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silenzahra · 3 days

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My first Super Mario fankid: Violet "Violetta" Fiorella 💜✨

Surprise! 😄

(I know I'm VERY late jumping on the trend of Super Mario fankids, but I'm afraid I'm a very slow writer, and also, I've been incredibly busy lately, but hey, better late than never I guess!)

Even before I lost my old blog, I came up with the idea of my very first Super Mario fankid, and since Luaisy are my favorite couple, of course they had to be the parents! 💚🧡

Since I can't draw, I've used a couple of picrews to create my girl, both as a little child and as a teen, and you'll see that I actually really liked the second picrew as I just couldn't stop creating more and more outfits for her 🤭 (There are actually a couple that I haven't included but I'm always happy to show them if you're interested because she looks so CUTE).

I've been working on this little girl for a couple of months now and I couldn't wait any longer to introduce her to you all at last! Besides, today is the perfect day because it's her birthday, so I hope you're ready to meet Luigi and Daisy's first daughter! 😄💜 (in my lore of course!)

Special thanks to my beloved big sister @vulpixfairy1985 for helping me out regarding some of the nicknames for my beloved Violet! I owe you big one 🫂💖

@bberetd @megamagimugi @peaches2217 @oh-my-gosh-its-j0sh @pepperycar

@kelbreyworshipper @keakruiser @dragon-fly34 I thought perhaps you'd be interested in meeting this little girl 😊 Also, @itsavee4117, you might find a little surprise regarding this post 🤭💖

You'll also find hints to two of my stories, Green, Orange and a bit of Purple and Biggest fear, as well as my own headcanon posts: Mario and Luigi Musicians, Luigi the Bookworm and Luigi serenades Daisy. Also, here are the picrews I used: this one and this one.

Without further ado, let's-a go! ✨

✨💜 Violet "Violetta" Fiorella 💜✨

Violet: age 5 - age 13

Violet Fiorella is Luigi and Daisy's first daughter. She was born at dawn on the first day of autumn, being a late baby, as she was expected five days earlier. She inherits Daisy's facial shape and Luigi's slim, lanky body. Her mouth and nose are like her mother’s, while her eyes and hair, she got them from her father. Her skin is tanned like Daisy's, and her cheeks, rounded like her uncle's, are dotted with freckles.

Her name was chosen not only because of the flower, but also because it alluded to her mom's favorite color, purple. Her dad wanted to add a middle name reminiscent of flowers, but in Italian, his native language, so that his daughter’s European roots would be important in her life from the very beginning.

Early years

Almost from the moment she was born, Violet proved to be a very sweet and giggly child. She’s always smiling and showering everyone with hugs, and as soon as she learns to give kisses, it becomes her favorite way to interact with others. Her father holds her in his arms? Kiss on the cheek. Her mother tucks her in to sleep? Kiss on the forehead when Daisy leans into her. Aunt Peach and Uncle Mario bring her a new toy to add to her collection? She hugs and kisses them as she laughs nonstop, and of course, they melt.

Violet is brave, daring and very curious. She wants to explore the world on her own, no matter how dangerous it can be or how small she still is. Everything catches her attention. Her dad's mustache, which she starts to pull almost every day as soon as she learns to grab things. Her mom's freckles, which she traces so enthusiastically that more than once she’s been about to stick her tiny finger in Daisy's eye. Uncle Mario's hat, which she doesn't hesitate to steal from him every time she’s with him, which gets a few laughs out of Mario, especially when he sees how big the garment is for his niece. Aunt Peach's brooch, so bright and shiny that she can't help but try to take it off. Always so practical, Peach finds the perfect solution: she gives Violet a small pendant with the same type of jewel embedded in it, so that aunt and niece match.

Because of the adventurous spirit that runs through her veins, Violet is not afraid of anything. From the instant she starts crawling, she starts wandering around her home on her own, taking advantage of the slightest occasion when her parents look away from her, even if it's only for a mere second. This makes Luigi and Daisy twice as vigilant, especially when she starts to walk. They’re forced to take certain measures to make their house completely safe for their intrepid little daughter, such as covering all the sockets or putting fences in the most unexpected places.

Violet learns at a very early age that, when she wakes up, it’s better not to cry, but to climb the bars of her crib, so that she can escape to explore on her own without her parents' supervision. Luigi and Daisy, exhausted after watching over her safety and dealing with her inexhaustible energy during the day, receive no warning that their daughter has woken up and thus they must be alert again. Also, because their little girl is so active, Luigi and Daisy often fall fast asleep after putting her to bed and sleep very soundly, so Violet knows that every morning, she has precious time before either parent wakes up and the fun is over.

Fortunately, from the first time this happens, Polterpup is quick to come to the aid of his new little friend. As soon as he notices that Violet has climbed out of her crib, he rushes to her side. Luigi and Daisy usually leave their bedroom door open so that Polterpup can comfortably get in and out during the night instead of walking through the walls, which is why Violet has no trouble reaching the stairs. Polterpup barks at her, worried that she might hurt herself, but since the toddler won’t stop exploring, the dog lunges forward just as she jumps up and the girl falls onto his back with a loud laugh that turns into a squeal of excitement.

Which, at last, causes her parents to wake up, and as they rush out of their room, they find Violet riding on Polterpup and laughing happily while the puppy, barking enthusiastically, carries her back and forth through the house as if they were in the middle of a race. It is here that Luigi and Daisy realize that they must do something if they want to prevent their daughter from getting hurt and their poor ghost dog from having to babysit her.

While Daisy was pregnant, Luigi acquired the habit of reading for some minutes every night before bedtime, not only to her as it’s become their custom since they started dating, but also to their baby. He has vivid memories of his mama reading to him and Mario when they were little, and he wants to keep this beautiful tradition. He used to stand cross-legged next to Daisy, holding a book in his hand while stroking her belly with the other, and Daisy used to fall asleep to the soft cooing of his voice. After Violet was born, Luigi continues to do this, this time carrying his little girl in one arm while Daisy, after breastfeeding her, rests at his side. Both mother and daughter fall peacefully asleep listening to Luigi, giving him a few minutes to enjoy the warm presence of his two flowers without interruption.

Because of this, as she grows older, Violet proves unable to rest without her dad's goodnight story, which fills him with pride and joy. As soon as she learns to grasp things, like a good curious child, Violet begins to take her father's books away from him to glance through them and examine them herself, observing them as closely as if they held all the secrets of the universe. Luigi has to hold back tears of emotion when he realizes that his beloved little daughter will be a bookworm like him.

In Luigi and Daisy's home, music is never absent. It was key during their courtship and continued to be so after they got married, and of course also when they welcomed their first daughter. In fact, soon after returning home from giving birth, Daisy gets into the habit of taking her baby in her arms and gently rocking while sweetly singing and cuddling her, and Violet giggles with delight. Luigi often joins them, sometimes even grabbing his ukulele to improvise some tunes, as he used to do for Daisy.

This way, Violet begins to adore music and dance from a very young age and falls completely in love with her dad's instruments when he uses them for her for the first time, especially his guitar. She grows up surrounded by notes, chords and dances, and learns to keep time almost at the same time as she learns to clap her hands. Music and dance are in her blood, and her parents couldn't be prouder.

Since Violet is named after a flower, Luigi takes her to his garden when she’s only a few months old and begins to show her the plants and flowers and tell her about each one. To no one's surprise, as soon as Violet discovers the beautiful flowers with which she shares a name, she begins to feel a special fondness for them, and as soon as she learns to express herself a little, she asks to always wear something purple in her outfit, preferably with a flower pattern. Luigi teaches her how to braid flower crowns, and him and Violet together, they create a series of different crowns that she then gives to Daisy under Luigi's attentive and moved gaze.

Given that both her father and uncle are of Italian descent, they often speak in their native language to the girl ever since she’s born. Luigi, moreover, often calls her Violetta, the diminutive form of her name in Italian, and she adores it and always showers him with kisses whenever her dad addresses her by that nickname. She also loves that Uncle Mario calls her by her middle name, Fiorella, or that he uses some of the affectionate nicknames he’s given her, such as Fiorellino or Petalo, both words that refer to flowers in Italian. After all, as Mario always tells her, she is his favorite flower of all those that exist in the world.

Daisy, for her part, usually speaks to her little girl in Spanish. Most of the songs she sings to her as a baby while rocking her in her arms are in her native language, many of them written and composed by Luigi, Daisy's favorites. The princess also buys tales in Spanish for her daughter, and joins her husband in reading them to her, with Luigi narrating and Daisy playing the characters, gesturing in an exaggerated manner to make Violet laugh. Besides, Daisy calls her Violeta, the Spanish version of her name, but she does so with a different intonation from Luigi, which makes Violet always able to differentiate the way her name sounds in her parents' respective languages. Daisy often chooses to call her “florecilla” or “mi pequeña flor,” which brings the most radiant smile to the little girl's face, and she doesn’t hesitate to hug her mom and shower her with kisses.

