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#I should mention that the last one comes from incorrect quotes generator
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mai and zuko bestieism is so important to me
(ids in alt)
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All things Cylas
writing, moodboards, random facts, asks, etc.
and yes, I do think I'm funny
Writing:
The Ambrose Saga (even though there isn't much Ambrose in it)
Darrell and Cylas: The First Contact(s) (1 2)
as in, half ask, half rp with Blue about text/insta messages exchanged between Cylas and Darrell
Oh, Honey, Do You Want Me Now?
Cylas meets a not-so-nice guy, happens the night after her first message to Darrell, kind of simultaneously to Blue's Hogs of Hell
Call Me Maybe (ft. Darrell)
Cylas and Darrell meet at a diner
Road Trip (Gone Wrong)
Cylas and Ambrose I, in which a car breaks down (duh)
Lose Control
Cylas and Ambrose II, first impressions are important, Cylas' probably wasn't that great
Loose Ends (mention of Darrell)
Cylas and Ambrose III, Cylas wins over the twins (kinda) by being her nice and charming self - and Darrell coming by just as the right time
The Road So Far (ft. Lee)
On their way back home, they encounter a stranger
I See The Danger In Being Unprepared (ft. Lee)
Lee and Cylas get to the gas station and meet a group of guys, what could go wrong?
I've Got A Secret, I'm Telling Everyone (ft. Lee)
Are they being followed? And, if so, by whom? Will the situation escalate?
Stand-Alone/One-Shots
Lost Within Musings about the past
Delirium Takes Over Me, You're Just Another Casualty Their coping mechanisms aren't always the best, but at least no innocents get hurt
Kissing blurb (ft. Darrell) to be continued...? writing murder and torture is easier
When I'm Gone After waking up feeling weird Cylas goes out to clear their head
Cylas and Clay, or: How I Met My Murder Bestie
Take A Chance On Me Clay and Cylas first meeting when they just so happen to go after the same victim (technically, Cylas had him first)
Little Talks Opening up about the past can be difficult, and sometimes you grow unaware of how horrible an experience really was until you get an outsider's perspective
Some Days I Don't Know If I Am Wrong Or Right
I Can't Decide Whether You Should Live Or Die Clay gets to finally meet Cylas' former tormentor - after learning a little more about the past
Oh I Could Bury You Alive Sharing the workload of the disposal of a body
Alt Timeline, or: Somehow I Made Her Worse...?
ramblings/introduction/first thoughts
Nothing Compares To The Promise I Have In You When I say that this version of Cylas has a kind of unhealthy relationship with Father Darrell Todd and idolises him, I am not lying.
Art and Moodboards:
Cylas and Odile: Aren't you tired of being nice? by solmints-messyocdiary
Cylas and Odile by solmints-messyocdiary
Alt Cylas and Father Darrell
Moodboards:
Cylas, murder bean edition
Aesthetic/Fashion moodboard made by myers-meadow
Subject#279-LS19981010WHV-20210609AR1623
Diner meeting
Death is Mercy by rottent33th
The Last Time Always Hurts The Most
A World Of Peace And Harmony
Miscellaneous:
Introduction
Some General Info
Incorrect Quotes (1 2)
Music edit by angxlslasher
Iceberg meme
Valentine's Day card from Cylas to Darrel
Meanwhile In Ambrose... A very serious sketch
Shirts my OCs would wear
Blorbo Bingo
OC Questions (1 2 3 4 5)
Cylas and The Patron by solmints-messyocdiary He said no pickles
Looks:
(Rough) Scar Placement Ref
Cylas made in Hero Forge
random scribbles
Say "Hi" to the camera Blue's response to an ask I sent that includes art of Cylas
Cylas by solmints-messyocdiary
random pencil sketch I suppose
Picrew I
Picrew II (includes alt timeline Cylas and Ghost)
Picrew III
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peterparkersned-org · 3 years
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[𝒀/𝑵] 𝑾𝑰𝑻𝑯 𝑾𝑰𝑳𝑩𝑼𝑹 𝑺𝑶𝑶𝑻. (𝒊𝒏𝒐𝒓𝒓𝒆𝒄𝒕 𝒒𝒖𝒐𝒕𝒆𝒔) ♡♥♡♥
ˏˋ°•*⁀➷ ✎
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a/n: I just want to say a couple of things before you start reading, you don't necessarily have to read this but I would advise you should because this has been bothering me ever since I started getting likes and follows, which thank you so much for! I didn't expect people to like these so much to follow me and reblog them.
I love each and every one of you, thank you so, so much! alright now on the next thing, all of the incorrect quotes I use aren't mine, I know you guys aren't daft and have probably heard some of the quotes before but I get sure confused when people are like "I love your work!" (btw those comments make my day 1000% better, thank you!)
but I don't really do anything, I try to make the post look aesthetic and all that jazz. I get all my quotes from websites that generate them with the names you put down. egu43jiy5h6tgrwiegtbvs idk why but I just thought I would say this- I prolly look d u m b. anyways! hope you enjoy this post! WILBUR MY BELOVED!!!🧎‍♀️
!TW!: cursing, mentions of a gun, light flirting, and fluff?
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·˚ ༘₊· ͟͟͞͞꒰➳
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𝘞𝘪𝘭𝘣𝘶𝘳 𝘚𝘰𝘰𝘵 & 𝘠/𝘕
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[Y/N]: Can I have a private talk with you?
Wilbur: Okay, as long as it’s not about tampons because I just don’t understand them.
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Wilbur, texting [Y/N]: *sends a voice message*
[Y/N], texting back: I’m a little busy, is it urgent?
Wilbur: No, don’t worry, just listen later.
*later*
[Y/N]: *presses play*
Wilbur's voice message: THERE’S A FIRE-
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[Y/N]: I've connected the two dots.
Wilbur: You didn't connect sh*t.
[Y/N]: I've connected them.
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Wilbur with a gun to [Y/N]'s head: What happens if I pull this trigger? Heaven?
[Y/N]: Bold of you to assume I'll go to Heaven.
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[Y/N]: You played me!
Wilbur: Like the cheap kazoo you are!
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Wilbur: Can you pass the salt?
[Y/N]: Can you pass away?
Wilbur: Too much salt.
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[Y/N]: And then they ran into my knife. They ran into my knife ten times.
Wilbur: You mean you stabbed them?
[Y/N]: They ran into my knife.
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Wilbur: D*mn, [Y/N], are you secretly cool?
[Y/N]: Well, poker is just math, so I guess it depends on if you consider the mathematician, Carl Friedrich Gauss, cool.
Wilbur: I do not.
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Wilbur: I don't need to go to bed. I'm not tired, I'll be fine.
[Y/N]: But, darling, I'll be so lonely without you. Come curl up in my arms so I can feel whole again.
Wilbur: O-oh. Well. Are you trying to seduce me into healthy sleeping patterns??
[Y/N]: Is it working?
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Wilbur: [Y/N] just said "I have an appetite for destruction" and then they reached down and untied my shoe.
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[Y/N]: Swear words are illegal now. If you say one you'll be fined.
Wilbur: Heck.
[Y/N]: You're on thin f*cking ice.
[Y/N]: Oh no-
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Wilbur: Honestly, I am so evil. So full of darkness. I feed of the souls of the living I strike fear into-
[Y/N]: You sleep with a teddybear.
Wilbur: He’s my sECOND IN COMMAND IN MY ARMY OF DARKNESS!!
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[Y/N]: Some of us are still ‘it’ from a childhood game of tag.
Wilbur: way to just f*ck me up on a Tuesday.
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[Y/N]: I think I just figured something out. I got to go.
Wilbur: Aren't you forgetting something?
[Y/N]: Uuh...*hesitantly kisses Wilbur's forehead before running out.*
Wilbur: No, pay your bill! D*mn, who raised you?
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[Y/N]: I desire moisture.
Wilbur: Please just say "I want water" like a normal person.
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Wilbur: Let’s watch Sharkboy and Lavagirl.
[Y/N]: Okay.
Wilbur: And make out during the scary parts.
[Y/N]: Th-
[Y/N]: The scary parts.
[Y/N]: Of Sharkboy and Lavagirl.
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[Y/N]: When was the last time you cried?
Wilbur: Uh 15 minutes ago, why??
[Y/N]: really? That recent?
Wilbur: Yeah *voice crack* is that an issue? *starts crying again*
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Wilbur: There's something I have to ask about you-know-who.
[Y/N]: Voldemort?
Wilbur: No.
[Y/N]: Is it Voldemort?
Wilbur: It's not Voldemort.
[Y/N]: You haven’t mentioned wizards once in this conversation, so I’m gonna have to assume it’s Voldemort.
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[Y/N]: Please could you go to the shop and get a carton of milk, if they have avocados get six.
Wilbur, coming back from the store with six cartons of milk: They had avocados!
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Wilbur: That was so hot, [Y/N].
[Y/N]: I literally called the person who just flirted with you a degenterate dog and told them I hope they get dragged through the streets.
Wilbur: I'm so in love with you.
♡ ─ ♡
Wilbur: You want some leftovers?
[Y/N]: What are those?
Wilbur: You've never had leftovers before?
[Y/N]: No, ‘cause I’m not a quitter
♡ ─ ♡
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clear-as-starlight · 3 years
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Nathan Hale’s Death vs the Primary Sources
(aka did William Hull actually know anything?)
“The first the Americans heard of Hale’s death was on the evening of the twenty-second [September 1776], when Captain John Montresor…an aide de camp to General Howe, approached an outpost…under flag of truce. His main business…did not concern Hale, but was to transport to Washington a letter from Howe offering an exchange of high-ranking prisoners. Joseph Reed, accompanied by General Israel Putnam and Captain Alexander Hamilton, rode to meet him. After passing over the letter, he casually added that one Nathan Hale, a Captain, had been executed that morning.”
This passage comes from “Washington’s Spies: The Story of America’s First Spy Ring” by Alexander Rose and it, along with the wonderful @queerrevolution1776 inspired me to go on a (brief) primary source deep dive of Hale’s death. A challenge, given the lack of primary sources surrounding Hale’s spy work, and the tall tales that grew up around it.
I started here: Why was Hamilton there? He was not an aide-de-camp at this point, why would he be present? And that question, my friends, led to a whole host of others!
(Info under the cut because there is a lot, and it’s fascinating :))
The (Un)reliability of Recollection 
The idea of Hamilton having been present to hear of Hale’s fate, so far as I can see, is first related in “Revolutionary Services and Civil Life of General William Hull”, a biography based on Hull’s unpublished memoirs, and written by his daughter, Maria Hull Campbell:
“In a few days, an Officer came to our camp, under a flag of truce, and informed Hamilton, then a Captain of the Artillery, but afterwards an aide to General Washington, that Captain Hale had been arrested within the British lines, condemned as a Spy, and executed that morning. I learned the melancholy particulars from this officer, who was present at his execution, and seemed touched by the circumstances attending it.”
William Hull was a friend of Hale’s from Yale, and they were both in the 19th Regiment, before Hale transferred to Knowlton’s Rangers. A lot of what we know of Hale’s death seems to come from Hull’s memoirs, right down to his (possibly incorrect and/or exaggerated) final words: “I only regret, that I have but one life to lose for my country.” Hull was a close friend of Hale’s, so it does make some sense that he’d know something of it. However, the above biography was written in 1848, and related conversations that had taken place a long time earlier. Campbell herself admits she includes conversations not even present in her father’s memoirs.
Though her book is not the only 18th/19th century one about Hale’s death, it quickly became clear that all of them were based on conversations with Hull. The first time the name ‘Nathan Hale’ even entered the public conscious properly after the war was in 1799, in Hannah Adams’ “A Summary History of New England and General Sketch of the American War” where she writes: “The compiler of this History of New England is indebted to Gen. Hull of Newton for this interesting account of Captain Hale.”
Hale isn’t mentioned again until 1824, in a book by Jedediah Morse, who says he got his info from Adams, who in turn got it from Hull. It seems likely, then, that the idea of Hamilton being there (and indeed, that most of what we know) came from Hull’s supposed recollection, 20+ years after the event took place.
Now, this is not to say that Hull was lying. Return records show that he and his Regiment were certainly present at “Camp near to Harlem Heights” with Washington’s forces at the time that Washington would have been given the information about Hale, and we know Hamilton and his Artillery were present also, as it is at Harlem Heights that he apparently first came to Washington’s notice (according to John C. Hamilton). It did seem a bit strange though, to both me and @queerrevolution1776 , for Hull or Hamilton to have met with an official flag of truce, when they were both only Captains, and not on Washington’s staff (he’d only just become aware of Hamilton’s existence, after all).
Washington makes no mention of either of them in his correspondence, instead writing to Jonathan Trumbull Sr. that it was Colonel Joseph Reed whom Howe’s aide, John Montresor, met with. It makes sense that Reed would have met with Montresor, given his position on Washington’s staff. Reed is mentioned in Rose’s book, but not Hull’s account, and I thought that was a discrepancy worth a look. Hull, writing after the fact, mentions only Hamilton, who by then was a well-known, and scandalous, public figure. Reed, on the other hand, was nowhere near as popular, and perhaps did not serve as such an interesting figure in a story about Hull’s friend, one of America’s earliest spies.
Sure, Hamilton could have been nearby, or overheard the discussion, and in turn told Hull what he had heard—which could explain why Hale’s last moments have been exaggerated, or perhaps accidentally falsified, given that a British officer who was present apparently heard: “It the duty of every good officer, to obey any orders given him by his commander in chief” and not what is so often recounted. Even a newspaper (The Essex Journal) publishing an account five months later, quoted Hale as having said: “If I had ten thousand lives I would lay them all down, if called to it, in defence of my injured, bleeding country”—No one seems quite able to agree exactly what he said! Hull may well have also told his children he was there to make the story seem more personal, and exciting.
(And I’m really starting to doubt that Hamilton was at the meeting at all. It’s never mentioned in any of his writing, or in the John C Hamilton biography)
There’s no “official” reports of Hale’s death either (excepting the noting of his death on the 22nd September casualty list) which is why so much has relied heavily on what Hull claimed to have been told. When Washington wrote Trumbull about the flag of truce meeting the next day, he was mostly concerned with the fire that had engulfed New York the day before, and the claims that Continental soldiers and spies had set it. The only possible reference we have from him that concerned the meeting between Reed and Montresor, with perhaps an oblique reference to Hale, is as follows:
“On Friday night about eleven or twelve o’Clock a fire broke out in the City of New York, which burning rapidly till after Sunrise next morning, destroyed a great number of Houses—By what means it happened we do not know; but the Gentleman who brought the letter out last night from General Howe, and who was one of his Aid De Camps informed Colo. Reed that several of our Countrymen had been punished with various deaths on account of it. Some by hanging, others by burning & c. alledging that they were apprehended when committing the fact.”
Howe himself never mentioned Hale explicitly in official correspondence between him and Washington, and Washington never did either. In fact, neither of them mentioned the spies or the fire to one another at all, concerned with prisoner exchanges, and the accusation of ill-treatment of British prisoners (Howe to Washington 21st September 1776 and Washington to Howe 23rd September 1776). Hale, and his fate, was unfortunately left to Montresor’s verbal account, and Hull’s dubious reporting.
Tench Tilghman on Hale’s Death
In terms of other primary correspondence that might reference Hale’s death, even remotely, we have accounts from Washington’s aide-de-camp, Tench Tilghman.
Firstly, Tilghman wrote his father, James Tilghman, on the 25th September 1776, of the events and executions surrounding the fire. He was sent to deliver Washington’s reply to Howe’s camp under another flag of truce the day after Montresor’s, and spoke with some men in Howe’s camp then:
“Reports concerning the setting fire to New York: If it was done designedly, it was without the knowledge or Approbation of any commanding officer in this Army…every man belonging to the Army who remained in or were found near the City were made close prisoners. Many Acts of barbarous cruelty were committed upon poor creatures who were perhaps flying from the flames, the Soldiers and Sailors looked upon all who were not in the military line as guilty, and burnt and cut to pieces many. But this I am sure was not by Order. Some were executed next day upon good Grounds… I went down to the Enemy's lines yesterday with a Flag to settle the Exchange of prisoners…I met a very civil Gentleman with whom I had an Hours conversation…”
In Rose’s book, he mentions Hull & Colonel Samuel B. Webb going with Tilghman to the camp to further question Montresor about Hale. Webb, another aide-de-camp to Washington, may well have gone. But it seems a bit strange for Hull to have done so. And Hull’s account did not mention Webb, or Tilghman, which is also a bit odd. Rose made no note of his source for this, but I’d like to find it! Perhaps it’s mentioned in Webb’s journals, something I’d have to travel to Yale to see :(
Tilghman did, eventually, mention Hale explicitly, though not by name, when he wrote to Egbert Benson on 3rd October 1776:
“I am sorry that your Convention do not think themselves legally authorized to make examples of those villains they have apprehended…The General is determined if he can bring some of them in his hand’s under the denomination of spies, to execute them. General Howe hanged a Captain of ours belonging to Knowlton' s Rangers, who went into New-York to make discoveries. I don’t see why we should not make retaliation.”
So he definitely knew of Hale’s death by then, and it seemed to anger him greatly.
