#I think I'm gonna have to outline them before I try and do more background stuff tho otherwise it'll get all smudgy

[mozart-the-meerkitten]

Drawing SOS Chronicles things again

The first time Oliver meets Almitak in "person", things get a little tense. After all, you can't transfer your soul into the body of a willing victim child without some drama.

(Silas and Silvie in the background are not having fun watching their friend get possessed)

[bluginkgo]

"Nice Corpse House My Guy" Remastered Behind Scenes!

The most glaring and obviously annoying thing that's evident in this comic- if you even wanna call it that- are the god forsaken BACKGROUNDS. There was a lot of experimentation going on for backgrounds here. Because the first couple pictures, THAT is what I used to draw backgrounds as. Trees are sticks and grass is flat. I realized that wasn't gonna cut it. I didn't like it at all. So I started experimenting and boy was it messy. It finally sorta settled on the style by the end of the comic. I'm still unhappy with it, but it'll have to do for now.

Here's a small comparison

One thing that I ran into was how I was gonna show that N was in his "killer mode." I could have placed the X's over the pupils, but found it unnatural looking in my style. So instead, it was settled to a concentrated light in the pupils.

Best seen between these two. The second N snaps out of it, the X/light in his pupils disappears, and the normal light returns to his eyes, which is similar to Uzi's.

Another thing I started slowly including was Uzi's little tooth on her beak.

The jutting out portion on her beak is a personal touch. Although it doesn't really matter, I included it to separate her from the rest of the "worker drones." Seen as she's an absolute solver host and has a solver form, something was going to creep up in her crow design, hence the little teeth. Doll would have them too, given I draw her in the form I've been thinking about.

Another thing I ran into, was WHAT WAS UZI GONNA TAKE N DOWN WITH?! This is a bird vs. a dog! No way was a bird gonna decommission a whole dog! Then this scene came up in my recent rewatch of Murder Drones.

And it clicked. Loooong long time ago, I had a very specific hyperfixation: birds. One thing I learned that some pigeons do, was they're capable of doing a somersault. And in mid-air, too!

I was finally set. The SICK AS HELL RAILGUN was downgraded to a simple piece of shiny glass/pebble that attracted Uzi- and crows love shiny things. And the same pebble will be used to launch at N's sensor that made him trip over. Because I was also not going to draw N doggo losing his head. I love gorey and bloody shows and art- hence why I watched Murder Drones- but I honestly had no idea how to recreate that, and I suck at drawing gore in general, I mean, did you SEE the crow N was chewing on? That was my best try honestly.

Here are some progress shots and how the layers worked in the scene where N is bonked with a stick.

As per usual, start with a sketch, this is actually 2nd sketch. The first is much rougher, just some circles and random shapes to outline his body form.

Then, this is all outlined and rendered. Along with some additions like the stick and the little rock.

The background was the hardest, aside from some weird angles I picked to draw Uzi and N at. I suck at backgrounds, like I've mentioned many times before. So, this needed a lot of testing and experimenting. Most of this works because I found some cool brushes to use. But aside from that, I honestly still don't like how it looks. It's slightly better than my stick trees and flat grass though, I guess.

Put it all together, add a black layer to simulate nighttime, put some lights to show moonlight through trees and voila, you've got an N doggo that got bonked by a stick! I see this project/comic mostly as practice and testing. Background testing mostly, and some brushes. The background/brush testing actually spilled over into another post of the solver Uzi I made a bit back. I'd say I was pretty happy how it turned out, but brush wise, I was going to test around a little more.

NUzi comic 'Sleep' is my next project. Uhhh, don't ask me when I'm gonna have it out, I have no idea. I'm guessing sometime end of Jan and beginning of Feb. But that might be delayed seeing as Murder Drones ep7 should be out sometime soon too, so I'll need to go crazy about that for a bit and then I'll go back to my usual thing ^_^ 'Sleep' will take place still between the Pilot and Heartbeat.

P.S. I have all 26 pages story boarded... good god what happened to the 'mini' part of the comic 😭

Anyways, why are you still here?! Have a cookie ^_^ you made it! Have a nice day now, bye bye <3

[greypetrel]

HI ARJA I’m so curious about your moby dick AU lol you always have the best AUs

HI ROWAN I'm glad you asked! :D It's gonna be a big ass rant, so it's under the cut. I'm very excited about this AU, it tackles some things I love and have first-hand experience of, so yeah, I'll be chatty about it ahahahah.

I've posted a chapter at random on AO3 and you can find some snippets in the whale au tag!

So, it's "Zoologist Aisling who thinks whales are the best thing after sliced bread saves Cullen, who happens to have survived a shipwreck caused by a whale". Shenanigans happen.

It was an idea of @shivunin (thank you again) and I'm currently trying to give it a little outline not to go totally at random. I am thinking about characters background, it's a non-magical AU and so stuff needs to be adapted. The title of the WIP is old, I realised after that... You know, it's a Moby Dick INSPIRED thing. The first idea was having Aisling as Melville and Cullen as Ishmael teaming up to write Moby Dick. Cullen has the sailing parts, Aisling filling in with conspiracy theories about whalers and spite over naturalists. And both of them inserting a gay relationship because I'm still a big part of the Bi!Cullen agenda, and that book is terribly gay.

I did realise later on that there's a limit to the horrors I'm willing to put characters through and write, and cannibalism is really NOT one. I also moved it to another period and to the 1900s because I already did research for another original project and I'm more familiar with it.

The title of the file will change when I'll have a better one for this AU.

For now I do have a background for Aisling, what she's in Nantucket to do, and I'm so happy to say @melisusthewee jumped on the bandwagon aboard with Quinn and Horatio, but I'm letting her introduce you to them in this. I'll just say that Aisling refers to Quinn as "Mr Arch-Nemesis".

She's in Nantucket for a research over sperm whales behaviour, restore her family's name (dad was a scholar too, but alas, he was caught being a member of the Fenian society and giving money to the Irish revolutionaries... She's the Royal Society's favourite person, yes) and hopefully put a brake on whale hunting (the 1900s saw the peak of killed whales, you can bet miss "I'd adopt a dragon if Bull didn't constantly prevent me to try and befriend one" won't be ok with it). Dorian and Josephine -whom I couldn't fathom being there with her, seriously I can't picture Dorian on a ship if not in first class, unless he was beaten unconscious before boarding and dragged on. Josie finances ships, sure... but being on board of one and working? A whole different thing. So, they're Aisling friends, but they stayed in London to get her fundings.

Cullen needs to find reason to get to the sea again, he was a harpooner and worked on ships all his life... After being the sole survivor, he needs to find his centre back and get on with it. The crazy whale fangirl may or may not help him on this.

And there was only one bed, of course. (have I already said that Moby Dick is VERY gay?) (I had a blast reading it, thank you so much @salsedinepicta for making me curious about it! <3 Also if you want to throw your characters in this GO ON.)

I thiiiink I may change names and design and also do something fully original. I'm particularly enthusiastic about it because it allows me to tackle stuff I experienced in my life (I did some sailing! Very little and purely recreational, but still) and to re-use some research I already did for another original project which I love dearly, but it's definitely more than I can chew on my own. If I don't chicken out because the place is linked to some trauma, I maaaaay add a part in the seaside town I spent a lot of time growing up.

But again, let's see how it goes, researching on Italy isn't the easiest thing ever if you're not aiming at Rome or the Renaissance, and we're talking about a pretty regional side of Italy. I have good hopes because the people are very very very much into their own history and claiming it back, so I may find some good infos without spitting too much blood.

it's a work in progress, but there's gonna be more about this!

[seriouslysam8]

Give me 11 for the ask. I'm gonna be extra and ask for some specifics that you've changed lol

11. How close has your WIP stayed to its outline/original vision?

Oh gosh, okay. Things I’ve changed. 

I think I stayed true to most of the major plot points in my original outline. I’ll try to remember everything I changed. 

Hinny was supposed to get together at the beginning of 6th year. I wanted them to pine and be adorable idiots all summer but I have a hard time writing the two together and NOT seen couple-y. So they got together in June. 

All of you know that Sirius was originally going to be fuck buddies with Rosamond. I changed that to Tegan because I thought I’d be putting him through the wringer enough. I thought the betrayal would be too hard on Sirius with everything else. 

Speaking of the betrayal, Rosamond was supposed to be the one to see where Charlotte was while over at Sirius’ house. But since there was no reason for her to be there, I changed it to Harry. While I always planned on having the mental connection between Harry and Voldemort linger and be a constant battle, I didn’t have it be so central.

Speaking of Tegan, she was not as big of a presence in the original outline. Originally, I only had her collaborate that Peter was at the Grimmauld attack to help free Sirius so that the readers felt a bit more connection to Demelza to see her background. But every time I wrote Sirius and Tegan together, I added her more and more. 

Speaking of Sirigan, the attack on Snowdonia wasn’t in the original outline either. I wanted Sirius and Tegan to work together to see if they really did have chemistry before I totally nixed the Rosamond idea. When they did click so well, I crafted the Fidelius and subsequent rescue as a hint that Rosamond was playing Sirius and could not be trusted. 

I knew I wanted Sirius to kill Malfoy. But I had no idea when or how. I knew there was going to be a big rescue sequence for Cepheus and I believe it was @justalittleconfusing who suggested that Sirius kill Malfoy then. 

Fluffernoodle was not meant to be a star either. I just had it as a funny little thing Harry did to conjure a snake, despite for his godfather to share this ability that he hates because it connects him to Voldemort. But all of you started loving on him and then I grew attached and then Fluffernoodle was born.

Lastly, France was a last minute decision as well. After the attack on Grimmauld Place, I was faced with a decision on where the hell do they all go. The Burrow seemed like a natural choice. But, I don’t know, as I was writing it, I wanted Sirius and Harry to have a little happy getaway. I wanted the two of them to bond and be happy for once. So, you know, France happened.

Lastly, there are some things that I've tweaked in future chapters. One of them being a pretty major plot point. I wanted to diverge more from the book than I had originally planned, so I shifted the second half of the school year to be unfamiliar and make you guessing what will happen.

[yuurivoice]

Hi! I don't know if this counts as profound but I got stuck in my creative feels so figured I would share. I create a different kind of media to your awesome work, but writing's still involved.

When I start out with a story idea, I often find it being completely derailed by the characters, the more I write them, the more I get to know them, until they eventually start writing the story themselves.

Does this ever happen to you? And if so, how do you stop them from running away with it a little too much?

That's a great question, and I've talked about it a bit before because it is definitely not the way I think most people expect writers to write, I think. lol So for me, BitterSweet is a great example of how sometimes I let my stories reveal themselves to me as I go. I may go into it with a rough idea and an outline, but BitterSweet started off as "Rival for listener's affection arrives in town, creates conflict, leads to two different routes people can listen to." and we ended up nowhere NEAR that.

As I was writing Seth's introduction to the listener, it was the first time I was sinking my teeth into him and getting to know him. Up until that point it was just "he used to do crime with Alphonse and he feels like he got sold out" but I'm big on motivations, set ups, and payoffs...and his arrival didn't have enough stank on it. lmfao

As I approached the "I don't hate him, I love him" reveal gears just started turning and ideas started flooding into my head and it was exciting. Writing, sometimes, is sorta like playing a rogue-like game for me. Never know what loot you're gonna get, or what is behind the next door. At least, when establishing the story and characters.

Once I got to BS3 I was much more deliberate and my process was outlined pretty thoroughly. I made some detours (background on Charlie wasn't planned, but people's interest in him made me pivot to an entry with the Al/Seth/Charlie story) and ran into some massive decisions, but those were all primarily choices left up to me vs. letting characters show me the way.

I don't think I've necessarily ran into any character running away too much, or straying so far off the beaten path I felt like I had to wrangle them. Even if sometimes it's inconvenient for me, they haven't led me astray yet! The issue I find is that sometimes I am too ambitious in scope, or underestimate the time and effort required to see things through to the end. Sometimes that's just on me being exhausted and struggling mentally, sometimes I just get bored, sometimes I need to move on to other stuff because of timing.