Besides being very active and curious, Violet is also very imaginative. The stories Luigi tells her prompt her to ask him many questions in search of other ways in which this or that story could have ended, and Luigi always encourages her to invent the ending she likes the most. And Violet does: with her eyes sparkling with excitement, she tells him how the evil witch or the ruthless ogre is defeated by a brave warrior in shining armor who defends and protects the princess before anyone can harm her. Many times, she even draws the scenes she invents with her colored pencils. Luigi treasures each of her drawings with all his affection, but Daisy worries that they have almost no room left on the fridge to hang them.

From a very young age, Violet shows a great affinity for sweets that becomes excessive over time. She is often discovered by Daisy or Luigi in the kitchen, climbing on the counter with the help of Polterpup and stealing cookies, and this scene keeps repeating over time even after her parents start to devise new hiding places for the cookie jar. Also, when Luigi and Peach prepare a cake together, they can't leave it unattended for a second, especially if it's chocolate, Violet’s favorite flavor, or else they'll run into the toddler attacking the cake with her tiny fingers and devouring the cake frosting before going for the sponge cake. Just like her mother.

Over the years, her parents try hard to teach her to be patient and wait for the cake or cookies to be served during tea time, and, of course, they set her limits when it comes to sweets. For, on more than one occasion, Violet has been sick to her stomach for having such a sweet tooth and disregarding her parents' advice and warnings.

One thing she’s inherited from Uncle Mario, besides his adventurous spirit, is his stubborn side. Even though Violet is usually a quiet baby, on very rare occasions she throws tantrums that cause her face to turn as red as her uncle's cap and Luigi to seriously fear for the endurance of her lungs. Fortunately, Daisy soon discovers that, as in Mario's case, it is Luigi and Peach who can get little Violet to calm down as quickly as possible.

As she grows up, Violet’s stubbornness continues to show up, although, fortunately, not very often, as the gentleness inherited from her father is stronger.

Family

Luigi and Violet often have fun gardening, singing together around the house and going to the children's section of the library or bookstore. The girl already has her own bookshelf in her room, and Luigi is more than happy to help her expand it so they can read her new addition together. As his daughter slowly grows up, Luigi develops the habit of telling Violet stories at any time beyond bedtime: while feeding her, while dressing her, while bathing her... And Violet is always spellbound listening to him. It is, in fact, thanks to Luigi that Violet develops a love for reading and stories and, indeed, she ends up becoming a bookworm like her father.

Since becoming a father, Luigi has composed numerous songs for his daughter, many of them created half-heartedly with Mario, who also melts with love for his niece. Often, Luigi grabs his guitar and starts singing to Violet, who promptly joins him in clapping her hands and singing the lyrics in unison. This is how many mornings tend to pass in Luigi and Daisy's home, and it isn't long before Violet asks to attend a concert by her dad and uncle. Unfortunately, she’s too young by then (four years old), so she still has to stay at home.

When Violet is one year old, her parents try playing a movie for the first time, and find that the girl seems entertained, but, halfway through the film, Violet suddenly gets up and asks her parents to go out into the garden to run and play a bit. Daisy almost melts when she realizes that her daughter has inherited this from her, as she needs to do exactly the same thing every time she sits down to watch a movie with Luigi. Little Violet's energy is just as inexhaustible as that of her mother.

It's thanks to this that Violet and Daisy start to go out into the garden to run and climb trees together as a way to let out their endless adrenaline. They also have a great time dancing around the house and improvising karaoke sessions that delight Luigi. Daisy encourages her daughter to unleash all her energy and bring out her wild side, no matter what anyone says. Not only does she not scold her for wallowing in the mud after the rain, but she joins her and they end up laughing together in the middle of a mud puddle, with Luigi shaking his head resignedly, but unable to erase the loving smile off his face.

Eventually, moreover, Daisy begins to teach her daughter how to fight, not only as another way to let her adrenaline loose, but also so that she can stand on her own two feet. At the same time, she shows her the different dances typical of the four kingdoms of Sarasaland and encourages her to continue cultivating her mind in the company of her father. Thanks to Daisy, Violet becomes an excellent warrior, as well as an expert in the original dances of the empire over which she will one day rule.

Aunt Peach loves to organize tea parties with her niece, and Violet has a great time playing princesses with her and all her toys. Peach also loves to do her hair and sew her not only clothes, but also stuffed animals, and she often takes her niece shopping. Violet doesn’t have a specific preference for one type of clothing, but likes everything: dresses, skirts, pants, overalls, blouses, shirts... And the same goes for colors, although she has a certain inclination for blue, purple and pastel shades.

So she loves it when Peach surprises her with new dresses or a trendy jeans and blouse outfit, clearly influenced by the culture Mario and Luigi come from. Peach and Daisy often get together for snacks and shopping and take little Violet with her, whether it's to buy her clothes or books, treat her to ice cream or take her to the park to play. And she has a great time going out with her mom and aunt.

Later on, moreover, Peach decides that she should start teaching Violet how to behave in court, because, after all, her niece is the heiress of the Sarasaland empire. Luigi, despite not being an expert in the matter, joins her whenever he can, imitating his friend's gestures to make sure he instills them in his daughter, but Peach is the main one in charge of telling Violet about the best way to run a country and about the importance of diplomacy to establish good relations with other kingdoms.

With Uncle Mario, the girl has even more ways to release all her adrenaline. He always encourages her to play active and fun games that make her run around the house or the garden and laugh out loud, so that when it's time to go to sleep, she usually falls asleep right away, which both Luigi and Daisy appreciate. Mario has a great time playing tag with his niece, playing hide-and-seek, or pretending to be a huge monster that wants to catch her to tickle her. Other times, on the other hand, he happily pretends that she’s a brave and fearless heroine who valiantly faces the monster and takes it down with the same weapon: tickling. Mario himself often sleeps like a baby after spending an afternoon in the company of his niece.

Just as Daisy begins to teach her daughter how to fight, Mario does the same. He teaches her different techniques from Daisy's, so that Violet knows a variety of ways to defend herself if necessary, and he’s also the first one to show her the power-ups. With Luigi's permission, Mario starts with the simplest one: the mushroom, which makes Violet laugh hysterically as she looks much bigger and taller than she is. Later, both brothers show her the Tanooki Leaf, with great enthusiasm from both of them, although Luigi can’t help but feel a bit nervous and even fearful for his daughter’s safety. For the Fire Flower though, they decide to wait until she is older.

Violet loves alone time with each member of her family, especially her father, but she loves it when they all go out together to enjoy a picnic or shopping at the Coconut Mall. This gives her the opportunity to sing and dance with them all, to play her craziest games with Uncle Mario, and to take her favorite plushies for her and Aunt Peach to take care of together.

From a very young age, Violet loves to be dressed like Peach and Daisy, with long and beautiful dresses and wearing on her head her own “little princess” crown, a gift from Aunt Peach for her eighth birthday, when she also gives her this nickname. This is a custom that Violet never loses, as she’s very aware of her role as future heiress of Sarasaland, and wears her dresses and crown with pride, always feeling comfortable in her princess attire.

Even though she has dresses of all colors and for all tastes, her favorites are those in her parents' signature colors, being the ones that remind her of her uncle and aunt the second ones in the list. Of course, Violet loves to give them her own distinct touch with her light blue or lilac stockings, always with floral patterns.

On the other hand, she also loves to wear overalls and pretend to be a great plumber like her dad and uncle, and she continues to wear these garments as she grows up, as she finds them very comfortable and manageable. And both Luigi and Mario are unable to hide their excitement at the sight of their beloved Violet wearing an outfit so similar to their own, even when she’s no longer a child.

Violet loves to combine her parents' colors in her outfit and mix them with the blue of her overalls or the purple and orange of the flower crowns she often wears in her hair and that her mother gladly lends her. Her favorite overalls are dark blue, similar to her father's, although she also has some lilac ones that she adores dearly. She also loves the striped socks that Luigi usually wears, though in Violet's case, she prefers to wear them green, orange or yellow. Sneakers are her favorite footwear, comfortable and perfect for running, dancing or fighting, and she has them in several colors.

Mario and Luigi's family adore little Violet with a passion. Mia and Pio are always over the moon when her parents bring her to Brooklyn, and they often go out together as a family to show her where her dad and uncle grew up. Mia also sews tons of clothes for her granddaughter, often agreeing with Peach to combine their skills and create a lovely outfit for Violet between the two of them. Pio loves to take her out and play with her and is incredibly proud every time he discovers that his granddaughter has inherited some of his traits.

Violet loves devouring the delicious pizzas at Punch-Out Pizzeria and running around Central Park chasing the ducks, especially after hearing the story of the vampire duck that attacked Luigi the first time he and her mom went out together. Also, when Luigi first takes her to his favorite bookstore in Brooklyn, she falls in love with it at first sight.