Miscellaneous Reports of Hale’s Death
There were also reports made by various others, that mention explicitly, or might imply, Hale’s death:
“Friday last we discovered a vast cloud of smoke arising from the north part of the city, which continued '‘ill Saturday evening…those that were found on or near the spot were pitched into the conflagration, some hanged by their heals, others by their necks with their throats cut. Inhuman barbarity! One Hale in New York, on suspicion of being a spy, was taken up and dragged without ceremony to the execution post and hung up.” (A Letter from September 28th 1776)
“We hanged up a rebel spy the other day, and some soldiers got, out of a rebel Gentleman’s garden, a painted soldier on a board, and hung it along with the Rebel; and wrote upon it, General Washington, and I saw it yesterday beyond headquarters by the roadside.” (Kentish Gazette, November 1776)
“A spy from the enemy (by his own full confession) apprehended last night, was this day executed at 11 o’clock in front of Artillery Park.” (General Howe’s diary)
“The Enemy charged some stragglers of our people that happened to be in New York with having set the City on Fire designedly and took that occasion as we were told to exercise some inhuman Crueltys on those poor Wretches that were in their power.” (Committee of Secret Correspondence to Silas Deane 1st October 1776)
What does all this mean?
Hamilton probably wasn’t there (but I can’t make a call on that for sure!)
basically, it’s clear that the primary sources on Hale’s death are few, and somewhat contradictory in places. I found it super interesting, and thought y’all might too! Please keep in mind I’m not calling William Hull a liar (and I definitely haven’t done anywhere near enough research to say anything conclusively!)
But I definitely think it’s always worth examining what we think we know from primary sources. And it’s very fun!
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diirthara-ma · 3 years
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“On Skyhold” Codex Entry Translation
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The codex entry “On Skyhold” contains elven writing which references the elven name of Skyhold (“Tarasyl’an telas”), found written underneath a pillar in some of the older parts of the fortress. The Skyhold archivist notes that the writing is “old but still [written] long after the place had been built over.” Only part of the writing survives:
Var'landivalis him sa'bellanaris san elgar
Melanada him sa'miras fena'taldin (word missing)
Nadasalin telrevas ne suli telsethenera
Tarasyl'an te'las vehn'ir abelath'vir (word missing) 
The translation provided was put together by the archivist, with the assistance of Solas. The archivist notes that, even with Solas’s help, they still “managed only a partial translation.” Here is the translation given in the codex entry, along with the archivist’s notes:
Our belief transformed into everything. (assertation/problem? uncertain)
All time is transformed into the final/first death (uncertain),
Inevitable/threatened victory and horrible/promised freedom in the untorn veils, (uncertain)
Where the sky is held up/back, where the people give/gain love that is an apology/promise from/to....(missing subject, uncertain)
While I think the archivist’s translation here isn’t actually *incorrect*, I thought it could be interesting to break this down word-for-word and see if anything new can be gleaned from it. As the archivist even notes in this codex entry, “Elven is often a game of intents, not direct mapping of phonetic meaning. That means it's a mess.” Additionally, the fact that Solas helped them translate makes me think there are potentially parts that he purposely simplified or concealed the meaning of when translating.
My word-for-word translation and musings are below the cut:
Var'landivalis him sa'bellanaris san elgar
“Our belief transformed into everything. (assertation/problem? uncertain)”
Var’landivalis = “our belief”; an elision of var + glandivalis
var = “our”; Var Bellanaris is translated by Keeper Gisharel as “our eternity” (from the quote here); Emma solas him var din'an is translated as “Arrogance became our end”, literally “____(?) pride became our death-place” (from the codex entry Tracing from the Temple Doors)
glandivalis = “belief”; in the poem “Where Willows Wail” we see the line Ir tela’ena glandival, vir amin tel’hanin translated as “When we could no longer believe, we lost glory to war”
him = “to become/to make (into)”, “to transform”; as I discussed here
sa’bellanaris = “____-eternity/forever”; possibly a contraction of sa and bellanaris, “one eternity”?
sa = “one”; it’s entirely possible that this is actually a shortening of a larger word, but sa is so short it’s hard to even guess at what the full word would be
bellanaris = “eternity”, “forever”, “many years”; the elven dictionary in World of Thedas Volume 1 translates it as “eternity”; Var Bellanaris is translated by Keeper Gisharel as “our eternity” (here); the Dalish translator in “Torn Notebook in the Deep Roads, Section 3” translates it as “forever”; Asha’bellanar, the name the Dalish give Flemeth, is translated by a Dalish elf in The Stolen Throne as “The Woman of Many Years”, asha = woman and therefore bellanar means “many-years”
san = ????? San doesn’t seem to play a direct role in the arcanist’s translation, and while we’ve seen the word like a half-dozen times it’s not clear from any of those contexts what the word actually means? I’m going to try to puzzle it out in another one of these elven language posts at some point in the future.
elgar = “spirit’; it’s strange to me that this word doesn’t seem to factor into the archivist’s translation at all, this seems like a definite sign that his translation is incomplete
Thoughts:
I’m not sure why elgar doesn’t factor into the archivist’s translation at all? Or why they translate sa’bellanaris as “everything”, unless they’re interpreting “one-eternity/forever” as meaning “many”? Like an infinite number of things? Maybe they’re translating the whole phrase sa'bellanaris san elgar as “everything”?
Some possible translations include  “Our beliefs transformed our eternal spirits” or “Our faith/belief [in Fen’Harel] transformed our immortality and spirits”---referencing the elves losing immortality bc of the actions of Fen’Harel and his people?
Or perhaps “Our beliefs transformed our spirits into eternal/immortal ones.”---referencing the beginnings of the elves? That they were once spirits, and then became immortal, physical beings?
Melanada him sa'miras fena'taldin (word missing)
“All time is transformed into the final/first death (uncertain)”
melanada = Something to do with time; melana is translated as “time” in the codex entry In Uthenera; da as a prefix normally means “little”, that doesn’t seem to be the case with it here, as a suffix?; Melana + nadas? “Inevitable time?”; melana is also translated as “now” in the codex entry Tracing from Temple Doors, perhaps melana + nadas = “it is now inevitable?”
him = “to become/to make (into)”, “to transform”
sa'miras = I’m not sure if this pairs with the next word and *together* the archivist takes them to mean “final/first death”, or if this is separate and just means “into” or for some reason doesn’t factor into their translation?; clearly another contraction, sa + miras ?; it’s possible that if the sa here means “one” that this word means “first”
sa = as previously mentioned, sa means “one” but we don’t know if this is actually an elision and, if it is, how how much of the first word was lost
miras = possibly related to mir, “my”?; to my knowledge we don’t have any other words that would be related to this
fena'taldin = This is clearly part of what the archivist is translating as “the first/final death”, given the word din
fena = ??? the only related word we have is fen, which obviously means “wolf”, but I’m not sure that’s relevant? I guess it’s possible that fena’taldin is referencing death caused by the Dread Wolf, but that doesn’t seem likely to me; it also seems unlikely to me that either sa’miras or fena’tal translates *literally* as “final”, given that both halam and din are already used to mean “final/end”
taldin = something to do with death (tal + din); the only word related to tal that I know of is Keeper Marethari’s surname, Talas, which we don’t know the translation of
(word missing) = Given that there are so many unidentifiable words in this section, it’s hard to make even a wild guess at what could be missing here. Potentially something about the Veil? Or uthenera?
Thoughts:
This section has so many unidentifiable parts it’s difficult to make even a guess at a translation beyond what is said by the Skyhold archivist. The only parts we can reliably translate basically give us “Time(?) become/transform _____(?) _____(?)-death.” 
From the archivist’s translation, I’m assuming this is about the elves losing their immortality, hence “final/first death,” referencing that people started dying of old age for the first time?
Nadasalin telrevas ne suli telsethenera
“Inevitable/threatened victory and horrible/promised freedom in the untorn veils, (uncertain)”
nadasalin = If this elision breaks down the way the archivist seems to think it does, it should be nadas + enasalin; it’s interesting that the archivist also suggests “threatened victory” as a translation, perhaps from the general tone of the sentence they get the impression that the fact that victory is inevitable is bad?
nadas = “inevitable/inevitably”, “something that must be”; from the elven dictionary in WoT v1
salin = from enasalin, “victory”; the codex entry “Enasalin” translates Enasalin'abelas as "sorrowful victory", literally “victory-sorrow”
telrevas = Translated by the archivist as “horrible freedom” or “promised freedom”, it seems to be a contraction of tel + revas, so literally “not-freedom”. Therefore I think the definition the archivist is trying to get at is a sort of “false freedom,” a promised freedom that turned out to be horrible. Another possible translation might be “un-freedom,” as in the opposite of freedom, so potentially “slavery”?
tel = “not”; Wisdom says Tel’abelas to Solas during the quest “All-New, Faded for Her” and it’s translated as “I’m not sorry”; Tel garas Solasan is translated as “Come not to a prideful place” (“not” + “come” + “pride-place”) in the codex entry “Tracing from the Temple Doors”
revas = “freedom”; from the elven dictionary in WoT v1; in The Last Flight, when Isseya sees that her griffon is named Revas, she thinks to herself that “it was an Elvish word: ‘freedom’”
ne = there isn’t much precedent for the word ne, one of the only places we’ve heard it is when Solas tells Abelas Malas amelin ne halam, which Solas translates as “I hope you find a new name,” but the phrase definitely doesn’t *literally* translate to that; perhaps this is what the archivist is translating as “in”?; potentially related to nae, which means “no”?
suli = we’ve not seen this word anywhere else; we’ve got a lot of elven words that start with “sul-” (sulahn, suledin, sulevin) but it’s difficult to know which, if any, of these words suli would be related to; perhaps this is what the archivist is translating as “untorn”?
telsethenera = tel + sethenera, something like “not-Fade” or “the absence of the Fade”? I think this word is the part the archivist is translating as “veils”
tel = “not”
sethenera = another name for the Fade?; setheneran is translated as “land of waking dreams” by Tamlen in the Dalish Origin, he says Hahren Paivel uses it to refer to places where the Veil is thin/weak; in “Where Willows Wail” from WoT v2 sethen’a is translated as “the land of dreams” (it’s noted that a “form of lyrical shorthand” is used in this song, which might explain the shortening of sethenera to sethen’a); theneras is translated as “dreams” in the codex entry Torn Notebook in the Deep Roads, Section 3
Thoughts:
A possible translation is “The inevitable victory of the (untorn? untearable?) Veil brought nothing but a false freedom.” or “The Veil was a false freedom and a pyrrhic victory.”---the victory of Fen’Harel and his people after the Veil went up ended up not bringing the elvhen people the freedom Solas had promised, but instead cut the elves off from the Fade. This had catastrophic effects on elven society: it destroyed buildings, caused people to start aging and dying, cut many elves off from magic, etc.
Tarasyl'an te'las vehn'ir abelath'vir (word missing)
“Where the sky is held up/back, where the people give/gain love that is an apology/promise from/to....(missing subject, uncertain)”
tarasyl'an = “Sky-keep/hold-place”; this is what Morrigan says the ancient elven name of Skyhold was, and she translates it as “the place where the sky is kept”
tara = “sky”?
syl = I’m curious if this is the part that means “kept/held”; this would match up with Sylaise potentially being literally translated as “hearthkeeper”; however it would also potentially conflict with Dirthamen literally translating as “keeper of secrets”
an = a suffix that denotes that the noun is a place; Solasan is translated as “prideful place” in the codex entry “Tracing from Temple Doors” https://dragonage.fandom.com/wiki/Codex_entry:_Tracing_from_Temple_Doors)
te'las = In the last addition to the “On Skyhold” codex entry, Solas says that the name of Skyhold is not just tarasyl'an---“some simplistic allusion to holding up the sky”---but that the full elven name is tarasyl’an telas, meaning “the place where the sky was held back”; therefore I think te’las translates to something like “not shared” or “not given,” making Skyhold’s full literal name something like “Sky-keep/hold-place not-given”
te = from tel, “not”
las = “give/grant”; in the codex entry Tracing from Temple Doors, Melana en athim las enaste is translated as “Now let humility grant favor”; in the codex entry Torn Notebook in the Deep Roads, Section 3, the phrase Mythal las ma theneras is translated as “Mythal gives you dreams”
vehn'ir = given that the archivist translates this as something to do with “people”, I think this might be a misspelling? I think it’s probably meant to be vhen’ir
vehn = probably meant to be vhen, “people”; as seen in words like vhenadahl, “the tree of the people” (from the codex Vhenadahl: The Tree of the People) and elvhen, “the people”, as seen in the elven history section of WoT v1
ir = ???? as I mentioned here, it’s difficult to tell if ir is meant to be a pronoun (either “I” or “we”) or a verb, potentially “to be” or ”to have”; I feel like in this context, especially with the archivist translating this part of the sentence as “the people give/gain”, it would make sense if ir is being used as a verb, potentially “to have”?
abelath'vir = “way of sorrowful love”, “path of loving apology”, “love through sorrow/an apology”; as this is made up of three words (abe + lath + vir) it can combine in many ways
abe = from abelas, “sorrow”, “to be sorry”; from the elven dictionary in WoT v1
lath = “love”, “love of being”, “to be in love”; from the elven dictionary in WoT v1
vir = “way/path of”; Vir Tanadhal translates as “Way of the Three Trees” (from the codex entry Vir Tanadhal: The Way of the Three Trees)
(word missing) = I feel like Fen’Harel would make sense here; Evanuris could also possibly fit
Thoughts:
It’s interesting that the archivist is certain that the *subject* is missing from this sentence. I wonder how they came to that conclusion? Elven doesn’t seem to properly follow any specific word order, nor do noun declensions seem to be demarcated in any noticeable way, so how would they be able to tell? There are several other nouns here that could all be the subject of the sentence. I wonder why they specify what type of word is missing here and not in the other phrase that’s missing a word?
One possible translation for this would be something like “Where the sky was held back, people give love as an apology to Fen’Harel”---Perhaps saying that, after the Veil was created, elves continued to travel to the site to essentially try to convince Fen’Harel to take the Veil back down? Like, they would give him “love”--offerings, worship him, etc.--hoping it would make him change his mind and put things back to the way they used to be? Solas was presumably asleep at this point, and potentially wasn’t even aware yet of the ramifications of the Veil, but assuming that many elves still didn’t understand he wasn’t actually a god maybe they thought he was purposely ignoring them?
Another translation that would have a similar meaning is “Where the sky was held back, the people give love as an apology to the Evanuris.” That maybe people tried to reach out to the locked-away gods from the place where the Fade was held back, hoping that somehow they could reach them?
Another possibility, basically coming at the sentence from an opposite perspective, would be “Fen’Harel held the sky back, as a loving promise to the people.” Perhaps whoever is writing this sees what Solas did as a good thing, despite the ramifications? Or they’re trying to explain Solas’s motivations?
I’d love to see what other translations people come up with! 
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but it is sunlight
Fandom: Kamen Rider Agito, Kamen Rider Kabuto, Kamen Rider Gaim, Kamen Rider Ghost Characters: Tsugami Shouichi, Hikawa Makoto, Tendou Souji, Kagami Arata, Kazuraba Kouta, Kureshima Takatora, Tenkuuji Takeru, Fukami Makoto, Alain Song: "Sunlight," Hozier (playlist here) Warning: Mildly NSFW--not especially explicit, but people do have sex in this story
a buried and a burning flame – i
A shared day off is rare, but it does happen sometimes, and today the weather is so warm and perfect that Makoto is content to sit on the step drinking a lemonade and watching Shouichi garden.
Their garden space here isn’t as big as the one Shouichi got used to at Professor Misugi’s house, but it’s been expanded upwards with poles and frames and other contraptions that Makoto isn’t quite clear on. Really, they’re lucky to have a plot at all—the restaurant has its own rooftop space, so it’s not like Shouichi’s hurting for plant contact, but he needs it for himself as well. Makoto’s not sure he’ll ever understand the way Shouichi craves the presence of growing things. But then, he’s just happy to see Shouichi enjoying himself.
He glances around the garden briefly as Shouichi’s murmuring over a cucumber plant and frowns. “Aren’t sunflowers always supposed to face the sun?”
“Generally, sure.” Shouichi smiles but doesn’t look up from his work. “Why?”
“Well, if they don’t then doesn’t that mean they might be sick? The sun’s south of us right now, but your flowers are facing west.”
“Our.”
“Mm?”
“It’s your garden too.”
“Well, sure, but I mean it’s really—”
“Anyway, don’t worry, if they were sick I’d know. They’re probably just a little slow today.”
Makoto’s dubious, but he nods, and Shouichi beams at him for a moment and then goes back to fussing with the cucumbers. Once he finishes with them, he does something with a tomato plant nearby, and then hurries over to a small patch of green onions on the other side of the garden.
The faces of the sunflowers move to follow him as he walks. Makoto almost misses it, catches their motion out of the corner of his eye as he, too, is turning, and then freezes as they continue to shift. “Do—did you just see that?”
Shouichi frowns. “See what?”
“Ah…no, never mind.” Makoto settles forward, elbows on his knees, watching in soft fascination as Shouichi continues to work. “It’s not that important, I probably imagined it.”
---
the icarus to your certainty – i
Tendou doesn’t make demands most of the time, but he doesn’t make suggestions either. He makes statements and then continues on in the calm assumption that they’re true.
When he gets back from his trip abroad, for example, the first conversation Arata has with him ends with, “We’ll see you for dinner at six.” It’s not an invitation, or a request, or a question. It’s just a statement of fact, its truth etched into the fabric of the universe, and so Arata gets to the house at six precisely.
There are other statements that follow, of course. Like, “I’ll see you at the same time tomorrow,” and, “Other people address me by surname, not you,” and, “It’s late, you’ll stay the night.” The thing is, Arata wants to bristle at this casual certainty, but he can’t manage it, because so far Tendou—Souji—hasn’t said anything incorrect. When he makes these statements, Arata wants them to be true, and so they becometrue by default. He shows up at the same time the next day. He says, “Souji,” instead of, “Tendou,” and is shaken by the faint, surprised smile he gets in response. He stays the night.
