OKAY. 13 AND CHASE IN AFTER HOURS THO
The fact that when 13 needs help, she calls Chase. Why does she call him? Why doesn't she call someone else? She needs someone to deliver her a portable ultrasound, and okay, you could argue Foreman is a bad call because he's her ex and would pry. That House would just refuse. Taub would have been a good pick tbh, he would drop it off and just go home no questions asked. But no, she calls Chase
(And I love that call. "You doing anything?" "Oh, yeah, I'm just about to go out," Chase lies blatantly, asleep in bed with a book on the crusades on his chest. Like the loser he is. I don't know that it was done well but I love how S7 examines his Dumb Whore tendencies: it isn't really him, it's a rebound. He does it again when he gets stabbed.)
And of course the second he shows up he immediately sees through 13's excuses and pushes his way into the apartment. Because we love Chase's observation skills triumphing over his laziness.
13 tells Chase the prison backstory. Like! It's kind of glossed over. She hasn't told this to anyone else. She doesn't hide it. I killed my brother. It wasn't murder. Chase is just pacing, you just know he's twigged as hell, he's so anxious all at once as she tries to brush past it. The idea that 13 kind of had to tell him to explain Darrien's presence but she's also — House is the only other person who knows.
CHASE: Have you talked to anybody about it? I mean, are you okay?
Like we know this immediately triggered something in Chase, but 13 doesn't, and seeing him so anxious and pacing and ignoring the bleeding dying woman as 13 works, it's just. Incredible. It's good. He cares immediately, he's relating to this immediately.
But I love seeing them work together. Like they just immediately go in sync, Chase offering suggestions and 13 doing the work. They're just. It's nice.
SIDE NOTE: House says he called everyone before he called Cuddy. We see him call 13 and Taub. Chase is off picking up drugs, we don't see House call him, but like. He had to have called Chase first, right? Did Chase not pick up? Did he blow him off because he already was dealing with someone bleeding to death in someone's apartment??
The way they fight oh my god. The way 13 just is trying to fucking murder Chase. She punches him, she claws and shoves him, and then he just clocks her and stares horrified as she falls to the floor. Like it's an actual fight, it's brutal, it's so good. They hurt one another. I can't explain it but I love how brutal it is, that they both walk away with bruises, that it isn't pretty. Incredible. Amazing scene.
CHASE: You were defending your friend beyond all rationality, granting her the right to die in your bedroom. Was it really all because of a promise?
13: That word means something to some people.
CHASE: Not that much.
[…]
CHASE: You promised your brother you'd euthanize him and you think you won't feel bad about it as long as you can blame it on the promise. That's why you have this twisted obligation to keep all promises… or your carefully constructed defense mechanism could crumble down.
13: I saved my brother from a lot of pain.
!! Chase keeps bringing it up, he keeps bringing up her brother, not out of I can't believe you did a murder or I can't believe you went to prison but: you must hate yourself. He's calling her out on her coping mechanisms, he's calling her out on her guilt, and it's so fucking clear what he means is I get it but he's not saying that part. 13 killed her brother and now has to believe she did the right thing, no matter what, no matter how she feels. She's taking away her own agency: it was for a promise, it was his decision, she had nothing to do with it, it's fine, it doesn't feel bad. Chase killed Dibala and told himself it was for the greater good, it was morally just, it was the right thing to do, it doesn't feel bad. And it nearly destroyed him. And so he's pushing and pushing at it. He never goes 13 went to prison! he never goes it's so crazy you did that! Whenever he brings it up it's only in the context of how worried he is about her. Has she spoken to someone? Is she coping? Is this healthy? Is she okay? He's so worried. He cares so much.
I adore 13 and Chase running out of ideas with Darrien and calling dad. Most sibling coded of all time. Just. And the fact that House doesn't allude to also being in the hospital, actively bleeding and in pain, just, yes, we gotta help bail you two idiots out. Beautiful moment.
