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#I would love to do a project on this
cupophrogs · 7 months
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A little thing I made since the faintness of the moon made me way too emotional this morning
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greykolla-art · 3 months
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Charlie: “I’m so glad my most villain-coded friend is at full power again! 🥰💕”
*throws this to you angst goblins like raw steak* ❤️
(No I will not do a part 2!❤️)
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sculkshrieking · 2 months
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Saw IV and V but make it one of those classic children's cartoons
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heartorbit · 20 days
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back to our yuri programming
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sneez · 2 months
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pathologic but it's a lost 1920s german expressionist film [id under cut]
[id:
image 1: a digital drawing of a fake poster, using bright colours and rough, painterly brushstrokes. the title, 'pest' (german for 'plague'), is written at the top in spiky black text. in the foreground a man dressed as a tragedian is staring intently at the viewer, his hands raised and splayed as if in horror. in the background, the town is framed against a red sky, with the polyhedron in yellow behind.
images 2 and 3: fake casting sheets for the film, with the names of the actors and the characters they are playing above a black-and-white portrait photograph of them. all the text is in german. in english it reads: 'Pest', a film by Robert Wiene Alfred Abel as Victor Kain Ernst Busch as Grief Lil Dagover as Katerina Saburova Ernst Deutsch as the Bachelor Carl de Vogt as Vlad the Younger Marlene Dietrich as the Inquisitor Willy Fritsch as Mark Immortell Alexander Granach as Andrey and Peter Stamatin Bernhard Goetzke as General Block Dolly Haas as the Changeling Ludwig Hartau as the Haruspex Brigitte Helm as Anna Angel Brigitte Horney as Maria Kaina Emil Jannings as Big Vlad Gerda Maurus as Yulia Lyuricheva Lothar Menhert as Georgiy Kain Asta Nielsen as Lara Ravel Ossi Oswalda as Eva Yan Fritz Rasp as Stanislas Rubin Conrad Veidt as Alexander Saburov and Tragedian Paul Wegener as Oyun Gertrud Welcker as Aspity
image 4: four digital sketches of set designs for various locations. all are strongly influenced by expressionist imagery, using extreme angles, warped perspective, and dramatic shapes. they are labelled 'street 1' (a street lined with houses), 'street 2' (a square with a lamppost and a set of steps), 'polyhedron exterior' (the polyhedron walkway), and 'cathedral interior' (the dais at the far end of the cathedral).
image 5: four digital drawings in a black-and-white watercolour style, showing fake stills from the film. all are similarly distorted and lit by dramatic lighting. the first shows katerina's bedroom, with katerina standing in the centre of the floor. the second shows the interior of an infected house. the third shows daniil staring out of the frame in horror, one hand on his head and the other raised as if to ward something off. the fourth shows an intertitle with jagged white text reading 'the first day' against a dark background.
end id.]
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accirax · 4 months
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🌟🍬🤖🎈Congrats to Wonderlands x Showtime for finishing their 4x4!🌟🍬🤖🎈
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wistfulwatcher · 7 months
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As for myself, I gave birth to a healthy baby girl. The creature spared our lives, and in return I honored her with my absolute silence. Some things, no matter how magnificent they are, are best left alone. And as to whether I'd ever see her again, the answer is yes. But that's another story.
LILY & THE MERMAID in SHE CREATURE (2001)
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chiricat · 11 months
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mizunenetoya 🎀🤖☕️
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gardenofnoah · 6 months
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cw: implied sexual trauma, panic attack, intimacy struggles
You don’t notice it happening until it’s buzzing under your skin. Loud and unavoidable, the only thing you can pay attention to is the irregular flutter of your heart and the way it seems that all the air has been vacuumed from the room—
“Hey.”
You blink, and Katsuki is no longer above you. He’s not touching you at all—you turn your head to find him next to you, propped up on an elbow and only worried.
“Too much?”
The panic flares at the question, because what if this is the last time? What if he’s tired of this?
Your exhale is shaky—your laugh is forced and sounds out of place. “No, it was fine, I just—“
“Oi—“ he says, gently, “tell me the truth.”
The truth burns your eyes and keeps them on the ceiling, away from his. You nod, helpless and resigned to whatever comes next.