In the Mushroom Kingdom, as the niece of Princess Peach and her consort husband, Violet is treated with all the comforts and luxuries, as befits a little princess. She’s adored by all the Toads, court, palace guards and ordinary citizens alike, and they keep greeting her and giving her gifts whenever Luigi and Daisy take her for a visit. Mario and Luigi's best friend even proclaimed himself as little princess Violet's new best friend from the day he met her, and she always has lots of fun going on picnics with him or embarking on a new and not at all dangerous adventure together. Like spotting squirrels around Peach's castle or hanging on to the legs of a bramball for at least five seconds without getting a puncture. Besides, Toad tells the best jokes and always knows how to make his little friend laugh.

In Sarasaland, of course, Violet is treated with all the honors that the future empress deserves. King Crisanto is delighted in his role as grandfather, and all of Daisy's other parents also shower her with attention and make sure to remind Daisy of all the fighting techniques she learned with them so that she can pass them on to her daughter when the time comes.

Pre-adolescence

At age thirteen, Violet is a happy child who has a multitude of hobbies and skills and who knows she’s loved and adored in her family. Despite her young age, she’s well aware of her future responsibilities as the ruler of such a large and immense country and has made an effort to learn all about the different cultures native to each kingdom. She’s visited them many times with Daisy and Crisanto, and thanks to Luigi, she’s able to recite the history and customs of each of them without a moment's hesitation. Of course, the values and knowledge that Peach has instilled in her make her a very educated and intelligent little princess.

Violet loves to read. Usually, shortly after returning from school and after spending some time with her parents, she usually locks herself in her room to read and is absorbed by the stories she consumes in exactly the same way as her dad. Even so, the restless and energetic nature she inherited from Daisy requires that, after a couple of hours, she switches from reading to a more lively activity, such as dancing or going out into nature to run with Polterpup and climb trees. Daisy often joins her, and the two feel as connected as they did when Violet was a girl.

Despite this, there are times when their characters clash. Violet is still as sweet as the first day, but when she gets angry she’s more prone to have an argument with her mom, who tends to get angry very easily. That's when Luigi intervenes: alone or with Peach's help, he prepares a delicious cake and leaves it, on purpose, in the middle of the living room, so that both mother and daughter are attracted by such a delicacy and end up attacking it together, with their bare fingers, just like Violet did when she was little. It is during this little moment that they begin to talk and end up making peace, after which Luigi comes out of his hiding place and hugs his beloved flowers tight, satisfied that he achieved his purpose. Fortunately, these discussions don't happen very often, or else not only Violet would get sick, but Daisy as well.

Thanks to Uncle Mario, Violet is quite an expert on all the types of power-ups that exist, and Luigi and Daisy have made sure to extend this knowledge to her as far as Sarasaland is concerned, since, as Mario well made sure to teach her, not all power-ups can be found with the same ease everywhere. Her favorite is, without a doubt, the Tanooki Leaf, as there’s nothing that matches the feeling of flying and freedom that this power-up gives her. However, she also loves how powerful throwing fireballs or ice balls makes her feel and has no qualms about admitting that she loves seeing her dad and uncle transformed into cats. She often giggles hysterically before she starts chasing after them to cuddle with them, something she’s done since she was a little girl.

At last, after much insistence, Violet has obtained parental permission to attend Luigi and Mario's concerts. In the reserved area set aside for their families, Violet stands against the fence, with her arms resting on it, screaming and jumping up and down during the concerts. She considers herself her father and uncle's number one fan, and knows absolutely all their songs by heart, whether they are in English, Spanish or Italian. Violet speaks all three languages fluently and has no preference when it comes to singing or communicating.

Shortly before her twelfth birthday, she began attending royal receptions in the company of her parents. At these times, Luigi encourages her to remember everything that Aunt Peach has taught her, and Violet proves that she’s very good at handling herself in court. Maybe even better than her parents, as she seems to have inherited it naturally from her grandpa In addition, she usually dresses very stylishly, especially thanks to her aunt, who always takes her wishes and opinions into account when it comes to giving her new dresses or sewing them herself. However, as a rule, Violet usually wears leggings under her wide skirts, mostly influenced by her mom, who insists that she should always be prepared for a fight and therefore as comfortable as possible. Peach supports this decision and even starts sewing her own leggings for Violet as well.

Violet is an expert in the specific care that each flower and plant needs to grow. Even though she has many interests, being surrounded by nature is what she’s most passionate about in the world, so she’s decided that while she must become the empress of Sarasaland someday, she wants to have her own corner full of beautiful flowers just for herself. Her grandfather has immediately made sure to set up a beautiful greenhouse on the grounds of Sarasaland Castle and has ordered seeds to be brought in from all over the empire so that his granddaughter will feel right at home every time she comes to visit.

Crisanto never hides how proud he is of his granddaughter and how much he adores her just the way she is. Violet loves spending time with him and listening to him talk about the plants native to the different kingdoms of Sarasaland, and often Luigi and Daisy join them and add a few details. Luigi also brings some seeds from Earth for his daughter, and with Peach's help, they grow them together in the Sarasaland greenhouse.

Mario and Daisy continue to train her daily and give her new challenges and tests, both with and without power-ups, to further reinforce her strength and defense skills. At the same time, Peach and Luigi educate her in manners, culture, history and other important subjects for her education and future.

Thanks to Luigi and Peach, Violet knows how to be the perfect princess.

Thanks to Daisy and Mario, Violet knows how to be the perfect warrior.

EDIT: Adding here the links to the beautiful drawings made by some of my incredibly talented friends!

-@bberetd's sketch of Violet Fiorella (+ Daisy + NES Peach). -@itsavee4117's fanart of Violet, her family and his fankiddos. -@megamagimugi's drawing of Toddler Violet and Polterpup.

Thank you all so so much! I'm truly so blessed 💖

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reachexceedinggrasp · 3 days

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I have a feeling you might relate to this or you might have even related this on your blog already, but I was just thinking of that Ghoul quotation water water everywhere and not a drop to drink

I think probably my favourite, maybe ever, quiet point of characterisation in a sort of villainous or Beast love interest is his or her having a poet's soul... whether that is conscious or unconscious romantic meditation. It's like Kylo musing to Rey when he says 'You have that look in your eyes. From the forest. When you called me a monster' I love that sort of wistful observation, especially because it evokes such potent imagery ('when we fought together in the forest and then you marked yourself on my face'). Or more literally something like Ghoul citing a line of literature, even when none around except for Lucy would know what he's referencing, it's for his own arrestment and amusement, this is how he sees/interacts with the world

I guess in that way, it reveals something new about their perspective on the world, even when they're somebody seemingly cut off from it - monstrous, othered, repellent, ugly - when they're able to articulate a certain beauty which other characters may not remark upon. It's sort of covetous in that sense, but I think it also sort of helps explain what might interest them about a Beauty, after all, there's something they long for and value (spiritual, aesthetic, existential beauty).

I thought you might be able to relate 🥰

Oh, totally. And with Cooper and Ben, specifically, which is a parallel I hadn't actually noticed until you've just pointed it out, we're being shown their sensitivity as characters. Not in the sense of being considerate, but that they're aware and alert to beauty and meaning in the world despite currently occupying a narrative role which might make us think they're simply destructive or nihilistic figures. And despite the cynicism they're both ostensibly espousing.

Cooper quotes or alludes to literature practically constantly relative to how little he speaks, always knowing people almost certainly won't understand him, and that's especially fascinating because he didn't make those kinds of references in the flashbacks. We could take this in a whole direction about how he created the Ghoul as a character to shield himself from the things he had to do to survive and is living within a meta-narrative deconstructing the reactionary anti-hero who overtook the white hat sheriff he used to play in his movies. The anti-hero he never wanted to be. He makes allusions because his life has become a story he's telling himself to stay sane. He's his own wry Dickensian narrator making asides to an imagined audience about dramatic irony and social commentary.

And an important part of his presentation to others before the war was painting himself as not sophisticated. Just a cowboy and then just a guy who plays a cowboy in the movies. He wants nothing to do with politics either in an interpersonal or broader sense, and disclaims any pretensions to being savvy despite being in a theoretically powerful position as a rich, well-connected major film star. I think he was genuinely naive, but I also think he often played dumb to avoid social conflict. He was complacent and his image helped him remain complacent. Obviously he was very willing to be confrontational when he saw wrong or injustice right in front of him (he goes after Bud Askins directly to his face about marines getting killed by shitty equipment, he challenges Moldaver when she calls him out), but pre-bombs he mostly uses his empathic perceptiveness and charisma to keep everyone around him happy.

In the wasteland we often see him doing the opposite and deliberately riling people up in order to gather information and assess or eliminate them as threats, but he's also only gotten better at disarming people when he wants to. As a handsome charming film star he pretended not to know anything, as a scary intimidating monster he pretends he knows everything.

