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twentyfivemiceinatrenchcoat · 10 months

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YOU DRINK YOUR COFFEE BLACK AND WE ARE AFRAID OF EACH OTHER ; SHOKO IEIRI

synopsis; shoko makes you a morning cup of coffee; turns out she’s not very good at that, but it’s the thought that counts.

word count; 4.2k

contents; shoko ieiri/reader, gn!reader (but written w a fem!reader in mind), fluff fluff fluff!!, just normal morning shenanigans at the ieiri household, implied stsg (my brand), shoko can be a girlfailure. as a treat, reader is absolutely whipped (and so am i)

a/n; been writing too much gojo n geto lately. neglecting my wife :((((((( let it be known that i am a shoko stan first human second. this one is for my wlws pls eat up!!!!

you wake up to the sound of your girlfriend’s voice.

melodic and soft, low and saccharine; almost like she’s coaxing you out of hiding. a sound so lovely you wish you could drown in it, laced together with a distinctly raspy tilt, one you can only attribute to the copious amounts of cigarettes she smoked back in high school. a leftover residue, bittersweet memories ghosting her lips — one that gets you a little bit weak in the knees.

in the mornings, it’s particularly prominent, a little intoxicating. manifesting itself as a shiver down your spine, a jolt of your heartbeat, a flush on your skin for every word that she speaks. it’s enough to have you slipping from sleep’s embrace, carried back into the cradle of reality.

why you notice her voice first, and not the smell of something burning — or the sound of insistent beeping — is honestly beyond you.

it doesn’t take long for your sleepy brain to react, however, a pang of anxiety rushing through your slumbering veins. hurriedly stirring you awake. abrupting your dreamlike, drowsy state, tangled up in silken sheets with your neck smudged by lipstick marks; an alluring red, one shoko typically favors when she’s going out for a drink. coming home just a tiny bit tipsy, affectionate and giggly.

and when your eyelids finally flutter open, your mind melting into the motion of the waking world, you shoot up in a sudden bout of panic.

because fuck, you belatedly, groggily realize — that’s the fucking fire alarm.

and shoko is spewing curses, from afar, loud enough that you can hear it even through the fog of fatigue that clouds your brain. a raspy string of words that you don’t quite catch, but they’re enough to have you scrambling out of bed, nearly bumping into the doorframe as you kick the blanket off your legs.

”what happened?” you croak out, chest heaving a little, having stumbled into the smoke-filled kitchen. disgruntled, reeling with the aftermath of your deep slumber, cold air nipping at your bare skin. the balcony door is open, and the smell of rain invades your apartment.

when you look out the window, all you see is a gray sky, blanketed by a thick coating of wool. smothered by clouds, not a single ray of sunlight slipping through the cracks. the world smells dewy and sweet, asphalt and flowers melting into a nostalgic fragrance, one that reminds you a bit of high school smoke breaks — huddling under the slide at the nearest playground, watching a pretty girl wrap her lips around a cigarette, exhaling smoke just for it to melt into the pouring rain.

one that reminds you a bit of the woman right in front of you, balancing on a chair and stretching her goosebump-ridden arms towards the ceiling, wearing nothing but a lacey bra and a pair of unbuttoned jeans. messy hair that cascades down her back, brows furrowed, eyes simmering with irritation — before flitting over to meet your own.

shoko blinks. then sighs. ”you woke up?” she mutters, and you try not to shiver when the tremor of her voice deepens, morning-fatigue seeping into the syllables. “fuck. sorry, i —”

she stumbles a little, shifting her weight from one foot to another, and you take a step forward. on instinct, as if getting ready to cushion her fall. ready to be of service, in any way you can.

”don’t worry,” she fumbles with the fire alarm, clicking her tongue. nails scraping against plastic. “it’s fine, i just need to — there we go.”

finally, the beeping stops. and your shoulders relax, immediately, the tight little ball inside your chest untangling. with a deep inhale, the fragrance of espresso and smoke fills your nostrils, and a sense of calm washes over you. rooting your feet to the floor.

shoko settles down, too, seating herself on the wooden chair. a huff slipping from her lips. they’re smudged, a blurry red she still hasn’t found the energy to wipe away.

bringing a hand up to card through her hair, lithe fingers in between her messy auburn locks, she exhales. a blend between fatigue and relief.

”god. i need a cig.”

a moment passes. she raises her head, and sees the sleepy little pout playing at your lips — her eyes softening. blooming with something fond. giving you a smile, tired, small. but reassuring.

”i’m just kidding, love,” she chuckles. “relax.”