So, when I'm first learning a character and discovering what makes them tick and how they fit into what I'm trying to do they definitely get in the driver's seat for a while. Once they're well established in my head though, I'm much more likely to outline, write, perform, and post without having to make many adjustments.

Now, in terms of structure and plot, that also changes as I go sometimes. For example with the spooky season AUs, I outlined three parts for each boy, and basically after the first script in each I was like...yeah okay so this needs to be tweaked. It wasn't entirely because of character, more so I didn't really know what I wanted to do with those stories until I was in the thick of things. I might go in with a plan, but as I discover what characters really want to say, how they want to act, etc. it might not necessarily reflect what I thought the plan was. Thankfully it's never TOO far off from where we were trying to go, so it's just a matter of shuffling and planning. The AUs probably didn't help a ton because while they're familiar characters, they're also entirely different in terms of motivations and situations so I have to familiarize myself with them as if they're new.

tldr: Yeah I'm changing and adapting all the time to what the characters want to do vs. what I thought we were going to do. From little things to massive things like...oh, they were lovers, oh they were best friends, oh he nearly killed someone for him, oh he's terrified of who he was and has a shitload of trauma, oh he's healing because he's been shown unconditional love, oh he's learned how to show that love to others, oh they're like a little family now.

It's beautiful because it's coming right out of my heart and soul, rather than my brain. The deepest parts of me wanted to tell that story and I didn't even know. That's art, and I didn't even know I could do that.

[yerbamansa]

Got tagged by @epersonae! Thanks! So I will tag other writer mutuals if you wanna have a go and/or didn't already get tagged (i keep losing track of tumblr scroll tbh): @thetragicallynerdy @alfalfairy @whose-modern-au-is-this @dragonmuse @sassygwaine @keriocabinet

Do you write in order? Generally, yes. Every once in awhile I'll have a scene or a little piece of something that gets written as it comes to mind, but it's often outline->write. The outlining/brainstorming process (as much as it is a process) is where the order happens.

This is notably not the case with Ask Me Anything, though, which is a collab and timey-wimey to boot, so lots of stuff needed to get figured out of order. We still haven't finished writing the chapter we're in the middle of posting, but the next one is finished and the rest are kinda 50/50 or 60/40.

How fully formed does your writing come out the first try? Gonna say a good 85-95%?? Depends on the story and whether I'm getting other eyes on it before posting. Most of Revenge Ranch got written and posted with a cursory read-through for glaring errors. Kitchen Mistakes & How To Avoid Them, though, tends to have its word count/phrasing fluctuate like 10-15% every chapter thanks to a delightfully nitpicky beta reader.

How many drafts do you go through? I don't really draft, per se? I spit it out, I review it, I get feedback (sometimes), I make changes, annnnd I'm done. Well, I guess that's technically drafting phases, but it tends to be less thorough than what I'm picturing.

Tell me about your process. I get an idea. It takes hold of my entire goddamn brain. I am compelled to start writing it down in some loose structure, usually bulleted lists, just to get it out of my brain. Sometimes the idea keeps growing, almost self-propelled (All That I Need Is You And The Sea). Sometimes it incubates a bit before it comes together, and needs to keep being formed and re-formed as it goes (Kitchen Mistakes), but the idea is still kind of in charge, if that makes sense.

Other times, I really need to work at it, like, I know I want to do something with X character, but I need to do some background research, think about what my goals are for the thing, make notes on the POV character, etc. I put a lot of time into breaking down Revenge Ranch Roach for his POV story last fall, and that was kind of like pulling teeth, though I'm happy with the result. I think this version of the process might end up with more of "me" in it. Maybe because I have to work at connecting to it.

While I'm actually writing, I typically try to keep some VERY simple/high-level notes handy--like the key plot points/character notes to hit--but abandon the rest. Exception: if the background research includes some specific entity (object, video, song, etc.) I need to describe/reference in the story itself. Even if I don't feel like I'm in a 'flow' state or whatever, often I'll just sit there and try to start pecking out some dialog or description of wherever I'm at, and it starts to move along, or doesn't.

Sometimes I have to flit through a lot of background noise to find the right vibe for my brain at a given moment. The nicest, though, is finding one of those "8hr ambient aesthetic vibes" videos on YouTube that is kinda close to the setting I'm writing. There's a road trip Revenge Ranch story that I wrote while watching someone's dashcam video of a drive through New Mexico. I watched a TON of thunderstorm videos for a couple other entries. A chapter of Kitchen Mistakes that took place in Stede's study was helped along by one of those "evening fireplace and rain sounds" ambient videos. Fuckin' love those videos. It hits a sweet spot of noise (without lyrics or too much rhythm) and background imagery like watching TV, but without all the distraction.

In terms of technical settings: I like writing in LibreOffice when I can, but if I'm collaborating at all, it has to be GDocs. And I am a heavy user of headings/outlines in that case. I have a half-assed AO3 post template in LibreOffice with places for notes etc. to copy and paste in order. I've been known to make a spreadsheet when shit gets very complicated. My brain loves little boxes. I don't write on my phone except maybe some notes to self in Signal for ideas that come up when I'm not at my laptop. Love a physical keyboard and multiple windows, mmm, room to spread out and see lots of shit at once.

[thrill-seeker-if]

Oof I have a few.👀👀👀

1. Do you have any celebrity crushes atm?

2. Whats your process behind character creation?

3. Are you a pantser or outliner?

4. Do you have a favourite kpop band/soloist?

5. What are you and the ROs music taste like?

6? How would you describe your fashion sense and the ROs?

7. What's a story you would love to see turned into an if?

8. What would be your biggest piece of advice for a beginner writer and what did you wish you knew before you started?

9. If I remember correctly you're working in another story that's a fantasy. Could you perhaps spill some of the tea regarding the characters and premise? I'm super excited 👀

10. How has it been working on these completely different projects?

I try my best not to have any celebrity crushes but I've been so bitchless recently that when I got into Ateez I was immediately floored by San 😭😭 so uh yeah that's the only one rn LMIUSFDHDFI

I usually tend to start the story with plot. Through that, my characters blossom; I usually look for a personality I want to embody, and also a character I haven't seen too often. For example, I haven't really seen any Nepali characters in IF, so I'm making a nepalese RO in Witness in Plain Sight. The ethnicities of my characters are often from the ethnicities of my friends who find they don't have any characters they can relate to in media, so the appearance of my character is the third/second thing I think about.

I outline first, but I pants through it!

Oh boy... my favorite boy groups are seventeen, ateez & BTOB, and my favorite girl groups are twice, stayc and ive!! I'm also getting into CNBLUE right now. My fav soloist is Sunmi.

My music taste is a little bit of anything and everything. I love music in different languages (korean, spanish, french, chinese, japanese, urdu, and hindi, lots of bollywood music in general). I think N would like a lot of vocaloid & hyperpop music, while Oli is more interested in alt music, just a lot of music with guitar. Hannie likes classical music, lofi, just anything they can listen to in the background without too many lyrics. When learning a new language, they like to listen to music in that language, too.

I'm kind of experimenting with mine!! If I had a lil more money, I would love to dress fancy and old-timey. (Like the pic, and a bunch of art on pinterest which I can't find the cred for!) I mostly dress in academia, graphic tees and overalls. You can see the ROs outfit types through their posts here: N OLI HANNIE

7. HMMM... okay something that I REALLY want to see is the great historian 'they were just friends'. I want two ladies to fall in love in medieval times. I would also LOVE something like melvina's therapy, a bunch of short stories that tie into eachother! 8. Definitely do your research!! Reach out to other authors, and create a network of people you can rely on! Not only will it be great for when you decide to go through with your project, but you'll have a community that can help you, inspire you, and that you can talk to when you have difficulty!! For any writers and developers, you can always come to me!! Whether it's an ask, a private message, a discord dm or an email, you can always count on me if you need some help :-) 9. I don't wanna give away too much, but I'll give away a little! Yk how much I love killing off parents in IFs... this IF is an adaptation of the first novel I ever wrote!! It's about magic weilding pirates, set in the Victorian Times! I know it sounds goofy so I'm gonna leave it right there IUDHFSIUDSF 10. A nightmare. I love all of them, don't get me wrong, but I'm a colossal dumbass. I'm really happy I get to do what I love, tho, and I love being able to write!!! I get to do whatever I imagine, and tbh it's the best feeling ever!!

[betawooper]

Hi, how are you?? If its not too much trouble, I have two questions 1. How do you get motivation to write your fic (which is amazing, btw!!) because I am trying to write a fic of my own but I can't seem to find the motivation to actually sit down and write it out, even though I am super interested in it. 2. If its not too much, do you have any tips on outlining a story?? I'm not very good at planning lol Hope you have a great day!! I love your art and your KNY Plot Rewrite!!

Hiiiiii thank you for the ask!

1.

Honestly dedicating a certain portion of my day just to write has been super helpful. I tend to feel most motivated in the morning so I just write then and just keep dabbling in it.

I do this weird technique where I write with white text on a white background so I don't focus too much on the mistakes. If you find yourself getting overwhelmed, just changing the font color so you can't see what you're typing breaks that anxiety. Drastic, but it works.

I also write on my phone when I'm feeling particularly unmotivated?

Here's a vod of me doing exactly that for Ch 53 (the video quality is very crunchy, forgive me):

I usually use a lot of ADHD strategies to get myself into the mood lol.

2.

It seriously depends on what kind of story you want to write, but I'm assuming you mean novel/longfic type of stuff with a fleshed out story and a whole cast of characters? That's the assumption I'm going under while writing out my next tips.

What is your main theme? Or genre rather. Is it humor? Romance? Tragedy? A combination? Knowing the overall tone that your story will be in helps a lot in the development of the characters, since each character should fit into that theme in some way. In KNY, the main theme of the story is tragedy, and this affects literally everything, from the backstories for all the characters to the literal worldbuilding in the form of Demons (victims of circumstance, cruelty of the world, that kind of thing).

Once that's down, start small. Just figure out your main character, their motivation, their character arc, and what you want them to realize by the end of the story. Can just be as simple as:

main character (Tanjirou)

wants to live a normal life and go back to the way it used to be

ideally, he should realize there is no going back and he has to move on so he doesnt get left behind? oh ye his sister could represent the constantly changing state of the world and his negative reaction to her changes expresses his inability to let go of his past

*note to self, develop sister character more

Don't think about other characters unless they will actually help the main character get closer to the ideal end you have for them, like I did with Nezuko in the above example. Don't want to overwhelm yourself, you know?

From here, you can start developing stuff. Thinking of concepts. If you're anything like me, you've probably already come up with something your story focuses on like "oh yeah there's magic and shit, and they have to take down the government with it" because I like magic and shit. What kind of setting do you want your story to be in? Post-apocalyptic utopia? Dystopia? Steampunk fantasy? 1920s Japan in the midst of rapid westernization? Is this based in a specific region of the real world or are you making up a whole new world for this?

Once you get the basics down, write down story beats. It can be a similar list as before like:

idk ig nezuko becomes a demon and loses her memory

the two meet a super strong swordsman to kinda show the reader the concept of demon slayers AND the highest ranking people from the get go (oh, think of a name for this rank, maybe pillars? bc pillars of hope and shit lol im a genius)

oh shit, you write hashira in 9 strokes? maybe we could have 9 pillars ooooh that would be pog

tanjirou and nezuko have an argument about tanjirou's Problems bc he refuses to talk about anything that bothers him

uhhhhh fight a demon

fight a Strong demon (what the hell am i gonna call these, just do that later)

oh hold on theres gotta be a training montage bc swordfighting takes time to develop

i should add an examination right? yeah like naruto ok put that into the consideration jar

broooo omg what if [insert plot twist here] happened? ive gotta put that in holy shit-

Doesn't even have to be in order. Just let your mind flow. If you have more characters at this point, think about how you want their arcs to end and all that like you did for the main character, then slap those beats into the massive list of story beats.

From here, you can sort stuff out. Then zero in on a specific arc/plot development and build around that. How much you should develop the story depends on how many characters you have and how long you want the story to be. KNY has a fairly large cast and is meant to be serialized, so Gotouge really needed to spend a lot of time thinking about this stuff (and you and I know that didn't end up working out too well lmao, they tried their best though).