What I'm wondering about as far as all this goes is whether Cooper always had a secret nerdy side and read all the classics as a teenager or perhaps while waiting between shots when he was working as a stuntman, or whether he wanted to fit in when he started to make it in Hollywood so tried to become cultured before realising that wasn't what anyone wanted from him. Or if he just spent 200 years alone and read anything he could find as a way to cling to his humanity. We know he was at least a bit intellectually curious before the war, because of his reading and retaining some article about studies on torture.

But YES, him quoting poetry and being so interested and insightful about Lucy, specifically is a huge part of how he's framed as a romantic figure. And he's already by far the most romantic figure in the show. If it were solely about his tragedy, you'd think they would emphasise the contrast between his pre-fallen and post-fallen state by stripping him of his heroic trappings, but they don't. He's actually more romantic post-'curse'.

It also gets me because he's an extremely smart, socially adept person who doesn't let others see him for who he really is both consciously and unconsciously on multiple levels and that layers of identity shit is my crack. He was a profoundly honest man who thought he was simple, but actually he was a glorious maze of contradiction and complexity waiting to happen who has now come into his own as a master manipulator.

#sorry I went off on a bit of a tangent there anon #fallout #cooper howard #but I too love that he won't stop doing this #solely for his own benefit #ghoulcy #season two we need Lucy to be unable to help herself but acknowledge one of his allusions and/or argue with him about a book #imagine if that's how they start talking lol #people have mined this a little in fic but it's such a deep well #the potential dialogue is simply incredible #Ben on the other hand is an out and proud lifelong nerd and academic #complete swot #there is no mystery on that front

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fallout-mountains · 5 months

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Alert

I have rebranded this blog, so that I can make a different blog.

#since this is basically a fallout blog #I wanted to create a new blog for my other interests

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amelia-sun · 9 days

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one day,,, i will let myself be cringe and free,,, one day,,

#rambles #huge downside of having more than 20 people following me is that i feel anxious whenever i post because oh no People Might see #so everytime i want to do Anything in any of my other interests i feel like i have to create a whole new persona and name and pretend i live #in switzerland or something #call it an effect of being raised with ‘Paranoid Parents’#anyways #that was your irregularly scheduled tmi of the week #reblog with yeah if you’d be fine with me doing things with this blog that arent chiluc related

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the-maddened-hatter · 2 months

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Alright so I pretty much said all of this verbatim on a reblog of someone else's post, but I wanted to put it here on my blog too.

As I've mentioned before, I would *very* much like to see Peri canonically having a disability that causes him to use his wand/cane and not just have it be an accessory, and so I analyzed the episodes he's in that I've been able to see so far and came up with a few observations:

As much as I'd be unopposed to seeing it portrayed, leg issues don't really seem like a major deal to fairies in general given as Cosmo misplaced his for most of an episode and a pair of sticks were a good enough replacement for him to have fun at the arcade in human form (without even drawing human attention)

And Peri can apparently use his powers as listed above without his cane since he doesn't always immediately have it on his person (especially since Dev & Hazel took his cane in Lost in Fairy World and he didn't have any power or mobility problems)

But!

I *could* easily see him having some kind of magical fatigue issue or magical equivalent of hypotonia or balance disorder, since he's shown to be

very tired after a morning spent magically creating cupcakes (a probably small but very repetitive task that leaves him running low on energy)

When his stationary float is disrupted he remains seated instead of floating back up again

3. A minor contact/startle reflex is enough to disrupt his hover and cause him to immediately fall pretty hard if not very far

4. speaking of distance, he is shown to sometimes float a bit lower than his parents, which, while not consistent and likely just an animation choice, could tie in with the other points to support the diagnosis theory

However, pain may admittedly be more of a factor than the above images suggest,

he may not just be tired from shape shifting like I'd thought since right before that he was walking (albeit in horse form) and afterwards (low) cloud float is apparently easier and faster for him than just quickly trotting past his parents

He also didn't really seem to be having too much of a problem at all before he hit the ground

Where it goes to a definitely tired and possibly more pained look.

Maybe he didn't want to tell Dev that it was painful either out of pride or because he didn't want to potentially upset him and just went with "tired" because that was what he assumed. It'd be interesting to see if it happens again in a different form.

Personally I think it'd be cool to see both and have it be a chronic condition (directly magical or otherwise) that he already had before the series began (diagnosed or not).

If he's the first fairy kid born in a long time he probably would have been monitored very closely, but it may have taken a while for doctors to notice a problem since there was little reference for comparison and may have even caused some potentially serious problems that gave Comso & Wanda a bad scare, which could tie in pretty well with their developing a high amount of over protectiveness of him, and that in turn leading him to try and behave too far in the other direction (not seeking help when he really does need it, pushing himself way too hard and suffering the fallout which he then tries to hide, ect)

If he's undiagnosed but having the problems it could be interesting to see sort of an inversion of the "character must learn to accept their disability" storyline wherein he's more connecting certain events & symptoms and we get to see him adapting to accommodations and letting himself try different approaches moreso than to having new symptoms (though we as the audience may see these symptoms more or behaviors contextualized as symptoms where they weren't necessarily before).

Idk either way I just think it would be cool (and I've probably put away more analysis into this than will ever pay off lol)

also to everyone who draws him as a disabled mobility device user: ILY please draw more of it it feeds my soul

#fairly oddparents #fairly oddparents a new wish #fop peri #disability headcanon #disability headcanons #character disability headcanon #peri/poof #peri fairly oddparents #new wish #new wish Peri #cane user peri

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making-you-in-spore · 5 months

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pinned post

TRANS RIGHTS!! TERFS GET THE FUCK OFF MY BLOG!!!!!!!

who are you?

i'm just a guy who likes spore [2008]

why do this?

i just really like spore and making creatures in spore. it helps me practice my creature creation abilities.

can you make my oc in spore?

as of right now i do not take requests. i generally find characters and creatures i want to make by them appearing on my dashboard. refer to the Request Beast.

what is in your icon?

captain thunderhide, my main spore space stage captain.

do you use mods?

i exclusively play this game with mods.

can i download the creatures you make?

only if the original creator of the design is okay with it and requests a png. please note that in order to successfully download the creatures, you will need to download every mod used to create them.

i will not always be able to say what mods i use to make something, so it's a gamble if you don't have all of the ones i use.

how do i mod spore/do advanced creature creation like you?

darkedgetv's FAQ is a very good resource to begin. i started there, and it's where i recommend you to start if you're interested in spore modding. it also contains many other mods i have not listed under the cut.

as much as i disagree with the process of using a discord server to contain vital information and resources, the davoonline spore modding community discord is also a good source of resources and mods that even i do not use.

what editor mods do you use?

a lot, so they'll be under the cut.

not mods, but highly recommended for enhanced playing experience

4GB patch - Tutorial - patches spore [and other 32bit programs] to be able to use 4gb of RAM. recommended if playing a highly modded copy, and makes the game more stable.

Reshade & ReSpore - post-processing injector & shader that alters the appearance of spore, giving it more detailed shading and vibrant colors. i use this for gameplay and screenshots. runs on GPU power, so excellent if you have a strong graphics card

HD graphics fix - this doesn't actually seem to work for my copy, but it alters the textures of base spore to be more high-quality.

mods that are absolute must-haves

these mods are ones that i use in almost every creation, and add a lot of QoL to the editors. if i forget a mod in a creature png i post, it will be one of these.

Dark injection - THE spore mod. it's likely a lot of other mods you'll download will mesh well with dark injection. you can turn off whatever you don't want to use through the installer.

Universal Property Enhancer - a library mod that many other mods require

The Smoother - a useful tool for building muscles and smoothing out your creatures' bodies

Enhanced Color Picker - a requirement for super detailed creations, enables hexcode color picking and color wheel selection beyond normal limits of spore

[UPE] Infinite Part Scaling - allows scaling of parts near-infinitely, beyond the limits of the original game

Project Skyncraft - adds new creature skinpaints

Unshackled - adds nodes and limbs for creating custom wings, heads, hands, etc. a little bit unstable, i mostly use this for wings.

Spore Stacker - allows stacking of any part

Subtle Rotations - reduces part rotation snapping

Advanced CE - adds building editor manipulators to the creature editor

Every Part Costs Nothing - self explanatory

Rotate Anything - lets you rotate anything, including feet and hands

Advanced Creature Paint - allows for individual coloring of parts on a creature, like in the building and vehicle editors

Ambient Occlusion Disabler - removes baked-on shadows for creatures

Delta Paints - adds new skinpaints

Valla's Skinpaint Switcheroo - adds duplicates of all vanilla, C&C, and GA creature coat and detail skinpaints into their opposite category

test drive related mods

these mods are not required to download the creatures i post, but are recommended for the test drive.

