#I need the characters I love to become antagonists all over again

[iamumbra195]

Don't you love it when you get back into your childhood hyper-fixation that you remember very fondly as an adult and realize how fucking depressing the actual story is now that you have the capacity to understand it beyond cool fighting and characters, humor, and awesome friendships?

[dragonmuse]

Keep It In The Box : An Essay on OFMD Season 2 and the Failure to Heal

(here in is my season two reaction. It contains many many spoilers. It's also about 3k words long so you know what you're getting into.)

“See, I have a system for dealing with all the terrible things I've seen. There's a box in my mind, and I put the things in the box..” -Frenchie, Season 2 of Our Flag Means Death

…..and then he never opens it. Chekov’s locked box has no key in season two.

On first watch, it seemed clear to me that Frenchie’s declaration was a narrative plant. Clearly the whole season would be about that box of pain and trauma being opened, sorted through and at least the beginning of healing. The show had developed a reputation after season one of being kind and focused on queer narratives of healing from childhood. Ed and Stede’s parallels in their childhood traumas were frequently on display through season one and were repeated in flashback throughout season two. Jim’s season one arc about becoming someone who doesn’t think just of revenge and can now forge meaningful connections was profound, beautiful and often funny. Izzy is an antagonist because he doesn’t want Ed to move on or stop acting like the trauma-response version of himself. The antagonist wants to stop healing. The point is to grow, to change, to learn how to love. It’s one of the things that made season one work for me at the time, despite reservations about pacing and tone.

So naturally season two should follow suit. It’s a kind show! About healing and falling in love!

For the first several episodes, the remaining crew on the Revenge go through a gauntlet of trauma, forced to do and receive violence at Ed’s whims as he careens from self-destructive behavior to self-destructive behavior. This is the wounding setup. It was dark, but it seemed like it would have a payoff and at first it did.

Perhaps one of the most beautiful moments of the season comes in one of the small respites in those early episodes as Jim recounts Pinnochio to Fang to soothe him through his grief. That was the show that I expected. The kindness of that moment struck me very deeply. It gave me some understanding of Archie too, who seems to fall for Jim right at that moment.

That scene is the show season one promised. Season two led with packing Frenchie’s box full to bursting. Here is the fight to the death between lovers, there is a first mate who is mutilated and rotting in the very walls (the rot of the Revenge itself), and there is the storm of Ed’s rage and pain that threatens to consume all of them.

So surely these remaining episodes would concentrate on finding the humor in healing from those moments. That is the setup. Frenchie has a box. The box must eventually open.

Except time and again, all the characters who suffered are told that the only way to deal with what they’ve been through is to stick it in the box and never open it again.

Pete tells Lucius that he’s unable to move on and needs to let it go. Izzy has a story about a shark. Ed’s apology to the crew which doesn’t even contain the words ‘I’m sorry’ is just…accepted. I kept waiting and waiting for a meaningful apology to the people Ed had hurt the worst with his actions, but it seems all we get is Fang saying ‘eh, no problem, I got to hit you back so I feel better’.

The playful theme of ‘pirates are just violent sometimes’ from season one becomes a grinding horror machine in season two when every atrocity visited on someone is forgiven because the narrative needs it to be. Ed and Stede spend more time making amends with each other over the bloodless night on the beach than either of them spend trying to repent for their actions towards anyone else.

And let’s talk about Ed. Arguably this season pivots on his narrative, on his path to healing and growth. A path that starts at a very low point. His moment in the gravy basket, deciding he wants to live because there are still things to live for is so great! So one might assume that what would follow would be him pursuing those things, making amends, making connections. He and Stede have a wonderful moment, talking about being whim prone and how they’ll work to avoid that, build a relationship by going slower.

Yet, at no point do either of them stop following whims. They never heal or learn from what’s happened to them. They both keep running from thing to thing, particularly Ed. It’s a whim to sleep with Stede, it’s a whim to run off to fish, and the finale gives us just more of their whims. Ed drops fishing as fast as he picked it up. He finds those leathers in the ocean, murdering the symbolism of leaving them behind. Even the inn is a whim, one of those things Ed decided he’d be good at without evidence. And Stede joins him in that without a single on screen conversation about it ahead of the moment.

Ed needs to heal himself and to do that he needs to confront what he’s done and do the work to heal the wound. Instead, he doesn’t meaningfully apologize to anyone, besides Stede and Fang. Despite Izzy’s dying words (we’ll get to that), not only do we never see the crew caring about Ed, working to make him family in the same way they do with Fang and even Izzy, he also doesn’t choose to stay with them. So what is the point? Where is the healing? Or does even Ed, beloved main character, have to live with it all stuffed in a box?

He ends the season in the leathers he threw away, in a relationship that’s barely stabilized, going to live in a house which we are told by the narrative (in that they are very very clearly paralleling Anne and Mary with Ed and Stede or why do we even get that whole Who’s Afraid of Virginia Woolf? episode) will only end in them setting fire to each other to stay warm.

But Vee, I hear you cry, it’s a ROM-COM. This is all meant to be ha-ha funny and you are taking it so seriously!

Cool beans. Then why the hell isn’t it funny? Healing is often filled with comedy because people deal with pain with humor. You can heal and laugh at the same time. The finale especially is almost entirely devoid of laughs, almost entirely devoid of joy until the last minute for that matter. The episode that should show off with a flourish how far everyone’s come, mostly serves to show that no one has grown.

Okay that’s Ed. I want to talk about Lucius next. Our former audience surrogate (that’s taken away in season two when he doesn’t get enough screen time to perform that role and no one takes his place) really goes through the wringer. He experiences many many terrible things, including sexual assault (which is made into a grimace-laugh line that doesn’t take away from it’s seriousness because oh hey, that can be done as it turns out). He’s nervous, he’s smoking, it’s clear he’s suffering.

There’s a beautiful moment where Pete tells him ‘hey, I was also in pain. I grieved’ and that’s great. It’s good that Pete sets a boundary about Lucius not obsessing over the past to the point of occluding their future.

We even get our comedic moment where Lucius pushes Ed off the boat (still not apology, but I’d lost hope for that by then) and that doesn’t help enough. So Izzy comes in with a shark and the advice that you just have to move on.

Just…you know. Play pretend. Forget.

Shove it in a box. Ed didn’t take my leg, a shark did. Ed didn’t kill you, a shark did. Live with the person that tried to murder you because it’s your fault you dangled your leg over the side of a boat. That is the show’s message. I thought on first watch, that surely this would also come back up and be explained that you can’t live that way, that that is no way to heal. That it would become clear that this was no way through. You cannot make everything into sharks.

Lucius can move forward and still carry pain. He can still want a meaningful apology and still want to talk to his lover about what he’s dealing with while moving forward toward a brighter future.

And what of the flirtatious promise of relationships and connections being the way to heal? Look to Oluwande and Jim, whose heartfelt romance from season one was relegated to the bins of history in favor of a narrative that made him a brother Jim once had sex with. They could have had Archie AND Oluwande, who in turn could also have Zheng, but that never seems to be an option. With a single short conversation, they are broken up with, despite a brief tease at the birthday that they still ‘dance’ together, it never actually manifests. Jim and Archie never talk about what they went through. It’s swept under the rug as fast as knives are lowered.

Lucius also no longer flirts with other people, the solution to his pain is to propose and get married (but not too married, lest we forget that they’re two men, they don’t even get to be husbands or even the more respectful mates, no. They’re mateys.) This season proposes that the only happy endings are monogamous ones, where no one talks about anything painful that went before.

To ensure that message, beyond assuring the success of Oluwande and Zheng’s relationship, Jim and Archie almost entirely disappear from the narrative. Sorry you guys were given layers of trauma and no growth and not even much to do this season, we need to make sure that everyone remembers Oluwande is the break in Zheng’s day so when he says that to her five minutes later we know exactly what he’s referencing. No time for Archie to learn what an apology is or for Jim to get one line in with Oluwande that isn’t affirming their newfound broship. Must do more flashbacks to things we just did two episodes ago!