Biggest tip is to take your time. You can't create a world in one day, especially if you want to be respectful to the other cultures and stuff you want to portray. Research stuff, look up writing inspiration blogs, all that, just take your time.

Also lemme know if you want to know how I specifically outline stuff in chapters to prepare for writing because its a little different from what people normally do? Idk what people normally do but its certainly not the way how I do it and this post is long enough already.

(Thank you for the compliments btw, good luck on your own story!)

[jaythelay]

Thankfully the GUI mod was easy enough to remove.

One thing I had to decide between was a texture pack option in the pause menu, or the logo. I chose the logo, it looks great and it's easy enough to swap texture packs, plus most of the time, you're just gonna go with one texture pack at a time. Especially back then.

The text threw me for a loop, it's not on the texture, it's displayed ontop of it, and I don't know how to change text colors, if I could, I'd make them white and move on, but I need a border instead.

Need to fix the "lighting" of the wood background of the UI, it should have a drop shadow effect, just ignore that for now.

Changed the wood colors multiple times. It started off too yellow, too orange, decided darkening to a brown would look nicer.

Furnace concerned me, but learning to soften the sharpness of the cobblestone, and fixing it up so it connects at it's corners, made it look nicer.

Top default/old, bottom mine. Still needs a bit of work, but this is one of my goals, make it blend better without completely changing the texture.

Grass/dirt has always been iconic, to re-iterate, I'm trying to keep the original Minecraft visuals, but sort've update them, as if near every texture was a wip, minor touch ups, some stuff will stay the same, there's smaller things, like the fishing pole, where initially it was just adding the colors of the hook bobber thing to the pole, but eventually I put more work into it and came up with this

Chests got a touch up, I never got used to the "grain" on the chests, and while I adore the original color scheme, I thoroughly prefer the redish hue to it's outlines, which didn't look right with the original color scheme.

Also gave them latches on the back, which thankfully turned out well, however for the regular chest I think I'll forgo it. Not enough room potentially, and the way single chests place in 1.7.3, it ain't worth it visually. With doubles you can control the direction better.

Fish look nicer imo.

Diamonds were always a gross greenish teal I dunno, I just never vibed with it. Diamonds are bluer than greener now. And brighter.

As you've probably noticed, I updated the tools aswell. I tried to keep them within the artistry, while still being unique. Diamond is where I feel it's safest to be looser, as you're rewarded with the highest tier, you should feel good seeing a chest full of these items.

Same with gold.

It's now oranger.

Iron is silver-ish. It's based on it's ingot as I find the skin colored ore to be kinda fugly.

As you can see, Iron feels more standard, it's not complex, it's not makeshift, it's simply functional. Whereas Stone and Wood tools are.

I go back and forth on the stone pickaxe, I wouldn't mind putting the string from the sword on the pickaxe, but I want it so it stands out.

String is subject to change, shears use wood colors, sugar looks more sugary, porkchops more pink and round, when cooked, flatter and smaller like meat do, sulfur smaller, since you need more of it than sand to make TNT, made sense for it to feel smaller.

Dyes now have colored drop shadows. They didn't have drop shadows before, but now they do, and they match their colors. I might remove drop shadows from some items, like Feathers definitely look better without one if you try to do something with color.

So for now, that's alot of the texture edits shown off. I'm still debating alot of them, but subtle touch-ups are likely final. Danka for read. Go make some food or something.

[idleglowingpixels]

I Started Typing A Regular Post When Oops It Turned Into An Update Post (Mainly about MH-AU & XXY)

Just spent the last couple hours give-or-take on completing Cleo's profile, which I'm excited to be releasing later today! Her post is scheduled to release around noon EDT (I scheduled Lagoona's and it made things a lot easier to post her at a reasonable hour so I'm doing that from now on cause OH MY GOD :'D). She will be the last in the current set of character designs/bios I have prepared.

I have one teensy tiny more MH-AU goodie for Halloween before I get back to XXY full-time (dw I have been working on it in the background, progress has just been super slow cause I'm trying to finish the fic's outline). I will still be working on the MH-AU, don't get me wrong, just not as my top priority cause my PPG followers have been patient enough with me for more XXY content. I do plan on making another series of character design/bios, this time focusing on the mansters since they actually serve a purpose in the fics other than "the boyfriend" (Sorry they didn't do too much in a majority of the movies okay, I love them in the webisodes tho!). And once Cleo's post drops, I'll make a masterpost for the MH-AU since there's enough out now that I feel it necessary; keeps all the lore organized and junk. I'll have it linked in my general masterpost for quick access should anyone need it for reference. If they are updated at all later on, I'll make a post about it.

My current oneshot WIPs for the MH-AU are: - My equivalent to G1's New Ghoul @ School (tbh I might just use that name cause it's so iconic and I can't really come up with anything better lol), which might end up becoming a SMALL multichapter should it require that (3-6 Chapters max). There's a lot that goes on in Frankie's first week, more than the original series of mishaps unfortunately (poor Frankie :'D), and it also sets up a lot of stuff prior to the first week of school for them that I think is super important to their character. - Taking A Lycan To New Salem (Working Title), a short story about one of Clawdeen's human-side escapades gone wrong. (I want to talk about this one SO BAD but alas, it'll have to wait til I finish the fic. I'm already 1k words into it!) And I have several more in mind that I can't wait to write and share. Until then, I'll keep you guys posted!

(Random side note: I had no idea how many of these characters were gonna have a criminal record like holy shit dgfhgsddfg)

---

I've been in a super artsy mood so if I can manage to actually complete a sketch of the team, I really wanna post a drawing of XXY as a whole (I tend to ditch my sketches after 1-2 characters are drawn q-q). I also really wanna draw the "Normie Trio/3" as I call them, consisting of Robin, Mitch and Mike. I eventually wanna draw more characters that get redesigns from age, alterations in the case of the reboot villains, and such, but I think I just needed to get into the art mood again cause now I actually plan to do these things! :D

Also, while progress has been slow, I'm gonna assume from my current status that I'll be able to complete XXY's next batch probably around the end of this year, to be released in January. I'm so sorry to delay its release to January, but please understand I am really passionate about this story and wanna make it the best (and most fun) I can make it. And I'm not gonna go out and say "hey this is exactly how many chapters there'll be," but I might end up making about 70 chapters total including all the intermission/MultiPOV chapters, but that remains to be seen.

I do have good news for you guys, however; considering where the story is headed, I've realized I'm gonna need to throw in another intermission chapter at the end of this batch, with a new character's POV! They haven't shown up yet, and won't until that chapter, but believe me when I say I am VERY VERY excited to write it and I really love this character. The chapter name for them is super appropriate too lol.

While I'm here I'm gonna drop the chapter titles, as they don't really reveal anything. The previous theme was weather patterns, focusing on the coming and going of rain and shine. This one's flowers!

Chapter 8 - Gladiolus Chapter 9 - Hyacinth Chapter 10 - Spearmint Chapter 11 - Coriander Chapter 12 - Hibiscus Chapter 13 - Violet Chapter 14 - Jasmine Tobacco

Hope all the little tidbits I shared hold you guys over and get you excited for the coming months. Thanks as always for your patience!

[postingjustwhatever]

So today I was gonna draw a few variations of Hunter that were supposed to be previous Golden Guards. But then I decided to draw the featureless body with a few different facial features you could change and post it as a joke titled Make your own Grimwalker. But it spiraled out of control and I ended up making a few too many features, so I think I'm gonna just try and make a dress up game.

I might try and see if I can do anything with this website. I don't know if it will work or not. I've never tried to make anything like this. I will probably have to put what I've made so far in a different program, since I did all of these with Sai. And I'll have to line them all up and put them in different folders. I still have to make the outfits too. Hopefully I won't lose interest before it's finished.

In case I do lose interest, here's everything I have so far if anyone wants to play around with it. They all have transparent backgrounds so you'd just have to save the picture and open it in a drawing program or something. It will probably be annoying to line everything up so it looks right though. Also the ears go behind the hair and one of the hair only works with one pair of ears that have the notch in them since I kind of drew the outline of the ear into the hair.

Edit: here’s the game so far

[recurring-polynya]

Do I mind if I ask how you approach writing longer fic? I've always struggled to write anything more than maybe two chapters long and I'm curious if you have a particular method to how you approach such stories.

Thank you so much for this ask! I absolutely love it when people ask me for writing advice because it makes me feel like a Smart Person Who Knows Things.

Before we start, here is one grain of salt to take all of this with: I have a naturally long-form brain. It is very hard for me to write something less than 1k. Short fiction is great, and there is nothing wrong with sticking to short things if that's what your brain likes to do.

So. You have decided to write a story. This is going to focus on "stories". Some people write fic that's more freeform or whatever, I am not going to cover that. What I mean by a story is this:

It starts

Some stuff happens

It ends

It is highly probable that your story contains a change of state, which could be that a villain is defeated, or a goal is reached, but it could also be that character falls in love with another, or someone learns to like broccoli.

I like to start out by completing the sentence, "This is a story where _______". This is basically like coming up with a summary for an ao3 post, except that it doesn't need to be catchy. Lots of different kinds of things could go in that blank! It could literally be what happens: This is a story where Ichigo goes back in time and punches young Aizen in the nose. It could be about what you want to explore: This is a story where Hitsugaya gets a better understanding of his zanpakutou. It could be about the vibe you want to achieve: This is an AU where everyone is in a punk rock band and has cool hair and outfits. The idea of this is to clearly define what you, the author, is interested in writing. Make sure it feels right! Maybe you pick the first one, but when you say it out loud, you say, "You know, I really just want Ichigo to go back in time so he can horse around with young Renji and Rukia and punching Aizen in the nose is just an excuse for that." That may sound dumb, but it's fine, actually! Most people don't read stories strictly for the plot, they read stories for the implications of those plots! Will my favorite two characters kiss? Will there be funny interactions between these two groups of characters? Will there be sick fights? Stories are excuses to have scenes. Sometimes, you will have a story where the interesting sequence of events is the draw, but the point is to know what you're about.

Once you feel happy with your "mission statement", you need to decide the bounds of your story: where it starts and where it ends. It may be easier to start with the end. In some cases, it may be obvious from your mission statement: everyone gets home, a villain is defeated, Kenpachi realizes the meaning of friendship. On the other hand, let's look at that punk rock AU. You've picked a vibe, but you don't really have a natural story arc. It has to have a destination, though, otherwise, it's not really a story, it's a recipe for 3 chapters of an abandoned fanfic. So brainstorm a little: Maybe they get a record deal? Maybe they win a Battle of the Bands? Maybe Byakuya accepts that the band is actually good and tells Rukia he is proud of her. Do not settle for a plot just because it works. Pick something that makes you excited! You're the one who is gonna have to write it!

I said that we needed to pick a beginning point, too, but I'm actually going to skip that for now. The next thing I do is think of all the Big Scenes I want to write, the ones you are hype to write, the ones that pop in your head as you think about the premise. Make a bullet list. They don't need to be in order. The descriptions don't need to be super detailed, but write down anything about it that is important to you. If there's a mood or a snippet of dialogue or a joke you want to make, go ahead and jot that down so you don't forget it later. What you're doing now is putting broad blotches of color on a canvas, filling in space and leaving the detail for later.

Once you are pretty happy with what you have down, try to arrange it in chronological order. Put your end at the end (if it wasn't one of your big scenes, add it now). The next task is figuring out how to traverse your scenes. You've already picked out where you want to spend the majority of your energy. The rest, I regret to tell you, is your slog writing. Now, it often happens that you will find joy in some of these scenes and your best writing may occur there, but that's serendipity. These are the scenes that you are gonna have to make yourself sit down and write, so you honestly want to limit them to just the ones you need.

So how do we do this? Look at the first thing on the list. Can you start there? If so, congrats, that's your beginning. If you can't, what needs to happen to get to there? Where can you start so that you can get to your first fun scene as soon as possible? There. That’s it. You’ve picked your beginning, good job! Now, go through the rest of your list, and add in things that must happen, even if you don’t particularly look forward to writing them. The characters need to travel from geographic point A to point B. Shuuhei needs to say something that Izuru hears and misinterprets. The Central 46 makes a new law. If you have a good idea of how these things happen, go ahead and write them down, but it’s okay if you don’t know yet. Fill in all the blanks so that if you think of each bullet list as a scene, you could read it as a story, start to end. Once you get writing, you might add more scenes, or move things around or whatever, but you should have a thing that functions as a story.

