Writing Accessibility PSA
Please avoid using long strings of characters as line breaks in your writing - these are not screen reader/TTS friendly!
Every ‘°’ will be read as ‘degree’ - can you imagine how long it takes to read out a string of 25? Let alone more complicated combinations of characters (eg. imagine listening to TTS read out ~*~ |°| ~*~ multiple times per line break)?
A good rule of thumb is to stick with short, 2-3 character line breaks (eg. I don’t find — or *** too egregious to listen to). Your readers can tell there’s been a scene change whether you use two or twenty em-dashes, but if you use twenty, some of us might have to listen for 30 seconds to read the next scene. If you’re more concerned about aesthetics, you can insert an image of your aesthetically pleasing line break with alt text simply reading ‘line break’ for accessibility.
Don’t feel bad if this is something you’ve never thought about before - now you know better and can make your writing more accessible moving forward!
I would like to invite any other screenreader users to add their own thoughts or preferences to this post. We’re not a monolith and there’s a variety to how different softwares interact with repeating character strings and images with alt text, so there’s bound to be some conflicting opinions on what I’ve suggested above. Let’s try to make the stories we share accessible for everyone :]
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tw: mention of incest role play, mention of fear kink, mention of cum inflation????, scummy gojo, also I have no idea how to word this????
gojo who gets paired up with you for a college project, and you’re fucking reeling for a few reasons. one being; he’s extremely attractive and damn near everyone on campus knows who he is. and also, you’re intimidated by his beauty and popularity, especially since you’re only known for giving out the answers when people ask nice enough in classes.
but he’s so…friendly, when you guys meet up to start on the project. he’s all smiles and helpful answers, bites at the people who come up to him and pretend you’re not even there. he listens to you with this dumb (cute) little look on his face, with his lips slightly parted and his brows raised and his white lashes peeking over the roundness of his glasses whenever he nods.
he’s kinder than you expected him to be. funnier, too, with his shitty jokes that you find yourself snorting at in the quiet library. and when you guys are finished with the project, he still keeps in touch. moves his seat to be next to you in class, texts you and asks you out to coffee, even invites you on a date after a few weeks.
and everything is perfect—until it’s not. until he beds you one day and it’s not as special or magical as you were anticipating it to be. he’s kinda…strange, in a sense, when he fucks you. oddly quiet, like he’s holding back, his hands just a little too tight, his eyes too focused on random parts of your body.
but you sleep with him again and again, until he starts becoming real comfortable with you. almost too comfortable, let’s how weird and strange and almost scummy he really is start to shine through, let the mask he’d be unknowingly wearing this entire time slip away.
“What if we were siblings?” Gojo asks you one night when he’s fucking your brains out. he’s gotten better over these few months, gotten looser and more comfortable. too fucking comfortable.
“Satoru, what in the ever loving fuck are you on about?” you ask him in a gasp as you reach a hand back to keep your head from hitting the headboard. but he’s undeterred, his eyes wild and unseeing as he grips your hips tighter, thrusts becoming sloppier.
“No, I mean in a role play way.” He explains, as if that makes it sound any better. “You know? You’re my sweet lil sister taking big bro’s cock so I won’t tell mom and dad about you sneaking out.”
“You’re a sick fuck.” you tell him plainly, frustrated that your tone doesn’t carry the same bite because his nimble fingers started playing with you at the same time. “Fuckin’ weirdo.”
“Incest role play doesn’t turn you on?” he asks, cocking his head to the side like a confused puppy that you wanna kick in the chin. “Maybe, hmm,”
he pretends to be lost in thought, thrusts slowing down and you let out an irritated huff as you slump back onto the bed. but your back arches up when his hips pick up pace again, suddenly slamming into you as he looms over you. one hand cupping your cheek, the other returning in between your thighs as he grins madly.