No More Creature Editor Animations - turns off the animations that play when you add eyes, mouth, feet/hands, etc

Sevan's TF2 editor animations - adds multiple animations from tf2 into the creature test drive.

Mx3's Dance Animations - adds a multitude of dance animations into the creature test drive.

Tenebris's Creature Test Drive Animations - adds many animations from within the game to the creature test drive.

EditorBG - adds extra editor backgrounds

Ramone Kemono's MMD Drag Ball - high-effort dance mod complete with special effects and a reverse engineered camera system

part mods

these mods add parts to the editors.

DroneParts 2017 - adds many mechanical and polygonal parts useful for machine creatures, i like to use it for building clothes and markings.

New Drone Parts - a sequel to droneparts 2017, compatible with the old version. install both at the same time if you want to be able to use creatures from the old droneparts mod.

Himeric Engine - adds horror-themed parts to the creature editor.

Spore Resurrection Next Steps - adds a few parts to the creature editor and several new textures to the building and vehicle editors.

Dinosaur Parts - adds parts based on dinosaurs and other animals. mostly heads.

Strange And Beautiful - a now-discontinued, reuploaded mod that adds unusual and unique parts to the creature editor

Bionicle parts - adds a few bionicle pieces to the creature editor

Little Box Of Horrors - adds many parts with an overall horror theme. some are animated.

Pandora's Toolbox [1.0] - adds a multitude of basic shapes and polygons to build with

Replicant - adds non-textured animating parts and non-animating parts in a separate tab. good for if you want to use hands, limbs, etc without them animating or adding stats

Armoured And Dangerous - adds a few high detail mechanical looking parts.

Delimbiter - increases the amount you can scale limb parts, and allows for more crazy movements of certain limb parts

Valla's Vanilla Style Parts - adds several parts which mimic the vanilla style

Wordsmith 2.1 - adds letters to the creature, building, and vehicle editors

Kaiju parts - adds several parts based on popular kaiju

Organic Help - adds many membrane pieces to the creature editor, for creating wing webbing among other things

Project: Mad Mannequins - adds many human body based parts. and a horse for some reason

A Mouth For All Seasons - adds alternate versions of all vanilla mouths [and all unused cell mouths] with alternate diets

Valla's Captain Badges - adds all space badge models into the captain outfitter and creature editor

Rock On! - adds rock props from spore into the building and creature editors

#not spore

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cowplant-snacks · 6 months

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hiya! any tips on creating an immersive save that will attract not only you as the player but others as the viewers? your aesthetic is stunning and im so obsessed with everything you do!! <3

oh wow, this is a super sweet ask, @plumday.

let's see. I interpreted this as an ask about how I setup my sim save in a way that engages me. Hopefully this is helpful!

Setting Up TS4 Gameplay

Revamp Sim Worlds

BRAVE THOSE LOADING SCREENS and leave your residential lot! (I promise it's worth it)

NEW LOTS - Each of my worlds have been renovated with lots I handpicked from the gallery - too much work? I recommend using a savefile! Here are some of my personal faves @ratboysims 1, @down-in-simsland 2, @folkling 3 & @sweetbeagaming 4.

RESIDENTIAL RENTAL - these lots help make the world feel more dense and lived in, plus condensing the local households to 1-2 lots leaves room for more non-residential lots to explore with your sims.

WORK AND SCHOOL - I recommend placing offices, schools, and daycare lots. These combined with a few mods (semi-active custom careers and Zerbu's go to school mod 2) and clubs are something I really enjoy.

Set Up Clubs

I really like @sojutrait's tutorial on how to use clubs to enhance your gameplay and is a MUST HAVE in my humble opinion. I usually have a family chore club, work clubs, neighborhood clubs, extended family clubs, etc... and it's so nice to click a button suddenly there are sims there making my game more lively.

To have more than 3 clubs per sim, I use this mod maintained by @kingzaceofsims.

I also use custom club activities so sims (MOSTLY) behave how I want them to. @srslysims has tutorial on how to make your own.

To be able to have club gatherings in vacation worlds I use this mod. It was helpful with sending my pixel kids to camp.

Set Up the Calendar

@aliennooboo made this AMAZING tutorial on setting up your sims calendar that I just adore. I find this helps me remember to do things with my sims and helps change up their day to day life.

Playing

ROTATIONAL GAMEPLAY - I find this keeps me engaged and prevents boredom. It keeps things fresh and allows me to explore different stories. Here is a great resource to get started!

GAMEPLAY MODS - I find adding various mods keeps my gameplay fresh and interesting. I recommend these creators (1, 2, 3, 4 & 5) in particular.

Screenies

POSES - As a gameplay person, I try to use poses sparingly. It disrupts the game for me but I find sometimes I can't convey what I want to without them, so I try to only use a few. This is what works for me, please do what works for you. Shout out to all the storytellers blogs, though, that keep me fed.

RESHADE or PSD files can add some fun color and effects to screenies. ONLY edit as much as you want to. I felt a lot of pressure to get better at this and I am finally finding the balance of how much and what kind of editing I actually like to do. I have collected reshades/gshades and resources here.

House Keeping

Keep back ups of your trayfiles, screenshots, households, lots, etc 'cause it's sims, things break and go wrong.

Keep your CC and mods organized otherwise fixing your game is a hug pain.

Reblogs and additional tips and recommendations welcomed!

HAPPY SIMMING!

#ts4 #simblr #simblr community

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felmonth · 10 months

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(Edited and slightly better developed! Will be updated until further notice)

Hey, neighbors! I am alive! XD

AAAAH! I finally managed to finish Tom's sheet, but for Au "Actors," the author of this AU is @ frillsand. I've been wanting to create drawings related to this AU for a while now, and there are still comics that I want to share.

Wally won my heart -cries- 😭💘, of course, haha. I'll be sharing with you all the comics that come to mind regarding this AU.

WARNING: Before proceeding, this may contain sensitive content, you have been warned. I hope you enjoy the extended blog and the extra mini-comic to lighten the mood.

Well without anything else to say about it...let's start with Tom Sweetheart, the stylist!!

Tom Actor's Story:

In a town called "Titirilquén," Tom Sweetheart grew up alongside his mother and brother Diego Sweetheart. They depended on each other for everything. They didn't own a television, but they would find TVs on in stores where mostly there were news and interviews with celebrities. Both of them dreamed of becoming actors inspired by the experiences shared by those celebrities on television. Their school further fueled their interests, as it offered a theater subject and a variety of art-related courses.

At school, Diego exhibited a captivating personality in his school theater performances, earning admiration from everyone. However, Diego felt uncomfortable because nobody paid attention to his brother, who was also improving with each performance and costume. Therefore, Diego decided to involve his brother in everything to make him stand out just like himself...

Over time, the school grants Diego a special scholarship that involves working in one of the largest studios in Titirilquen despite being very young. This news greatly delights Diego, so he mentions it to his brother about this opportunity to become what they wanted to be at that time. Unfortunately, those who gave Diego the opportunity were very disappointed when he brought Tom to work with him, so they reluctantly accepted Tom only because Diego requested it.

When Diego was not around Tom, they assigned him different tasks than what an actor should do, completely deviating from the agenda that Tom had planned for the week. This led him to become overloaded with tasks, but he didn't complain because he thought it had to happen when living the life of an actor.

Diego and Tom were the first young actors (They were about 20 years old, Diego 22 and Tom 20) in the Titirilquén studio. They initially performed in a few presentations for a museum, and then the director decided to create a program with them. Both did their best until they became somewhat more known thanks to the news in their town, and Tom was no longer as ignored as when he first joined. They reached a broader audience, leading them to want to learn more about the people in their town. So, they started learning sign language and refining their voices for musical sections to begin a small program aimed at families.

Both were directed by the same assistant, "Ron," but due to unforeseen circumstances, he had to retire because he had to move to another country for another job opportunity where he could earn more money to support his family. They had a new assistant, a woman named "Jenny" (She was 24 but was not interested in working with puppets.) and from this moment, problems arose. The new assistant was serious and easily stressed when the director had to tell her what to do. As a result, she left the job of directing to the two young actors.

This assistant was starting to have too many problems with the brothers, she envied that both brothers mentioned the previous assistant's actions. However, they did not say this with bad intentions but rather so that he could do his job well, since the director was demanding regarding what should be on the schedule of both brothers. Over time, the work environment between them improved, but something was missing in the assistant's life, the brothers did not say many things to her or chat with her, but instead spoke only among themselves.

One day, Jenny overheard a conversation between the two brothers about the previous assistant. Jenny misinterpreted this as a threat to her job and felt worthless to both brothers. He decided to come up with a plan with his fellow students. The plan was to put one of the brothers in a problematic situation so that she could do something to help them and get recognition for it because according to her, the brothers did not value her.

