize. Isn't that the reason we can talk properly?" ... "If I had stayed a monster maybe that would've been better. ...What?" You've turned out to be much more rational than I expected... I'm surprised. "I'm a university graduate after all."
Alright, Mikoto (John) which the fuck is it?
Have you only recently been fronting enough to stabilize leading to you being able to communicate properly or did you front for all of fucking college?
You were at least aware enough of it to consider yourself a college graduate. So, what's the truth? Huh which fucking is it?
"Can't remember I was just born back then, you know. It's kind of fuzzy."
I am once again asking how you fucking remember college Mikoto (John)?! Yet, were just born back then?
Okay, let's talk about the elephant in the room-
The threekoto or trikoto theory.
Because some people may want to say if you take into consideration the existence of a third unknown alter than all these inconsistencies can be explained, Gunsli. This is what all those inconsistencies are hinting towards, it's the perfect explanation you're just choosing not to see it.
Yes, I am choosing not to see it that way.
Yet that's not only because it doesn't bring me any narrative joy and subtracts from it. It's also because I view that concept as a cheap fix-it solution where a new factor has been shoved into the narrative in order to account for things within it that could be logistically explained by other means. There's also no actual evidence to this being the case.
One could rightfully say what about the inconsistencies you just pointed out though.
Those could simply be explained by a fact that Milgram has brought up since the beginning of the series-
The prisoners can lie.
If the prisoners who are under more restrictions than Mikoto (John) still have the freedom to lie why are people assuming Mikoto (John) isn't lying as well? Especially when being faced with an unknown, dangerous situation, in which he's been threatened with the death sentence? Like wouldn't the reasonable response to such an odd situation be to keep your information yours alone. Not willfully give it to an entity exerting power over you?
So, the inconsistencies found here very well could be there to hint at what exactly happened once all the information is examined together.
Though, let's be serious for a bit.
Let me walk down that bridge with anyone who wants to go there? What's the actual probability that all the information that they gave us-
Including naming the songs,
MeMe and Double.
Along with willfully adding this fucking very overt line,
"Doesn’t matter if you didn’t wish for it, can’t get rid of me now. Just the two of us, relieved, aren’t you? I’ll protect you (us)."
Are all actually statements meant to mislead the audience and both Mikoto and Mikoto (John) are being honest about not remembering the murder and this third more recently born alter is the actual murderer. Because given that statement on the crimes and Mikoto (John)'s admission that yes, he is a college graduate, the lyrics in Double pointing out we made him out to be a scoundrel-
In my opinion that would be the most reasonable conclusion to draw if I were to believe this is true with the information we've been given so far.
Even if that were the case and all of these other things were red herrings.
These would all be objectively the worst red herrings in existence. Because that isn't a red herring it's a fucking school of them. Grab a fishing rod and get to it. This is past the point of being considered a red herring and instead would be more aptly described as a series of overt lies.
You know a good red herring is when people can actually figure out it is that and there's evidence in canon alluding to that being the case and what is commonly accepted as truth being disingenuous. I'm not the biggest Steven Universe fan nor do I hate it passionately. I'm more neutral to it.
So, let's use it as an example.
-Spoilers for Steven Universe-
In Steven Universe it turns out Pink Diamond and Rose Quartz are the same fucking person. There is art that alludes to this before this reveal. There were speculations and theories of this being the case. What Steven Universe did not do repeatedly at any point was go she's not a diamond we swear this is a normal Rose Quartz.
They didn't draw attention to the elephant in the room over and over. Most of the characters in the series believed fully that she was a quartz and had been lied to for years. It's never called attention to because it is a wildly accepted truth. So, nobody questioned it.
Yet, there were still hints this was the case enough for people to speculate such far before it was revealed to be the case. My point is red herrings are seen not heard, not repeated over and over. A red herring by definition is one misleading clue or accepted truth meant to trick the viewer into believing something that is untrue or move them away from the truth.
It's not a consistent pattern.
-End Spoilers for Steven Universe-
Then to add more insult to fucking injury why the fuck would Deco*27 say this-
Tumblr media
This isn't a red herring this isn't even within the canon.
This is a statement he made independent of the canon. Outside of that he didn't even have to give a specific number but did anyway. He could have just said what will happen to the Mikoto's now. If they wanted this shit to remain ambiguous. Yet, he still used two unless this translation from the Milgram app is simply wrong and it added that.
It'd be weird but machine translations have been weirder.
Yet, considering everything I've seen it truly makes more sense for me to believe Mikoto and Mikoto (John) are both being dishonest for self-preservation reasons than to believe that the entire series has been lying from jump.
I just find it more likely that these two who found themselves in such a strange situation, who are vehemently trying to convince the audience and the other prisoners around them that they are honest trustworthy men are just fucking lying about a lot of provably false shit. Then as it tends to happen when someone is telling lies off the seat of their fucking pants there are many easily spotted contradictions and direct confirmation of actual truths.
Because the truth tends to be consistent lies aren't unless a person is very skilled at it. (Glances at Kazui.) Throwing all that to the side.
If the idea of there being three alters brings someone joy, then that's all well and good. I'm not trying to stomp that out or rain on anyways parade. I just don't personally want the information I discuss to be associated with that or have any interest in discussing that interpretation.
There are a lot of people who'd have a great time doing that. I am not one of them.
Because I feel using that idea to excuse the fact that the alibi, excuses, other statements Mikoto has given, and the reality of the situation through the songs extracted directly contradict each other in a way that highlights he may not be being honest is not only incredibly convenient for him but somewhat disingenuous.
This includes his voice dramas and the birthday interaction before Double premiered. Unsurprisingly.
I'm not looking for an easy fix for those inconsistencies that keep Mikoto looking infallible and like he couldn't hurt a fly. I'm not looking for something that frames Mikoto as being in the right, a good person, and a victim of circumstance while highlighting an alter as being completely bad and in the wrong always. Because that sort of story is lacking in nuances in my opinion and wouldn't be fun to me.
If that were the case it would make it feel as though the story itself was highlighting Mikoto's character having dissociative identity disorder as the reason for him being a murderer or the only thing that led to these issues occurring. Something that just doesn't feel right to me personally.
It's never like what has Mikoto done/chosen to do or how could he have responded differently or managed stress better. Nope it's always an alters fault, it's always the disorders' fault. There's no respect for Mikoto's own agency because he's a guy with a disorder, he didn't mean it, he couldn't help it, that's just how it is.
The impressive thing is how often Milgram as a series pushes back against this interpretation and simplification of dissociative disorders in general.
Then the fandom pretty much plays into this trying to tell others there's a definitive way to know if someone has it, how many alters they have, and at what time an alter is out just by vibes and speaking patterns alone.
As if dissociative identity disorder doesn't involve a shit ton of masking and trying to appear fine to avoid being singled out by others.
Milgram highlights this issue with the perception of dissociative disorder through Amane's voice drama.
Where Es literally implies that since Amane's case doesn't present the same exact way as Mikoto's and she cannot do the same things as him that solidifies to them that Amane herself cannot have a dissociative disorder. So, in Es' eyes what Amane is doing is just playing pretend by referring to herself as we and god. So, really all she is or appears to be to Es at the end of the day is a kid throwing a tanturm and playing make believe.
Well... It's in vain. So, you might as well listen to me while we're here. "I won't forgive you. I won't forgive you." Prisoners can't attack the warden. This is one of Milgram's core rules, although a certain guy with multiple personalities managed to slip past it. "I won't forgive you... I won't forgive you..." Which means Milgram doesn't dictate who the prisoners are by their body but by their mind. If the mind isn't accounted for then the rule doesn't apply. It bothers me that there's a loophole, but... "I'll kill you...! I'll kill you!" Thanks to this defective rule we can confirm this; The 'you' holding the scissors right now isn't a god or a concept. It's Amane Momose herself. "...I'll..." So, what you're doing right now really is just a game of pretending. This is stupid.
Then Amane later in her voice drama calls out Es for referring to themselves as we. Saying that Es must just be playing pretend to avoid taking accountability for their actions as well.
Es makes the very severe and common mistake of assuming all dissociative disorders present the same way and immediately has their own logic used again them. Leading them to have another crisis of identity. They're shown to have a serious lack of understanding of themselves and their opinion.
Something that from the beginning of Milgram has been shown to cause them discomfort in multiple voice dramas. Mu's first and second one, Kotoko's first and second one, and Amane's second one. This same logic could very well lead to the audience making a lot of the same mistakes as Es is presented making.
Well, that was longer than I anticipated. But, there's a lot of things about Mikoto that imply he not only heard the audience voices but took the reaction he received into account when deciding on how he proceeded.
Other than that, I've got a birthday to have. Sorry for the long answer and going much more in depth than I needed to. I also hope none of this was rude.
Though i can't really control how I'm interpreted.