“Maybe you’d like some fear play, yeah? How’s that sound?” Gojo bends over you until his nose skims yours, his pupils entirely too tiny, makes your breath hitch in your throat. “Me, chasing you around the campus with a big knife, scared that I’ll catch you. You know I would, right?”
he forces you to nod with his big hand cupping your cheeks, pouting your lips at him as you whimper. he kisses you, breathless, chuckling a little under his breath as he mutters something incomprehensible, his cock carving its way deep inside you.
“Maybe even cum inflation? That one’s not the realest thing out here, but I could figure out a way to make that work. You’d like that, right?” he sounds like he’s off the deep end, like every single twisted thought that’s been running through his mind these past few weeks have finally come to the forefront. started spilling out between you two like a cracked dam, like he’s been bottling this up ever since you met him.
you cum only a few seconds after his last inquiry, scared of the way his smile widens, as if your body told him an answer he’s already known.
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Welp, the ref lineup still isn’t done cause I haven’t drawn Shion yet, and the belated valentines I’ve been working on are gonna be like at least a month late cause I just planned three more, but what I did do these past couple weeks is start writing a fanfic and then immediately abandon it to go draw a bunch of only tangentially-related suzutsubas (except for that first pic; that’s a scene from it, albeit one I haven’t written yet), only half of which are fit for public posting (one of ‘em I could make a few edits and feel ok about posting sometime; it’s not that out there, it’s just, y’know. Hamal Cine Bad End Hyperbolic Torture Chamber. I’m usually very “whatever happens happens” about my art but if I don’t show some restraint I know I’ll end up stuck in there forever), but hey, since I’ve been teasing them for ages and finally have some finished stuff with them, take a couple Suzumii! Also gonna ramble abt headcanons under the cut (and it will be LONG)
To begin, a note abt my Len’en gender/pronoun headcanons: as a they/them preferrer myself, I’m thrilled that most people just stick with those for everyone, but I’ve developed some more detailed headcanons as I go through working on designs and I’ll generally be using those. Don’t worry though, most of them are still nonbinary and basically all of them are trans/gq. Relevant ones for this post are Tsubakura: they/them nonbinary (transmasc to some degree) and Suzumi: cis female, question mark?? (to be elaborated on); for clarity’s sake I usually use she/her for Arde and Hamal Cine individually and plural they for the system collectively (also I don’t usually use their nicknames, dunno why), but singular they for Benet (the wiki says Benny is probably short for Benetnasch so I’m assuming that’s their actual name) for reasons which will also be elaborated on (sort of).
Aaalso this clearly isn’t autobiographical or anything but I think I’m subconsciously putting a lot of myself into Suzumi because 1) we do look pretty similar (brown wavy bob + blue eyes) and 2) given their current status as both the main antagonist and the most well-known plural Len’en character (I get the impression that Hooaka also being plural isn’t super common knowledge; I mean it took me several read-throughs of their wiki page and their dialogue with BPoHC Secret Team to get what they were getting at lol) I am probably way too anxious about doing a bad stereotype. Just an observation and also probably partially why I’ve even ended up with so much headcanon for them in the first place
And before I get into the thick of it, notes on derivations from canon: I’m running with the assumption that Suzumi being a system is a relatively recent development tied to whatever incident it was that caused the falling-out, since Tsubakura is like the only person who seems at all familiar with Hamal (including Mitori/Chouki/Fumikado, but they’re more easily explained away as just having met with one of the other alters the few times they’ve interacted) even though she’s supposedly usually the one fronting. They don’t seem to know the mechanics of it though, judging by their confusion when Arde implied that she and Hamal are different people. So basically, I’ll be referring to pre-incident Suzumi as a different character from any of the other three. (Ngl I am very influenced by Dissociation Constant on that and just in general [when will my wife The One and Only Suzutsuba Fic return from the war…..]) I was also debating whether to have Suzumi have any history with the gang before starting to work at the lab/whether stuff would happen around high school or college age, cause they keep referring to everything happening “a long time ago” and I know I, a 24-year-old, feel like stuff that happened five years ago was like yesterday, but I do have the pandemic and not really doing much of anything for most of that time to reckon with so like, eh. College age makes more sense in my head and so does the dynamic of like, Suzumi was only introduced into the friend group (she was acquainted w Hoojiro and Yabu already though bc lab) because she was dating Tsubakura and since that ended, and badly (understatement of the century), they have extremely little reason to be civil with each other and also interacting at all is really awkward.