The show even dangles the conversation of the Revenge being a safe space. Why would any of them ever feel safe when the man who tortured them is allowed to walk among them and they are expected to forgive and forget? What’s safe about that? The ship is never made safe for any of them, but that’s never addressed.

And Zheng! Amazing, hysterically funny Zheng! She loses her ships, her entire way of life, the kingdom she built for herself and then…she doesn’t even get to captain the Revenge. We don’t know what becomes of her fleet, of her plans, her ambitions. Don’t worry about it, she has a romantic partner and isn’t that what every lady wants in the end?

(But Vee, I hear you cry again, there will be a season three! Maybe it will be All About Zheng! To which I say: then why did they present us with the most series finale feeling episode ever? If there’s more, I have no idea where it’s going. BUT VEE: BUTTONS AS SEAGULL ON THE GR- Fine. It’s time.)

Let’s talk about Izzy Hands.

Izzy manages more healing than anyone else this season. He reaches his lowest point, suicidal in the bowels of a ship that’s become a prison (very much in contrast to Ed’s suicidal low). The person he loves most in the world has shredded him physically and emotionally (and if you’re in the camp that thinks Izzy deserves the abuse that Ed gave to him, I would really like you to sit quietly with yourself and ask why you think there is ever anything anyone can do to deserve that treatment). He’s low, he shoots Ed to protect everyone, and then seems to plan to drink himself to death, mourning his losses.

And then another beautiful moment! The crew move past their own pain to help him. They work together for the first time and it’s to give Izzy mobility back. He treasures it. He cries over it. He uses that kindness extended to him to reach a new understanding of Stede and help him succeed, doing the work to make real amends. He sings in drag, he’s vulnerable and beautiful, celebrating the side of himself that he must’ve loathed in the first season. He’s an elder queer man, coming into himself.

He never gets an apology though. (‘Sorry about your leg’ without eye contact is not an apology. There is no responsibility taking, no acknowledgement of the weeks of torture that came with it.) Izzy also never really has an honest conversation with anyone about what it means that the man he loves punished him so severely for the crime of trying to protect the crew (yes, lest we forget, Izzy lost his leg because he was trying to keep Ed from re-traumatizing the crew and himself).

Izzy does all this work, but even he’s not allowed to take it out of the box. It’s a shark, not Ed. Ed is just ‘complicated’ (the language of abuse here is so upsetting and I think not even intentional).

And then he dies. His last act? To apologize to the man who tortured him and shot at him. To have done all this work, to take on all the blame. And then die.

In a rom com.

This show ends in a profoundly unfunny moment of telling the audience: this is the one character that did the work, that made amends, that tried his hardest to accept the parts of himself that he had a hard time embracing and formerly embittered him. He’s fully accepted his queerness and turned it into beautiful music. He’s disabled, and he worked hard to accept that. The man he loves will never love him back, so he worked hard to make Stede able to meet Ed on an even playing field. The Giving Tree gave up its limbs and its trunk, and it’s not even allowed to be a stump to sit on.

Kill the queer elder, who has managed to figure out how to live and in his own way how to heal. Kill him before he manages to teach anyone else how to meaningfully move forward (he almost gets it with Lucius, almost, but it’s meant to be rule of three, you know. Cigarette..shark…and then…and then fuck it, Lucius doesn’t even get to say a word at his funeral).

The message of this season again and again is that there is no healing, just moving forward. Like a shark. Like a bird that never lands.

That is not a kind show.

Season two is not a kind season.

It splinters people up and jams them back together without purpose or reason. It tells everyone who experiences pain that they should shove it in a box and not deal with it. No one who really needs one gets an apology of any sincerity. No one puts in the work to gain forgiveness. (Ed wearing a onesie is not The Work. Ed fixing a door is not The Work. Ed broke people that the show wants us to care about. Ed never does the work of making those amends. He fires off a Notes app apology at best. After all, it’s what he told himself via Hornigold in the gravy basket: you move on or you blow your brains out! Good thing he took his own advice and therefore had to change nothing to get his just rewards.

I would’ve taken just fifteen minutes of Ed trying to actually make amends. It could’ve been hilarious! Imagine awkward Ed trying to dance around what he’s doing with Jim and the two of them having a knife throwing competition about it. Or him and Frenchie attempting to make music together, writing a song about the raids they went on! It’s not just the crew robbed of their healing because of this, it’s Ed himself. He never meaningfully changes or makes amends. How is he any different at the end of the finale then he is standing on the edge of that cliff with Hornigold? He hasn’t moved on, he hasn’t healed. He tried one thing (fishing) that doesn’t fucking work and then he runs right back.

No one leaves this season better than they went into it. They’ve lost an elder queer, they’ve lost their joyous and queer polyamory, they’ve lost a chance for meaningful reconciliation with Ed and Ed lost any chance of looking like he gave shit if they did. Stede grows enough to accept the crew’s beliefs as important and then leaves them behind without a care.

Izzy gets a beautiful speech about piracy being larger than yourself. Ed and Stede, within twenty minutes of that speech, leave piracy. They are incapable of giving themselves to something bigger, apparently. They haven’t learned to be a part of a community. They haven’t healed from their childhood trauma or their fresher wounds. They are still just following their own whims.

Zheng’s life work is in tatters, but it’s fine, she has love. Oluwande and Jim aren’t together, but it's fine because they both have dedicated monogamous partners. Lucius was deeply scarred by what happened, never recovers much of his first season personality, but hey he got-well it’s not married exactly- but you know good enough!

Frenchie, who has a box forever locked in his head, is captain. Because the key to success is to lock it all in a box and never open it. What a message. What a show. Conceal, don’t feel. Smile because it’s a happy ending. Don’t mourn the dead, don’t try to tell people what happened to you (they will literally run away or cry too hard to listen and really you’re just bumming them out), and any meaningful change you make is only rewarded with death.

Frenchie is now a pirate captain with a box in his head full of trauma that’s never been opened, leading a crew with more wounds than scars. Wonder how that could turn out? Wonder how many years before he might want to retire and then happen to run across a gentleman pirate. As if no one learned anything at all.

[to-the-stars8]

Can someone genuinely answer this ever lingering question as to why DC has such beef with Jason Todd?

They butcher his character and relationships, and for what? There’s so much fucking POTENTIAL not only with his character but with his story! There’s a way to actually write discourse in a relationship without making it so damn abusive. Maybe I’m missing something in the story or just in general, but it’s just so fucking irritating when it could be good.

You have a nice, good boy who only wants to help despite given the short hand in life who is then given a loving father who just so happens to be Batman. That boy is then murdered by Batman’s biggest enemy (don’t even get me started on the fucking Joker who essentially has become idolized in the worst ways by DC writers and directors) still trying to do the right thing despite being fucked over by the very person he so desperately wanted love from. Then, you have that same boy who’s just a little bit older, hurting and angry— acting out in every way he can against the man who loves him but couldn’t see past his own weaknesses. And what do DC writers do instead of making this complicated, intriguing and character growing relationship into something that’s not as fucking dumb and slightly out of character for Batman? They fuck him up.

It’s an extreme to say this, I know. And this isn’t against all DC writers, but you can’t deny a lie when it’s a pattern. It’s a cut and dry story that practically writes itself. You have a little boy who is so full of hope is growing along with the main character of the story (which, in my own personal opinion, Batman has Robin not as a soldiers—and omfg does that damn phrase make me violent—but as a potential, mutual factor of character growth) , who then gets a bit too cocky and distracted by his own hubris and need for love, to a hurt antagonist that goes against the man who he once called father. Like it’s too easy to not fuck this up, and yet DC seems to manages to do this every single time.

It’s almost like they want to portray Batman and Bruce Wayne as a man who is made “tougher” by his trauma (which has some patriarchal undertones if you catch my drift) instead of growing. Batman can grow. He can love. There’s one post that I’ve seen on Tumblr how Batman/Bruce does this whole vigilante thing out of love.