”don’t joke about that,” you frown, rubbing the sleep from your weary eyes. stifling a tiny yawn. ”.. took me so long to get you to quit.”

(sometimes you can still see the smoke leave her lungs when she exhales.)

shoko keeps smiling, but doesn’t say anything else. the pitter patter of rain against your balcony railing fills the silence of the kitchen, still brimming with a light layer of smoke, slowly dwindling. cold air drawing it out. clad only in one of suguru’s old t-shirts, you shiver, and shoko seems to notice.

“good morning,” she coaxes, opening her arms slightly — and you move forward, a moth to a flame. without thinking. “sorry for waking you.”

she wraps her arms around your waist, attaching her jaw to the curve of your shoulder, and you melt into the embrace. leaning close, to tuck yourself into her neck. she smells like lavender shampoo. “‘s fine,” you mumble, a yawn muffled into her collarbone. “what happened? are you okay?”

when her plump lips press against the sensitive skin of your neck, right next to one of the kiss marks she left there last night, you can’t help but shiver again. she must feel it, because you can hear the smile she’s trying to bite back in her voice when she answers.

“mm,” she hums, a gravelly noise that makes your throat clog up a little. “just burned something, it’s fine. don’t worry.”

tentatively, you take a step back. just to see her. gazing down at her, into her hazel eyes, the fading crescents beneath them. not as dark as they used to be, not as heavy with lost sleep.

shoko is gorgeous. always, every single day, but you think she’s particularly breathtaking like this. when it’s early, and she’s groggy and a little disheveled, eyes weary and lipstick smudged — bra strap close to slipping off her shoulder, black lace against pale skin, moles littering her forearms and chest like star clusters. oversized jeans that expose the curve of her waist, the fat of her hips, and you don’t notice how intently you’re staring until shoko’s raspy voice reaches your burning ears.

“eyes up here, baby.”

you do as you’re told, and she stifles a chuckle. eyes rich with amusement. you try not to blush.

“sorry.” you chew at the inside of your cheek. eyes trailing to the houseplants by the windowsill. “.. you’re just so pretty.”

shoko tilts her head, an exasperated little breath rolling off her tongue. almost a coo. she’s incapable of blushing; but if she wasn’t, you’re sure she'd blush.

“thanks.” her touch is light, fingertips trailing down the expanse of your arm. “you are, too. red is a good colour on you.”

you blink. shoko’s eyes are crinkled at the edges, soft lines of crows’ feet, and you huff when you realize she’s talking about the marks on your neck. suddenly a little self-conscious, you bring a hand up to rub at the skin — as if hoping to wipe them away. you doubt it works. shoko just breathes out an airy chuckle, getting up from her seat.

she looks tired, still. stretching her limbs out, sleepily, blinking drowsily.

and it’s odd, you think. that she got up this early, that she didn’t cling to you and make you stay with her in bed like she usually does. you don’t know anyone who loves sleeping in more than shoko does. especially after a night out.

so it’s strange. very strange.

“hey, sho.”

“hm?”

you tilt your head. “why are you up this early, anyway?”

she blinks, and then glances at the clock on the wall. ticking idly, counting down. when she looks back at you, she’s got a single eyebrow raised. “it’s not really early.”

“for you it is,” you quip, something resembling a grin tugging at your lips. and she rolls her eyes, smiling, before linking her arm with yours. bringing you to the stove.

“i was, uh —“ a pause. she does a little cough under her breath, clearing her throat. “trying to make coffee.”

silently, you look at the mess in front of you; what used to be your squeaky-clean stovetop, now stained with a muddy, rusty residue. an unassuming coffee pot sits to the side, having seemingly boiled over, smoke still drifting up into the air.

shoko cringes, a little, before a wry smile makes its way to her lips. ”it was…” she clicks her tongue. sighing softly. ”an attempt.”

”… wait.” you turn to look at her, dubiously, and she avoids your gaze. ”that’s what you burned? coffee?” still no answer. a tiny smile tugs at your lips, and you can’t help it if your voice comes out sounding a little teasing. ”how is that even possible?”

”look,” shoko exhales, heavy. ”i don’t know, okay? i think it was the coffee grounds, or something. i look away for one second, and it’s just —”

a little giggle slips from your lips, and shoko shoots you a glare. mostly harmless, but she untangles her arm from your own. ”sorry, it’s just —” you apologize, failing to hide your amusement. ”why didn’t you just use the espresso machine, honey?”

she bites her lip, and you think she might be just a little embarrassed. averting her gaze, briefly flitting towards the machine in question. ”… i didn’t know how to use it,” she mutters. ”i’ve seen you do it, obviously, but i never paid attention to the steps.”

a smile graces your lips. “it’s not that complicated once you know how it works,” you nudge her arm with your elbow. ”it just looks that way.”

she hums. a click of her tongue, as she adjusts her bra strap. ”well, anyway. i tried. so.”

