So I've been listening to The Magnus Protocol, and managed to get my dad into TMA last year so he's now listening to Mag Protocol too. So last night we were listening in the car to the latest statement, and I was half-jokingly saying which fear the statement sounded like mostly, to which my dad starts talking about how he doesn't think these statements and the O.A.I.R are connected to the Fears at all. I'm gonna try to put a cut for anyone not caught up but here's how this led to a theory of mine:
So Lena said to Gwen that there's good and bad forces that need to be balanced, but she never said which side of that the O.A.I.R. is part of, if any. I was noting this when it hit me.
Every single Magnus Protocol Statement so far has been about misfortune coming around due to perceived fortune or a fortunate opportunity becoming misfortune.
Let's break this down ep by ep so you see what I mean.
Episode One: It's a little hard to figure out what the fortune is to the misfortune, especially since it's mostly getting us used to the characters and the overall setup of the show, but for the first statement I think it's not the statement giver, but the husband. Harriet (the one emailing) says he sounded excited in an unsettling way (I am assuming the "he" she is talking about is her husband since she doesn't mention anyone else). When she meets him, or what has him, she describes that he laughed and laughed. Her misfortune was his fortune, his joy.
The second statement in that episode of course is about the Institute, but by way of a bunch of spelunkers looking for something intriguing to discuss. I haven't quite figured out the connection here but I am sure there is one, even if it's through the characters (aka Sam) finding something within it.
Two: A lot easier to connect to this. Daria is finding joy through getting this tattoo that allows her to change how she looks and alter her appearance immensely (and grotesquely). Enough said.
Three: This statement is one that overall I just don't understand tbh, but I think it shows the opposite? As in the victim is experiencing fear and discomfort the entire time, but towards the end you'll notice he gets much more happy and calm about the situation.
Four: This is again easy, it's about a violin that needs blood but will give you amazing talent if you pay that price, and horrible bloodshed if you don't. Self-explanatory.
Five: The guy is trying to make a living off watching and reviewing horror movies, gets excited at a live showing of one just for him, then realizes it's not what it seems and posts everyone should see it. Easy enough. (Very Grifter's Bone in energy)
Six: The introduction to infamous new tumblr sexyman, Needles. I shouldn't have to spell out how he gets pleasure from others in pain by needles.
Seven: All I gotta say is it's "all for a good cause" and you should get the picture.
Eight: Utilizes that uncanny fear of false hospitality if you ask me, but either way this statement is clearly taking something associated often as comforting and twisting it.
Nine: The dice literally affect fortune and misfortune and likely make the statement giver into the embodiment of fortune. 'Nuff said.
Ten: Bonzo needs no explanation for this in his introductory episode so let's move on.
Eleven: This one goes more into obsession territory than anything, which is another running theme of the show and another theory, but it also talks about how the sea brings comfort so that could be part of it. (Also I noticed the sneaky possibly Dr. David reference in there lol)
Twelve: Now I know what you're gonna say, "How is this one connected to fortune at all, Cal? It's about some woman being traumatized at a strip club!" Well think about this: what if it wasn't supposed to end in Bonzo? Gwen gave Bonzo an "assignment," didn't she? And Lena pretty much outright says that this statement was that assignment. So it's possible this is what happened after stopping the initial outcome.
Thirteen: The latest episode as of typing this, and the most clear with evidence. The man literally gains a fortune from his own misfortune, so ya know it's right there.
So every statement is a good thing turned bad or a bad thing turned good. So what? Magnus Archives had plenty of statements similarly framed, so why am I focusing on it here?
Because what is the tagline for Magnus Protocol again?
Fear takes many forms.
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something I love about having read/watched frieren and dungeon meshi concurrently is getting to see that, despite their similar broad genres (fantasy, DND-esque settings, failure op elf girls /lh), they are two very distinct stories that ultimately achieve the same* thematic goal through different narrative means.
like you have frieren's contemplative, almost slice-of-life style storytelling that focuses on how the connections between people make an impact, and how it's beautiful to cherish the memories of those we love, even the small ones (especially the small ones), and that being alive is so, so beautiful because of those things. Then juxtaposing this with the overall narrative of a literal journey to a land beyond in order to meet with the dead, while not losing focus on those that are alive. Frieren as a story takes time to explore the small things that make life beautiful (fields of flowers, the beauty and not the power of magic, stargazing and sunsets with your friends).
and then you have dunmeshi's tight narrative arcs that are built around urgency (saving falin, first from digestion, then from...chimera-ization), but also continually return to the same concept as a core tenet to both the literal narrative structure around meals and the overall story: to eat is a privilege of the living. That there is joy to be found in eating because it means you are alive, that you survived. That taking time to take care of yourself is honoring your life. That death is a part of life through the acts of killing monsters to eat, and that the dungeon's condition where a soul remains tethered to the body is unnatural.
