#I think maybe it’s just that I personally am not used to reading comics that depict this kind of conflict

[yugsly]

Hello there

For about three weeks now I have Ben starring at viscera objectica afraid to open and read it… but when I finally summoned the courage I was blown away. The feelings are communicated through the art fantastically, and I found myself weeping when I reached the final page. I had a doll named Heidi who I loved I took her with me everywhere like Vito dose Theu. I shared similar feelings for her that he does in your book.

One day I brought her to the redwood forest to go camping with me, and while I was holding her, Heidi’s face just shattered. I don’t know why it did. We had not Ben rough I was always soft with her. It just did. So I wrapped her up to fix her when I returned home, she never made it home. the bag I had put her in for safe keeping fell into the river and was swept away.

I always thought it was foolish to mourn for her.

But reading your book I did, and I didn’t have to be alone doing so.

So from the bottom of my heart thank you for righting this beautiful book. thank you for filling it with so many wonderful pictures emotions and memories.

And thank you for the safe place in your last panel to curl up and cry and understand that my loss was real.

Reading it was just as difficult as I thought it would be emotionally. But it was the most worth while story I have read in years.

Keep being wonderful

Love

-Me

Hello anon, I've been keeping your message tucked in my askbox for months now... I remember back when I first read it, I had to cry for a very long time. I can't recall the last time I've had such a strong reaction to anything.

Why did I cry so much? Well, because it means the world to me that you'd share such a personal memory like this with me, because my obscurely themed comic touched you so much... this was one of the first few messages I received about my comic, and I was so blown away, I was like:

It was worth it. It was worth it to make a comic like this, to bare my soul in such a way, to make something so different than everyone is used to from me. I didn't think anyone would care. But it was worth it...

Anon, sincerely, thank you for sharing this memory, I'm sorry it took me so long to respond, I just wanted to hold onto it for a while...

Maybe others reading this will be as touched as I am. Thank you!

[deliciouskeys]

So I liked what we have of season 4 a lot?! I don't know if I set my expectations really low, maybe didn't expect to get that fandom feeling back, but I think I can say with certainty that I've enjoyed e1-3 of s4 more than e1-3 of s3, and mayyyyyybe even more than e1-3 of s2. Some of the storylines don't interest me, but that was true of prior seasons too.

Things I am loving so far...

(under cut because there may be teensy weensy spoiler references)

Sister Sage! Yes, she says the lines that are in the trailer, but they are so misleading about the type of character she is. I LOVE her so far.

Homelander's frustration with being adored no matter what he does and his ennui about being surrounded with sycophants (which tbf, he engineered). I am SO glad they're walking that back to some degree. Related to point 1 above, I am delighted by the way he goes about solving this problem.

Every single scene with Ryan is so fucking good?? Like, Cameron Crovetti is the ideal Ryan of my mind's eye when I write fic. I feel SO bad for him. But I am loving the divorced plot and them jockeying to be his dad. Some of it reads like fucking fic, in a good way too. Like I can't believe the conversation between HL and Ryan after he comes back from Butcher's place actually happened on TV and not in my head.

I am actually SO SO happy they decided to outsource Billy Butcher's shitty tendencies to his Tyler Durden. I did not expect him to fucking apologize to Ryan for the S3 debacle. Even ~I~ felt apologized to for that "necessary for the plot but makes zero sense outburst".

I am loling every time Noir speaks. I don't know why, but I'm finding it hilarious.

I think they're actually doing a good job with A-Train's storyline, or a better job than I expected to justify how he becomes their new double agent.

I'm enjoying Chace Crawford's work in season 4. I like that he's sincere about the comic relief role.

Hughie is so charismatic, and for the first time in 4 seasons I think he elicited tears in me (in the scene right before his mom shows up when he's listening to his dad's messages).

I like Ashley's dialogue more this season than season 3. Part of that may have to do with me enjoying her character when she's angry rather than scared shitless or "trying to imitate HL"

I welcome the larger Victoria Neumann presence, and can't wait to see more about her past.

I enjoyed BIlly Butcher using a crowbar in a fight

I enjoyed seeing Antony Starr playing a mommy and a daddy and a.... secret third thing in the mirror.

What I'm meh about...

I hate to say this but the Boys' storylines are mostly dragging and feel disconnected. I'm already tired of Frenchie and Kimiko refusing to talk to each other and attempting to drink/drug their problems away. The mystery about why Frenchie is distraught was mostly solved right away, and Kimiko's mystery is still some derivative of her backstory in S2. It just doesn't feel connected.

Mother's Milk is fine, but I do think his character took a turn toward the unreasonable in season 3, and it has sort of continued. It's not clear to me why he's kicking Butcher out of the team multiple times, especially when Butcher saves them, and clearly has nothing better to do with his time. It feels especially cruel to kick him out when he tells him about the terminal illness.

Annie's storyline is.... fine, I guess. Maybe it will develop into something more interesting, but it feels like the writers don't exactly know what to do with her now that she's out of the Seven. I don't know why Firecracker had to have a personal vendetta against Starlight beyond being a symbol of 'wokeness'. I guess I'll wait to see if Annie's meangirl past becomes relevant as the season goes on.

Firecracker is okay. I'm amused that Homelander seems bored and annoyed by her, so I take it it's fine if we feel the same way too. It's certainly an interesting addition to the Seven to have someone so underpowered.

Hughie's mom frustrates me so much I wanted HL to come and laser her instead of Hughie after that chase. Her explanation made it worse for me, not better. I await to be proven wrong, but so far I think Hughie is being a really kind person to her. "Your father didn't want me to talk to you". But you were allegedly talking to him for years? And you son is in his 20s, I think you could have contacted without his daddy's say-so. UGH.

I don't really care about this so much, because I don't like character deaths, but it is pretty funny when Vicky doesn't kill Hughie or Butcher, and when Homelander is nerfed beyond all belief and is unable to laser Hughie in a closed space. I'll chalk it up to him losing a step or fifty with the enlargement of his prostate.

[sysig]

Two skeletons in a trench lab coat (Patreon)

Bonus:

He’s very careful! Everything was fine before you interrupted!

[daydreamerdrew]

Speed Comics (1939) #6

[neil-gaiman]

Hey Neil,

We saw Edwin almost kiss someone male presenting in the trailer and over several comic interpretations Edwin was always implied/or on a journey where he finds out about his sexuality or repressed it. I do not remember Edwin being implied queer in your sandman comic or maybe I was just too young when I read it to be able to catch the hints. So was it always your interpretation or did other authors add onto your interpretation of the character?

Btw I really love Edwin and his journey through the comics, as a person that comes from a really homophobe and transphobe place where I had to repress and hide a lot before I came to terms with who I am, so I am really pleased about the turn which his character took either way.

I don't think the Edwin in Season of Mists was in there for long enough for us to learn much about him except how he died (being sacrificed by other boys in a pact with a demon in 1916) and to watch him nurse the dying Charles Rowland and bond with him.

Since then, from his appearance in The Children's Crusade on, we've been learning who Edwin Payne is and what makes his tick.

For me the TV series is another step on the journey.