If you struggle with this, an alternative is a story with a very strong structure that is going to guide you though what you have to write.Here are two examples from my own stories Hold On, Hold On (which is only one chapter, but the principle is the same) is structured around the 5 stages of grief. Not Broken, Just Bent takes place over roughly a week, and I just decided what happened every day of the week. See You on the Other Side takes place in the middle of a bunch of canon events, which worked at mile markers.

Congratulations. You’ve just made a rough outline!

Special note for avoiding burnout!: I am a slogger. I will drag myself through the broken glass of an interminable plot to get to a single thirsty scene. That's why, at this stage, I try to look at the ratio of what I want to write to what I must write. It's gonna vary for everyone, but this is a hobby, and if looking at this proto-outline makes you feel deeply tired, maybe this isn't a good story to be devoting your time to! Can you carve it down? Can you chuck two scenes you really want to write and get rid of 80% of the slog? Or maybe you can't! In that case, just write that thirsty scene as a standalone drabble! Or just go work on something else! Maybe in the future, this one will come back to you and you’ll have a fresh idea or a renewed enthusiasm for it.

Another thing I sometimes like to do at this point is to write out some notes about my characters and their motivations and moods. Character A is homesick. Character B is so determined to defeat the enemy that they are having a hard time being sympathetic to Character A. Character C cares for both A and B and is trying to support them both. This is sort of background info that you want to keep in your head as you are writing. Depending on the type of story you are writing, this might actually be the main plot, or it might be happening subtly, but adding to the emotional impact of the story. It’s very easy for me to write these sorts of emotional arcs, but if you struggle with that, you may wish to go ahead and made a more detailed outline for that, too.

Now, it’s time to start writing! I am great at beginnings-- it is very often the case for me that the opening scene was one of my Big Tentpole Scenes. (Before you hate me too much, I make up for this by being double horrible at endings; just let me have this) Usually, I will start at the beginning and write linearly for as long as I can until I get stuck. Then, I will look forward on my outline and do the next chronological scene that I feel like writing. In general, if I sit down to write and there is something I have an urge to write, that trumps everything else. Inspiration is a precious commodity, and you should embrace it when it hits! You can slog any day. I will occasionally hold off writing a scene that I really want to, because I am saving it, like a prize for myself for getting that far. This is a very personal process of figuring out what motivates your brain and then giving your brain what it needs to be its most productive.

Eventually, you will run out of things you are excited to write, but the good news is, you’ve got a bunch of story now! Odds are that what’s left is going to be a lot of those connective tissue scenes, and you’re just going to have to do them, except that now, because you’re connecting two concrete points instead of two abstract points, it will be a lot easier. You can continue running jokes you’ve started. Maybe you invented a cafe in an earlier scene where your characters hang out and you can have them return there. Try to think of ways to make these scenes more fun, both for yourself to write and for your reader to read. 

Around this time, I like to start refining that rough strokes outline into what I will call an “as-built” outline. (This is an engineering term where you update your plans or models for something to reflect any changes that had to be made along the way). This is a great activity to do at times when you feel like you have writers block. I write down every scene I have written as a 2-3 word blurb, in order. I break the scenes into what I think makes logical chapters, and I will do a word count on those prospective chapters and write it down. As you do this, you will realize that maybe you can move a scene from here to there, which will make it 1000% easier to write. Things may be happening too much, or you’ve got the characters eating three times in the same chapter. If you have subplots and dangling threads, this is where you make sure they get closure. I know this sounds very headache-y, but you are so far along in the story at this point that it’s really not-- it’s a way to look at the problems you have left. Use some sort of formatting (I like to bold things I haven’t done and sometimes I put them in red) and it gives you a very visual to-do list.

You specifically mentioned multi-chapter fanfics and I admit that I don’t tend to think in chapters, I tend to think of the story as a whole and just break it up where it feels natural. The as-built outlining I described is very helpful in making sure that my chapters feel balanced. They don’t necessarily need to be the same length, but I like them to have the same amount of stuff in them. One chapter may basically contain one long scene, and other may contain many short ones. I don’t tend to, but you can certainly have a fanfic that varies between short and long chapters, that can actually be an interesting effect. But like I said, I always like to know what I am doing, and so having it mapped out, you can say “welp, this is what I’ve done, how do I feel about that?”

Polynya, you may be saying at this point, do you write the whole fanfic before you post any of it? and I regret to inform you, the answer is yes. A lot of people write as they go, and I have made one attempt at this and I didn’t like it. I don’t like locking myself in, I just need to be able write out of order and go back and change things. Here is the story of a little in love: someone gave me an AU prompt and I got mildly obsessed with it, and wrote 5 snapshots drabbles in that universe, ending with a slight cliffhanger ending. I probably should have stopped there, but I decided to keep going. I wrote out an outline of 5 acts where the first act was detailed to the degree of each chapter being specified. The chapters here were much smaller than I usually make chapters: 1-2k. I wrote act i and ii and it was actually great, and then I hit act iii which required a lot of set up for misunderstandings and a mini romance arc. I couldn’t wing it, but nor could I figure it all out with outlining. I write dialogue in almost sort of an improv “Yes, and...?” style, so until I do it, I don’t know what’s going to happen. So, what I did was treat the second half of act iii as a complete story in the process I describe above, wrote the entire rest of it, and then posted it. One might notice that the chapter lengths grew to 3-5k each. I have two more acts to go, and I haven’t decided how I am going to do them yet, but I suspect I will treat each of them as their own mini-stories.

(I will admit that in Heart is a Muscle, I tend toward chapters that are about 10k long, and this is honestly too long, someone should smack me. If you like punchy chapters, 1-2k is good. I think 3-6k is probably an ideal chapter length. Is this how long the chapters are in my latest fanfic? Absolutely not.)

Okay, so there’s one more step, which is quality control. I am habitual re-reader-- I read my fanfics-in-progress over and over and over while I am working on them. I understand that not everyone does this, but I am usually the primary audience for my own writing, and this is the actual fun part for me. Nevertheless, you should re-read your work at least once, to make sure it hangs together.

This is purely optional, but I recommend it: get a writing friend (if you don’t like re-reading your work, I recommend this even more strongly). If you can get a full-service beta reader, that’s great, but if you can’t find someone, or if receiving that level of critique stresses you out, it’s perfectly valid to just find a friend who will read your stuff and a) shower you with compliments, b) reassure you about parts you aren’t sure about (or suggest ways to help) and c) point out any huge problems you missed. When I am writing a long fanfic, it is a huge motivational factor for me to be able to send my beta chapters as I finish them. If you are already an established writer, and you have people who consistently comment on your fic, they might be overjoyed to get a sneak peak at your work.

And that’s it! That’s the way I do it, anyway! Some people are able to sit down and write a very detailed outline and the write it start-to-finish. Good for them, I say! I have tried this and it doesn’t work great for me. I will admit that some of my fics (especially my early ones) I just sat down and banged out whole-cloth like an insane person and they are generally better than the ones I actually plan out, but that’s not a reproducible process.

As one final mechanical note, I usually write in Google Docs, which I can access on multiple devices (I used to write a lot on my phone), has convenient sharing functionality, and I use the ao3 html formatting script add-in. I generally have two documents for a single story-- one is the outline, and any other notes I want to have handy. I’ll usually put a trashcan space at the bottom for scenes that got cut but I don’t want to lose. The other is the fanfic itself.

I hope this is helpful! Please feel free to follow up with other questions and good luck with your writing!

[book-o-scams]

Ed, Edd n Eddy Series Bible (1996) -Analysis-

You can all finally read/download Ed, Edd n Eddy's official Series Bible right here! Thanks again to Chuckletons for sharing this with me and to Joey/Kongiscool0518 for sharing it in the first place, the Holy Grail of lost Ed, Edd n Eddy trivia!

One of the first posts I made for this blog was the Series Bible page. It was a composite of every source we had ever seen reference the series bible so far-- storyboarders in interviews, CN's old character guides, and the biggest source, an old CN UK posting about the show. Well, I figure now that we have the official source, I better update the old page (so everyone knows it's out of date), and make this new Series Bible post using the official source! Not much new information, but I was intrigued to finally learn the true phrasings of some things we had only heard paraphrased, as well as at least one detail from the movie that I couldn't believe came up this early in conception...

Unfortunately, Tumblr has apparently updated its post system to only let me add 10 images? Gonna try and only use images for what I need since you can read the actual document above, I guess I'll transcribe it too for easier reference and so we don't ever lose some archive of this.

Quickly, let's review what a series bible is:

A series bible is how creators pitch shows to networks. They can be called “pitch bibles” as well. Bibles do not usually get posted publicly, because they are initially under a strict Non-Disclosure Agreement by the network; also the creator may simply not wish to share it because it reflects the earliest stages of development.

The pitch materials typically include early concepts for characters, locations and episodes. Sometimes it exposes secrets, in this case, Ed and Eddy’s home lives, and sometimes the stuff in it is completely abandoned because it’s so early in production, in this case, casual references to school and adults.

Alright, everybody, it's time to gather 'round and read the Ed, Edd n Eddy Bible!

THE YEAR IS 1996.

YOUR NAME IS LINDA SIMENSKY. YOU WORK AT CARTOON NETWORK. A FRIEND OF YOURS, DANNY ANTONUCCI, IS WRAPPING UP A SHOW ON MTV. YOU GET THIS FAX.

Linda Simensky immediately fell in love with this concept because as a child, she was best friends with 2 other Lindas for seemingly no reason other than the shared name.

I love how Danny decided last second to pencil in the correct names over each Ed, since they're arranged out of title-order.

"They're friends because they have the same name."

-the Logline for the series.

Fun fact: one storyboard artist for the movie observed that the movie is essentially all about challenging the series' original notion that the Eds are friends ONLY because of their name.

"A Danny Antonucci Cartuna"

-the label Danny used to use under announcements of new productions.

PAGE 1:

Ed, Edd n Eddy

They're best friends because they have the same name.

A gag laden, beat generated CARTOON bumper car ride of 3 misfit youths on a cul-de-sac in the suburbs of America.

Through summer vacation, part-time jobs, or just hang'n out at the corner mail box, they want to belong....but CAN'T.

From home chores, helping neighbors or eating jaw breakers, they want to fit in...but CAN'T.

Ed is into "B" monster movies, model kits and is quick to break out into rashes.

Lots of luck...

Edd is into chemistry, biology and prone to crushes.

Later...

Eddy is into pranks, is stylish and flaunts himself to the world.

Ya Right...

Ed, Edd n Eddy is a show about confusion and contradiction, that awkward part of youth, pimples, big feet, oily hair and... girls???.

Puberty is unforgiving.

I was fascinated by the lack of art on this page, it makes the pitch feel very focused. AKA logo in the corner, the title logo again up top, then the logline appears again below.

I really love the breakdown of Danny's vision of the show. "Gag-laden, beat-generated, CARTOON bumper ride." Very accurate, and I think "beat-generated" is the phrase that interests me the most. I typically think of "animation beats" as sort of a give-in-- technically all things fit a rhythm, so all stories are essentially just a montage of beats. But this does make me realize how important the strength of the beats and their rhythm are to the pacing of a cartoon and making you feel like "that was a good one." I feel like the "seasonal rot" viewers feel over the course of a show, and the way that perception differs from person to person, depends on the type of beats you want. Even though I am very into the experimental beats of a show in its later seasons, I can definitely see how season 1's beats are more typically appealing to a wide-audience, and how important a focus on that is to the longevity of a show.

I found it really interesting how the scams are initially conceived of here as "summer jobs." It adds to the sense that adults were originally meant to be present. Honestly a little surprised nobody with access to this bible had ever thought to mention that-- scams are not referenced ANYWHERE. Their image in the Series Bible is that they have summer jobs and help neighbors, which is certainly a much cleaner reputation than the Eds ended up with in the show. Makes me realize though, were some of the early scams, like Ed's Hive Bee Gone and their newspaper routes, supposed to be leaning into this early idea of them with almost legit jobs for unseen adults?