The chosen target was Tom, as Jenny considered him weak and incapable. After finishing his singing section of the show, Tom left the studio to take a break and have a drink.

He noticed that his co-workers near a restaurant were calling him to chat, Tom without noticing any suspicion in them, approached them with great joy, because he admired what his co-workers were doing in the studio.

And being recognized and starting a conversation by them was a great joy for Tom, since he always lived underestimated as just a simple doll who cannot stand out among humans.

Unfortunately, there were ulterior motives. While they were talking to Tom normally, they took him behind the studio, which looked like an alley, and there a cruel scare developed. These coworkers mentioned negative things when they entered the alley and Tom felt uncomfortable by his coworkers' sudden mood swings. He tried to back away, but was easily caught. While saying negative things, they gradually destroyed parts of his body, including arms, legs, wrists, and fingers. They showed no concern for the little puppet's screams and fear because, to them, he was just a doll that couldn't feel pain, or so they claimed, they made fun of him for being too dramatic when he screamed.

When this situation came to an end, the group of companions left, leaving him alone, Tom remained on the ground, crying without understanding how the situation took such a sudden turn. Just a few moments ago everything was fine and now he was helpless on the ground, motionless. He could only see the cotton sticking out of his body and his limbs outside his body, he could only move his head at the moment, he felt completely useless. He prayed that his brother would find him and help him, but then Jenny appeared, pretending to be worried about Tom. She helped him in this terrible situation and took him to the emergency tailoring service.

Now, with Tom recovered, he was mentally depressed and shattered. He looked at his stitched-up body and felt very insecure about venturing into the streets inhabited by humans. He didn't want to go through a similar situation again, so his only support rested on Jenny.

Tom was immensely grateful to her for helping him in this terrible and stressful situation. After a few long minutes of silence, he told his assistant that he didn't want to continue his acting career. This surprised Jenny, but she said nothing and just listened, offering ideas. She felt quite good about helping Tom in these moments of stress. She informed the director about this decision, and of course, he was very concerned and saddened, especially when Tom requested not to inform his brother.

When Tom was discharged on the same day as the accident, he didn't want to go home because a thought crossed his mind: he had always depended on his brother and was only causing him problems. So, with a heavy heart, he decided to distance himself from his brother. The assistant supported all of Tom's ideas, including the idea of complete separation. She was happy that Tom depended on her, so she found him a job outside the country without consulting him.

From Diego's perspective, after the accident, he found it strange that his brother didn't appear on the show. He asked the director why there were sudden changes in the program and why his brother wasn't there. The director decided to be tough with him, saying they hired him and not his brother. He gave Diego new rules for the new direction of the show. Diego was devastated by this news. He considered quitting his job but thought better of it; he wanted to see his brother at home.

When he arrived home, there were no traces of his brother or his belongings. He tried calling him, but there was no phone coverage. In his desperation, he contacted the authorities to inquire about his brother, but they only started working after at least two days of being missing.

This situation was stressful for Diego and his mother. They were very worried and considered various possibilities of what might have happened. Tom decided not to tell them anything when offered a call by the authorities and declared that he wouldn't return home. His family was concerned because they heard a weak voice through the phone, but it was all they could do as the studio was too secretive with the information.

Both brothers remained separated for a long time. For Diego, nothing was the same without Tom, and the show looked depressing. Despite this, he maintained a forced smile for his audience. Children asked a lot about his brother, leading him into deep depression.

Tom, moved to another country, working in a new studio as a stylist. He adopted a fearful, anxious, and panicked attitude, afraid of everyone. To distract himself, he overloaded himself with work, trying to maintain composure by breathing deeply. He couldn't stop thinking about his family, and he knew what he was doing wasn't healthy, but he wanted to stay away for a while.

Well, that's roughly the story. It's long, but I feel that now it's better understood than before. Thanks for staying to read and loving Tom Actor! -cries-

Curious facts about Titirilquén today:

Lately, I've been hooked on a series called "31 minutos," so I included some things from that series. I highly recommend it, it's in Spanish, but there are English subtitles available. Titirilquén is from that show.

Titirilquén doesn't have hospitals because literally no one gets sick there. However, there are places like Mrs. Juanita's service, who takes care of the damaged puppets in this town.

Titirilquén was a town of only puppets but tired of being anonymous and as an unknown town, they decided to include people in their town, building a civilization, the negative of the town only benefits the humans that its own puppet inhabitants.

Facts about Tom:

(Diego's data was deleted to create his respective sheet)

He is 27 years old now.

He speak spanish but he learned English thanks to Jenny.

He is very naive, and that works against him, as he decides to trust everyone.

He has a puppet friend in this studio and his name is Lulu but he affectionately calls him "Wolfy" After going through hell with Jenny, he dates Wolfy but that's when he realizes he doesn't want a romantic relationship.

When he first arrived at the studio, the studio people confused him with Wally, so since that day, some just call him "Pink Wally." (This is due to his height, skin tone and hair shape, so Tom changed his look to messier hair to not look like Wally)

Tom is a very good worker, but he always hides after finishing his work and doesn't get distracted by anything while working. If a human talks to him, he ignores them, but if it's a puppet, he takes time to chat.

Despite hiding, he is found by children, most of whom are human.

He misses being an actor but is very afraid.

Alongside his brother, they worked on a children's educational program called "Sing until Counting to 3." They taught children songs that included sign language. However, when they leave, the program is completely forgotten by the director.

Tom and Diego are not the same height, Jack has to bend down to hug and talk to him.

Tom usually wears makeup, always in pink or fuchsia, which is his favorite color.

Tom often sees little due to his poor eyesight, so he sometimes needs glasses to see clearly, but he usually doesn't use them because he finds them unnecessary.

Tom has fallen in love with Jenny because of her concern for him but by the time they are "boyfriend and girlfriend" Jenny ignores him, she is with him out of pity. Sometimes Jenny yells at him and hits him when he is loving with her.

As you can see, Tom is afraid of humans, and you rarely find him crying in studio places where people don't live, or even paranoid. If you find him in this situation, make him feel comfortable because he is completely unstable at that moment.

People consider him strange and curious because he often hides and is fearful, and they don't understand why he behaves like that. (It doesn't mean he avoids bad situations with the studio's humans; some of them respect the puppets, while others decide to hate them.)

Tom in this Au has a human brother, in the style of muppet protagonists. His name is Diego Sweetheart and they are both very close and have achieved many things together by working as a team. Diego is very attentive to his puppet brother, caring for him and trying to understand him as best he can.

Will Tom manage to become an actor again? Will his life improve? Will his brother Jack locate him after a long time? Will Tom continue to call himself unfortunate? Find out in the next episode... *Felmonth bids farewell to the viewers watching the video.*

NOW, COMIC! YAY!!

Title: "First unlucky day"

Reference movie: "White Chicks"

I don't know what Janet's design is like, I didn't find any reference, so I made it with what I found.

And well that was all, I hope you liked everything, I did the best I could and as always if there are questions ask without problems.

Bye byeeee!

Extra: It is assumed that in this unplanned part, Wally told Tom "Consider yourself unlucky for working with me from now on." (No canon for me xD but extra)

Bye uwu)/💐

#draw #drawing #art #my artwork #welcome home arg #welcome home #welcome home fanart #wh wally #welcomehomeproject #welcome home oc #welcomehomeau #welcome home artist #welcome home actor au #actor wally au #wallydarling #wally darling au #wally darling fanart

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infamous-if · 9 months

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To Gender Select, or to Not Gender Select

So as everyone knows, I'm using the opportunity for this rewrite to really step back and look at what I have so far. I have just subscribed to the whole "follow my gut" thing and for the last two months or so, my gut has been telling me something.

For context, I created Orion (and I have mentioned this a couple times when I first opened this blog) that he came to me fully formed. While other ROs were more of a puzzle that appeared more and more fleshed out with every detailed I added, Orion was like a jenga block tower that grew more and more unsteady every time I changed a detail about him. He just came to me exactly as he was and I didn't really think beyond that. For example, with G, pieces of both Gina and Griffin came to me at the same time and G isn't G without both versions. With Orion he was just...Orion.

But lately—and this was not without many suggestions asking for it!—I've been playing around with the idea of a female version of his character.

One of my biggest things was to make sure that this wasn't a matter of just changing a variable. When it comes to my gender selectable ROs, I want to make sure I'm including the subtleties and nuances that come with being a man/woman in the public eye, especially for O. Their route is heavily centered around the idea of professionalism and...other things I can't mention and I think it'd be super interesting to add another component of being a woman, not only typically stern and taciturn but in a dominant position in music mostly taken up by men. Which is why, in the rewrite, there will be lines that are unique to Orion and unique to her. Reactions that are different, conversations that change. People who continue to romance Orion will prob not see a difference.

Not only does it separate them as two different people, it creates some distance from Orion, who is an established and beloved character already. I want his female counterpart to stand on her own as her own character.