[writingmeraki]

gents in dilemma.

a park sunghoon drabble !

pairing : rich!boy!sunghoon x gn!reader, teasing classmates to ???

genre : fluff/humour (?)

warnings : nothing just sunghoon using his privileges as a pretty rich boy lmao also no actual knowledge os spider-man comics im sorry if it's inaccurate <3 !

author's note : wooo! a double update ?!? who is thisss mayhaps very random but i told ya'll ( if u read my recent mingu drabble ) it's been a while since i realeased anything enha :( this was sort of a warm up to get back into writing for them! if you have any ideas pls send them in!! i rlly want to write for them again hehe &lt;3

sp dt to my enha moots ! @blue-jisungs ; @lheebra ; @haknom ; @odxrilove ; @hsgwrld ; @quaissants ; @enluv ; @hannie-dul-set ; @tqmies ; @byuqi ; @urszn ; @flwoie ; @tranquilpetrichor ; @hqrana ; @shuamorollss ; @strxwberry-skiess !! just to let you know i love u guys and think of you when i open this app 💌 !! i am ia a lot but i truly am grateful for you and your works 🩷!

word count : 1.2k

You were stuck there anyways. Your brother wouldn’t come pick you up earlier enough and all your friends left already so you found no point in wanting to leave and sit outside in the hot and humid weather where you’ll probably just end up with mosquito bites and sweaty skin. 

The song played in your earphones as you lazily flipped through the Spider-man comic. It was your newest hyperfixation and you had difficulties getting copies but you were getting there. 

Suddenly an intrusion popped in front of you as you got to the good part, but you paid no mind to whoever it was. 

Besides, who in their right mind would want to make small talk with a stranger in the damned detention room?

The music was dull but you could hear the sound of someone clearing their throat. Sighing, you put down the comic and looked unamused at the boy in front of you. 

Park Sunghoon. Rich, smart, pretty boy who lived up to all the stereotypes that clung to his personality while also hanging out with the same sort of people. Not a stranger you thought. 

You wondered how you missed seeing him and…Park Jonseong? (If you remembered correctly) walk in. Perhaps you indeed were too focused in your daydreams. 

Now amusement flickered in your gaze as you looked up at him. 

He definitely did live to his pretty boy name you mused as you took in the moles on his face, the shade of his pink lips, the messy yet perfectly sitting hair of his. 

He gulped under your calculating gaze, not knowing why he felt nervous all of a sudden when it was his idea to tell you not to say anything to Mr.Kim for when Jay and him would ditch the detention they got that day. He confidently told his friend he would threaten you if you didn’t comply, perhaps maybe bribe you a bit and surely it would do the trick.

But how his words seemed to bite right back at him because suddenly his mouth felt drier and tongue heavier under your gaze. For a brief moment, he wondered how he had never seen you, otherwise, he knew he wouldn’t be able to forget a face like yours. 

“Now now,what ever have I done to have the Park Sunghoon right in front of me?” You grinned teasingly at him and fuck you had dimples. He swore he might have died in that moment and reached heaven.

He felt a shove that snapped him out of his thoughts.

“Uh-yeah um we- wait you know me?” You raised a brow at his words, the amusement only growing as you saw the tip of his ears getting red.

Was he flustered…by you?

“ ‘course I do, it would seem weird if I didn’t at least to you people.” You murmured the last part, darting your eyes to his friend who seemed to roll his eyes.You weren’t sure if it was because of you or because of Sunghoon.

“Can you get to the point idiot-”

“Hey! Shut up, yeah? I’m talking-”

“All I see is you acting like a huge fucking si-”

They whispered to each other, almost making you giggle at the way they both seemed to be arguing over something, you figured you were somehow involved. 

“Well see- the thing is we’re going to ditch this.” You furrowed your eyebrows in confusion, tilting your head a little as you leaned forward in your chair, placing your head on one hand.

“And? Does that concern me?”

“We don’t want you snitching, that’s what he meant. You can ditch too, Mr.Kim’s known for never coming back to his detentions once he leaves.” 

You shook your head, “I’m fine here, I have to wait anyways, you can-”

Suddenly a thought occurred to you, “Hmm, the snitching on you both part sounds tempting, I might even get brownie points, struggling with his class anyways.” 

No,he was not supposed to find your smirk cute, nor the mischievous glint in your eyes.

“What’s in it for me?”

“Wha- what’s in it for you?! You can ditch too! Didn’t I say that already-”

“Wait. I might have something.”

Jay stared at Sunghoon in both disbelief and annoyance while you looked at him curiously. He set his bag down and opened it, pulling out something.

“Here.”

You couldn’t believe your eyes. The newest edition of the Spider-man series. You’d been trying for ages to get it, but held yourself back when you saw the triple digit price point. 

Of course he’d have this. 

You gasped in disbelief, looking in awe as you grabbed it and flipped through the pages. Sunghoon found it absolutely cute the way your eyes lit up. 

He was concerned about how enduring he already found you in the span of approximately 10 minutes. 

“It’s too expensive, I can’t-”

“Who said I am giving it to you? I’m letting you borrow it so you won’t rat us out.”

It seemed the tables turned and it was your turn to be flustered under his teasing gaze and he did in fact have a cute grin. Shit-eating one but adorable. 

“I’ll take it to my grave.” You hugged the comic to your chest and did a zipping your mouth motion, throwing away the pretend key. He let out a chuckle at your actions and the sound absolutely did not do something to your heart ( You think it might have burst ). 

Jay had been observing the interaction and he knew why exactly Sunghoon did what he was doing. Seems like the supposed ‘ice’ prince was melting at your mere presence. Oh he was so going to spill everything to the rest of his friends and tease him for the life of it. 

Sunghoon’s gaze moved towards your phone, seeing it was still unlocked he took it while you yelped in alarm, “Hey! I said I won’t say anything!”

You had stood up from your chair and now only realised just how much taller he was than you when he began to type something with his hands raised above you. 

“Here. My number and I rang it to have yours. Call me when you’re done reading, I expect to get my comic back soon enough.” He held your hand and plopped your phone in it, while you remained frozen at his bold moves. Even the blonde next to him was surprised at his actions, that probably said a lot to you. 

He swung his arm around Jay who had an amused grin as he shook his head, waving bye to you, pausing for a moment when he realized something as he looked back at you.

“What’s your name?” 

“Uh-oh um,” You were still in a trance at what just happened as you said your name, not as confidently as you wished and you cursed yourself mentally for already being so hung up on his actions. 

He repeated it as if testing it out, “See you soon then,” He grinned at you as you just chose to wave back, thinking you might just say something stupid. 

Looking down at your phone, you saw his number and back at the comic book that laid on the desk, you grinned bashfully, shaking your head as you laughed.

Maybe just maybe, Park Sunghoon wouldn't have to wait until you finished the comic for you to see him. 

all written works as well as images and edits (unless credited) belong to pri. do not plagiarise, repost, re-edit or claim as yours. pics mostly found on pinterest.

writingmeraki Ⓒ 2024

feedback is always appreciated 💌

links : main navi ! | enhypen masterlist !

[theshy1sout]

Okay, so

I finally got my bf into reading Homestuck. I was on a phone call with him as he read it at loud, voice-acting and stuff, while I was drawing. Today he reached the Dave first appearance and he discovered Sweet Bro and Hella Jeff.

You have to understand that I always thought that this comics was just a stupid joke that only Hussie understands and finds funny. Bc the moment I saw the page with the dog (you know which one) I left the comics and never looked at it again. Until today.

My boyfriend read every single page of Sweet Bro and Hella Jeff in complete silence. I asked him what's wrong, and he said "This is extremely sad". I was confused so he started explaining to me how this comics is a way little Dave was coping with trauma of living with his abusive brother. I didn't believe that, so I started reading the comics again and you know what?

Imagine adult Dirk, being completely under Lord English control, going shopping with little Dave and destroying supermarket in frustration of not finding anything that Calliborn would recognize as a food, being arrested by police in process and leaving little Dave alone hidden somewhere in the shop.