I was very amused by the repeated phrase that the Eds simply CAN'T fit in.

Loved to finally see the official phrasing for the confirmation that Peach Creek is in America. Not much different than I was led to believe, but still nice to have the true quote.

Also love Eddy being described as "stylish and flaunting himself to the world." The bold-print reactions to each micro-description is a cute idea too, I truly wonder who we were meant to picture saying those things in reaction. Each Ed? Kevin?

The "corner mail box" is an oddly specific phrase-- the Eds do hang around mailboxes throughout the series, especially seasons 1-3, and I believe the canon map does have a corner mailbox, but the idea that the Eds hang out at one specific mailbox went the way of Bro's supposed secret treehouses.

PAGE 2:

Ed, Edd n Eddy

Show Description

Gag laden. True cartoon style, inventive, non parody, fast paced, stretch and squash

Beat driven. (even when characters stop they hold with a bounce cycle. Adults never bounce. Music can play important part, not just fill.) But not a musical.

Cartoon surrealism. (viewers see the show as Ed, Edd n Eddy would, less important things tend to blend into the background, while objects of Ed, Edd n Eddy's desires are focused. Premise driven.)

The school year's over, (yeah!!!!) and the long HOT summer vacation begins (gulp). What to do?

Stuck on a cul-de-sac in the suburbs of America is the last place you want to spend summer break, especially when you find life confusing and contradicting.

Ed, Edd n Eddy is about friendship, and serves to remind us that they're no "good ole days," just smelly runners.

You can tackle anything, when your with your pals.

Their days are spent, for knowledge, acceptance and some cash for jaw breakers. Armed with pimples, big feet and oily hair the three amigos trek into the unknown.

Ed, Edd n Eddy are dying to be grown-ups, but they're kids, and attack adulthood as only kids would. Simple situations turn into a manic rollercoaster ride. (Don't forget your barf bag).

They just want to belong, and they're willing to pull off any insane stunt to prove it. First they need to figure out what it is they want to belong to.

Found it interesting that on this page, the show's logo is replaced with the title written in a jumbled font. Seems like the font from the show's end credits.

Hehe, the continued reactions to the descriptions. Allow me to be Double D for a moment and point out the increased use of parentheticals on this page, as well as one wrong "your".

I love Danny's insight that season 1 is framed by the context of how hyped everyone still is just to be out of school, but also the sense of pressure to make use of their break.

I really appreciate Danny getting further into the details of his summary of the show's style on the previous page. It only makes sense that he had this much of a vision that early.

A second confirmation of the cul-de-sac being in America! I'm also really into the repeated focus on the Eds finding the world "contradicting." I always loved how EEnE's inexplicable cartoon antics supported that sense that the Eds are highly aware of contradictions in both societal things and the actual characters.

WOW, so I'm fascinated by this dual reveal. Before the wiggling outlines, which Danny usually calls a "boiling line" and describes as a tribute to wiggling inking in early animation, the series bible instead refers to him wanting the characters to do the iconic Fleischer "bounce," which is a much more commonly recognized rubberhose animation technique. Very interesting that Danny decided not to stick to that. Did it feel too out of place? Or was the overseas team not willing to animate a weight-shifting for every single held pose? Haha, guess I can see why boiling was an easier compromise. I wonder if he had any other ideas for how to make it more of a 1930s cartoon.

The other reveal to me here is that the movie's choice, that adults don't always wiggle in the show, was an idea from the very beginning! I guess I can better understand now why it's just too difficult to communicate a stylistic choice like that overseas-- no point making Bro not wiggle, that'd just create confusion.

Also, really disappointed that my wish for a musical is officially squashed in the series bible itself. That's a tragedy. The show's over, ya couldn't let me dream, Danny!? Conversely, I love Danny's forethought to say "non parody," I definitely noticed and appreciated EEnE's avoidance of derivative parody humor.

My spouse had to point out to me that Danny probably means sneakers here, lol. Canadianisms!

The comments about the Eds wanting to grow up but needing to figure out what they want to belong to are so great and relate to the movie so well. I've heard those comments before, but the correct phrasing was cool to see.

PAGE 3:

Ed, Edd n Eddy (image of Ed in right corner)

Character Description

Ed

Attention deficiency syndrome.

He has trouble...

He can't....um...

OK, he draws all day in class.

When Eddy gets a bright idea...Ed's in.

Ed is easily talked into doing Eddy's "hard work". He has great physical strength.

Ed's happiest with his Model kits and B-monster movies. He draws his knowledge from his movies.

Ed smells. Flies are attracted to him.

Ed has sayings for all situations

ED: "you can change your shirt, and Bingo was his name..."

Ed's perpetually a slave to his younger sister's whims and whines.

Ed may have to baby-sit his sister, or let her watch whatever she wants on TV, or let her dress him up in mom's clothes.

Ed breaks out in Rashes. He's allergic to practically everything, especially Guinea Pigs.

Ed's Mom xerox's his sketches and doodles for her therapist.

Ed's Dad hopes to pass on to his son, his knowledge on "pre-owned" auto sales.

Very cute bit wasting the space at the top of the page. Danny seems very invested in Ed's personality already. The old sources we used to have definitely tried to condense these down to simpler blurbs.

Weird how Danny wants to essentially diagnose Ed with ADHD here (phrasing it very poorly, but it was the 90s and... Canada?). I don't know enough on the subject to debate it, but I still gotta point out Ed's canonical cracked skull!

Interested in the comment about Ed being most allergic to Guinea Pigs. I don't think that animal was ever even mentioned in the show. Eddy mentioned an old gerbil once....

Neat to finally have the real phrasing of the official word on Ed's parents! I saw someone comment earlier that this seems to be hinting Ed's Dad is selling stolen cars. I've never thought to question the legality of his apparent second-hand-car dealership (I imagined he works with Eddy's dad, who has received a legitimate award for his salesmanship), but those quotation marks are certainly making Mr. Ed's practices questionable! Best case scenario, Danny meant that more like italics or something, but maybe Ed's dad IS up to no good...

PAGES 4 & 5 (Ed's turn sheet and expression sheet)

PAGE 6:

Ed, Edd n Eddy (image of Edd in right corner)

Character Description

Edd

is really smart.

is really quiet.

Edd is unnaturally-- polite.

Edd hasn't been allowed to take gym ever since the Dodge ball incident. He's been excused to free study time in the library.

Edd doesn't like it when people touch his things.

EDD: "You may enter in my room, but don't touch my Lego robot. Thank you."

Edd's learning to play Peddle steel guitar. (his Mom makes him)

Edd's prone to "crushes". Girls in School, in his neighborhood, TV, anatomy books. He mails "true loves" his socks.

Edd is always ready for action, even though he can calculate the implications.

Edd constantly mumbles.

No one ever sees Edd's parents. They both work nights. They communicate to their son solely through Post-it notes. Edd's not allowed to touch anything in the house while they're gone. Anything.

Interesting how Danny slightly differentiates the barely-used space at the top here from Ed's description, to characterize Edd as more quiet and mumbly, adding an awkward "--" mid-sentence, perhaps to create the impression that Edd halts to choose words carefully.

Everything on this page feels familiar, from the character guides and other old sources. The most interesting thing to me here is that Edd's Mom forcing him to practice Pedal Steel Guitar is established this early, don't think I knew that, but I had noticed that it existed in his room from ep 1.

I love how the explanation in the beginning for why Edd goes along with their dumb schemes even though he's smart is basically just "he's always ready for action." ?!? I guess in a way???

That weirdly phrased Edd quote amuses me because it references Lego, just like the original concept background for his room before somebody nixed the copyright-namedrop.

Edd's prone to crushes thing has been reaffirmed over and over in character bios even though it really doesn't come up outside of the cupid magic in HPH and the pilot-episode heart eyes at Sarah that are barely canon. Still, I've always loved the truly disturbing statement that he mails "his true loves his socks" and how that managed to make it into canon with a comic book example, a cel animation example and a digital era example.

PAGES 7 & 8 (Edd's turn sheet and expression sheet)

PAGE 9:

Ed, Edd n Eddy (image of Eddy in right corner)

Character Description

Eddy

Exhibitionist.

Megalomaniac. (quote from his report card)

Eddy is the unofficial leader of the trio.

He's always got a plan, a stunt or a weird noise.

Eddy's the "class clown". He loves showing off. He loves being the centre of attention-- no matter how stupid the reason is.

Eddy is the only kid in his grade to have been expelled for aw hole week from school. It was his turn to set up the video for science class. He switched "Our Friend Yeast", for a video he "borrowed" from his parent's room.

Before Eddy's brother went....away, he enlightened Eddy with the "legends" of the neighbourhood. Eddy knows where all the abandoned tree houses are, which sewer pipers are safe to spelunk, and the secret recipe for the "El Mongo Stink Bomb" (it's been in the family for years).

He is the one who is most able to pretend that he knows it all... and doesn't care what anyone else thinks about him.

His genes are working the fastest.

Eddy's Dad is constantly concerned that Eddy may grow up to be a ...figure skater.

Eddy's Mom never believes his little darling was involved in such a heinous act.

Funny choice that Eddy's wasted-top-space is just two one-word descriptions, and allegedly lazily swiped from his negative report card.

Wow, we knew the report card quote and the "Our Friend Yeast" story from the UK show guide, but now we also know Ed's page says that Ed draws in class, and now I realize that Ed and Eddy have series bible school blurbs to match Edd's classic dodgeball incident blurb. Anyway, it's great that Eddy's showed his entire school some sort of sex video his parents have.

Very interested that the phrasing for the Bro/El Mongo Stink Bomb blurb even seems to suggest it's a family recipe. Eddy's Dad did have prankster stuff in his closet in JJJ... did Bro learn his prankster ways from Dad?? The neighborhood's secret tree houses have come up in other descriptions (at best, I'd say this could be related to that creepy shack the Eds found in the woods), but I think it's new info that Eddy personally learned the sewer routes from Bro. Interesting...

Thankfully, I had already heard about the Bible's awkward reference to Eddy being the most pubescent as "his genes are working the fastest," lmao.

Once again the Double D in me comes out to point out that the description of Eddy's Mom seems to switch to the Dad's pronouns.

PAGES 10 & 11 (Eddy's turn sheet and expression sheet)

PAGES 12-14 (Sarah, Jimmy, Rolf, Jonny, Nazz, and Kevin lineup of all 6, then 2 zoomed in lineups of the first 3 kids and last 3 kids)

(Funfact: the kids' designs were allegedly freelanced to an outside studio, hence why their refined later-season designs are so different from these lizardy starting places, lmao)

PAGE 15: (images of Sarah and Jimmy next to their blurbs)

SARAH

Ed's baby Sister.

It's her way or the Highway.

She has everything done for her, if NOT she'll "make" them do it.

She can be quick to judge.

Whinney.

A tatrum for every occasion.

More than a handful for Ed...or Edd and Eddy.

Thinks Edd is kinda cute.

Wants Eddy to MOVE...to another planet.

JIMMY

Sarah's best friend

He is always playing with girls, boys are just too tough.

He is accident prone, when ever we see him he has a different affliction, ie: band-aids, patches, casts, lumps...etc.

He is very clean.

The Ed's frighten him, "They're such brutes".

I'm surprised how much of the UK guide was accurate to what was really in the bible for them! Also surprised Danny misspelled "whiney" and "tantrum," one right after the other. Is this how Sarah spells them? ...Sorry, Danny, I yam what I yam.

PAGE 16: (images of Rolf and Jonny next to their blurbs)

ROLF

First generation of a landed immigrant family.

Nationality not important.

He's proud of his heritage.

He has peculiar traditions and/or customs.

He eats "weird" things.

He has hair on his back..... "yuck".

He confuses the Ed's to no end.

He confuses the other kids to no end.

JONNY 2x4

He is a wanderer and very inquisitive

From early morning to supper time, he is always outside playing, with his buddy, "Plank".