”right.” you try to stifle a grin, to no avail. ”so… you burned your coffee.”

”and woke you up.” she grins, herself, just a tiny bit self-deprecating. but pretty, always, hair falling over her eyes when she tilts her head. ”a mess, aren’t i?”

”not at all.”

shoko looks at you, and your eyes meet hers. unflinchingly. tired irises falling into the gentle hue of your own, trickling down to the curve of your lips. there’s an honesty to your voice that she’s never quite been able to deal with.

(love, she thinks. a kind of love she finds somewhat hard to stomach. a sea of acceptance that she fears she’ll eventually drown in.)

before she can properly fall into a morning spiral, you stretch your neck a bit, idly, and she gets a good look at the red marks littering your skin. the way your pulse beats at the base of your throat. tender, slight, a mantra she’s grown just a little bit addicted to.

”why, though?” you hum, and shoko blinks. snapped out of her thoughts, and back into reality. back into you, the faux pout on your lips. playful, but a little confused. ”i thought i was the coffee brewer of this relationship…”

and it’s true. you’ve been making shoko’s morning cups of coffee for a while, now, even before you moved in together. she likes it black, sometimes with a drop of cream, sometimes with a cube of sugar. never both. you think it’s very like her, to tiptoe that line between bitter and sweet — never entirely giving in to one or the other. there’s a balance to shoko, something stable. something for you to hold on to, a bitter tinge or syrupy taste that always leaves you yearning for more.

truthfully, your coffee brewing skills aren’t anything special. but it makes shoko happy, to wake up and stumble into the kitchen, being able to hug your back. being handed a cup of fresh coffee. sipping from it in silence, muttering out a groggy good morning that makes your heart flutter.

(to you, it’s precious. that lilt of her voice, that bittersweet tinge. the dearest thing in the world.)

plump bottom lip trapped between her teeth, shoko furrows her brows. ever so slightly. nails tapping at the edge of the kitchen counter, a series of satisfying clicks against the marble. “… well.”

she clears her throat, but doesn’t say anything else. a moment passes. you try to find the answer in the curve of her lips, the crease of her brow, in the depths of her eyes — but you don’t succeed.

something discomforting settles in the bottom of your throat. almost uncertain, maybe a bit anxious. sheepish, as your tired mind spins in circles. parting your lips. hesitant.

“do you… not like the way i make it?” there’s a dejected tilt to your voice when it spills out, one that makes you feel a little silly. so you smile, or try to, eyes trailing towards the windows; you note that the rain has grown heavier. “i can change how —“

“what?” shoko cuts you off. “no. no, of course not — your coffee’s perfect. honestly.”

again, your eyes meet. and again, shoko seems to be struggling with finding the right words. or maybe she’s struggling to voice them.

“i just… haah.” she brings a hand up to her face, pinching the bridge of her nose. you just watch, silent, hungry to hear the thoughts she’s not letting you in on.

a beat. again, the sound of the rain against steel railings, the scent of honeydew and concrete. espresso-flavored smoke, almost entirely faded, leaving only cold air to nip at your thighs.

and again, as always, inevitably, your eyes are fixed on shoko — a moth to her flame. helpless to the cinders that ghost at your skin whenever she looks at you. a certain contemplation swims inside her eyes, simmering beneath the surface, as she chews gently at the plush of her lips. before turning to face you.

you can only blink. but shoko finally speaks, clearing her throat in a way that strikes you as rather sheepish.

“well — you’re always the one doing all the work. aren’t you?” her voice trickles out into the air, low and saccharine, a blanket pulled over your shoulders. so soft you hold your breath and strain your ears, just to make sure you hear it. “i guess i figured… i don’t know.”

shoko pauses, again, and you can almost delude yourself into thinking there’s a cherry red tint to the tips of her ears. when she parts her lips, that usually carefree voice of hers sounds almost meek. almost, but not quite. more like unsure. embarrassed?

another moment passes, entirely silent. shoko swallows her pride.

“.. satoru always brags about suguru making him those fucked up sugary drinks he likes,“ she mumbles. turning around, to rest her back against the counter, looking out at the downpour. “says it makes him feel so loved. or whatnot. so i just —“

she waves her hand, haphazardly.