Tonight Souji’s making some kind of crab risotto thing, and Arata is helping, which is to say making a salad. This is already strange, since it used to be that he was barely even allowed in the kitchen. Hiyori, visiting for the evening, is sitting on the couch with Juka while Juka talks about one of her classes at Jounan University. It’s very domestic.
He finishes slicing cucumbers and is reaching for the lettuce when Souji turns to him holding a small spoon and says, “Taste this.”
On automatic, and because his hands are busy, Arata just leans forward and eats the spoonful of risotto, letting it spread out creamily over his tongue. “Mm.”
Souji is looking at him expectantly. “What do you think?”
“I think—wait, you’re actually asking me for my opinion?”
“Shouldn’t I?”
“You just…don’t usually ask for opinions.”
“Not from other people, no, but other people aren’t you.”
Arata laughs in warm surprise. “Really? What makes me so different?”
He’s not really expecting an answer, but Souji looks at him for a long moment and then says, “If all of humanity were alchemically distilled into one specimen exhibiting only its finest qualities, that specimen would be you.”
Arata stares at him. “I. You. Are…is this a quotation, are you quoting something?”
Another one of the faint, surprised smiles he’s gotten to like seeing. “No. But perhaps someday, someone else will quote me, and rest assured, the recipient of the quotation will not deserve it nearly as much as you.” And, before Arata can really process that, “I would appreciate your opinion on the risotto now.”
“I…it’s really delicious, but. Maybe it could use a pinch more salt?”
Souji nods firmly. “I’d suspected as much. Thank you.”
He returns to his cooking, reaching for one of the little pots of salt next to the stove, and leaves Arata to cut up lettuce and try to figure out what just happened.
---
i had been lost to you – i
Kouta’s visits are infrequent, inconsistent, and never announced. The most warning Takatora ever gets is a sudden, powerful waft of flowers and fruit, moments before a zipper opens in the air in front of him. He’s gotten used to it, as much as one can get used to something like that.
(Kouta always comes to him. His house has more privacy than most other spots Kouta knows in Zawame, and anyway, according to him, “You’re always easy for me to find.”
Sometimes those visits are for “work,” as Kouta calls it, and he stays only for a brief moment before rushing off to whatever world-ending crisis has caught his attention. More often, though, the reason is nothing more than, “Things are aligned correctly right now, and I missed Zawame.”
He’s sitting in the park now, on a bench under a camellia tree. A casual observer wouldn’t look at him and see a god, just a smiling young man in a plaid shirt and dark jeans, shoes kicked off so that he can curl his bare toes in the grass. Maybe he’s waiting to meet a girlfriend, or a boyfriend; maybe he’s just enjoying the good weather. As Takatora watches, though, a squirrel runs down the trunk of the camellia tree and leaps onto Kouta’s shoulder, and he turns and beams at it, apparently listening intently to its chattering. A jay is perched on his knee. Two stray cats are sprawled on the grass flanking him like indolent sentries, and a dog with a collar, probably lost, is curled up against his hip on the bench.
He lifts a hand, cupped, and Takatora knows without being able to see it that his palm is filling with seeds, manifesting as if from his skin. He’s done it before. The squirrel runs downs his arm and begins to stuff itself, the jay hopping from his knee to his fingertips to do the same. With his other hand he reaches up absently to catch a gleaming red apple that drops down from the camellia tree and begins to eat. Only the plants nearby lean away from him, which seems strange until Takatora realizes that they’re not really leaning, they’re growing, extending outward from his presence like an aura, the grass increasingly tall around his ankles.
How strange to see him at peace. And what an astonishing thing, that he should turn his face even for a moment from the new world he guides and his cosmically-designated beloved to walk once more in the city that treated him so poorly.
(She doesn’t visit. She can’t set foot outside of her hallowed forest now. But Takatora did get to speak to her, once, and he knelt and begged her forgiveness for all that he allowed to happen and received in return a kiss so gentle and yet searing in its benediction that even now he can feel it on his skin, and sometimes has to look in the mirror to see if she left a mark on his forehead.)
“Hey!” Kouta is waving to him with the hand holding the apple core. “Takatora! Are you done with your meeting thing? Come on over, I want to hear everything that’s happened since the last time I was here.”
Takatora blinks and nods, shocked out of his reverie, and heads over to the camellia tree. The stray cats scatter as he approaches, but none of the other animals move, so after barely a moment’s hesitation he sits down in the grass at Kouta’s feet, unmindful of his suit, and says, “Well, reconstruction work is nearly finished, we’ve only got two or three more buildings left to repair. Did I tell you about the dance classes at the new community center?”
“The ones that Zack and Peko are running? I think you mentioned them a little last time, did those finally start?”
Camellias bloom out of season over their heads. “Yes, only a few weeks ago. There may be a few other Beat Riders assisting as well, possibly by running additional courses, apparently enrollment was well past what anyone had anticipated.” Takatora leans against Kouta’s shin as the grass slowly creeps up past his knees, comforted by his radiant warmth. “And Mitsuzane’s continuing to enjoy university, he’s going to be working for one of his professors next semester as a teaching assistant…”
---
love and its decisive pain – i
Being around Takeru is a strange experience now, because by simply existing he exerts a spiritual pressure unlike anything else Alain’s ever encountered. The pressure isn’t negative, but it is constant, the weight of a higher reality radiating from his skin. Or, not a higherreality—Alain isn’t sure what it is, but Takeru’s certainly of the human world.
Alain isn’t sure if people who aren’t from the Ganma World even notice it. Certainly he’s seen Javert twitch minutely when handing Takeru something, he’s seen how Igor goes tense around him, even Alia’s been known to flinch away from the intensity of his proximity. Are they unusually sensitive, or are the people of the human world just numb to it?
Perhaps it’s nothing new, and he’s just always been like that and that’s why people don’t notice. Makoto would know—he’s of the Ganma World now, even if he came to it late. “Has Takeru always had such…presence?”
Makoto glances at him, and then over at Takeru, who’s crouching to offer a rice ball to a child sniffling on the temple steps. The child takes it, hand brushing Takeru’s, and relaxes in the same way that Igor might tense at the same contact, perceptibly basking in that unseen but powerfully felt aura.
“No,” Makoto says. “No, this is new. He wasn’t like this before. Or at least he wasn’t like this when we were young.”
Somehow this answer isn’t reassuring at all. “I see. That’s…it’s a lot.”
“It is, isn’t it.”
That’s the point at which Takeru hears them and looks up, face transformed by delight at the sight of them. “Makoto! Alain! When did you get here?” Behind him, Narita comes forward to walk the sniffling child over to a quieter corner, asking her as they go whether she knows either of her parents’ phone numbers. Takeru waves goodbye to her, beaming, and then hurries across the room to crash into Makoto’s arms, and Alain can see Makoto being overtaken by that benevolent pressure. “You didn’t tell me you were coming! Nothing’s going on, right? Everything’s ok? Who’s taking care of things in the Ganma World?”
“Everything’s fine,” Makoto says into Takeru’s hair. “Alia’s got everything under control.”
“This is a social call,” Alain adds, and is favored with an embrace of his own, knees almost buckling under the warmth of Takeru’s presence. “We just missed you.”
“I missed you both too. I hope you’ll be here for a couple of days, at least?” The weight of his joyful expectation is so much that Alain can only nod. “Wonderful! Here, come on, you’re both probably hungry, let’s go get takoyaki.”
He’s human, Alain realizes as Takeru’s fingers wrap around his and he feels that shiver run through him again. That’s all it is, and also everything that it is. More than anyone else in this realm, he is human.
What an extraordinary thing.
“I’d like that,” Alain says out loud, and Takeru is already grabbing Makoto’s hand as well. “It’s been a while since we shared a meal.”
“It has, hasn’t it? Let’s go, you two can tell me all the news while we’re eating.”
---
a buried and a burning flame – ii
For the most part Shouichi doesn’t initiate. It’s not that he’s not enthusiastic about sex, he’s just an awful tease. Little gestures, bumps and brushes, obvious double entendre that he then winkingly denies; he’d rather drive Makoto to distraction and pretend innocence until Makoto finally loses patience and backs him up against the nearest wall. He even admitted to it once, in an unguarded moment of drowsiness. “I like when you do that, it’s fun. And it’s not like I can just ask you to.”
“You could, though,” Makoto had said, but Shouichi had already drifted off.
They’ve been together all day, but Makoto can barely remember any of it clearly except Shouichi. Everything else fades into the background when faced with the vividness of his smile.
Makoto’s shirt is somewhere back in the living room, he thinks maybe on the couch. They’ve been trying to get Shouichi’s shirt off, but that’s been a tougher prospect, because it’s a pullover. Finally, though, it comes off over his head and lands on the floor, and Makoto presses him to the wall again. And now, even more vivid than his smile is the feeling of his skin, burn-hot against Makoto’s lips and hands and chest, his fingers like a brand curling around the back of Makoto’s neck as Makoto kisses his throat.
They barely make it to the bedroom.
The heat of him is extraordinary, feverish, it would be frightening if Makoto wasn’t used to it. He is, though, they’ve been together for years now, so instead his own thoughts can melt away in the face of Shouichi and his pleasure, the taste of him, the sound of his breathless cries, Shouichi arching up against him. Sure, he gets off somewhere in there too, but the important thing is Shouichi, climaxing underneath him with a gasp of, “Makoto,” and a kiss that Makoto would be willing to end the world for.
Afterwards, they lie wrapped around each other in a state of abstracted bliss until Shouichi mumbles something about being thirsty, at which point Makoto extricates himself despite the attendant sleepy protests and heads to the kitchen with a blanket around his waist to get drinks. Passing the bathroom on the way back, he pauses, frowning, at the sliver of his reflection in the bathroom mirror.
It hadn’t been sunny enough today to get a real sunburn, but there’s a sunburn on the back of his neck nevertheless, bright red although not painful. He sets down one of the glasses, reaches up and covers it almost perfectly.
When he realizes what it is—although Shouichi’s palm is slightly broader than his, Shouichi’s fingers slightly shorter—he blushes and picks up the glass again, heading for the bedroom, hoping that his hair is long enough that no one at work asks about the handprint burned into his skin.
---
the icarus to your certainty – ii
It’s not always so precipitous.
Normally they have to be quiet, because normally there’s at least one other person in the house. And in any case, Souji dislikes rush—he’ll approach anything and everything with a plan in mind, sex included.
Tonight, though, after dinner finished, Juka distributed a round of cheek kisses and then gathered up her bag and headed out, to meet up with a university friend she’s doing a project with. Hiyori left shortly after that. (She rarely stays the night anyway, she doesn’t like to leave her parakeet alone.) They’re alone in the house unless the Zecters are around somewhere, and they mostly keep to themselves, they’re hardly company in the same way.
But.
Precipitous.
They do dishes together, in comfortable silence, and once that’s done and his washing gloves are off Souji turns to make one of those true statements. Except that Arata decides he doesn’t feel like hearing one right now, so before Souji’s even gotten through one word Arata takes a step forward and kisses him, bracketing him against the edge of the counter with both arms. Souji makes one of those little surprised noises and drapes his arms over Arata’s shoulders and pulls him closer, and a couple of minutes later Arata’s hands shift down to lift and Souji’s legs wrap around his waist, and.
It’s good that they have the house to themselves.
They can’t stay at the kitchen counter, because it’s a bad height and also that’s not sanitary, and the dinner table won’t support their weight, which is a lesson they learned the hard way. The couch is an option, though, and it’s not easy to get over there with another person wrapped around him, but it is doable. He sits, or more lands, with a thump, Souji in his lap, Souji’s hands on the sides of his face tilting his chin up, and for some while lets himself be overwhelmed by having all of Souji’s considerable attention focused on him.
A pause for breath, for the removal of at least some clothing (and if Souji fumbles Arata’s shirt buttons, Arata’s going to save the memory for himself and certainly never mention it), for—“Are you all right?”
For Souji looking down at him, dizzy-eyed, and saying, slowly, “Your depths are such that I think I could drown in you.”
Arata reaches up, takes hold of his wrists, thumbs rubbing gently across the pulse points. “I mean, I can’t get poetic about it like you can,” more quietly than warranted given that they’re alone, “but you’re so much that sometimes I feel I could burn up, so that seems like a fair trade.”
He’s expecting that surprised look, but it doesn’t come, because what he gets instead is a kiss that would definitely have him on his ass in seconds if he wasn’t already sitting down. “More than fair.”
---
i had been lost to you – ii
Even before his apotheosis Kouta was a man built for pleasure. It must have been a glorious accident of his birth, Takatora thinks, that on his mouth smiles are so natural, that his body responds to any rhythm with grace, that he laughs so easily. Takatora has lived his entire life on the far other end of that spectrum—at best, he might call himself austere—but he can’t bring himself to be jealous of such an infectious and in-born joy. He can only hope to increase it, in whatever way he can.
So he kneels.
It isn’t worship, because Kouta will not accept his worship. Or anyone else’s, for that matter, he may be a god but he refuses to be treated like one. But love, as a great man once said, is a sacrament best taken kneeling, and while there are many points Kouta will argue, Takatora’s esteem and affection for him are not one of them.
Really, though, Kouta isn’t saying anything especially coherent right now.
His unnecessary but habitual breathing is coming short, and his hair flickers from deep brown to unearthly gold as his concentration disintegrates. If his eyes weren’t squeezed shut, they, too, would be flickering. His fingers, curled on the edge of the bed, have flowers blooming between them. And Takatora, the indirect cause of this riotous growth and rendered speechless for more immediately physical reasons, continues until his lips are numb and Kouta is pulling him up and flattening him to the bed with a kiss.
“You don’t have to stop me, you know I wouldn’t mind if you—”
“No,” and a kiss, “no, we don’t know if it could—” and another kiss, “so no, even though you know I, you know—Takatora, I—” and the dissolution of coherence once again, now for both of them, as Takatora dizzily allows himself to be subsumed by Kouta’s passion and enthusiasm.
The first few times he was able to visit, afterglow involved actual glowing on Kouta’s part, which was the cause of some mutual hysteria—Takatora doesn’t want to call it giggling, but that’s really the accurate term. The glow’s under control now, and Kouta lies against him, asleep, and does not look more divine than any other beautiful man in repose.
There are still flowers blooming on the edge of the bed, red and orange against the plain bedspread. They’ll be scolded away later, but for the moment they are bright and strong and vivid. Takatora, drowsy himself, drifts off gazing at them, Kouta’s arms tight around his waist.
---
love and its decisive pain – ii
They are devoted partners, and thus Takeru’s anger is their anger, Takeru’s sorrow is their sorrow, Takeru’s joy is their joy, and, most crucially in this moment, with the dawn not arrived and the day yet to start and make them all busy, Takeru’s pleasure is their pleasure. And because he is who he is, because he feels everything with such strength and fervency that it radiates from him like sunlight, it is such pleasure. On his back, hands above his head, eyes bound, he has given himself over to their loving mercy and yet the weight of his existence is still enough to envelope them both.
Alain leans down to kiss the smiling mouth below the blindfold and say, softly, “Is there something you want?”
“Isn’t the point of this that you two are making the decisions?” Takeru sounds like he might laugh.
Alain glances over Takeru’s chest at Makoto, who is already looking over at him, and who raises an eyebrow before saying, “Is that a serious question or are you just being difficult?”
It’s definitely suppressed laughter. “A little of both, really. I want you to do what you want. I trust you.”
So they do what they want, which, gloriously weighed down by Takeru’s unconditional trust, is what he wants too. And what they want is to kiss, to touch, to take their pleasure in ways that render him arch-backed and breathless and crying out as they take their turns on him. They take their pleasure until he’s coming in an unexpected avalanche of laughter which, like all avalanches, overtakes them as well.
Dawn is breaking, light spilling in through the open window for Takeru to flinch against as they uncover his eyes. He buries his face against Makoto’s chest as soon as his arms are free and he can move, mumbling, “It’s too bright, I’m going back to sleep, you both have to keep me company since you’re the ones who wore me out.”
“Right,” Makoto says drily, wrapping an arm around his shoulders as Alain is draping himself over Takeru’s back, “humans need sleep, I forget that sometimes.”
He can feel Takeru’s smile like a separate presence in the room, even though he can’t see it. “Oh, like you’re so inhuman.”
Alain presses his face to the back of Takeru’s neck and finds that, at least for the moment, the pressure of his reality is not so much a weight as it is an embrace, enfolding the three of them as they lie together drowsing. “It’s not that we are less, perhaps.” A yawn against Takeru’s warm skin, occasioning a ticklish wriggle. “It’s just that you’re so much.”
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lumiereandcogsworth · 3 years
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Fanfic Writer 20 Questions!
tagged by @misscrazyfangirl321 thank u :))
1. how many works do you have on ao3?
48 in total! 46 for batb lol
2. what’s your total ao3 word count?
115,935 !!!
3. how many fandoms have you written for and what are they?
okay i mean, technically i have three on ao3. i wrote ONE fic for law & order svu and it’s an entirely irrelevant fic now because what i wrote about HAPPENED. but people still read it every now and then so i just leave it up. and i also wrote an epilogue fic for the netflix film juanita. i’m not in that fandom cuz that fandom doesn’t really exist but i watched the movie for a film class and i literally turned that fic in as my project for it (yes i got 100% yes go read the fic). so pretty much all i write for is beauty and the beast 2017, my beloved :)
4. what are your top five fics by kudos?
