“died falling down the stairs” is such a comically bad way to kill off a character for backstory purposes, it makes sense that they didn’t specify the accident in the live action.
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"I feel bad because i dont really like sucking dick honestly"
"I'm not a fan of eating pussy really, whichsucks because I wanna make my partner feel good"
that is actually completely valid!! you shouldn't feel like you have to do something you dont enjoy just to please your partners! there's lots of ways to make someone feel good, you dont have to force yourself to do ANYTHING that you dont enjoy or that makes you feel uncomfortable!! and if anyone tells you otherwise, they're wrong!!
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been watching mashle and oh my god, the eugenics???? the way lance's parents were so ready to give up their daughter??? no second thought???? just "why did this child have to be born to us?"???? um everyone talking in mash's face about how non-magic people are inherently worthless???? the triple line dude fucking making dolls out of people and somehow no one??? is??? checking him???? and then when questioned immediately jumping into "well humans are little more than mindless beasts and i will become a creator deity and reshape the world in my liking!"????? the, um, corruption in the government??? the way this story is so clearly "h*rry p*tter if it was actually funny"??? the slytherin coded characters are blood purists???? they took out hufflepuff??? one of the magia lupus' mage's powerset was just big shuriken???? another one is rip off kisame???? lance is a siscon and the first thing mash says is "that doesn't make it better"???? lemon is genuinely so fuckin funny??? dot is incel-coded but like in a funny way??? dot says that lance is playing life on "easy mode" cause lance has a good face??? dot likes tea??? dot has good manners??? everybody only has one spell they can use??? finn ames is like if you transported is regular human into this stupid ass world??? i think the old man and the cop have explored each others bodies.
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i don't know what kind of wizardry dropout is doing on the backend but when my internet is being hot garbage and youtube in potato mode has to stop and buffer every thirty seconds and i can barely load a fucking webcomic, i can still stream dropout in high def no problem
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Fear& is such a sitcom ass group of friends. the hot socialist guy, the wacky actor/director guy, the selfish top gay guy or whatever the hell austinshow has going on idek how to describe it, and league of legends playing pastry chef girl and they are all mentally ill.
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Me every time I check out the dead boy detectives tag: *rolls up sleeves* welp. Looks like it’s time for another Crystal Palace defence post
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Spider-Man AU
Basically, Tay gets her powers first but after a while retires from being your friendly neighbourhood spider woman.
Then a few months later the others collectively become spider-heros (all bitten by the same spider on the same day), and are under the impression Tay is the only one who didn't get bitten.
So Taylor mainly helps them create their suits and all the background stuff (which makes her feel slightly bittersweet, since the others seem so cool to her but she has to stay in the background to avoid getting her cover blown)
But one time when the group gets overwhelmed she goes to help them out in her old suit, and from then on she's part of the group, but they still have no idea who she is. (She uses it to mess around with the group alot, especially Tyler)
The image takes place before the others get bitten, so she's still the one and only spider-woman (although she doesn't think that name has a ring to it, and she's definitely wanting to change it now since there are now 4 spider men and 2 spider women 😭)
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Thinking about the Chevalier interlude, specifically the inaugural team of Wards. Like in universe, they sell it to this first group of kids (and presumably the rest of the world) as a place for second chances, to find friends and mentors who understand what youre going through, where you can learn to use your powers safely while making good memories. The kids broadly seem to believe in these noble intentions of course, but what really gets me is that I've seen readers buy into it!
"Oh, it's such a tragedy that the Wards program became this awful thing that traumatizes kids even more, and expects them to die for the sake of civilians! It's fallen so short of what it was originally supposed to be!"
No it has not??? The fact that the triumvirate and Hero are saying it has this noble goal doesn't make it true. The Wards was pretty clearly always a way to increase the amount of bodies the prt could throw at threats, and we know this because it was started by the fucking Triumvirate as a part of the Protectorate! Alexandria literally came up with the idea of the Protectorate to legitimize the power of capes, and have a consistent source of heroes Cauldron could throw at problems. That is the whole reason for the PRT/Protectorate existing. So when we have this group of children brought in a subsidiary, there are 2 real options.
1). Cauldron and Alexandria decided they would be really niceys and created this program with no intentions other than helping these kids out.
Or 2). As things got worse, they realized the Protectorate didn't have enough manpower to do what they needed, and so they expanded it to include children (the demographic most prone to triggering). That way, they greatly increase the number of capes who they can send to fight and die as needed, and the ones who do survive their tenure in the Wards will be better trained when it comes time to join the actual Protectorate.
At the risk of sounding conceited, I think the second one is far more likely based on everything we know about Cauldron. Maybe it was originally a little nobler, and the goal was just to create more well trained heroes and cut back on young villains, but there's no way Alexandria, Doc Mom, and Contessa didn't factor in the ability to sacrifice the kid heroes if it improved their chances of success. That was absolutely a perk at minimum.
That's the real tragedy of the inaugural Wards. The kids were lured in with promises of safety, comraderie, and second chances like lambs to the slaughter. All the while, Alexandria and Cauldron knew that many (if not most) of these children would suffer abuse by the prt (like in the case of Reed), die, or face a fate worse than death like poor Mouse Protector. It's horrifying! The idea that they didn't know the danger these kids would be in is literally inconceivable. Especially when one of you is also the head of the prt! They knew, and they didn't care. It improved their chances at the end of the world, and so they did it no matter the cost.