“you know.“

a beat. then another. you can physically feel your lips part, a kind of surprise weaving itself into the contours of your face.

and when you finally speak, your voice comes out a little garbled, scrambling for the right words. not sure if you should feel deeply amused, or just a tiny bit horrified. “wait. you’re saying you…” a moment passes. silent, slow, and all you can do is blink owlishly. in disbelief.

“… got inspired by suguru?”

shoko groans, deep and gravelly, almost comically agonized. covering her face with her pretty hands. “don’t say it,” she pleads, “you’re making it sound as dumb as it is.”

a little giggle slips from your lips. accidental, but she still shoots you a displeased look, huffing under her breath. crossing her arms just to tap at her forearm with her nimble fingers. frowning.

“don’t laugh at me.”

“sorry,” you search for her gaze, but she keeps looking ahead. so stubborn. “i don’t mean to, ‘s just — not very like you, y’know?”

shoko exhales. nearly a huff, but not quite. and you think she must be embarrassed, gnawing at her lip like that, fingers eagerly searching for something to fidget with. it makes you soften, impeccably, the blood inside your veins warming up beneath your skin. stirring you, coaxing you into soothing her. your very own heartbeat seems to be a little enamored with shoko ieiri.

”i appreciate the thought,” you smile. a tender tone, sincere. lingering with amusement. “really. but let’s not base our entire relationship around satoru and suguru of all people, alright?”

and again, she sighs. brittle, a little fatigued. brows scrunching together. ”look, i —”

a pause. she gnaws at her plump bottom lip, eyelashes fluttering like a battered heartbeat. her voice comes out sounding soft, all duvet pillows and fresh lavender, a lilt that anchors you to earth. sweet words. so honest it makes your breath hitch.

”i want to take care of you.”

and this time, you’re the flustered one. burning under her gaze, feeling a heat blossom on your skin. feeling the fervent pitter patter of your heartbeat, as her pretty eyes look into yours. a nice mocha brown.

but even with the fresh embarrassment trickling through your veins, you find it in you to speak. desperate, maybe, to cross the distance between you — even when it borders on non-existent. desperate to feel your heartbeats synchronize, figuratively or literally. to stitch them together.

“i want to take care of you, too,” you echo, looking down at the floor. and then back at your girlfriend. hesitant, a tad shy. but sincere.

a sincerity so palpable it makes shoko feel a little jealous.

(sometimes, she finds herself wanting to put a hand inside your chest. dig around your organs, run her fingertips down every single one, until she finds what she's looking for. that miraculous something that makes you stick around, that makes you so frighteningly easy to love. that makes her want to safeguard you so terribly.)

”then let’s take care of each other,” she breathes, a small smile slipping into the curve of her lips. reaching out to brush against your knuckle, weave your fingers together. delicate.

she clears her throat. “… i guess.”

and you can’t help but smile. somewhat cheeky, a little teasing. “ah,” your eyes crinkle, and you stifle a coo. “did that embarrass you?”

a sharp little scoff. shoko gives you a lazy grin, paired with a soft roll of her eyes. brushing her thumb across your knuckles, even still. “oh, shut up.”

the world seems to still, ever so slightly, as you look into each other’s eyes. like everything else is just background noise, from the pitter patter of the rain to the fading smell of coffee all around you. shoko looks at you like she’s trying to see inside your brain, see what makes you tick, see you for what you are.

and when she eventually leans in for a kiss, you’re pliant. expectant. her lips against yours, breathing you in, as soft as ever. like she’s afraid of getting too greedy. she tastes like nectar and cosmetics.

“give me some time,” she says, after pulling back. hands on your waist, squeezing softly. “i’ll make you another cup right now.”

”sure you don’t want me to do it?” you ask. “i don’t mind.”

another little scoff. offended. ”look, i’m not incompetent, okay? i’m just not used to it.” she untangles herself from you, warmth slipping away. you will yourself not to chase it. “just stand there and look pretty for me.”

and she smiles, when those words make you giggle, infected by your sleepy joy. something soft and silky blooms inside her ribcage, mirrored by the glimmer in your eyes when you intertwine your hands again. fingertips brushing against each other, delicate, a love that’s handled with care.

”.. i like making you coffee,” you whisper after a beat. smiling. under your breath, like you’re telling her a secret. ”it makes me happy.”

a moment passes. something in shoko’s bones still, for a second, enough for you to notice. and her eyes fill with a kind of hesitance. doubt, maybe. or fear.

when shoko opens up to you, it’s always like this. sleepy, rainy days, or tipsy afternoons. in no more than a whisper, a fragile breath, the ghost of a confession. when you can feel her heartbeat, one finger on her wrist, listening to the rhythm of her pulse. intimate. a little clumsy, but…

”i just don’t want you to spend too much of yourself on me.”

the words are spoken in passing, almost casually, a lighthearted kind of resignation. a hungry ghost. one that follows her, follows you. suguru and satoru, too. there’s a lump in her throat, you can tell, something that makes it a little harder to say what she means. an intimacy that frightens her in a way nothing else can; frightened to hold it in her palms, to keep it close without having it break apart.