56 notes · View notes
moonshynecybin · 10 months
Note
"he hasnt gotten laid properly in since 2015" <- this is soooooo crucial and also so heartbreaking. like not even the sex proper but the intimacy. and also i like to think (maybe delulu) that vale finding this out (by accident/slip of tongue) is what makes him start rethinking the whole situation... bc no matter how vehemently he hates marc he has eyes and can see just how hot he is (our whole scenario hinges on that). marc can get anyone and anything he wants, and yet... if you told vale in 2015 that marc went celibate over their break up he'd laugh his ass off, but a vale ten years older- like that's definitely an extreme reaction and THAT'S not his fault but. it wasn't that bad. no reason to not get a life
marc:
Tumblr media
context here and here
i do think marc is genuinely like. a uhaul lesbian in many respects to the people he keeps close in his life lmao. like he chooses your ass and you are there forever!!! a lil possessive methinks! same team from like 17 until the bike was actively trying to kill him and even few years after that. still reaching out to vale years 2015-2018! he's sooo one and done and in this scenario him and valentino have been "casually" (NAWT casual to either of them but they do not talk about it) fucking on and off for a bit (TWO YEARS..) and it truly. does not occur to marc that it might end or that he might get dropped at the curb and have to reckon with a world without valentino in his life (or god forbid as his enemy). marc marquez situationship victim.
so yeah him and vale break up and its awful and terrible and after 2018 he does the marc thing. which is shut that part of him down like gangbusters. truly i dont need to be loved anymore i want to WIN. and unfortunately for marc once he's not winning he is . unrelentingly miserable and in pain and sad and struggling. and he gets surgery and the bike gets better when he goes to gresini and back to honda but it was bad. for a while. and he still isnt getting laid lol
so someone (ON GOD. no idea who. bc you could not waterboard that out of marc lol) lets it slip that marc doesnt really. get laid. ever. and vale (slut, sex-haver) is like lol that cannot be true (HD flashbacks of marc young eager sloppy big eyed in his bed playing against his eyelids). realizations dawning. so he waits until ummmm the end of year gala when they are all niiiiice and tipsy and corners marc and asks him without actually asking him. and marc doesnt confirm it but it is CLEAR. that lil homie gay ass has not in fact slept with anyone before or since.
and then. i think our man valentino gets a little crazy about it. picturing marc. remembering. thinking about how like. lonely and miserable he must have been during his injury and how valentino was the last and only person to get to touch him like that. its a lil problematic but it is crucially sexy. this is also when marc notices vale like. staring at him all the time and the wheels start turning about the weird convo at the gala. so he activates slut mode and vale gets even more insane about it and starts walking into doorways bc marc is doing shirtless stretches in tiny shorts and putting his leg up fully behind his head. so OBVIOUSLY vale's gotta fuck him. as like. a humanitarian effort
77 notes · View notes
Text
(ALMOST) EVERYTHING I NOTICED FROM BAC BMC
NOTE: spot check me!
It was the Two Rivers script, but I still haven't read the whole Two Rivers script so if I mention something I noticed that’s actually just… in the script… lmk!
Also: if you also saw the BAC production (or if you are the BAC people???) and I missed something, let me know!!! Literally anything at all I will put it here I’d love to approach comprehensiveness!!
ALSO: Spoilers! If you plan on going to Jake’s Halloween Party maybe wait? Or don’t!!
CHARACTERS
Madeline
Putting Madeline here because the first thing I noticed in the whole show is she’s ACTUALLY A FRANCOPHILE and it’s so funny ldksjfjsfksdlf. She wears a beret, and people put on a stereotypical French accent whenever they quote her djslkfjsfkfds And during the play backstage someone (I think Chloe?) runs up to her, smacks her beret off and yells “You’re not French!”
Jeremy
OH oh oh oh oh. Bac Jeremy my beloved…. I swear like 30% of Christine’s autism was generously donated to Jeremy for this production jlkdsfjdls
He has this habit where he’ll put his hands in his cardigan pockets and push his them around in front of him or on his body to feel the tension of the jacket stretching. Patrick said this quirk was based on a neurodivergent kid he knows. I don’t have photo evidence and IDK how to describe it perfectly but i did draw it here (x). It wasn't exactly like that though OTL
He does it whenever he’s nervous (so almost CONSTANTLY) up until BMC P.1 when the SQUIP tells him to take his hands out of his pockets. During that song you can see him trying to put his hands back safe in his pockets but afterwards he never does it again, even after The Play. He also doesn’t do it when he’s with Michael, even at the beginning, so I take it to mean it goes away when he’s comfortable. 
I think he flinches and cowers a lot (compared to other Jeremys, that is). Whenever Rich surprises him, Jeremy jumps and protectively throws his arms over his face. I think he reacts similarly to other people a few times - I don’t remember when exactly though… There’s also several times where he’ll stand totally petrified out of fear, like when Rich is writing “boyf” or when Chloe’s coming onto him. By all of this I basically mean it’s really obvious he’s been physically abused (presumably by Rich).
Tumblr media
Just in general, his freakouts are very physical, he’ll kinda do these stiff arm movements or cover his face in his elbow etc. Off the top of my head this happens during Upgrade and also at the end of The Play when Christine’s singing to him.
All this to say he has a very very visible physicality to his awkwardness and I love it. I don’t just mean that on a character acting level, I also mean like if you’re sitting behind him in class your attention will actively be caught by his awkwardness. 
He also has a deeper register which he uses mostly in a joke context? He used it in normal conversation a few times too, I think more towards the end.
I noticed him standing just a little pigeon-toed near the beginning. I don’t know if this carried through the whole thing though.
Clothes: his cardigan is blackish with a blue outline, and he wears it over a green shirt with a question mark (I perceived it as a Gravity Falls shirt but might be wrong). The eminem shirt is black and I dont remember what he wears it with…. At the party he has a cyborg shirt and a visor, and after the party he has a white shirt with a flannel and khakis (or maybe light corduroys). In VIMH he has another fandom shirt on but I don’t remember what it was sorry it was 11pm ljfsdlkfjdslkfs
Its so obvious I’m a Jeremy stan this entry is the largest one sorry 🧍
Mr. Heere
He seemed less depressed and more just out of touch in this one? During Two Player Game, he seems decently chipper, if annoyed, though of course he’s still unable to dress himself and unwilling to put genuine effort in with his son. 
When he says “Good talk” he gives Jeremy a friendly shoulder punch. Right before Pants Song, as usual, he says “I could ground you!” Jeremy says “I don’t think you could,” and gives his dad the same shoulder punch while saying “Good talk.” AAAAAAH.
Michael
He seemed less frenetic and anxious than the Troy!Michael I’m used to (sorry that’s my only reference for Michael lol). 
He was generally loud and exuberant. A very excitable but down-to-earth Michael. 
MITB was amazing. I was nervous because it’s obviously (obviously) the best song so there’s a lot of pressure but no it was done perfectly. Sad as fuck. Perhaps moreso because this Michael was especially normal until now. (Also because pre-MITB Jeremy was extra mean in this production)
For some reason, I found it easier to picture this Michael being a childhood & school friend? Maybe just because this production seriously pulled my psyche straight back to highschool in a way the others haven’t been able to lol. 
I maybe got the sense that he’s really trying to act like he doesn’t care as much about Jeremy as he does. 
BTW I’m obsessed with the fact that his idea of a creeper costume is a mask and a shirt that just says creeps on it. I know that’s kinda textual at this point but taken together with the mask its lkesdjfsdjflksdf
Christine
Amazing ballet (?) choreography going on during her intro. I think that might be standard Christine choreo but still! Stunning.
I could actually picture her as an averagely popular girl in this one? Not sure why. Maybe more nervous in her relationships but more confident in other contexts, but I could be pulling that out of my ass. 
I could also be thinking this because she has cool hair (space buns!) and likes Taylor Swift in this one. 
Some of her songs had these really melancholy notes where I didn’t expect them - particularly in GTIKBI Reprise (/pos! I was like oh shit!!! every time)
Rich
He has painted nails! They’re black. 
He had fruity energy the whole time but it got progressively more intense. No I can’t elaborate actually I don’t know why I perceived it like this but I did sldjkfsf
After he comes out it gets more explicit; he starts wearing a pink headband in VIMH (he also gains glasses I think? Unless they’re still Michael’s) and during bows he flashed a paper fan that had the gay flag inside. 
IMO, it was implied that the house fire was a suicide attempt. I say this for purely textual reasons -  because he doesn’t mention trying getting the SQUIP out of his head, and because Jeremy’s SQUIP later implies it was a suicide attempt. But his behavior around the fire - looking dazed while rhythmically flicking a lighter - could also indicate squipzophrenia. (Maybe it’s the same amount of implied as usual - To be fair, I’ve never really understood why Rich set a fire in the first place…)
Brooke
Very wholesome and I love her. IDK Broadway Brooke is very campy, and BAC Brooke is more like a normal sweet girl but maybe that’s just me 
Compared to Broadway, way more respectful of Jeremy’s space. She doesn’t really try to physically seduce him in upgrade instead they just have a cute lil conversation. Also when she tells Jeremy she got cheated on, she doesn’t initiate contact by petting his hair (like in Broadway) - instead the roles are reversed and they hold hands comfortingly, and Jeremy is the one to escalate that by rubbing her hand in a slightly forward way. 
Her French was awful!!! sdjkfldjsfkdsf It was the whole time but Tres Magnifique = "Trays Mag-nuh-Fike" is the one that really killed me
Chloe
Not to be backhanded… but she was really good at being a bitch??? Especially the scene where she’s giving Christine advice
Maybe closetedly wlw based on the delivery of “I like gay people” and the events of The Play??
The Chloe Jenna friendship intrigues me so much… what’s going on there…
Jenna 
Sadder than Broadway Jenna… 
When Chloe mentions her in play rehearsal she jumps up from across the room and says “I’m here!!” to no reaction.
Later in Smartphone Hour -  J: “....because you are my closest friend-” C: “No I’m not” J: “Yeah I know….” Jenna sounds kinda genuinely bummed lol. Either she wasn’t expecting that or she’s *very* aware of it and it’s making her sad. My impression was more the latter.
During VIMH she’s wearing a sweater that’s colored like the lesbian flag??? (EDIT: the actor, Diana, said this was intentional and her Jenna is a lesbian!)