Which is why I don’t get why DC uses Bruce as a tool to hurt Jason when it isn’t really consistent. He loved Jason, and this is backed up by a lot of older and a few current issues. Don’t get me wrong, I get that their relationship post-UTRH is gonna be FUCKED. Yet, even the writing in that I can’t really agree with. KILLING (attempting to kill really) your son who had been dead for years, that you loved so much, and is acting out because YOU? Doesn’t make much sense, but, again, maybe I’m looking at this through a foggy lens.

This wasn’t meant to be a long post, but it’s just been on my mind and perhaps I could use another perspective. So, again, what’s DC’s deal with Jason and Bruce’s relationship, and Jason’s character as a whole?

[slightly-gay-pogohammer]

i did it for winx i did it for powerpuff girls anyway here’s my pitch for a good “modern” scooby doo remake

shaggy comes from a family of paranormal investigators. at barely 16 years olds he returns to his hometown of coolsville with his dog after his super rich parents tell him it’s time to live up to the family name, taking him there specifically because of many rumors about cursed areas of the town and crmiinals who take advantage of said rumors to pretend to be monsters themselves. while there he reconnects with his old childhood friends and eventually all together they form the mystery inc... and have to deal with a benevolent yet very clumsy spirit who took over scoob’s body

character thoughts under read more!!!

shaggy is, again, the last of a family of paranormal investigators, who ever since he was a child had to deal with his parents bringing him in adventures and dealing with (real and fake) monsters. you’d guess that would make him brave, but. no that just made him very paranoid. while he acts like the team’s straightman, he’s also the only one who knows how certain monsters work, ironically working as one of the “brains” of the group!

scooby, again, used to be a normal great dane. a little lazy, not even particularly friendly, at least until shaggy brought him with him in coolsville; during their first night out. while he ends up falling into a trap, a benevolent ghost takes over his body, making him able to talk and tell the kids that coolsville is in big trouble and that they need to stick together. overall, he’s the team’s mascot, someone who’s directly connected with the main antagonist similarly to the mystery inc series, but also a goofy spirit (and now dog) who’s appreciating life!!

velma is a seemingly distant and cold nerd, but also the first one who joins shaggy in his adventures after she learns that all the curses and mysteries of her town might be real. her knowledge and ability to think on the fly comes from her being a dnd player and, most importantly, a dungeon master, and out of everyone she’s by far the bravest member of the team.  while a little snarky and with a lot of problems with social cues, she’s a smart and quick thinking young lady who’s happy to be part of a real adventure. and also has a girlfriend who may or may not be yet another monster since her being into criminals and monstergirls is a recurring trend now

daphne is part of the popular girls in school, but since we hate stereotypes she also has a reason to be popular other than “she’s pretty XD”. tiktok influencer and vlogger, she joins shaggy and velma almost by accident uhhhh i’d say 3 or 4 episodes into the series, maybe trying to start off a paranormal youtube channel, and eventually gets very close to them. the assigned people person, she knows everything about everyone in town and is generally very charismatic, but make her angry and she’ll make sure that you will remember with who you’re messing with.

fred, daphne’s boyfriend, is a member of the football’s team and the mayor’s son... and for “half” of the first season, he unknowingly acts as a minor antagonist, since i’d say. down with the politicians, the mayor is one of the bad guys, and with fred being a total himbo he accidentally works as his spy. eventually he finally understands that something is up with his dad, especially thanks to daphne who reminds him who truly cares for him, and eventually shaggy and velma too, with who he shares good memories of pretending to be detectives together and watching “that one weird show with the talking dogs and the kids looking for ghosts... goober or something!” he finally becomes the team’s wild card, the brawn and. yea i’d bring back his love for traps and elaborate schemes. he and velma become super besties after she tells him about her latest dungeon in her session

[legends-on-legends]

the "classic" villain

some ppl try to defend totk ganondorf’s one-dimensional characterization by arguing that he’s meant to be a “pure evil”, “classic” villain. now, personally, i’m not entirely opposed to having ganondorf just be an unhinged evil guy – in my opinion, part of what makes him great is the fact that he can do it all, he can be the tragic fallen hero, the sympathetic anti-villain, the remorseful old man who can’t give up the ghost of his ambitions, and also the magnificent bastard who enjoys terrorizing hyrule bc they kinda had it coming, let’s be real here. pure evil villains are fun, that’s why i love sukuna from jujutsu kaisen, he’s just an absolute unapologetic menace.

but the thing about “pure evil” or “classic” villains is that they still have to make sense. take, for instance, big jack horner from puss in boots: the last wish, a character who some have smugly pointed to as an example of a “real villain” that’s supposedly rare nowadays. the main point of jack horner is that he’s an asshole, a real piece of shit who’s uninterested in redemption or helping others, despite the best efforts of his jiminy-cricket inspired companion. jack horner is fun and adds some variety to a film that also has a sympathetic antagonist who experiences growth (goldilocks) and a force-of-nature antagonist who absolutely steals the show (death). but jack horner still makes sense; he’s an over-privileged man-child who wanted for nothing and therefore feels entitled to everything, and he’s also spiteful bc pinocchio upstaged him that one time. plus, jack horner is funny, so that’s a bonus.

same goes for every other classic villain that people like, whether it’s the old-school disney villains or the bad guys from classic cartoons. pure evil villains still have to be coherent and understandable in some way. that doesn’t mean their reasons have to be good – in fact, i think pure evil villains are basically defined by NOT having good reasons to justify their actions. but they still need to have reasons.

but totk ganondorf? this dude makes no damn sense. why does the king of the gerudo, out of all people, become king of demons? it might as well have been the king of gorons or zora or rito who turned evil. why did the gerudo support his conquest of hyrule only to turn against him once he transformed into the demon king? where did he get his powers from? how and why did ganondorf, of all people, reach the conclusion that hyrule must be bathed in eternal darkness, and why is he so dedicated to this goal that he’s willing to sacrifice his own mind and body to achieve it? what, exactly, is driving this man? you can’t call him selfish because again, he’s willing to permanently damage himself to attain his goals, that shows he’s bound to a higher cause. but there’s no explanation for why he, of all people, has chosen this particular cause.

and sure, the fandom can speculate and try to use the lore to fill in the gaps, but the fact that there are such big gaps in the first place is totk’s biggest failure, in my opinion. if people have to look at lore guides to make sense of your villain, then you’ve failed as a storyteller.

totk ganondorf might have made more sense as just a monster that spawned from the Depths rather than a man who was born among the gerudo. maybe the zonai dug around too deep and activated the Depths’ defense mechanism, and boom, ganon emerges, furious at the surface world that has dared to intrude upon his domain, and determined to return the favor by covering the land of light with darkness. he’s still a monster who must be defeated but at least there would have been some logic to his actions.

[onyour-right]

First things first, I'm gonna need Gen V to never fucking do that again. How dare they release such a good episode and only have it be 34 minutes??? Is it a fucking sitcom??? They do that again and we WILL have problems.

Now, Cate. I done told y'all she was the mole and now look. I mean do I still love her? Absolutely. Do I think she is a victim of Dean Shetty's manipulations? 100%. Do I believe she thought she was protecting her friends? Yup. But do I also think Andre was right somewhat in what he said? Yeah, kinda do. Listen, with all the good intentions in the world the fact that she repeatedly made Luke forget about his baby brother when she knew the type of turmoil it was causing in him is twisted. The same way she was going to confess to Andre before the text came is the same way she should have confessed to Luke. Granted I think the reason she was even going to confess to Andre was because of how wrong things were going. But still, she ain't right for that..

So, I see three possible avenues they might take with her: first, kill her off at the end of the season in order to redeem herself to her friends; second, she could become an antagonist to the group (tho this is less likely); or third, she may act as a double agent and spy back on shetty so they can find out what's really going on..