Ok now on with it! Either end of high school or beginning of college, Suzumi ends up interning at Tsubakura’s lab for college credit (Tsuba’s already practically a department head despite being like 17 or something because. Idk. Who even knows what’s up with them) and she’s like. Only wears t-shirts and jeans (bought a bunch of khakis for this job though), [reading] glasses from the men’s section, hates leaving her hair down (it’s lab safety anyways). Repressed queer in denial, you know the type. Starts interacting a lot with Mx. Tsubakura “wears short shorts that everybody thinks are actually a skirt and also uses ore and omae almost exclusively” Enraku who seems to have everything all figured out and is immediately starstruck (GIRL WHY?? they are such a mess). Lots of “do I want to date them or do I want to be them” confusion (this will be relevant later); eventually evolves into the “am I trans or just a lesbian” question (not that they would need to be attracted to women to be into Tsubakura but you get the picture), which never quite gets answered.
In any case, they do eventually start dating (Tsubakura thinks she’s cute and smart so they reciprocate), and they’re not like super great together cause Tsubakura is emotionally constipated at the best of times (Suzumi’s into that though) and neither of them are the most mentally/emotionally healthy people even back then and also Tsubakura is more or less Suzumi’s boss which is weird, but they’re kind of ok??? Tsubakura’s mom dies at some point, also they move in together (college housing is expensive), the rest of the crew at the very least tolerate Suzumi, etcetera.
And then…! [insert catastrophic event here]!! I don’t have a shot to call on this yet cause I have no idea what it could’ve been (and I’m sure it’ll get revealed at some point anyways); I’m just banking on it being something extremely not mundane and something where you could reasonably set the blame on either (or neither) party cause they sure both seem convinced the other is way worse, huh! In Tsubakura’s case at least, blaming Suzumi is partially a defense mechanism so their self-loathing doesn’t get the better of them over it (guess what the fic was supposed to be about, lol).
The worst part of all this business though is that they DON’T break up over it immediately and it just makes everything orders of magnitude worse for everyone involved. Tsubakura and Arde have hate sex MORE THAN ONCE………… they would both really rather forget about it. Hamal thinks it’s hilarious, ofc, but the less said about her, the better. And Benet… exists??? The only idea that I’m running off of for them atm is the observation that I think they’re the only character with flat black eyes other than Tsubakura/Tsurubami and the subsequent idle thought, “hey if someone malded so hard about a breakup that they ended up with an introject of their ex would that be messed up or what?” So make of that what you will. (Oh and it may have been obvious that this is what I was going for but Hamal is femme and Arde is butch and they’re constantly squabbling abt aesthetic presentation. Having Arde be straight-up male would’ve been too straightforward of an interpretation and I think it’s funnier this way)
The canonically mentioned murder attempts start taking place and I’m leaning towards Tsubakura eventually being convinced to move out even though it was originally their apartment, albeit mostly just because the wikipedia page for house sparrows mentions that they’re known to take over swallows’ nests, usually after they’ve been abandoned, but they will sometimes drive away or kill the current occupants, and that was a very fun fact to come across when specifically doing research for Len’en but idk how else to incorporate it lol. And so on and so forth up until the present time.
Uhhh is that all I have atm? I think so! Anyway, I think I finally shook out all my suzutsuba doodles (and rambling, though I do still have that fic to work on. idk whether I’ll be able to finish it though; I started strong with an extended metaphor in the middle but Iiiii’m not sure if I can successfully write my way up to it while making it make sense. Also I may draw pretty slow but I write even slower!! Eh I’m sure I’ll post some of it sometime) for the time being so I should theoretically be able to finish up my bigger projects now. Maybe I’ll have the valentines ready in time for white day? We’ll see!
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