Idk idk actor so good she made me care so much more about Jenna dsfljdf
Jake
Maybe a touch more upfront about the fact that he feels a lot of pressure in his life
He was dumb <3
Mrs. Reyes
She’s a woman in this one!
She has a hippie thing going on i think?? Like a boho mom (affectionate)
Pronounces Reyes with a (several second long) rolled R at the beginning
Doesn’t do the stiff announcer-like angle that the broadway guy does. Her comedy is more crazy cat ladyish
The hot pocket breaks were preceded by an actual alarm sound I think???? bonkers fkljd
Ensemble
BIG ENSEMBLE WAS SO FUN…. They had so many funny bits going on in the background it was soooo good and another reason I wish I could watch it over and over because I couldn’t be paying attention to everything at once OTL
Scene by scene
Organized by song, but scene notes are in there too!
More Than Survive
"Madeline was all like-" *bad french accent* "ohohoho, I'll only sleep with you if you beat me at ze pool~"
“Oh my god he is like totally getting off on that” ← right before this Jeremy starts pointing at them awkwardly from a distance, I think in an attempt to get to his locker?? 
“I like gay people” - the way Chloe says this is kinda like “idk what the big deal is because *i* think gay people are soooo neat” which got a lot of audience laugh. I think she was talking to Jenna but I don’t remember 
“I don’t wanna be a baller” (or whenever the class scene is) - Jeremy’s sitting in the back of class and everyone turns to throw paper balls at him. I was like oh my god he’s being genuinely bullied so hard in this one…. Then again maybe that’s just how he feels?
There’s this awesome chair choreo at the end where everyone’s laying down chairs in front of Jeremy for him to walk on and taking them away from the back to put back in the front as he makes his way downstage.
Scene: Michael's "You don't have to do this!" kind of came across as a shout of protest. (But of course still tempered with, "of course i'll make fun of you forever if you don't)
Play Rehearsal
"This is where you meet for the swim team" --- Instead of looking confused, Jeremy immediately acts like ok byeee - he might be eager to back out of the conversation and/or immediately accepts her answer as literal and wants to leave asap out of embarrassment.
“I also have a touch of ADD” - she trails off and stands there kind of in a daze for a moment, before remembering that she’s in the middle of a song. 
“And can I mention that was really one of my best roles, DID YOU SEE THAT?!" She shouts this very proudly. And after her 'do you find that?' bit she doesn’t give Jeremy time to even try to respond, so it’s a little less rude lol. 
Jeremy was very anxious, and somewhat in a bad way? As in the exchange was a bit off-putting to him.
Scene: “thank god the popular kids are here” - there are SO MANY kids entering. I’m not sure what to make of it! Popular as in everyone’s popular compared to Jeremy and Christine? Or is this a whole clique? Or is Reyes just talking about the popular kids and the other guys also just show up? 
Mrs. Reyes: ~"Our funds will be diverted. To the frisbee golf team. What even is frisbee golf?" Across the room, Jake holds up a frisbee and silently points at it, trying to get Reyes' attention. She doesn't notice.
After scene: Jake’s “pressure to be the best at everything” is said very genuinely, not for laughs at his arrogance which is how I usually read it
Squip Song
Rich actor KILLED it just gotta put that out there
“So it’s like….” Jeremy takes an extended moment to walk to the edge of the stall and look behind to make sure nobody’s there - “...drugs?”
In the end of the song, Rich rubs his dirty hands all over Jeremy's arm.
The Squip Enters
Scene: Payless: “Wolverine” was great djklsfjdsf I’ve never thought about him before. (It was also the actor’s birthday!) When they enter he’s playing the knife-finger game. He threatens Jeremy with the knife at some point (either “400 dollars” or “all sales are final!” I think?). I can’t really describe the character acting but he was very entertainingly unhinged. He's called “Scary Stockboy” in the script & playbill and I thought that was a misnomer until the scene happened lmao. No that was accurate. 
Scene: when they enter the food court there’s like a photo of a mall food court on the back wall but not from the perspective of the scene at all it was like a background that abstractly tells you where you are?? As someone who loves kitsch I enjoyed this, it happens with a few other scenes too 
There’s a couple making out obnoxiously at the mall that someone (I think it was Michael?) had to step over to get to the table. I think they had some great thematically relevant background acting in this scene but I cannot remember it exactly I am so sorry OTL
Michael is buying Ecto-Cooler! It tastes like ghosts.
Jeremy “mourns in his chili fries” by laying his head down on the table. Jake and Christine sit at the table together without noticing him. Then Jeremy pops up and they have the usual exchange (“I didn’t see you!” “Yeah, you’re kind of hard to notice”). I thought that was a really neat staging!! And it makes more sense why he even tries to talk to her in this scene lol
Mild discomfort - The first half Jeremy just stands next to the table and kinda screams in pain. Then the second half he falls to the ground and is thrashing, again mostly just in pain. (Pretty sure that’s how every production goes but I think the intensity of the spasming is pretty variable so I’m describing it here)
When the SQUIP first appears, he offers to appear as Kermit the Frog, Barack Obama, and Gilbert Gottfried, and does a little impression for each one:
The imitations the Squip does are as follows: Kermit the Frog “hi ho Kermit the frog here, we’re gonna fix your life Yayyyyy”, Obama “My fellow Squip, if sync up we can change this loser” and Gilbert Gottfried “So Grandma and the dog are on the table…” - Courtesy of director Chris Guell because I couldn't remember them OTL (thank you!!!)
Also in the middle of this Jeremy says "That's a terrible Obama impression..."
Be more Chill p.1
Brooke and Chloe are shopping on the upstage side of the clothes rack; when Jeremy picks out the girls shirt, Brooke appears through the gap in the clothes and surprises him.
After the song, one of the ensemble steals the clothes rack and the mall cop chases him off stage in a very cartoonishly stiff sprint.
Do you wanna ride?
After the first rejection, Brooke goes to Chloe, who points out the satchel she has belted around her waist. As she starts to sing again she slowly unbuckles it and holds it behind her back. 
Jeremy is very into it by the end and the girls have him dancing along with the music. I think you can see that in one of the promo videos too :P
Be More Chill p.2
Scene: When Jeremy’s going to bed after the mall, instead of sleepily singing, he uses a silly deep voice to say something like “yeah be more chill i’m gonna be more chill i’m gonna be so chill that ice is relatively warm”
After Rich talks to Jeremy (“hey, tallass, where’s my money?” and then they sync up) he spots a girl across the stage and yells “Hey, where’s my money?” then chases her down the hall. 
Guy that I’d Kinda be Into
Scene: during the rehearsal - JR: "Bring me patient zero!" Then Chloe, sitting on the ground, looks through her script for like 45 seconds until finding her line: "Cough!"
At “I’ve been activating your pheromones” - Jeremy starts and looks at his armpits, then as the song continues he slowly pulls his arms up to rest behind his head, it was very comedic djflkdsf. He also uses one hand to waft from his armpit before returning to that position. Guy...
I think this is also the scene he uses a script to hide his boner??
They were so cute at the end!!! Just sitting next to each other in rehearsal and kinda leaning in towards each other. Very real very high school. 
Upgrade
Scene: While Jeremy and SQUIP argue about Eminem, Brooke is (silently) describing the accident. She mimes hitting a hockey puck, then being impaled in the guts repeatedly.
Instead of literal bleachers (at least visually), Brooke and Jeremy go sit on the top of the stairs that lead off of the stage and into the audience. They kinda playfully walk around the railings and stuff, and at the point in the Broadway version where they start aggressively making out, instead they just sit next to each other and talk and it’s very cute :) 
Jeremy’s freaking the fuck out in the middle and it’s so obviously sensory overload auauuauuauaugh. He was like contorting to cover his head in his arms. Guy…
Halloween
Brooke’s costume is a sexy dalmatian! She has an eyespot and a black and white skirt + other spotty white clothes. Jeremy’s cyborg costume only extends to the shirt & a visor. I think it matched with the squip’s visor?
THE PROJECTOR…. On the background was the funniest background it could possibly be it was like a graphic of a cartoon skeleton holding a wooden sign that said “Jake’s Halloween Party”. IDK if that’s a poster he got printed or if it’s an extremely camp way of abstractly giving us the setting or what but I WAS LOSING IT SLKDJFKDSJFSD 
I WISH I had a picture of it, but in lieu of that I recreated it for you and I swear it was like 95% exactly like this. just projected on the wall behind the stage.
Tumblr media
Do you wanna hang?
Right before this scene, there’s a huge group choreo where people dance with partners, and in the last move one partner spins the other one down, who lands on the floor looking up at them. Jeremy ends up on the floor and Chloe walks up and stands over him while inviting him to come with her. 
TW - This scene is always sexual assault, but the tone felt especially dark this time – maybe it was just seeing it live, though. 
Jeremy’s standing frozen still as the song starts and kind of visibly recoiling as Chloe walks around him. She walks behind him and shoves her hands into his coat pockets, which makes him flinch. Extra upsetting because like I said before I think his coat pockets are kind of a place of safety for him :(((
Pretty sure the SQUIP's Japanese was different from the Broadway. Wasn't sure quite what he said, but it I think it *didnt* include these from the Broadway one: お腹が空いた (I'm hungry) and お疲れ様 ('pleasure doing business with you,' i think?)
Michael in the Bathroom
Scene: Jeremy seems very shaken after DYWH and sits on the bathtub sadly; when Michael reveals himself Jeremy flips out.