Chase getting 13 ice and coffee and still feeling guilty for punching her out, and 13 not blaming him at all. Like. You know. Don't beat people up. But in this one case I totally approve. Because I love it.
13: Darrien had to shoot that kid. It was the right thing. Completely justified. But it didn't matter. She destroyed her life trying to forget. I'm afraid that's what's gonna happen to me.
CHASE: You really should talk to someone.
13: I've talked to a therapist. It didn't help.
CHASE: Well, maybe you should talk to someone who isn't a therapist.
13: Do you really think you have any idea what it's like to live with something like this?
CHASE: Let's grab a coffee.
Since the second Chase found out, this is what it's been leading towards. I love that he doesn't answer, he doesn't say a thing, but this is what he's been thinking all episode, why he's been pushing, why he's been so worried and caring: talk to me. Tell me you're not okay. Tell me everything isn't fine. And 13 holds it back until the end of the case, until it's over and she has no distractions. It's not at all clear Chase himself has talked to someone about Dibala, btw. He probably hasn't.
And how insane is that. He never told Foreman or House; they figured it out. He told Cameron: she left him. (Imagine being 13, hearing this. Realizing the timeline. She went to their wedding. What did she think happened when Cameron just … left? How quickly does she figure it out now?) House told Chase to talk to someone, Chase tried Confessing, but whenever he's tried to tell anyone it's gone terribly for him. I don't think he has talked to anyone. But he repeats House's advice to 13: talk to someone. (Talk to me.) He's offering her what he never got. And their situations are different, hers is much more sympathetic and easy to accept than his. Chase never goes I never got help or you have nothing to feel bad about or implies he doesn't think it's a big deal: his entire reaction is just empathy. He wants 13 to get what he didn't get, he wants to help.
The song that plays over the end of the episode is Bon Iver's Flume. And as much as you can apply it to House, and Cuddy, and Wilson, and all of that — it's a song about feeling isolated, feeling alone and being afraid of letting go. Of holding on to things that stain and hurt. The lyrics that play while 13 and Chase are having their coffee in the conference room, though:
i wear my garment/so it shows
now you know
And I just! I love! Them! The ways 13 and Chase are so alike and so damaged, the way Chase reacts with empathy and care and wants her to have what he didn't, the way they know one another's secrets and worst moments and rely on one another so easily. 13's secrecy is a meme, in and out of universe, but Chase is absolutely no better: he won't even admit he's Catholic when talking to a nun. They're private to faults, they mask by sleeping around and taking risks and pretending not to care, they hide their hurts and then somehow, they punch one another in the face and know everything. I'm just. I'm so obsessed with them. I want them like this always.
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Hey! Looks like the Annons are back at it again😓. It sucks that you keep having to deal with this nonsene. If I’m allowed to be honest; I too don’t really like this whole Eda x Stan thing (especially when our lord and savior Raine Rizzpers is right there), but I just ignore it in favor of your Raeda goodness. Hope you are doing ok☺️. Keep being an awesome artist.
Thank you.
I'm not dumb, I'm aware that there's an entire genre of art that depicts Luz falling in love with some male character (wether it's Hunter, Edric, Marco from Star vs of all people, or some OC) while Amity cries or kills herself (this is not an exaggeration) in the background, usually with a sexual undertone (or overtone) to it.
I know their intentions are being homophobic. I've made my distain for those shippers known. That kind of homophobic "art" was never my intention.
The Stan x Eda stuff has always been a joke to me. A joke about how desirable Eda and Raine are.
Eda being so desirable that she robbed a man and to this day he's still madly in love with her, and out of the many women he's been with, Eda's "the one that got away".
And Raine being so desirable that the woman who could con any man into loving her is helplessly in love with them and only them. There's irony that Eda's experiencing the heartbreak she caused to someone else to feel.
If anything Stan's the butt of the joke when I post stuff like this
Before Raine I did kinda liked the idea of Stan x Eda because both creators were dating at the time and I thought it was a fun way to connect both shows.