Imagine little Dave being pushed from the stairs so many times by his bro, he drew a caricature of himself pushing his bro off the stairs in revenge. Or being regularly beaten so hard and often, so he drew comics in which his brother got beaten up, shitted on and even brutally killed.

Imagine little Dave being so hungry (bc of course brother didnt give him proper food) he literally threw himself at a Subway sandwich machine during idk a walk with his bro (probably) and tried to steal some food or even just smell the actual normal food and while doing so got abandoned by his brother. Again.

Of course we can't interpret this way every single page of Sweet Bro and Hella Jeff, but come on, if you start seeing it, you cant stop sensing that every single page is either a way Dave coped with a traumatic experience or a way he kind of got revenge on his brother in a way his brother wouldn't understand and notice and beat him up for doing so.

I searched internet for so long and can't find a single person who would interpret it this way. Am I wrong though??

It gets better. As we know, Dave from universe B also drew this comic. And we even got a directly explained to us interpretation: he started drawing it as a simple comic (probably to cope with the loneliness). Then when Batterwitch became a real danger and he saw that but couldn't react directly, he started using his comics as a way to show what Betty Crocker was really like. So we also had this two characters, one represented Betty Crocker and the second one represented society, and they had this very abusive relationship that had references to situations in real life in Universe B.

So my theory (or more like my bfs theory) is that Dave from universe A was using his comics for the same exact thing. He drew situations from his life in a unreadable for others way (and also no one taught him how to draw or write, and maybe later he kept the shitty format so it's unreadable and too shitty for his brother to read) to cope with trauma. We see in this comics that Sweet Bro is shaving himself above Jeffs face while he sleeps, a thing that Dave's bro could definitely do. We see some pages of Dave trying to understand sport, economy and politics in his own way, bc his brother of course didn't teach him shit. And we even got a page that might suggest that Dave was sexually molested by his bro. There are many scenes of Bro being abusive to Jeff or Jeff getting his revenge. We also have Geromy, a possible interpretation of John, and on one page Jeff (Dave) tries to come to Geromy's (John's) place to visit him, but he can't and he drowns instead (which is so sad???).

I could go through every single page with this interpretation. I think some pages being a foreshadowings for what is happening later in Homestuck is just an additional joke, Hussie loves having layers of meta twists and many unrelated things relating or referencing each other for no reason. I don't think the comics is Dave's unconscious traveling through time and revealing the future, bc if so then we would see every single page of Sweet Bro and Hella Jeff being a foreshadowing, and they are not. I also think that the huge wink to the audience was the scene of Dave being pushed by his bro down the stairs and we see him falling with accompaniment of a little panel of Jeff saying "I warned you about the stairs, bro". For me this is a visible hint that this is what this page of the comics was about, it was a way of coping with trauma, it was Dave drawing his brother falling down the stairs and himself saying probably a line that his brother irl was saying to him a lot.

Dave drew his life. His own horror of a life and it was probably more terrifying than he revealed in act 6.

Do you remember the iconic "bro hug" from Sweet Bro and Hella Jeff? A hug from his bro, sth that Dave really needed and wanted, a simple hug that he was very nervous to asked for, he literally drew himself hugging his brother in his second comic, and then we have the very same scene of Davepeta and Arquius hugging (part of them was Dave hugging Dirk, even if artificial), and then we have the exactly opposite of the scene between actual Dave and Dirk, when instead of enthusiastic "we're doing it bro, its happening, were making it" it's Dave saying "fuck forgive me for what I'm doing, this is so messed up fuck" and it's not even full embrace like in his comic, it's awkwardly side by side hug when they didn't even sit on the same level (like in the comic or with sprites), no, Dave is lower, he's smaller, he's scared, he cant face his brother, he wants to but he can't and this is just aaaansnanbska dmnsksnsdkydykdky

Can someone talk about this comic more? This flashy shitty documentary of Dave's life drawn by idk maybe 8 years old Dave ? The more I read Sweet Bro and Hella Jeff, the more depressed I am, cause this is so sad if I'm right about it. I really wish it was just stupid colorful comic without any deeper meaning, just faking to have one or sth....

Also I think Geromy is black bc either Dave didn't know how John looks like so he imagined him being somewhat similar to his fav president Obama or maybe he was just trying to make John's character as unlike John as possible so no one would suspect a thing. Or maybe he just imagine himself being friends with young Obama, who knows.

After editing this chaotic rambling I have two more things as a prove for my theory. One is picture above, and second is what Hussie said about Sweet Bro and Hella Jeff:

“SBaHJ is absolutely inseparable from HS, and has been almost from the start. If you don't understand this, then you don't understand HS very well. SBaHJ is like the mentally handicapped step brother of MSPA, requiring special attention, but no less cherished as a part of the family. It was originally intended as the chief source of in-house memes for dialogue, but this is ultimately a superficial purpose. Though it only has 20+ strips, it contains a pretty dense and internally consistent language of recurring symbols and typo-driven grammars, applicable as a rich sub-cognitive lexicon for highlighting elusive elements woven into the mythology of the story which tend to be shrouded in the unconscious.”

[ask-whitepearl-and-steven]

I admire your patience with those readers who need you to spoon feed them the story. Everything is in the comics but they still manage to go pass it. I can't help but feel a bit sad for them? Do they not understand what they read? Are they not attentive when reading it? I'm legitimately concerned because I function so differently I can't fathom this. If you like a story, isn't it normal to make your best to grasp it's essence and reflect on it? I know I project a lot about this, everyone works and registers things differentely of course but sometimes it's very frustrating to see people consume any media and just completely miss all the important messages in it, or even just fail to get the scenario sometimes, and it feels like it's very common now... Idk I just wanted maybe to have your perspective on this? Sorry for the long post (Been here for a few years now and your a true inspiration to me. All my luv to you! ❤️)

You know, I'm gonna be honest. I used to stress out about this... a LOT.

As a story-brained person, this is definitely something that comes naturally to me, and perhaps to you, and to many other people who are wired similarly. To us, following the path of a story in an analytic, highly detail-motivated manner and unwrapping the themes can be as exciting as lifting up a rock to see the bugs underneath. It's an exciting mental activity that's stimulating and feels effortless.

And yes, as an author who spends literally 60% of my day thinking about this comic and how to draw it, panel it, script it, make it better (I script and panel in my head constantly)........ I have trouble realizing/dealing with the fact that some people are just here to CASUALLY enjoy the story that I am lowkey obsessed with.

But I've come to realize that... that's NORMAL! And healthy.

People have different attention spans for different things.

People have varied ways to read a story and engage with it.

People have unique interests.

People don't have the same amounts of energy to devote to reading!

Maybe someone missed a detail I lovingly and painstakingly put into the dialogue because they're reading the update late at night after a long shift at work. And maybe someone scrolled past the dialogue completely and just got the gist from looking at the art, because they're in a hurry to get to practice at their favorite sportsball.

And maybe someone just had a really bad day with a really bad encounter, and they're reading the update in a terrible mood and instead of seeing MY grey-morality narrative, they're focusing on all the negative points and misread the vibes because of their own biases that stem from places of hurt.

The thing is, I have to be okay with that as an author, because I will NEVER be able to get into my audience's heads and read this comic 'correctly' for my own sake.

They will always have a slightly different interpretation of things, and they will always misunderstand details and miss clues. And sometimes, they will be wrong about the way they read a character's motivations... and sometimes maybe they won't be! That's just a part of communication. That's a part of telling a story.