Jordan Li. My beloved. My baby boy/baby girl. I can understand why they thought Marie couldn't accept both sides of them and I'm so glad they explored a bit more into their character's history. But baby, Marie wants to love on you no matter what your gender so just let her!!! At least they got to a point where they realised they were being unfair to Marie over the whole situation though, so hopefully episode 6 will have them talking about it properly. Alsooooo, Jordan getting pissed when Marie's brain was tampered with again? Good fucking food. Jordan moving closer to Marie at Cate's reveal? I was eating that shit upppp. Jordan this whole episode was kinda unhinged and you know what? I wanna see more, please and thank you!!!

Alsoooo, can we talk real quick about Jordan's conversation with Andre and Cate because I cannot have been the only one who was straight dyingggg through it. "is it a black thing?" "...oh my God!!!". The way Jordan didnt even dismiss the fact that him and Marie made a good couple too. Likeeeee. C'monnnnn.

Marie, my sweet girl. Once she finds out the true extent of her powers its over for everyoneeeee; she's gonna fuck everyone up and I personally will be cheering her on at the sidelines!! Slightly worried though because 1) who is her benefactor?? and 2) what if they are able to capture her somehow??? She is yet to go unhinged and I would like to see it, especially if it's in relation to something happening to Jordan.

Emma and Sam. I mean you know its real when one half of the pairing's mind has been wiped and still there is an undeniable connection between them.The fact that Sam went out of his way to find Emma after all the shit that went down??? Ooof, I'm living for itttt. The fact that even though Emma hadn't gotten back her memories she still believed him? Don't make me cryyyyy. I loved how Emma realised how wrong her mother was about her "getting big" & how she's beginning to carve out who she wants to be for herself. Also, her and Marie's friendship is honestly just goals.

Also, lowkey everyone should have just let Sam kill that Dr Cardosa because he's gonna bring big problemssss I fear, and on that note they should have him kill Dean Shetty too because ole girl needs to skedaddle her way out (although the person who takes her place could be even worse, so idk about that yet)

Also, someone please give Andre a hug that boy needs it. Seeing him unhinged tho?? Ooofffffff 10/10.

[barblaz-arts]

Last Hazbin character ask, thoughts on Emily, Sera, Lute, and Pentious (you forgot him when talking about main characters)?

Emily

You mean the love of my life???? I am very normal about her.

Lol but fr tho she's in my top favorite characters right after Vaggie and Charlie. She's just so sweet and kind. I love characters who remain that way even after their world view is challenged, just with less naivety. Characters who are so morally good are just so especially interesting to me in a show like Hazbin Hotel that's just filled with assholes of every flavor(with some more redeemable than the others ofc).

Seeing her get mad at Sera was so satisfying btw. Righteous/protective anger looks so good on sweet characters like Charlie and Emily.

Her singing voice is also one of my favorites, along with Charlie, Lucifer and Carmilla. Recently found out that she was one of the talented ladies who sang in the First Burn mv for Hamilton too. She's the third girl that appears, coming in for the harmony. Seeing her sing in a song with Rachel Ann Go feels like a crazy crossover for a Filipino like me because Rachel Ann is a famous singer over here.

Sera

I think she's a neat character! The type of self-righteous, classist christian I'd avoid like the plague irl, but so fascinating as a character. I'm really curious as to what direction the story will take her to. I can more or less guess the case for other characters, but I can't quite pinpoint the goal for Sera, because I'm not quite sure yet if she's gonna be truly a bad person like Adam and Lute. She could either double down on refusing to let sinners into heaven or see the error of her ways. The former is probably more likely, but I'm not opposed to idea of the latter happening.

Lute

Logical brain: she deserves to suffer so much more for what she did to Vaggie and calling her love for Charlie "vile and blasphemous"

Sapphic brain: ... Scary angel lady hot tho...

Jokes aside, I'd love to see what kinda antagonist she'd be as the one calling the shots instead of just being Adam's sidekick this time. I wanna see her spiral and just become worse and worse. I also need a rematch between her and Vaggie that's a little more fair, where Vaggie is now more used to fighting again. With the whole one-eye VS one-arm thing making it even more even.

Sir Pentious

My boy!!!!! I really didn't expect to like him as much as I do. I liked him fine in the pilot, but they made him so dang cute in the show. You can tell Alex Brightman loved voicing him too. I really hope we get to see what he's up to in heaven. I'm proud of him for being first to ascend, but im scared some angels might be wary or even threatened by his presence in heaven. They do have a pretty bad track record with snakes after all.

[this-is-a-podcast-fanblog]

welcome to night vale kind of sucks

I can't believe I'm doing this again but here goes: I'm writing a call out post for the behaviors made by my favorite podcasters. I love Night Vale. Let me make that clear. My whole blog is Night Vale. I've cosplayed Night Vale. I've been in this fandom for eight years, and I've been holding out hope that the show will become "good" again for a long time. I've been a fan while simultaneously acknowledging some of their very harmful behavior. But this last episode just really cemented for me how the issues with their writing are not just failures of plot and theme, they are actively harming the communities that support them. Night Vale has turned from the show that canonized a queer relationship in 2013 and celebrated its thousands of fans, to something devoid of passion and almost unrecognizable in its messaging. These issues have been present for a while, but now they are everywhere in the show. They're completely overwhelming.

Why did an abused person not only forgive their abuser and say that he was "doing the best he could"? No, really - we had an entire season about generational trauma, a deeply personal topic for many people, and then you paint an abusive father as "misguided"? It's a slap in the face. Why do prominent female characters, particularly antagonists, always get either killed off or written out of the story by... ascending into the stars I guess? (So Lauren's the most powerful foe ever but then she's defeated by six people telling her they don't like her. Cool cool.) Why did the writers deradicalize a Black woman whose original story was about her courage and opposition to authority? Why was Tamika's role this season to be a caretaker for The Boy instead of her position in local government? Why is there only one recurring trans character in the show?

The worst thing of all for me though is the partnership with Betterhelp. Betterhelp, which sells people's data and has been called out for it time and time again. There was no excuse for them to take this sponsorship, especially when, oh yeah people were calling it out for endorsing conversion therapy. There are doctors on Betterhelp who have OFFERED CONVERSION THERAPY, and that's who they're promoting to their majority queer audience. But there's especially no excuse for this sponsorship when BetterHelp is collaborating with the Israeli Occupation Force. When Betterhelp is publicly associating itself with the army that burns people alive, that bombs hospitals, and is actively colonizing Palestine.

And before anyone says, "Mercury, why are you only writing a call out for the Betterhelp thing now after you didn't like this episode?" Well, I've been publicly calling them out for MONTHS over this. I've replied to almost every episode's Q&A to tell them they need to stop this partnership as well as replying to them on their socials asking why they're still working with this company.

Plus, this isn't just me disliking this episode - I'm seeing posts on the wtnv tag from abuse survivors who got extremely triggered by this and it just breaks my heart. Genuinely, why did they do that? This arc had such beautiful and introspective writing about parenting and it feels like they just threw it all away.

I don't know what note to end this on. I really hope they take their hiatus to reassess some business practices and write a better season. And mostly that they stop partnering with Betterhelp.

@nightvaleofficial

[infizero]

i talked about this in the tags of another post but yknow what it deserves its own - can we talk about the parallels between nine and eggman??? i'm dying to talk about the parallels between nine and eggman.

i am personally obsessed with the dynamic between tails and eggman and how they parallel each other in a lot of ways. i've recently been thinking about other possible similarities they could have, and then prime literally just came and proved my point.

it was this line that made me start realizing this:

SONIC: "Is this what you want, to spend the rest of your life alone with robots for friends?" NINE: "At least I can trust them."

i don't think i need to explain how Eggman that is.

tails and eggman obviously share the surface level traits of being extremely smart and gifted with technology. we know almost nothing about eggman's past, but it's likely he was very smart for his age the same way tails is.

but something that i've been thinking about ever since frontiers came out is a possible similarity between why these two are so drawn to technology. frontiers gave us arguably one of the biggest insights into eggman's character in the form of egg memo 17:

"I never really knew my cousin, Maria. Everyone spoke of her like she was very special. All that love for someone who was gone when I was! Right! There! But I have to wonder. Back then, was she anything like Sage is now?"

the implication that eggman felt ignored by his family/the people around him and that they paid more attention to his dead cousin than him has haunted me ever since the game dropped... the fact that so much of eggman's schemes have to do with having control, remaking the world the way he wants it to be, and always heavily center around his enormous ego, plastering his name and likeness everywhere........