(not just her — you all are. all four of you. that’s why you've always been together, you think, why you always will be. four hedgehogs huddling together in the cold of night, too desperate for warmth to stay away from each other's spines.)

carefully, almost cautiously, you bring her hand to your lips. as if you’re handling a flimsy sheet of glass. featherlight, a touch so tender you hope she knows what you’re about to say before the words leave your throat.

“you’re worth it,” is whispered against her skin, your lips against her knuckles. shoko softens, but you think the sigh that slips from her lips sounds just a little shaky. “always.”

and finally, you know you aren't deluding yourself. it’s there, visible, the cherry red of her ears; a red that matches the lipstick on your skin. a flush that never travels down to her face. but it’s enough.

she clears her throat. voice beginning to change shape, slowly but surely, morning fatigue peeled off with the ticking of the clock. there’s still a raspy residue, leftover smoke that’ll never quite leave her lungs, but it’s silkier now. trickling like honey from her parted lips.

and it’s terribly soft, her tongue twisting around the vowels, a low lilt that drips with tenderness. she wills herself to smile. tired, but fond. “just let me make you one cup, then.”

so you do.

you let her, after briefly pointing out the functions of the far too expensive espresso machine that satoru bought you when you first moved in, and she listens intently. those pretty eyes, the intelligence behind them, her lips pursed in focus. shoko’s a genius, you’ve always thought — so effortlessly good at memorization, at figuring out how things work. what ties everything together.

you think it’s a little comical that she struggled so much with making coffee, of all things, but you choose to attribute it to her slight hangover.

because she’s focused, when she begins to fiddle with the machine. attentive. as if she’s dissecting it. a satisfaction in the way she moves, the way everything clicks into place as she works. everything serves a purpose, every single part in the machinery, every tube or pump of caffeine. she compares it to the human body, a glint in her eyes, and you can’t disagree.

all you can do is watch her. silently, entirely mesmerized. sitting on the kitchen counter, bare thighs against the marble, swinging your legs. telling her about the dream you had, while she listens. always.

a fresh, thick aroma of espresso and rainwater begins to waft through the apartment. one you drink in, greedy, steam filling your lungs. as you admire how the tiny droplets bounce off the hyacinths blooming on your balcony.

and when she’s finished, producing one cup of espresso, tailored to your liking, you can’t still the beating of your heart. unsure if you should blame it on the caffeine yet to enter your veins, or the proud smile that lingers on your girlfriend’s lips. maybe the way her fingers curl around the handle, the way a soft here, baby, spills from her smudged lips. all of the above, probably.

she’s gorgeous. breathtaking. sometimes you want to give her everything, more than you could live without. your heart, your lungs, your eyes. anything she asks for.

but she would never. all she’ll ever need is for you to keep sticking around, keep telling her about your silly dreams, keep letting her feel the beat of your pulse at the base of your throat. a mantra she’s fallen a little bit in love with.

and when you put your lips against the ceramic, and a bittersweet scent fills your lungs, you think you can taste it. that care, a love soft enough to mend all the jagged edges of your heart.

shoko smiles. smoothing a stray eyelash from your skin, thumb against your cheekbone. “how is it?”

(you swear it’s the best cup of coffee you’ve ever had.)

#i love!! my wife!!!!#shoko gap moe is real (and heres why)#i just think she’d be a lil softer around someone she likes . shes awkward w intimacy but she treasures u so dearly :<#dont get me wrong tho she definitely has smth Wrong w her and i love that side of her too!!#i feel like she would joke abt wanting to dissect u (but is it rly a joke 🤨🤨)#if this reader seems more whipped than usual then that is bc im projecting <33 oh to live in a cramped apartment w shoko ieiri …#to have her cover my neck and face in kiss marks…….. (dies) i literally need it SO bad u dont understand. there r tears in my eyes.#title from a clementine von radics poem that i cant remember the name of … all her poems r so shoko coded tho #shoko ieiri #shoko ieiri x reader #shoko fluff #shoko x you #shoko ieiri x you #shoko ieiri x y/n #shoko x reader #jjk fluff #jjk x you #jujutsu kaisen x reader #jujutsu kaisen #jjk x reader

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fellthemarvelous · 5 months

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Aziraphale hate makes my brain hurt.