An imperfect delivery, and an imperfect reception should, in my opinion, be a natural and accepted part of storytelling. We're human, and we all have a different lived experience, and we will ALL have different takes on a comic, even if it's so close that we THINK we are both getting the exact same thing. That small human interpretation variation is a home-made touch that makes it feel more organic.

In short.... Not all light particles make it here from the sun, but damn the result is stunning anyway.

[raineandsky]

#113

tw: kidnapping

“Um,” the villain says as he flicks the living room light on. “What are you doing in my house?”

The hero scowls. “Well, it’s not like I tied myself up and put a bow on my own head, is it?”

And in one of the villain’s own dining room chairs, no less. Couldn’t he at least bring his own? “I don’t know,” the villain says slowly, to the hero’s offence, “you might have.”

“Please tell me you’re joking.”

“I don’t know! Tell me what you’re doing in my house!”

“I don’t know either!”

“There is an alarming lack of information here, [Hero].” The villain steps forward to study the knot in the ropes on the hero’s wrists—just a plain, normal knot. Nothing extravagant, nothing telling. “How do you not know?”

“Well, unfortunately, [Villain], I have spent most of this experience unconscious,” the hero snaps a little harsher than necessary. “I woke up, like, five minutes before you got here.”

The villain tuts, moving his interest onto the comically large bow on the hero’s head. This would’ve been a perfect chance to laugh at him if it wasn’t somehow happening inside the villain’s house.

The villain’s just about to hit the hero with a barrage of questions—with the inevitable “I don’t know”, of course—when answers present themselves in the form of the supervillain.

“Ah, you’re home,” they say brightly. A pair of stout glasses are in their hands, generously topped up with what is undoubtedly whiskey. “How do you like your gift?”

The villain throws a glance at the hero. He looks as lost as the villain feels. “My gift?”

“You’ve been working hard recently, [Villain].” They offer him a glass and he takes it without question. “I thought I could at least acknowledge the positive impact you've had on our little business. On me.”

The hero scoffs but they both ignore him. “What…” The question’s going to sound insane, but this situation is insane enough to warrant it, the villain thinks. “What am I meant to do with a… person?”

The supervillain hums thoughtfully, casting a glance about the room. “Well, I was looking around your place and thought you could use a maid.” They laugh at the scrunch of offence in the villain’s face. “Oh, I’m kidding, [Villain]. Maybe they could be target practice, a pet, a plaything.” A sip from their glass. “Anything your mind can conjure.”

The villain tries to look at the hero like he’s thinking on it. The hero watches him back like he’s trying to read his mind.

The supervillain takes another swig of their drink. The villain copies them before they can notice that he’s avoiding it like it’s poison. It sure tastes like it; it burns the whole way down.

“Any ideas?”

The villain taps the glass to his chin with a tut. “A dog would be nice.” The supervillain snorts a laugh, and the hero’s desperate expression turns flat with horror. “I’m sure I can find a nice collar for him.”

“A shock collar, I hope,” the supervillain suggests with a grin. “Oh, I’m so glad you like it, [Villain]. You deserved a little something for everything you’ve done for me.”

This is more than a little something, but the villain doesn’t bother correcting them. “I love it. Thank you.”

“No darling.” A smile; soft, affectionate. “Thank you.”

The supervillain gives him a pat and sets their glass down on the coffee table. “I have business to attend to. I just wanted to see your reaction.” They make for the door, though the villain’s not convinced that’s how they got in. “I’ll see you tomorrow—keep me updated on how you train them.” And with a wink and one last smirk, they disappear outside and off into the evening.

The hero’s gaze snaps to the villain the moment they’re gone. “A dog?” he demands.

The villain carefully unties the bow on his head, collecting the ribbon in a giant red bundle in his arms. “Yeah,” he says brightly. “Are you going to bolt if I untie you?”

“You called me a dog. I’ll goddamn make like one the moment that door’s open.”

The villain shrugs nonchalantly. “Binds stay on, then.”

“Wait, no—” The hero’s voice is bordering on a cry. The villain doesn’t hate the sound of it. “No, sorry, I just— you want me to be your dog.”

“I do.” The villain smiles innocently. “My guard dog.”

That gives the hero long enough pause for the villain to take his knife to some of the rope. “… Guard dog.”

“You’ll be my bodyguard.” The first wisps break free under his blade. “You’ll work for me, cover my back, whatever I need you to do.”

“You want me to… defend you?”

The villain can’t help but smirk. The ropes split, freeing the hero’s hands. “If you don’t like it, [Supervillain] had plenty of good ideas.”

“No!” It comes out faster than the hero seems to have thought it. “No, I– I can do that.”

“That’s what I like to hear.” The villain sighs contentedly, giving him a mocking pat on the head as he gets back to his feet. “Good boy.”

[yugsly]

Viscera objectica was an eye opener. I used to be very judgmental of things, especially objectum, but reading it was like experiencing it through the eyes of someone who has felt like that, and it really made me change my mind about everything. Even if I think something is “weird”, I remember it isn’t hurting anyone so I just don’t think about it. I feel kinda silly to admit this, as I am lgbt and autistic, but I just feel like a weight has been lifted off my mind. Thank you yugo <3

You warm my heart, anon... It's so nice to feel heard. It is "weird" - I'm not afraid to admit that, haha. But weird isn't always bad. Thank You, anon. For your time and kind words!

I've heard objectum is often associated with autistic individuals. I find that interesting- I definitely check those boxes.

I'm getting less shy about it, I think. Publishing a comic about it and whisking it out into the void is one thing, but discussing it online right in front of people is another thing -a little scary-. I often worry people will judge without hearing my position, and not take me seriously- leaving. I wonder if I should post my little personal excerpt I have at the end of Viscera Objectica. I'm sort of rambling, but that's where my mind is at.

At the end of the day, it's really about me being in love with art itself. Maybe that's the easiest way to put it.

[1-800-deactivatednearu]

woag character design notes

[i.d.: a drawn line up of the half life vr ai characters, from left to right, gordon, dr. coomer, tommy, bubby, gman, and benrey. /end i.d.]

yeah i skipped some guys , i dont draw some of them enough to have much unique designs and some of them are a png of a dog

trust me i am just surprised as the rest of yall that i am doing hlvrai art . design notes below (very long, mind your step)

gordon:

wow this guy dont got no head

i didnt want to give gordon a face because of how unexact the person is as the fandom engages with it. is it wayne rtvs? (well as presented to an audience, yes) is it gordon freeman? (well as seen from an in game perspective, yes) is it a whole new guy entirely? (well as

i cut the confusion and took it a whole new direction: guillotine

hlvrai being treated as a very broken game is fun to me as a design perspective, so if you (the audience) are not supposed to see his face, what happens when you see it anyways? missing texture time

there are eyes drawn over because i did not have confidence in my expressions at first and then it grew on me

i think if i were to draw (and i have drawn) an actual person under the mask i would still censor the eyes because that is where the vr headset sits!!

