#I will go deeper

[starryeyesmasc]

need to ride a girl’s strap asap I’m done being cool about it it’s needy lesbian time

[hinamie]

shhhh

[poorly-drawn-mdzs]

The musical episode.

[First] Prev <–-> Next

[lucabyte]

siffrin starts the game with oddly empty pockets for a rogue who has a habit of stashing away every little trinket that isn't nailed down

and a hardy pocketwatch is an indispensable tool for oceanic navigation

[ariadne-mouse]

[smallpwbbles]

I wanna know what this the problem is with this pencil neck bugs bunny looking ass motherfucker

[the-moogs]

marlene loves when her gay aunts babysit her 🎀

[stil-lindigo]

image i made for a powerpoint night with friends

[gloriousmonsters]

love when you can ask the Narrator why the Princess is a Princess and he's like 'well i uhhhh YOU did that. maybe it's because uh... something something about her being above you... but still approachable... look i don't want to analyze or anthropomorphize your--' my guy. i am a primal being of Order and Eternity and Shaping. You're the one who convinced me I was some dude and were quite willing to take credit for shaping my view on the world through narration five seconds ago. Are you gonna look me in the eye and tell me the desire to interpret something worthy of adoration and more powerful than me as a dommy princess is written in the very nature of the universe or are you going to show me your browser history like a man

[doydoune]

Hazakura Temple, February

[crystallizsch]

okay hi so listen hear me out

sea snake is a bit too obvious (and too boring)

so i made him based on some kind of lionfish??? (bc something something venomous marine animal) also with a LOT of creative liberties i made with how the fish looks like

let’s also give his fins some rips and tears here and there bc what are the implications of that??? that’s for you 🫵 to decide

anyways chat i lowkey dont know what i was doing

i had no other thoughts but haha funny snake man i turn into fish

[cerb-daily]

day 4 - gravity

[riickgrimes]

"The key thing was of course, the fact that Rick has PTSD and that's very much what's driving a lot of his behavior and being in a place of that level of vulnerability, back with the love of his life in that way.

It's also the thing he fears, the loss of her. It manifests itself in a way that is visceral and leads to the lovemaking not just being about love, but the revealing of pain and trauma and fear. That informs Michonne, that she can't just blast him into making sense. There's something deeper going on here that he can't verbalize. She has to help him get through in a different way. So she gets to see him, as well, as he reveals what's really in there, the wound. That's going to happen most likely in that most vulnerable space." — Danai Gurira

"Yeah, I think it is about pain. As Danai just said, it's about him wanting her and then fearing what he's about to unlock again. He gets to sort of articulate it in the scene further in the episode, when he gets to say that, 'I can't do this again. I haven't got the capacity to do this again. I've worked out how to die and live again.' So it is an absolutely necessary scene that allows Michonne to realize that there's something really broken here, more broken than she's ever anticipated. [...]

So the scene was about a real intimacy, a sort of frightening intimacy. This is a part of his personality he has shut down. It's almost like he's trying to stop himself from feeling this love again. She sees that and she just says, 'Just trust. We're back. We're the same...' I find it very moving. I think it's a very, very moving scene, because it's about them connecting in a way that he's had to deny for seven years. He's denied that connection for the sake of living on in this half life for the CRM" — Andrew Lincoln

Andrew Lincoln and Danai Gurira Discuss Episode 4 of The Walking Dead: The Ones Who Live

[abyssalzones]

who killed stanford pines?

[poorly-drawn-mdzs]

There is a platonic explanation for all this. Right?

[First] Prev <–-> Next

[glossc1]

im not really interested in engaging in moral discourse surrounding the relationship of zeus and ganymede bc 1. i like to leave things up to the viewer and 2. the inherent horror and tragedy of being the “most beautiful boy to exist” is more interesting to me since we’ve seen it play out horribly in real life. i take inspiration from björn adrésen, quotes from the young river phoenix, the lives of castrati and antinous more than anything lol.

i see ganymede being taken as something that mirrors the inevitable “death” that either occurs literally or metaphorically to beautiful young men. they either “die” by aging out of their perceived beauty or die in some tragic way that preserves their young grace in peoples minds. ganymede cannot die in the traditional sense as he is immortal, but him being taken is a “death” of sorts in that the memory of his beauty is frozen in time. the ganymede inside everyone’s heads will stay the same forever and can be deified both literally and figuratively.

so did zeus “kill” ganymede or save him? is there love in the “kill” and greed in his conservation? is there liberation in “death” when you are the most beautiful boy to exist? can you ever be liberated? is ganymede dead or alive?