Just because they have the same route does not mean they are the same person. I've always said that about my gender selectable characters.

This was not a spur of the moment decision. I was thinking about this for a while. I just needed to make sure every piece of Orion's route would make sense for her, and I do believe it does.

I've also been told many times how many people like Orion's route and the whole "manager-client" trope but are unable to play it as they are not attracted to men. I think this would be a nice addition and a way to make it more inclusive/give more people more routes to play!

The things I have written for Orion will probably stay the same since they've been written. Everything after the rewrite will have both options to select from.

So meet Oriana Quinn. With a short black bob usually greased back and a perfectly pressed suit, Oriana is as intimidating as she is determined. Yes, she's just as tall and muscular as her male counterpart and as obsessed with the gym as he. Her route with Cory will be different in its nature (since Cory is straight) but...guess we'll see!

fun fact: The beauty of Oriana being the name is that coincidentally, it also has to do with the sky. One of my requirements for finding a name like Orion's was that it was sky themed since it does come up. It almost seems like fate! haha

TLDR: Orion will be gender selectable. If you have plans to romance Orion and Orion alone, this will make no difference to you. For those who were hoping for this, I hope this news makes Infamous a bit more enjoyable for you! <3

#update #rewrite #rewrite update #o quinn

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edwinspaynes · 21 days

Text

Okay, so. I am very happy to inform y'all that I am beginning work on the first "episode" (chapter) of my Dead Boy Detectives season 2 fic today!

It has two potential working titles, both lyrics from Taylor Swift's Fresh Out the Slammer. I am not going to reveal them because I haven't selected which one I'll be using yet.

It will have 9 chapters. The official case titles are:

The Case of the Weeping Walls

The Case of Niko Sasaki

The Case of the Choked Cheerleaders

The Case of the Scorned Son

The Case of Hell's Own Track

The Case of the Shredded Tapestry

The Case of the Separated Soulmates

The Case of the Great Fire, Part I

The Case of the Great Fire, Part II

Each chapter will also come with a fun feature, but I'm not sure I'm ready to talk about that yet. :)

IF YOU WANT TO BE ON THE TAGLIST FOR THIS FIC, PLEASE COMMENT ON THIS POST. I will tag everyone who wants a tag, but only if they comment since that's how I'll keep track of the list.

Next question because I know this is going to be an extremely expansive and time-consuming project:

I would still post my usual DBDA content, including other DBDA fics, on this blog. The other one would be exclusively for longfic-related updates.

I would probably still reblog the chapters I post there onto this blog.

Finally, something for you to enjoy: a playlist for the fic! This is very short and uninteresting, but it will be an ever-evolving thing that probably gets long eventually, so please follow it if you're interested :)

A few spoilers under the cut that might impact interest (endgame ship, etc)

Unequivocal Payneland endgame (they're soulmates your honour)

Palasaki and NN/Kashi endgames

Happy ending for The Cat King, who plays a big role in the story

No Sandman crossovers besides potentially a Death appearance (I do not know Sandman well enough to include them)

BAMF Edwin scenes ;)

No Esther or Monty (sorry!) - there is a new OC antagonist

I'm currently trying to find a place for Jenny. I want to include her, but she will likely only have a few cameos since I can't for the life of me think of a plotline to involve her in.

I will be keeping up with Yockey-posted spoilers and incorporating them into the story when possible (so, Niko is the Principal, etc)

#dead boy detectives #dbda #save dbda #save dead boy detectives #edwin payne #charles rowland #payneland #Spotify #nwatslidmt

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showtoonzfan · 3 months

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Every time Viv is exposed for being a horrible abuser narcissist who hurt and mistreated people unapologetically, I feel deeply fucking disgusted to know that I actually watched the dog shit slop she managed to create, knowing that it’ll never be good because it’s from the perspective of a shallow minded abuser who’s never had a lick of empathy for anyone but herself.

I’ll be honest, Vivienne is a fascinatingly bad person. She’s just so interesting to talk about because of that, how far up her own ass she is and how oblivious she is to her bad writing, and said writing decisions are fun to pick apart and laugh at how absurd it is. But at the end of the day, she and her shows NEVER deserved the passion and attention it got, especially the passion and attention I gave her. I knew she was a horrible person from the start yet I kept coming back to watch her slop and point out how shitty she is, and that’s how my blog blew up. But she deserves none of it, no attention nor acknowledgment. She can genuinely just go to hell for all the people she’s wronged in the past and left in the dust, and I hope all of her accomplices who ignored the abuse and shut down anyone who spoke up against her can burn right next to her. She can keep her shit fetish toxic shows. And I’m sure in the future, more people will come out and expose her for being shitty, but it won’t touch her, it never does. Hope karma comes for her eventually tho.

So with that said, I’m going to be making a separate blog where I just talk about whatever I want and reblog art, and I think I’m finally done using this one to bitch about Hazbin or Helluva or Viv. I won’t delete it, but I won’t really use it anymore other than to look at posts. When I create the alt account, I’ll link it for y’all. And I want to thank everyone who’s supported me or just listened to me rant, y’all are amazing! But yeah, link for new account will be up soon.

#vivziepop critical #spindlehorse critical #helluva boss critical #helluva boss critique #helluva boss criticism #helluva critical #anti vivziepop

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brotherconstant · 5 months

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GIFMAKING TUTORIAL: PHOTOPEA (for Windows)

Screencapping

Gif Width/Size Limit/Ezgif

Loading Frames

Cropping and Resizing

Rasterize/Make Frames

Sharpening

Coloring (not detailed. Links to other tutorials included)

Exporting

Obligatory Mentions: @photopeablr ; @miwtual ; @benoitblanc ; @ashleysolsen Definitely check out these blogs for tips, tutorials and resources, they're a gold mine. Finally I recommend browsing the PHOTOPEA TUTORIAL / PHOTOPEA TUTORIAL GIF tags. DISCLAIMER: English is not my first language and I'm not an expert on what I'm going to discuss, so if anything's unclear feel free to drop another ask.

1. SCREENCAPPING -> PotPlayer (the one I use) or MVP or KMPlayer

INSTALL PotPlayer (tutorial)

Play your movie/episode and press Ctrl + G. The Consecutive Image Capturer window will pop up. Click Start to capture consecutive frames, Stop when you got what you needed.

Where it says "Image Type -> Format" I recommend picking PNG, for higher quality screencaps.

To access the folder where the screencaps are stored, type %appdata% in windows search, open the PotPlayerMini64 folder (or 32, depending on your system) and then the Capture folder. That's where you'll find your screencaps.

Admittedly MVP is a lot faster but I prefer Potplayer because it generates (at least in my case) higher quality screencaps. MVP kind of alters the hue and it made it harder for me to color my gifs. Still, if you're interested in how to use it, I recommend this tutorial.

As for KMPlayer, every tutorial out there is outdated and I couldn't figure out the new version of the software.

2. GIF WIDTH/HEIGHT, SIZE LIMIT, EZGIF OPTMIZER

At this point you should already know how big your gifs are going to be. Remember the ideal gif width(s) on tumblr are 540 px / 268 px / 177 px. These specific numbers take into account the 4 px space between the gifs. No restrictions on height. Here are some examples:

You can play around with the height (177x400, 177x540, 268x200, 268x268, 268x350, 268x400, 540x440, 540x500, 540x540 etc) but if you go over the 10 MB limit you'll either have to make your gifs smaller/delete some frames.

OR you can go on ezgif and optimize your gif, which is usually what I do. The quality might suffer a little, but I'm not really (that) obsessed with how crispy my gifs look, or I'd download photoshop.

Depending on the gif size, you can decrease the compression level. I've never had to go over 35. It's better to start at 5 (minimum) and then go from there until you reach your desired ( <10mb) gif size. Now that I think about it I should have included this passage at the end of the tutorial, I guess I'll just mention it again.

3. LOAD YOUR FRAMES

File -> Open... -> Pick one of your screencaps. The first one, the last one, a random one. Doesn't matter. That's your Background.

File -> Open & Place -> Select all the frames (including the one you already loaded in the previous passage) you need for your gif and load them.

(I recommend creating a specific folder for the screencaps of each gif you're going to make.)

WARNING: When you Place your screencaps make sure the Crop tool is NOT selected, especially if you've already used it and the width/height values have been entered. It will mess things up - I don't know why, could be a bug.

You can either select them all with Ctrl+A or with the method I explained in the ask: "when you want to select more than one frame or all frames at once select the first one, then scroll to the bottom and, while pressing Shift, select the last one. this way ALL your frames will be selected".

WARNING: Depending on how fast your computer is / on your RAM, this process may take a while. My old computer was old and slow af, while my new one can load even a 100 frames relatively fast, all things considered. Even so, I recommend ALWAYS saving your work before loading new frames for a new gif, because photopea might crash unexpectedly. Just save your work as often as you can, even while coloring or before exporting. Trust me, I speak from experience.