1. his perfect reality
2. after the kiss
3. sunrise, anew
4. sleepless nights
5. do me the honor
all batb 2017, and i think those are also my most read fics just in different order, so this checks out!
5. do you respond to comments? why or why not?
i do! i always try and say thanks and show my appreciation for my readers cuz yeah i’m writing for me but gosh we love the feedback, lads
6. what’s the fic you’ve written with the angstiest ending?
fading memories is your dream, for SURE. 99% of my fics end in a very happy and fluffy way. the only ones that end angsty are my young adam fics, and that one is the Big Boy Prequal Fic that ends in a perfectly tragic way that should lead you right to the beginning of batb 2017. it’s all angst, man.
7. do you write crossovers?
no but i’m not against them! i think they can be fun :) emily and i have an ongoing crossover universe but we’ve never written any fics it just exists through our insane texts and incorrect quotes sjdksj
8. have you ever received hate on a fic?
thankfully, no! the batb readers are all very kind and sweet!! (or at least the ones who read my fics lol)
9. do you write smut? if so, what kind?
nope nope the furthest i’ll go is making out and even then i’m not graphic or detailed at all
10. have you ever had a fic stolen?
no not that i’m aware of 👀 is someone out there stealing my domestic fluff???
11. have you ever had a fic translated?
again not that i’m aware of but i would be so honored
12. have you ever co-written a fic before?
well no not besides me and @ilikebigassbuttsandicannotlie’s crossover universe but it’s not exactly in fic form. and i collab’d with @drawnby27emilys but i did the writing and she did the illustrating, we stuck to our strong suits, lol.
13. what’s your all-time favorite ship?
adam and belle from beauty and the beast 2017 are quite nearly the only ship i have paid any attention to in the last 4 years!!
14. whats a wip that you want to finish but don’t think you ever will?
hmmm. maybe i’m just optimistic but i feel like i’ll get to everything eventually. there’s one really long fic that i’ve written so many bits and pieces of but never just sat down and written it. mostly for technical plot reasons that i just don’t spend enough time trying to work out. OH! there’s that fic idea i got from that dream i had where it was modern au and adam had a little sister. SHOOT bro i do wanna write that. i wrote so much dialogue for it that next day but the wip itself is hardly anything :(
15. what are your writing strengths?
setting the scene and just painting the picture really nicely so you can see everything clearly. little details that make you feel like you’re watching it. i don’t know, character blocking? i think about what they’re doing a lot, with their hands or where they’re looking or whatever. also i think i’m pretty good at dialogue but that’s just cuz adam and belle are in my head all day long so i know their voices very well
16. what are your writing weaknesses?
conflict for sure. i’m too much of a fluffy writer!! i don’t like writing arguments or them getting mad at each other unless it’s stupid domestic stuff then it’s funny. i’m really good at writing the reconciling/making up lol but i seriously need to work on creating conflict. i just get too attached and i don’t like to see them fight even though i know everyone does and it’s a part of building the relationship >:( and even if it’s not adam and belle i just need to be better at writing it in general, for my oc’s and such. do it for the kids, lyd!
17. what are your thoughts on writing dialogue in another language?
it’s very cool in the correct context!! i can’t do it really but hell yeah!! obviously with batb being in france i sometimes use french terms of endearment, mostly for lumiere lmao, but that’s about all i’m capable of! in my recent kiddos fic i tried out some familial titles like pépère for grandpa maurice and tata & oncle for auntie plumette and uncle lumiere <3 that was fun!
18. what was the first fandom you ever wrote for?
bbc sherlock babeyyyy. i used to hand-write sherlock childhood fic in a journal??? i didn’t even know what fic was i just liked giving him a backstory haha. i did the same for loki but in my phone notes app. i’m nothing in not a sucker for the sad and innocent childhood backstories of very sad men apparently!
19. what’s your favorite fic you’ve ever written?
oh man this is so hard. i’m proud of a lot of my work! majesty of a different breed comes to mind honestly. it’s one of my longer ones and i just truly love how it turned out. i think my descriptors are so good and i capture adam and belle’s dynamic as a newly married couple really well, i think. and i give them a dog! how can you not have a good time reading that fic!
honorable mentions to easy to remember, harder to move on — my maurice memories fic that i also really love. AND fading memories is your dream! my longest work and gosh, i really do love the tragic backstories bro!!! big proud of both of those too :)
(and this one cuz it’s too soft and i’ll never not love seeing my otp be the sweetest parents ever)
20. who do you tag?
if you’re a writer and you wanna do this you can totally say i tagged you!! but i’ll tag some writers off the top of my head! @leighswhannell @ilikebigassbuttsandicannotlie @lumiereswig @myfellowcandlesticks @thesadchicken @sweetfayetanner @tinydooms @trulyhopelessromantic @ceasarslegion
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archesa · 2 years
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Love 12 & Domestic 9 for Anwen/Trahearne?
Thanks for the ask! I can't have enough of Anwen/Trahearne fluff!! 🥰🥰🥰
Love - 12 : What kind of nicknames do they call each other?
Anwen has fully embraced the sylvari term of endearment "dearheart", which she finds fittingly sweet and poetic for Trahearne. She might also let a few "honey" slip (mainly to make that incorrect quote canon ^^ but also as a loving allusion to his eyes, and a little confidence boost regarding *very minor spoilers* the change of colour of his glow post-Mordremoth).
As for Trahearne, "dearheart" applies, out of cultural habit, if that makes sense, but he also uses the variation "dear one", and "my friend" is quite naturally replaced with "my love".
They also occasionally resort to their old titles, Commander and Marshal, if they happen to be in anyone's presence other than that of close friends. They're not secretive about their relationship, persay, but come what may, it might be of use to remind some of their status and what they've already accomplished and would be able to do, should shadow rise again. (not spoiler alert at all, it will! their retirement from public affairs doesn't last as long as they'd wish!)
Domestic - 9 : Who’s more likely to convince the other to come back to sleep in the morning?
Trick question ^^ The answer is both!
Depending on what they have to do in the morning, and the urgency of aforementioned tasks, it really could be either, luring the other to bed for cuddles/a few extra hours of sleep ^^
Bonus point for Trahearne who as a huge advantage when it comes to dragging Anwen back to bed. Nope, not even mentioning the fact that he’s now twice as tall as her, which is an advantage. Not mentioning that either, you naughties! 😏
Nah I mean that :
(All due credit to @novakricff for this beauty! I don’t know how to insert images from another blog to an answer to an ask T_T)
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How could you refuse anything to this man?
Well Anwen can’t for sure! (and that’s not a reason she can exactly give to her sparring partner for her more than frequent tardiness to training sessions! )
As for staying in bed in general, but not necessarily sleeping (still not that 😏😉 ), it’s Trahearne! No doubt!
In the weeks and months following the campaign of Maguuma and his rescue from the Heart of Thorns, he comes to appreciate the luxury of a quiet, lazy day.
Even with appropriate care and healing it takes some time for his legs to recover from his forced fusion to Mordremoth and prolonged stay in that pod, so a lot of these days are spent reading, writing or studying in bed, far away from the agitation of the outside world lest there were yet another end of the world crisis.
Leaning on Trahearne's shoulder, reading poetry, marking thesis for scholars who'd hope to make Orr their chosen subject of study or raging together against a blattant translation mistake in the analysis of some ancient artifact, while buried in the safety of a sturdy pillow fort seems to have a wonderful effect of Anwen's "can't sit still or I'll explode" dicease ^^
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The Disease of Addiction
Euphoria Special Episode Part 1: Rue (Recap & Review)
Before I begin my official review of this episode, I would like to preface my thoughts with a bit of a primer about spoilers and trigger warnings. The show covers a range of topics from addiction to mental health. Still, I specifically want to warn anyone reading that I explicitly talk about and mention the topic of suicide in my review. If this is triggering for you in any way, please, don’t read ahead and take care of yourself! Okay, that’s it; I hope you enjoy my thoughts, and please let me know if you have any feedback or comments for my review and things I can change or fix in the future.
Where to begin with such a loaded episode...we knew the format and style of the episode would be simplistic based on the current realities of filming amidst a pandemic and what we saw to be a scene from Season 2 that the creator Sam Levinson expanded upon. Zendaya herself let us know that the episode's storytelling method would be vastly different from what we’ve already seen on the show. The format and simplicity of the episode, in contrast to the loaded dialogue and content of the scenes, are perfect. The camera takes you right into the middle of these conversations with Rue and Ali. But before we can even dive into what they talk about, we have to address the elephant in the room that is Rules. The episode begins with what is probably one of the most gut-wrenching sequences I have seen on the show. Because we know the reality and truth of their current predicament, Rue’s peppered kisses across Jules’ body and her tight squeezes and hugs from behind Jules evoke a strong sense of loss and pain for the viewer. The sheer intensity of the physicality of Rue’s affection for Jules is so overpowering and overwhelmingly present, we can almost feel the imbalance in their relationship through the screen. There is something to be said for the harsh reality of Rue’s dependence on Jules being reflected even in such a non-objective dream-like sequence. And yet, even in Rue’s wildest dreams and happiest stupor, she does not imagine the sobriety of her future. To me, that is indeed the crux of her character and the essence of this episode. Ali himself says, “The point is your sobriety.” And while it may feel like a focal point of discussion, the conversation flows in a way that seems to bounce back and forth between the two like a simple tennis match. It is easy to follow between Ali’s most potent clearest convictions about how the world works and Rue’s drug-addled hazy perception. The inherent contrast between their mental states and the different points of life in which they are both standing hit the viewer at alternate moments.
But we know Rue is not sober even as she lies to Ali and stumbles out of the bathroom, the shaky camerawork conveying her recent use. She is wearing the same shirt from the dream but has her signature hoodie on, her messy curly locks running down her back and glassy eyes staring straight ahead. The scene moves from her imagination of life with Jules to her lies about use. Her eventual admittance to being a high-functioning user happens as quickly as the conversation moves from sobriety to faith.
So I might be biased and hence don’t think I am incorrect in admitting that Zendaya has never given us a bad performance in her life. Even as she lies to Ali’s face and he is quick to call out her apparent contradictions, the faint slurring of her voice and her glazed eyes tell all. As striking as the conversation is, it feels even stranger for me to admit I felt comforted by Rue’s confession to thoughts of ending her life. And even as she admits to the darkest moments in her mind, Ali’s face and reaction are an even better neutralizer for what would generally be such an alarming thing to say to someone you barely know. As they continue to discuss her eventual relapse and all the reasons behind it (including racing thoughts encompassing “all the things I remember and all the things I wish I didn’t”), the viewer can envision the sequence of events that was shown to us in the finale - her fights with her mother and sister, her first time using when her father was fast asleep, her father’s death, her sister finding her after her overdose.
As much as I would like to quote the entire episode, I have to say Ali’s monologue about the idea that none of us are born evil and that society views mental illness and addiction as a personal moral failure rather than an overarching system many of us are incapable of overcoming, to be one of, if not the most decisive moments of the entire show. The line about coming out of the womb with “a few wires crossed” but still a beautiful baby girl eventually messing her way up through life struck a chord in me. I didn’t ask to be born this way. I don’t feel in control of my mind or the way it ever seems to work. And I’m always going to be a bad person. The disease of addiction and mental illness lets you - no, it makes you - view everything you have ever done in your life as not a consequence of the way your mind works, but as an active choice, you have consistently made, as you screwed up everything you’ve ever loved, and let down everyone you have ever cared about. The disease is not you as a person or even the way you think, and yet it is powerful enough to feel that way. Almost like the rapid cycling between mania and depression, the disease flips between, making you feel like the most powerful, invincible person alive and the absolute scum of the earth. There is nothing in between.
Ali’s backstory and his monologues about his change in faith from Christianity (when he was previously known as Martin) to Islam and the world's revolutions were fascinating. Side note: I did think the line about women converting to Islam was unnecessary, but I digress.
Rue’s understanding of the Narcotics Anonymous program's steps was the perfect way to bring in the conversation of faith. As she mentions her difficulty in coming to terms with the idea that there is greater power in charge of her behaviour and the way she surrenders herself to drugs, Ali chimes in with, “You don’t believe there is a power on Earth greater than Rue.” She disagrees and continues quoting and citing different sources she believes to be omniscient and great. And I absolutely agree with her. To me, there is no greater power than the source of art, the music that keeps me going, that feels like it’s the only thing keeping me from stopping the blood pumping through my veins. I understand Rue. But I also understand Ali. And yet, when Rue goes on to talk about the inexplicable workings of the world, my heart stops. There is no reason. There is no reason for the absolute pain and loss and suffering I’ve experienced, for the trauma I’ve witnessed and endured. For the absolutely horrifying things, the people closest to me have lived through. It is merely chaos. There is no reason I wake up every single day, regretting the fact that I did indeed wake up and that I am alive and breathing. So I Understand Rue. But Ali’s monologue about the moral arc of the universe and the unfathomable ways in which life and history line themselves up, to open our very eyes to the realizations we come to daily, is overwhelming. And yet, while he is waxing poetic about the intricacies of the world, we can see Rue’s exhausted eyes glaze over further, still unimpressed. “Maybe I’ll start a revolution like Malcolm X or something”, she quips back. But Ali is quick to counter; revolutions are no longer revolutionary.
Life as we know it is hypocrisy and foolish symbolism, only emphasizing his point about the universe's ridiculousness. Does any of it have meaning? Or is the meaningless void just another puzzle piece in a picture we will never get to see? There is also something to be said about Rue’s facial expressions as Ali continues his train of thought about her “generation”. As we often do when we hear our elders dismissively brush off our many concerns, she almost rolls her eyes. But he is listening, and he knows. “You think you’re out here fighting a revolution, and Bank of America is on your side? Give me a fucking break.” He’s not wrong. His speech reminds me of the masses of teens on TikTok creating video content specifically catered to an audience with an aesthetic that glamorizes the image of a revolutionary teen hero. But instead of a blazing bow and arrow, it is the common cell phone and a punchy soundtrack filtered through digitized audio. What would typically come across as preachy in any show catered to teens is, in fact, poignant. It also reminds me of how self-aware Euphoria is, knowing it’s guilty of falling into the same trap it accuses the viewer of doing.  
You have to commit to bettering yourself, Ali essentially tells Rue. And to me, that is the most inherently human struggle we will ever face in our lifetimes. As long as we exist, we have to face the idea that each day is, in fact, not going to be easier than the last. And when he tells her that he believes in her and that the hope of her success (that may one day come) should be greater than the failure of her current demise holding her back, I want to cry. I keep thinking about that edit of Rue to this is me trying by Taylor Swift.
The music of the song that Jules has texted to Rue swells, and it is easy to get caught up in the angst of the moment. It accompanies the words, “I miss you.” And if it wasn’t for Ali’s conversation with his daughter as background noise, one would simply soak in the gut-wrenching pain of their separation. The juxtaposition of Ali trying his absolute best to cling to his family as Rue continues to isolate herself from her loved ones and push herself further into the abyss makes my heart physically hurt.
Ms. Marsha’s spell-binding words of wisdom about sobriety and relationships compared to Rue’s tired exhaustion imminently displayed on her face make the viewer a little wary of what comes next. Her misunderstanding of a juvenile relationship with Jules is made clear when Ali confronts her about the fact that the two of them never had a real conversation about their feelings for one another. Rue’s distrust in the idea that things will eventually work themselves out stems from the fact that she feels disappointed by how her loved ones have left her so far. She eventually spirals into this negatively destructive way of thinking. She cognitively recognizes and justifies getting left behind because she thinks and believes she deserves terrible things in life. She lists examples of past deeds to further cement her argument. But Ali counters back with the simple statement that “Drugs change who you are as a person.” Regardless of her actions, he believes she is still a genuinely good individual while she argues that she is absolutely not. My favourite part of this whole conversation and the entire episode is the manner in which Ali questions Rue’s negative cognitive patterns. Her brain and mind essentially excuse bad behaviour by convincing her that she will never be a good person. Hence she can never forgive herself, and thus, she will continue to remain in this cyclical pattern. Our actions may be inexcusable, but they do not line up with our intentions. The inevitable human struggle is not whether we are fundamentally good or bad, evil, flawed or perfect, but if we are (and again, not to quote my other favourite show, The Good Place) trying to be a better person than we previously were. If we recognize that our actions are wrong and we are capable of experiencing remorse and regret for said actions, who's to say we are entirely incapable of change. This reductive polarizing, and dismissive way of thinking is characteristic of the brains of most people living with a mental illness. Our outside influences, such as drugs, can all be contributing external factors to how we conduct ourselves through life. Ali’s short bit about redemption and human beings deeming actions unforgivable forever can easily be paralleled to direct conversations we have online about “cancel culture”. The phenomenon of dismissing and reducing someone to their mistakes instead of allowing them to grow from them is a nice sentiment. Still, if we do not truly take accountability into action and witness no real changes or remorse, we can quickly get stuck in that cycle. Even if our beliefs do not line up with our actions, drugs can eventually change that. The belief system we hold so dearly, the convictions we strongly feel, can all be washed away by the simple use of drugs, Ali explains as he tells Rue about his family background. His experiences with abuse and his eventual hypocrisy as he plays the role he always feared in his family leave the viewer speechless. As we watch him tell his tale of regret, there is no woe or sorrow in admitting he is or isn’t a fundamentally good or bad person, just the thought of his attempt to change his ways that impacts the viewer.