Like let's be really fuckin' for real here.

Neurodivergent fans have repeatedly said that Aziraphale is autistic coded. I agree with them. I have never been diagnosed but I wonder about myself. If only I could get a doctor to take me seriously enough to test me for it, but alas, I'm a 43-year-old woman living in the good ole US of A.

Those with religious trauma have repeatedly said that they identify with him as well. I'm one of those people. I endured 12 years of Catholic schools and just as much time being taught a very black and white view of things that I've had to spend more than 20 goddamn fucking years working to unlearn.

I find that my views as a survivor of religious abuse are often dismissed because people keep wanting to say "Aziraphale doesn't have religious trauma." Yes, thank you, I get that, but unless you've been indoctrinated and brainwashed into a very black and white view of the world, you probably don't understand the kind of feelings Aziraphale's onscreen experiences evoke in so many of us. Heaven might not be real, but the feelings of "God is always watching" still stick with me today even though I no longer believe in God. I have entirely denounced Christianity because of my own personal experience, and I refuse to allow people to try and guilt me or shame me for trauma that I didn't ask for. I wasn't given a choice.

As a child I was told that God was real and always watching everything you do (just like Santa Claus) and can hear everything you say and knows everything you are thinking. Do you know what I learned to do in order to cope with this overwhelming and anxiety-inducing information as a small child? I learned to censor my thoughts. I never spoke up, and I have always felt like I was putting on a show for people because I had to be who I was told to be or I would get into trouble.

Aziraphale said "poverty is a virtue" during The Resurrectionists, and as someone who grew up in the Bible belt and went to private schools, I was taught this very same shit by the Catholic church. He learned in that very same episode that "poverty is a virtue" is actually a tool of oppression to keep the poor poor and the wealthy wealthy. I know we all watched the episode. He went into that episode believing what he said, but by the end of it he knew it was actually utter bullshit. Aziraphale is not ignorant. He's highly intelligent, and he has never been too proud to admit when he has been wrong. He accepts that the information he learned before is not matching up with reality.

And it's so obvious some of you have zero experience with that type of indoctrination because of how very little empathy you show Aziraphale for his "mistake" of "choosing Heaven over Crowley" and "making Crowley sad" so clearly Aziraphale must somehow be "abusive" and "manipulative" and "selfish" and "self-centered" because he didn't choose to run away with Crowley at the end of season two.

First of all.

FIRST OF ALL...

Aziraphale has a mind of his own.

Aziraphale is always going to try and do what is right.

Aziraphale is an angel. He's a being of love. And the reason he's so "bad" at being an angel is because he actually wants to protect humanity. He has always loved humanity. He repeatedly has to contend with what is "right" versus what is "good" and "wrong" versus "evil". Yeah, he has flaws. He's an angel, not a goddamn fucking saint. He has lived on Earth for more than 6,000 years. He has seen everything. He loves doing human things.

He's obsessed with magic. It makes him so happy. He's not very good at it...well not when he's trying to put on a show for Crowley.

He chose to learn French the hard way, so even though he knows every single language in the world, he chooses to be mediocre at French. Something that annoys and amuses Crowley at the same time.

He loves to dance even though angels aren't supposed to dance, and dancing with Crowley was what he wanted the most.

He owns a bookshop and refuses to sell any of his books because they are books he's had for as long as there have been books. He will chase customers away from his collection, and Crowley understands how much they mean to Aziraphale because he refuses to sell any when Aziraphale leaves him in charge.

He and Crowley have been speaking to each other in coded language for more than 6,000 years. They have to be very careful about what they say because Heaven and Hell are always watching.

Heaven has photographs of Crowley and Aziraphale sitting or standing together throughout history. Hell had one photo of Crowley and Aziraphale actually working together and it was Aziraphale's quick thinking and how good he actually is at sleight of hand tricks that managed to get that photo out of Furfur's hands so he wouldn't be able to turn Crowley over to the Dark Council.

Aziraphale saved Crowley from being taken to Hell again. He wasn't able to save Crowley from Hell in Edinburgh, but he sure as heck managed to save Crowley from Hell during WWII. He took Crowley to his bookshop and showed Crowley that he stole the picture from Furfur. He saved Crowley.

You get that, right?

Aziraphale SAVED Crowley.