Michael talks about “his clever disguise” and makes monster growls (meant as creeper hisses?) - I think with the tone that he’s trying to get Jeremy to respond to the joke, or point out the reference or something. When that fails, he starts getting serious. 
“Get out of my way, loser” is delivered very confidently. 
After Michael says he’s on his period, Jenna opens the door a crack to hand him a tampon dsjfkldsjflkdsjf. He throws it in the bathtub later at “I’m a creeper in a bathroom….”
Also of course, he’s in a creeper mask lol
Song: WONDERFULLY done. Honestly don’t have much to say it was just great. I get desensitized to that song after hearing it so much, but seeing it live definitely brought a spark to it.
“And I look in the mirror and the present is clearer…” section is like the *key* part of this song to me and Connor Introna did it really well. His voice started breaking at mirror, and of course he did the little sob and everything it was just chefs kiss
Guy that I’d Kinda be Into Reprise
When Jeremy asks why Rich didn’t give him a warning and Rich starts saying “warning” over and over, he says it at a steady rhythm until he gets off stage. Then Jeremy tries to rouse a drunken partier to say “So that was weird…” and Rich’s “Warning” randomly interrupts Jeremy like 3 times to comedic effect before he can get the words out
"Popular people are messed up" - less in response to Rich & more in response to the guy Rich is talking to passing out drunk (iirc)
This is just a 2R things but it hit me so just pointing out she just says “I’m not Juliet” in this one (rather than we’re not romeo and juliet) and auuauguughghg poor Christine :(
Weird noises: it’s kinda like a dinosaur impression in this one? They both go like RAAHH and make claw hands in the air. Then Jeremy stands up and pretends to be driving a car (I think???? lol) and Christine copies him
Christine starts standing up while Jeremy’s still asking her out. As soon as he finishes the question she immediately rejects him. That is to say, she saw where this was going and already knew her answer.
After the scene, Rich walks back across the room, flicking a lighter on and off in a daze. 
ALSO: Ensemble were very entertaining in the whole party! During this scene there were 3 of them playing spin the bottle downstage left and it had like a whole arc to it sdnjkfdfdsf Also guys passed out on the floor and on the couch 
Smartphone Hour
Starts w/ Jenna sitting on the edge of the stage, dangling her legs over the pit. 
Brooke is sadly eating Rich’s loaf of bread. (After she forgives Chloe she passes it to some other actor offstage which I probably wasn’t supposed to see but it was funny lol. communal machete bread)
THE PROJECTOR….. Everyone was holding phones and in the background was footage from their front-facing cameras (prerecorded, but it synced pretty well with the live actors). Then you could see the GUI of them typing some of the lyrics (“rich fled to bombay!!”) into imessage and twitter
AND THEN you see footage of the house burning down on an insta reel…. An unremarkable suburban house where you can see flames consuming the roof. This same footage plays on a few people’s reels, then there’s also footage of firemen coming and putting the fire out and its SO REALISTIC i was losing it 
Around “Changed my profile pic to you” it shows a bunch of (presumably) instagram photos of Rich like in his house and at school or wherever and i wont lie it made me feel for him a lot more. They were like actual full staged photos :( like thats a real guy in there… 
Pitiful children
Scene: When Jenna asks if the SQUIP is a drug, she does the same extended thing of checking to see that nobody’s watching that Jeremy did in The Squip Song
The Pants Song
Scene: see my notes on Mr. Heere aaaaaauguh
Michael’s sitting on his front steps while smoking weed from a tiny green bong. You can tell it’s his front steps because there’s a mailbox next to him labeled MELL BOX in big letters dslkfjdskfjs
Michael’s wearing pants - I think that’s just textually accurate but reporting it anyway
When Mr. Heere comes over (“do you love him?”), he puts one leg on the top step and Michael is eye-level with his crotch. Michael has trouble tearing his eyes away. This happens a few times. In my opinion, it made him come off as a lot more high than he usually does lol
If I remember correctly, they get very intense and like shoulder-grabby at one point. Could’ve been a different scene though I dont remember OTL OTL
The Play
Michael comes out of the audience!!! It was cool it was meta lol
PINKBERRY CANON SDLKFJDKLFJKFJLSF. Brooke and Chloe have the Two Rivers dialogue (He didn’t sleep with you? He didn’t sleep with me!) then after Sisters forever! they do these actions to the rhythm of three staccato beats: “Jinx!” *high five(?)* *KISS ON THE LIPS* and instantly pull away. They're extremely normal about it and are just standing there afterwards without moving or acknowledging it. 
Despite being in the middle of a zombie apocalypse, Jeremy is dumbstruck and stares at them for a few beats before moving on to the next line. It was amazing. No notes. 
Jeremy is horrified when Christine starts singing to him. She walks robotically over to him and speaks kind of like she’s reading off a script (hehehe). Jeremy is backing up against a wall and freaking out almost like he’s trying to get away from her. No implication at all that he’s tempted. 
When everyone starts screaming in pain, Michael is screaming in triumph. (Or at least he looked very triumphant, I don’t remember if he screamed lol)
Voices in My Head
Rich is in a wheelchair. Also he doesn't have a lisp.
Rich is wearing Michael’s glasses. When he starts asking about Michael, Michael shows up and takes his glasses back. I think Rich steals them back at some point too? 
Michael acts a lil flirty with Rich - approximately "I'm sure you'll find something very special," then in a tiny high voice: “but not with meeeee…!” and he pushes Rich’s wheelchair so he rolls offstage jdsfkldsfkfd
At “Tell her that she excites you sexually” Rich does a little wheelie to (presumably) represent a pelvic thrust (all of these Rich moments were excellent I loved this Rich sm)
Christine’s squip was Taylor Swift this time!
At “I know the last thing I deserve is another shot, but…” He trails off and there’s a pause before “Just say what’s on your mind, Jeremy.” I know they get together obviously, but it felt like it could go either way! Maybe because it was live.
(And then they cccccome on lets go and do bows, in character i think, and it was amazing the end)
I was gonna write a TLDR here but honestly all of it was amazing and if you want the highlights it’s pretty much just the stuff I bolded!
Also end note the actors were all soooo nice and they let me ramble to them about jeremy for several minutes Q____Q it was amazing im so happy about this still I wish I got their signatures sjdlfkjdsfkdsf
I hope everyone gets to watch the show at some point but otherwise I hope this can be useful to someone!!
96 notes · View notes
lpsgirl109 · 4 months
Text
This is a post for @just-allovertheplace because they brought up a point on one of my Phin posts and I wish to elaborate
So when I say some of Phin's actions should've been a result of her own ignorance, I dont mean like, all. The attacks against Roxxon should absolutely be done from a place of hate, those fuckees killed her brother and are selling off nuform as a clean energy thing despite Knowing it's harmful. Everything against Roxxon is fine to have been malicious intent
What I mean with that post is I feel there should've been an emphasis on Phin not really thinking about the damage her attacks may cause to innocent people until after the fact. She's not putting civilians in harm's way just for shits and giggles, Roxxon is her first priority and her grief sort of blinds her to how she may be hurting others in the process. The reason I like to add her warning the people at the rally to run is that the fandom Loves using that scene to call Phin a horrible person for putting Rio in danger. And in my honest opinion, some of that can be equated to bad writing, since Phin is sort of all over the place in terms of her actions. I can definitely word this better when I finish my replay of the game but like, there's moments where the narrative villainizes her a bit Too much and it leads to people hating her more than sympathizing with her, which really doesn't work when the point of her arc was to make the player feel bad for her by the end, not cheer for her death.
This is why it works better for me if she's going into these attacks clouded by her own rage and not entirely understanding the consequences until after it has been done. She doesn't want to hurt innocent people, she wants to hurt Roxxon. She just doesn't realize innocent people Did get hurt until the action is already done. And one could say I'm watering her down and making her less evil or some shit, but I also do this because I don't really like how her or the Underground are handled in the game. You have to tread carefully when playing with the "character figting worse character is Doing It Wrong and is therefore just as bad" trope, especially in the context of the 'worse character' being a corrupt rich asshole in charge of a corrupt company who is knowingly making people extremely sick with his product just so he can sell it. And the game uses this trope pretty poorly, with how horrible Phin and the Underground are portrayed. The Underground is a literal terrorist organization and Phin herself shows no care for the people she hurts in the process of taking down Roxxon. She doesn't even care that the Underground is getting sick from handling the nuform, and that's a scene that really Icks me because there are Connotations behind saying the black girl trying to fight a huge corrupt organization that killed her brother has become no better than the white man who owns said organization and just about takes Pleasure in what he's doing. I really hope this is not a hot take and I am not the only one who thinks this.
Anyway, that's largely why in my rewrite, I tone down both Phin and the Underground a bit. If they were the only villains in the game and weren't fighting any sort of higher power, I'd probably be fine with them the way they are. It's the fact that their goal is to stop a large organization from harming the city with their product, and are written as terrorists who don't care about the innocent people they hurt that makes me look at them and go Hm. This was not handled well. At all. It's why in my opinion, Phin works best if her attacks are never meant to hurt innocent people, rather she's sort of in over her head and didn't think about the damage she'd be causing until it was too late. And like this also checks out when you remember she is an 18 year old girl, yeah she's gonna fuck up. Girliepop never even made it to her 20s /ref
Anyway this has been an episode of Peg Speaks
34 notes · View notes
Note
YGESSSSS. NEW BSB ENJOYER FOUND. who is your favorite character if i may ask... i have like atleast 5 but kai is at the top i think. sometimes i think about this image and i'm like "my god what the fuck even is that". one of the guys of all time
Tumblr media
“WHAT THE FUCK IS THAT” LMFAOOO no because thats exactly what my friend said when they saw yuriy KEDBJSBSGWJW. What is. Wrong with his eyebrows....looking like a creature…a bug with antannae perhaps….