As the viewer waits with bated breath to see what comes out of Rue’s mouth next, it is not a surprise (to me personally). Rue has no intention of staying sober because she has no intention of staying alive much longer. Ali asks her why she feels that way. She responds with her sentiments about the cruelty of the world. Ali understands. We truly are living in dark times, witnessing truly horrific events, and the fact that we even have the capacity to care any longer is indicative of our will to stay alive. It doesn’t make much sense when you think about it, but when you are so sad, so grief-stricken by the news, by the world’s turn of events, by the mere thought of witnessing more tragedy that you cannot bear to be alive any longer, it means that you are deeply invested. Invested in the way things will turn out even if you do not personally believe you want to participate or even be privy to being complicit in a system that does nothing but churn out pain, anger, and hatred. When I was at the lowest point in my life and attempted to end my own life, I was overwhelmed by the goings-on of the world. As emotionally drained as Rue is, a part of her still cares. She wants her sister and mother to know that she really tried. Just as I wanted and still want my parents and friends to be okay without me when I do eventually leave this earth. Of course, I care about what happens to them. The idea that suicide or suicidal ideation is inherently selfish is so contradictory to the reality of how suicidal individuals genuinely feel. It is the opposite. We care more than most, and we care to the point that it hurts to extend another moment of kindness to ourselves amid all the chaos and madness of the world. But still, we try. We do our best. Ali believes in Rue. He has faith in her.
The entire episode ends on a melancholy note as Rue and Ali depart the diner with Rue wistfully staring out the window as he drives her home. Ali loves his conversations with Rue and vice-versa. The fact that two people can be sitting at a diner alone on Christmas Eve talking about the beauty and cruelty of the world and everything ranging from politics to addiction to suicide to love to family and anything in between goes to show us that humans will always find a way. The fact that two people struggling and suffering from addiction can find their own way about and amidst the chaos of the world and still have these meaningful conversations about life and existence tells us that ultimately, Trouble Don’t Last Always.
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Guide to LotF Ships:
Hello! So, it's been a while since I last made a proper post on here and I've been thinking of making something like this for a little while now so here goes! Basically this is a guide to the 'main' ships in the fandom (aka the ones I've seen the most in fanfiction and fanart). Each ship will be divided into two sections-canon interaction and fandom interpretation. I figured this might be helpful to anyone new to the fandom or just interested in why people ship certain things!
(apologies in advance for any incorrect quotes, chapter numbers or other errors- I decided it would be a great idea to write this at 3am while citing everything from memory except one quote)
1.) Jalph (Jack x Ralph)
Easily the most popular ship in the fandom, it's not surprising to see why this is a ship given that it involves the two most prominent characters in the novel. However, there is also a sizeable amount of fans who dislike the pairing- potential reasons for this will be covered below.
Canon Interactions:
Where to start with this one? Jack and Ralph's relationship is arguably one of the most significant ones in the novel, providing a source for much of the conflict within the story. At the beginning, their relationship is amicable and they consider each other to be friends- 'They were lifted up, were friends'. However, as the novel progresses their differing opinions lead to them becoming more and more at odds with one another until eventually their relationship falls into complete disrepair. In the middle of the novel their relationship goes through a period of love/hate- 'They stared at each other, baffled, in love and hate' (if you've been in the fandom for a while or are a jalph shipper you've probably seen this quote pop up a fair bit). At the end of the novel, however, it is clear that at the very least Jack seems to completely hate Ralph (throwing a spear at his chest 'with full intention', heavily implying he genuinely intended to kill him). Ralph also asks him 'Why do you hate me?' at one point, which Jack neither accepts nor denies. Ralph seems to have some regrets about the downfall of their relationship, with the memory of he, Jack and Simon climbing the mountain in Chapter 1 being the thing that ultimately causes him to break down and cry in the final chapter.
Scenes which are popular with shippers include the argument between Jack and Ralph in which the 'love and hate' quote appears, with several having pointed out that it sounds a bit like the sort of argument a married couple would have ('I work here all day with nothing but Simon and you come back and don't even notice the huts!'). Some people also consider Jack following Ralph to Castle Rock in Chapter 7 because he 'Couldn't let [Ralph] do it on [his] own' as a sign that Jack cares about Ralph's wellbeing although I personally disagree with this. The early interactions between Jack and Ralph in which they have a more positive relationship are also fairly popular. There are literally so many more examples I could bring up here, I could and probably should make a whole separate post about it.
Fandom Interpretations:
Jalph is portrayed in a number of different ways within the fandom. Generally it is considered to be a love/hate or enemies to lovers pairing, with the relationship between the two varying from a friendly rivalry to complete enemies depending on the fic (the hate aspect of their relationship is more often toned down in modern AUs/school AUs, understandably so as it would be a bit weird if Jack was trying to murder Ralph in the middle of a normal school setting- not that I wouldn't read that fic if someone wrote it).
While some fics portray jalph as a perfectly healthy romantic relationship, others explore the unhealthy aspects of this relationship (especially fics which are closely linked to canon/follow on from canon events) and can even portray Jalph as outright abusive, although this portrayal isn't very common. Some fics involve Jack having a redemption arc, allowing him and Ralph to have a healthier relationship, while in others their relationship remains unhealthy and reliant on their 'indefinable connection' which Golding suggests binds them together.
Generally anti-jalph fans believe that Jalph glorifies and in some cases fetishises abusive relationships, and that Jalph would not last in the real world as a result of it being extremely unhealthy.
2.) Rogermon (Roger x Simon)
While this relationship has little basis in canon, it is incredibly popular within the fandom to the point that it is most likely the second most popular ship after Jalph. The ship seems to stem more from the fandom's interpretation of it more than canon, similar to Rogice.
Canon Interactions:
As mentioned above, Roger and Simon interact very little in canon. This may be due to them both being fairly introverted characters who typically only interact with a limited number of other characters (with Roger primarily interacting with Jack and Simon primarily interacting with Ralph and Piggy). However, they were canonically both a part of the choir prior to arriving on the island and so likely knew each other before the events of the novel. There is one scene in canon which may be relevant to mention here (although this is admittedly a bit of a stretch), and that is in Chapter 7 when Roger is the one to interrupt Ralph and Simon's conversation by the rocks (the 'I just think you'll get back alright' conversation. you know the one). I'll leave you to interpret that as you will.
Fandom Interpretations:
Part of the reason for this ship's immense popularity is its potential. Shippers generally seem to like how Roger and Simon are portrayed as foils to one another in canon- Simon is the representation of goodness and purity while Roger is the representation of evil and sadism. I've heard the phrase 'opposites attract' thrown around in reference to Rogermon before to put it bluntly, people seem to like to contrasting edgy and soft boi aesthetics. In fanworks, Simon is often portrayed as sweet and accepting while Roger is very protective and seems to have a soft spot for Simon which contrasts his cold attitude towards other characters. They often appear in Jalph fics as a 'b-pairing'.
I don't think there's exactly an anti-rogermon part of the fandom in the same way that there are anti-jalph fans, but some people don't ship it for a number of reasons. The main reason is that there are other popular ships involving both Roger and Simon, Rogice and Ralmon probably being the most popular of these. There aren't really all-out shipping wars in this fandom from what I've witnessed (we're a very chill bunch), but I have seen some friendly discourse about Rogermon and Rogice in particular. In addition, it doesn't have much basis in canon and those who aren't a fan of Roger's personality (being a canonically violent and sadistic individual with sociopathic tendencies) may view this and other pairings involving Roger as inherently unhealthy. However, it depends on how you interpret the character and the ship- some may argue that Simon balances out Roger's more 'evil' personality traits and helps to ground him somewhat.
3.) Ralmon (Ralph X Simon)
This pairing isn't as popular as the above two involving the same characters, but still has a strong fan following of its own. Like with Jalph, there is a lot of interaction between Ralph and Simon in canon which provides some basis for Ralmon as a ship.
Canon Interactions:
Ralph and Simon have been friends from the first chapter of the novel and maintained a largely positive relationship throughout. The majority of interactions between them have bee1n interpreted by the fandom as Simon having a crush on Ralph, such as when Simon stroked his arm 'with shy liking' in the first chapter. The scene in Chapter 7 in which Simom crashed into a tree because he was staring at Ralph is also a popular one, as is the slightly later scene in which Simon encourages Ralph by telling him 'you'll get back alright' followed by the two smiling at one another. An interesting point to bring up regarding the latter example is that Ralph recalls this later on in the final chapter. There are also a few examples of Ralph liking Simon at least platonically, such as when he is the one who reacts the most strongly to Simon's death (although this may be more to do with his role in it rather than Simon being the one who died). Ralph and Simon are also the only ones who continue to work on the shelters together after all the others left, something brought up during Ralph's argument with Jack in Chapter 3 ('Simon. He helps')
Fandom Interpretations:
Ralmon is often interpreted in fanworks as being a soft and fluffy pairing, contrasting many of the other pairings on this list. Their relationship is usually portrayed as healthy and wholesome, with Simon often having the stronger feelings at first. Think slowburn friends-to-lovers type fics. The angstier fics tend to deal with Simon's death and Ralph's role in causing it, though Simon is alive in the majority of fics (as a result of an AU or the fic taking place prior to his death).
Again, there isn't really a shipping war between Jalph and Ralmon, but if our fandom was bigger and more aggressive there probably would be.
4.) Rogice (Roger X Maurice)
This pairing bears some similarities to Rogermon in that it doesn't have much basis in canon and seems to be liked largely due to the characters' contrasting personalities.
Canon Interpretations:
Again like Rogermon, Roger and Maurice were in the choir together prior to arriving on the island and so know each other from before the events of the novel. Their relationship in canon seems to be somewhat positive, with the two shown spending time together (aka bullying kids together) voluntarily in Chapter 4. They also both go with Jack to steal Piggy's glasses in Chapter 10, indicating they are at the very least willing to and capable of working together to achieve a common goal.
Fandom Interpretations:
This pairing, as mentioned above, has a focus on Roger and Maurice's contrasting personalities, with Maurice being cheerful and good-humoured while Roger is more cold and aloof. Their dynamic is often used for comedic purposes, with Roger using sarcasm in response to Maurice's memeing. They seem to balance one another out, with Roger being the straight man minus the straight part obviously to Maurice's wise guy.
In fanworks, the pairing isn't portrayed very often within the canon universe from what I've seen, generally appearing within modern AUs and as another b-pairing to Jalph fics. It is usually fairly fluffy, but in fics where Roger is portrayed as more emo or with a tragic backstory, it can be more angsty with a hurt/comfort edge to their dynamic.
I've mentioned this pairing being at odds with Rogermon before, but the closest I've seen to a shipping war was one that took place between the characters themselves in a fanfiction.
5.) Jager (Jack X Roger)
An interesting pairing because while it does have a decent amount of canon basis, it isn't nearly as popular as some of the ships which don't. This may be because there are a fair few fans who dislike one or both of these characters, or because the pairing isn't usually as fluffy as some of the other popular pairings. Even so, it's popular enough to be considered one of the 'main' pairings in my opinion.
Canon Interactions:
Firstly, the obligatory 'they were in the choir before the island so they already know each other'. Jack and Roger's canon relationship is difficult to interpret. It seems that they get along at least somewhat since they often spend time together, with Jack deliberately seeking out Roger to show him his face paint in Chapter 4. I'd also like to point out that the only time Roger smiles in canon is when he's making fun of Jack in this scene ('You don't look half a mess'). Roger also voluntarily accompanies Jack and Ralph up the mountain to look for the Beast, and by the end of the novel he appears to be Jack's second-in-command of sorts. I'm going to drift into speculation for a moment here- personally I interpret this relationship as Jack seeing Roger as one of the only people (if not the only person) who truly understands him- in one scene Jack 'looked round for understanding but found only respect', which could suggest that this is something he values. However, Roger's values seem to differ from Jack's and I think Jack starts to realise this towards the end of the novel- he appears to be afraid of Roger after discovering he was directly responsible for Piggy's death ('the hangman's horror clung to him'). I also don't believe Roger sees Jack in the same way- Roger seems to only be tolerating Jack's position as Chief towards the end of the novel, internally questioning his authority in Chapter 10 and almost pushing his shoulder when walking past him in Chapter 11. It is implied that he dislikes Jack (or at least has bad intentions towards him) in Chapter 4 as well- 'a darker shadow crept across the swarthiness of his face' upon seeing Jack, which could be foreboding.
Fandom Interpretations:
As mentioned earlier, Jager is not always portrayed as fluffily as other pairings. It seems to often be portrayed as quite unhealthy, or sometimes it involves Jack and Roger, for lack of better words, being gay and doing crimes. Their relationship seems to bring out the worst in one another in these sorts of fics. However, a popular headcanon amongst Jager shippers seems to be Roger having a one-sided crush on Jack. Sometimes they have a friends-with-benefits style relationship in works featuring this headcanon, but I've also seen ones where they are regular friends. This tends to appear in Jalph fics in which Roger is not already paired up with Simon or Maurice. Another interesting take on the Jalph side of this pairing is Jalger, or the polyamorous ship between Jack, Ralph and Roger. I've weirdly seen multiple fics in which Jack and Ralph become aware of Roger's crush on Jack and they end up in a three-way relationship. That's technically a whole different ship though so I won't talk about it in depth here. Fluffier Jager fics are often friends-to-lovers, with the two being very close friends in the beginning if not best friends.
*
Well, that's all I've got for now! Thank you very much for reading and I hope you found this guide interesting. Apologies for it being an absolute mess by the way, it's 4am and I have no idea why I decided to write the whole thing now (we love insomnia). If you have any requests for ships I haven't covered here, feel free to shoot me an ask and I'll do my best to cover them! I might end up making a second part at some point anyway since there are still ships I want to talk about (e.g.- ralphiggy because it's super underrated)
Okay, bye for now ;;;
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aion-rsa · 3 years
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Star Trek: Lower Decks Season 2 Episode 1 Easter Eggs & References
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This Star Trek: Lower Decks article contains spoilers for Season 2, Episode 1: “Strange Energies.”
The mission of the USS Cerritos is to do the jobs other Starfleet ships can’t; following up with all sorts of minutiae and boring outer space logistics, long after the Enterprise or the Defiant has warped out. But whether it’s Lower Decks or Picard or Discovery or Strange New Worlds, the mission of hardcore Trek fans is the same: Pause the screen and see what deep-cut Easter eggs got slipped in this time!
In Season 1, Star Trek: Lower Decks earned the reputation for the most meta-textual Star Trek ever. There are layers and layers of Trekdom within every frame of this series, making it hard to look at one episode and catalog all the references. But if you thought Season 1 went deep into the wells of Trekkie references and Easter eggs, Season 2 is here to make Season 1 look tame. The Season 2 premiere of Lower Decks — “Strange Energies” — is one giant Easter egg with a bunch of reproducing tribble-ish Easter eggs inside of it. Unless you’ve got ESP powers on the level of Dr. Elizabeth Dehner, there’s no way you caught all of these. 
Cardassian ships
The episode has a cold-open on some kind of prison inside of an asteroid field. This is surrounded by two kinds of Cardassian ships, the Galor-class and the smaller Hideki-class scout ships.
“The Keep Showing Me Lights”
Hologram Boimler says the Cardassians “keep showing me lights.” This line, and the existence of the secret Cardassian facility references the famous Next Generation two-parter, “Chain of Command,” in which Picard was kidnapped and tortured by the Cardassians. If you somehow haven’t seen that episode, the whole idea is that the Cardassians try to gaslight Picard into thinking there are five lights in front of him when there are only four. Lower Decks referenced “Chain of Command” in Season 1, too! In Season 1, Episode 7, “Much Ado About Boimler,” Mariner joked about the Cerritos getting a “Babysitter Jellico-type,” for a subsitute captain, which referenced the temporary captain the Enterprise got in “Chain of Command.” Freeman, Shaxs and Ransom whore the all-black special ops outfits in that episode, too, and Tendi did the same in “Veritas.” 
Too Many Ships to Count 
As Mariner escapes from the Cardassian facility, there are soooo many ships being stored in this particular hanger. It’s all the ships. Here’s just a few we caught
A Federation runabout
Jem’Hadar fighters
A Nemesis-era Romulan warbird
An old school Romulan Bird-of-Prey from TOS
Federation fighter craft (like the ones seen in TNG’s “Preemptive Strike.”)
And many, many more.
Miranda-class USS MacDuff
Mariner steals a Miranda-class Federation starship with the registry NCC-1877, and the name “USS MacDuff.” There’s a lot going on here.
The Miranda-class was first seen in The Wrath of Khan, in the form of the USS Reliant. That film also featured someone stealing a ship like this with ease.
The bridge for this ship is basically identical to the Reliant.
Lower Decks showrunner Mike McMahan said in 2020 that he was inspired by the Reliant for the design of the Cerritos. 
The name “MacDuff” might reference the TNG character, Kieran MacDuff, from the episode “Conundrum.” In that one, the crew has temporary amnesia and MacDuff manipulates them into fighting a war they’re not supposed to be involved in.
Jennifer 
Jennifer is back! Mariner is interrupted during her holographic work-out by Jennifer, an Andorian crewmember from last season. In the Season 1 finale, “No Small Parts,” Mariner runs through the halls and pushes this character out of the way, saying, “Move Jennifer.” As far as we know, Jennifer is the only Andorian named Jennifer, but you really have to wonder, was this an Andorian name, or a human name? 
“I know we’re not supposed to have interpersonal conflict”
Mariner’s dislike of Jennifer is punctuated by her talking to herself saying, “I know we’re not supposed to have interpersonal conflict…but I really hate that Andorian.” This references a long-standing rule from the TNG–era of Trek TV; that Starfleet officers weren’t supposed to have petty differences with each other. This rule was apparently implemented by Gene Roddenberry and drove several writers, including Ron Moore and Jeri Taylor, nuts. 