"Plank" is a wooden board that Jonny drew a face on with a crayon.

Jonny has wonderful conversations with Plank. ...Plank is a piece of wood.

Jonny makes himself very "accessible" to the Ed's.

Found it interesting that Rolf's bio is less clearly phrased than the UK bio set it up to be-- there they made it sound more like he mixes up who the Eds/kids are, here it's unclear whether it means that or (more likely) just means the obvious statement that everyone finds him confusing. If it's that, what a lame hollow bio Rolf got. This kid's based on you Danny, show some of that personal side!

Always loved Jonny's description, his life sounds so cute. Playing outside literally all day. Interesting to have it confirmed that Jonny drew Plank's face, I preferred to think the Eds drew him and sold him to Jonny, but whatever.

"Accessible" has always been an important vague description of Jonny to me. It really only applies to how chummy they could be with him in season 1, but it still sorta applies to his personality throughout the series as well.

PAGE 17: (images of Nazz and Kevin next to their blurbs)

NAZZ

She's cool, calm and assertive.

She is the most matured of the kids, or so she thinks.

She's into make-up and fashion magazines and Boys.

Sarah thinks she's awesome, wants to be just like her when she grows up.

When she enters a scene, all activity stops... boys freeze, they sweat, their hearts beat faster and faster. They lose their ability to talk. When she leaves, they recover and conclude it was something They ate.

She thinks the Ed's are funny.

KEVIN

He is cynical and sarcastic.

He thinks he knows the "routine". That's because he watches "60 Minutes".

It got a big laugh out of me that Kevin's description is only 2 sentences long. Nazz even has a more detailed character description from inception than Kevin. Love this for them.

Who's the Eds' rival? Well, he's cynical, sarcastic and he watches 60 Minutes, doesn't that tell you enough!?

I love the "mature... or so she thinks" remark about Nazz, a grounded flaw for her to have, being a little overcommitted to being mature like Eddy. It also perhaps suggests naiveté that makes it a little more reasonable that they didn't notice they were dumbing her down at the end of the series, but I do think the movie version of her better reflects the Bible's concept.

PAGE 18:

The Other Neighborhood Kids

Lineup of May, Lee and Marie.

The Kanker Sisters

These gals are tough. They bother, bully, provoke and bewilder everyone.

They live in a motor home park on the other side of the Cul-de-sac. The other kids have never been there.

They are proud of their Tammy Faye Baker memorabilia.

Their project "Cooking with Ketchup" closed down their school for a whole week.

No one likes them, especially the Eds.

They are determined to marry the Eds. They want them to do their dishes.

Amused that the Kankers are essentially being labeled backgrounds characters here, the role they mostly fell into in season 5. "Other" neighborhood kids...

I love that the Kankers have a school blurb to match each of the Eds', and that theirs has similar destructive-intentions to Eddy's video premiere story.

I believe all of this was all known from the UK guide as well, but still, neat stuff!

PAGES 19 & 20 (zoomed in Kanker lineup and their height chart with the Eds)

PAGES 21 & 22 (early promo art that used to be on CN's old Eds webpage, the art of the Eds eating jawbreakers at the end of ep 1 with the overhead text "Ed, Edd n Eddy love JAWBREAKERS!!!", and the art of the Eds all running with overhead text "Ed, Edd n Eddy see something shiny...."Jiggers." That weird "jiggers" statement at the end was normally edited out and I don't know what it means. Looked it up and it seems to be Chinook jargon (like when Ed said he was "skookum at X's and O's") usually said in the same sense as "CHEESE IT!")

PAGES 23+:

The rest of the pages in that bible download are from a 2004 storyboard test. The storyboard sample "It's Raining Eds," which we've seen some submitted samples of before, interpretations with Ed attempting to fly or chew gum and Edd making radioactive gum, I was surprised to find out the outline is just the original outline for the opening sequence to season 3's 'For Your Eds Only', seemingly Jonny was not written into the original outline (or was excised for easier testing purposes) but Kevin's brief cameo was. Now I wonder if they knew this would be used for a test when they wrote it, and if they would've come up with a less random way to include him if weren't forced to be a concise bit for testing's sake. (Your limit is typically 40 storyboard pages in my experience.)

I also noticed that in the included background references, the anonymous adult neighbor house next door to Ed's is officially just referred to as a "generic house."

My analysis ends here, but be sure to download that sometime and enjoy all the raw storyboard sketches at the end of the document!

[hearteyes-for-killmonger]

COLORS, PART 2

*Smutless

Before I even look at anyone else's work, I reinforce sharp lines and darken the darkest areas on my painting with blue tones and deep browns. I'm working on organic matter, a bouquet of flowers and it requires trusting my eyes. I can't paint in the way that feels good, I have to be precise for realism.

"Much better," Yaya nods and I smile having not noticed that she was standing behind me watching. "After one class too and no one told you anything," she adds.

"Imagine if I got some real feedback."

"Mr. Peters," she calls gently to the professor who comes right over. He's young and cute with locs and a septum piercing. A little kooky, but loved by his students and eager to help. 

"How can I help you?"

"Criticize Meg's painting. What's she missing?"

"Honest critique," he asks and I nod. "Beautiful but it doesn't give realism. You left no room for the halo effect around the outer petal and your red leans too brown, that part is pink," he points the mid-petal. Black is not an outline color, retire your black completely. White it not an outline or highlight. Also that flower petal would have a tiny amount of speckling realistically. I'd typically use a toothbrush and splash with the bristles, but do what you can.. Keep going, you're doing so well."

"Gee thanks..." Looking at my painting with fresh eyes, I need to start over. I know I can do this way better and I'm excited to try, but I don't have the time. I have to suck it up and finish this current painting.

"What did Kellan say about your work of art last week," Yaya asks suddenly. "Could he see a difference in your technique?"

"I told you Kellan don't give a damn about my techniques or my skill level. He doesn't have an eye. He sees paint on canvas and to him it's finger painting."

"So you ain't show him. Is that because of the subject of the painting?"

"You mean the big black dick? Maybe. He's not..," I don't wanna sound mean but, "He don't understand art. He wouldn't see it how we see it. If I show him that painting he's gonna it's pornographic and then he'll think something that ain't true and I don't feel like dealing with that."

"Doesn't sound like you're compatible."

"You were just caping for him last week," I glare. "You should pick a stance."

"Oop! Well how about I'm not caping, I thought I was helping you look at things a different way because you can be harsh."

"Harsh? Because I see how things are and I tell you? You don't accept it until you repeat it. Then you wanna act like you told me something new. That's one thing that drives me crazy about you."

"I can think of more than a couple things about y-"

"Okay y'all ruining the energy in this room," Francis' voice rises. "It's a beautiful day today, sun shining!"

It is.. We're all painting the same thing today and Yaya's looks better than mine again, but I can see why and how and part of it is her colors. They aren't muddy. "Use more paint," she says reading my mind. "Don't be scared to use it up. Then when you want to mix in a tiny amount of a new color you have more to work with, less paint stroke, less mud."

"I can't wait to start this over or paint something else," I say plopping paint on my picture. At this point I just want it finished. "I'm gonna paint my mom's houseplant at home soon as I get there."

"Mama," I call through the apartment wondering if she's in her room or maybe the bathroom. I can't find her anywhere. "Where you at ma," I yell before calling her cell. She picks up on the third ring and who do I hear in the background? My boyfriend loud and clear laughing.

"Who's that," he whispers suddenly. I could scream. Who did he think?!

"We at Friday's what you want back?"

"Back? Ma.. Y'all really went to eat without me?!"

"Oh girl hush."

"Why was Kellan at the house and y'all ain't care to call me? That's aight.. I'm coming now."

"Megan, chill," Kellan cuts in.

"What? You don't want me there?"

"I ain't say that.."

"Tuh! Look nigga. This between me and MY mama so you can butt outta this one."

"HEY," she snaps but she's cut off.

"I'm just tryna know mom a bit more. I'll see you when I bring her back," Kellan says. "Love you," they say in unison. The call drops and I'm left staring at my phone screen. I didn't even get to tell them what I wanted from there.

Grabbing the keys to my mom's car, I go there anyway and I look from the door once I'm inside to see if I see them sitting down at a booth or at the bar, but they're not in there. Curious, I sit in the car and call again.

"Y'all ain't even get my order before you rudely hung up. Before y'all leave Friday's can I get the chicken and shrimp?"

"Yup," she says.

"How's the food, y'all been there a while."

"I'm not gossiping about you if that's what you asking," she mumbles and I roll my eyes wondering what would make them lie to me.

"Nevermind. I'm a let y'all enjoy each other's company without me," I snap hanging up. I go into the Fridays and get a free chicken sandwich and when I get home I start painting. I use every tip to create something that looks like I didn't even paint it, that's how good it looks and I'm only half done when mom and Kellan mozy through the door laughing with mom holding a food bag. "Is that my food," I ask.

"Yeah, lil girl, take this bag and gone."

Kellan laughs and tries to kiss me on the forehead but I move and ignore him until he gets the point.

"Seriously..," he kisses his teeth and I take my stuff to my room, closing the door. I'm close to breaking up with him.

"And then they lied about where they went that's what really pissed me off," I seethe squeezing the hell out of my Sprite. It's a vending machine and student lounge day. Yaya has McDonald's that she got her other friend to bring her.

"Take half these fries." She dumps them on a napkin. "Maybe they went to a different Friday's."

I glare. "No, Yaya."

"Okay then they lied. What you gonna do about it, dump them both?" She squeezes ketchup on her fries and I grab the other pack.

"No just him. I don't want to, but he's really irritating me with these mommy issues and he doesn't think it's a problem."

"Alright so dump him. Maybe you can go for that model guy. What's his name?"

"I don't wanna just dump him though, you don't get it. I want to because he's pissing me off but then again I don't want to because I do still like him. I just want him to take me serious and stop!"

"But he hasn't and you know he won't.. so NEXT. What about that guy?"

"Erik? I don't know what to think about him and I don't need to trade one issue for another one if you feel me."

"You only spoke to him twice, maybe if y'all had an actual conversation.."

"You saw how that went when I tried."

"He was doing a job, what did you expect? Him to stop and talk to you the whole time?"

Nah.. Just most of it. "Besides when would I run into him again, those two times were by chance." The gallery showing comes to mind. I took the brochure from COLORS when I went and the event starts this Friday and lasts the weekend. Slim odds of catching him if he goes. "Anyway, I'm just venting to you. Not asking for instant solutions."

She shrugs sipping her drink, simple as that.

"So I'm going to the gallery event Friday night if my mama lends me the car."

"And there it is," she smirks from around her straw. "You act like you don't need my advice but in the end you always take it."

"Shut the fuck up," my face cracks. I wanna mean mug but my lip keeps twitching.

"That's why good things happen for you."

"Anyway.. If he's there I'll get at him. If not, I'm enjoying the gallery so win-win."

COLORS is transformed when I walk in. Paintings line the walls and I decide to start from the left and walk my way around the entry room. They did well balancing the crappy canvases with the icy ones. They're all landscapes. Grassy hills with ponds and windmills or trees. Oceans meeting the sky. The Savannah. Dirt.. Rain.. Storms. The topic changes with every room or space. When I get to the sip & paint room, it's human portraits. If I had known I could submit mine, I would've. Still, it's fun to look at everyone else's. I see April's name next to a painting of a guy, not Erik, but a different model. I wonder if anyone else submitted their work.

Moving onto the next cluster of portraits I see a tall beanie from the corner of my eye. Turning, I'm shocked to find my ulterior motive for coming standing eight feet away from me, staring at a portrait.

"Erik," I whisper getting his attention and he does a double take. He hadn't noticed me. "We can't keep meeting like this, just say you want me," I joke rubbing my palms together. He loves it, he's smiling as he comes over to my side draping his arm over my shoulders.

"Where's your painting," he asks now scanning the wall for it.

"At home. I didn't know we could submit them for this, I surely would have." I really would have, I'm a little disappointed that I didn't know.

"Aw, I wanted to see it.. I showed you mine..," his eyes twinkle flirtatiously. He really is a troll.. but not better than me.