(i do not like putting an actual flesh to gordon though)

though i really like seeing how other people interpret gordon hlvrai it is not . my gordon ? we are talking about the same guy . but this is my gordo . i made this one . this guy my guy . maybe i should draw other gordon designs

i can draw the hev suit from memory and it is also the entire reason why i can render metal confidently

i liked how people changed the lambda to read ai :] i also have no clue if i wrote the lambda correctly

(i did, i just checked)

dr coomer:

as much as i draw/drew him i find it more fun to not stick to one set design :)

so a lot of my takes on dr coomer tend to jump from idea to idea, especially from what other people are doing, though they could be fitted to the left and right designs!

the left design is mainly based off what i saw in fandom spaces

we see rounder shapes, making for a more friendly and welcoming appearance

i think of this as straying from the more professional uniform of the actual scientist models

enter swimming shorts and bright yellow socks, for some reason

so now he kind of looks like a cool science teacher :)

it might be the lab coat

the right design is mainly based off thumbnails for hlvrai itself

these use a more angular appearance

i want to push how comically buff he is because of strength he shows at times, especially since his left design seems to completely down play it as a comically not buff man who is still very strong

the shadows on right design coomer get so much more harsh and exaggerated because i have comic books on the mind :)

he really does look like a dehydrated comic book character huh

tommy:

stick bug (he gets it from his dad) (this thought process is explained at gman section)

i pushed a lot of the saturation of colours in her design because i think tommy gets to be a little silly with it

fun art story of the day! when you color, try messing with hue! you might notice you can get away with a lot as long as your values are about right

i like pushing this with white because you can get away with a lot of things reading as “off white”

old faithful for me is cool shadows with a warm transition colour to keep things visually interesting

i keep making white objects the trans flag

happy pride

tommys design looks a little like a school boy, with the tucked in button up shirt+suspenders+shorts+jacket tied around the waist . and the primary colours . but like it is really fun to dress up so brightly

i actually was strongly inspired by medieval babies if that is a weird descriptor? i wanted him to both be a middle aged man but also a young adult

do not be like tommy, who has their finger on the trigger of the gun while not even looking at where it is pointing and good god he is squeezing the trigger . top ten firearm safety of all time

bubby:

the absurd part is that i think bubby is tall . he is just between tommy and gman who are exaggeratedly lanky .

i wanted to make bubby a pointy kinda guy, so he is the only one actually wearing the lab coat proper . and the only one actually wearing dress socks but not even wearing dress shoes

i wanted to give him a novelty tie but i was running low on ideas and running high on boreds so we dont get a tie

he does have crocs though!! in attack mode!!

i do think we all kind of saw his model and collectively decided it works for him because i have honestly not seen major divergences from his model?

gman:

stick bug

i wanted to stress the more spooky and unknowable nature of him and took it in the dark souls direction of “make bigger than player character”

maked too bigger

he cannot walk through any doorways but you will have to crane your neck to look up at him

in the opposite direction of tommy, i pulled a lot of the saturation in gmans design

it feels important to make them both not fully match the rest of the slightly less broken npcs because there was so much work to make them look cool so i have to respect that

actually a lot of gmans and tommys designs are made in opposite to one another

gman has a largely stationary face and very stiff line work

while tommy is pushed to expressive as possible

thats pretty fun, way to go me

benrey:

benrey also has two designs

and in both of these i keep getting too lazy to use a reference so  the vests are super plain (forgetting the badge and black mesa logo) . i think the helmet is supposed to be darker actually .

the design ethos of benrey was “built like a brick shithouse”

a friend of mine took this cooler and interpreted it as a shield/wall/barrier as a physical (and narrative) obstacle

again the first uses fandom designs

most notably the overcast shadow (seen in video thumbnails but i never noticed it or understood why so many people did it until someone pointed it out to me)

i think hlvrai is such a great medium because it acknowledges it is a game and is able to play into that to great effect! i think the shadow is fun to imagine as solid black as a small reminder of the impossibility of the space :]

benrey is a smug cat in the body of a human . to be honest . and this is the full range of emotion i have ever drawn him with

the second was mostly because as fun as taking creative liberties are, i just really wanted to see benrey as is: the half life security guard model in all its slight wonk :]

i actually do prefer this design . it is a little more uncanny because i choose the worst translations of the model . i like it because it is a little more uncanny !

that can be said for like . every single design in this line up huh .

[genericpuff]

Why is the art so unappealing in lore Olympus now Persephone looks like a highlighter and maybe it’s just me but the proportions like the fingers in arms are soul over the place I don’t think they used to be this bad. Am I just looking at it with nostalgia or am I crazy ?

Honestly, nostalgia does play a huge part in it, even to this day there are times I look back on old S1 panels and go-

Actually here's a great example that literally just happened yesterday in the ULO Discord that nearly had me on the floor LOL This is from Episode 70:

Like I didn't even believe that that was real until I was told what episode it was from and I was just. Astounded and flabbergasted. The over-shading of the blanket that just makes it look like a really bad edit. Insane.

And yeah, there are a lot of old panels that hit different now that the rose-colored glasses have been removed, crushed, and thrown into the trash compactor.

I think that's why it makes it all the more amusing when people come into my inbox and ask me "wait, why did you like LO to begin with?? It's always been ugly as shit, I think you're just romanticizing it" because like... there's something to be said about art and subjectivity, even if something is ugly to one person doesn't mean it isn't beautiful to someone else. It's why I try not to be too mean towards the fans of this comic for still enjoying it, because while I definitely have strong opinions about how "LO has gotten worse" and what kind of following Rachel has cultivated (cough cough), there are also just as equally valid arguments that LO has never begin good to begin with that I can't necessarily disagree with now that I'm looking back on it with a more critical eye.

That said, there's tons of media that I enjoy that is objectively awful. Like y'all, you don't need to take my opinions about a dumb pink x blue fantasy romance comic seriously, I like Starfox Adventures-

Like yeah it's a badly made rushed piece of shit that was developed right on the ass end of Rare's glory days and was really an original IP (Dinosaur Planet) that got Frankenstein'd into a Starfox game so it could "sell better" for Nintendo, but I don't give a fuck, I love Starfox Adventures and some day I wanna be in the top 10 speedrunner leaderboards for it, which I know doesn't mean much because no one is speedrunning Starfox, but I do and no one can take that away from me dammit-

Anyways. Lore Olympus has, in many regards, always had "bad art". But "bad art" can and should still be enjoyed by those who find joy in it.

And in LO's case, the world it existed in when it launched was a lot smaller than it is now - more specifically, the world of Webtoons. We can look back and see how 'bad' LO looks and reads now because there are genuinely way better comics surrounding it. It was unique and refreshing and experimental back then... now it's just "that stupid blue and pink comic for horny teenagers".

In most cases I would consider that "cringing in hindsight" feeling a good thing because normally it means something has grown and that it seeming "bad" in hindsight would mean that it's outgrown itself and moved onto bigger things. But LO has the more unique problem of "its current stuff is shit and it's making us want the old stuff more, even if the old stuff wasn't good either". In that regard, LO is closer to being like Harry Potter. Remember when The Cursed Child came out at the height of Rowling being exposed for being a TERF and even people who liked Harry Potter didn't like The Cursed Child because it was just objectively worse overall (with or without Rowling's bullshit attached)? It made a lot of people go back and re-read / rewatch Harry Potter with a more objective lens and go "wait a minute guys, I think we only adored these books so much because we were 12 when we read them". Often times it's the good memories we have surrounding certain things that make us have the opinion about them that we do.

Of course, LO is definitely not as politically weaponized as Harry Potter is, so that's where that comparison ends. But my point is that LO is definitely in a situation where it's been riding off the same privileges it had back in 2018 - having an 'experimental' art style while also utilizing tropes and characters that were VERY popular at the time (remember that 2017-18 was when Tumblr was at its height of H x P "Hades was a chill accountant guy who wore socks and sandals and didn't cheat on his wife like Zeus did" fantasizing) - and thinks that those same tricks and tropes will still work today.

Because of this, the art in LO really, really hasn't aged well, even the stuff that we look back on fondly. But I think it's the panels that we specifically think of when remembering "old LO" - the ones that stuck in our memories the most - that are the ones that make us miss or just not care about the panels that don't look good (the panels that make people question why we ever liked it to begin with).