Slightly new opening-credits
In Season 1, we saw the Cerritos running away from a battle involving a bunch of Borg cubes and Romulan Warbirds. Now, that same battle includes a Pakled ship from the Season 1 finale, a few Klingon Birds-of-Prey, and seemingly, fewer Borg. 
Fred Tatasciore’s name in the credits?
Although Shaxs died in the Season 1 finale, Fred Tatasciore’s name appears in the opening credits…hmmm…will this ever be explained? 
Rutherford’s date with Ensign Barnes
“Strange Energies” directly parallels the 2020 Season 1 debut, “Second Contact,” in several ways. The crew is involved with a second contact mission that goes horribly wrong and Rutherford starts dating Barnes for the “first” time. In the Season 1 finale, Rutherford lost his memory, which is why his relationship with Barnes seems new to him. This is why Mariner says “that sounds familiar.” 
Hating pears…a Doctor Who reference? 
Tendi is concerned that Rutherford used to hate pears, but now he doesn’t. This is possibly incorrect, but this could be a Doctor Who reference. In the Doctor Who episodes “Human Nature,” “Twice Upon a Time,” and “Hell Bent,” the Doctor (both David Tennant and Peter Capaldi) mention hating pears. In fact, in “Human Nature,” when the Doctor’s memory is erased, he asks Martha Jones to “never let me eat a pear.” 
Sonic power washing 
“Sonic showers” have long been a thing in the Star Trek universe, making their debut in Star Trek: The Motion Picture. But, we’ve never seen sonic power-washers before!
“Ever heard of Gary Mitchell”
Ransom’s possession is very much a tribute to Gary Mitchell’s god-like powers in the second TOS pilot episode “Where No Man Has Gone Before.” Dr. T’ana’s insistence that Kirk beat Gary Mitchell with a “boulder” is accurate. For whatever reason, the very first canonical Kirk-adventure ever, established that rock beats god-like powers any day of the week. It should also be noted that Mariner referenced Gary Mitchell in the first episode of Season 1, too.
Possible Harlan Ellison reference?
While Ransom is starting to work out, you can briefly hear him say, “The trick isn’t becoming a God. The trick is staying a God.” This could be a reference to the axiom attributed to Harlan Ellison: “The trick isn’t becoming a writer. The trick is staying a writer.” Ellison wrote “The City on the Edge of Forever,” for TOS. In Star Trek: Picard Season 1, Soji traveled on a ship called the Ellison, which Michael Chabon revealed was an Easter egg meant to reference Harlan Ellison. So, you never know? 
“The Trick isn’t becoming a god, the Trick is staying a god”
Harlan Ellison reference?
Ransom on the Mount
Mariner says that Jack is “going all Ransom on the Mount.” This almost certainly references a hilarious fan video called “Shatner on the Mount,” in which a group called Fall On Your Sword remixed a behind-the-scenes interview with William Shatner (promoting Star Trek V: The Final Frontier) into a hilarious kind of talking-rap song. It has to be seen to be believed. 
Giant God Head
A giant God head coming out to grab a starship might seem silly, but there are several precedents for this kind of thing in Trek canon. In the TOS episode “Who Mourns For Adonais?” a giant green hand grabs the Enterprise, which is later revealed to be the hand of the god Apollo. In the TNG episode “The Nth Degree,” the giant head of a Cytherian finds its way onto the Enterprise-D bridge. And, of course, in The Final Frontier, the crew meets “the God of Sha Ka Ree” which also, is a giant floating head. 
My older sister got a symbiont 
Barnes and Rutherford joke around that her Trill sister has a symbiont, but she doesn’t. This references the idea that not all Trill are joined, which was established in both TNG and Deep Space Nine.
Cetacean ops
Barnes mentions going swimming in “Cetacean ops,” a part of the USS Cerritos that we’ve never seen, but we have to assume has something to do with sea creatures. This is the second time Lower Decks has referenced Cetacean ops, which itself derives from an overheard line in TNG’s “Yesterday’s Enterprise.” Again, with yet another parallel to its Season 1 debut, “Cetacean ops” was last referenced by Lower Decks in Season 1, Episode 1, “Second Contact.”
“LDS thing”
Rutherford incorrectly refers to SMD as “LDS.” This references a few things. First, for most fans, the official abbreviation of Lower Decks is LDS. But, that abbreviation also references a joke from Star Trek IV: The Voyage Home in which Kirk incorrectly refers to the drug “LSD” as “LDS,” saying that Spock “did a little bit too much LDS back in the ‘60s.” 
Nightengale Woman 
At the end of the episode, Stevens tells Ransom he’s going to read him “Nightengale Woman.” This too is a reference to “Where No Man Has Gone Before,” which Gary Mitchell quotes from the poem “Nitengale Woman,” from memory. In Trek canon, the poem was written in 1996 on “the Canopus Planet.” In real life, the poem was written by Gene Roddenberry, who originally wrote part of the poem to describe flying a plane. 
Riker’s jam session
As the final moments of the episode cut back to the USS Titan, Captain Riker says “This jam session has too many licks and not enough counts.” In jazz, a “lick” refers to a pattern or musical phrase which is predetermined, but open to interpretation. Usually, a lick could result in a long jazz solo.  A “count” on the other hand, is more about the beat and form of a piece of music. Riker’s obsession with jazz began in the TNG episode “11001001.” In the season finale of Lower Decks Season 1, Riker’s catchphrase for sending the Titan into warp was a jazz count.
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Lower Decks Season 2 airs new episodes on Paramount+ on Thursdays.
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Choosing a Health and Safety Expert
Numerous small companies reach a point in their growth when the need for health and wellness advice ends up being vital. The factors differ - it might be the company reaches certain crucial points that activate legislative requirements, the owner/manager simply no longer has the moment as a result of the basic development of business or merely due to the fact that as the firm grows health and safety concerns come to be extra complicated. Another element that I have actually observed in recent times is large firms requiring extra detailed safety administration systems from even the tiniest provider as part of an attempt to minimise their very own obligations as part of their specialist vetting program.
health and safety consultant
Within the UK - firms with 5 staff members require to begin videotaping threat analyses as well as need health and safety plans but also without regulations most firms reach a factor where they approve a need for professional safety and security recommendations. Since factor may simply be when they reach a point of needing safety and security files or it might come a couple of years later as the firm expands and security needs become more complicated than the management are immediately comfy with.
As we travel around the globe we find various regulations, various levels of expertise as well as differing qualifications are linked to health and wellness. For small firms trying to locate their initial health and wellness consultant it can be an expensive mistake if the incorrect Working as a consultant is employed. So just how do you get the decision right very first time?
Competence and Certifications - Whilst exams and also certificates aren't the only factor they often tend to be an excellent beginning point. In the last few years "safety and security consultants" have expanded like mould - regrettably lots of are seriously doing not have in any type of official certification and also others have the paper but little real life experience. The term health and wellness consultant is not "protected" in any one of the industrial countries thus too many individuals with a brand-new business card and web site look like experts - yet all frequently they have little using qualifications and/or experience. Every nation has its own credentials but do examine as well as find out what those qualifications are. In the UK - IOSH is the biggest expert body as well as there is a national register of security professionals run in partnership with the federal government as well as HSE; www.oshcr.org. This needs the professionals to be fully certified (the register has an equivalency scheme between the main safety institutes so regardless of where they came to be qualified you can rest assured they are qualified).
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Experience: Alongside credentials it's an additional should have. Fresh dealt with 20 somethings fresh out of college with a level in safety may have a brilliant future however with little experience their value as an expert can be restricted. Commonly great consultants learnt their trade someplace in a full-time role - how to discover the right compromise, just how to make safety and security work in the real life - and also got assistance from even more seasoned associates whilst they made their very own blunders.
Field Understanding - It's constantly handy when the professional can mention your market from the get go - yet similarly an excellent specialist has actually seen a wide variety of offices over the years as well as can quickly use the basic concepts to any type of business. More important than instant experience of your market is whether they realize the fundamental principles of your business swiftly. To me whilst you constantly learn points in new organization and also fields a lot of understanding is transferable - machine securing prevails regardless of whats being processed.
Anxiety - the minute a consultant uses fear to offer walk away. Any individual who discusses jail, penalties as the only validation for using them is struggling. Yes we all know the regulation becomes part of the reason you're seeking a safety expert yet any body can price estimate law - an excellent security consultant will lead you via a broader set of factors that consist of legislation yet not in isolation - people not obtaining hurt being the principle aspect to begin with.
Expense: Don't be misinformed by reduced day prices, cheap initial security audits - it's not what you pay per hr that matters it's what you get for your cash that issues. The old sales strategy of getting your first step with an offer and afterwards upselling is equally as common in safety as in other places.
Two Means Discussions - an excellent expert will certainly speak with you before beginning and even quoting. I such as to recognize what a client thinks they need, just how they watch where they're at as well as just how much spending plan there is as common starting factors. Every customer is various - every client has unique challenges and also options. Whilst budget plans need to be versatile; a good specialist will certainly look to locate a method to maximise your spend in regards to results as well as remedies for your company.
Like - it's an odd word for business - yet "do I like or a minimum of regard the specialist?" is key. If you recognize what they say - they comprehend you and also attempt to make any type of suggestions match your company after that it's an excellent beginning. You need to work with them so ensure thats possible before making your choice.
First Records - this is where you really can inform if you've made the appropriate choice - it may not be suitable yet if you're miserable currently then points will only worsen as time passes. Points to be wary of - if papers look like they've been reduced as well as paste they most likely have (safety and security records and safety policies are the most awful offenders); if you don't truly recognize the work due to the fact that its written in legalese (or just limitless cautions of prison as well as penalties) after that it's time to re take into consideration since the opportunities are that it will certainly wind up destined to be unread; just as if there's no effort to comprehend company stress and also needs then again it might be time to obtain a second opinion. A fast test I always use is to just do a word search in Word or whatever software you utilize. Think of regular words that are crucial to your business and also see if they exist (as an example benefiting a car fixing workshop - inspect words like car repair, ramp, oil - stupid I know yet when none appear bar the most basic sense than its a generic plan).
If you discover the best safety consultant they'll work with you to make your work environment much safer as well as it should seem like everyone's got the same objectives - get the ideal specialist as well as it can be a relationship that expands with your service. Absolutely nothing lasts forever and also everything has its very own life expectancy - however long relations indicate they bear in mind the past, remember where you originated from and best of all develop connections with you and also your personnel - as well as connections are vital to a lot of things at the end of the day.
However in summary guarantee they are skilled, will supply as well as you feel you can develop a "partnership" with - or at the very least they can resolve you instant needs.
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teensith · 4 years
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big brain kagrenac theory
I’ve always been dissatisfied by the generally accepted story that the dwemer just “poofed” because Kagrenac did something with the tools and messed up, and that’s that, and Yagrum Bagarn is the only one left. There are a lot of in-game/in-lore inconsistencies about it, and I can see why it’s easier to think they all just blinked out of existence, but I don’t think it quite adds up.
The gist of it: Kagrenac was leading a cult, and led a mass suicide in the name of “transcending” the mortal coil, and the dwemer who didn’t poof went into hiding, interbred with other elves, and/or some other possibilities besides Yagrum “was in Oblivion at the time, then got corprus” Bagarn.
First, I want to define what a cult is.
These definitions as follows are taken from Wikipedia, and most of my direct quotes/sourcing will be from Wikipedia or UESP unless otherwise stated.
In modern English, a cult is a social group that is defined by its unusual religious, spiritual, or philosophical beliefs, or by its common interest in a particular personality, object or goal.
And further, I’d argue this is a destructive, possibly doomsday cult:
"Destructive cult" generally refers to groups whose members have, through deliberate action, physically injured or killed other members of their own group or other people. The Ontario Consultants on Religious Tolerance specifically limits the use of the term to religious groups that "have caused or are liable to cause loss of life among their membership or the general public".
"Doomsday cult" is an expression which is used to describe groups that believe in Apocalypticism and Millenarianism, and it can also be used to refer both to groups that predict disaster, and groups that attempt to bring it about.
So let’s get started.
To contextualize Kagrenac into wider Dwemer culture, and our understanding of the lore, let’s look at his position in Dwemer hierarchy (at least in Morrowind). He’s referred to as Magecrafter, the High Engineer, High Craftlord (which might be his actual title), and, oddly, High Priest. The Dwemer are not considered to be a religious or spiritually inclined culture, with UESP even describing them as “agnostic” and idolizing science after a fashion. This is really important for the next few parts of this, so bear with me.
Kagrenac is our primary source in TES for a lot of points we take as a given, such as the Heart of Lorkhan:
"Beneath Red Mountain, Dwemer miners discovered a great magical stone. By diverse methods, Lord Kagrenac, High Priest and Magecrafter of the ancient Dwemer, determined that this magical stone was the heart of the god Lorkhan
This is from an in-game book called Kagrenac’s Tools written by Gilvas Barelo, who authored some other writings that were compiled later by the dissident priests - in brief, heretical members of the church of the Tribunal who believed the Nerevarine prophecy was worth study.
I’m not saying it’s not the god Lorkhan’s actual heart right now, but we really only have Kagrenac’s word to go on. At worst, it’s an immensely powerful magical object with enough energy stored up that it can give people godlike abilities and a degree of immortality.
At the very least, it appears that Kagrenac genuinely believed this to be Lorkhan’s heart, and set about creating a plan to place it into the heart of a new god, the Numidium, “for the exclusive benefit of the Dwemer.” More on the “is it the real deal” will come at a later point in my post. And a little more on the Numidium as well.
One thing the book “Kagrenac’s Tools” notes is that being in proximity to the Heart causes some sort of Madness, allegedly, and that’s because siphoning power off a god is bad. Thus the tools are “cursed.”
Another account of the discovery, from The Plan To Defeat Dagoth Ur by Vivec:
The Dwemer discovered the heart while building underground colonies. High Craftlord Kagrenac created enchanted tools intended to tap the power of the heart. The War of the First Council was fought to prevent this sacrilege. Kagrenac's use of these tools and the disappearance of the Dwemer race marked the end of the war.
And last, I think the Heart is mentioned here, in “Nerevar at Red Mountain”
Resdayn, present day Morrowind, was contested ground between two very different types of mer: the Chimer, who worshipped Daedra, and the Dwemer, who worshipped a profane and secret power.
So it’s considered profane or “cursed” by those outside the Dwemer and then later the members of the Tribunal.
It appears that Kagrenac wanted to reconquer Resdayn and make the Dwemer immortal, per Yagrum Bagarn’s in-game dialogue, using this Heart to power Numidium. Yagrum Bagarn was not in agreement with Kagrenac’s ideals and considered his theories “dangerous”, which explains why he was on another plane when The Poof happened.
So now that we’ve established some backstory, let’s move on to why I think Kagrenac specifically had some sort of cult going, based on what little information we have.
He informed me, however, that in Kherakah the precepts of Kagrenac were taught.
This is from the book “Nchunak’s Fire and Faith.” It’s a firsthand account of Nchunak’s journey and his attempt to understand Kagrenac’s teachings.
Kherakah appears to be some sort of special compound built by Kagrenac and his followers. Kagrenac has a very high status in Dwemer society and culture, at least where the Dwemer in Resdayn are concerned. It’s unclear how many people are under Kagrenac’s thrall by the time of the Big Poof. This is what they do in Kherakah, per the same book.
the Dwemer of Kherakah, the most learned people in the world, [study] Kagrenac's words and [give] consideration to their place in the life to come
“The life to come” appears to be a reference to what happens after Numidium is activated - the retaking of Resdayn from the Chimer, perhaps. The book makes no mention of conquering, however.
neither planar division nor the numeration of amnesia nor any other thing of utility was more valued than the understanding of the self and its relationship to the Heart..
So what radicalized Kagrenac to the point of developing his own religious framework around the Heart? Was it only discovering the Heart? This so-called “madness” that being in the Heart’s presence is alleged to produce? Was his goal to reconquer Resdayn for the dwemer with the Numidium, per Yagrum Bagarn, or was it to use the tools on the Heart to bring on some sort of “life to come?”
I think it’s a combination of several factors.
Kagrenac’s true aim I believe is using the Heart’s power to “transcend mortality” for the dwemer race. The first reason I think he’s uninterested in actually reconquering Resdayn is that Dumac had no idea that he was planning something with the Heart. From “Nerevar at Red Mountain:”
Kagrenac and the high priests of the Dwemer had kept their New God secret from their King[...]Dumac said the Dwemer were innocent of any wrongdoing
Dumac also does not seem to be interested in conquering Resdayn, given his shock at being accused of lying about the Heart. So I think Azura wants the Dwemer gone from Morrowind, for whatever reason.
Remember when I mentioned earlier that I’m not entirely sure we’re dealing with the real heart of Lorkhan? Here’s why:
Azura, who confirmed that [...] the New God of the Dwemer should be destroyed for the safety of not only Resdayn, but for the whole world
If it was truly a piece of Lorkhan, and not some sort of idol...I think Azura would say so, as much as she’s petty and spiteful. It also wouldn’t be referred to as “New God” or “a profane power.” There is also this - Lorkhan’s heart is essential to holding Nirn together on some level, and this is a common thread across all creation of nirn myths. Why would she want to destroy the world and, if nothing else, destroy all her followers? I guess there could be something really convoluted in there about Lorkhan and being tricked, but it doesn’t scan for me.
Also, here’s a line from the Monomyth that suggests it can’t be destroyed
But when Trinimac and Auriel tried to destroy the Heart of Lorkhan it laughed at them. It said, "This Heart is the heart of the world, for one was made to satisfy the other."