Now you can go ahead and delete the Background at the bottom, you won't need it anymore.

4. CROPPING AND RESIZING

Right now your screencaps are still smart objects. Before rasterizing and converting to frames, you need to crop your gif.

Technically you can rasterize/convert to frames and then crop, BUT if you do it in that order photopea will automatically delete the cropped pixels, even if you don't select the "Delete Cropped Pixels" Option. Might be another bug, unclear. Basically, if you crop your gif and then realize you cropped a little too much to the left or the right, you can go ahead, select the Move Tool (shortcut: V) and, after selecting ALL YOUR FRAMES, move them around on your canvas until you are satisfied. You won't be able to do this if you rasterize first and then crop, the excess pixels will be deleted. I don't know why, I found out by accident lol.

CROPPING

(Cropped pixels: the gray/opaque area outside of the selected area. That area disappears once you press enter and crop, but the pixels are retained, so you can move the frames around and reposition them as you like. In this case I could move the frames to the left and include Silver's figure [curly guy in the foreground] in the crop)

After deleting the Background, you will need to select all your frames (using the Shift key), use the C shortcut on your keyboard to choose the Crop tool. Or you can click on it, whatever's more convenient. Once you do that, a dropdown menu is going to appear. You need to select the "FIXED SIZE" option, as shown in the following screencap.

Once you do that, you can type in your desired width and height. Do not immediately press enter.

Your work area should now look like this. Now you can click on one of the white squares and enlarge the selected area until the edges are lined up. You can then move it around until it covers the area you wish to gif.

WARNING: to move the big rectangle around, you're gonna have to click on a random point of the work area, PREFERABLY not to close to the rectangle itself, or you might accidentally rotate it.

See? When your cursor is close to the selected area it turns into this rotating tool. Move it away until it reverts to your usual cursor, then you can start moving the rectangle. Press Enter when you're satisfied with the area you selected.

RESIZE

This isn't always necessary (pretty much never in my case) - and it's a passage I often forget myself - but it's mentioned in most of the tutorials I came across over the years, so I'd be remiss if I didn't include it in mine. After cropping, you'll want to resize your image.

IMAGE -> Image Size...

This window will pop up. Now, should the values in the Width and Height space be anything other than 540 and 400 (or the values you entered yourself, whatever they might be) you need to correct that. They've always been correct in my case, but again. Had to mention it.

5. RASTERIZE & MAKE FRAMES

Now that your screencaps are cropped, you can go ahead and convert them.

LAYER -> Rasterize (if you skip this passage you won't be able to Sharpen (or use any filter) on your frames at once. You'll have to Sharpen your frames one by one.

Photopea doesn't feature a timeline and it's not a video editor, which makes this passage crucial. When you select all your smart objects and try to apply a filter, the filter will only by applied to ONE frame. Once you rasterize your smart objects and make them into frames, you can select them all and sharpen them at once. Unfortunately this also means that you won't be able to - I don't know how to explain this properly so bear with me - use all smart filters/use them in the same way a photoshop user can. For example, you can sharpen / remove noise / add noise / unsharp mask... but you can't act on those filters in the same way a photoshop user can. When you work on smart objects you can change the blend mode - which is critical if you decide to use a filter like High Pass. If you simply apply a high pass filter on photopea you won't be able to change the blend mode and your gif will look like this (following screencaps). Or rather, you will be able to change the blend mode by clicking on the little wheel next to "High pass" (circled in green in the 2nd screencap), but you'll have to apply the filter to each frame manually, one by one.

Then you can rasterize/make into frames, but it's extremely time consuming. I did it once or twice when I first started making gifs and it got old pretty soon haha.

Layer -> Animation -> Make frames. This passage will add "_a_" at the beginning of all your frames and it's what allows you to make a (moving) gif. As I said in the ask, if you skip this passage your gif will not move.

6. SHARPENING

Some people prefer to color first and sharpen later, but I found that sharpening filters (more or less) dramatically alter the aspect of your gif and already brighten it a bit (depending on your settings) and you may end up with an excessively bright gif.

Now, sharpening settings are not necessarily set in stone. The most popular ones are 500/0.4 + 10/10, which I use sometimes. But you may also need to take into account the quality of the files you're working with + the specific tv show you're giffing. I've been using different settings for pretty much every tv show I gif, especially in the last couple months. Some examples:

followed by

AMOUNT: 500% RADIUS 0.3px followed by AMOUNT: 20% (or 10%) RADIUS 10px

You'll just need to experiment and see what works best for your gifs.

Some gifmakers use the UNSHARP MASK filter as well (I think it's pretty popular among photopea users?) but it makes my gifs look extra grainy, makes the borders look super bright and it clashes with my coloring method(s), so I use it rarely and with very moderate settings. Something like this:

Again, depends on the gif and on what you like. I've seen it used with great results by other gifmakers!

REDUCE NOISE

Sometimes - and this is especially the case for dark scenes - your gif may look excessively grainy, depending on how bright you want to make it. Reducing noise can help. Keep it mind, it can also make it worse and mess up the quality. BUT it also reduces the size of your gif. Obviously, the higher the settings, the more quality will suffer.

These are my standard settings (either 2/70% or 2/80%). It's almost imperceptible, but it helps with some of the trickier scenes.

ADDING NOISE

Adding noise (1% or 2% max) can sometimes help with quality (or make it worse, just like reduce noise) but it will make your gif so so so much bigger, and occasionally damage the frames, which means you won't be able to load your gif on tumblr, so I rarely use it.

You'll also want to create ACTIONS which will allow you to sharpen your gifs much faster.

HOW TO CREATE AN ACTION ON PHOTOPEA

The Action Button (shaped like a Play button as you can see in the following screencaps) may not be there if you're using photopea for the first time. If that's the case click on the magnifiying glass next to "Account" (in red) and type "actions". Press Enter and the button should immediately show up.

Once you do that, click on the Folder (circled in yellow)

and rename it however you like.

now click on New Action (circled in red). now you can press the Recording button (circled in green)

Now

FILTERS -> Smart Sharpen

and you can enter your values. Then you repeat this passage (WITHOUT pressing rec, WITHOUT pressing new action or anything else, you just open the smart shapen window again) and, if you want, you can sharpen your gif some more (10%, 10px, or anything you want.)

Maybe, before creating an action, experiment with the settings first and see what works best.

When you're satisfied, you can PRESS STOP (it's the rec button, which is now a square) and you can DOWNLOAD your action (downwards facing arrow, the last button next to the bin. Sorry, forgot to circle it) .

You need to download your action and then upload it on your photopea. When you do, a window will pop up and photopea will ask you whether you wish to load the action every time you open the program. You choose "Okay" and the action will be loaded in the storage.

When you want to sharpen your gif, you select all your frames, then you click on the Play button, and select the Action, NOT the folder, or it won't work.

Actions can also be created to more rapidly crop and convert your frames, but it doesn't always work on photopea (for me at least). The process is exactly the same, except once you start recording you 1) crop your gif as explained in step 4, 2) convert into frames. Then you stop the recording and download the action and upload it. This won't work for the Rasterize step by the way. Just the Animation -> Make Frame step.

7. COLORING

Now you can color your gif. I won't include a coloring tutorial simply because I use a different method for every tv show I gif for. You normally want to begin with a brightness or a curve layer, but sometimes I start with a Channel Mixer layer to immediately get rid of yellow/green filters (there's a tutorial for this particular tool which you will find in the list I mention in the link below)

[Plus I'm not really an authority on this matter as my method is generally... fuck around and find out. Two years of coloring and I still have no idea what I'm doing. 70% of the time.]

Simple Gif Coloring for Beginners -> very detailed + it includes a pretty handy list of tutorials at the bottom.

8. EXPORTING

Now you can export your gif. Some gifmakers export their (sharpened) gifs BEFORE coloring and then load the gifs on photopea to color them. I'm not sure it makes any difference.

FILE -> EXPORT AS -> GIF

(not colored, just sharpened)

As you can see, unlike photoshop the exporting settings are pretty thread bare. The only option available is dither - it sometimes help with color banding - which, and I'm quoting from google for maximum clarity:

"refers to the method of simulating colors not available in the color display system of your computer. A higher dithering percentage creates the appearance of more colors and more detail in an image, but can also increase the file size."

SPEED

When you export your gif, it will play at a very decreased speed (100%). I usually set it at 180/190%, but as for every other tool, you might want to play around a little bit.

GIF SIZE/EZGIF OPTIMIZER (See Step 2)

And that's it.

P.S.: worth repeating

Save your work as often as you can, even while coloring or before exporting.

#photopea #my inbox is open if you have any questions <3 #image heavy under the cut #photopeablr #tutorials #gif tutorial #allresources #photopea tutorial #completeresources #gifmaking

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