...well, that need for control and personal recognition definitely has been recontextualized by this moment, to say the least.

recently i was thinking about this again and wondered if perhaps the reason eggman has such an affinity for machines and robots, and a dislike for living things, could stem from negative experiences with other people. and that perhaps the case could be the same for tails. "people treat me badly" -> "i don't like people" -> "machines are better"

the difference is that tails met sonic and gained friends fairly early on, while eggman assumedly didn't (whether by choice or not)

and now in prime, we have nine, a tails who never had friends. and what do you know! he's become an antagonist who is screwing over people and putting entire other worlds at risk in order to reshape the world into how he wishes it to be, and making robots to keep himself company. sound familiar?

a tails without friends results in essentially... eggman. so maybe there's little more to my ideas about eggman's villainous origins than just speculation.

NINE: "With the Paradox Prism, I'll be able to turn this world into a paradise... my paradise!"

[A picture of Eggmanland from Sonic Unleashed.]

[originalwinnercheesecake]

Wish list for CBS ghosts season 4

Make Patience a recurring antagonist for at least 2-3 episodes before that story gets resolved and she gets regulated to a background character.

Patience character to be 50% good religious farm girl, 50% crazy witch. She also needs to have a wicked(ly cool) ghost power

More of Isaac loving dinosaurs

More solo development for Isaac

More of Isaac and Hetty's awesome friendship

No Nigel for a while. I do not like him. He did a lot of things in his and Isaac's relationship that are textbook abusive partner behavior.

I think it is about time for Jay's restaurant to start up, and I would like that to actually become pretty successful/profitable. Mostly because I would like Sam and Jay to have a bit more disposable income to do things around the manor, and I know the B&B is unlikely to become super busy next season (unless the show is ending , which I really do not want).

The difference in treatment between the above ground ghosts and basement ghosts to be addressed. I know after season 3 that they aren't going to move them all up stairs. But it would be nice if Sam and Jay could like furbish the basement , and then more Basement ghosts than just Nancy got invited to come upstairs for games or discussion.

Just to be clear I still want Nancy to keep making her frequent visits up stairs and hang out with the man 8. I just also would not mind seeing Stuart or another nameless basement ghost standing or walking by in the background on the occasion.

Explore Pete's power more. He does not need to hop on a plane and go across the country or anything, but let him keep going out into town and having adventures. Also let him keep going on dates with other random ghosts outside of the house.

I know that Pete&Alberta will probably happen at some point in season 4. The thing is though while that ship was cute in season 1, the way the ship was handled in season 2 soured it like milk to me. Both characters need a lot of development, and separate explorations of what they want out of a relationship, before I can ship them again.

H-Money is still a couple I kinda like. I do not expect them to get back together in season 4 (Please not another season that is fully devoted to coupling up all the character), but I would like them to start scheming together again. Let them figure out how to interact together as friends, and build a stronger foundation to eventually, in season 5 maybe, try again.

I have heard people suggest that Pete's power could maybe be extend to getting the other ghosts through the barrier if they are like holding onto Pete's hand. I want this. Now I know Sass will want to visit a Pizza Hut, and Issac a dinosaur museum, but I would say the most important thing to do with that would be to take Thor and Flower over to the Farnsby manor to visit Bjorn and his girlfriend Judy. It would also be cool if there was a lesbian ghost living there they could set up Nancy with. Since Nisaac is on a "respite" and queer representation (preferably healthy queer representation) is important.

Everyone remember in season 2 when we learned about Flower's super protective, formally MIA, army vet brother : Rob. You remember how the show's staff said they would love to have Rob come to the B&B for a visit, and were already considering actors who could play him? I want this episode. Also if you cannot directly tell Rob his sister is a ghost on the property, then can Trevor or Alberta use their powers to help Flower send a message to Rob. To say that she still loves him. I cannot deal that both siblings spent like 50 years thinking the other hated them when neither did. It is to sad.

It would be cool if we could also have Ira visit once too. I know Flower did not love him like she did Michael or does Thor, but he was still someone who was a big part of her life for a while, and knowing her cannonly had a large impact on his. Maybe we find that while he has done charities in her memory, trauma over watching her be killed by a bear has also lead him to sponsor bear hunts or poaching. Flower is horrified. Then Sam and Jay have to spend his visit looking for a way to convince him that is not what Flower would have wanted.

Four standard episodes for each season are a Halloween episode, an episode where Bela visits, one where Stephanie wakes up, and one where Crash appears and is slightly relevant. I have no idea what to do for an episode with Crash, but for the others

-Ghost animals on Halloween

-Home theater night for ghosts and guests on the night Stephanie wakes up, complete with all the drama of set up and shenanigans that going to the movies encores.

- Bela is broken up with Eric, she does not even like him. This time her and Jay's parents come with her for the visit. Bela wants all the latest gossip surrounding the ghosts, but they have to tip toe around the parents. Jay's dad does not fully support the B&B even without the knowledge that it is haunted, and Sam does not want to give her mother in law another reason to suspect that she might be crazy.

Owning back to the "Can Pete take the other ghosts off the property" theory, can Thomas Woodstone be a ghost who died visiting a neighbors property. We have no reason to see Elias again since he has decided to stay put in Hell. But Thomas reappearing could be interesting for both Hetty and Alberta. If he does show up though I want the twist to be that he is actually severally cognitively impaired (think Lenny from oMaM)... I mean the man was from an inbred family, played with lead based toys as a baby, had a cocaine addict mom, and a father who was a lot of things. He could not have been all there. Also address more on if Earl ever actually cared for any of the people he was two timing (again development that needs to happen to make Alberta want to go from dating an Earl to a Pete).

A Sasappis based episode that is not his death story. I feel like he needs at least one more episode exploring what his life alive was like, to be appropriately gutted when we learn about his secret death.

Actually maybe we can hold off on Sass's death and Hetty's ghost power until season 5. let's keep the element of mystery in the show for a little longer.

[darkbluekies]

Silas asks #4

Previous one next one

Concept: I've put multiple asks into one post to avoid too much loose posts on my account! This way, you have more to read too<3

Warnings: mafia, punishment, breaking reader

How tall is Silas?

Here you have the characters approximate heights

How much money does Silas have? 200 mil?

Silas little 'business' has a net worth of 500 million, but he only keeps around 1/5 of it because he has a lot of workers to pay for. It's not about how much money he has, but what he spends it on and how he uses it. He doesn't need much money when he has so many people in control.

We know that Silas is in the Mafia but like what does he really…do?

He thinks off himself as a business man and does a lot of paper work ... which is basically forgering signatures and looking through different contracts between him and his "business partners". He also goes out on missions and does the dirty work, which is confronting people, killing and buying illegal stuff.

Silas is a whore

Yes :)

WHAT DID SILAS DO TO US?!?

WELL HE MIGHT HAVE UH ... GOTTEN INTO YOUR LITTLE HEAD AND MADE YOU A LITTLE SILLY ... HE JUST LOVES YOU SO MUCH <3

Regular Silas < ✨Babygirl✨ Silas with 💖Cat Ears💖I rest my case (⁠｡⁠•̀⁠ᴗ⁠-⁠)⁠✧~🥀

bed now. sleep. yoU'RE NOT THINKING STRAIGHT

Would Silas ever realize that throwing his darling in the basement may be pushing them farther away from him? Or would he rather just hurt them than win them over another way? (Love your writing btw!)