There is, again, this idea that being around the Heart causes some sort of Madness, back to Nerevar at red Mountain.
So, looking at images of the Heart as depicted in Morrowind, it seems to have been affixed with Dwemer technology. Perhaps to prepare it for insertion into Numidium? It’s unclear if Kagrenac actually planned to follow through with building the Numidium, or if it was a ruse, given that firsthand accounts don’t mention it at all. Or perhaps Kagrenac’s plans changed and didn’t give a memo? Who knows.
Dagoth Ur was actually against using the tools and advocated destroying them and the Heart, at first. Taken from his entry on UESP.
At first, Dagoth himself urged for their immediate destruction, either of the Tools or the Heart itself, which led Nerevar to believe he could be trusted to guard them while Nerevar consulted his councilors
This is in line with what Azura said. Why would he suddenly change his mind?
Dagoth refused to give them up, maintaining that he had been entrusted with guarding them. Unbeknownst to them at the time, Dagoth had experimented with the Tools on the Heart during Nerevar's absence and somehow managed to steal some of its divine essence and power.
Proximity to the Heart, is why. I don’t think the dissidents in the Tribunal church were entirely incorrect in their assessment regarding the madness, just that the madness stems from the stone itself and not the tools Kagrenac fashioned.
Also of note:
Dagoth Ur, who used a ritual of his own devising to bind himself to the Heart of Lorkhan, had apparently adopted the views and motivations of Kagrenac.
Recap:
I’m inclined to believe that this isn’t Lorkhan’s actual heart. It’s definitely an object of great power that has some sort of aura of influence, and everybody outside of Kagrenac’s followers and the Tribunal consider it an evil object. But the indestructible heart of a dead god that��s holding the fabric of the world together, probably not.
I’m also inclined to believe that Kagrenac’s real plans for the heart were not to be the core of Numidium so Resdayn could be conquered again for the Dwemer, but to use his tools on them such to “transcend mortality.” Or something.
So, the cult-y part.
I mentioned in my general exposition earlier that Kagrenac had constructed a compound for himself and his followers, where he is a High Priest, and where the most important thing was reflecting on “the self and its relationship to the Heart,” followed by meditating on one’s place in “the next world.” He also appears to be envisioning himself as the harbinger of this next world, leading people to a “salvation,” while also outwardly promising to give the Dwemer Resdayn on a silver platter vis-a-vis Numidium. Potent rhetoric for a people frustrated with having to cooperate with the enemy.
As mentioned in my definition of doomsday cults, they tend to center around the “end of the world” in some form, either in the predicting or the bringing of. There is also a tendency for believers to see it as a period of transition into a new world or state of being, where only the “wicked” would suffer. Sounds not unlike Kagrenac’s designs.
So he wants to “transcend” the Dwemer using his tools on the Heart to do so. It seems that part of this transcendance requires one to leave mortality behind - maybe the physical body, as real-world religions tend to claim? It’s unclear what portion of the Dwemer populus follows him, but Yagrum Bagarn is a huge detractor of Kagrenac and his beliefs, so it follows there are other detractors and plenty of groups that don’t follow Kagrenac, confirmed by in-game dialogue with both Yagrum Bagarn and Baladas Demnevanni. Demnevanni also is of the opinion that the Dwemer were using magic and practicing tonal architecture in ways that go against the laws of nature, so of course they would eventually Poof, but that’s a tangent I don’t care to go into for this post.
Accounts vary on how the Poof happened, but the two major thoughts are Kagrenac performed some sort of “calling” that maybe brought a mass together, or that he struck the heart with his tools and everyone disappeared simultaneously at the climax of the battle at Red Mountain. A third idea is that the Tribunal dusted Kagrenac and the Dwemer.
This idea of a “calling” is much more interesting and honestly sounds a lot more like it could have actually happened, in my opinion. From Chimarvidium’s publisher’s note:
[...]the mention of "the Calling." In this legend and in others, there is a suggestion that the Dwemer race as a whole had some sort of silent and magickal communication.
So let’s work off this basic assumption: Kagrenac used the calling (some sort of silent communication power, perhaps racial) to gather his followers together in one place - perhaps the site of the Heart? After everyone had gathered, he told them they were going on a “sublime journey,” and then something related to the Heart and the tools happened, and then Poof.
With this, I’d also like to propose that this is a sort of “destructive” cult, after a fashion. Maybe Kagrenac genuinely believed he was saving people, maybe not. I’ve also seen mention on some other posts on TESlore that he bound the souls of the Dwemer to the Heart with his tools, though I don’t think I found an in-lore source for that. But in practice, it’s effectively a mass suicide brought on by some sort of fanatical belief in the power of this Heart. And if my theory that the Heart is an eldritch object is true, the Heart led Kagrenac (and later Dagoth) down a path of complete devotion to it, eventually leading to Kagrenac and the Dwemer’s demise.
After the Poof, I could see where if a sizable enough group of Dwemer vanished before the Tribunal’s eyes (maybe, this is a reach, but someone witnessed it), it would be assumed that ALL Dwemer vanished in the same fashion. But we don’t know that. After all, Yagrum Bagarn (though he was off exploring other planes at the time) is still around, even if he believes that he’s the last of his kind. And we have ghosts in the ruins of Morrowind.
Dwemer appear to be a bit greenish/grayish but don’t look so alien that they wouldn’t be able to shave their beards and hide among the High Elves. Plus, if this disappearance really did happen around the climax of the Battle, Nerevar’s death, and Azura’s curse, maybe they blended in relatively well with the newly minted Dunmer. And since the Dwemer are viciously hated by the Chimer/Dunmer, it makes sense that they would try to blend in or go into hiding, and eventually interbreed with other mer. Kind of reminds me of Roanoke colony “disappearing” and then reported sightings of “Indians with blue eyes.”
My last thought is kind of a Big Reach but what if some of the remaining Dwemer formed the Psijic order, or joined it early? This is based partly off the publisher’s note in Chimarvidium, but it does mention there’s no known spell for this “calling” or “silent communication.” And the Psijics are known to have time and space-warping magic, and talk up a lot about maintaining the balance of the world...or something.
Anyway, let me know what you think! I wrote this all in one sitting so it might not be my best essay.
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rivet-ing-titanic · 4 years
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April 30th, 1912 - American Inquiry Day 11
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Pictured: Philip A.S. Franklin (left) and J. Bruce Ismay (right) during the US inquiry into the disaster.
Day 11: A first big thing that is notable about today is the fact that the first woman witness is called to testify, a first class passenger named Mrs. Helen W. Bishop. But the morning starts with a seemingly unrelated individual to the disaster, but it comes that he had insider knowledge regarding a telegram addressed to “Islefrank” or “Franklin” on Monday morning. It is later asked that the testimony be sent to the officers of Western Union Telegraph, to advise them that one of their employees is leaking information. Another seemingly unrelated character is Deputy Morgan of the United States Marshall services who was in charge of the elusive Luis Klein. Colonel Archibald Gracie was among the first class passengers who testified today. His story is one that he later captures in books that are still read to this day. His story is definitely worth reading. 
Witnesses:
Edward J. Dunn, Salesman;
Charles H. Morgan, Deputy United States Marshall;
J. Bruce Ismay, managing director of I.M.M and Managing Director of the White Star Line (recalled later in the day);
C.E. Henry Stengel, First Class Passenger, RMS Titanic;
S.C. Neale, Counsel for I.M.M;
Colonel Archibald Gracie, First Class Passenger, RMS Titanic (recalled later in the day);
Mrs. Helen W. Bishop, First Class Passenger, RMS Titanic;
Dickinson H. Bishop, First Class Passenger, RMS Titanic;
Notable Quotes/Lines of Questioning or Summarized Testimony:
Edward Dunn, was a salesman who was speaking with an acquaintance about the Titanic disaster, at which “the question arose that there were rumors that there was a telegram delivered at the Western Union office to be delivered, or a message had been received by wireless addressed to Islefrank; and the wireless people, not knowing who Islefrank was, in turn turned that telegram over to the Western Union people to deliver to Islefrank. It appears that the telegram was delivered at the White Star office between half-past 7 and 8 o'clock that Monday morning.”  Dunn is continuously asked to give the name of his informant, but he remains steadfast and will not tell the subcommittee that man’s name.
The topic of Luis Klein comes back today as Deputy Morgan is interviewed. He presents a signed paper in which Klein waives the need for official subpoena, and agrees to come from Cleveland to D.C. in order to testify. Klein made it to D.C. with the Marshall, however he snuck out of his hotel at 7a.m. one morning and has not been seen since.
Ismay takes the stand again before the senators.  He starts by explaining all the lines held and controlled under the I.M.M. Then they discuss the relationship with Harland & Wolff, Thomas Andrews and the work they have done for White Star Line.
On their contract with the British Government: “No, sir. We are supposed to use the fastest ships we have in our fleet for the conveyance of the mails, but there is absolutely no penalty attached to our not making any special speed… I think there is a minimum; or we are not allowed to put the mails into ships that will go less than 16 knots, or something like that.” – Ismay
“No, sir. We have never built a ship with Messrs. Harland & Wolff by contract at all. They have carte blanche to build the ship and put everything of the very best into that ship, and after they have spent all the money they can on her they add on their commission to the gross cost of the ship, which we pay them. We have never built a ship by contract.” – Ismay
“She might not have sunk. I think it would have taken a very brave man to have kept his ship going straight on an iceberg. I think he should have endeavored to avoid it.” – Ismay
Ismay provides copies of all messages he sent aboard the Carpathia. 
“We have given instructions that no ship belonging to the I.M.M. Co. is to leave any port unless she has sufficient boats on board for the accommodation of all the passengers and the whole of the crew.” – Instructions given by Ismay the day following his reaching New York.
“Because there was room in the boat. She was being lowered away. I felt the ship was going down, and I got into the boat.” – Ismay, on why he boarded a lifeboat.
“Mr. Chairman, I understand that my behavior on board the Titanic, and subsequently on board the Carpathia, has been very severely criticized. I want to court the fullest inquiry, and I place myself unreservedly in the hands of yourself and any of your colleagues, to ask me any questions in regard to my conduct; so please do not hesitate to do so, and I will answer them to the best of my ability…” – Ismay (for full statement: LINK)
“I have no fault to find. Naturally, I was disappointed in not being allowed to go home; but I feel quite satisfied you have some very good reason in your own mind for keeping me here.” – Ismay. Smith has asked a number of men, mainly those of higher status, to say for the record, their opinions and confirm he was acting in a correct manner. I think you can look at this one of two ways: being extremely thorough and meticulous in this investigation, or you could see it as a CYA (cover your ass) attempt because some other people he didn’t consider their feelings or desires in the slightest.
Put into record was a letter from Ismay to Senator Smith, and Smith’s subsequent reply regarding Ismay’s departure for home. (link)
“I am working night and day to achieve this result, and you should continue to help me instead of annoying me and delaying my work by your personal importunities.” Smith in his reply to Ismay
“There was no one else around, not a person I could see except the people working at the boats, and he said, ‘Jump in.’ The railing was rather high - it was an emergency boat and was always swung over toward the water - I jumped onto the railing and rolled into it. The officer then said, ‘That is the funniest sight I have seen tonight,’ and he laughed quite heartily. That rather gave me some encouragement. I thought perhaps it was not so dangerous as I imagined” – Stengel
“There was a lady had a cane, I believe, with an electric light, and she was flashing this light, and they were going to that boat, and we were going toward that boat, and there were two other boats around, so the two or three of us kept together; that is, all the boats besides our own kept together.” Stengel (see this post about the electric cane)
A letter that I.M.M Counsel Neale sent (or directed his associate to send) to the Commissioner of General Immigration that stated the passengers would arrive in Halifax, and provided incorrect number of survivors, was put on the record. This was directed by Neale based upon a message that his office received from Franklin in New York.
Colonel Archibald Gracie  – A name many are familiar with, when it comes to the sinking of Titanic. He wrote two books about his experience, one co-authored by another survivor named John B. (Jack) Thayer (Titanic: A Survivor’s Story and The Sinking of the S.S. Titanic); as well as one he wrote himself called The Truth About the Titanic. His answers and testimony are quite long so I have provided a link to his testimony here, as I think he has a fantastic story to tell. You should read it. There are many quotes I wanted to include but for space, I have not.
“That is the boat that I came to when I came up from below. I was taken down with the ship, and hanging on to that railing, but I soon let go. I felt myself whirled around, swam under water, fearful that the hot water that came up from the boilers might boil me up - and the second officer told me that he had the same feeling - swam it seemed to me with unusual strength, and succeeded finally in reaching the surface and in getting a good distance away from the ship.” – Gracie
“There was a splendid Frenchwoman, who was very kind to us, who loaned us one of her blankets to put over our heads - that is, four of us. One poor Englishman, who was the only other passenger besides Mr. Thayer and myself who was saved on this raft - he was bald, and for that reason he needed this protection, which was very grateful to him. It was very grateful to me, too. The people on the Carpathia received us with open arms, and provided us with hot comforts, and acted as ministering angels.” – Gracie
“We thought of nothing at all except the luxury of the ship; how wonderful it was.” – Mrs. Bishop
“The conduct of the crew, as far as I could see, was absolutely beyond criticism. It was perfect. The men in our boat were wonderful. One man [a lookout, though she was not sure which] lost his brother. When the Titanic was going down I remember he just put his hand over his face; and immediately after she sank he did the best he could to keep the women feeling cheerful all the rest of the time. We all thought a great deal of that man.” – Mrs. Bishop
Mr. Bishop did not have much more to say than his wife, except to pass on some hearsay about a watertight door on E deck and that the women and children order had not yet been given when they got in boat no. 7 (the first to leave the starboard side). It is somewhat unclear to me the way in which they selected passengers to testify.  Gracie makes sense but I am unsure whether the Bishops added much. However, it is of note, that the Bishops are of Michigan, and that is Senator Smith’s state.
“I only mention that fact, because they [Butt, Millet & Moore] were perfectly imperturbable, showing their confidence in the ship, that no disaster was going to take place. In fact a great deal of my testimony is given for that purpose, to show how unconcerned everybody was about this serious disaster until the very last.” – Gracie
SEE American Inquiry Day 10 post here.
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cr-scribbles · 4 years
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Oh no what's this? It's back again? Yup! Welcome back! It's me the judy, back here with another review! This time you think it's gonna be easier, buT NOPE IT JUST HURTS MORE! The second chapter is my favorite so far just because I get so much feels from these heckies! The third chapter was also good, but I will get there once we're finished with this one. Here is the link to the first part along with the second one too! > https://cr-incorrect-quotes.tumblr.com/post/190279246139/cr-incorrect-quotes-hello-welcome-to-my-first
This post will most likely be the same due to there being so many pages that I want to talk about to the point of not being able to fit everything into one so yeah! Expect a part 2 for Chapter 2! If you want to read the comic, here it is > http://children-rekindled.top/?c=1&p=1 Let's start!
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Oh no we all know what this means that little heck is finally back and I was already screaming because of course I would be?? I missed him so much y'all- ALSO DANIEL SOUNDS SO CONFUSED AND THAT HURT CAUSE I KNOW EXACTLY WHAT IS COMING AND I DON'T WANNA READ IT AGAIN, but surprise! Bon made it worse this time!! I'll get to that later-
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EW EW E W EW When I was first reading this and even now, iT'S SO DISGUSTING?? The visual of a soul just having to come out of a mouth of a corpse is gross in all ways omg I wonder if there is a reason behind Freddy having no eyes in the first panel though?? Apart from the fact that it is just creepy, it doesn't show up anymore. Instead, on the same page, it just goes back to the normal eyes. It was probably just a creepy factor put into it to make it look more morbid, but sometimes creators have reasons!
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Sometimes I sit here, glad nothing else was shown because I would rather not have to see him climb out of there. aLSO SAMMY HELPS HIM OUT AND THAT MAKES ME UWU! he really needs all the help he can get and I'm glad someone is there for him. Y'all don't know how much I love this blind babey boy
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BABEY NOOO IM COMING TO HELP YOUUU This panel is good, bUT SO SAD OMG I WANNA HELP HIM CAUSE HE'S IN A LOT OF PAIN QMQ I don't even wanna know his thoughts right now and how confused he is internally. Does he even consider how he would still be moving around even when suffering this really bad pain? He's probably just in too much shock and denial to wrap his head around it.
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SOBBING SOUNDS Daniel freaking out over this hurts me every time omg I just want to hug him?? He just wants to go home and we all know that at this point, he can't even do that anymore.
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BIANCAAAAAAAA What was she even doing?? Unlike Daniel, she had somehow already gotten out, but was just staring at the ground?? Was she confused about something and just lost in thought to the point of completely zoning out till Daniel realized she was there? Maybe she wasn't even there for long. She could have been still processing all of this pain(?) ALSO DANIEL'S REALIZATION THAT HIS NAME WAS SAID MAKES ME SOB I LOVE HIM SM
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can Bianca hug me like that??? Please???? I want someone to hug me like that one day I'm gonna beg- SHE'S HECKIEING CRYING AND THAT HURTS A LOT IM QWQ I mean of course she would be?? She saw Daniel die right in front of her. Bianca being so worried yet not even questioning how he isn't just dead already due to the severe blood loss makes me really wonder how much denial they are going through at the moment. Although who would wanna think they died and became a ghost? For people who don't even believe in that stuff, it would be hard to even accept. If you're a ghost, that means you're dead. There's no going back. ALSO THE PUPPET STARES INTO MY SOUL AND IS TERRIFYING- everyone thank bon for giving us another terrifying image
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AHAHA N E C C the smol good girl is coming very soon and I'm so excited!! I love her sm,,why is she hiding though?? Did she get scared due to all of the screaming and sounds going on around that she just decided to hide behind this big animatronic that could protect her from the dangers out there?