We liked it because of how it made us feel to look at panels like these-

Those genuinely wonderful panels that we think back on the most don't exist separately from the bad panels, they exist in spite of them. Even if we can look back on panels like these and pick out problems in the lineart or the proportions or the color travelling outside of the lines, that can't and shouldn't change how those panels made us feel at some point or another. And that's why when people ask me "why were you even into LO in the first place" I don't have any one answer, because I can't fully explain how something made me feel to justify why it's good to someone who can see from the outside - without rose-colored glasses - that it evidently isn't. It's very much a "you had to be there" type of thing.

Unfortunately, nowadays even the 'best' LO panels in S3 still don't come close to what the S1 panels accomplished - because for many of us, the rose-colored glasses are gone, we can't appreciate the good among the bad because we know now how bad it truly is and so the good just feels like wasted attempts at trying to recreate something it can no longer be. It "came back wrong" so to speak.

LO came back just regular. But our journey to resurrecting it changed us to such a degree that even its closest intimacies are now foreign to us. Sorry dude.

This is still probably one of my favorite panels out of the entirety of S3 for being as close to "old LO" as I've seen since S2, and even it feels like a mistake, an accident, how could a panel like this exist in S3 when so much of it is a dumpster fire? It's like a flower growing in the ruins of an apocalyptic wasteland.

But wasn't that always the case? Isn't that 'always' what LO has been, since the very beginning? A poorly cobbled together mess of writing and panels that, every now and then, manages to leave an impression that makes you feel something? Did we ever truly know LO? Or have we just been relying entirely on an idea of it that we've built up in our heads that when it does do exactly what it's evidently always done (even if not made apparent until looking back on it in hindsight) we think it "came back wrong"?

[lucabyte]

i am looking at nohats au 👀 please share more

So! NoHats! I'm going to grab you and use this to ramble. A Lot.

The NoHats AU is @samhainian's it's just that I'm the strange little freak who takes the words said unto me and executes on them. But I can still do a little explainer on what our overall thoughts and vibes are. (And, that we are in fact propping up a little box with some cheese under it here. 🪤 Please (PLEASE) feel free to pick up what we're putting down.)

We're far from the only ones exploring a "what if siffrin fucking died" AU, though the main difference with NoHats is the placement of the death in the timeline. Instead of being 'Mal Du Pays Wins' or 'Act 6 encounter goes horribly wrong', the death is… Just after the (literal) falling action.

(This placement is because Sam is a comic book fan who thus has become used to characters being ripped away at the cruelest times by shitty writers. THANK FUCKING GOD adrienne is not that and isat is delightful yippieee, but, back on topic.)

Giving the party the full understanding of What Happened that you get by putting the death after black hole siffrin, but before the A6 encounter leaves an interesting gap to be filled. See, making Siffrin's death very much not Loop's fault means that… this once again reads (when not read as simply a tragedy...) as the universe doing what it sees fit to fulfull Loop's wish… Thus making Siffrin's death Loop's fault again, but only in their eyes. And only in a way they could express if they were honest about who they were…

And this is where having had excuse to waffle about my general Postcanon Loop thoughts the other day comes in handy, because Sam and I have that as our canon-compliant reading to begin with, NoHats plays off of a lot of the same readings of Loop's character. Namely: Uh Oh Somebody's Lying By Fucking Omission Again. (BECAUSE TO BE FAIR THIS TIME… HOW THE FUCK WOULD YOU HANDLE THAT?)

Now, neither Sam nor I are fanfic writers, so this has been a little bit trapped in our heads and DMs (and my unfinished art but,)

But our thoughts on how NoHats like… Goes.

Siffrin's death is peaceful, but that does not mean the aftermath of it is. I can't imagine the party takes it well, especially after understanding the circumstances of the Loops. (And, of note, in A5 where nobody had the discussion on what to do with each other's bodies should something happen…) But I'd imagine it traumabonds them somewhat (understatement of the century) and now knowing how the rest of the party feels, they resolve to travel together for the forseeable future.

The party track down Loop to deliver the terrible news, since they were clearly Siffrin's friend too, and invite Loop along to travel at least long enough to (let them grieve) get the burial over with. Loop, here, can be helpful in knowing what Siffrin would've wanted where the party would be at a loss. Loop, I think, takes a bit of a lead on the funerary aspects of it all, because, um. (Performing rites on your own body, huh?)

Then, as things are after a death, life just… Kind of has to continue on as normal. The party travel, pick up Nille, and get to know Loop as this mysterious new person. Maybe in this situation they might stay in Bambouche for a while to give Bonnie more stability since. They are probably taking it the worst. It would've come out of absolutely nowhere for everyone in the party obviously but god, for a kid? For A Kid?

It should be stated NoHats is not intended to be grimdark, just y'know. An exploration of grief. This is also why it's got a bit of a lopsided focus on Bonnie vs the rest of the party because hhrrhghghhghghhhghhghhh <- incoherent

Now, a crossroads.

How does the party discover Loop to be Siffrin? How long does it take. How much have the party embraced them as part of the family (especially with something as intense to bond over as this)?

There's the Odile option. Have her put it together and have to bring it up somehow. This could also be done by Isabeau, perhaps. He's smart. (which. God. If anything's the real Isabeau Torment Nexus it's this)

Then there's the other option batted around by Sam and I. The: The Universe Dislikes Duplicates option.

The items in the house that fzzt away when inspected. The Universe doesn't like there to be two of something, at least not when they're acknowledged. But one of something is just fine…?

Which is to say. I'm not a personal proponent of 'Loop getting their body back'. EXCEPT …… except this one time.

There's only one Siffrin now, so they don't need to be obfuscated to exist.

Consider, if you will. Loop swallowing their guilt for long enough to be comfortable. Falling back into old habits. Without another Siffrin around to compete for the niche of, they actually begin to act like Siffrin again. Not intentionally, it's just… The party is as welcoming as they've always been. And the party swears they keep catching glimpses of a face under all the light.

Then, one day, while still not fully human again, the resemblence becomes undeniable. Loop having not even noticed until everyone looks at them like they've seen a ghost.

Has it been months? How long have they kept up this lie? Is it even a lie, to them? They're Loop. But they were, once, Siffrin.

Even after explaining it, does that make it better or worse?

Bonnie cuts through the betrayed, struck-nerve reactions with a sobering "I missed you."

… Anyway !

Yeah so that's the vibe for NoHats. As for LoopLoops? That's more nebulous. I think it can go anywhere really in the NoHats timeline. I err personally toward the "Loop continuously replays the last 10 minutes before Siffrin's death almost immediately after they find out and have to parkour their ass up the House in the most distressing situation possible to try and get them to hold on, just please hold on." (Remember! Siffrin can remember the contents of Loop's loop backs in the A6 fight!)

But there is the possibility that this happens months, or worse years down the road. One last Loop back. Throw it all away for the chance to just get that one thing you didn't know you even wanted but now know you NEED.

Misc:

Okay miscellaneous time.

This is where I admit that I have a bunch of unfinished NoHats art that I haven't gotten around to yet because I feel like a right tool being so obviously Loop-Centric with my fancontent (I AM . . I REALISE I AM NOT DOING MUCH TO BEAT THE ALLEGATIONS.) So like if people want to see that please say because euaghghghhfh <- the nervous.

this is like the most fucked up place to do isaloop fr. anyway.

one of Sam's mid-game observations that I'm just going to share for no particular reason is that Bonnie's hair shares a bunch of shapes with Siffrin's. The flick up at the top, the 3 pronged shape of the fringe… just something to think about.