"And it was (chef's kiss)," I tease watching humor briefly flood his eyes. "I'll bring my painting to show you but when would I see you?"

He thinks about it. "When you coming by COLORS again?"

"Rather than a drive-by why don't we just paint one night?"

"Aight," he nods. "Say when. I have classes, but when I'm free.."

"What school you go to?"

"Brandman.. You know it?"

My face gives it away. Of course I know it, that's Kellan's school. I wonder if they ever met.

"What program?"

"General Business."

That's Kellan's program.

"You know Kellan?" I'm on edge right now.

"Yeah I know Kellan, wait.. you hisss- ?"

"Girlfriend," I fill in the blank and he nods letting go of my shoulders. In this moment I wish I were single. This just got awkward.

"Look," he sighs. "I don't want any negative energy surrounding me, my karmic energy is pure as of now.. So please don't take it wrong that I can't meet up with you in good conciousness."

"We can't.. be friends?" I shrug.  I sound crazy right now.

"We can, but nothing beyond. No flirtation," he stares laying down the law. I get it. No line crossing.

"That's all I had in mind," I smile, a lie on my breath. If he smells it he doesn't call it out. "What's your contact, we can link and paint. I'll still bring the portrait."

He gives me his number and we part ways, him moving on to enjoy the exhibit while I move in a different direction to do the same. I don't notice when he leaves, I only notice that I haven't seen him. When I leave, I call my mom.

"Bring my car," she says. She leaves almost as soon as I get there so I call Kellan to come over.

"Hey baby," he greets squeezing my cheeks at the door like I'm five. I don't like that because my older brother used to do that before he moved. I stare as Kellan goes in the fridge for juice like he lives here.

"Why can't you kiss me like a normal boyfriend? I don't understand."

"What? Aw, come here. Big baby." He gives me a bear hug planting his lips on my forehead which isn't much different to me, but whatever. I'm tired of talking about it. I pull him to my room and push him to my bed. Of course he doesn't fight me, he just falls and lets me climb him. "You feeling frisky huh," he grins. I hate that word. My hand goes directly over his mouth.

"Don't talk." The more he talks the more turned off I get. He double hand smacks my ass and it helps, I'm back into it. We makeout until he moves me from on top.

"Left the condoms in the car. Be right back."

"Man hurry up," I yell after him and his clumsy ass knocks over my painted canvas which was backwards for a reason. He gets a glimpse and does a double take, stooping to pick it up and look at me. Here we go.

"What's this," his eyes go back and forth from the painting to my face.

"What it look like?"

"Who is this?"

"Don't start that, it's a model. I painted that last week. I also painted that self portrait," I point, "Those plants," I point again, "That fruit bowl." Neither of which are paintings he cared to see. I'd have shown him.

"Whose dick is this and why you painting naked men, was you in the room with him?"

"The room?"

"Here.. or his place?"

"Are you dumb? That's not how it works." He looks like I'm lying, his side-eye trained on me. "This is why I can't share my art with you, you either don't care or you judgy. I don't like that."

"I don't like you drawing dicks and thinking that's cool. You had to really focus on it didn't you? Did you like it?"

"Oh my God," I'm regretting calling him over now. If it's not one issue with him it's another. "It's ART. You don't see like that as an artist. It's purely interpreting and recording the human form."

"But you ain't deny it.. You liked looking at it."

"What is wrong with you? I'm not doing this with you, I don't have to explain myself." That fast I'm over it and I want him out. "You can go. I'm tired. I'm going to sleep."

"You want me out so you can call this nigga," he mutters. "Who is he? I know him. He looks familiar."

He's staring at the picture so hard I decide to tell him. It's not like I have anything to hide. "He's an art model. Me and my classmates went to COLORS, a sip & paint where we all created these artworks.. and as it turns out you do know him. He goes to Brandman."

"I knew he looked familiar," he mutters still staring at the picture.

"Yeah, he said he knows you. Decent guy. I told him I was your girlfriend. Very respectful." He looks up at that and I roll my eyes. I shouldn't even be explaining. "You know, you could come to COLORS if you're that concerned."

He sits my painting back down and rubs through his mass or curly hair like he's stressed. I don't understand why he's so bothered by this, but I knew it would happen. "When," he asks.

"I'll let you know. In the meantime, goodbye because I'm tired.. of this conversation and your nonsense, I knew you'd trip over absolutely nothing."

"Nothing looks like a whole lot that I ain't fuckin with.. I bet ma don't know about this."

"GET OUT." I all but shove him out the door. I'd dump him right now if I didn't think he'd attribute it to Erik. Also Erik would think I did it because of him. I have to wait. I should've just dumped him back when Yaya said something. I don't even wanna go to COLORS anymore because all Kellan will do is ruin the vibe.

From the time Erik came through the door, Kellan has been acting up and saying lil slick shit that Erik's been graciously ignoring. It's embarrassing! Luckily I warned Erik about Kellan ahead of time so he knew what to expect. I, however, was somehow still caught off guard.

Moving his brush across the canvas, Erik's focused face is one worth painting. "You have to have an artistic bone in you somewhere Kells.. Eeeeveryone has one thing.. they can do artistically."

"Nah. I'm not artistic and I don't care for it outside of Megan's art."

"Hm," I mutter so only Kellan hears it. He doesn't care for my art either, but I keep that to myself and work on my painting. It's a guided paint night where we all paint the same picture, a star fall over snowcapped mountains and steep water valleys. I peak at Kellan's painting. "That's a cute mountain, you know if you use your brush and stipple you could get some texture." Taking a brush, I dip it in a little paint just to show him what I mean.

"You gone paint it or me," he says, so I put the brush down and let him do him.

"Small world.. How y'all meet?"

"We kept bumping into each other," I answer though it was addressed to both Erik and I. "Rest is history."

"Where and when did y'all bump into each other?"

Turning to Kellan, I mouth 'stop' because he's about to make things awkward AGAIN. I wish I didn't invite him, but I thought he'd chill if he saw there was nothing going on. Erik's been trying to be chill the whole time but I see the irritation. "I'm sorry you got wrapped up in this," I apologize as he tries to make it look like it's no big deal.

"Don't apologize for me," Kellan blurts with silence following. It's so much negative energy.

"So Erik.." We need a subject change. "How good is that model money? I may be interested."

"No you not. You'll do no such thing," Kellan stares, daring me to oppose. It takes me right back to being irritated.

"Don't tell me what to do Kellan. You ain't ever did that before I don't know why you think it's cool now.. Anyway.. How is it," I ask Erik again.

"You get a lil something, it depends. Ask me again in the winter."

"Oh no, stick to the warm weather I got you!"

"You ain't got shit. Ma would kill you," Kellan blurts.

"You mean MY mom would kill me? Mine?? I'm grown.. What are you talking about," I glare.

"You grown until ma beat that ass. That's broke hoe activity, getting naked for people. Call it whatever you want, you're still showing your body. Male or female."

I pause. "This from the nigga fuckin me in my mama's house?.. Try again. And call her ma one more time, I'ma sleep you. I keep telling you stop acting like we siblings. It's weird. I already have a big brother and you are not him."

"You salty. Don't bring up personal issues in public, that's a me and you situation."

"What the! I'm about to-" I wanna slap this blue paint on his face. "I can't do this." I drop my brush and grab my bag. "I gotta go, Erik, I'm sorry and I hope we can still be cool. If not, I get it. Completely. I'm out though."

Kellan follows me out. "You forget we came together?"

"Nah you did. What the fuck was that in there," I point to COLORS. We're in the parking lot. "You had to embarrass me, didn't you?"

"So I'm an embarrassment."

"Take me home," I snap jumping in the passenger seat of his car. When we get to my building I get out and slam the door. "I'm done. We're over, don't call me don't at me."

"It's because of Erik, ain't it. You wanted him that's why you creating problems with me."

"It's because of yo ass! I tell you the same thing all the time. You don't care, you don't listen. You ain't interested in nothing I'm interested in. You won't even try and tonight doesn't count because the only reason you came with me was to embarrass me. You were rude as fuck for what? Jealousy? He barely said two words."

"Bet you can quote both though." He looks so smug.

"You ain't hear nothing else I said."

When I get to the apartment, I look at the painting I meant to show Erik. I left it in my room because Kellan wanted me to give it to Erik for him to keep so I couldn't look at it.. As if I sit in my room lusting over painted dick. Either way, I wasn't about to give it up, it's portfolio material. Kellen can go.. if anything.

[jengarie]

#showyourprocess !

From planning to posting, share your process for making creative content!

To continue supporting content makers, this tag game is meant to show the entire process of making creative content: this can be for any creation.

RULES — When your work is tagged, show the process of its creation from planning to posting, then tag up to 5 people with a specific link to one of their creative works you’d like to see the process of. Use the tag #showyourprocess so we can find yours!

Thank you, @rinielle for tagging me! She chose the piece above (original post), and oh boy this one was a whole ass rollercoaster ride! Unfortunately, I hadn't turned on the timelapse feature for this but I'll try to go through each part of the process as best as I can!

The photos I'm gonna upload are gonna be a mix of screenshots and literal photos of my screen, because I'm taking some of them from my updates to friends, since a lot of the steps got lost in my painting process.

But before that, let me tag some other amazing creators!

@dragonji: this gif art!

@candicewright: this yibo painting!

@wendashanren: this gifset!

@mylastbraincql: this gif!

I haven't been able to keep track of who's been tagged so apologies if you've already done this! Also, no pressure to do it at all if you would rather not! <3

Planning

Sometimes, I get an idea first and find reference photos to go with that idea. But for this one, I sought out a reference photo first, and built an idea on top of it!

After that, I roughly sketch out the base pose. Usually, this looks very messy, but it doesn't really matter as long as I understand which part goes where!

The idea for the background didn't really come until the creation process because I don't think I really planned this to be a full piece.

Creation

Sketching

Honestly, from this point on, it's more of trial and error.

So, I redid the the initial base pose—made it cleaner and a little bit more detailed. See: the added definition in their arm muscles, the rearrangement of Wei Wuxian's legs, and Lan Wangji's hand on Wei Wuxian's back. If you look at the second photo, I also changed the pose a bit midway—I tend to edit as I go sometimes when I change my mind. (For this, I thought, given the Lan arm strength, it would be better to make Lan Wangji look more at ease carrying Wei Wuxian. This gets covered by the robes anyway though, so it didn't matter much in the end.)

I also started adding details to the base! I usually start with the face and then the hair! I usually go for the clothes next, but I dreaded the robes in this piece so I guess that's why I ended up with a basic idea of what I wanted for the background instead LOL I also figured out how I want the final crop to look like, so I blocked out all the other areas with an extra layer!

Okay, onto the part that killed me like ten times: the robes. There are a lot of interactions between their robes here given their pose, and not to mention they also have layers upon layers on each of them! So, to maintain my sanity and to keep track of which part is which, I color coded them into the most colorful sketch I've ever made.

Another reason why I filled in each layer of robe with a solid block of color, is so that all the lines underneath gets covered. Without all of the colors, the actual outline actually looks like the one on the right. What a nightmare!

I also ignored the crop again for this part, because it's always better to draw past your borders, in case you decide to rotate or tilt or whatever your piece later on. I didn't do the feet anymore though, because that I was sure wouldn't show in the final piece anymore.

After that, I did the sketch one more time and then started adding the base colors. (I didn't have a screenshot of just the base colors, and the final CSP file is a nightmare so I copy pasted the layers into a new canvas to show you guys :') )

By the way, I drew their robes flowing this way, because I wanted it to frame the lower arch of the moon behind them for the composition. It was a little frustrating that I couldn't get Lan Wangji's robes a little higher because of Wei Wuxian's legs but I later filled in the empty space with his forehead ribbon anyway, so it all worked out in the end!

Painting

Because apparently, I was a masochist back then, I merged the base colors all into one layer and started adding shadows to the robes. (These days, I add shadows first and then, merge. It's much easier this way.)

And then, I started painting! Again, I did the face first and then the hair, before finally the robes. This was my first time painting side profiles and honestly it was quite a pain to figure out LOL but !!! I think I did a good job and I'm proud of how it turned out. I again used reference photos for this one but I can't link any because they were just several random Pinterest photos that I didn't save.