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THANKS FOR CALLING HER OUT CAUSE SHE'S SMALL BIANCA- Well Charlie's design is definitely a lot different than the one in the original! She still looks heckieing red and burned up, but doesn't have that weird mouth like last time.
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OH NO OH NO NO NO SAMMY WHAT HAVE U DONE- Charlie is already starting to freak out and that hurts. I love the different reactions we get here because Charlie is just in denial, hoping it is a dream while Daniel doesn't even look like he has proceeded it all fully yet till the next page where he is basically having a complete mental breakdown. I really want to know how Bianca feels about this entire thing too.
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THERE IS A LOT I WANT TO TALK ABOUT HERE! For one, it might be one of my favorite pages that really hit me hard to the point of being my emotional mess of a self- I feel as though Bon really portrayed them reacting to being dead rather well? Or at least he did with Daniel and it hit in the feels right enough. Being someone who would die for Daniel, it hurt reading this for the first time because I'm sure we all want to do what Bianca does and just give him a tight hug. Did them freaking out happen in the original? I don't remember actually? from what I remember, Bianca was the one reacting the most to all of it- Bianca just crying over how Daniel is having this mental breakdown really hurt because she wants him to be okay and realizing they aren't would just hurt to the point of actually going and comforting him. I REALLY WANT TO KNOW MORE ABOUT HOW SHE FEELS WITH THE SITUATION- Was her breaking down because of Daniel being all sad mixed with her just reacting to the entire thing?? It's also shown in Chapter 3, but Bianca is really caring towards Daniel and most of the time wants to make him feel better in certain situations. If she wasn't able to save or even help him before, this is her chance now.
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FRANCIS IS CRYING AGAIN I REPEAT FRANCIS IS CRYING-
Like I said before, the difference in reactions towards all of this is great. It's obvious that he was emotional about it too, but instead of having some sort of mental breakdown, he just "accepted" it and tried to figure out what they can do. It's understandable cause what else are they supposed to do when in front of reality??
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OMG POOR BOYO!! HOW IS HE EVEN STANDING AIAUFIAKF for a while, I just thought his side got slashed and he bled out, nOT THAT HIS ENTIRE SIDE JUST GOT RIPPED OUT LIKE WOW OK THAT MUST HURT LIKE HELL- honestly Francis feeling really sorry about not being able to save Charlie just hurts sm?? THESE KIDDOS FEEL BAD CAUSE THEY WEREN'T ABLE TO SAVE ONE ANOTHER AND IT JUST HHH 
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OH NO NOT THIS AGAIN DAMMIT- At least this time it's not coming out of a mouth of a corpse, but jeez Sammy pls chill- I love how the black substance just goes along with the mouth so it looks like the inside of the Puppet's mouth is just oil or some black liquid. Speaking of that, I also love how the blood is black!! I forgot the reason for that, but it gives them a cool look!
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sammy please chill
they don't even know him yet and he's acting like a complete psychopath. If I was logical, I would think he is! Being there for who knows how long would do something to someone! Especially something would could easily be hinted at here through his insanity even when just getting out. 
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I don't trust his cute face, but dammit I love him so much already?? Like he was just acting all crazy a pAGE BEFORE, AND NOW HE LOOKS LIKE A SMOL SQUOFT??? It really shows how much he can switch between personalities. I fear for the future after this experience. 
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"Oh, you noticed. Heh." UH YEAH OF COURSE?? IT'S A KNIFE IN YOUR CHEST???
ALSO AHAHAHA FRANCIS'S FACE I CAN'T HANDLE IT
Honestly I feel bad for Daniel because all of this stuff is going on and he can't even see anything?? Like if something really bad just suddenly happened, he would have no idea because all he can get from the situation are the reactions from his friends. I wonder how terrifying it would be when there's so much sound around like during the day?? Big hugs for Daniel y'all 
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wow possession! That's really cool, bUT WHAT IS GOING ON NOW OH NO- 
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OH HECKIEING BEES THAT'S NOT GOOD- Michael's design was heavily changed from last time, but honestly I adore this design sm?? There is a lot less wires so yay he isn't just a bloody mess like last time!! Okay but I wonder if Michael could still take off his head like last time?? Last time, that was shown through some anger from Francis, but this time it's different and that's not shown!! I wonder if it will ever be though.
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MICHAEL NO THAT'S NO WHAT A SANE PERSON SAYS- although I mean?? He does have a point! Even though being dead is a huge hit in general and idk how that would even feel, actually being with friends could have a huge impact on the situation. Imagine if only one died and was stuck there? That would have a completely different impact. I don't think Michael should brush off the fact that they are all dead now, but I do understand why he even mentions that. Trying to stay positive, but maybe try a bit differently babey-
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The part I feared the most, but actually turned out really good? Around the beginning at least! In this version, Francis has much more of a reason for actively being really upset at Michael especially due to what he just said. Although maybe he should chill a bit because some things he says are really eh?? Michael never meant it like that and Francis is just freaking out and yelling at him, but like I said, he actually has a reason and I can't stay that mad. I would hate this entire thing too, although I would be a lot more emotional than angry 
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OKAY THAT'S REALLY OVER THE LINE FRANCIS HOLY HECK-
Charlie has all the rights to be upset at him because him just saying that iS AWFUL?? LIKE DUDE YOU ALL ARE DEAD AND YOU ARE APOLOGIZING FOR SAVING HIM AND SAYING THAT IF YOU HAD KNOWN, YOU SHOULD HAVE JUST LET THE PERSON KILL HIM?? UH- THAT'S NOT NICE AT ALL PLEASE APOLOGIZE
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TELL EM SAMMY!
at least in this version, he gets to the point and it isn't just walls of text aHAIDIAOGKS Sammy please don't blame Daniel though?? He's heCKIEING BLIND WHAT THE HECKIE COULD HE EVEN DO?? wAIT OH NO. IF THIS IS A REBOOT THEN SOME SCENE WITH DANIEL AND SAMMY MIGHT BE REDONE HH IM AFRAID IT'S GONNA EITHER BE MORE FEELS RELATED OR JUST MORE CHILL THAN LAST TIME DUE TO THE PACING?? Sadly it’s time for me to go and make the next part thing to take away from this? This chapter is my favorite so far because of all the feels and there is more so get ready for that!! I'll be back with part 2 eventually! Most of us knows what happens there. Will Sammy find Michael? How will he actually help? Find out next time on aaAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA
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bilgisticallykosher · 5 years
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Reminder that I’m totally down to give specific warnings or descriptions or help people navigate through the video if anyone needs.
Warnings (aside from the obvious): Long post, lots of caps lock, long rambling with a large degree of incoherence. I titled this “me screaming at the new video” in docs. I was real accurate.  It took me over 2 hours to watch this thing because I kept pausing to not shut up. This is 5 pages in docs.
Okay, JUST looking at the cover, I-  are those tentacles? IS this a new side? Octoside? I can already hear all the names were going to give him. Oliver, Octavio, October wait no that’s already a Sanders shorts. Okay, intrusive thoughts, that's… Roman’s already a supplier of those. Fandom agrees, “Don’t think about your naked Aunt Patty.” So, maybe Depression? Anger? Or, is it Roman still, after all? Because I see the word Creativity there. Or tentaclereativity. So it’s still Roman, but I’m convinced that his opposite is Virgil, although I’m also sure that they implied Pride in the Halloween episode. Something about “proud of it” and then they said “let’s table that discussion for another time.”
Ugh, Roman’s been doing so wonderful on his own. He’s just been owning up to insecurities, and it’s been great. This is going to be highly related to him. Although, Patton looks like the one trying to block him out? Roman’s concerned, Logan’s miffed, Virgil is angry, and oh my god is that a MOUSTACHE OKAY I’M WATCHING. 
Content warning, oh my gosh, they were not kidding. Does that seriously say death and blood and gore? I’m just getting more hype. I mean, intrusive thoughts, I’m sure nothing will permanently, physically happen to them.  (Goodbye Fresh.) 
Dark circles under Thomas’s eyes, implication of sleep deprivation, or something with Virgil?
“The human connection will make me feel more like a person,” I came here to have a good time and honestly I’m feeling so attacked right now. Credits! Great job everyone! I know everyone worked real hard on this. 
Okay, Thomas in his robe, very reminiscent of Excepting Anxiety. Blasé attitude, too. Hmm, trouble sleeping (tires), overstating ‘everything going wrong,’ definitely seems like Virgil’s territory. 
Woah there he is. He’s, he’s really angry? And Patton’s voice is strained. What is happening, does Patton know……whatever, or WHOever? Yeah, he’s shifty eyed. He knows. Virgil definitely knows, and it’s not him. Oh man oh man. Oh, confirmed, they’re in on trying to avoid the conversation. GREAT TEAM WORK, PAT! Doing great, buddy. 
Roman’s rhymes are amazing. Definitely misery, though. Alright, so Thomas is having thoughts that make Virgil act up, and either he’s telling Patton, or Patton knows because of emotions. 
Roman’s so much better at summoning than Logan. And Logan knows?! Ooh, sore spot for them here. Patton oh noooo. That’s easy for you to say? 
I love the idea that, 1, Logan Falsehood’d as a reaction and an example on purpose, and 2, that he’s got a limit of one per day. 
ALRIGHT! I’ve got it. They don’t want Roman to know because he’s going to, intentionally or not, expand on whatever the thoughts are. He’s Creativity and dreams, it’s what he does and he’s not going to be able to help it, intrusive thoughts, this IS Roman-centric! Poor boy. (Kraken, sushi. Those tentacles mean something. Also the tentacle represents the C, I understand the title image now.) Yeah, they don’t want him inadvertently going into daydream mode. 
I have never seen this movie. These are freaking top-notch jokes, though. WOAH, THOMAS. Not good. Really not good. I’m still hype. Oh, is that the sort of death mention that
Television: [has hands]
Me: [strangled squeaking noise] 
Okay, I’m having, okay. Okay. Okay. I’m fine. I just. I need. Okay. I’m fine. Need a moment. Freaking out, in, a good way? I just. Really unexpected, even though I saw the hands. Oh my gosh. Can the others see him????? Because they’re looking at Roman they should see him. I didn’t know I could make that noise, but apparently I can. And I can hold it. And make it slowly go higher pitched. Okay. Okay. I’m fine now. Maybe. Okay. Hypening.
OH THEY CAN okay, oh dissonant voice. What sort of overdramatic staff is this dork NO ROMAN. 
THE DUKE?! WHAT!!! Getting heavy Warfstache vibes, btw, and why does he have a grey streak? Virgil and Logan are unconcerned about Roman, so I guess he’s fine. 
Is this a song? What is his outfit, omg. His mustache is fabulous. His eyes are kinda ringed.  in purple? 
What is happening, oh my god. Oh here’s the religious commentary, I guess. This is fine, I’m okay with this. But he’s playing Adam AND Eve himself. Dramatic dork confirmed. Oooh, you lack imagination. He IS Roman’s opposite, dang. I was so sure it was Virgil. Also YES green’s my favorite color! 
Hahaaaa! Tiny little aunt Patty naked post-it! Patton’s so distressed, Virgil ANGERY. A to Z is incredible. I missed some lyrics there; I’ll catch it when I watch it with captions the next five times. I mean, uh, no, I’d never… ten times. Nice blood spatter! What is he doing to them! What’s with the size thing? Is that a thing he can do? Or creative (heh) liberty due to song? 
SNAKE how’d I not guess that from Adam and Chava SNAKE IT’S SNAKE!
I don’t get the hand image. What is that? So far kind of the same sort of vibe from Deceit and Duke- oooh, both Ds. The whole, own up to who you are, stop lying to yourself. 
“You’ve got a fiend in me!” “Squeak!”
Oh, oh no, he’s really not quite like Deceit. He’s saying that these things make Thomas evil. Definitely not a Deceit thing to do. 
EDITING PRAISE! YOU GUYS. You guys are incredible, you did such a good job. 
“I’m your Creativity!” Officially calling those things fart trumpets. 
Oh, is he actually Creativity? Okay I’ll roll with it. Oh my gosh it’s only ten minutes into it and I can’t shut up. Virgil is so uncomfortable. 
Never bring [Jeffery Dahmer] up again got a GREAT face from Duke. Oh man. Is that true about him trying to repress those thoughts?
WHITE BEAR that episode of Black Mirror might make more sense now. 
Impressive hair blowing from Virgil, that’s the hair blowing equivalent of what Dr. Horrible did with his fingers in Brand New Day. 
Patton called Roman handsome, and I knew that second most handsome prince bit in the last episode was something he’d say, not just him trying to be all lawyer-y! (Ooh, foreboding music…)
Honestly, Logan was, if anything, even more chill about lying in CLBG, and Deceit in general (his scales are quite smooth). By comparison, he’s going off on the Duke. OOH, I KNEW THAT ABOUT THE WORD DORK! 
Ohhh my gosh the costumes are opposites! I, almost realized that, about color theory, and then forgot about the sash. And those shoulder pads are massive, Duke! Did you steal Roman’s puppet chin to make those? 
Joan! Haha, I love it, definitely something they would do. Interesting, you can hear an overlay of Joan’s voice, and Duke’s voice. Why can’t the Duke do it as well as anyone else? What did Virgil realize during the twin explanation? Hey, Cayin and Hevel, more Genesis. 
Did he mention friends and family? Oh my gosh, self-immolation is terrible, I looked it up. Like, uh, suicide for a public purpose, or to make a point? 
Laugh! Dork laugh! There’s the implication of them knowing each other. 
Oh, okay, okay. So, Virgil’s anxious, because in and of itself, whatever it was that he was thinking/obsessing over was bad. His anxiety is, well, cognitive distortions. That’s why everyone’s all bothered. Yeah, point to Logan on that oh my god, what is that camera angle, I love it.
Duke is JP confirmed. Ripped off nipples. JP from Wade’s (lordminion777) circle of friends, salty boys. That’s still their official name, right? Anyway, he’s JP.
Oh, I saw dripping off of that hand. That sequence is getting longer every time. 
Who are those, I don’t recognize them? “I’m about to smash the Hulk” you guys I think I love the Duke a little bit a lot. 
Patton, no, that’s- Patton! “That’s what repression is?” Ooh, tense Virgil moment with Logan. Yet, also touching? 
“Well THAT can’t be where the bar is.” !!!
Weird Duke blink during religion talk. It’s so funny looking at this though a Jewish perspective. It’s similar, but just a little off. And we don’t do the 7 deadly sins thing. 
Figuratively! 
Wait it’s coming from Virgil?! Uh, uh, anxious about being a bad person, subconsciously projecting it onto Thomas?
Patton too?! Oh, wait, yeah, this comes back to repression that makes sense. Oh my gosh, Logan. ! Can the Duke do the Deceit silence thing oh no, no he can’t. Close. Teeth are an improvement I think. 
Hey isn’t there an incorrect quote about Virgil drinking shampoo? 
Remus?! Oh my gosh are you KIDDING me? A new side, PLUS his name? Oh, oh that’s so clever, Roman. Rome was founded by Romulus and Remus. So clever! And definitely butt trumpets, from earlier, because AVPM’s Lupin had butt trumpets. 
Oh, direct shot and reaction at Virgil not hiding anything. And okay, I’ve changed my mind like 10 times, but I think I get it now. Haha, Logan! It was like a pop quiz! And Thomas cursed!
The scream darkened the room, that was awesome. But nobody cared. Ah, secretly a Patton and Virgil arc! 
Oh my god, Patton had a look of realization when Virgil was listing off things, is he going to tell him to not skip the callback?!
[Sad poopy noises.] Logan’s on fire today! Yes! 
Oh, he’s gone? Ha, nope! Oh it got worse, haha!
Patton, control, it’s happening! Oh, wait no. 
Virgil really used to fear him? And, oh, what were those exchanged looks during “just like old times”? Logan and Patton, and maybe Roman figured it out? Does Virgil know that? 
Roman! 
Nerdy Wolverine. Ahh, cool! Dukey problem! Oooh return of “I don’t like him.”
What, brother?! So that’s an actual thing now? But okay, alright, I guess Logan’s thing from before. NOPE EVERYTHING’S FINE NEVER COMING BACK. Romaaaaan.
Dark sides? “Others.” Oh, Thomas for sure doesn’t know. Oh dear. OH MUSIC it’s swelling oh my gosh, he’s going to tell, he’s going to tell.  Gasp! He told, and oh, so sad, and oh no he’s just sinking out?! My poor baby little precious oh I immediately see why Patton had a problem with coddling him.
Oh, oh Thomas is so confuddled. There’s going to be so many angst fics. I will read them all. 
Alright, actually a hilarious ad.  Way to incorporate intrusive thoughts into it! END CARD holy- REMUS! Oh the deodorant. And again. Nice knife, he’s going to- yep, deodorant. Oh he’s done, but he’ll have another- yep. What the heck is it, actually? 
THERE’S A SNAKE IN MY BUTT! PFF that’s going to be some fics also. Officially: I love Remus. 
Final thoughts; I’m in love, I was so wrong about “they wouldn’t throw a new side or plot relevance at us with all these warnings,” everyone freaking outdid themselves, this must have happened so soon after Selfishness vs. Selflessness, I love him, I really dug a lot of that humor, my taste in music is way worse than anything Remus threw at us (ask me about that), WHAT WERE THE THOUGHTS with the dripping hand bit, S v. S part 2 is definitely the next one, and I freaking love this video. 
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