“What’s goin’ on in your head?”
You feel the tears spill over before you can catch them. You swipe them away with the back of your wrist. It’s still numb. “I’m just sorry. I didn’t mean to ruin it.”
He grunts a little in acknowledgment—a displeased, ugly sound—and then there’s movement that finally draws your eyes to him. You watch him cover himself with your duvet—all the way up to his chin.
“S’it okay if I hold you?”
He reaches for you and you let him pull you in. His hands stay above your shoulders and pointedly avoid your neck—cradling your head, letting you hide in the curve of his throat. His pulse is steady and constant against your forehead—or you imagine it would be, if it wasn’t muted by the fabric.
“Nothin’ is ruined,” he murmurs against your hairline, “s’my job to keep you safe.”
Your chest shudders against the cushion of the blanket and you feel a little guilty about crying all over it but Katsuki keeps you there, tethered to him. The ringing in your ears subsides, just a little. Just enough to hear the panic in your own voice.
“I promise I want it. I don’t know what’s wrong with me, I’m sorry—“
“Hey, hey,” he shushes you, careful not to tighten his arms around your shoulders. “Nothin’ to be sorry for. S’too much today—that’s all.”
It’s quiet, then, save for your sniffling. He keeps his mouth pressed to your hair, and his arms wrapped around you. There is a noticeable absence of his fingertips tracing along your skin—you don’t feel them there at all, and it’s on purpose. He’s considerate and it makes you anxious.
“Can hear you thinkin’.”
“I just—“ you inhale, trying to be brave, “I don’t want you to leave. I know I can’t—give you this—“
“Oi,” he gruffs, a little sharply, “I don’t give a shit about that. M’not a barbarian.”
You feel the expansion of his lungs as he draws in a slow exhale, and lets it out against the crown of your head. “Don’t think so little of me,” he murmurs, tone laced with hurt.
“You’re right,” you whisper, because he is, “I love you.”
“Love you.” He kisses it into your skin, soft and barely there. “Always will.”
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rhinocio · 2 years
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so tired of having a brain that won’t cooperate
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xulips · 6 months
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does it suck that i'm not so predictable?
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21stc3nturyd1gitalb0y · 6 months
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i started another pair of patch pants
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artoriarts · 19 days
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I think that being alone in frasco made aba a very sensory-oriented person. and that translates a lot into how she shows affection, especially given paracelsus, while he can be hugged or kissed or humped, can’t really reciprocate too terribly much and probably doesn’t feel it as vividly or in the same way as those of biological body. basically what I’m saying is aba does asmr for paracelsus as a form of intimacy
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polybiusplayer · 28 days
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Anxious habit.
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Hey, wonderful being of this world. I saw your rlgl au and immediately fell in love, please(please help me from my suffering) and I was wondering, cause you said before sun and moon where in a relationship, can we get to see some wholesome smoochies please???
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Hi i am like, super woozy rn so these are a little messy but here you go, a fresh serving of the rlgl au guys being cute. These bitches definetly slowdance in their kitchen at 1am in the morning 10/10 can confirm
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aioliravioli-69 · 1 month
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Here you go!!
Silver in a pretty dress, that ISN'T her usual one!
Some of you may already know this, but I LOVE drawing frilly and poofy dresses! ESPECIALLY when they're moving!!!
I love the ways the folds rearrange themselves!!!
This first dress wasn't really inspired by some barbie doll dress, just a random redesign I guess??
I feel like the lineart isn't that visible though, but I'm too lazy to fix it lol
Aight, up next is a request!!
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This dress was requested by @tea-132 and I thank them!!!
It's REALLY pretty and I would've missed out on it otherwise aqnd it was extremely fun to draw so thanks a lot :DD
here it is!!
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And yes, before you ask, she will come in more poses I just need to figure them out and nothing seemed more fitting for this dress than the 'joyful-walk-with-a-new-skirt' pose!!
I will say that I totally put no effort into the design on the outer lace and ibis Paint was a giant help with the stars (I love you ibis, marry me <333)
I'm happy with how it turned out and be prepared to expect more dresses soon
I will draw them until y'all are drowning in them
MUHAHAHAHAHAHAHAHAHAHAHAHAHAH
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