BUT MY FAVORITE IS MAX‼️‼️‼️hes been my fav ever since i started watching it love him… my second favorite is kai probably though LOL. I can tell hes one of those fan favorite characters right🤔usually characters like him are… not a bad thing just an observation lol. Metal fight beyblade was the beyblade show i had known my entire life and was a big fan of so i wanted to see the other beyblade shows with it and for some reason i watched beyblade burst before bakuten shoot ????? Yeah that 7 season show i only liked the very first season of… the rest was so boring and for some reason i forced myself to watch it by using it as background noise😭
idk why i didnt give up and watch bakuten instead, took me too long lmfao. Th reason why i mentioned metal fight is that since i knew that show my entire life i had certain expectations on certain type of characters (ik bakuten came first but metal couldve been influenced by it and it was bcs there are similarities lol) (i mean king [from bakuten] looks almost identical to dynamis [from mfb] <- thats just one example) so i thought, while i was watching season 1, Kai Hiwatari was gonna be like Kyouya Tategami where hes with the team yes but doesnt see himself as a part of it and is there for himself only bcs hes a loner or whatever but then that thing at the end of the season happened he became a part of the team and the didnt have random unnecessary off screen character regression like kyouya did in the next 2 seasons (and also isnt an asshole abt it like when he left temporarily to battle takao in g revulotion he wasnt like “fuck you dumbass” like kyouya did basically 😭😭)….
That was so refreshing to see bcs thats not what i was expecting and thank god it exceeded my expectations 😭 thats why i keep saying kai is kyouya done right bcs he kinda is…. Though i find it funny when hes just standing in the background w his arms crossed or laying on the grass like damn bro wants to be cool so bad (not as cool as the frame of rei kon absolutely BALLING)
Said max is my favorite and talked about kai the entire time LOL no but he’s my fav i love that guy EXCEPT. the fact that. He likes mayonnaise… idgaf if its ur style mayonnaise is disgusting im disappointed in you max…..
I also like Yuriy who also seems to be a fan favorite from what ive seen which i expected but i like him in a way like, hes so funny to me. Bro walkin around with bug antannae and the worst posture youve ever seen. Why is he built like that. Fucking thing. Also big fan of the weird ass sht he does in g revulotion when doing special moves hes got CLAWS hell yeah. No bcs no one elses looks like dat when they do it⬇️ as a certified creature fan i can proudly confirm this, indeed, is one of the creature moments of all time.
Tumblr media
⬆️i remember seeing this frame before watching the show and thinking what could possibly be the context behind this LMFAO . Shoutout to Rei kon for also being a creature big fan of the pointy ears and slit orange eyes (v force when i catch you v force)
I dont know peoples opinions of daichi but he seems like the type of character ppl might hate for being annoying but i like him bcs he reminds me of me and my brother when we were little (im the younger sibling) bcs every interaction between takao and daichi reminded me of us LMFAO 10/10 sibling dynamic (better than takaos actual brotha😬)
N lemme see if i have any kai screenies i took cauze i took a sht tonna screenshots
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
I was gonna capriin thwm but idk how to write inbetween them so im typing them here
First pic - already has a caption
Second pic - ths shit makes me laugh everytime im so glad people are not hesitant to resort to violence in this saga
Third pic - V force jumpscare
Fourth pic - what is he listening to . Do you guys think Kai Hiwatari would like Yuno Miles
Fifth pic - one…..one piece…..
Sixth pic - they forgot to colour teh pack of his hair lol
Seventh pic - no need for a caption. What is that
Last pic - he. Smirks like an animal. Idk how to explain it but, he smiles like how an animal or an ailen trying to do it for the first time would do it
I will read the manga soon i have physical copies of the first 4 volumes and ill find the rest on the net bcs bakuten media is so much easier to find that mfb is THANK GOD. I will also be looking up shitty 13 yr old amv s and yall better have sum real 2011 sht
22 notes · View notes
Note
Aita for 'Breaking up' with a friend?
This is going to be a loooong post so buckle up. I have been friends with this person, who I will refer to as Bread, since 2017. They were pretty much my only close friend beside my sister(Who i will call Gamer, she is important later on) but also i always found them kinda annoying, but I never said anything because i would have to see them in school everyday and it would be too awkward. So right before my school shutdown for Covid, like on the last day, I (basically) said "I don't want to be friends with you anymore." I however continued to be their friend because they acted as if nothing had happened and honestly it took me a lot of courage to say the first thing to their face anyways. This is the end to the first chapter in our story.
So skip a few months in which we have no school. When online school starts we did it on google hangouts, and i found a way to reconnect with my school friends, i.e Bread and two other people who will become VERY important to the story. These two people who i befriend i will call Sprite and Pepsi. Sprite and Pepsi are currently two of my best friends, however Bread has had a long running history of issues with Pepsi. Mainly they set these aside for the good of the friend group. I introduce the three of them to one of my outer school friend, who is slightly older than us and therefore i will call Mentor(who actually has a tumblr so if you see this, by now you know this is me so keep scrolling.) The six of us become very good friends(for those who need a reminder, that's me, Gamer(my sister), Bread, Pepsi, Sprite, and Mentor. Cue 2021, the friend group now all uses discord and I have been invited into a side group chat, titled something along the lines of 'plans to remove Bread from the friend group.' Now, during this time skip i have mentioned a few incidents have occurred. 1) Gamer and I have gotten in heated arguments with Bread over silly things, them being really rude about Sprite's art, them not liking a documentary I recommended, several incidents where they 'introduced' us to their online friends who was just them on an alt account. Anyway, back to the group chat. I am filled in on even MORE discourse between Sprite, Pepsi, and Bread. I don't really remember any of it know and the gc has been long since deleted. We talk shit about them behind their back while also pretending to be their friend(this is partly the asshole part because we did this A LOT.) During this time Sprite is our double agent, being the person Bread always rants and vents too, despite Sprite discouraging it. During this time somthing very childish happens that i am honestly embarrased to type, so i will skip it, occurs, acting as the catalyst for all of us breaking our friendship with Bread in favor of Pepsi. During this event many hurtful words were said, mainly aimed at Bread(to their face this time.) Our break in friendship, however, does not last long, as right after we(Me and gamer) are added to a groupchat where Sprite tells us that they were a double double agent and was on NO ONE's side during this entire thing and also kind of telling Bread what was going on. They explain that this friendship stuff is dumb, and we all become friends once more (including Bread and Pepsi.) Things continue as normal. This is the end of chapter two
School reopens. I am in a class with Bread and no other friends. Each day my resentment for Bread grows. (Also a quick context for our school, Bread, Pepsi, and Sprite all use the same bus. Me and Gamer do not. Mentor does not go to our school. Many events transpired on the school bus that i am not fully aware of.) At this point I fucking DESPISE Bread. Its lots of small incidents, that i never addressed with them. Them being too touchy, invading my private space, not understanding that WHEN I PUT MY HEAD DOWN THAT MEANS I AM TRYING TO SLEEP SO FOR THE LOVE OF GOD DONT POKE ME. At this point all of my friends and I use insta, as me and gamer have just gotten it, instead of Discord. My friends never used discord much, so now, I start talking to my friends more. Pepsi and Sprite start filling me in on more and more of Breads misdeeds. It is revealed to me how pushy Bread is, how they ignore peoples boundary's, etc, and how practically everyone in our grade fucking hates them. This is news to me. I start cutting Bread out more and more. The shit talking behind their back returns, but this time with a vengeance. This time more people are involved. This time, the friend group is larger. This time, the exclusion Bread faces is on a larger scale. It is 2023 now. I barely talk to Bread. Their friendship with Pepsi is entirely down, they had a big friendship over haul that i have not gotten into, but we're still friends, only in name, for Mentor. Anyway, I use Pepsi as a human shield. Bread will avoid us if we are near Pepsi, and wont come to a group event if Pepsi is there. Life is great, because i no longer have to deal with Bread and their bullshit.
Now i come to the final part. The actual breaking up. Bread has confronted me a few months prior about how i avoid them. I weave my way around the topic of saying I hate them because i am very non confrontational. But now, I have confidence. I just finished hanging out with my friends. Its the middle of the holidays so i can send them a message via discord and not have to think of consequences. So i do. I tell them that I don't like them. I don't exactly outline the problems, but I do tell them this has been a long tome coming. Now, comes the reasons why i could be an asshole.
One, I have been 'soft blocking' Bread for a long time before this and i should have done it ages ago. Two, They have literally no other friends now. They are entering a new school year completely friendless, and i cant completely say its their own fault. Three, Most of what I have heard about their wrong doing is passed down from mouth to mouth, so details may have been twisted and I should just confront them about it instead. Four. As their only friend, it was kinda my job to help them, isn't it? but i didnt . I just abandoned them as soon as i got fed up. Five, even when i was genuinely their friend, i was a really shitty friend, refusing to take their side in any conflict that arised. Six, Bread acts like a genuinely nice person that i don't mind hanging out with in person, its just certain things, and the way they act with others and online that pushed me to this point.
So thats it, thats my story. A few helpful things to keep in mind: This is only an abridged version of events. I will be answering any questions i can on a throwaway account to clear up any confusion, and also add more detail on what exactly Bread has done wrong. Also we are all under 18 in this story and currently, so please keep this in mind. I don't think i did anything wrong but also i am surrounded in an echo chamber of people that hate them so i need an outside view to really understand how bad of a person Bread is. Sorry for any spelling mistakes, and I hope this was, at least, entertaining to you.