Especially when at the time (and still to this day) people were claiming Owl House was a ripoff of Gravity Falls just because Eda is similar to Stan.
What's funnier than said "ripoff" canonly being married to the character she "copied"?
Plus the creators themselves don't take it too seriously. There was a Owl House and Amphibia crossover that the creators and voice actors did. In it Eda was flirting with HOP POP to steal his wallet. And Dana found it HILARIOUS because it was a joke.
Meanwhile at a Owl House panel this year Alex Hirsch randomly had voice acted Stan processing his love to Eda. (Which I did an animatic of).
And not only was everyone laughing because it was a joke. RAINE'S voice actor put their hand over their heart as if to act heart broken.
None of this was with bad intention.
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I’m thinking about the significance of atla showing both sides of every nation once again because it is so fucking important to understand for everyone, but especially youth that want to make change- that war isn’t as simple as good vs bad and evil vs good or black and white. war is such a complex thing and people are such complex beings that thinking about media that deal with these types of topics through only two lenses, is not a good way to try to find understanding. there is “good” and “bad” in everyone- atla stresses that the people who do manage to find peace in themselves are those who can balance these sides of themselves, but to get to that balance, you must accept that you have these qualities and that while people do not change, they can grow and accept.
there are examples of these kinds of people in every nation: the earth king is so naive to a fault that he led his own nation into ruin, but he did not have ill intention: he truly did want to keep his people safe vs long feng who used the king’s naivety and stubbornness to gain power. he did not care about the people.
in the fire nation we have lu ten, jeong jeong and roku. i feel that zuko and sozin and azula are talked about enough, but they are still relevant. anyways. lu ten was a product of his nation, yeah? he was raised to serve and to make the royal family proud. he was not evil. he was just working for the goal instilled in him- he was a soldier, a cousin and a son. this was his job and this is what he wanted to be- but because he had no other choices for what to make of his life, this is what he also had to be. he was a boy. jeong jeong did not find balance and peace in his work as a general so he escaped it- he did not escape it because he saw wrong in being a general, he escaped it because he saw wrong in the way fire was used as a whole. but he did not work to better the nation or to use his teachings for good. he vanished. roku had a similar approach like jeong jeong. he cowered away from confrontation, unlike others of his family and nation, and only pushed back when he (and other’s) were pushed to having no choice. with their inner conflicts about how to use their bending abilities, they made mistakes that concerned others and passed down their issues and solutions. this is incredibly human: learning from your mistakes while leaving others to solve them
in the water tribe: we have hamma, paku and kurkuk. hamma was a deeply scarred POW who craved the stability and freedom and home she was taken from, so all the suffering she endured, she wanted to give back simply because she wanted the people who hurt her to feel that pain and stop inflicting it onto others, but she got carried away. she became consumed by the urge to retaliate with feeling that she became the monster she accused others of being. paku was so focused on conserving tradition that he refused to open eyes to making brief changes because he feared toppling structure and the ideals he had- he feared ruining his home and culture, but he learned and he found a balance. kuruk relied on the world around him to determine his actions. he was a live and let go type of man, who should have acted sooner- he is similar to aang who just wanted to watch the world as it was and help where he was needed, but both of them needed their loved ones to be put in danger to make an ultimate decision. all of these characteristics are what lead to the downfall or upbringing of people who fight wars.
and the air nomads even: gyatso and aang. they spoke too late and acted even later. they were so consumed by the physicality of being good that they didn’t take action until they absolutely had to which just did not serve in their times. being pushed and letting yourself be pushed to extremes is just as bad as being the one to push others because you fail to stop or go at appropriate times.
everyone has faults that play into the destruction of lives. but no single person is at fault. we are all just products of our surroundings, but how we choose to become individuals as time moves and we grow is what makes it better or worse- but all of these characters? What did they do? What do they have in common? They all had significant scenes showing that they accepted this life and they can only grow or not grow in it
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