I think he does realize that, but he doesn't want to think about it. It pains him to know that he's the reason why you're hurting. He just want to make you obedient because when you're obedient, you won't get hurt ... he'll try to come up with another way to get you.

"I'm sorry, little thing. Please don't run. I'm not going to hurt you. I'm just going to talk to you. You're in pain because of me. I thought that putting you down there would help you get rid of more pain in the future ... but it seems like I've made a mistake. I'll change my ways. Somehow."

Ya know silas remind me of the main antagonist of kdrama called Love in sadness. The difference is silas is a mafia whereas the antagonist is a ceo. And has a trauma about the death of his mother. The common thing between them is that they both hold alot of power, know many men, has eyes everywhere, more importantly is obsessed and abusive to female lead(or female/male lead for silas). Both of them are capable of blackmailing reader to kill their loved ones if they escape. Thats all I wanna say~

I haven't seen that, but it sounds very interesting! Might have to check it out.

i just finished reading all the Silas posts and..... oh my god he is awesome and your style is just incredible, i love reading new stories. so i have a question: how will Silas react to the darling who gave up trying to escape because it was impossible and decided instead to stay and make Silas' life hell? like, darling who will act like a bitchy trophy wife, looking down on him and trying to command his subordinates or even Silas himself?👀 not_so_submissive_darling, you know?

He'll be pissed. Although he'll be happy that you've given up, he'll be more than frustrated with how bratty you've become. He's the leader, you have no right to control his men. But you don't care.

"Baby, if you order one of my men to do something for you again, you will be put into the basement!" he'll warn you. "So stop acting like a bitchy trophy wife and go watch a movie or something. And if you don't stop, I'll take away everything I've given you. No more fancy clothes, no more jewlery, no more soap or shampoo- ... oh? That makes you mad? Good."

[theonevoice]

Rumination n. 5 - What if Aziraphale can make a difference? On choosing each other, for real

There is a scene in s2 that I keep thinking about, and I don't see it discussed almost at all: it's the first conversation between Michael and Uriel after Gabriel's disappearance.

This is a power struggle. Very human, not celestial at all, fight for power. It's not even hidden or coded.

Now - and this could just be my brain getting smooth over this show that is devouring my soul - the more I think about this moment, the more I am convinced that this very human moment (and its various subsequent reprises) is signaling us that Heaven has, so to speak, "margin for improvement." And probably so does Hell.

I feel that we have been oversimplifying Heaven and Hell because they "look" simple and monolytical, especially when compared to the nuanced worldview that Aziraphale and Crowley developed over their 6000 years of experience on Earth. But there are some heavy "shades of grey" in Heaven. They are ruthless, for a start (see the Fall and, well, most of what happens in the Bible). They are proud and arrogant (see how they behave with Aziraphale and "37th order scrivener, but, you know, noone" Muriel). They are power-angry (which, in the context of an existence that doesn't need money or power, its just a symptom of vanity, in my opinion). They have far more human-like qualities than they should, we just don't give much attention to them because our focus is squarely on their stiff adherence to the "Heavenly code" and their role as antagonists/enemies of the protagonists.

Same goes for Hell, with opposite sign: Hastur was shocked by the destruction of Ligur, Shax and Furfur appear to have some form of camaraderie or loyalty towards each other, the demon Josh notices that Beelzebub is acting weird and asks them if they're feeling alright, and Beelzebub, well, is a Grand Duke of Hell capable of falling in love.

So, what if, given this margin, Aziraphale can make a difference?

Until now, if I am not mistaken, the most common take on what expects Aziraphale as Supreme Archangel is "he's going to realize that Heaven cannot be fixed and he will have to finally drop his idealized delusion and fight his way back to Crowley." Which I personally love as a scenario (but, to be honest, I am loving almost any GO scenario that floats in my direction: the creativity of this fandom is unbelievable and so respectful of the characters that every speculation feels like it could be Neil Gaiman's work), but it could undermine the weight of his choice.

Because choice is a theme in this show: not choice as in "choosing sides," but choice as in "making up one's mind and taking a serious, conscious, thought-through decision." And if Heaven is just a lost cause, unable to change and irredimable, then it's not much of a choice for Aziraphale to go back to Crowley. But if Heaven does react to change, if the human-like qualities that other archangels have displayed become a bridge, and Aziraphale, with his warmth and kindness and softness, actually manages to bring Michael and Uriel and others on more reasonable positions - then his choice becomes a real choice that he has to make.

Not the "easy" choice between reality and delusion but a hard choice between Crowley and the real opportunity to be the one who makes a difference.

(I am still slightly infatuated with the possibility that, just before the Fall, it was an already damned Crowley who asked him to "be a good angel" and "make a difference" because he could see how genuinely good Aziraphale was, compared to the "institutional goodness" of the others, but I have already blabbered about this in another rumination)

Also, I read a brilliant post a couple of weeks back (I will edit as soon as I find it again) about how, despite their appearance and demeanour, Crowley is basically an engineer, "armed" with a tool for creating cosmic machinery and putting it in motion, while Aziraphale is a fighter, armed with an actual sword. And this got me thinking again: in Christian iconography, Michael is the belligerant archangel, the one who is recognizable by his sword. Now, Neil Gaiman does not let pre-existing traditions dictate what he writes, obviously. But still, we could witness an unforseen connection between Aziraphale and, against all odds, the other sword-wielding entity, Michael: and it could led to some unexpected coalition, possibly even against the Metatron and the plans regarding the Second Coming.

After all, in a way, Michael has already displayed many human and very shades-of-gray traits: let's not forget that, already in s1, it was Michael the one communicating on the "grapevine that obviously doesn't exist" with Hell (I believe behind Gabriel's back: the more I rewatch it, the more I think that he honestly didn't know about it) and still is in s2. It was Michael the one bringing Holy Water downstairs. It is Michael the one that has first-hand experience of what it means to "collaborate with the enemy" in order to get things done.

I don't know how likely this is but it seems to me that it would be interesting if Aziraphale, instead of just leaving Heaven in disgust after some failed attempt at "fixing it," will have to make the hard choice between a Heaven that was starting, for real, to show signs of improvement and his old life on Earth with Crowley.

And something similar could happen on the other side, should Crowley go back to Hell (either out of rage and desperation or because something comes up that forces him to do so). Maybe he could find for the first time ever a sense of "demonic brotherhood" with his "colleagues" (maybe Shax and Furfur themselves). Something that he had never imagined during the six millennia he has spent believing to be alone in the universe if not for Aziraphale.

Maybe their reunion will be about having an alternative to their life together and choosing it anyway. If you think about it, one thing that they never had to do was deciding to be together instead of being somewhere else, doing something else, with somebody else. Being the two of them has always been their only reality - dangerous and hidden, of course, but undisputed, in a way: together since the early days in the Garden, noone else around to compete with that, no other supernatural person-shaped entity to serve as a potential alternative. Their respective head offices are two opposite voids, two negative spaces that have literally nothing that could attract them. Of course, they are in love with each other and they would probably be in love with each other in any possible alternative universe, but it's not like they have chosen to be with each other, they were just the only two person-shaped entities around, pulled together by the gravity of their respective loneliness and fears, doubts and little joys.

But if in s3 we see them acquire "alternatives", something else of value that exists outside their group of the two of them, then they will have to choose their life together for real, this time.

[anonzentimes]

Hi!!

What is your opinion on servant/despair nagito?

AUGH! hello autism activating anon thank you from your ask!

Servant I think honestly is pretty well written and doesn't erase any of Nagito's character which I really love. Also he's in like the most bdsm outfit??? ever??? HUH?? it's kind of hilarious tbh.

Mostly, I really enjoy that as a Despair Nagito's beliefs aren't just erased. He's willing to do even more for hope than before, becoming despair himself, whereas before he seemed to have a limit he wouldn't cross. Which is honestly saying something since he thinks murder can be valid in the name of hope beforehand anyways.