What are these acronyms?
105 notes · View notes
rayssyscourse · 4 months
Note
bit of an origins-discourse take + mild rant: I get the wish for separate communities, and sure, to some degree it's possible and healthy to do. however, the idea that endogenic plurality and non-endogenic plurality are totally and completely separate and should never touch, is, practically speaking, both impossible and potentially pretty harmful.
-> the systems who start out thinking they're endogenic, but actually just don't remember their trauma and/or don't think it could have "counted": if endogenic communities aren't connected to CDD spaces, those systems are going to have a hell of a lot harder of a time trying to get appropriate and accurate resources, or even recognize disordered symptoms in the first place. "they should just go to CDD spaces" how?? if they've always ID'd as endogenic, and all CDD spaces all have "endos keep out" plastered over the front doors, why would they ever feel welcome?
-> the systems who are traumagenic, but also genuinely relate to many endogenic system experiences: these people exist. not all traumagenic systems find endogenic experiences relatable, but plenty of them actually do. also, sometimes traumagenic systems participate in practices (spiritual traditions, daemonism, intentional system member creation, etc) that overlap with endogenic plurality. -> endogenic systems with post-system-origins trauma, mixed origin systems, systems who "maybe fit CDD criteria but maybe don't, it's a gray area": even if they aren't experiencing 100% exactly the same thing as a textbook traumagenic CDD system, they still likely have a whole lot in common, and might benefit a ton from CDD resources and recovery-oriented system spaces. it's not like CDD experiences are a single homogeneous thing anyways.
-> advocating for awareness and acceptance of systems and CDDs in society: we're all on the same team on that front, and the more that different parts of the system community are willing to work together, the more leverage we have to actually change things--and the more we can make sure that no one gets thrown under the bus. a society that's okay with systems only in the context of a disorder isn't going to be accepting of functional multiplicity, and invites a ton of gatekeeping as to who 'actually' is disordered enough; a society that's okay with systems only if they're *not* related to a disorder is ableist. Anyways. this isn't saying that every individual system space ever has to be a mixed community! but the idea that all plurality can easily be divided into two completely separate categories is fundamentally flawed, and more systems will be helped by a community that is less focused on labels and more focused on the experiences behind them. hope you have a great day <3
hi anon!! this is a really thorough and thoughtful ask, so thank you for bringing up a lot of good points :)
to be totally honest, I agree with a large majority of what you're saying. i dont think every space should be divided, and there's plenty of systems that don't fit into the weird dichotomy the community has created.
like you say: systems like traumatized endos, mixed origin systems, etc. deserve a place too! that said, I think it's fair for people to want exclusive spaces, and I think we can be understanding and inclusive while recognizing that some experiences require exclusive spaces.
but honestly, I agree with you, and I think you bring up some very good points!! thanks for the ask, have a lovely day :) <3
15 notes · View notes
Text
About recent takes of Félix’ father vs Gabriel, Félix’ guilt in “Emotion” & How the amok- child abuse of Adrien works (part 0.1 lol)
Just to make this clear right from the get-go (although is sad that such disclaimers need to be made again): No, this is not written as a Félix Defense Post, this is me writing out my analysis’ and other thoughts regarding way too much out-of-context stuff from “Emotion” and the one big confirmation of Félix’ indeed BEING an abuse victim from leaks which I will only incorrperate as vague concept since tbh I dont remember details and I’m not seeking it out for this.
Aright? Let’s go!
Where is all this stuff about Félix’ father coming from? Are those from even more leaks? From what I have seen in leaks of Félix saying something about the parenting he received I too got my confirmation that Félix’ father was abusive, but where is this coming from that Colt Fathom was alot WORSE than Gabriel?
In my opinion, that directly contradicts Félix’ attitude in “Emotion”. Who knows what exactly happened before that episode, though at the very least Félix most likely knows now that Adrien is Chat Noir and thats what made such a massive difference in him:
Tumblr media
Also there was this out-of-nowhere second carmoflaged Black Cat-like ring Félix used as amok object that looked exactly like Adrien’s, although we see later that Adrien is still wearing his? That element of the episode was ridiculously out of context, but Félix’ knowing now that Adrien is Chat Noir makes its existence and the episode overall make alot more sense in my opinion.
Its basically the only way I can properly explain anything Félix-related that happened in “Emotion”, down to his behavior when he mentioned Chat Noir towards Ladybug:
Tumblr media
Or the way Argos straight up refused to try and take Ladybug’s Miraculous away from her by his own force. He only asked/ threatened her to surrender her earrings to him but he never went further than that. In fact, her calmly stating that she would never give him her Miraculous was what set Félix over the edge in frustration, because he knew thats IT now. Taking it from her forcefully would mean she would speak up against him when he brings Adrien back (to get the Black Cat miraculous and because Félix WANTS him by his side on good terms), but he cant snap the girl behind the mask away either or else Adrien would see him as nothing but a villain if Félix only has her earrings but SHE is gone.
If Ladybug doesnt surrender her Miraculous and remains there to ensure with her words that Adrien too should give Félix his miraculous, where at that point Félix has the chance of explaining his plan to his cousin that noone is gone for real and he just wants to create a better world for them- which in Félix’ mind lead to a scenario in which he’s not the bad guy. Look, the boy knows he, Adrien and Kagami belong to a race of enslaved magical beings and are at the mercy of tyrannical abusers (Dude, what a sentence!). I’m not expecting rationality from Félix Fathom at this point. He was still 100% the bad guy in this, but I get it.
Also Fuck u Gloob, how dare YOU leave me without actual context for this shit?? xD)
But even without that... explanation-theory of mine, in episode 18 all I can see is Félix acting on SO MUCH god damn guilt towards Adrien and trying to free him from Gabriel. He literally states he tried to succeed in this episode for ADRIEN:
Tumblr media Tumblr media Tumblr media
Then regarding Colt Fathom’s parenting again: when Félix confronts Gabriel about how Gabriel uses them, his family, he does not treat his uncle as a lesser monster than the one Félix (may have? Idk?) known as a father:
Tumblr media Tumblr media
Félix went to the upmost extreme methods to get rid of Gabriel in this episode. He sees his uncle as nothing short of a tyrannical monster that needs to get taken out with a literal SNAP so Gabriel has no opportunity to stop him and be remade with a reality changing wish.
But most importantly, when Félix called Gabriel out he named ADRIEN first:
Tumblr media
This was NOT Félix only doing it for himself and those are also not the actions and words of a person who views Gabriel as LESS of a dangerous tyrant bc of his own father. No matter how bad Colt Fathom was, Félix is not underestimating his uncle as the madman that he is. At least not ANYMORE!
Not in a single second of “Emotion” do I get the impression that Félix has NOT finally understood in what horrible position Adrien is caught in in Gabriel’s grasp (more on this regard for the Diamond Ball in an upcoming post I’ll link HERE). Which, yes, Félix too partly caused through the s4 finale. This is most likely why he goes to such insane lenghts to try to save Adrien.
Félix feels fucking GUILTY now in hindsight for having sold the one amok ring of his cousin he already had safe and sound in his possession back to Gabriel, along with 15 more miraculous’ to make him even MORE dangerous:
Tumblr media Tumblr media Tumblr media Tumblr media
Which btw, GOOD!!! He should!
Anyway. While I dont understand where these takes about how much worse Colt Fathom was to Félix than Gabriel to Adrien come from, that claim does seems to be very accurate though to Félix’ point of view of Adrien’s abuse BEFORE season 5. Hence why he was being so god damn awful to his cousin and SOLD HIM TO HIS ABUSER!
The way I see it right now, Colt Fathom was abusive on Gabriel Agreste’s level but he did it in ways more open and “obvious”.
Gabriel is an extremely abusive father, but the worst thing about him has always been that he abuses Adrien in a way for which people cannot easily get him for it. Sure, there has always been ALOT to worry about under the circumstances after Emilie “died” but Gabriel Agreste has always made sure whatever he does to his son he remains untouchable enough from a normal legal perspective.
I’m not sure if child protection services could ever have actually helped Adrien even if they tried, because while Gabriel has been stretching all lines of possible slack problematic parents are being given - because the child cant nor SHOULD immediately be taken away from their parent if not truly necessary - Gabriel has never made.. that ONE slip-up too much and too out-of-line that could set Adrien free from him.
And in my opinion, thats what the show is going for because thats what Félix realized at some point prior to episode 18 about Gabriel’s treatment of Adrien and Adrien’s own behavior towards his father, for which Félix gave him massive shit for just last season:
Tumblr media Tumblr media
Félix made a full-blown 180 regarding Adrien, thats the only way I can explain it.
Its GUILT. Guilt and the desperate attempt to save his cousin from the horrible consequences Félix had a HUGE part in unleashing and to be able to somehow manage to somewhat save the strong and basically brother-like bond he and Adrien once had as cousins.
And I dont care what anyone says, its by far the one bond Adrien has with anyone besides Plagg in which he’s literally 100% his authentic self and not any degree of Adrien Agreste™ or Chat Noir™. Seriously, if you wanna see Adrien behaving like nothing but a normal boy, watch him interact with his cousin who’s basically his BROTHER.
And it doesnt even matter how much of a damn dick Félix became, in any interaction these two had in the show you could easily SEE how close these two were/are from Adrien’s behavior. Which btw, makes Félix actions before s5 alot worse, but thats the point. This is WHY he goes as far as he does in “Emotion”. Because they once HAD such an incredibly close bond as Adrien’s “naively trusting” behavior towards him always claimed.