For that last bit, I love how we're just introduced to the concept in the beginning as a bit of world building, something you might just take at face value of, "oh, I guess this is how this works in this story", and over the course of the story the characters start to interrogate that reality, culminating in Marcille's realization at the end that they took death for granted because of the dungeon's condition:
[ID: Manga panel of Marcille looking down in thought and saying "Look, this might sound a little weird, but...I think the entire point of this journey we went on....was learning how to accept death.]
(Panel is from the ehscans version, will update with official eng when the final volume releases)
I also love that the story takes the time to say, look, you can be in a hurry, but you still need to take care of yourself. Eat well, sleep well, What will you achieve in the service of yourself or others if you don't take care of the most basic qualities to survive first? The most recent episode is a good example of that with the focus on shuro vs. laios, and then there's this reinforcement of the idea by the end:
[ID: Dungeon meshi manga page showing Laios, Chilchuck, and Senshi shouting "A balanced diet!!" "R-regulating our daily rhythms!!" "And moderate exercise!!" respectively, followed by the three in various poses in front of the word "VICTORY" and Laios saying "If we watch these three points...we'll naturally work our way to strong bodies!!"]
Anyways this is all very disorganized and I have other things I need to do and I could write a more cohesive, actually organized thought piece on all of this with like, coherent points, but I don't really like to delve into literary analysis on my fandom account. it just lives in my head, rent free. thank you for coming to my ted talk tumblr. don't expect to see more of this, lol.
*I say same goal, which is not to say the only goal. stories can have more than one theme, it's ok if you disagree with me on this, but please bear in mind that I'm speaking very, very broadly.
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Those magazines just playing on tz hype,just sad for tz. I think tz just trying balance work and their relationship. They want family but still want working just not that intense as before. Those articles frame it as only one or another, marriage it's not end of career lol looks on Emma Stone with two Oscars in marriage lol she looks okay
i mean that is what tabloids do..... some of you have a weird victim complex with tz, like they really dont have it as bad as many many others, all the "hype" pieces about them are super tame and nice towards them and their relationship, there is no need for pity lol
(also while this is true for Life & Style and OK!, People Mag is not as fluff piece heavy and usually has more reliable sources, soooooooooo)
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Are all the akatsuki members underweight? I remember reading that Hidan weighed around 57kg at 177cm and that Kakuzu weighed less than 65kg at 185 cm which is wild
Tbh I can’t tell if it’s because it’s a manga and Kishimoto just made everyone weigh less than what is realistic or if it’s because Kakuzu is mainly made up of threads so he doesn’t weigh that much
When thinking about these things, you need to take into account:
1. Averages for the country of origin.
Different regions have different distributions for traits like this. Averages vary based on what they are in comparison to. An average in one place will be seen as "abnormal" in a different place. So like, people from Nothern China tend to be, on average, taller than people in Southern China, so on and so forth.
2. Time period.
Naruto takes place in a psudo-feudal type Japan setting. The distribution for weight and height used to be different if you take the era into account. (If you are a keener, you can do a nutritional thought exercise based on what people commonly ate in feudal Japan, but I'm not good at it, and my weightlifting friends who know nutrition have weird regiments.)
3. Target audience for the story
This is the main explanation, but when you are creating a story with an audience of teenagers in mind, you need to take into account how they perceive the world. It doesn't have to be ultra-realistic. It can just exist to be related to by a teenager. It's part of the reason protags and all the characters are so young. On average, people tend to enjoy things where they can establish a quick connection to the character. To them, smaller numbers make more sense and are easier to comprehend.
Think of when you were 13 watching Naruto and thought 35-year-old Sasori was an old, ancient man. To how now, you look at the ages and height/weight ratios like, "This makes no sense/is concerning."
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recoloured this old warmup to repost cause I had it on my mind.
If Clark is going to be in earth 19 (gotham by gaslight universe) (they're publishing more gbg and clark is going to be there), then listen to me listen to me, he needs to be a cowboy. Superman needs to be a cowboy in the big city. I am SOO serious about this. I am on my knees, DC, let me write for you, I would add so many themes about modern technology versus traditional knowledge and sprinkle in some anticolonialism PLEASE.
You could have a cute little Daily Planet that has to struggle against yellow journalism in a smoky little backroom & setting their own type, a la The Truth. You could have gentlemen's clubs. You could have a brutal war against unions in the streets and one lone titan of industry giving into their demands. You could have the exact same 3 batkids from the movie, there's literally nothing to improve on there. You could have Clark tear down a barbed wire fence with his bare hands, in a futile attempt to unravel colonialist ideas of private land ownership. Imagine the alien knows more about the earth, the real earth, than the knight in his city does. Imagine the American dream failing Clark, who has to go back east to the big city, failing Bruce, who lost his parents, failing everyone over and over until they decide to build something without it. In an era of rampant exploitation, what do real heroes look like?
Or you can make the justice league fight big steampunk robots ig I'm excited either way.
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