I also like the funny detail that he's a servant with a chain on his neck at all times, but no one is really pulling the strings? Like, he's a "servant," to the warriors of hope but truly he has control over the situation. He chooses to stay there, if he truly desired to he could have left. His chain is there, he has the appearance of a servant, but no one is tugging on it, he's the one truly in control. Hopefully that makes sense lmao!!

I also thought that him seeing Komaru being a normal girl and knowing Makoto had hidden hope as a talent thinking she might have hope as well is pretty well written! It definitely makes sense why he'd think that.

Also, as weird as it is I actually really like how he looks as servant. The artwork for his sprites and the fanart I've seen is really awesome honestly!!

I used to think that he was just in Ultra Despair Girls for fan service, which probably a bit, but I do actually really enjoy how they use his role as a contributing antagonist properly. It's mostly expanding upon the idea of him as a Despair that we see in Chapter 0 of Danganronpa 2 with his love and hate obsession with Junko. He wants to be more involved than ever before and has no limit for how far he'll go, he actively will create the despair needed himself for hope to thrive. And that's so cool!!! It's basically pulling him and his beliefs their utmost extreme to explain how someone like him could become a despair, and the best part is that it makes sense! You can understand it given his character. He hates despair, so the only way he'd ever be okay with becoming despair is if it was in the name of hope, and that's exactly what they do!

I also think it's SO funny that out of all of the despairs, he's the most harmless out of them. Like, Sonia burned her own country to the GROUND, Teruteru ate his OWN MOTHER, but Nagito? He was just a servant to some weird terrorist kids, and ultimately was the main contributing factor to hope winning in the end. He brought Komaru so there could be a fair fight with Hope and Despair after all!

I think Mocaca's character after Ultra Despair Girls was kind of treated badly lmao, like, I feel like there was a lot of missed potential but they just threw her to the side because they never planned to do anything with her. However the Idea Nagito's ramblings just made her sick of the world is HILARIOUS though. Kind of Ironic that he saved her in hopes to be a successor to Junko for more hope to win in the end when his contributions led her to becoming nothing.

Also pretty Ironic that he KNEW what Izuru was going to do, and he wanted to see Junko again. But he never did, he died before he got to see what him as a Despair wanted to see. By his own hands nonetheless!!

Nagito as a Despair is really fucking weird with his outfit and all, but I actually really do love him. I really love the outfit, the approach they take to the only way he could become a despair with his beliefs, and his role in the story.

The brainwashing plot is a little clumsy, but I do enjoy that the way they treat brainwashing in the Danganronpa franchise is that the despair video manipulates your emotions. It doesn't overwrite anything, it just adds a desire to cause despair or excuses causing despair more. I think it's a little more realistic than just a whole bunch of teenagers being talked into becoming terrorists anyway.

servant you are iconic mwa <3

[best-underrated-anime]

Best Underrated Anime Group A Round 4: To Your Eternity vs Shadows House

#A7: To Your Eternity (Fumetsu no Anata e)

Immortal being learns what it’s like to be human

#A5: Shadows House

Two girls unravel mysteries surrounding an isolated manor

Details and poll under the cut!

#A7: To Your Eternity (Fumetsu no Anata e)

Summary:

An Orb, known only as It, is cast to Earth to be observed from afar. Capable of changing forms from beings whose reflections It captures, It first becomes a rock and then, due to the rising temperature, moss.

It does not move until one snowy day, a wolf at death’s door barely crosses by. When It takes the animal’s form, It attains awareness of its consciousness and starts to wander with an unclear destination in mind. Soon, It comes across the wolf’s master—a young boy waiting for his tribe to return from a paradise abundant with fish and fruit in the south. Although the boy is lonely, he still hopes those whom he holds dear in his memories have not forgotten him and that he will reunite with them one day.

The boy wants to explore new surroundings and decides to abandon his home with It to find the paradise using the traces his tribe left behind. However, with a heavily injured body and no sight of his elder comrades, what will become of the boy?

Propaganda:

I don’t think I’ve ever watched an anime that has meant so much. It’s/Fushi’s journey from being born as nothing and without emotions, to becoming a genuine, real person who loves and cries is so special to me. The constant war he’s in between being too human and being not human at all is written so well—for him to love so much it hurts, leading him to isolate himself for years on end, for him to want to make friends, to love, but too afraid of them leaving and eventually dying to meet anyone new. For him to get so detached from life and death and the cycle it perpetuates that he loses understanding of why human life is so special—why should he save people, if they will die anyway? Why should he save them, if he can just bring them back to life, if he can just become them? The constant cycle of him learning to love again, and learning to treasure life again, only to lose it once he’s experienced death in a new and agonizing way. It’s about love, and it’s about humanity. Always.

Trigger Warnings: Animal Cruelty/Death, Child Abuse, Graphic Depictions of Cruelty/Violence/Gore, Racism, Rape/Non-Con, Self-Harm, Suicide

All TW’s apply to the protagonists, except child abuse and the racism. The world itself has hints of racism/discrimination throughout the anime, and not directly towards the protagonist. As for the rape, an antagonist attempts to rape the protagonist. There is a ton of self harm (protagonist and side characters) and blood as there is a lot of wars also happening in the anime

#A5: Shadows House

Summary:

The Shadows, characterized by their pitch-black appearance and tendency to emit soot when agitated, are a family of nobles who reside in a colossal manor deep within the mountains far from other humans. When a Shadow child is nearly of-age, they are assigned a Living Doll who acts not only as their attendant but also as their second half—the faces they could have had if not for their complexion.

Emilico is a cheerful, newly created Doll who serves a rather soft-spoken master named Kate. Despite their difference in personalities, Emilico does what she can to carry out the needs of her master. As she learns more about her role and duty, Emilico begins to meet her fellow Dolls and their respective masters and comes to know more about the purpose of her existence.

"Do not fret over trivial matters," says one of the rules by which all Dolls must abide. But how could the ever-curious Emilico do so in the face of the deep secrets that the Shadows House holds?

Propaganda:

The atmosphere of the manor is probably the most effective aspects of the story, creating a feeling of isolation and worry as Kate and Emilico try to survive in the mansion. The show starts off pretty subtle, but as it progresses it becomes more and more strange and off-putting. This series is an incredibly interesting, layered mystery, and the horror elements are excellently done.

Trigger Warnings: Child Abuse, Emotional Abuse

When reblogging and adding your own propaganda, please tag me @best-underrated-anime so that I’ll be sure to see it.

If you want to criticize one of the shows above to give the one you’re rooting for an advantage, then do so constructively. I do not tolerate groundless hate or slander on this blog. If I catch you doing such a thing in the notes, be it in the tags or reblogs, I will block you.

Know one of the shows above and not satisfied with how it’s presented in this tournament? Just fill up this form with your revisions, and I’ll consider adapting those changes.

New: Starting round 5, screenshots will be included in the poll post. You can submit screenshots through the form linked above, or through here, via ask or dm.

Guidelines in submitting screenshots:

No NSFW or spoilery images.

Pick some good images please. Don’t send any blurry or pixelated ones.

You may send up to 9 screenshots, but not all may be used.

[raayllum]

Been thinking about it partially as I come closer to it in fanon S6 / divergences where what I'm writing (in prose with zero constraints) vs what I think the show is actually more likely to do (such as in this case) with the Celestial elves because like

If we look at it just from a storytelling standpoint, there's a few things we want to take into consideration.

Why Skywing elves?

Despite being an aspiring and then full fledged Sky mage for most of the series (5 seasons) as his defining... career trait? with Ocean only added at the end, Callum's attachment to the Sky arcanum is incredibly important from a thematic standpoint. I talked about this in more detail in terms of how TDP writes from theme to begin with, but it would not surprise me if a lot of the series fell into place after decisions were made regarding "mage boy has Sky-Freedom powers" and "big endgame big bad is Stars and Destiny embodied," i.e. like what kind of dragon Zym would be in order for Callum to have a reason to sacrifice his primal stone, why have Callum learn Sky magic first, etc etc.