Another thing to note is that I use the mesh transform tool a lot, especially on faces. That's largely why Lan Wangji's face looks so different in the latter two!

And then I went with the robes. Somewhere along the way, I realized I didn't like how I planned to do Lan Wangji's sleeves and the flowy part of Wei Wuxian's robes and I... decided, with much dread, to do them over. So I sketched on top of the painted layers and redid the robes, again.

It was at this point that I decided to take a break from this piece because it was honestly very draining! I think it took about three weeks before I decided to open the file again and continue it.

When I did, I just finished painting the rest of the robes and their hands. The blue details on Lan Wangji's outer robes were painted on a separate layer that I put on Multiply. I probably did more adjustments to the face and hair and stuff, because my painting process is honestly a mess :')

Final Adjustments

I added some correction layers on certain areas to fix some of the colors. See: Lan Wangji's sleeve becoming much brighter and paler; Wei Wuxian's legs having less contrast. And then I merged all of the layers (excluding the background) and added a bit of blur. See: Wei Wuxian's ponytail; the entire lower part; the flowing forehead ribbon. My reasoning for this is so that most of the detail (and therefore the flow of the eye) goes to their faces and expressions!

And then, I put a blue Overlay layer on low opacity to make Wangxian blend better with the background, added a bit of shadow on the inside and the lower sections and added the glowing details for the added flair. I initially wanted sparkles and/or stars but they didn't turn out as well as this did. I also upped the contrast by a little for the entire piece!

Aaaand, that's it! In truth, I did a bit more color adjustments to the whole piece, but I was a dummy who forgot to turn them back on before posting so ... oh well.

Posting

Before posting, I upload it either on my spare private Twitter account or on a drafted Tumblr post so I can check the colors on my phone. This is because the colors on different devices can look very different, and I would at the very least want all my pieces to look nice on both of my devices!

And then, once I deem it satisfactory, I just try to think of a caption and post! Some artists wait for a certain time where most of their followers are active, but I didn't have a lot of MDZS followers at this point so it didn't really matter to me.

It still doesn't really; I haven't actually been able to figure out when my MDZS followers are awake even now.

[mxtcha-tea]

Lines.

✎desc; how I would rate haikyuu character's drawing.

✎team[s]; fukurodani, inarizaki

✎genre; crack

✎language[s]; english

✎chef note; okay, first off, I'm not a professional drawer but I can still rate drawings. This idea just came to me like a minute ago and I had to do it now, so enjoy :)

fukurodani.

Bokuto

Aight, I see that we started off greatly.

In all honesty, he have no idea how to draw,

And of course his drawing would look,,,, quite terrible i'm so sorry bokuto lovers

He's that kid in art class where's when the teacher already told them what to draw,

Bokuto sat there on his chair, staring at the canvas

Like, what is he suppose to do? Draw?

Well, yeah technically but what???

I can totally see him frustratingly erase the sketch if it can be called as a sketch

And then proceed to try to copy other people's work

Keyword; try

It's bad but at least he had an effort to finish it

4/10, there I said it

Akaashi

His drawings are not that professional but it's pretty

Have you ever seen a drawing that you wanted to stare at it for hours until you're satisfied?

That what's his drawing are like

Not typically an art kid so he's fine when student's from his art class asked him to draw for them

And is feeling pretty neutral with his talent (he actually won't call it a talent but more like a hobby or sum)

And just say 'thanks' if peoples compliments his drawing

Let say his drawing is, a good 8/10

A decent drawer in conclusion :)

Konoha

Not a bad drawer but he rather keep it basic

Konoha's prolly too lazy to draw something over the top so he's just gonna draw flower or something ksndnzkj

Sometimes sleep during art class and had to ask what they had to draw

Proceeds to decently draws a scenery

He's totally not the creative kid so whenever the teach tell them to draw something, he'll always go with basket of fruits, like,

Man, I appreciated the drawing but at least put some effort on thinking what to draw

The art teacher also kept telling him that he have raw talent and should enhance the skill more,

But that never happened, no

"Sorry ma'am, I'll just stick to volleyball, thank you,"

One part of the art room has a section of konoha's basket of fruits drawings but in different mediums

Rating is 7/10

Washio

IS actually an art kid and you cannot convince me otherwise

Has a small sketchbook with him and he'll always doodle when he's bored or in a middle of a lecture (while taking notes of course)

His main skill in drawing tho is painting

The colors blends in so well with one another and he's good at picking color palettes

Also, he doesn't really get that annoyed if some kids from his class ask him to teach them how to draw

Or even look through his sketchbook

He'll just nod and hand it to them without a second thought

Ajsjdhsijsi Washio get so blushy when someone compliments his drawing,,,,

I’ll give a 10/10 :), congrats

Sarukui

The best that he can do is doodles of owls and other shits but other than that, he cannot do

But the doodles are kinda cute doe ngl

He’ll have his moment where he’s in class and have no idea what to do, and just doodles a bunch of stuff

Once he draw his whole teammate including his coach and himself, he thought to himself,

“Huh, this looks good,”

And then take a picture of it for memories (cause he might throw the book he’s doodling in away)

Speaking of that, he doesn’t have an official book for drawing and just draws in his english or math’s textbook or sum

His juniors eyes are blessed when they got his textbook

Sarukui just vibes in during art class, draws and that’s pretty much it

The drawings,,,,,eh,,,, not that good, he only specialize in doodling as I said

so in conclusion,

drawing? 2/10

doodling? I’ll give a solid 5/10, good job

Komi

I’m gonna say this and I’m prolly gonna say it again

He hates art class

Like, even with him trying his best to draw, it’ll always gonna look strange than what he planned

mf cannot draw a straight line in art class

This dood can draw a nice straight line in any other class whether it’s for a graph or others,

And then proceed to shakily draw a straight line during art session

Totally not an art kid and will never be one

His drawings,,,,

I’m so sorry but it looks so bad

It’ll prolly look a lot better if he put more effort, but it’ll still look bad no matter what

Komi hates art class and can’t draw even a decent doodle so unfortunately, I’ll have to rate it 0/10, sorry :(

Anahori

His drawings are eh

It’s not good but also not bad?

Sometimes you’ll just stare at his drawing for a good minute and be like, what did he just draw just now?

What I’m saying is that his drawing’s are unexplainable

Maybe if you stare at it a little bit longer then it’ll make sense and you can see the beauty in it

But honestly I can’t really see anything, not in a bad way, but like, literally nothing

You’ll be staring at his canvas as the mario kart rainbow road music started playing inside your head

But Anahori is always proud of his drawings no manner what

So, I’ll rate confusion/10

Onaga

Just like Komi, he sorta hates art class too

But lemme tell ya, his sketches are GODLY, like, have you seen those pinterest hand sketches?

That’s what his sketch would look like

It’s so yummy to look at what

But he sucks at lineart so JAHGSDSHD

Onaga cannot properly hold the black pen and do the lineart, it’ll always turn wonky and he had to throw it away

Like, if he spend even hours tryna outline it all, and then erase it

It’ll look so trash

And he’ll just stare at it for a couple of minutes before crumpling the paper

He’ll also suck at coloring

Mans cannot understand how the color blend in together

And I think I’ll rate,,,,,6/10 just cause he suck at coloring and lineart lmao don’t worry i suck at coloring too

Kaori

Another decent drawer and her drawings are almost the same as Akaashi’s

But instead of it looking pretty, it looks cute

I have a headcanon that Kaori have a journal and does journaling so that’s prolly the reason why her drawings are cute af

But honestly, her drawings sometimes depends on her mood,

If she’s mad or frustrated, her drawing would look kinda rough and not that cute anymore

If she’s feeling happy tho, It’ll look so nice and cuddly does that even make any sense

Isn’t necessarily an art kid but would love to try be one

And she totally have drawing sessions with Washio aaaaaa,

Just imagine both of them sketching in the same sketchbook while talking about the volleyball club or anything else

She’s getting an 9/10 just cause her sketchs looks clean <33

Yukie

She doesn’t draw at all

Like, you’ll never see her drawing at any kind of time so you have no idea what it looks like

Yukie would still attend art class,

But never draws

She said that she’s pretty lazy to draw it and said to draw it at her home later

But no one even saw that drawing after that

Yukie doesn’t show her drawings nor EVEN draw for once

So I technically can’t rate :/

inarizaki.

Ginjima

LISTEN

The only reason why I started with Gin is because he have some amazing drawing skills

He admit that he’s not an art kid but draws godly as if he had been thought since he was a kid,

Well, actually yes

I think Ginjima actually wanted to be a drawer when he was still a little kid way before he started his 3rd year of middle school

So he practiced a few and became a nice drawer since then,

But he kinda quit being a drawer and decided to go with volleyball

And guess what?

His drawing talent is still there

He totally specialize in pencil drawing cause that’s the first thing he started learning

The lines are smooth and the shading are so yummy what is wrong with me

The Miya twins and Suna are so sh00ked when he saw his drawing during art class

ngl he’s pretty smug about it too but doesn’t brag about it

I’ll give this boy 12/10, mwuaah

Suna

I hate this man for this sole reason

Suna is too LAZY to draw so he doesn’t give any effort in his drawing

I can guarantee myself that I’ll get an eye strain when I saw his drawing

And...

*wipes away tears*

He draws too many dick

–2/10

Don’t come for my head Suna lovers

Atsumu

OMFG

OKAY, OKAY, I KNOW THAT ATSUMU MIGHT PUT ON SOME EFFORT IN HIS DRAWINGS,

BUT WHY IS IT STILL SO BAD?????

He’ll prolly think his drawing would look good but no, it’s not

No matter on what perspective you look his drawings at, It’ll still look bad

AND HE DOESN’T EVEN NOTICE IT

Osamu laughs a lot at his drawing and they started fighting for that only reason smh

Atsumu, I appreciate your effort so SO much,

But please, just stick to volleyball

–10+/10

I put a plus there because of his effort and because of pity

Osamu

He draws in ms paint, with a mouse

But he can draw some foods tho

But all of it looks wonky af

1/10

Akagi

A pretty decent drawer

Akagi always draw happy and cute drawings so you’ll also get happy when you saw his drawings

Puts on a big smile when people compliments his drawing and shyly scratches the back of his neck

“Nah, this just look normal!”

But he draws oddly thick lines sometimes

Sometimes it looks good in some drawing

And sometimes it looks, bizzare in others...

But I think his drawing would look nice <3

Overall, I’ll give a,,, 7.5/10, keep up the good work

Oomimi

He’s from class 7 AND I really think that he’ll be good at drawing

Well, he can draw a few things but he struggles drawing other things he never accustomed to

But!

Oomimi is that kid who’s good at drawing scenery

He knows basic color palettes and which is cold and hot colors

So the scenery drawing would always look good

He get a lot of compliments for the drawing (50% of it from Akagi)

I think he doesn’t have that many time to relax and draw freely but when he does have it, it’ll just be small and simple doodles

um, let’s go with 8/10 <3

Aran

I truly believe that Aran can draw peoples face but in a pretty decent amount

He’s also good with anatomy teach me your ways king

But as much as he’s good at that, he kinda sucks at drawing any kind of background drawings

Mans can’t draw a scenery I’m telling you

As if the background doesn’t even exist in his mind lolol I’m sorry Aran lovers, I didn’t mean that in a bad way

Mainly uses copic markers to color and color pencils to shade

The first time he use the copic marker, he got really frustrated that the marker stain the other pages lmao

And he never uses digital drawing applications or softwares

Aran just doesn’t

I think I’ll rate him, 8.5/10

Kita

Okay, I know that Kita’s a top student and never fails in anything

But he’s not typically a good drawer that much

His drawing still got good marks but when you look at it, it just looks normal

I just know that the Kita lovers gonna get me after this

It’s not that bad and not that good, just a nice balance in between

I personally think Kita’s not that godly in drawing but rather a neutral drawer

He draw what he can and does shading and coloring when it’s needed

The colors are all basic colors, no pastel, no neon

And the shadings are pretty basic

Just a normal drawer here

Ya’ll gonna fight me for this but I’ll give Kita’s point,

7/10