The bond which FÉLIX comitted to burn into the ground in s3-s4:
Tumblr media Tumblr media Tumblr media Tumblr media
Guilt I can only explain in the same only way I can possibly explain Félix throwing Adrien under the bus as awfully as he did til s5, and in particular the s4 finale:
Tumblr media
I can only explain it if Félix all his life had received the other - but in this case pretty much equal - side of the spectrum of abusive parenthood and Adrien’s abuse simply looked so different and way more ”subtle” and “acceptable by society’s standarts” from what Félix’ knew as highly abusive (when he finally gained freedom through getting his ring, probably at his father’s funeral hence why Adrien wasnt allowed to be there. It’s where Félix has told he’s a Sentihuman) that he didnt recognize it as such and therefore ended up hardcore victim-blaming his cousin because he has it “so much better” under Gabriel’s fist but “still cant take initiative like Félix does”.
Félix at the end of “Strike Back” in my opinion truly thought that even though his uncle is a delusional, tyrannical man, Adrien would be the ONLY person safe ENOUGH with him and from him (I know this sounds like a hypocritical cop-out, but Félix is literally in the ONE family position as Adrien’s close and only cousin, who’s also the only other child in their families but always also lived far away enough to not be around to wittness most of Adrien’s and Gabriel’s father-son dynamic behind closed doors [especially in the last, and most crucial year], that I simply have to say that.. this is so god. damn. realistic. This is a way too realistic variation of how the once close children in abusive families end up as bitter rivals throwing each other under the bus within their own absive family system.)
Félix thought that Adrien is as per usual the ONE exception for Gabriel in EVERYTHING, so giving Papa Agreste the control object and 15 more miraculous’ he can fry his brain away with simply... wouldnt have meant endangering Adrien’s entire life in Félix’ eyes.
Tumblr media
Which WE know is the WRONG damn reading of the situation!
But for Félix Adrien was his uncle’s one weakness “out of fatherly love” Félix most likely never knew himself, because Gabriel put/s ALOT of effort into keeping his son in the dark (”overprotectiveness”) which lead Félix to even blantantly using Adrien against GABRIEL bc he knew that threatening to tell Adrien would be the most effective way to make his uncle instantly stop denying that he’s Shadowmoth:
Tumblr media Tumblr media
(Also, notice how in the upper picture when Gabriel is denying that he’s Shadowmoth, Flairmidable is shot from the ONE - the ONE - possible angle from where his character model looks similar to Chat Noir.
Tumblr media
With whatever tons of context we are apparently missing from prior to “Emotion” regarding this entire Agreste, Graham de Vanily/ Fathom and Tsurugi mess, this visual forshadowing in “Strike Back” is in SOME WAY apparently about to become relevant now. Most likely through Nathalie but eyyyyyy, its not like we have any kind of DAMN context! <3 :D)
I already long assumed Félix’ awful but NEW behavior towards Adrien since his father’s funeral to be the result of Félix despising Adrien bc Gabriel burdened his nephew with the knowledge of being Sentihuman in the worst way and at the worst time possible while “overprotecting” Adrien. But now with “Emotion” it seemed I read it mostly right.
The way I see it, Félix did the one thing unnervingly not even uncommon in abusive families: He couldnt recognize his cousin’s extreme abuse because he was too blinded by his own that looked different, while simultaneously comparing Gabriel’s life-long treatment of him and Adrien.
And since Gabriel has probably always treated him unfairly and “worse” than Adrien in Félix’ eyes (which was probably primarily more arrogant indifference from Gabriel’s side while treating Adrien as a golden boy) Félix then most likely thought that HE was the one truly in danger of Gabriel because he isnt Adrien, when Gabriel in actuality probably wouldnt have paid his nephew alot of mind at all and would have had included him automatically in the new reality for Adrien’s sake if - ironically - Félix’ hadnt involved himself and made himself a thorn in Gabriel’s side by now out of (UNDERSTANDABLE) fear and paranoia.
So yeah, still: Fuck Gabriel.
But back to Félix’ possible abuse from his father and how that blinded him to Adrien’s:
Tumblr media
(No, I’m not forgetting Amelie and EMILIE, this is just getting WAY too much for this one post. The three mother figures of this family (Emilie, Amelie and Nathalie) are the crucial puzzle pieces in the Agreste’s & Graham de Vanily’s narrative. I’m gonna tackle that in posts dedicated to them specifically)
If Félix for example was more physically abused with open disdain from Colt Fathom than emotionally manipulated, used and gaslit out of “love”, then he would have a hard time at first (especially if he’s UNWILLING to see it) to understand or even just recognize to certain degree all the red flags of that what Gabriel is doing to Adrien resultes/d in emotional scars so bad that Adrien was/is pretty much suicidal at times and spend most of the show stuck in his mental and emotional escapism as Chat Noir (Still, I’m also pretty sure Félix SHOULD have been the ONE person who SHOULD have recognized the resemblance between Adrien Agreste and Chat Noir, the same way Félix was able to recognize Gabriel as Shadowmoth. But ironically, for that he was too blinded by his victim-blaming of Shadowmoths SON)
And if Félix only has ONE amok object and that means whoever wore it (his father) has 100% control over him, then he could (have) significantly underestimate(d) how BAD the emotional toll on Adrien would have been all his life when he always had TWO objects and that - I must assume - resulted in two 50/50 control holds over him:
Tumblr media
(Disclaimer at this point: The show is very consistently exploring 3 unique ways for Adrien, Félix and Kagami in how the same peacock amok control resulted in very individual abuse situations for each of them. The amok abuse is not inconsistend or poorly explained, it was never meant to be a 1 for 3 explaination the same way you cant generalize ONE case of parental abuse for ALL existing abused kids. The show is treating this as legit child abuse the way it should. And yes, I will elaborate on all of that in ALOT more detail in future.)
Meaning only Adrien’s action and emotional compliance can be controlled but not his emotions themselves, which I see no reason to not be the default for Sentihuman who only have one object. Meaning for example, that if Colt Fathom didnt wanted Félix to care about any kind of bond with another person his age but his cousin, then Félix simply would have never felt the desire to have friends and therefore also never learnt how to handle the emotional pain of not getting to have them as Adrien was “allowed to”. Adrien didnt get to have friends either, but I suppose unless you wear BOTH his rings no order about forbidding him to have friends would have stopped him from still feeling the longing to have them anyway.
So Adrien’s sounds “better enough” on surface level - which is all Félix would have seen - but its actually massively fucked up bc the clash between Adrien’s natural emotions and the actions his body and mind are forced to obey would quickly beat a young childs mind into misery and helpless fawning on their own expense just to mentally survive that constant invasion of their mind by TWO sources they cant explain to themselves.
Adrien may have been “allowed” to still have emotions but his living conditions would have quickly turned that into emotional agony because Adrien would still be forced to burry everything deep inside that clashes with his parents orders, or whenever he thinks that his behavior or voiced desires would lead to him being shut down again. Its a malicious circle that pretty much accurately represents the normal cycle of emotional oppression within “regular” emotional child abuse.
Tumblr media
Not that being 100% controlled physically and emotionally bc of having just ONE amok is in any way “better” (Holy shit, nah!, and I’ll get to Félix’ and Kagami’s abuse in their own posts), but I cant imagine having TWO the way Adrien does as anything short of mental and emotional oppression & exhaution at best - since Adrien ever since infanthood would always have to FEEL the pain of his orders directly going against something that would make him happy/ one of his basic needs and yet he has to submit to it anyway - or basically torment at worst.
Cause can you imagine if Gabriel’s and Nathalie’s contradicting orders in “Protection” would CLASH in the same moment?? GOSH!!!
Tumblr media
This pretty much emotionally ripped Adrien back and forth between the two wearers of his amok rings the ENTIRE TIME ever since BIRTH, which would perfectly explain why Adrien is so emotionally repressed, resilient to impossible levels and instandly tends/tended to remain in denial and fawn or submit as copying mechanism. That would have been the only way he could have mentally survived TWO PEOPLE controlling him at once against his own emotions ever since he was a BABY.
Tumblr media
I’d say its a reality check on THIS caliber that made Félix pull a 180 regarding his attitude towards Adrien - again, most likely through Nathalie (who I think would be the most logical person for Adrien now to choose to tell his secret Identity to if he needs help in managing to keep his secret save from his father) and SHE would get Félix involved because he’s aware of Gabriel, has the peacock miraculous and KNOWS what pain Sentihumans go through. But honestly, anything in this direction is guessing into pitch darkness lol.
I have so, SO much more to say on how the control of Sentihumans works but especially Adrien’s unique case of him having TWO objects. I’ve been analysing the Agreste houshold in this regard since around the beginning of s4, but that definitely deserves its own massive post(s) the same way Kagami’s abuse via amok ring (which she got to wear ever since AFTER her debut episode “Riposte”) deserves it own post seperated from Félix’ and this one here.
This is getting SO interesting, I’m LIVING for this scale of fucked up story telling! I just wished we would get it in the right chronological order so I can look at it with all the NEEDED context, Gloob, come ON!
175 notes · View notes
csprslvt · 1 year
Text
you and i, and her. pt 3
Chapter two (see rest of the chapters for context)
Summary: Ellie comforts (or tries to) reader who is in misery from the loss of her past and her life before. Joel and Tommy go missing and Ellie watches her father figures life fall away. (Joels death)
Warnings: GRAPHIC DESCRIPTION OF JOELS DEATH, obvious spoilers, reader is depressed, TORTURE, THE GOLF CLUB SCENE, MAJOR CHARACTER DEATH, traumatized Ellie.