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rdj the (whitewashed) electric boogaloo
This is a reminder to everyone who's excited about RDJ's casting as Doctor Doom that this casting is whitewashing. Victor Von Doom is a Romani character and has been a Romani character since his introduction in the 1960s. (Fantastic Four Annual #2 [1964]) Not only that, but his Roma identity and the persecution he and his family faced due to it is integral to his character, it is what forms his identity. (Books of Doom by Ed Brubaker) Even if on the off chance this casting is meant to not be Victor but instead be some variant of Tony or whomever else becoming Doctor Doom, it is damaging to the character to rob him of that important cultural background. Doctor Doom does not exist without that history. Fans have been pushing hard to cast Doom as a Romani actor for years, especially since the MCU has whitewashed other Romani characters. (Wanda, Pietro, etc) This casting is not a celebration moment, it's fucking heartbreaking that the MCU repeatedly ignores the important and nuanced cultural backstories of characters.
I know I can't change anybody's mind on whether or not you want to be excited about RDJ's return to the MCU. But I do think at the very least you should be mad that the MCU is baiting us all and destroying nuanced and interesting characters for the sake of self-referential easter eggs and nostalgia bait. Because that's what it is. Feel how you'd like to feel about RDJ's return, but personally, this is soul-sucking. I had such a deep love for the MCU as a teenager, it was obviously something incredibly formative to me, especially Tony Stark. This isn't recreating what I fell in love with the MCU for. This is turning a well-planned and artistic storyline of adaptations into cheap cash grabs and fan service. Because, I think we're past the point of being able to call the MCU an adaptation of anything. They can use existing characters' names and powers, but to say they're being properly adapted is laughable.
This is not an adaptation of Doctor Doom. This is RDJ the Electric Boogaloo because Marvel's fear of losing the interest of dedicated MCU fans overrides their willingness to tell stories that are genuine to the characters. I don't know what there is to be excited about that. The MCU has lost its authenticity and aside from a few projects, feels heartless. Every movie is a copy of a copy. This announcement isn't something celebratory, it feels like a death knell of a cinematic universe that's so desperate to cling to relevancy it's resorting to nostalgia for a character/actor who hasn't even been dead for a decade. We're not getting anything new, we're just rinsing and repeating the same song and dance.
I get it. I love Tony Stark, his death destroyed me and I to this day, rue the ending he got in Endgame. It misunderstood his arc and it robbed him of a satisfying conclusion. But the solution to that isn't dragging the corpse out of the grave five years later to whitewash an existing character with rich and interesting nuance, just to forcibly tie his existence in the MCU to Tony. Whether he is a variant or not. Why would you want someone else's fave's legacy to be destroyed simply so your fave's legacy can go on? Hell, if we were really all so hellbent on the return of RDJ and/or Tony to the MCU, we have the multiverse for a reason. There were other ways to do it that didn't whitewash and ruin someone else. This just. Isn't something to be happy about.
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might be swinging a bat at a hornets’ nest here but how are some people out here getting real life angry at fictional characters and then sticking around to hate on them. it takes like 2 mildly upsetting writing decisions max to make me abandon media entirely where are you guys getting the tenacity
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...so now that grandfest is over and the results were revealed am i allowed to say that some of y'all were such dicks to team present over their team choice for NO good reason ever since grandfest was revealed or am i going to get mauled for being right.
anyways congrats to the team past members who weren't assholes about their team choice and those team past members only every match against you guys made me feel like i was crawling in the trenches and it's very impressive 👍
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i hate whining on here abt my fear of being annoying sm bc it feels like i'm dismissing all of you hhhhhhhhhhhhhhhh i really really promise that i am not and godddd i'm so fucking happy to have you all here with me but sometimes just sometimes the feeling just creeps up on me and i hate it so fucking bad
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(˶ᵔ ᵕ ᵔ˶)
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Okay, this has been bugging me since I read it, but what the fuck is going on here:
“But he’ll understand,” the Doctor said. “If the Terminus project is a success, the end of the world isn’t a concern. And I believe we will succeed.”
“Provided we come up with a solution to the bigger, more basic problems we’re facing,” Eidolon said. “Or we’ll simply find ourselves in the same circumstances after we’ve gone to all this trouble.”
Alexandria nodded. “The Protectorate is proving to be a failure on that front. Recent events haven’t given me much hope in that regard.”
“So that leaves only my end of things,” the Doctor said.
“Coil,” Eidolon said. “And if he fails?”
“Ever the pessimist,” Alexandria said.
“This revelation about the possible end of the world has decimated our projected timeline. We don’t have time to prepare or pursue anything further,” the Doctor said.
“If we assist him-”
“No,” the Doctor spoke. “If we assist him, there’s no point.”
“In short?” Alexandria leaned forward, resting her elbows on the table. “He doesn’t even know it, but everything rests on his shoulders.”
Why in the name of fuck is the Terminus project deemed somehow more important than the fact that SCION IS GOING TO KILL ALL OF HUMANITY AT SOME POINT?
How does Coil (and other parahumans) setting up little fiefdoms prevent that?
Do we get a satisfying answer to this? Because I don't see how the two are remotely connected.
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