The Celestial Elves, presumably, could've been any group of elves. We know from Tales of Xadia that Sunfire elves had a chant about warding off dangerous Star dragons from the Great Orb, and that Karim-Pharos are poised to be future pawns, so there is a decent link there. It also could've been cool if the Celestial elves had had elves from all over, showing both intergroup workings and that the Stars were bringing them together in some manner.

If Sky and Skywing elves by thematic extension represent Freedom, then it makes sense for these to be Skywing elves who have perhaps forsaken notions of freedom for ideas of pre-determinism or destiny, i.e. our circumstances beset all of our choices, or that fate/destiny is real and unchangeable. To have the same arcanum and similar abilities as Callum, but to already be warped to Aaravos' will / thematic graces of destiny and fate - to amplify what he's scared of and to accentuate what he might become (at least in terms of what he's scared to become).

On that note, I think it makes sense for them

To be Antagonists

Partially this is because of precedent. Most elves, when in groups, have been more antagonistic with one or two rising to the forefront to be allies. We see this in arc 1 with Moonshadow and Sunfire elves, with the majority being antagonists especially at first (the assassins, the Sunfire soldiers) with Rayla, Lujanne, and eventually Janai being allies / exceptions - even if the Sunfire elves as a whole quickly switch to being allies as of 3x08/09. We see this again in S4 with the Drakewood Earthblood elves being mostly antagonists, Terry as more of a grey area, and only N'than (and possibly Mukho the Mushroom mage?) being downright allies. This would mean that Astrid and maybe another Startouch elf might be more sy

Plot / Misc Reasons

Of course, the biggest reason for the Celestial elves to exist is to, presumably, give exposition regarding Startouch elves to the main characters and to extradite subsequent views / philosophy about Star magic and the arcanum (arcana?). If they are loyal to Aaravos, they would likely provide a perspective on Startouch elves different than one Callum might be coming in with and give more credence / context to Claudia's assertions of Aaravos as well, given that she's the one character currently with a positive view of him. It also doesn't seem they can entirely be good guys given their 1) isolationist nature and 2) having not one but two super OP objects that the protagonists definitely need. While they may not end up being villains, I think we can somewhat safely assume they will initially be obstacles, if only in giving tests (of love) like another certain Startouch elf...

[velvet-vox]

THE Yugo defense post.

I am (hopefully) very confident in saying that there are probably a lot of these types of posts lying around, but since the argument has never been truly put to rest even after the show's finale, I feel like it's truly time for someone to give his own two cents again and take a stand against Yugo's haters, because by Osamodas that child cannot catch a break.

(Also I haven't seen season 4 but I know a couple of things about it, but I will focus mostly on 1 to 3 plus The quest for the six Elatrope Dofus).

So I am going to start this post by talking about my own personal character arc in learning to love Yugo, because oh boy, it was a wild and unexpected journey for me. Now, I, personally, am someone who tends to prefer villains and antagonists over heroes and protagonists. That's not uncommon, plenty of people are like that, no, I don't want a spinoff that turns the villain into the protagonist because that would make them less interesting as now we need to learn almost everything about them in order for the story to keep our attention. Therefore, as you can imagine, Nox was my selling ticket for the show. I got the small, almost non existent hype around him and it got me interested. Season 1 ended, it was a banger, but at the time, all I got to think about was Nox and how much I was grieving him. I didn't really think about anything else regarding the season, all I got was him and his arc. I needed a way to overcome the grief, so eventually, I learned that season 2 also had a pretty good villain, so I said "hey, let's use the possible trauma caused by this new baddie to overcome the trauma caused by the previous one" and started watching season 2. Love love love Qilby. And I am going to bring it back up later, but the season 2 finale is the definitive moment where I became invested with Yugo and got deeply interested in him. Eventually, when I watched The quest for the six Elatrope Dofus, I was just deeply in love with him, rooting for him at every turn, and generally, just cheering the guy.

And then.... there it comes season 3. My Iop. I was already spoiled by the fact that season 3 was disappointing, so I kept my expectations as low as possible, but sweet home Alabama I was not prepared at all, if the season had just been bad I would have called it a day, but no, the season is wasted potential at its finest, so many incredible ideas rushed and fumbled, Oropo would have been my favourite villain in the show had he been written better and preplanned, he feels like the Bradford Buzzard of Wakfu and his Brotherhood is its F.O.W.L.

However, while the writing took a nose dive in season 3, I started to realise something that I didn't notice before: damn, I really care about the main cast. Not just Yugo. All of them. This is something that distinguishes Wakfu from other shows: most of the time, writers focus more on making the protagonists immediately likable and interesting, which makes sense, as they are the cornerstone of most stories, but Wakfu differs in the way it endears us to its cast since I didn't feel like the show made a great effort in investing us to the protagonists in the first two episodes, they introduced their personality, quirks, and characteristics, but they didn't show us their struggles beyond Pin Pin's quabble with Rubilax, and this creates the ripple effect later on in the show where you become surprised in your backwards investment of their journey, because that's not how the story started with and yet you can clearly discern their development quite a lot.

And this brings us to Yugo, whose Wakfu untraditional deuteragonism creates a weird case of main character where, the actual season focuses on Tristepan and his journey, but since Sadlygrove is also his own worst enemy with the exception of Dark Vlad, the actual main villain of the season is a foil for Yugo and develops him into a more mature individual.

Which, finally, brings us to the main reason of hatred from some (fake) fans: the villains. The villains in Wakfu tend to be very complex and compelling, while in contrast, Yugo stays mostly static and simple before being confronted with said opponent; then for specific cases of flandarized vitriol, we have:

- Yugo did not try to talk out Nox from his plan nor did he console him, which led to his demise (Pure evil).

- Yugo willingly locked Qilby in the White Dimension again with full knowledge of the reasons why Qilby did what he did (Jerk).

- Yugo accidentally (but not really) created Oropo which caused insane damage to the world of twelve and created all of the problems of the series up to this point (Meh. Still an absentee abusive father).

- Yugo limited himself to locking up the Necromes to starve for eternity rather than killing all of them (Ok).

And I am going to run through each and every single one of them.

- First: Yugo did not know anything about Nox but he killed off Grougaloragran earlier on and his Time Razor just killed Yugo's friend a couple of minutes before their fight, which led Yugo, a child, to his very first fit of rage and did not esitate or waste time to attack Nox, a dangerous murderer who wanted to steal his hat. But when he finally realised what Nox's plan was, he told the Sadida warriors to back off, but since it was already too late for him, Nox left the battlefield of his own volition and ended his life.

- Second: Qilby was a great bastard. A complicated and caring one, but a jerk nonetheless. And yet, Yugo knew and deeply felt that even he didn't deserve to be in the White Dimension, one of the most cruel and gruesome fates any villain could face, but he had no other choice, because if he didn't do that, Qilby would have destroyed the world. And even then, later on in the series the thing that Yugo hated Qilby the most about was not anything that he did, but rather the punishment that he forced Yugo to inflict on him.

- Third: Oropo is just a freak show of a writing mess that I can't even point out how much Yugo is to blame for his condition, at least Yugo feels bad about the Eliotropes, so there, Yugo feels empathy.

- Fourth: Sorry, didn't watch season 4, but again, I assume it was like a binary choice like season 2, Yugo is definitely more of law enforcer despite his carefree nature, he was destined to become King and he just accepts it, in contrast to Amalia's rebelliousness and lack of a forced incoronation (opposite attract each other).

Amalia's going to die one day, and Yugo's going to live for thousands of years and never abolish or question the monarchy. It's sad, but his existence is pretty sad.

As for people claiming that Yugo's an overpowered Gary Sue, I'm sorry but as long as a character faces struggles in any meaningful way then you can't claim that they just break the narrative.