#I need a happy ending

[iamumbra195]

Don't you love it when you get back into your childhood hyper-fixation that you remember very fondly as an adult and realize how fucking depressing the actual story is now that you have the capacity to understand it beyond cool fighting and characters, humor, and awesome friendships?

[elfieafterdark]

Okay but the altered memory chapters in Harrow the Ninth set off a whole myriad of confusing emotions (hah, lore pun).

Ortus seems sweet enough, but he ain't my Cavalier, and he sure as shit ain't Harrow's not in the ways that matter.

I feel weirdly territorial? Like back off man who never ever sat foot in that shuttle bound for Canaan House, Harrow isn't yours.

But it's also brilliant because geez fucking Christ what the hell is happening? (I know what's happening but Muir does such a good job).

So anyways griddlehark better kiss and get together at the end or I might just have to throw myself on an iron fence and have my soul consumed.

[youremymoony]

when you think about the fact that the first time sol went back in time to save sunjae she didn’t want to leave him alone because she didn’t want him to get depressed and kill himself and the last time she did the opposite because she thought she would be the reason he’d die 😭😭😭

[basilcatchup]

PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE WHAT DOSE THIS MEAN HAHANJSNSBSHSHH please they need a “happy” ending

[gojoest]

i’m in my k drama era pls recommend me some 🥹

[kaylaschaoticrandomness]

About the Lie Theory (Good Omens) *spoilers for s2*

I like this theory more than the coffee theory because it explains his actions without fully removing his agency. I do still have questions about his expression in the end credits but, I do think that the lie theory explains his odd behavior. One thing that stood out to me in his conversation with Crowley was his tone when he said I forgive you. He sounded very sharp and intentionally cruel in a very out of character way. It sounded like he was trying to hurt Crowley. If he was trying to drive him away that would explain a lot. Anyway I desperately need season 3.

[sleepy-shinx]

Ingo gets eebied deebied and has amnesia and nothing changes in hisui except… His memories gotta go somewhere, right?

AU where Emmet gets all of Ingo’s memories when Ingo disappears and loses them

Do with this as you will-

[spideydee]

THEY LOOK SO HAPPY PLS GIVE US A HAPPY ENDING

[ava7sworld]

You protect the world,I protect you</3

[darthannie]

How will I, a fanfic writer, turn a depressing piece of media into something smutty?

[sketchydragon12]

I have seen Good Omens season 2 for the third time today. Despite watching it 3 times all the way through and the finale 7 times, the ending still hurts and did not get magically better.

[lady-wallace]

Just finished writing 15 pages of outline for a Chainsaw Man AU please send energy and caffeine so that the muse will be kind enough to let me go through with writing the actual fic.

[shikai-the-storyteller]

Luckity

I’ve been staring at this blank post for a solid 5 minutes trying to figure out how to convey my emotions properly but I frickin can’t so here’s me dumping all my current emotions because my heart genuinely physically aches so much for them

Just

They loved each other. They loved each other!!!

For the first time in his life, Quackity finally found someone who loved him, really loved him, with no agenda or ulterior motive, he found someone who truly loved him for him.

And Luzu, for all his distrust of other people and lingering sorrow, was able to reconnect with the best part of himself thanks to Quackity. A part of him that loved and cared endlessly, a part of him that was loyal to a fault.

But Luzu and Quackity, for all their compatibility and mutual affection for one another, are two very hurt people. They’ve both experienced heartbreak and betrayal and a thousand other things that left their hearts irreparably scarred, and neither of them ever really healed from that. And because of these scars (and to a certain extent, because of their inability / unwillingness to be vulnerable and communicate with one another) they became just another scar on the other person’s heart. It hurts to think about

[dramatothethirdpower]

I don’t care if it’s open ended, that’s Wansen and they’re going to live happily ever after and eff you if you say otherwise. I want no other explanations

[greykolla-art]

Charlie: “I’m so glad my most villain-coded friend is at full power again! 🥰💕”

*throws this to you angst goblins like raw steak* ❤️

(No I will not do a part 2!❤️)

[bamsara]

I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.

"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?

Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?

If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?

Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?

I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'