People always talk about how it's "always Crowley saving Aziraphale" because apparently heroic acts are only heroic when they are grand gestures. The sleight of hand wasn't heroic at all, am I right? It wasn't sparkly and showy. It wasn't interesting enough, therefore not heroic. At least that's all I'm hearing when people start with their "blah Aziraphale deserves to suffer because I have no imagination or ability to understand the media in front of me blah", and all these reasons he deserves to suffer is because Crowley almost got hurt.

Aziraphale did that without flinching and I watch that part closely every single time. He's not scared for himself. He's scared for Crowley, and he managed to hold onto that photograph. He did not fail Crowley. He protected Crowley.

And so here's another thing that we like to point out. The way that Aziraphale, an angel who is effeminate and male presenting, an angel who is soft and full of love, an angel who is kind and forgiving because he has empathy and compassion, is somehow painted as abusive and manipulative. He's not violent, but he could easily fuck up your world. He doesn't use his powers. We have no idea how powerful he is because we only ever see him do small acts. He's used to hiding. It's the only way he has ever been able to protect Crowley.

And I'm not saying that Aziraphale has actually saved Crowley before means that Crowley hasn't also saved Aziraphale. Like, you get that those are not mutually exclusive and their relationship is not transactional, right? They have spent their entire existence protecting each other but never actually getting to be together because Heaven and Hell are always watching.

Yeah, Crowley fell. We all know this. We are aware of this. He was the serpent of Eden. He gave humanity the knowledge of free will.

But what we don't talk about is what Aziraphale gave humanity.

What did he give them?

We all know what it is!

Let's say it together!

He gave Adam and Eve his flaming sword because it was dangerous outside the garden and Eve was pregnant and she was already having a really bad day. He showed them compassion and gave them his extremely powerful angelic weapon so they would stand a chance on the outside of the garden. He gave humanity the gift of compassion. It's just unfortunate that his flaming sword became a weapon of War.

And then what did he do after that?

Ooooh, yeah, that's right.

God asked him about it and he straight up lied to her and pretended he had no idea where he'd managed to misplace it. She didn't say anything after that. He told Crowley the truth though. He told Crowley the truth even though Crowley fell.

Yeah, we know Aziraphale has done some really fucking questionable things. He and Crowley both suck at passing for human in front of observant people like Nina. They're not human. They are still learning, but they managed to experience human history together despite being on opposite sides and their experiences with humanity are what has shaped them into the compassionate and loving duo they are now. One of them is not better from the other.

This, my friends, is what we call meeting in the middle. It's why shades of gray is so important. Aziraphale constantly breaks the rules. Crowley refused to play by Heaven's rules. It's the reason he fell. He doesn't play by Hell's rules either. These two dorks figured out how to cancel each others' miracles out throughout human history in order to have more time learning about humanity and each other because working all day every day sucks when there are so many new things to learn and experience with the people you love.

We know Crowley and Aziraphale both love each other. Neither of them are good at hiding the hearts stars in their eyes.

But here's what's really fucking annoying about the Aziraphale hate.

Aziraphale was already crying when Crowley grabbed him and kissed him. Aziraphale is trying so very hard to do the right thing. He loves Crowley. He does. But he also has a duty to humanity, and he has taken that job very seriously since the creation of Adam and Eve. He sent them out into the world with a flaming sword so they would have a chance at surviving beyond the walls of the garden.

And he knows that Something Terrible is going to happen and he spent all of second season trying to figure out what that Something Terrible was while trying to have some sort of more honest and open relationship with Crowley, but again, they aren't human, they are a demon and an angel approaching life from opposite sides who met in the middle and fell in love with humanity together.

He wants more than anything to tell Crowley how he feels about him, but he wants to do something grand for Crowley because Crowley has always been grand and dramatic and sexy and a little bit scary.

Crowley is impulsive and has a temper and sometimes says the wrong thing but he has always trusted Aziraphale because Aziraphale gave him a chance even after he fell. Aziraphale chose to shelter him instead of smiting him while they stood on top of that wall. He knew he was supposed to kill Crowley, but oops, he gave his sword away to the humans so he didn't really have anything to kill him with and Crowley is the one who created nebulas. The Pillars of Creation is Crowley's work and Aziraphale was there to witness that, but he watched Crowley more than he watched the nebula. He witnessed the pure joy on Crowley's face when he said "let there be light" as a nebula full of colors exploded before their eyes. He was fascinated by Crowley.

But Aziraphale is going back to Heaven even though he has made it perfectly clear he absolutely has no desire to go back to Heaven. He told the Metatron this during their conversation. He spoke these words out loud. They exist.

But then The Metatron said this....