Without 2 Siffrins around to compare each other to it'd likely be a lot harder to notice Loop's similarities. Doesn't mean that those similarities don't sting more in this context though.

If you do NoHats without LoopLoops. The concept of this all fading into memory years down the line while they just have slightly-glowy but otherwise regular Siffrin hanging out is fucked up to think about. Just like real grief. Augh

6. a peek into the original dms as a treat from us

[clockwayswrites]

Bleeding Out, Bleeding In - the Start

This is the start of the resulting fic from the winning poll option of 'Crime Boss is a Dangerous Job'. And boy did it go places.

A solid 40 of you wanted to wait for ao3, but the other 59 are feral gremlins who want a part now! Those who want to wait, don't feel pressured to read. This might be up on ao3 this week or if not then next week! (Yes, that doesn't add up to 100, one vote is me so I can see the poll results.)

wc: 1059 Content Warnings: canon typical violence, blood, blood drinking, mentions of death and dying, brief mentions of human tracking, so much cussing.

-

Brainless motherfuckers.

Every single one of them, brainless motherfuckers.

One would think that eight heads in a duffel bag would have been enough.

One would think that people would learn his fucking rules. They were easy rules. Don’t hurt kids. Don’t sell to kids. Don’t hurt sex workers. Don’t traffic people. Don’t fuck with him.

And these motherfuckers had fucked with him. They had fucked with his rules.

Red Hood stared down at the lifeless eyes of the traitorous lieutenant.

Ex-lieutenant.

Brainless motherfucker.

Hood was insulted that someone that incompetent had managed to make him bleed, even if it had been eleven against one. And fuck if he wasn’t bleeding badly. Hood pressed his hand tighter to his wound with a hiss and let himself slump back against the grimy wall of the ally that he had slunk into. His hand became wet with warmth.

He must have already bled through the hasty field bandage that he had slapped on the wound.

Numbers slipped through Red Hood’s foggy mind as he tried to calculate about just how bad of a fact that was— about how heavily he must be bleeding out. Fuck if he wasn’t bleeding out.

Could he make it to his safe house in time? No. Could someone make it to him in time? Maybe, but who could he call? He wasn’t going to turn around and let another lieutenant stab him in the other side. B— maybe it would be better to just bleed out than deal with B and another lecture. As if this hadn’t been in self defense. As if he hadn’t acted to stop kids from being sold. As if a moment of hesitancy about killing a man he’d been working closely with for a year had been what got Hood in this spot.

And Dick was off world.

Dick was always off world when he needed him.

That wasn’t fair. What did Dick owe him? It’s not like they had ever been family. Dick had never wanted him. The last person who had wanted him didn’t even want him enough to stay sober.

Blood loss made him maudlin, apparently.

Dying by explosion had been easier.

“You know, not what I expected to find dumpster diving tonight.”

Hood’s hand dropped to brush over the grip of his gun. It was up and aimed before his head even had time to lull towards the voice. The hand holding the gun was steady even as his vision swam staring down the sight.

“Not that I’m doubting you can use that, Boss, but would rather you didn’t,” the stranger said, hands up in the air. One large duffel sat at their feet. Another smaller duffel was slung over their back. A hoodie at least three sizes too big swamped the slim figure— hiding both their form and face. The steel toed boots looked comically large at the end of stick thin legs.

Hood knew better than to think they weren’t a threat.

Anyone could be a threat in Gotham.

“Really, Boss, I’m just out here dumpster diving for supplies,” they continued, motioning to the warehouse district around them. “Not going to lie and say I won’t happily loot your corpse if you keel over right there, but would rather you stay breathing. I can help with that, if you let me.”

“And if I say no?” Hood asked, his voice a breathless rasp even through the modulation of the helmet.

“If you say no to the help, I’ll just be on my way. There are other dumpsters to go through like the feral raccoon that I am.”

His arm dropped down to hang limply at his side. He didn’t take his finger off the trigger. He shouldn’t trust this stranger. “Look more like a street rat to me.”

“We’ll compromise to possum then,” they said, slowly lowering their arms.

He shouldn’t trust this stranger. Did it mater if he did?

He was bleeding out.

The gun slotted back into its holster.

“There you are Boss, we’ll get you patched back up.”

Hood blinked. They were tucking themselves under his shoulder, leaning him up off the warehouse wall.

Hood blinked. They were disabling security on a heavy, cast iron door set into a concrete floor.

Hood blinked.

“Not going to lie, Boss, you’re in a bad way.” The words were distant— like listening to them through a thick wall. Static ran under the words. Static that burrowed under his skin and into his blood.

Static that burned at a part of him he tried to ignore.

“Think they got something pretty vital with that knife.”

He didn’t want to burn.

“Stitched you up but…”

He didn’t want to die.

“Oh Boss.”

Not again.

“I know, Boss.”

A cold hand brushed over his temple and he couldn’t hold back the whine at the sensation. He strained to arch up into the touch. He wanted it. He wanted to feel. He didn’t want to slip away again. He didn’t want that void of death. He didn’t want to die again.

The voice shushed him. “I know.”

He trembled. The static sang in his veins.

“There’s something I can try, Boss, but it will change thing.”

Things were always changing.

“Not like this. You’re not on the knife’s edge yet. You’re still living. If you die you right now you tip over to the other side.”

He’d done that before.

“I know, Boss. But if we do this, you’re not going to tip over anymore, you’re going to balance on that knife’s edge. Not dead but not alive. It’s a fine line to walk.”

Everything in his life was a tightrope: hero, villain; son, enemy; brother, stranger. What was one more thing? Alive, dead.

He didn’t want to be dead again.

“Okay, Boss, okay.”

The hand pulled a whine from his throat as it moved away. A soft coo hushed him quiet again. The sound rumbled in with the static untill the soothing noise sat inside him.

His head tilted up as something slid under his neck. Hands guided his head to lay back down onto a soft surface.

Something wet dripped against his lips. Spice bloomed across his tongue.

“There you go, Boss,” the voice soothed. The coo rumbled in his chest like a fluttering bird. “Drink up.”

Cold skin and wet warmth pressed against his lips.

Jason drank.

[featureenvyproductions]

here’s a bird’s eye view of my comic Eyan Eternal

For people who don't know what it is. Bc I think some of you might find it's right up your alley. Well this is an updated one anyway. I do actually have a volume of this out in print right now, but the low def, basic version is online and complete, and tbh, I just want people to read it. I took almost two years to complete this and quite literally poured every waking moment (after work and when I wasn’t fixing stuff in my house) into this to try and finish it.

Ahem

Here is one of these at a glance things! 

If that’s enough to intrigue you, take a look at my chapter masterpost which has convenient links to every chapter post so you don’t have to go figuring out where they are and what order they go in!: https://www.tumblr.com/featureenvyproductions/717516139934154752/eyan-eternal-tumblr-chapter-masterpost?source=share

If you like it and want to support me you can also buy a copy of the first print volume, which collects chapters 1-5 and has a smidge of bonus content (only available in the US right now, but that’s not going to be forever, and I’m working on an e-book as well): https://www.etsy.com/FeatureEnvy/listing/1447399615/eyan-eternal?utm_source=Copy&utm_medium=ListingManager&utm_campaign=Share&utm_term=so.lmsm&share_time=1683565699335

And now here is a more detailed break down if you need more info than that...

*Jonathan Frakes asks you things meme voice* have you ever wondered what you’d find if you REALLY lived forever?

Well, meet Eyan, an immortal vampire.

He’s slowly finding out the answer to that question...

...And it appears to be unbearable isolation.