Overtime, routine took place, Ellie would come get you in the mornings when she wasn't patrolling, you'd visit the horses and didn't run into Dina again after the incident weeks prior. But still despite the fact that you had a friend again. Your heart ached with every thought of Abby.
You would lay in bed at night disconnected from reality, trying so hard to remember where she would be, how you came about to be bloody and lost in the woods, and why she hadn't come looking for you yet.
It was better for your aching chest to assume she had passed on rather than thinking she had truly left you behind and would never come back. And in the darkness of the night, all you wanted was to mourn but you couldn't seem to cry. It left bubbled up emotion in your chest that would take your mood for days at a time. Pretending to be okay was not reliable anymore. And one morning you had ignored Ellies calls. Figuring she would walk away.
But Ellie was oh so persistent.
Laying in bed, you seemed a mess, holding onto your locket and rubbing the cool metal. 
Ellie stormed in, kicking open the door with a hurried frenzy. 
You jumped.
“Ellie! What the fuck!”
“You asshole, you've been ignoring me! I've been knocking for like five minutes, I thought you died!” Ellie looked at you, clearly displeased. But upon seeing your empty, woeful eyes she softened and sat beside you.
“You gonna tell me what's up?”
“Nothing is up.”
“Nuh uh, don't lie to me. You haven't gotten up at all. You ignored me which, you never do, and you haven't been… yourself”
You sighed, pulling the covers over your head.
“ I can't tell you.”
“What? Why not? I'm a good listener!”
“ I know you are Ellie but there are certain things I'm not even sure about.”
“ You're worried about how you got here again.”
“Ellie-”
“y/n, I dont know what happened to you but I knew from the look on your face that it was bad. You were covered in blood and tired, I could've killed you and you didn't even seem fazed…but whatever happened, you're safe now. That's what matters”
You removed the covers and looked at Ellie, making eye contact.
“ I feel like…like I left something behind. Something important, and I can't shake it off! Every night im having these dreams and-”
“What dreams?”
You flushed,
Your nights were filled with Abby. Her hands, her touches, her words, her whispered ‘I love yous’ . But they were also filled with blood, fear and the smell of putrid death. They were filled with the intense feeling of abandonment, shame and loss.
“I just feel so empty.”
At this Ellie looked extremely concerned, she placed a hand on your back rubbing circles and she tried to comfort you as best as she knew how.
“Is there…are you empty because you're depressed or are you empty because you miss somebody?” Ellie questioned, she knew the feeling well, especially after Dina.
“I just, I remember being so happy despite everything, I remember little bits and pieces of the life I had and then at the same time, I left it behind and I can't figure out why and I hate myself for ruining it all.”
Ellie moves and goes to hold your hand.
“y/n, you must've left for a reason, you were covered in blood for god's sake, clearly you just need to rest and let yourself feel rather than hiding it all. I promise you, here you'll be safe and you can start another chance to be happy again. I understand things are hard, but you won't feel this way forever…It'll be okay.”
You held Ellies hand tightly as if she was your life line. Needing something to keep you grounded.
“I know”
Ellie signed, “I know I'm not the best at communicating but I'm so glad I have a friend around again. And I want you to be happy, I care about you. And you can always talk to me about what's on your mind.”
The thing is, I can't. I can't talk about Abby, I can't talk about the people I've killed and the nightmares I have about it.It's just too much.
“Okay.”
Ellie gazed at you one last time, clearly noticing you can't be soothed. You needed something she couldn't provide and what exactly that thing was, she was unsure. 
Ellie got up, letting go of your hand. “I’ll bring you something to eat”
You smiled a little. She was just trying to help you.
“Okay Ellie”
As she opened the door you spoke again,
“Ellie?”
“Yea?”
“Thank you.”
“Dont worry about it.” 
The girl then left your sight, closing the door behind her.
—----------------------------------------------------------------------------------------------------------------------------
To say Ellie was worried was an understatement.
The moment she left your cabin, her face showed pure panic.
What if y/n leaves jackson? What if you look for whoever it was that you'd abandoned and never returned? What if, what if, what if….
Her mind was racing, sure, you being sad was concerning because she cared, she wanted your happiness, you were her only real friend. But it was also a concern of you leaving her alone. She couldn't.
For the better (or for the worst) Her thoughts were interrupted by Dina approaching her right as she stepped out of your cabin.
Fuck.
“Hey Ellie, I see you've gotten comfy with y/n, crawling out of her cabin like that”
“Dina, it's not like that. She's my friend, and we were just talking…” Ellie spoke with a high, nervous pitch
God Dammit now I seem suspicious 
“Sure, let me see her, I need to talk with her”
Ellies face changed with a confused stare.
“With y/n?”
“Yes. With y/n, that's whose house you're sneaking out of isn't it?”
“Oh my god Dina it isn't like that. Listen, she's having a hard time, leave her alone.”
“Why so hostile Ellie?”
Ellie tensed up.
“You know why.”
Dina sighed, her eyes softened, she reached out to grasp Ellies shoulder but the girl flinched away.
“Ellie, I'm sorry, it was for the better.”
“Don't give me that bullshit, we could've made it work”
Dina pinched the bridge of her nose.
“I don't have time for this.”
“What do you want to talk to y/n for”
“Listen, I've been patrolling and there's someone-”
“Ellie! Ellie!”
A frantic voice yells, running to Ellie pausing the conversation,
“Jesse? What's wrong”
“It's Joel and Tommy, they haven't come back.”
“What?” a cold sweat presperates across Ellie's brow. The hair on the back of her neck stood up with a deathly chill going up her spine.
Something in Jesse’s face led Ellie to believe something sinister had happened and without thinking, she ran to the stables and grabbed her gear.
She had been riding for a while, until she heard a scream. A loud, terrifying, blood curdling scream. 
“Joel.”
It repeated over and over again, until Ellie wanted to bash her head in to stop the noises but she continued, trying to find him. A crazed look on her face, she was hyperventilating, her chest tight and her heart crushing with only the worst thoughts coming to her, filling her mind, body and soul.
Please no.
She eventually stopped at a house and her stomach felt like it would drop at any second. 
She wandered into the building and the screams got louder. She knew it was him, she would recognize that voice anywhere.
The pained noises lead her to an ominous hallway. The shouting became gurgling almost as if someone was being waterboarded. Or drowning in their own blood.
Readying her weapon and slammed open the door. Joel was on the floor, beaten and bloody. A woman stood above him with a golf club in her hands.
A bloody golf club.
No. Please no.
She held up her gun but before she was given time to react her body fell to the floor, being attacked from the side. 
“Get off of me!”
“Tie her hands!”
“Get the fuck off of me!”
Ellie struggled against her attacker's hold. 
“Bitch.”
Two, maybe three kicks hit her stomach, hard, it felt like a deep intense pressure, strangling her insides in the worst way possible.The force of steel toe boots on her guts made her feel like she would vomit.
Another man came, restraining the person beating her relentlessly.
“You got her okay? You got her”
“Let go!”
Ellies throat filled with blood and she tasted its metallic drip falling from her nose.
“Youre gonna fucking die!”
“What's going on?” A tall built male walked towards Joel's abuser. Ellie is still struggling for release of the hold on her.
“Let him go!”
“Who is that?” a woman questioned obviously
“She snuck in…”
They spoke amongst themselves, and Ellie stared at them, wildly moving, trying, pleading, hoping she would muster up the strength to make them all pay.
“Why aren't you posted outside?”
“We didn't think anyone would show up”
“The hell did you expect?”
“We gotta get out of here before the whole town is on top of us”
The man turned to the woman, she was built like an Ox, tall, with a blond braid down her back.
“You're done.”
“You want what I want, right?”
“End it .Now”
The women turned towards Joel, a crumpled mess on the floor.
“Joel, get up”
He did nothing but blink.
“Joel, fucking get up.” Ellie begged, she felt like her world was ending with his life fading away. 
“Please stop!” Ellie was never one to say please but she was filled with desperation.
“Please don't do this..” The golf club raised
“Joel please get up!”
A sickening crunch played in Ellie's ears as the golf club bashed into Joel's head, at full strength.
“No!”
Sobs wracked through Ellies body. Her lungs filled with blood and her nose drenched in it. Snot ran down her lips.
“Burn in hell, pendejo” a kick.
Rage made its way to Ellie’s spine, the burning, crippling need for vengeance rang through her entirely. Beginning to consume her.
The man had taken a gun and pointed it to her.
All she could say was no
“Ill fucking kill you” she spoke, before the voices became muffled noises and consciousness left her. Unable to fight back.
—----------------------------------------------------------------------------------------------------------------------------
Eventually, she awoke, and there you were, by her side. 
“I'm sorry Ellie.”
“Jesse, they're down here!”
Somehow you had ended up looking for Ellie when you started getting anxious about how you left off, Jesse had told you she had gone looking for Joel. And you being you, followed her.
You had heard screams but didn't make it in time. You only discovered the area had been evacuated with Ellies body on the floor. You gasped when your eyes fell on Joel. He was without a pulse.
He was gone.
“Oh Ellie I'm so sorry” you had whispered again and again, trying to wake her up.
Eventually she came too, weak and trembling, 
“No, no no no” She cried.
You'd taken her back, while Jesse carried the body of Joel, still warm but his heart had stopped.
You shielded her eyes from her body, trying to not traumatize her further with the site but she wouldn't stop staring. She was a shell. She would never be the same.
42 notes · View notes