The Metatron. The very same angel who told Aziraphale in season one "to speak to me is to speak to the Almighty." He's the boss. He's the big guy. He's used to existing as a giant head and he had to give himself a body so he wouldn't stand out on Earth. And he knows that Aziraphale and Crowley have been working together since the beginning. He knows they worked together to prevent Armageddon in season one, and now he's made it clear he knows they were working together long before that. And let's face it, Aziraphale really wants to know what this Something Terrible is that Gabriel is running from so he can try to prevent it from happening.

It makes sense that he would want to take Crowley to Heaven with him because he would be able to keep Hell from getting their hands on him again. Aziraphale hates it in Heaven. He doesn't want to go, but Something Terrible is happening and Metatron isn't taking no for an answer, and maybe Heaven won't be so bad if Crowley is there with him. At least they can fix Heaven together.

But Crowley can't go back. We all get that. We don't blame him for saying no. It doesn't change anything.

Something Terrible is about to happen and Aziraphale has to figure out what it is. He wants to change Heaven.

He is fully aware that Heaven sucks. He still has faith in God. His faith isn't in Heaven. He deserted his platoon in season one and threw himself back to Earth so he could figure out how to make sure the war between Heaven and Hell doesn't happen.

But see, here's the thing. Heaven is at the top. Heaven has all the resources. Heaven is responsible for the creation of Hell. Heaven is empty and Hell is overpopulated. Aziraphale knows this. Crowley knows this. It's obvious every time we see either place. Both sides are desperate to go to war and will not hesitate to destroy humanity in the process. This is the opposite of what Crowley and Aziraphale want for humanity. If anyone can change Heaven, it's Aziraphale. He's the only one up there who gives a shit about humanity as far as we know. No one else is going to speak on humanity's behalf.

Some of us are so busy getting mad at Aziraphale for going back to Heaven and giving Crowley a Big Sad. Newsflash: Crowley is not the main character of Good Omens. Aziraphale and Crowley are equals, yet we wanna hold Aziraphale to higher standards because he's an angel, and when he makes mistakes it's proof that he's the bad guy.

Holy mother of all things that trigger my religious trauma, let me tell you. I spent my entire life hating myself every time I made mistakes. I've had to teach myself that just because I mess up sometimes doesn't mean I'm bad. It means I'm human. I still struggle with it. I probably always will. So when you say that Aziraphale deserves to be punished for breaking Crowley's heart, you not only ignore that Aziraphale's heart is also broken, you're saying he deserves to be punished for doing what he thinks is right.

Wanting to change Heaven for the better is not a bad thing.

And some of y'all wanna see him suffer for going back into the lion's den that is Heaven, knowing that he is already an outcast, that they have already tried to kill him once, knowing that he is a deserter, that he has been lying to Heaven about a lot of things, and you still think he's blinded by Heaven? You think he's just so naive and that's the only reason he's going back. He doesn't show his emotions the same way Crowley does so it means he doesn't care as much. He's expected to consider Crowley's feelings over his own when making choices. Like holy shit if all of that hasn't defined my experience as a woman with religious trauma in this fucking society. He's expected to be subservient to Crowley and if he doesn't do what Crowley wants then he's being unreasonable and illogical.

What the actual fuck, y'all.

Like seriously.

I'm sick of this bullshit. I had to step away from this fandom because of how toxic some people in this fandom are. It's not chasing me away, but the fact that I chose to hang out in a a more toxic fandom that is already notorious for being really toxic over a fandom that claims to be more open-minded and welcoming should probably tell you something.

It gave me a lot of perspective, and yeah, I'm still gonna speak up against the bullshit Aziraphale hate.

People are entitled to their opinions, but the Aziraphale hate isn't an opinion. It's just ableist, misogynistic garbage. At this point we all know y'all say these extreme things about Aziraphale because y'all get more joy out of the harm and alienation it is causing others.

Keep being loudly wrong, but if you think I'm not entitled to challenge shitty-ass, harmful, hateful discourse, bite my ass.

I'm not the one who lost the plot in this fandom.

#autistic coded character #religious trauma #good omens #aziraphale #aziraphale defense squad #i'm in a mood #like i'm begging y'all to learn what empathy is #like goddamn i know i'm not perfect but at least i don't forget that the reason for everything in good omens is love #neil has said this several times #it's one thing to dislike a character #it's another to assassinate characters in ways that blatantly contradict what the narrative has told us #and try to pass it off as canon #if you wanna send me hate just hit the block button instead #i'll try to be really sad about it #and if you just have to send me hatemail at least have the courage to attach it to your name instead of hiding behind anon #i'm too old for this shit #i'm gonna go back to the star wars tag now #it's been a minute since i went off and today proved to be the perfect day for it

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