Eons into the distant future, when most stars have faded in the night sky and the cosmic event horizon has confined any remaining beings to an isolated pocket of the universe, Eyan roams interstellar space in a repurposed generation ship in search of anything that could be considered alive/sentient in the way he is.

So far, he’s out of luck.

That is until he runs into an unexpected former rival on a remote planet - Zero, a sentient android he never expected to be the only other person left alive.

Well. That is, if either of them can really be considered “alive”. What does that mean anyway, when the humans who defined what it means to be alive are all gone?

This is something they’ll have to explore and define for themselves as they attempt to set aside their myriad of differences and try to work together on one of the few ways left to escape the dark fate of ultimate isolation - The Grand Encoder, a machine that can upload minds to a special medium - if it even works for them anyway. In the process, they slowly come to accept that maybe they’d had each other all wrong and weren’t seeing the bigger picture.

You may not find any action-packed Star Wars like escapades here in this sci fi drama. You also won’t find ponderings about the origins of vampires or what gave rise to robot sentience - It’s integral to the plot that these things just ARE. But you will find a thoughtful exploration of identity and how it can cause us to define ourselves and relate to (or abandon) each other depending on the framework within which we are doing that exploration and within which we are compelled to exist. It asks the question, what if the frameworks within which we defined our existence and purpose no LONGER existed...Where would we go from there?

And as two immortal guys who are the only folks left in the universe (as far as they know), Eyan and Zero are just the right people to mull over that.

There is both textual and allegorical queerness in this story - both main characters should be considered gay men, even if it’s The Future TM and terms/exact scopes of identities may not be EXACTLY 1-1 with today’s...But I want to be perfectly clear that it was my intent to make them gay because I wanted to see more gay guys in sci fi and I don’t want anyone erasing that. As for the allegorical stuff - I myself am a trans gay man in my late 30s, so this act of re-exploring and re-framing myself and evaluating how and why queer folks interact with each other the way we do is something I’m very familiar with, and I feel like other folks might relate. (I also peppered in some neurodivergent-person-in-a-neurotypical-world moods tbh.)

Of course it’s not all serious. I do have a bit of fun with some old school vampire tropes, tossing Eyan around and putting him in Situations.

Anyway if this all sounds interesting to you, take a look at my tag and site (above)! I’d appreciate it! I also like to hear from people and see if there’s anything about it you related to! :)

I also do everything. Every last monotonous step (well, aside from literally loading up a printing press to churn out volumes lol - BUT REST ASSURED IF I HAD $10K TO PISS INTO THE WIND I WOULD DO THAT TOO). So if there’s ANYTHING you want to know about my process, I’m happy to tell you so please ask, especially if you’re like trying to get started on your own comic or trying to go to print :) 

Edit before I go ahead and blaze this: I want to say, to be honest, the creation of comic was initially motivated almost entirely by the isolation/loneliness I’ve felt in my life. It’s not as bad as some folks’ and I know that, but it is a really prevalent thread throughout my life and sometimes is almost unbearable, and my comic began as an exploration of that loneliness, as well as a narrative exercise to try and express the depth of it at its worst point. I’m putting this out here because ultimately I don’t know...maybe someone will catch my drift and understand the feeling I’m trying to illustrate, and maybe they’ll want to see the plot that came of those feelings. I am not above the need to feel seen lol, especially if other people out there feel like they can resonate with this experience as well.

[entropicbias]

Last couple asks has me wondering what kind of johndave rep DO you like to read/see? Any examples you can think of in fanworks? And just your own interpretation. Thank you

i have got to reiterate that this is just a me thing. i'm not saying this to police anyone on their writing! i'm just really specific about the way i see these two get portrayed.

this is gonna suck and i'm gonna ramble about it for a while cause i'm mentally challenged. i have a hard time explaining my own thoughts with accuracy. sorry i can't keep this short and sweet. i am the type of person to just know when something is done right. i can't tell you why, but i'll try for you, anon. if you don't want to read all this here, i summarized it.

even more simplified

this is so crude. canon dave is really hard to nail for writers for some reason let alone the specific way i see him. i like a more chillaxed dave. some of the things that really throw me off with dave writing is missing the mark on how annoying he is and dumbing his character down to either angst, obama and apple juice jokes, or him being gay. i think john also encounters this issue. not enough research goes into their interests so writers can only represent them with the bare minimum. nicholas cage, con air, and 'dave i'm not a homosexual'. john and dave are assholes. they tease each other and aren't shy of doing that to other people. not that they're bad people! they care about each other and their friends a lot! but they're not afraid of being really honest about their thoughts or overexaggerating something that doesn't really bother them to poke fun at someone. they can make mendacious remarks to be polite, it just doesn't occur to them as often as just blatantly stating their thoughts on something or someone. i also like seeing them have more naturalistic dialogue. for some reason, when i think of that i think of zach from oneyplays or his character charlie from smiling friends. which is dumb even if it gives you an idea. i feel like a lot of this kind of banter is missing from these fanfics i read. at least, in the way i want it to go. think powerup comics.

gay part upcoming. i think the john and dave's relationship is best portrayed as a childhood crush that is unspoken of. a term i recently learned was "demiromantic", and i think that very perfectly describes how i think john's homosexuality would work. i mean, he doesn't really have a problem admiring dudes, which in itself could be called gay but that's not why i think he would be attracted to dave. i think it's kind of hilarious when people attribute john's homosexuality to him being "romantically interested in cage". john's idols are more like heroic figures to him. i don't like it when that is used as evidence that he's gay unless someone is making fun of him. this is the part where i talk about how john insists on the fact that he's straight. i'm not doubting that at all i think john still likes women and it's easier for him to do so. but he can also develop feelings for someone like dave. hence why i think he's demiromantic in that regard. this is exactly what my sexuality is like, so maybe i am projecting. i like to imagine i'm not projecting incorrectly, though. i think he'd only be able to develop feelings for dave in a setting where he is really a prominent figure in his life. earlier acts of homestuck were like this, but unfortunately the johndave relationship wouldn't work out on john's end with the way homestuck went. their friendship was kind of forgotten after a while, which sucks. in an ideal world, they would have remained in contact and then gotten close again in earth c. but dave was written to be with karkat and jade, which either nulls his feelings for john or opens up a whole new avenue of internalizing it. which is dumb and convoluted and i don't care about postcanon.

dave on the other hand would think about his feelings towards john a little more. i like to think that homestuck dave definitely had feelings towards john. i like to imagine they both developed a crush on each other around the same time, but unlike john who doesn't give it the time of day or even considers it as a crush, dave would. and he'd know that but he wouldn't want to act on it because of a plethora of reasons. probably to retain their friendship and his self image. i guess that could give them some 'angst'.

but you know what? i don't even care for romance all that much! they're bros before they're anything else! and that's all that matters to me! just nailing their friendship in itself is gold. john and dave mean a lot to each other in a platonic sense. even if they pursue other romantic avenues or don't, i don't care! i just like people putting them in a similar setting and showcasing their awesome bromance!

fig. 3, i also like davejade. thinking of iterations of him and john in fanworks that i like is really hard cause i don't read much in that department. what comes to mind is mr. tambourine man and some of deacon_blues's comics. kgtac has a really good dave and karkat too. cole is a spectacular writer. but i've finished neither of those comics so i'm just basing it off the very little i've read. also, none of these examples are particularly johndave related. i just wanted to note down examples of john egbert and dave strider writing i enjoyed. i read like, one comic faygos made but that was also pretty good. pinballhazard is also a phenomenal writer and artist. especially for john! you guys should check all these guys out. anyways, thanks for reading all that!